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Collection includes Grimsley's personal journals, personal and professional correspondence, handwritten notebooks containing the creative beginnings of his novels and plays, drafts of of his writings, publicity, reviews, and publications by or about him in small magazines. Also includes published copies and translations of his writings.

Collection contains personal journals (1973-1993); personal and professional correspondence (1970s-2018); handwritten notebooks containing the creative beginnings of his novels and plays; datebooks and appointment journals; writing drafts (1970s-2016); published copies and galleys of his works, including translations; publicity, reviews, and publications by or about him in periodicals. Topics in his writings include family violence, homosexuality, the lives of young boys, racism and desegregation, and growing up in the Southern United States. The collection includes materials from all stages of Grimsley's creative process for his many plays, short stories, articles, and books. Grimsley's papers also include a significant amount of material from his work as an author of speculative and science fiction, including drafts of essays and books, editorial correspondence, and documentation of his participation in science fiction conventions.

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Thomas Dixon Jr. Papers, 1880s-1959 3.0 Linear Feet — 4 gray hollinger boxes, 1 oversize folder, and 1 separately boxed volume.

Thomas Dixon Jr. (1864-1946) was a white supremacist, novelist, playwright, and clergyman, originally from North Carolina. Dixon authored The Leopard's Spots (1902) and The Clansman (1905), which later was adapted into D. W. Griffith's film The Birth of a Nation (1915). This collection contains literary drafts of his plays and novels, some correspondence, and other legal materials and photographs.

Collection contains literary manuscript drafts, correspondence, family photographs, and printed materials and clippings. The bulk of the collection consists of Dixon's holograph and typescript drafts of scripts, novels, and corrections for titles he authored including The Clansman, The Birth of a Nation (includes draft play script and film's shot list), The One Woman (bound page proof), the Love Complex, God's Fool: A Drama of Negro Life in Modern Harlem, Shanghai Express, The Great American, The Man in Gray, A Man of the People: A Drama of Abraham Lincoln, The Sins of the Father (2 bound volumes, holograph drafts), The Sun Virgin (bound volume, holograph draft), and The Flaming Sword. The bulk of these works depict romanticized, racist, Lost Cause morality plays, with Dixon's texts advocating white supremacy, segregation, violence against Black people, misogyny (and opposing women's suffrage), and miscengeny. There are also some drafts by other writers, including Majorie Chase, W. Ward Marsh, and Ernest De Journo. Correspondence and legal papers in this collection tend to relate to his publications, including contracts and copyrights; includes a letter from Jerome Dowd reflecting on the Tulsa Race Riot. There are also some legal proceedings from a 1920s court case between Dixon (defendent) and the National Drama Corporation, and some letters discussing Dixon's poor health. The collection includes some materials relating to Dixon's involvement with the Mount Mitchell Association, a land development company in Western North Carolina; materials on spirituality from Dixon's widow, Madelyn Donovan Dixon; family photographs and portraits of Dixon, his first wife (Harriet Dixon), his second wife (Madelyn Donovan Dixon), and some of his children and other relatives, at times unidentified; and assorted printed materials, flyers, notes, and unidentified drafts.