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The John E. Brennan Outdoor Advertising Survey Reports document the professional endeavors of outdoor advertising design researcher John E. (Jack) Brennan for the time period 1947 to 1980. His work primarily consisted of conducting market surveys on the effectiveness of billboard advertisement design and layout, and reporting his findings to subscribers to advance design efficiency for the industry. About 786 surveys cover 15,720 different advertisement designs posted on signs in major markets around the US. Forty-two different cities were covered in 27 states. His survey interviewers questioned participants on how well they remembered advertisements and product brand names. Brennan then analyzed the survey data to produce practical information for advertisers and advertising companies on improving advertisement copy, thereby increasing advertising efficiency and profits. His emphasis was on outdoor advertisement design and copy, not traffic or other outdoor industry factors. The collection is comprised mainly of paper files, most containing color photographs attached to the paper data reports or sleeved along side them. Other significant items include the Copy Clues reports which capitalize on the data Brennan compiled, suggesting outdoor advertisement (also known as poster) design improvements. Other supporting materials within the collection include survey methodology information, related writings, summary data files, and business correspondence. Even without the context of Brennan's survey forms and data, the collection is a sizable photo library of mid-20th century commercial art created for outdoor advertising. Additional description of the individual series presented below may be found within the container list.

The collection begins with a small amount of Business Correspondence related to the surveys completed by Brennan's company Poster Appraisal Service (also General Media and Copy Research Co., and Outdoor Advertising Research Institute). Information documenting how Brennan conducted surveys makes up the next series called Methodology Files, which includes some interview forms and instructions. These are followed by the Outdoor Advertising Survey Reports themselves, which form the bulk of the collection. An individual survey was normally conducted in one city using about 20 different advertising designs. Each report is a compilation of data for one billboard advertisement, including a breakdown of statistics by male and female participants, and usually including color snapshot photographs of each design. Researchers of the collection can see the photos used in survey interviews, noticing how brand names were hidden and revealed as participants were questioned as to whether they remembered the entire advertisement and/or the brand name advertised. Design efficiency for individual cities may be studied since surveys are arranged by geographic location. Data may also be studied over time since ads are arranged chronologically within each location grouping. Certain ads were also compiled and survey data studied according to product type. For example, researchers may see how effective certain candy bar advertisements were across the country. Brennan encouraged subscribers to his service to look at reports themselves and come to their own conclusions about how to improve billboard advertisement design.

The Outdoor Advertising Survey Reports Series is also documentation of the more than 15,000 pieces of creative work produced by many different advertising agencies and their advertisers including D'Arcy Advertising; Foote, Cone, and Belding; J. Walter Thompson; McCann-Erickson; and Young and Rubicam. The photographed billboards were operated by many outdoor advertising companies including Central, Foster and Kleiser, Houston Poster, Middleton, Packer, and United. In addition to the photos with the survey reports, there are also several files of loose photographs, including pictures of billboards that were likely produced in preparation for surveys. A sampling of the product brands featured in the advertisements includes Admiral appliances, Amoco gasoline, Ballantine Beer, Budweiser Beer, Chevrolet automobiles, Coca-Cola soda, Conoco gasoline, Dr. Pepper soda, Edsel automobiles, Folger's coffee, Ford automobiles, Fritos snacks, Jax Beer, Libby's canned goods, Mobil gas and oil, Mrs. Baird's Bread, Nash automobiles, Northern Tissue, NuGrape soda, Pabst Beer, Schlitz Beer, Sealy mattresses, Shell gasoline, Stratolounger, and Sunshine food products.

The Summary Data Files contain much of the same condensed survey information on advertisement remembrance and product identification found at the front of each survey's folder. The folders in this series contain compiled data sheets of specific data types (remembrance, or identification, etc.) for all (or many) of the surveys conducted in one city. In addition to survey data, there are other documents such as a design master record that presents information in a summary form.

Copy Clues are the monthly reports sent to Brennan's subscribers that interpret survey data, and place it in usable form. This series reflects conclusions drawn from the survey data to communicate specific information on various advertisement attributes. For instance, if multiple designs with dark backgrounds had low remembrance scores, and designs with white backgrounds scored high, Brennan might have brought to his subscriber's attention that white backgrounds make more effective advertising. Did more people remember a product brand if the product was depicted along with a child or without one? Subscribers could receive Copy Clues to answer such questions as well as to receive the survey reports. The final series, Other Surveys and Outdoor Advertising-Related Materials, contains other organizations' surveys, writings, and further information related to outdoor advertising that does not necessarily fit into the previous groupings.

Related collections in the David M. Rubenstein Rare Book & Manuscript Library include a number of other outdoor advertising collections, such as the Outdoor Advertising Slide Library, the John Paver Papers, the John Browning Papers, the Duplex Advertising Co. Records, the H.E. Fisk Collection of War Effort Mobilization Campaigns, the Outdoor Advertising Association of America Records, the Outdoor Advertising Poster Design Collection, the Garrett Orr Papers, the R.C. Maxwell Company Records, the Howard Scott Papers, and the Strobridge Lithographing Company Advertisements.

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The Duplex Advertising Company. Billboard Images and Records spans the period 1964-1993 and documents the outdoor advertising work of this company in the central Texas area, primarily through photographs, negatives and slides of billboards. Many of the images are in color. A large number of the images are of national campaigns advertised in central Texas, as well as billboards, signs and posters of local Texas business services. In addition, a handful of articles written by R. V. Miller, Jr. for a number of publications, as well as other printed material and miscellaneous items from the Duplex Advertising Company, are present. Some of these articles, along with the images themselves, provide examples of commercial art and design in the outdoor advertising arena. The collection includes outdoor advertising images from national clients such as Kentucky Fried Chicken, Chevrolet, Coca Cola, Coors, Wendy's, Hardee's, and Taco Bell, and Texas clients such as Lone Star and Pearl beers.

Related materials may be found in other outdoor advertising collections, including the Outdoor Advertising Association of America Archives, the Garrett Orr Papers, the Howard Scott Papers, the John Paver Papers, the John E. Browning Papers, the R.C. Maxwell Co. Records, and the Strobridge Collection.

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Brewing company founded in 1905 in Louisville, Ky. Collection consists of an album of 9 black-and-white photographs that depict a range of promotional activities for Falls City Beer brands. Photographs show radio programming; print and outdoor advertising; billboards, electrical and neon signs and bar displays; packaging designs; paraphernalia including bottle openers, lamps and coasters and other promotional and merchandising materials. Ads depict aspects of the brewing facility, the Falls City ram as well as caricatures of African Americans in the advertising. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection consists of an album of 9 black-and-white photographs that depict a range of promotional activities for Falls City Beer brands. Photographs show radio programming; print and outdoor advertising; billboards, electrical and neon signs and bar displays; packaging designs; paraphernalia including bottle openers, lamps and coasters and other promotional and merchandising materials. Ads depict aspects of the brewing facility, the Falls City ram as well as caricatures of African Americans in the advertising. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

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The Outdoor Advertising Association of America Poster Designs are comprised of black and white poster designs (for billboard or other transit advertising), some printed on cards and some photographed and mounted in volumes, that document the advertising design holdings of several outdoor advertising companies from 1934 through the 1940s and possibly later. The majority of the designs in the collection are stock posters in preliminary sketch form with simple lines, but the collection also includes finished designs with brief information on exhibition and award status. Stock designs were created without actual brand names so more than one advertiser could use them by simply inserting their own brand name or product into the ad. The designs include work created or acquired by the Donaldson Lithographing Co., Foster and Kleiser, General Outdoor Advertising Co., and the AD-VER-TIS-ER, Inc.

These designs provide a snapshot of American consumerism during the interwar years by demonstrating how advertising professionals in the 1930s and 1940s represented products in order to entice shoppers. As well, the designs document the production of commercial art during this time period, in both the artistic process of creating ad artwork for billboards or other transit advertising space, as well as in the relationship between ad agency and client. Proven designs were available to the ad agency as sales tools to prospective clients, and these stock images could be reused, so there was less need to customize advertising campaigns for individual clients. The designs are organized into two series: Printed Poster Designs and Stock Poster Photograph Volumes.

The Printed Poster Designs Series consists of a card file of designs including some more polished billboard images, all arranged into product or service categories. The Stock Poster Photograph Volumes Series consists of twelve volumes of designs, also organized by product or service type.

Closely related collections in the David M. Rubenstein Rare Book & Manuscript Library include the Outdoor Advertising Slide Library; the John E. Brennan Outdoor Advertising Survey Reports; the John Paver Papers; the John Browning Papers; the Duplex Advertising Co. Records; the War Effort Mobilization Campaigns Collection; the Outdoor Advertising Association of America Records; the Garrett Orr Papers; the R.C. Maxwell Company Records; the Howard Scott Papers; and the Strobridge Lithographing Company Photographs.

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The Outdoor Advertising Association of America Slide Library spans the years 1891 through the 2000s, with the bulk of the collection originating in the 1950s and later. The collection documents over a hundred years of outdoor advertising primarily in the United States, plus some international campaigns from several other continents. The Slide Library is a large collection, almost entirely comprised of slides of billboards, exhibiting a grand range of graphic artistry, advertising campaigns, and marketing strategies. A smaller group of images supports the ad collection with views of artwork, billboard construction and other related images. In addition to over 62,000 slides, there are a few early glass slides, as well as transparencies, a small number of paper files, and six audiocassettes accompanying slide presentations. Many images were submitted by outdoor advertising companies over a number of years to the Outdoor Advertising Association of America (OAAA) as entries in annual national competitions to determine the best poster designs. The OAAA currently sponsors the OBIE Awards, which were preceded by awards programs under various names and sponsorships starting in the early 1930s. The award is modeled after the ancient Egyptian obelisk, considered by many the earliest form of outdoor advertising. Indeed much of the collection can be seen as evidence of this awards program although only the Award Nominees Series contains slides labeled as such. Other slides probably were transferred to OAAA when companies cleaned out their back files, though the precise sources of many items are unknown. The slides were maintained at OAAA primarily as a large supply of creative examples for member companies. Researchers interested in the following subjects may find the Outdoor Advertising Association of America Slide Library especially helpful: the outdoor advertising medium itself, advertising awards, advertising design, billboard construction, and commercial art, as well as the many outdoor advertising companies, advertisers, and advertising campaigns represented.

The images, designed to attract mass audiences, depict part of American society's history - a history of consumer attitudes and desires. The collection is therefore a valuable tool in formulating not only a pictorial development of the outdoor advertising industry but of societal norms and opinions. The ads speak to the creativity of artists and designers, but they also convey a rich story of how these creators saw society at large, especially in the United States. Perhaps more importantly, ads reveal how corporations and designers felt America wanted to see itself. Such visual richness underlies the primary goals of selling goods and services and promoting ideas for the public good. There are thousands of product advertisements but also many public service ads, political issue ads, and even Happy Birthday greetings in the collection. Billboards are one direct link from corporate America, various interest groups, and their advertising specialists to consumers; and a succinct one-sided conversation designed to spur them to action.

In contrast to other types of advertising, outdoor ads were designed with the fast-moving traveler in mind. The collection documents well the evolution of the billboard's attempt to reach those on the move, especially drivers. With careful thought to what would quickly provoke interest, advertisers presented a huge range of thought from text-free images of abstract artwork to direct discourse (e.g. Vote for Nixon). Because posters were displayed for only limited time periods, and because their physical size makes them impractical to store, photography is the primary method of capturing billboard images. Most billboard photos - whether print or slide - were created to document the work of the company which posted them for their business use.

Within the Slide Library, the creative output of many outdoor advertising companies is documented, although particular creators of many of the ads are unknown. Foster and Kleiser is well represented in the collection. Other companies named in the collection include Naegele, Pacific, Turner, Eller, Donnelly, Columbus, General Outdoor, Patrick, Gannett, Lamar, United, and many others. Thousands of national campaigns are represented, but many local ads are present as well. Outdoor formats range from 19th century posters to "multi-vision" boards that automatically change views with the use of three-sided boards. Most images are of actual billboards, posters, and other outdoor advertising formats in the field, while a sizable portion are just images of the ad design itself with a plain background. There are some slides of stock posters ("Your brand name here") and other forms of outdoor advertising such as bus cards, street furniture, and truck side advertising. The vast majority of the advertisements are in English.

The first three series make up the bulk of the collection: the Award Nominees Series, the Chronological Series, and the Topical Series (by far the largest of the three). These series are made up almost completely of slides showing advertisements, usually in billboard format. All series are described further within the container list. The only other series with a sizable number of advertisements is the International Posters Series. This is where the largest concentration of international ads is found, although there are a few scattered within the other main series. Ads may also be found scattered throughout the Presentations and Presentation Slides Series.

Several additional small series contain images of related content, providing support and context to the advertisements. These include the Construction and Creation Series, the Artwork Series, the Street Scenes and Approaches Series, and the Other Outdoor Advertising Related Images Series. The Presentations and Presentation Slides Series adds insight by showing some of the internal conversation between directors and trainees, advertisers and advertising creators, and more.

The most direct route to locate any identified ad is through the Resource for Outdoor Advertising Description (ROAD) database, available in early 2003. Information about most slides in the collection has been added to this database. Researchers will be able to search for specific attributes of ads such as brand or company name, product type, and headline, as well as other types of information including slide number, date, collection name, image type, image color, outdoor advertising type, and special notes. Many database records also contain a searchable field with the outdoor advertising company's name (posting company), a field indicating if the billboard is in a rural or urban setting, information on the presence of women, children, ethnic individuals, or famous people in the ad, and the billboard's geographic location. Various slide series were entered into the database differently. Multiple searches may be required for comprehensive searching. For more information, consult Research Services Staff (special-collections@duke.edu).

For more contextual information, use this collection in conjunction with the Outdoor Advertising Association of America Records, especially that collection's Physical Structure Series, and Photographs, Slides, and Negatives Series. Closely related collections in the David M. Rubenstein Rare Book & Manuscript Library include the John Brennan Outdoor Advertising Survey Reports, the John Paver Papers, the John Browning Papers, the Duplex Advertising Co. Records, the H.E. Fisk Collection of War Effort Mobilization Campaigns, the Outdoor Advertising Association of America Records, the Outdoor Advertising Poster Design Collection, the Garrett Orr Papers, the R.C. Maxwell Company Records, the Howard Scott Papers, and the Strobridge Lithographing Company Advertisements.

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John Paver papers, 1920-1979, bulk 1938-1971 33.1 Linear Feet — 16,105 Items

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The John Paver Papers span the years 1920 through 1979, with the bulk of the collection dating from 1938 through the year 1971. The collection documents Paver's career in the outdoor advertising industry, especially his years as president of the National Outdoor Advertising Bureau (NOAB), and his work writing a textbook on the outdoor advertising medium. Series include the Biographical Files Series; Writings and Speeches Series; NOAB Files Series; Subject Files Series; Personal Files Series; Miscellaneous Files Series; Photographs, Negatives, and Slides Series; and Oversize Materials. Researchers interested in the following subjects may find this collection especially helpful: management in the advertising industry, more specifically the outdoor advertising industry; the outdoor medium itself; and traffic and advertising. Common formats in the collection include paper files such as correspondence, meeting minutes, writings, memoranda, printed materials; and photographic prints and negatives. The Resource for Outdoor Advertising Descriptions (ROAD) database, which holds searchable information about the images in this and other outdoor advertising collections will be available in early 2003.

Paver was instrumental in the establishment of standards for traffic measurement and, later, standards and the quality of billboards, topics all reflected in each of the collection's series, especially the Writings and Speeches Series, the NOAB Files Series, and the Subject Files Series. He pioneered research determining the relationship between traffic or habitual movement and trade activities. This work culminated in the publication, Traffic and Trade (McGraw-Hill, 1935), co-authored with research associate Dr. Miller McClintock, and in the founding of the industry authority for measuring outdoor advertising circulation, the Traffic Audit Bureau (TAB). His contributions in the area of window display (show windows) advertising, and, more generally, the outdoor medium are significant as well; all are documented within the collection. A large part of his career was spent in service to the National Outdoor Advertising Bureau before and after World War II; he led the organization for about seventeen years and became a prominent figure in the outdoor advertising industry. The papers document well Paver's work on an outdoor advertising textbook through draft copies and research materials. Through this activity, Paver grew to become a respected authority on poster and painted display advertising in the United States, and served as a speaker and consultant in the last years of his life. For more detailed information about Paver's life and career, see the Biographical Note above as well as the Biographical Files Series. All collection series are further described within the container list.

At the end of this finding aid is a list of publications removed from the collection and cataloged separately. Closely related collections in the David M. Rubenstein Rare Book & Manuscript Library include the John Brennan Papers, the John Browning Papers, the Duplex Advertising Co. Records, the H.E. Fisk Collection of War Effort Mobilization Campaigns, the Outdoor Advertising Association of America Records, the Outdoor Advertising Poster Design Collection, the Outdoor Advertising Slide Library, the Garrett Orr Papers, the R.C. Maxwell Company Records, the Howard Scott Papers, and the Strobridge Lithography Company Photographs.

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The Acme Advertising Collection is one of the collections created by Professor Richard Pollay in the History of Advertising Archives (Faculty of Commerce, Sauder School of Business, University of British Columbia). The collection was motivated by the observation that Acme named enterprises are characteristically small ventures that represent the grass roots of local and regional economies. At the same time, the ubiquity of the Acme brand name has made its way into popular culture, where it has become an icon for independent business in general, featured in print cartoons from artists such as Gary Larson (The Far Side) and G.B. Trudeau (Doonesbury), and in the Warner Bros. animated Road Runner features. Items in the Acme Collection come from a variety of sources. Many items were donated to Dr. Pollay, but the majority were acquired by Dr. Pollay himself over several decades. In earlier years items were found in shops, flea markets, and antique stores across North America. However, in recent years most items were acquired through the internet auction site, eBay (www.eBay.com). The Acme Advertising Collection dates from the 1850s through 2006 and consists of approximately 3000 items from over 900 distinct companies and producers, primarily of U.S. or Canadian origin, all bearing the brand name Acme. The collection contains a diverse array of items, both three-dimensional and printed materials, including: promotional items and memorabilia; trade cards; business cards; magazine tear sheets; catalogs; newspaper clippings; signs; displays; writing instruments; rulers; clothing; toys and games; school and office stationery supplies; photographs and slides. A number of corporations are represented in the collection, including: Acme Bail Bonds; Acme Boots; Acme Brick Company; Acme Harvester; Acme Markets; Acme Motor Truck Company; Acme White Lead and Color Works; Duane H. Nash, Inc.; Lautz Bros. and Company; and Warner Bros.

The Acme Advertising Collection dates from the 1850s through 2006 and consists of approximately 3000 items from over 900 distinct companies and producers, primarily of U.S. or Canadian origin, all bearing the brand name Acme. The collection contains a diverse array of items, both three-dimensional and printed materials, including: promotional items and memorabilia; trade cards; business cards; magazine tear sheets; catalogs; newspaper clippings; signs; displays; writing instruments; rulers; clothing; toys and games; school and office stationery supplies; photographs and slides. A number of corporations are represented in the collection, including: Acme Bail Bonds; Acme Boots; Acme Brick Company; Acme Harvester; Acme Markets; Acme Motor Truck Company; Acme White Lead and Color Works; Duane H. Nash, Inc.; Lautz Bros. and Company; and Warner Brothers.

A significant part of the collection is organized and grouped to represent rooms in a house. For example, kitchen items have been collected together. Office, wardrobe, and bathroom items are similarly gathered. Most items are represented in the Detailed Description by thumbnail images. In all, the collection consists of 28 Series: Kitchen Collectibles; Wardrobe and Bedroom Collectibles; Toys, Games, Sports and Recreation; Office and School Supplies; Domestic Hardware; Grocery and Store Collectibles; ACME Beer; Warner Brothers; Clothing Collectibles; Industrial Hardware; Bottles and Jars; Catalogs; Stationery and Certificates; Books and Monographs; Specialty Advertisements; Posters, Magazine, and Newspaper Advertisements; Sales Oddities; Photographs; eBay Files; Acme Bail Bonds; Acme Truck; Audiovisual Materials; Match Covers; Telephone Directories; Business Cards; Trade Cards; Slides; and Miscellaneous Items.

The collection arrived already organized into 28 series. Every item had been assigned an "accession number," a unique 8-digit identifier, in the format "100-xx-xxx": the middle digits refer to the Series number, and the last three digits represent a running accession sequence within the Series. Items have been arranged by Series and numerically therein; however, there are a few exceptions where items have been transferred to another series after having been previously assigned an accession number. The collection also arrived with a descriptive database that was created and maintained by Professor Pollay's staff. The item descriptions in this finding aid represent a distillation of that database into a form more consistent with EAD-compliant finding aids. The collection has been processed with the original order maintained as much as possible. In addition, some items have been deaccessioned or retained by the donor, and only a digital image of the item exists in the collection. Those have been noted in the inventory.

Series 1: Kitchen Collectibles consists of Acme products for kitchen use: juice extractors; sifters; cast iron pans; and other utensils.

Series 2: Wardrobe and Bedroom Collectibles consists of Acme products for use in the bedroom or used as part of a wardrobe, including shoe pads, zippers, scissors, etc.

Series 3: Toys, Games, Sports and Recreation includes Acme toys and games, and other items used in sports and recreation, including model cars, toy trains, whistles, and playing cards.

Series 4: Office and School Supplies includes Acme products used as office and school supplies: erasers, staplers, rulers, pencils, etc.

Series 5: Domestic Hardware includes objects related to hardware used in homes, including wall thermometers; padlocks; iron hinges; and binoculars.

Series 6: Grocery and Store Collectibles includes grocery items such as evaporated milk, potato bags, bread bags, store signs, product display signs, and postcards.

Series 7: ACME Beer includes bottles, tins, catalogs, souvenir programs, flat advertisements and advertising objects relating to the Acme brand of beer.

Series 8: Warner Brothers consists of advertising objects and novelty items from Warner Bros. that feature the Acme label: Wile E Coyote lapel pin; Acme Optical glass case; along with clothing items like neckties, waist pouches, sweatshirts, and hats.

Series 9: Clothing Collectibles consists of clothing items featuring the Acme label and includes aprons, caps and T-shirts.

Series 10: Industrial Hardware includes industrial type objects like printing plates, radio control switches, etc.

Series 11: Bottles and Jars consists of bottles, glassware and jars featuring the Acme name or logo Also included are two colored glass slides, a baby's bottle and items in glass picture frames.

Series 12: catalogs includes various-sized catalogs, brochures, ledgers, and flyers. They are: Acme Trading Co., Acme Boot Co., and Acme Brick. Each item is individually described.

Series 13: Stationery and Certificates consists of assorted business stationery and certificates, including examples of late 19th century and early 20th century lithography on bond certificates and company letter heads. The companies Duane H. Nash Inc., Acme Harvester Co., and Acme Shear Co. provide examples of typical workmanship.

Series 14: Books and Monographs includes books, picture books, monographs and magazines that feature the Acme sign or logo or make mention of Acme.

Series 15: Specialty Advertisements consists primarily of promotional items such as blotters; small calendars; stickers; and slide charts that feature an Acme logo or trademark.

Series 16: Posters, Magazine, and Newspaper Advertisements consists of print advertisements; mounted clippings; and photocopies of stationery and other paper items. Several companies are featured, including: Acme Boot Co., Acme Card System Co., Acme Harvester Co., Acme White Lead and Color Paint Works, Acme Wagon Co., Acme Washing Machine Co., and Acme Visible Card System. Each item is individually described. Each item carries an accession number.

Series 17: Sales Oddities consists of various advertising objects that feature an Acme logo or trademark, including both printed and three-dimensional objects such as tokens, pocket items, patches and decals.

Series 18: Photographs consists of photographs, negatives, and reprints of various shops, billboard, signs, and buildings featuring the Acme sign or logo. There are several pictures from Acme News Pictures, Inc. and Acme Telephoto, both press agencies.

Series 19: eBay Files consists of printouts from eBay.com relating to Acme-branded items. Printouts are housed in binders which are arranged roughly by year.

Series 20: Acme Bail Bonds consists of mostly printed materials related to the Acme Bail Bonds Company.

Series 21: Acme Truck consists of print advertisements for the Acme Truck, predominantly dating 1918-1922.

Series 22: Audiovisual Materials consists of sound and video recordings on various formats: cassette and video tapes; CD-ROM; vinyl records; and CDs. Each item features "Acme" as a trademark or logo or as part of the band name.

Series 23: Match Covers consists of assorted matchbook covers featuring the Acme label. Items are housed in a binder.

Series 24: Telephone Directories consists of the advertising Yellow pages. The provenance of these advertisements is largely unknown. The Series reflects the order in which they were collected.

Series 25: Business Cards consists of 138 business cards from various Acme companies. Items are housed in one binder.

Series 26: Trade Cards consists of various trading cards that were produced between the late 1880s and the 1930s. The bulk of items comes from the Lautz Bros Soap Co.

Series 27: Slides consists of 232 slides of various objects, locations and businesses featuring the name Acme. Slides are housed in one binder.

Series 28: Miscellaneous Items consists of miscellaneous items featuring the Acme label, name or trademark. Includes gas masks, farm implements, etc.

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Outdoor advertising billboard and sign company established approximately 1906 in Scranton, Pa. Smith Company photograph archive consists of approximately 78 photographs of billboards and outdoor signs produced by the company. Most are location shots of roadside signs; a few show angles of approach to the signs. Signs represent primarily local businesses from northern Pennsylvania to Wilmington, N.C. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Smith Company photograph archive consists of approximately 78 photographs of billboards and outdoor signs produced by the company. Most are location shots of roadside signs; a few show angles of approach to the signs. Signs represent primarily local businesses from northern Pennsylvania to Wilmington, N.C. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

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Lithography company founded in Cincinnati, Ohio, in about 1847. The Strobridge Lithographing Company Advertisements span the years 1910 through 1954, documenting much of the company's printed poster advertising work from that era. All images are black and white. The core of the collection, the Image Files Series, consists of around 1000 8x10 photographs ("A" images) of advertising designs, and a similar number of smaller printed cards (approx. 5x7 to 5x8, "B" images) of outdoor advertisement designs. The images are accompanied by three different Access Files to be used to browse the collection. These files are in the form of image photocopies ( "job tickets" ) and catalog cards. Most images are of poster (billboard or transit card) designs, but there are also some photographs of tabletop display advertising, window cards and other point-of-purchase displays. The collection documents advertising during a time when transportation was changing in America, and the automobile was gaining in popularity. Billboards began to replace smaller posters, accommodating a more mobile public. It was then that Strobridge turned from its emphasis on circus and theater posters (not represented in the collection) to billboard ads for mass-produced products. Many different products are featured, but perhaps the two most prominent and well-represented campaigns are those for Camel cigarettes and Palmolive soaps. The images form a valuable reference collection of advertising designs, relevant for researchers from a variety of disciplines including commercial artwork, advertising history and design, and popular culture. The collection documents outdoor advertising design during the first part of the twentieth century for what were mostly national brands. Numerous examples are from the era of hand-drawn and painted designs, often signed by artists including Norman Rockwell, Howard Scott, and Dr. Seuss (see his designs for the product Flit). Rarely, an artist is listed on the back of the image. Later designs from the 1940s and 1950s include photographic images, often peppered with celebrity likenesses including John Wayne, Maureen O'Hara, and Charlton Heston. Many of the celebrity advertisements promoted tobacco products. Some designs are clearly war-era, such as advertisements depicting a 1943 female factory worker, or one from Schlitz (1942) mentioning war bonds.

The Strobridge Lithographing Company Advertisements span the years 1910 through 1954, documenting much of the company's printed poster advertising work from that era. All images are black and white. The core of the collection, the Image Files Series, consists of around 1000 8x10 photographs ("A" images) of advertising designs, and a similar number of smaller printed cards (approx. 5x7 to 5x8, "B" images) of outdoor advertisement designs. The images are accompanied by three different Access Files to be used to browse the collection. These files are in the form of image photocopies ("job tickets") and catalog cards. Most images are of poster (billboard or transit card) designs, but there are also some photographs of tabletop display advertising, window cards and other point-of-purchase displays. The collection documents advertising during a time when transportation was changing in America, and the automobile was gaining in popularity. Billboards began to replace smaller posters, accommodating a more mobile public. It was then that Strobridge turned from its emphasis on circus and theater posters (not represented in the collection) to billboard ads for mass-produced products. Many different products are featured, but perhaps the two most prominent and well-represented campaigns are those for Camel cigarettes and Palmolive soaps. The images form a valuable reference collection of advertising designs, relevant for researchers from a variety of disciplines including commercial artwork, advertising history and design, and popular culture.

The collection documents outdoor advertising design during the first part of the twentieth century for what were mostly national brands. Numerous examples are from the era of hand-drawn and painted designs, often signed by artists including Norman Rockwell, Howard Scott, and Dr. Seuss (see his designs for the product Flit). Rarely, an artist is listed on the back of the image. Later designs from the 1940s and 1950s include photographic images, often peppered with celebrity likenesses including John Wayne, Maureen O'Hara, and Charlton Heston. Many of the celebrity advertisements promoted tobacco products. Some designs are clearly war-era, such as advertisements depicting a 1943 female factory worker, or one from Schlitz (1942) mentioning war bonds.

The first series, the Access Files, can be used to browse the collection and narrow a search for an individual advertisement before moving on to the Image Files themselves. Items in the Image Files are labeled with an "A" or a "B" indication. The "A" group holds the larger 8x10 photographs and the "B" group contains smaller images (primarily 5x7 and 5x8) printed on cards. There is some duplication between the "A" and "B" groups. The "A" images contain advertisements from the 1910s through the 1950s, and the "B" advertisements were created mainly in the 1920s and 1930s. All point-of-purchase advertising is in the "A" group. There is often indication of the size poster the design was made into (e.g. 24-sheet), a design or perhaps job number (e.g. Camel No. 93), and a title (e.g. "Perfect" for a Camel advertisement with the text "Perfect Taste"). Most designs are presumed to have been created and published by Strobridge, but there are some images stamped "W. J. Rankin Corp." Some images show billboards as they were posted; some of these show the nameplate of the outdoor advertising company that owned the billboard structures.

The name of the collection is seen on folders and sometimes elsewhere as the "Strobridge Lithography Company," but the materials themselves as well as other documentation reveal the name to be "Strobridge Lithographing Company" at the time when most of this collection was created. Almost all advertisements are in English, presumably for posting in the U.S., but a few, such as Spur cigarette advertisements, are in Spanish.

Related collections in the David M. Rubenstein Rare Book & Manuscript Library include a number of other outdoor advertising collections, such as the Outdoor Advertising Slide Library, the John Paver Papers, the John Browning Papers, the Duplex Advertising Co. Records, the H.E. Fisk Collection of War Effort Mobilization Campaigns, the Outdoor Advertising Association of America Records, the Outdoor Advertising Poster Design Collection, the Garrett Orr Papers, the R.C. Maxwell Company Records, the Howard Scott Papers, and the John E. Brennan Outdoor Advertising Survey Reports. There are also numerous published items from the era of this collection which provide even more context for the designs.