The collection consists of 552 zines, collected by the donor between 1994 and 2001. The collection focuses on personal zines by women, politics, the punk music scene, social justice activism, and riot grrrl. Many of the zines are accompanied by correspondence with the donor. Ailecia Ruscin is a writer, activist, and scholar from San Antonio, Texas and Auburn, Alabama. She is the author or co-author of the zines provo-CAT-ive and alabama grrrl (published from 1997-2000).

The collection consists of 552 zines, collected by the donor between 1994 and 2001. The collection focuses on personal zines by women, politics, the punk music scene, social justice activism, and riot grrrl. Many of the zines are accompanied by correspondence with the donor. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Amy Mariaskin began collecting and trading zines with other women as a member of the Pittsburgh, PA, Riot Grrrl Chapter from 1995-2002. She authored the zine Southern Fried Darling from 1995-2002, and Vortext, about meteorology and weather. Collection consists of about 150 zines, mostly self-published by women and girls in the United States. Subjects include feminism, riot grrrl, body image and consciousness, music, mental health, depression and mental illness, film, poetry, rock and punk music, comics, violence against women, sexual identity, homosexuality and bisexuality, transgender issues, and race. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection consists of about 150 zines, mostly self-published by women and girls in the United States. Subjects include feminism, riot grrrl, body image and consciousness, music, mental health, depression and mental illness, film, poetry, rock and punk music, comics, violence against women, sexual identity, homosexuality and bisexuality, transgender issues, and race. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Arielle Greenberg is a poet, editor, and assistant professor in the English department at Columbia College, Chicago, Ill. This collection consists of 367 zines dated from 1973 to 1995, likely collected by the donor from 1992-1995. The collection primarily includes personal zines by women (though some are by men) that focus on the riot grrrl scene, feminism, punk music, and progressive political causes. Many of the zines include correspondence from the authors. The collection also includes personal correspondence and correspondence from zine authors between 1987 and 1995, with the bulk dating from 1993 to 1995.

This collection consists of 367 zines dated from 1973 to 1995, likely collected by the donor from 1992-1995. The collection primarily includes personal zines by women (though some are by men) that focus on the riot grrrl scene, feminism, punk music, and progressive political causes. Many of the zines include correspondence from the authors. The collection also includes personal correspondence and correspondence from zine authors between 1987 and 1995, with the bulk dating from 1993 to 1995. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Bill Brown is a filmmaker, photographer, and zinester from Lubbock, Texas. His films explore the landscapes of North America, including the United States–Mexico border, North Dakota missile silos, and the Trans-Canada Highway, and have been exhibited at film festivals and museums around the world. He received a BFA from Harvard in 1992 and a MFA from CalArts in 1997. Brown is the author of a zine called Dream Whip as well as a novel on the underground in L.A., Saugus to the Sea. In January 2013, Bill Brown donated his personal collection of zines, comprising 186 titles and almost 250 issues in total. Although Brown never actively collected zines, he was always eager to barter and trade with other zine makers. The resulting collection includes zines spanning from the mid-1990s to the early 2000s. The zines are arranged alphabetically by title.

In January 2013, Bill Brown donated his personal collection of zines, comprising 186 titles and almost 250 issues in total. Although Brown never actively collected zines, he was always eager to barter and trade with other zine makers. The resulting collection includes zines spanning from the mid-1990s to the early 2000s. The zines are arranged alphabetically by title.

Dwayne Dixon was an employee in the Literacy Through Photography program at the Center for Documentary Studies. Collection includes 110 zines (150 items, ca. 1984-ca. 1995) produced across the United States and Central America and collected by Dixon throughout the 1990s. The majority of the zines demonstrate young men's search for life meaning, morality, and identity, especially through hardcore and punk music/lifestyle, including interviews with bands, album reviews, and criticism of the status quo. Other groups of zines were produced by children participating in various afterschool and enrichment programs in Durham, NC; by Central American women in Mexico, Nicaragua, the Dominican Republic, and El Salvador; and by American young women raging against rape and sexism and searching for a less traditional sexual identity. Many zines include erotica, drawings, copies of photographs, and cartoons.

110 zines (150 items, ca. 1984-ca. 1995) produced across the United States and Central America and collected by Dixon throughout the 1990s. The majority of the zines demonstrate young men's search for life meaning, morality, and identity, especially through hardcore and punk music/lifestyle, including interviews with bands, album reviews, and criticism of the status quo. Other groups of zines were produced by children participating in various afterschool and enrichment programs in Durham, NC; by Central American women in Mexico, Nicaragua, the Dominican Republic, and El Salvador; and by American young women raging against rape and sexism and searching for a less traditional sexual identity. Many zines include erotica, drawings, copies of photographs, and cartoons. Online searchable database includes more detailed descriptions of the first accession of this collection. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection of incarceration and anarchist publications produced by South Chicago ABC Zine Distro. Collection consists of 103 zines and drawings which include works most notably by Mumia Abu-Jamal, Sundiata Acoli, Ashanti Alston Omowali, David Gilbert and his son, Chesa Boudin, Kevin "Rashid" Johnson, Dennis Kyne, Anthony Rayson, Bobby Sands, Sean Swain, and Harold H. Thompson.

The Incarceration Zine Collection covers 1995 to 2007. Contents are almost exclusively produced by the South Chicago ABC Zine Distro publishing group, led by Anthony Rayson. A significant portion of this collection include essays by Rayson. The collection is predominately zines, most of which are written by Anarchists. Additional items are ABC Zine Distro catalogues and a few pieces of inmate art.

Most zines are original creations, though some pieces are reproduced texts by other authors. These works include Anarchist Morality by Peter Kroptokin, chapter 1 of Black Panther Party (Reconsidered) edited by Charles E. Jones, and The Diary of Bobby Sands.

Zines include republished pieces of famous inmates, including poetry and writings by Weather Underground member David Gilbert and political prisoners Mumia Abu-Jamal and Harold H. Thompson. Some pieces have an international focus, covering topics such as Vietnam, the Russian Revolution, and the El Mozote massacre. Domestic issues covered include race in the prison system, the resurgence of the Black Panther Party, revolutionary organizing in prison, Native American rights, and growth of the prison-industrial system.

Noted authors in this collection in Mumia Abu-Jamal, Sundiata Acoli, David Gilbert, Kevin "Rashid" Johnson, Dennis Kyne, Ashanti Alston Omowali, Anthony Rayson, Bobby Sands, Sean Swain, and Harold H. Thompson.

Acquired as part of the Human Rights Archive (Duke University).

Libby Gilbert is a zine collector and publisher. Gilbert's zines include The Ten Condiments (1988-1989) and Ancient Grandma Secrets (1990-1997). Collection includes Gilbert's zines, acquired through trade, purchase, or self-publishing. Most zines focus on music or culture. Collection is arranged alphabetically by zine title.

In February 2012, Libby Gilbert donated her personal collection of music zines and magazines, comprising 47 different titles and over 100 issues in total. Originally obtained through trade, purchase, or self-publishing, the titles in her collection span the years 1981-1996, and the common thread is the underground rock music scene in the United States and abroad, with particular focus on the Pacific Northwest, where she lived during much of that time. In 1988 and 1989, she published music and poetry zine The Ten Condiments with Kaija Campos (then Kaija Berleman), and later published her own music zine, Ancient Grandma Secrets, from 1990-1997. A 2022 addition to this collection expanded the title list and includes includes zine originals (layouts, art, etc.) from Ancient Grandma Secrets and Ten Condiments.

Lisa Garmon, longtime resident of Chapel Hill, NC, was a multi-issue activist, organizing for women's rights, LGBT/queer rights, Latin American rights, and a defender of the environment. Collection contains personal/professional correspondence, subject files, and audiocassette and videocassette tapes of Lisa Garmon, writings and other materials related to the publication of the feminist zine HA!, and a zine collection. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection contains personal/professional correspondence, subject files, and cassette tapes of Lisa Garmon, writings and other materials related to the publication of the feminist zine Ha!, and a zine collection. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

A collection of about 470 zines, mostly of the personal nature, mostly written by women, acquired during the period of the late 1990s to early 2000s.

Collection consists of zines primarily from the U.S., with a small number from Canada, Australia, and New Zealand. Many of the zines were acquired through trade and larger organized swaps referred to as “Lazy Jane’s Zine Trades” arranged by the collector (ie: send in 30 copies of your zine, get 30 unique zines back from the other participants).

Arbabi is an artist, DJ, writer, filmmaker, and zinester from Durham, NC and Austin, TX. She is the author of several craft and activist zines, including Radical South, Chicks Rock, and Polaroid-Celluloid. The collection consists of 34 zines (27 titles, produced between 1999 and 2007) collected by Arbabi. Eight of the zine titles in the collection were written or co-written by Arbabi. The majority of zines in the collection focus on either craftmaking and the do-it-yourself lifestyle or women's personal stories, including stories of abuse. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The collection consists of 34 zines (27 titles, produced between 1999 and 2007) collected by Niku Arbabi. Eight of the zine titles in the collection were written or co-written by Arbabi. Arbabi acquired several of the zines in her collection from Parcell Press, a zine distro located in Richmond, Va. Zines authored by Arbabi that were purchased directly from Parcell Press are also included in this collection. The zines in the collection focus on craftmaking and the do-it-yourself lifestyle; feminist activism; and women's personal stories, including stories of abuse. Acquired as part of the Sallie Bingham Center for Women's History and Culture.