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The collection consists of 552 zines, collected by the donor between 1994 and 2001. The collection focuses on personal zines by women, politics, the punk music scene, social justice activism, and riot grrrl. Many of the zines are accompanied by correspondence with the donor. Ailecia Ruscin is a writer, activist, and scholar from San Antonio, Texas and Auburn, Alabama. She is the author or co-author of the zines provo-CAT-ive and alabama grrrl (published from 1997-2000).

The collection consists of 552 zines, collected by the donor between 1994 and 2001. The collection focuses on personal zines by women, politics, the punk music scene, social justice activism, and riot grrrl. Many of the zines are accompanied by correspondence with the donor. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

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Amy Mariaskin Zine collection, 1995-2005 3 Linear Feet — 150 Items

Amy Mariaskin began collecting and trading zines with other women as a member of the Pittsburgh, PA, Riot Grrrl Chapter from 1995-2002. She authored the zine Southern Fried Darling from 1995-2002, and Vortext, about meteorology and weather. Collection consists of about 150 zines, mostly self-published by women and girls in the United States. Subjects include feminism, riot grrrl, body image and consciousness, music, mental health, depression and mental illness, film, poetry, rock and punk music, comics, violence against women, sexual identity, homosexuality and bisexuality, transgender issues, and race. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection consists of about 150 zines, mostly self-published by women and girls in the United States. Subjects include feminism, riot grrrl, body image and consciousness, music, mental health, depression and mental illness, film, poetry, rock and punk music, comics, violence against women, sexual identity, homosexuality and bisexuality, transgender issues, and race. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

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Arielle Greenberg is a poet, editor, and assistant professor in the English department at Columbia College, Chicago, Ill. This collection consists of 367 zines dated from 1973 to 1995, likely collected by the donor from 1992-1995. The collection primarily includes personal zines by women (though some are by men) that focus on the riot grrrl scene, feminism, punk music, and progressive political causes. Many of the zines include correspondence from the authors. The collection also includes personal correspondence and correspondence from zine authors between 1987 and 1995, with the bulk dating from 1993 to 1995.

This collection consists of 367 zines dated from 1973 to 1995, likely collected by the donor from 1992-1995. The collection primarily includes personal zines by women (though some are by men) that focus on the riot grrrl scene, feminism, punk music, and progressive political causes. Many of the zines include correspondence from the authors. The collection also includes personal correspondence and correspondence from zine authors between 1987 and 1995, with the bulk dating from 1993 to 1995. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

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Bill Brown is a filmmaker, photographer, and zinester from Lubbock, Texas. His films explore the landscapes of North America, including the United States–Mexico border, North Dakota missile silos, and the Trans-Canada Highway, and have been exhibited at film festivals and museums around the world. He received a BFA from Harvard in 1992 and a MFA from CalArts in 1997. Brown is the author of a zine called Dream Whip as well as a novel on the underground in L.A., Saugus to the Sea. In January 2013, Bill Brown donated his personal collection of zines, comprising 186 titles and almost 250 issues in total. Although Brown never actively collected zines, he was always eager to barter and trade with other zine makers. The resulting collection includes zines spanning from the mid-1990s to the early 2000s. The zines are arranged alphabetically by title.

In January 2013, Bill Brown donated his personal collection of zines, comprising 186 titles and almost 250 issues in total. Although Brown never actively collected zines, he was always eager to barter and trade with other zine makers. The resulting collection includes zines spanning from the mid-1990s to the early 2000s. The zines are arranged alphabetically by title.

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Dwayne Dixon Zine collection, ca. 1984-ca. 1995 2.5 Linear Feet — 224 Items

Dwayne Dixon was an employee in the Literacy Through Photography program at the Center for Documentary Studies. Collection includes 110 zines (150 items, ca. 1984-ca. 1995) produced across the United States and Central America and collected by Dixon throughout the 1990s. The majority of the zines demonstrate young men's search for life meaning, morality, and identity, especially through hardcore and punk music/lifestyle, including interviews with bands, album reviews, and criticism of the status quo. Other groups of zines were produced by children participating in various afterschool and enrichment programs in Durham, NC; by Central American women in Mexico, Nicaragua, the Dominican Republic, and El Salvador; and by American young women raging against rape and sexism and searching for a less traditional sexual identity. Many zines include erotica, drawings, copies of photographs, and cartoons.

110 zines (150 items, ca. 1984-ca. 1995) produced across the United States and Central America and collected by Dixon throughout the 1990s. The majority of the zines demonstrate young men's search for life meaning, morality, and identity, especially through hardcore and punk music/lifestyle, including interviews with bands, album reviews, and criticism of the status quo. Other groups of zines were produced by children participating in various afterschool and enrichment programs in Durham, NC; by Central American women in Mexico, Nicaragua, the Dominican Republic, and El Salvador; and by American young women raging against rape and sexism and searching for a less traditional sexual identity. Many zines include erotica, drawings, copies of photographs, and cartoons. Online searchable database includes more detailed descriptions of the first accession of this collection. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

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Libby Gilbert Zine collection, 1986-1995 3 Linear Feet — 112 Items

Zine collector and publisher. Gilbert's zines include The Ten Condiments (1988-1989) and Ancient Grandma Secrets (1990-1997). Collection includes Gilbert's zines, acquired through trade, purchase, or self-publishing. Most zines focus on music or culture. Collection is arranged alphabetically by zine title.

In February 2012, Libby Gilbert donated her personal collection of music zines and magazines, comprising 47 different titles and over 100 issues in total. Originally obtained through trade, purchase, or self-publishing, the titles in her collection span the years 1981-1996, and the common thread is the underground rock music scene in the United States and abroad, with particular focus on the Pacific Northwest, where she lived during much of that time. In 1988 and 1989, she published music and poetry zine The Ten Condiments with Kaija Campos (then Kaija Berleman), and later published her own music zine, Ancient Grandma Secrets, from 1990-1997. During the 1980s, her favorite musical sub-genre was second-wave garage psychedelic rock. To this day she remains a sucker for a well-crafted melody.

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Lisa Jaronski zine collection, 1992-2005 5.4 Linear Feet — 9 boxes

A collection of about 470 zines, mostly of the personal nature, mostly written by women, acquired during the period of the late 1990s to early 2000s.

Collection consists of zines primarily from the U.S., with a small number from Canada, Australia, and New Zealand. Many of the zines were acquired through trade and larger organized swaps referred to as “Lazy Jane’s Zine Trades” arranged by the collector (ie: send in 30 copies of your zine, get 30 unique zines back from the other participants).

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Arbabi is an artist, DJ, writer, filmmaker, and zinester from Durham, NC and Austin, TX. She is the author of several craft and activist zines, including Radical South, Chicks Rock, and Polaroid-Celluloid. The collection consists of 34 zines (27 titles, produced between 1999 and 2007) collected by Arbabi. Eight of the zine titles in the collection were written or co-written by Arbabi. The majority of zines in the collection focus on either craftmaking and the do-it-yourself lifestyle or women's personal stories, including stories of abuse. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The collection consists of 34 zines (27 titles, produced between 1999 and 2007) collected by Niku Arbabi. Eight of the zine titles in the collection were written or co-written by Arbabi. Arbabi acquired several of the zines in her collection from Parcell Press, a zine distro located in Richmond, Va. Zines authored by Arbabi that were purchased directly from Parcell Press are also included in this collection. The zines in the collection focus on craftmaking and the do-it-yourself lifestyle; feminist activism; and women's personal stories, including stories of abuse. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

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Sarah Dyer Zine collection, 1985-2005 18.3 Linear Feet — 2050 Items

Approximately 2000 individual zines and nearly 800 titles, most self-published by women and girls 1985-2000. Most were produced in the United States, a few come from Canada and other countries. In-house database with subject access available. Subjects include feminism, riot grrrl, body image and consciousness, sexual abuse, music, mental illness, film, poetry, rock and punk music, comics, violence against women, sexual identity, homosexuality and bisexuality, and erotica. The collection includes four audiocassette tapes and one VHS tape. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Approximately 2000 individual zines and nearly 800 titles, most self-published by women and girls 1985-2000. Most were produced in the United States, a few come from Canada and other countries. In-house database with subject access available. Subjects include feminism, riot grrrl, body image and consciousness, sexual abuse, music, mental illness, film, poetry, rock and punk music, comics, violence against women, sexual identity, homosexuality and bisexuality, and erotica. The collection includes four audiocassette tapes and one VHS tape. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Addition #1 (2002-0319) contains approximately 150 titles.

Addition #2 (2006-0068) contains approximately 150 titles and are separated into two groups: those authored by women and those authored by men.

Addition #3 (2008-0030) contains approximately 175 titles and one VHS tape.

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Sarah Maitland Zine collection, 1997-2009 4 Linear Feet — 500 Items

Virginia-based writer Sarah Maitland began producing zines around 2001 and ran a zine distro for about three years. She was a founder of the Richmond Zine Fest which started in 2007. Approximately 220 titles from Sarah Maitland's personal zine collection, most dating between 1998 and 2008 and discussing a wide range of subjects. Also contains some material from Maitland's personal projects, as well as buttons, cassettes, stickers, and other ephemera.

This collection contains approximately 220 titles (some with multiple issues) from Sarah Maitland's personal zine collection, most dating between 1998 and 2008. The zines are largely about women, feminism, sexuality, and personal stories; specific subjects include feminism, sexual assault, political activism, parenting, vegan recipes, racism, bisexuality, pop culture, television shows, love, sex, mental disorders, higher education, sizism, punk rock, sex dichotomy, transgender issues, and media. Also contains some material from Maitland's personal projects, such as promotional materials from the Richmond Zine Fest, as well as buttons, cassettes, stickers, and other ephemera.