Anna Halprin (b. 1920) is a pioneering dancer and choreographer of the post-modern dance movement. She founded the San Francisco Dancer's Workshop in 1955 as a center for movement training, artistic experimentation, and public participatory events open to the local community. Halprin has created 150 full-length dance theater works and is the recipient of numerous awards including the 1997 Samuel H. Scripps Award for Lifetime Achievement in Modern Dance from the American Dance Festival. Her students include Meredith Monk, Trisha Brown, Yvonne Rainer, Simone Forti, Ruth Emmerson, Sally Gross, and many others. Collection includes books, magazines, photographic prints, clippings, flyers, written correspondence, programs, essays, and other printed materials.

Collection includes books, magazines, photographic prints, clippings, flyers, written correspondence, programs, essays, and other printed materials.

Laura Dean (b. 1945) is an American choreographer and composer. In 1972, she established her company, Laura Dean Dancers and Musicians, where she created the choreography for forty works, and in most instances, created the music as well. A number of Dean's pieces were also accompanied by the music of Steve Reich. Dean continued to create works for her company until 2000. She received the Samuel H. Scripps/American Dance Festival Award in recognition of her accomplishments as a choreographer and composer in 2008. Collection includes photographic prints, contact sheets, negatives, slides, clippings, programs, printed materials, posters, VHS videotapes, and an audiocassette.

Collection includes photographic prints, contact sheets, negatives, slides, clippings, programs, printed materials, posters, VHS videotapes, and an audiocassette.

Dr. Charles Rudolph "Chuck" Davis or Baba Chuck (1937-2017) was an African American dancer, choreographer, and founder of the African American Dance Ensemble, the Chuck Davis Dance Company, and the annual DanceAfrica Festival. Collection includes correspondence, paper based records, printed materials, teaching materials, programs, posters, publications, newspaper clippings, conference materials, notebooks, photographs, negatives, slides, super 8 film, videotapes, artwork, and various other types of memorabilia.

Collection includes correspondence, paper based records, printed materials, teaching materials, programs, posters, post cards, publications, newspaper clippings, conference materials, notebooks, photographs, negatives, slides, super 8 film, videotapes, artwork, and various other types of memorabilia

Charles Reinhart Management, Inc. (CRMI) was involved in dance company management, festival production, grant-funded projects, and assorted professional services. Collection includes correspondence, printed material, and business and financial records created by Charles L. Reinhart and the employees of Charles Reinhart Management, Inc., 1951-2008.

Collection includes correspondence, printed material, and business and financial records created by Charles L. Reinhart and the employees of Charles Reinhart Management, Inc., 1951-2008. Some personal papers of Charles L. Reinhart are also included.

The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a six and a half week summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a six and a half week summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. The collection consists of materials collected by the American Dance Festival pertaining to choreographers, dance companies, and others involved in modern dance, including printed materials, newspaper and magazine clippings, press kits, programs, and correspondence.

The collection consists of materials collected by the American Dance Festival pertaining to choreographers, dance companies, and others involved in modern dance, including printed materials, newspaper and magazine clippings, press kits, programs, and correspondence.

Free to Dance: The African-American Presence in Modern Dance was a three-part television documentary co-produced by the American Dance Festival and the John F. Kennedy Center for the Performing Arts in association with Thirteen/WNET New York. The series aired on PBS' Great Performances: Dance in America in 2001. It chronicled the role of African-American choreographers and dancers in the development of modern dance as an American art form. The collection includes film, video, sound recordings, oral histories, interview transcripts, business records, photographs, clippings, and research materials created or collected during the production of the three-part television documentary Free to Dance.

The collection includes business records, grant proposals, correspondence, film, video, sound recordings, oral histories, interview transcripts, photographs, clippings, and research materials created or collected during the production of the three-part television documentary Free to Dance.

The bulk of the Free to Dance Collection dates from 1998 to 2001, when technical production of the series took place; however, the collection also includes grant proposals and early project development documentation dating back to 1987, as well as some correspondence and financial information created after its air date in 2001.