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The collection consists of 552 zines, collected by the donor between 1994 and 2001. The collection focuses on personal zines by women, politics, the punk music scene, social justice activism, and riot grrrl. Many of the zines are accompanied by correspondence with the donor. Ailecia Ruscin is a writer, activist, and scholar from San Antonio, Texas and Auburn, Alabama. She is the author or co-author of the zines provo-CAT-ive and alabama grrrl (published from 1997-2000).

The collection consists of 552 zines, collected by the donor between 1994 and 2001. The collection focuses on personal zines by women, politics, the punk music scene, social justice activism, and riot grrrl. Many of the zines are accompanied by correspondence with the donor. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

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Alix Kates Shulman papers, 1892-2014, bulk 1968-2014 39.5 Linear Feet — 29,625 Items

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Prominent feminist, author, and political activist in the 1960s and 70s. Author of MEMOIRS OF AN EX-PROM QUEEN (1972), ON THE STROLL (1980), and DRINKING THE RAIN (1995). The materials in the Alix Kates Shulman Papers span the dates 1892 to 2000, with the bulk of materials dating from 1968 to 2000. These materials include: manuscripts, notes, clippings, published books, correspondence, photographs, audio and videotapes, microfilm, address and date books, family and business records. The primary focus of the collection is Shulman's writing and literary career. The secondary focus is the women's liberation and feminist movements, in which Shulman was and continues to be very active (from 1968 to 2000). However, feminism and feminist activism are inextricably intertwined with Shulman's writing career, and her 1972 novel MEMOIRS OF AN EX-PROM QUEEN is regarded by many as the first novel to "come out of" the women's liberation movement of the late 1960s and early 1970s.

The materials in the Alix Kates Shulman Papers span the dates 1892 to 2000, with the bulk of materials dating from 1968 to 2000. These materials include: manuscripts, notes, clippings, published books, correspondence, photographs, audio and videotapes, microfilm, address and date books, family and business records. The primary focus of the collection is Shulman's writing and literary career. The secondary focus is the women's liberation and feminist movements, in which Shulman was and continues to be very active (from 1968 to the present). However, feminism and feminist activism are inextricably intertwined with Shulman's writing career, and her 1972 novel Memoirs of an Ex-Prom Queen is regarded by many as the first novel to "come out of" the women's liberation movement of the late 1960s and early 1970s.

Other topics covered by the collection include: her teaching and other academic work; her public speaking and conference activities; and her involvement in political activities besides feminism. This collection sheds valuable light on the concerns and tensions within the women's liberation and second-wave feminist movements. In particular, the materials document debates and disagreements among those active in the movement with regard to sexuality, marriage and domestic relations, women's financial situation and careers, health care, civil rights and cultural expression. Many of these issues are raised in Shulman's own work, including her novels, essays, short fiction, personal letters and her teaching materials.

The collection is divided into seven series. The Personal Papers Series contains Shulman's family history papers, photographs, biographical papers, and her personal correspondence (with writers, academics, political activists and family members). Notable correspondents include Ros Baxandall, Jay Bolotin, Kay Boyle, Rita Mae Brown, Phyllis Chesler, Judy Chicago, Andrea Dworkin, Candace Falk, Marilyn French, Lori Ginzberg, Hannah Green, Erica Jong, Kate Millett, Honor Moore, Robin Morgan, Tillie Olson, Lillian Rubin, Sue Standing, and Meredith Tax. The Political Work Series contains material relating to Shulman's involvement with feminist and other liberal political groups, including Redstockings, New York Radical Women, the PEN Women's Committee, No More Nice Girls, the Women's Action Coalition, and Women Against Government Surveillance

The Literary Work Series contains a variety of materials relating to Shulman's literary career, including financial and other dealings with publishing houses, notes and research, photocopies of publications, reviews of her work, articles and notes she collected regarding the literary scene, and original manuscripts. This series contains information about her early children's books; several books she edited of Emma Goldman's writings; her essays and short fiction; her novels Memoirs of an Ex-Prom Queen (1972), Burning Questions (1975), On the Stroll (1977), In Every Woman's Life . . . (1980); and her memoirs Drinking the Rain (1995) and A Good Enough Daughter (1999). A small amount of correspondence regarding book reviews of other authors' work is also included.

The Academic Work Series contains materials relating to Shulman's graduate work at NYU; her teaching at Yale, the University of Colorado at Boulder, NYU, and the University of Hawaii at Manoa; as well as her relationships with her students. The Public Speaking Series contains materials relating to Shulman's participation in literary and political conferences and gatherings, personal interviews, lectures and book talks.

Portions of the Restricted Materials Series either may not be photocopied without prior permission of Ms. Shulman or the relevant author, or may not be accessed until a future date. The same organizational categories have been applied to the restricted materials as were used in the unrestricted materials to help researchers easily access overlapping and related materials that have been boxed separately due to the restrictions. The Oversize Materials Series contains miscellaneous oversize materials of a biographical and literary nature.

Acquired as part of the Sallie Bingham Center for Women's History and Culture.

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Amy Mariaskin Zine collection, 1995-2005 3 Linear Feet — 150 Items

Amy Mariaskin began collecting and trading zines with other women as a member of the Pittsburgh, PA, Riot Grrrl Chapter from 1995-2002. She authored the zine Southern Fried Darling from 1995-2002, and Vortext, about meteorology and weather. Collection consists of about 150 zines, mostly self-published by women and girls in the United States. Subjects include feminism, riot grrrl, body image and consciousness, music, mental health, depression and mental illness, film, poetry, rock and punk music, comics, violence against women, sexual identity, homosexuality and bisexuality, transgender issues, and race. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection consists of about 150 zines, mostly self-published by women and girls in the United States. Subjects include feminism, riot grrrl, body image and consciousness, music, mental health, depression and mental illness, film, poetry, rock and punk music, comics, violence against women, sexual identity, homosexuality and bisexuality, transgender issues, and race. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

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Arielle Greenberg is a poet, editor, and assistant professor in the English department at Columbia College, Chicago, Ill. This collection consists of 367 zines dated from 1973 to 1995, likely collected by the donor from 1992-1995. The collection primarily includes personal zines by women (though some are by men) that focus on the riot grrrl scene, feminism, punk music, and progressive political causes. Many of the zines include correspondence from the authors. The collection also includes personal correspondence and correspondence from zine authors between 1987 and 1995, with the bulk dating from 1993 to 1995.

This collection consists of 367 zines dated from 1973 to 1995, likely collected by the donor from 1992-1995. The collection primarily includes personal zines by women (though some are by men) that focus on the riot grrrl scene, feminism, punk music, and progressive political causes. Many of the zines include correspondence from the authors. The collection also includes personal correspondence and correspondence from zine authors between 1987 and 1995, with the bulk dating from 1993 to 1995. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

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Bill Brown is a filmmaker, photographer, and zinester from Lubbock, Texas. His films explore the landscapes of North America, including the United States–Mexico border, North Dakota missile silos, and the Trans-Canada Highway, and have been exhibited at film festivals and museums around the world. He received a BFA from Harvard in 1992 and a MFA from CalArts in 1997. Brown is the author of a zine called Dream Whip as well as a novel on the underground in L.A., Saugus to the Sea. In January 2013, Bill Brown donated his personal collection of zines, comprising 186 titles and almost 250 issues in total. Although Brown never actively collected zines, he was always eager to barter and trade with other zine makers. The resulting collection includes zines spanning from the mid-1990s to the early 2000s. The zines are arranged alphabetically by title.

In January 2013, Bill Brown donated his personal collection of zines, comprising 186 titles and almost 250 issues in total. Although Brown never actively collected zines, he was always eager to barter and trade with other zine makers. The resulting collection includes zines spanning from the mid-1990s to the early 2000s. The zines are arranged alphabetically by title.

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BUST Magazine records, 1993-2015 43.2 Linear Feet — 29625 Items

Debbie Stoller and Marcelle Karp began producing BUST, a third-wave feminist women's magazine, in New York, N.Y., in 1993 as a photocopied zine. Collection documents the behind-the-scenes work required to put together BUST. Materials include issues 1-15 and 20-86 of the magazine; layouts and copy-editing material; biographies of contributors; article submissions; column material (Girls, Fashions, The Shit, etc.); advertisement documentation; correspondence (letter and electronic mail); press coverage of BUST; promotional material; material related to the publication and promotion of the book The BUST Guide to the New Girl Order; and a variety of graphic items. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Accession (2001-0009) (1500 items; 2.0 lin. ft.; dated 1993-1998) documents the behind-the-scenes work required to put together BUST. Materials include issues 1-15 of the magazine; layouts and copy-editing material; biographies of contributors; article submissions; column material ("Girls,""Fashions,""The Shit," etc.); advertisement documentation; correspondence (letter and electronic mail); press coverage of BUST; promotional material; material related to the publication and promotion of the book The BUST Guide to the New Girl Order; and a variety of graphic items, including color (9) and black-and-white photographs (6), original black-and-white ink drawings, and color prints (23), as well as color slides (12).

Accession (2009-0082) (24 items; 13.5 lin. ft.; dated 2002-2007) consists of production binders for issues 20-43 of BUST magazine, published from summer 2002 through spring 2007. Each binder contains a copy of the published issue, as well as tabbed sections for each portion of the issue, including features, columns, regulars, sex files, and guides.

Accession (2010-0101) (7875 items; 10.5 lin. ft.; dated 1993-2006) includes production binders, files from the creative director, and files from the Art Department.

Accession (2013-0184) (10125 items; 13.5 lin. ft.; dated 2008-2011) consists of production binders for issues 44-71, published from 2008-2011.

Accession (2015-0040) (1400 items; 3 lin. ft.; dated 2010-2013) consists of production files for issues 64-73, production binders for issues 72-86, and 13 Syquest discs from issues 4-9.

Accession (2015-0097) (1700 items, 4 lin. ft.; dated 1997-2012) consists of production files for issues 10-50, Creative Director Laurie Henzel's notebooks, and graphic materials including original art, color and black and white photographs and color layouts.

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Lesbian feminist writer and magazine publisher, resident of Durham (Durham Co.), N.C.; co-founder of SINISTER WISDOM, a multicultural lesbian literary and art journal. The Catherine Nicholson papers contain materials dating from 1897 to 2005, with the bulk of the collection dating from 1974 to 2005. Materials in the collection primarily document Nicholson's directing and theatre related activities, her work on Sinister Wisdom, and her membership in the group Old Lesbians Organizing for Change (OLOC). The collection comprises correspondence; personal and professional writings and supporting materials; photographic materials; publicity about theatre and of plays directed by Nicholson; audio recordings; and ephemera. Included are play scripts written by Catherine Nicholson and other playwrights, and scripts with directorial annotations by Nicholson.

The Catherine Nicholson papers contain materials dating from 1897 to 2005, with the bulk of the collection dating from 1974 to 2005. Materials in the collection primarily document Nicholson's directing and theatre related activities, her work on Sinister Wisdom, and her membership in the group Old Lesbians Organizing for Change (OLOC). The collection comprises correspondence with family and friends; personal and professional writings; poetry; notes; clippings; photographic materials, including black and white and color photographs, color slides, and a cabinet card; audio cassettes; vinyl records; press kits and playbills; reviews about theatre and of plays directed by Nicholson; and ephemera. Included are play scripts written by Catherine Nicholson and other playwrights, and scripts with directorial annotations by Nicholson. The collection contains correspondence, artwork, journals, and receipts related to the publishing of Sinister Wisdom. In addition, the collection houses Nicholson's collection of audiocassettes and long-playing vinyl records, with the majority of albums related to women's music; many of these were published by Olivia Records. Printed materials have been removed and added to the Women and LGBT Rights Periodicals Collection. Use copies of audio recordings will need to be created before items can be accessed by researchers. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Addition (2010-0068) (28 items, .1 lin. ft.; dated 1984-1985 and undated) comprises letters and cards addressed to Harriet Ellenberger, primarily from Susan Thompson.

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Lesbian feminist choral group established in the Durham-Raleigh-Chapel Hill area (N.C.) in 1983. The Common Woman Chorus records contain material dating from 1985 to 2010. The records primarily comprise sheet music, concert programs, publicity, correspondence, and administrative records. Although the records contain mostly print material, they also include some color photographs, audiocassettes, videos, electronic word documents, t-shirts, and sweatshirts. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The Common Woman Chorus records contain material dating from 1985 to 2015 relating to the group's musical and fund-raising activities. The records primarily comprise sheet music, concert programs, publicity, correspondence, and administrative records. Although the records contain mostly print material, a few color photographs, audiocassettes, videos, electronic word documents, t-shirts, and sweathirts are also included. Use copies of original audiovisual recordings will need to be created before items can be accessed by researchers. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

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The Feminist Women's Health Center in Atlanta, Georgia, was founded in 1976 by a group of women dissatisfied with the health care options and information available to them and who desired to change this situation. The clinic started in 1977 with self-help groups where women were able to learn from each other and themselves through open discussions. It expanded to offer a full range of clinical services (including providing access to birth control and contraception, abortion, donor insemination, and pregnancy care) as well as educational, outreach, and advocacy programs, addressing subjects such as sexual hygiene, sex, and sexually transmitted diseases. Collection is comprised of files documenting the development and daily operations of the Feminist Women's Health Center, a feminist non-profit women's healthcare center, from the years 1973-2003. Major components of the collection include files from research studies conducted at the center, policies and procedures for maintaining the center, and incidents of anti-abortion protests at the center, specifically involving the group Operation Rescue. The National Abortion Federation, the professional association of abortion providers in the United States and Canada, also figures prominently throughout these records. The collection is organized into six series: Administrative Files, Clinic Files, Subject Files, Financial Material, Legal Files, and Audiovisual Material. The collection also contains a physically separate Closed Series, comprised of materials from the prior six series that are currently closed to research.

Collection is comprised of files documenting the development and daily operations of the Feminist Women's Health Center (FWHC), a feminist non-profit women's healthcare center, from the years 1974-2003. Major components of the collection include files from research studies conducted at the center, policies and procedures for maintaining the center, and incidents of anti-abortion protests at the center, specifically involving the group Operation Rescue. The National Abortion Federation, the professional association of abortion providers in the United States and Canada, also figures prominently throughout these records. The collection is organized into six series: Administrative Files, Clinic Files, Subject Files, Financial Material, Legal Files, and Audiovisual Material. The collection also contains a physically segregated Closed Series.

The Administrative Files Series most clearly documents the day-to-day operations of the FWHC. Materials in this series include policies, procedures, and guidelines for operation of the center; minutes and notes from a range of meetings held by the center; personnel files; and schedules. This series contains four subseries: General Administrative Files, Meetings, Personnel Files, and Schedules.

Materials in the Clinic Files Series include a range of records related to clinical services provided and research studies conducted at the FWHC. This series has been divided into four subseries: Statistics, Laboratory Statistics, Research, and Patient Education Information.

The Subject Files Series includes files maintained by the staff of the FWHC on a range of topics related to women's health issues, events, local information, and other women's health clinics. This series contains two subseries: a General subseries which covers these subjects broadly, and an Anti-Abortion Violence subseries which focuses specifically on anti-abortion protests at the FWHC and other locations, the anti-abortion movement in the United States, and pro-choice efforts to counter this movement.

Items in the Financial Material Series consist of records, reports, and files documenting the financial situation of the FWHC between the years 1982 and 2001. These files detail the intricacies involved in operating a women's health clinic from a financial standpoint.

The Legal Files Series contains files related to legal issues faced by the FWHC, including lawsuits and legislation which would affect women's reproductive health and the clinic.

The Audiovisual Material Series consists of 28 audiocassettes and 11 videocassettes. Audiocassettes are primarily recordings of workshops, conference sessions, and events. Videocassettes are primarily educational. One videocassette documents anti-abortion protesters outside the FWHC.

The Closed Series consists of sensitive materials removed from the previous six series and CLOSED to research.

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Irene Peslikis papers, 1957-2002 and undated 27 Linear Feet — 20,250 Items

Feminist artist, activist, and educator Irene Peslikis (1943-2002) was born in New York, New York, and raised in different locations in Queens, New York. She was instrumental in a number of influential feminist and feminist art groups, including the New York Feminist Art Institute, the journal Women & Art (co-founded with Pat Mainardi), and the group Redstockings. The Irene Peslikis Papers span the years 1957-2002 and document Peslikis's life as a feminist artist, activist, and educator. The collection is organized into nine series: Feminist Activism, Correspondence, Writings, Personal Files, Subject Files, Education, Art, Printed Material, and Audiovisual Material. Materials in this collection include correspondence, essays, personal journals, exhibit files, artwork in a number of media, personal files, her student files, teaching files, clippings, photographs, journals, pamphlets, and audiocassettes. Frequent and/or notable correspondents include her immediate family: her mother, father, and brother, Michael; and friends Ursula Karau, Alix Kates Shulman, Rosalyn Baxandall, Robin Morgan, Carol Hanisch, Lucinda (Cindy) Cisler, Lucia Vernarelli, Pat Mainardi, Judy Chicago, and Shulamith (Shulie) Firestone.

The Irene Peslikis Papers span the years 1957-2002 and document Peslikis's life as a feminist artist, activist, and educator. The collection is organized into nine series: Feminist Activism, Correspondence, Writings, Personal Files, Subject Files, Education, Art, Printed Material, and Audiovisual Material.

The Feminist Activism Series is composed of materials from three key venues for Peslikis's feminist activist work: the New York Feminist Art Institute, the journal Women & Art, and the group Redstockings. This series includes organizational records, related correspondence and articles, exhibition announcements, and grant proposals.

The Correspondence Series contains letters, postcards, and cards received by Peslikis from family and friends. Frequent and/or notable correspondents include her immediate family: her mother, father, and brother, Michael; and friends Ursula Karau, Alix Kates Shulman, Rosalyn Baxandall, Robin Morgan, Carol Hanisch, Lucinda (Cindy) Cisler, Lucia Vernarelli, Pat Mainardi, Judy Chicago, and Shulamith (Shulie) Firestone. A smaller amount of outgoing letters is also included. Correspondence depicts Peslikis's work as an activist and as an artist, as well as her financial and medical difficulties.

Materials in the Writings Series include manuscripts, notes, notebooks, and journals kept by Peslikis. The Manuscripts subseries includes writings by people other than Peslikis which directly impacted her work, as well as drafts and outlines of Peslikis's publications. Notes, notebooks, and journals were all penned by Peslikis. Notebooks are primarily personal journals kept by Peslikis from her teenage years through the early 1980s and again from the early 1990s until the end of her life.

The Personal Files Series depicts the numerous financial, legal, and medical issues confronted by Peslikis over three decades. Peslikis received assistance in the form of Supplemental Security Income (SSI), food stamps, and subsidized housing for artists (at Westbeth Artist Housing), each of which required meticulous documentation in order to retain. A portion of this series is closed until 2099.

The Subject Files Series consists primarily of clippings and notes retained by Peslikis on a number of women- and feminism-related subjects, as well as on art, astrology, United States foreign policy, and Greek politics.

The Education Series is composed of files documenting Peslikis as a student, an instructor, and an instructor in search of employment.

Items in the Art Series include artwork by Peslikis, duplications of her artwork, sketchbooks, and files related to her exhibits, including flyers, reviews, and catalogs.

The Printed Material Series comprises periodicals, pamphlets, and printed essays. Subjects represented include feminism, Marxism, and art.

The Audiovisual Material Series consists of audiocassettes and super 8 film documenting discussions, meetings, and other events. Items are labeled with original descriptions provided by Peslikis. Also included is a VHS tape of a memorial service for Peslikis.

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Media critic, feminist author and documentary filmmaker based in Massachusetts. Collection spans 1918-2014 and includes: clippings; tear sheets; correspondence; research reports and other printed materials; slides and slide presentation texts; audiovisual materials in multiple formats including 8mm and 16mm films, audio and video cassettes; book drafts and research files used for teaching and production of Kilbournes books and films. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History and the Sallie Bingham Center for Women's History & Culture.

Collection spans 1918-2014 and includes: clippings; tear sheets; correspondence; research reports and other printed materials; slides and slide presentation texts; audiovisual materials in multiple formats including 8mm and 16mm films, audio and video cassettes; book drafts and research files used for teaching and production of Kilbournes books and films. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History and the Sallie Bingham Center for Women's History & Culture.

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Judith Hennessee papers, 1950s-1999 3.5 Linear Feet — 2140 Items

The collection primarily contains materials related to Hennessee's writing career and her participation in the National Organization for Women (NOW). Most of the NOW materials concern its 1972 petition to the Federal Communications Commission (FCC) to deny renewal of WABC-TV's license due to alleged discrimination against women in programming and employment. Included are legal documents; information related to NOW's monitoring study of WABC; reports pertaining to ABC and other television networks; and materials concerning the portrayal of women in the broadcast and print media, including several issues of the Media Report to Women newsletter. Other feminist materials include clippings, reports, political buttons and stickers, publications, and printed material, including several issues of the feminist literary magazine aphra and various women's organizations' newsletters. The collection also includes interview transcripts and other research materials for, correspondence about, and both a typescript and a published copy of Hennessee's biography Betty Friedan: Her life. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

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Kate Millett papers, 1912-2002, bulk 1951-2001 93 Linear Feet — 198 boxes; 29 oversize folders

The Kate Millett papers document Millett's life and activities as feminist writer, theorist, and artist, teacher, and global activist, based in New York City. They also document the 20th century women's movement, feminist theory, as well as feminism and women's rights around the globe, especially in France, Italy, and the Middle East. There are many files of correspondence with family, partners, friends, writers, artists, and activists, including significant exchanges with Rita Mae Brown, Phyllis Chesler, Alix Kates Shulman, Yoko Ono, and Gloria Steinem. Annotated manuscripts and other items related to her major publications are present. Topics in these works include prison systems; mental institutions; psychiatry, medications, and mental health; torture and imprisonment; politics, gender, and sexuality; and mother/daughter relationships. Subject files contain research on these topics, as well as materials on abortion, feminism, organizations, the arts, gay rights, and Millett's diagnosis of bipolar disorder, involuntary clinical treatments, and subsequent involvement in anti-psychiatry activism. Additional series relate to writings by other authors; Millett's work as a visual artist and her New York State artists' colony; and her student years and teaching. Other formats in the collection include electronic records, chiely writings; many recordings of interviews, lectures, speeches, art openings, and conversations; photographs; artwork, including drawings, sculptures, and installation components; and print materials such as articles, cards, clippings, fliers, magazine issues, and posters. Acquired as part of the Sallie Bingham Center for Women's History and Culture at Duke University.

The papers of Kate Millett provide rich documentation of Millett's activities as a feminist activist, artist, and author of numerous works, including Sexual Politics, whose publication established her as one of the founding 20th century feminists. Other works for which supporting materials exist are The Loony-bin Trip, Flying, and The Basement.

Seen in a broader context, Millett's papers provide important documentation of the history of the feminist movement and feminist theory in the United States, including the history of the National Organization for Women. Materials in the collection also cover feminism and the social conditions for women around the globe, especially in France, Italy, and the Middle East - most notably Iran, where Millett traveled in 1979-1980.

The earliest dates in the collection, 1912 and 1928, refer respectively to an early family photograph, and historical resources used when writing the book A.D.. The bulk of the materials span her adult life from the 1950s through the early 2000s.

The collection content reflects the intensely personal nature of much of Millett's work and the frequent fusion of her personal, political, and professional interests, strongly evident in the many files of personal and literary correspondence, including significant exchanges with Ti-Grace Atkinson, Rita Mae Brown, Phyllis Chesler, Andrea Dworkin, Cynthia McAdams, Yoko Ono, Alix Kates Shulman, Gloria Steinem, and many other activists, writers, artists, friends, partners, and family.

Additional series include writings by other authors; papers documenting Millett's work as an artist and instructor; files relating to her New York State farm and artists' colony; materials from Millett's student years, including her thesis which led to the book, Sexual Politics; and scripts and other papers relating to Millett's little-known documentary film, Three Lives (a copy of the film also exists in the collection). Other materials document her relationship with her mother during the last years of her mother's life, also the topic of her book, Mother Millett. Subject files relate to Millett's involvement with the gay and lesbian communities, her research on prisons and torture, and her diagnosis with bipolar disorder and subsequent involvement in anti-psychiatry activism. There are also extensive printed materials such as serial issues, articles, clippings, posters, fliers, mainstream and grassroots newsletters, event programs, and manifestos.

Audiovisual materials, many available through digital access copies, include audio and video recordings of Millett's lectures, speeches, and many conversations with activists, friends, and family. There are also many photographs, slides, and negatives documenting Millett's activities and the people in her life.

Rounding out the visual components of the collection are over 250 pieces of Millett's artwork created by Millett, who was also involved in the Fluxus art movement. Predominant formats include ink drawings, calligraphy, and graphic prints. There are also sculptures and other three-dimensional works, some of which formed part of an installation representing events that surrounded the murder of Sylvia Likens, also the subject of Millett's book, The Basement. A full inventory of the artwork is available in this collection guide.

Electronic formats include some correspondence, book drafts, and other writings. These files are included in the inventory under the appropriate series. The electronic files have been migrated to a library server; please contact the Rubenstein Library for access.

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Kentucky Foundation for Women records, 1985-2017 62.0 Linear Feet — 168 Gigabytes

Sallie Bingham was the founder and first Executive Director of the Kentucky Foundation for Women and profoundly shaped its goals. The overall purpose of the Foundation is to support feminist women in the arts. The collection includes materials about grassroots feminist activism, philanthropy, not-for-profit organizations and artistic patronage, feminist art, and women's culture. Additionally, the collection includes grant applications and files, files for the publication, The American Voice, and information on the Hopscotch House and Wolf Pen Writers Colony, among other materials.

The Kentucky Foundation for Women Records span the dates 1985-2017. The collection provides a rich source of information about grassroots feminist activism, philanthropy, not-for-profit organizations and artistic patronage, feminist art and women's culture. The records of the Foundation include a range of materials, primarily a large number of grant files, including applications and supporting materials of those awarded grants. Also notable are the files for its publication, The American Voice, which include correspondence, copy-edited drafts of poetry and other writings, business records, other publications, miscellaneous ephemera, broadsides, and books of poetry. In addition, there is information on the Hopscotch House and Wolf Pen Writers Colony, miscellaneous correspondence, subject files, annual reports, newsletters, and brochures. The records consist primarily of files, but videocassettes, audiocassettes, and compact disks are also included. The collection is divided into four series: Administrative Files, Project Files, American Voice Files, and Grant Files.

The Administrative Files Series contains Foundation newsletters; administrative correspondence; minutes of Board of Directors meetings; and financial, legal and tax papers. The Project Files Series contains papers on short-term special projects, as well as long-term projects such as the Hopscotch House and the Wolf Pen Women Writers Colony. The American Voice Files Series contains information regarding the publication of the feminist literary journal The American Voice. The series contains correspondence between the editors ( Frederick Smock and Sallie Bingham) and contributors; copy-edited drafts of poetry, prose, and non-fiction essays; business records; broadsides; chapbooks (i.e. hand-bound books); miscellaneous publications; and a partially complete run of the journal. Some of the better-known authors to be published in The American Voice include: Paula Gunn Allen, Isabel Allende, Wendell Berry, Jorge Louis Borges, Kay Boyle, Jo Carson, Andrea Dworkin, Elaine Equi, Doris Grumbach, Joy Harjo, Fenton Johnson, Robin Morgan, Marge Piercy, Reynolds Price, Joyce Carol Oates, and Anne Firor Scott.

Finally, the largest series, the Grant Files Series, contains documentation on the evolution of the Foundation's grant program over the years, as well as files on those projects that received grant monies from the Foundation from 1986 to 1993. The Foundation awarded grants to both men and women, though women are in the majority. The grants supported the work of visual artists, writers, scholars, musicians, composers, documentary and fiction filmmakers, playwrights, painters, sculptors, puppeteers, quilters and other fabric artists, political activists, advocates for physically handicapped women, and those concerned with women and religion and women's employment issues. A unique concern of the grant givers was supporting the exploration and improvement of the situation of women in Appalachia, encouraging women to explore and study the wilderness, and defining and encouraging the emerging field of Ecofeminism.

The addition (Accession 2001-0012) (2208 items, 3.8 lin. ft.; dated 1986-1999) continues to document the process of publishing The American Voice. Materials include correspondence, board minutes, grant applications and evaluations, financial statements, video (3) and audio (4) cassettes and one audio compact disc, and information files for volumes 32-49. Also included are writings by Sallie Bingham. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The addition (Accession 2007-0126) (5 lin. ft.) consists primarily of files documenting the organization's grant program, and also includes project files, files related to the feminist literary journal The American Voice, publications, and files from Hopscotch House.

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Kristen R. Yount is associate professor of sociology, coordinator of the Sustainable Future Program at Northern Kentucky University. Collection comprises material Yount gathered from socialist-feminist organizations across the United States, most likely in association with the national socialist-feminist conference for organizers held at Antioch College in Yellow Springs, Ohio, in July 1975.

Collection comprises material Yount gathered from socialist-feminist organizations across the United States, most likely in association with the national socialist-feminist conference for organizers held at Antioch College in Yellow Springs, Ohio, in July 1975. Includes fliers and handouts; organizational histories, guiding documents, "principles of unity," information sheets, and position statements; pamphlets; film lists; a working paper; action notices; published articles; and newspaper clippings. Also includes handwritten notes on the relationship of Asian women to the larger movement, possibly written by Yount. During processing pieces created for use at the national conference were placed first in the folder, followed by material grouped according to the state in which the local socialist-feminist unit was located.

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Lara Cohen Zine collection, 1992-1996 9 Linear Feet — 1000 Items

Lara Langer Cohen is an Assistant Professor in the Department of English at Wayne State University in Detroit, Michigan. She started collecting zines, including trading zines and corresponding with Sarah Dyer, in the early 1990s. The collection consists of approximately 280 zine titles (some with multiple issues) collected by Cohen and several hundred pieces of correspondence addressed to her or to her zines, Runt and Oh Oh Cheri, dating from the 1990s. Acquired by the Sallie Bingham Center for Women's History and Culture.

The collection consists of approximately 280 zine titles (some with multiple issues) collected by Cohen and several hundred pieces of correspondence addressed to her during the 1990s. The collection is arranged into two series: Zines and Correspondence. The zines have been divided into sub-series based on editorship by women, men, or both, and within each sub-series, alphabetized by title. The zines primarily focus on popular culture, opinion pieces, and music. Letters in the Correspondence Series are mostly addressed to "Lara" and "Runt," Cohen's zine, with standard mailing envelopes and self-made envelopes using re-purposed materials. The correspondence is arranged chronologically. Along with letters, the series includes postcards, greeting cards, flyers, photographs, and pamphlets. Most of the correspondence includes requests for zines or personal notes to Lara.

Acquired by the Sallie Bingham Center for Women's History and Culture.

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Laura "Tibbie" Roberts is a life-long activist for women's rights and has been repeatedly honored for her community service and volunteering in North Carolina and abroad. The collection consists of correspondence, conference materials, awards, newspaper clippings, and other ephemera from the life and volunteering of Tibbie Roberts. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The accession (2009-0084) (3.6 lin. ft.; 2700 items; dated 1970s-2000s) consists of correspondence, conference materials, awards, newspaper clippings, and other ephemera from the life and volunteering of Tibbie Roberts. Items of note include her materials from the North Carolina Council of Churches, the United Nations Fourth World Conference on Women in Beijing (1995), North Carolina Council for Women, the National Women's Conference in Houston (1978), and the United Methodist Church's United Methodist Women Southeast Jurisdiction. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The accession (2009-0150) (0.6 lin. ft.; 200 items; dated 1970s-1995) consists largely of scrapbooks from Roberts' conferences in the 1990s, including her trips to China, Singapore, and Malaysia as part of the Fourth Annual World Conference on Women, the NGO Forum on Women, and the World Methodist Conference, and her trip to Israel as part of an excavation course. Also included are materials from a filmstrip promoting the Equal Rights Amendment.

Accession (2010-0131) (0.1 lin. ft.; 25 items; dated 1979-1997 and undated) comprises material primarily related to support for the Equal Rigths Amendment. Includes printed material, newspaper clippings, 15 color photographs, and an ERA necklace medalion.

Accession (2011-0108 and 2011-0123)(0.2 lin. ft.; 8 items; dated 1811-2011 and undated) includes a family deed regarding land in Craven County; a letter; printed items on women and religion, one of which is annotated by the donor; and a piece of ephemera with a quote from the ERA on the front and a Bible verse on the back.

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Linda Damico papers, 1969-1979 0.8 Linear Feet — 51 Items

Feminist author. Collection contains printed materials, cassette tapes, and photographs related to the radical women's and lesbian separatist movement. Publication titles include "Absent from the Majority: working class women in America" and "Quest: a feminist quarterly." Recordings created at the Southern Women's Caucus, June 18, 1975.

Collection contains printed materials, cassette tapes, and photographs related to the radical women's and lesbian separatist movement. Publication titles include "Absent from the Majority: working class women in America" and "Quest: a feminist quarterly." Recordings created at the Southern Women's Caucus, June 18, 1975. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

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Lisa Garmon papers, 1980-2007 6 Linear Feet — 4000 Items

Lisa Garmon, longtime resident of Chapel Hill, NC, was a multi-issue activist, organizing for women's rights, LGBT/queer rights, Latin American rights, and a defender of the environment. Collection contains personal/professional correspondence, subject files, and audiocassette and videocassette tapes of Lisa Garmon, writings and other materials related to the publication of the feminist zine HA!, and a zine collection. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection contains personal/professional correspondence, subject files, and cassette tapes of Lisa Garmon, writings and other materials related to the publication of the feminist zine Ha!, and a zine collection. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

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Abortion rights activist and the publisher of the feminist magazine ON THE ISSUES. The bulk of the collection consists of the records of Choices Women's Medical Center, a New York City women's health clinic and abortion clinic co-founded by Hoffman in 1971, and the organizational records for ON THE ISSUES, a feminist magazine owned by Choices and overseen by Hoffman. The remainder of the collection consists of Hoffman's personal papers, mostly related to her pro-choice activism. The collection also includes writings by or interviews with many activists, such as Aung San Suu Kyi, Charlotte Bunch, Phyllis Chesler, Andrea Dworkin, Kate Millett, Marge Piercy, and Elie Wiesel. The correspondence, administrative files, minutes, manuals, reports, surveys, research files, electronic records, clippings, flyers, brochures, newsletters, photographs, and audiovisual materials in the collection provide rich material for the study of the history of abortion, the pro-choice movement, women's health care, and the anti-abortion movement in the United States. The records of Choices Women's Medical Center are especially valuable for understanding the medical practice of abortion, as well as the political context of that practice. Other topics that can be explored through the materials include contraception, women's rights and feminism, and rape. The addition (04-041 and 04-062) (18,750 items, 30 linear feet; dated 1971-2003) consists primarily of administrative and financial files from Choices Women's Medical Center and predecessor clinics, including correspondence, financial reports, public relations and media files, board meeting files, policy and procedure manuals, subject files, insurance files, program files, grants files, legal files, and files related to ON THE ISSUES magazine. Also included are a small number of Hoffman's personal writings. This accession is unprocessed and closed to researchers. Addition (05-023) (5150 items, 12 lin. ft; dated 1978-2003) consists primarily of administrative and financial records from Choices Women's Medical Center, including correspondence, financial reports, public relations and media files. Also includes board meeting, subject, insurance, program, legal and grant files, as well as policy and procedure manuals; 33 videotapes, 84 slides, 54 photographs and contact sheets; 1 CD-ROM; printed materials; and promotional calendars. Accession is unprocessed and closed to researchers.

The papers of Merle Hoffman span the years from about 1944 to 2001, with most of the papers dating between 1961 and 2001. The collection is arranged in the following series: Choices, On the Issues, Personal Files, Photographic Materials, and Audiovisual Materials. The bulk of the materials consist of the records of Choices Women's Medical Center, a New York City women's health clinic and abortion clinic co-founded by Hoffman in 1971, and the organizational records for On the Issues, a feminist magazine owned by Choices and overseen by Hoffman. The remainder of the collection consists of Hoffman's personal papers, mostly related to her pro-choice activism. The collection also includes writings by or interviews with many activists such as Aung San Suu Kyi, Charlotte Bunch, Phyllis Chesler, Andrea Dworkin, Kate Millett, Marge Piercy, and Elie Wiesel. The correspondence, administrative files, minutes, manuals, reports, surveys, research files, electronic records, clippings, flyers, brochures, newsletters, photographs, and audiovisual materials in the collection provide rich material for the study of the history of abortion, the pro-choice movement, women's health care, and the anti-abortion movement in the United States. The records of Choices Women's Medical Center are especially valuable for understanding the medical practice of abortion, as well as the political context of that practice. Other topics that can be explored through the materials include contraception, women's rights and feminism, and rape.

The political context of abortion is further documented throughout the rest of the collection. Hoffman's writings, speeches, and interviews on abortion illuminate the abortion debate in the media. At the same time, the internal dynamics of the pro-choice movement are documented in files on various New York and national pro-choice organizations. The collection includes some materials on the National Association of Abortion Facilities (NAAF), the National Abortion Federation (NAF), the National Coalition of Abortion Providers (NCAP), the National Abortion Rights Action League (NARAL), and the National Organization for Women (NOW). Especially noteworthy are the detailed meeting minutes and other records for the New York Pro-Choice Coalition, an umbrella organization for New York City pro-choice organizations founded by Hoffman in the mid 1980s.

In addition to her pro-choice activities, Merle Hoffman has been a vocal proponent of patient self-empowerment; an active supporter of various political candidates in New York City; and a feminist activist. The collection reflects these interests to varying degrees. The records of On the Issues magazine are especially useful as a source of writings on a broad range of feminist and other issues.

The Choices Series documents the day-to-day operations of Choices Women's Medical Center, including the clinic's medical policies and procedures, its internal administration, and its relationship with patients and community organizations. The series is divided into the following subseries: Correspondence, Subject Files, Legal Papers, Personnel, Security, Staff Files, Marketing, Operations, and Electronic Format. Much of the series consists of files on administrative issues, dating primarily from the late 1980s to the late 1990s. A few records date from the clinic's early years in the 1970s. The files also document the clinic staff's rising concern about Operation Rescue, militant anti-abortion protests, and anti-abortion violence during the late 1980s and 1990s. At the same time, the Choices records suggest how the ideals of feminist health care and patient empowerment have translated into medical practice. The records primarily provide the perspective of health providers rather than patients; the collection does not include patient medical records. However, patient surveys and a limited amount of patient correspondence provide some evidence of patient experience at the clinic. There is substantial material on the Choices East Project, Hoffman's unsuccessful attempt to establish a women's health clinic in Moscow. Choices' treatment philosophy of patient self-empowerment and its identity as a woman-friendly health care provider are documented in the Outreach Subseries and the Marketing Subseries. Information on patient experiences and reactions to the clinic can be found primarily through patient surveys, patient satisfaction questionnaires, and statistical summaries of patient demographics, all found in the Subject Files, Marketing, and Electronic Format Subseries. Choices organizational charts and staff rosters are available for reference in the Research Room's inventory drawers; please contact Research Services.

On the Issues (1983-1999), a feminist magazine, was founded by Merle Hoffman and produced by Choices staff. The magazine covered a broad range of feminist issues and topics, including but not limited to abortion and other women's health issues. During the 1990s the magazine became increasingly professionalized, moved from annual to quarterly publication, and operated more independently of Choices. The documents in the On The Issues Series provide an extensive record of the magazine's production and distribution. They primarily date from the 1990s and are organized into the following subseries: Issues, Correspondence, Article Files, Editorial Files, Production and Distribution, Marketing, Staff Files, Administration, and Electronic Format. The series includes a nearly complete run of issues. Files include reader surveys; mailing lists; drafts and correspondence from contributors; editorials by Hoffman and other writers; and working files maintained by individual editors and production staff. Electronic files contain similar materials, and include graphics.

The Personal Files Series is arranged into the following subseries: Correspondence, Writings and Speeches, Subject Files, Politics and Activism, New York Pro-Choice Coalition, Calendars, Phone Messages, Clippings, General Personal Files, and Electronic Format. The materials extensively document Hoffman's work as a writer, public speaker, organizer, and activist for abortion rights and other feminist causes. Hoffman's personal publicity materials, including curriculum vitae and biographical sketches, can also be found in this series. There are also some records of Hoffman's childhood and personal life. The correspondence, found in both the Correspondence and Electronic Format Subseries, contains significant personal exchanges with feminists, friends, and colleagues that span many decades. Pro-choice organizations represented in the series include the New York Pro-Choice Coalition (NYPCC), the National Organization for Women (NOW), the American Civil Liberties Union (ACLU), and the National Association of Abortion Facilities (NAAF). The series also contains Hoffman's phone message books, calendars, and scrapbooks, including those related to her work at Choices and On the Issues. Electronic files contain a variety of correspondence, mailing lists, graphics, Choice and On the Issues documents mixed on the same disks, and a few writings. Overall, the series amply illustrates the porous nature of the boundary between Hoffman's personal activities and her work at Choices and On the Issues.

The Photographic Materials Series contains a variety of material related to Choices Women's Medical Center, On the Issues magazine, and Hoffman's personal activities. Especially notable are the numerous images of the Choices clinic facilities and procedures, and the detailed visual record of pro-choice rallies and other events involving Hoffman during the 1980s. Political figures pictured in this series include Bella Abzug, Hilary Clinton, Andrea Dworkin, Geraldine Ferraro, Flo (Florynce) Kennedy, Congressman John Lewis, and Gloria Steinem. Other photographs in the Personal Subseries include portraits of Hoffman and snapshots from a vacation at the feminist Camp Sister Spirit.

The bulk of the Audiovisual Materials Series consists of audio recordings on cassette tape of New York City radio talk shows featuring Merle Hoffman as an interview subject. Most interviews date from the 1970s or early 1980s. In some cases, these recordings feature Hoffman responding to listeners in call-in discussions of abortion, or conducting debates with anti-abortion representatives. Other audio recordings include interviews conducted for On the Issues stories and radio advertisements for Choices. Videotape recordings include several episodes of "On the Issues," Merle Hoffman's cable access television show, and some documentary material on Choices and its patients. Materials are not immediately accessible until use copies can be made upon request. Please consult with reference staff before coming to use the collection.

Finally, the Ephemera Series contains various memorabilia, including a box of Choices condoms, buttons, and banners with feminist and political slogans.

Later accessions (2004-0041, 2004-0062, 2005-0023, and 2012-0049) have been added to the end of the finding aid. Boxlists are included when known.