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Cipe Pineles was an Austrian-born Jewish artist noted for innovations in magazine design, illustration and typography, based primarily in New York. Collection includes correspondence, photographs, drawings and illustrations and other design work, paintings, advertising and promotional materials, drafts of manuscripts, recipes, financial records and other printed materials that document Pineles's professional and private life, including correspondence and service orders during World War II. Collection also includes materials relating to a number of individuals: Ben Shahn, Carol Burton Fripp, Edward Sorel, Jay Leyda, John Alcorn, Mehemed Fehmy Agha, Sidney Meyers, Will Burtin and William Golden. Institutions represented in the collection include Alliance graphique internationale, American Institute of Graphic Arts, Art Directors Club, Harvard Graduate School of Design, Lincoln Center, Parsons School of Design and the Pratt Institute. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection includes correspondence, photographs, drawings and illustrations and other design work, paintings, advertising and promotional materials, drafts of manuscripts, recipes, financial records and other printed materials that document Pineles's professional and private life, including correspondence and service orders during World War II. Collection also includes materials relating to a number of individuals: Ben Shahn, Carol Burton Fripp, Edward Sorel, Jay Leyda, John Alcorn, Mehemed Fehmy Agha, Sidney Meyers, Will Burtin and William Golden. Institutions represented in the collection include Alliance graphique internationale, American Institute of Graphic Arts, Art Directors Club, Harvard Graduate School of Design, Lincoln Center, Parsons School of Design and the Pratt Institute. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

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Irene Peslikis papers, 1957-2002 and undated 27 Linear Feet — 20,250 Items

Feminist artist, activist, and educator Irene Peslikis (1943-2002) was born in New York, New York, and raised in different locations in Queens, New York. She was instrumental in a number of influential feminist and feminist art groups, including the New York Feminist Art Institute, the journal Women & Art (co-founded with Pat Mainardi), and the group Redstockings. The Irene Peslikis Papers span the years 1957-2002 and document Peslikis's life as a feminist artist, activist, and educator. The collection is organized into nine series: Feminist Activism, Correspondence, Writings, Personal Files, Subject Files, Education, Art, Printed Material, and Audiovisual Material. Materials in this collection include correspondence, essays, personal journals, exhibit files, artwork in a number of media, personal files, her student files, teaching files, clippings, photographs, journals, pamphlets, and audiocassettes. Frequent and/or notable correspondents include her immediate family: her mother, father, and brother, Michael; and friends Ursula Karau, Alix Kates Shulman, Rosalyn Baxandall, Robin Morgan, Carol Hanisch, Lucinda (Cindy) Cisler, Lucia Vernarelli, Pat Mainardi, Judy Chicago, and Shulamith (Shulie) Firestone.

The Irene Peslikis Papers span the years 1957-2002 and document Peslikis's life as a feminist artist, activist, and educator. The collection is organized into nine series: Feminist Activism, Correspondence, Writings, Personal Files, Subject Files, Education, Art, Printed Material, and Audiovisual Material.

The Feminist Activism Series is composed of materials from three key venues for Peslikis's feminist activist work: the New York Feminist Art Institute, the journal Women & Art, and the group Redstockings. This series includes organizational records, related correspondence and articles, exhibition announcements, and grant proposals.

The Correspondence Series contains letters, postcards, and cards received by Peslikis from family and friends. Frequent and/or notable correspondents include her immediate family: her mother, father, and brother, Michael; and friends Ursula Karau, Alix Kates Shulman, Rosalyn Baxandall, Robin Morgan, Carol Hanisch, Lucinda (Cindy) Cisler, Lucia Vernarelli, Pat Mainardi, Judy Chicago, and Shulamith (Shulie) Firestone. A smaller amount of outgoing letters is also included. Correspondence depicts Peslikis's work as an activist and as an artist, as well as her financial and medical difficulties.

Materials in the Writings Series include manuscripts, notes, notebooks, and journals kept by Peslikis. The Manuscripts subseries includes writings by people other than Peslikis which directly impacted her work, as well as drafts and outlines of Peslikis's publications. Notes, notebooks, and journals were all penned by Peslikis. Notebooks are primarily personal journals kept by Peslikis from her teenage years through the early 1980s and again from the early 1990s until the end of her life.

The Personal Files Series depicts the numerous financial, legal, and medical issues confronted by Peslikis over three decades. Peslikis received assistance in the form of Supplemental Security Income (SSI), food stamps, and subsidized housing for artists (at Westbeth Artist Housing), each of which required meticulous documentation in order to retain. A portion of this series is closed until 2099.

The Subject Files Series consists primarily of clippings and notes retained by Peslikis on a number of women- and feminism-related subjects, as well as on art, astrology, United States foreign policy, and Greek politics.

The Education Series is composed of files documenting Peslikis as a student, an instructor, and an instructor in search of employment.

Items in the Art Series include artwork by Peslikis, duplications of her artwork, sketchbooks, and files related to her exhibits, including flyers, reviews, and catalogs.

The Printed Material Series comprises periodicals, pamphlets, and printed essays. Subjects represented include feminism, Marxism, and art.

The Audiovisual Material Series consists of audiocassettes and super 8 film documenting discussions, meetings, and other events. Items are labeled with original descriptions provided by Peslikis. Also included is a VHS tape of a memorial service for Peslikis.

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Jessie Vanderbilt McNamee was born in 1874 to a wealthy family residing in Staten Island, New York (Richmond County). In 1901 she married Charles Dewar Simons(1874-1922) and they had one child, Charles Dewar, Jr. Ms. Simons served as a volunteer ambulance driver with the Dongan Hills Motor Corps; helped found and served as the ranking member of the Richmond County chapter of the Red Cross Motor Corps during World War I; served as Vice President of the National Federated Workers for Disabled Soldiers; and was an active member of the Veteran Association of Women War Workers. Her travels throughout Europe during the 1920s and 1930s are documented in diaries, correspondence, and other materials in this collection. Ms. Simons was a friend and neighbor of Alice Austen, a noted photographer who also served in the Richmond County Motor Corps. The Jessie Vanderbilt Simons papers contain materials dating from 1870 to 1936, with the bulk of the collection dating from 1890 to 1936. Materials in the collection primarily document Simons' travels through Europe during the 1920s and 1930s and her work with the Richmond County chapter of the American Red Cross Motor Corps. Twenty-nine yearly diaries detail daily life, family life, travel, participation in the Motor Corps, and other philanthropic activities. Correspondence with her son, family, and friends is also included; as are receipts, invoices, and other financial materials, primarily from travel to Europe; correspondence, printed materials, a scrapbook, and other items documenting Simons' service with the American Red Cross Motor Corps; material relating to friend, photographer, and fellow Motor Corps member Alice Austen; and photographs.

The Jessie Vanderbilt Simons papers contain materials dating from 1870 to 1936, with the bulk of the collection dating from 1890 to 1936. Materials in the collection primarily document Simons' travels through Europe during the 1920s and 1930s and her work with the Richmond County chapter of the American Red Cross Motor Corps. Twenty-nine yearly diaries detail daily life, family life, travel, participation in the Motor Corps, and other philanthropic activities. Correspondence with her son, family, and friends is also included; as are receipts, invoices, and other financial materials, primarily from travel to Europe; correspondence, printed materials, a scrapbook, and other items documenting Simons' service with the American Red Cross Motor Corps; material relating to friend, photographer, and fellow Motor Corps member Alice Austen; and photographs.

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June Blum papers, 1969-2005 0.6 Linear Feet — 150 Items

June Blum is a feminist artist and curator, and was at the forefront of the women's art movement in New York City in the 1960s-1970s. Accession (2009-0174) (150 items; 0.6 lin. ft.; dated 1960s-2005) includes biographies and articles about Blum, programs and announcements from gallery shows she curated or participated in, and some photocopied newspaper articles about her role in the women's art movement. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Accession (2009-0174) (150 items; 0.6 lin. ft.; dated 1960s-2005) includes biographies and articles about Blum, programs and announcements from gallery shows she curated or participated in, and some photocopied newspaper articles about her role in the women's art movement. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

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Kentucky Foundation for Women records, 1985-2017 62.0 Linear Feet — 168 Gigabytes

Sallie Bingham was the founder and first Executive Director of the Kentucky Foundation for Women and profoundly shaped its goals. The overall purpose of the Foundation is to support feminist women in the arts. The collection includes materials about grassroots feminist activism, philanthropy, not-for-profit organizations and artistic patronage, feminist art, and women's culture. Additionally, the collection includes grant applications and files, files for the publication, The American Voice, and information on the Hopscotch House and Wolf Pen Writers Colony, among other materials.

The Kentucky Foundation for Women Records span the dates 1985-2017. The collection provides a rich source of information about grassroots feminist activism, philanthropy, not-for-profit organizations and artistic patronage, feminist art and women's culture. The records of the Foundation include a range of materials, primarily a large number of grant files, including applications and supporting materials of those awarded grants. Also notable are the files for its publication, The American Voice, which include correspondence, copy-edited drafts of poetry and other writings, business records, other publications, miscellaneous ephemera, broadsides, and books of poetry. In addition, there is information on the Hopscotch House and Wolf Pen Writers Colony, miscellaneous correspondence, subject files, annual reports, newsletters, and brochures. The records consist primarily of files, but videocassettes, audiocassettes, and compact disks are also included. The collection is divided into four series: Administrative Files, Project Files, American Voice Files, and Grant Files.

The Administrative Files Series contains Foundation newsletters; administrative correspondence; minutes of Board of Directors meetings; and financial, legal and tax papers. The Project Files Series contains papers on short-term special projects, as well as long-term projects such as the Hopscotch House and the Wolf Pen Women Writers Colony. The American Voice Files Series contains information regarding the publication of the feminist literary journal The American Voice. The series contains correspondence between the editors ( Frederick Smock and Sallie Bingham) and contributors; copy-edited drafts of poetry, prose, and non-fiction essays; business records; broadsides; chapbooks (i.e. hand-bound books); miscellaneous publications; and a partially complete run of the journal. Some of the better-known authors to be published in The American Voice include: Paula Gunn Allen, Isabel Allende, Wendell Berry, Jorge Louis Borges, Kay Boyle, Jo Carson, Andrea Dworkin, Elaine Equi, Doris Grumbach, Joy Harjo, Fenton Johnson, Robin Morgan, Marge Piercy, Reynolds Price, Joyce Carol Oates, and Anne Firor Scott.

Finally, the largest series, the Grant Files Series, contains documentation on the evolution of the Foundation's grant program over the years, as well as files on those projects that received grant monies from the Foundation from 1986 to 1993. The Foundation awarded grants to both men and women, though women are in the majority. The grants supported the work of visual artists, writers, scholars, musicians, composers, documentary and fiction filmmakers, playwrights, painters, sculptors, puppeteers, quilters and other fabric artists, political activists, advocates for physically handicapped women, and those concerned with women and religion and women's employment issues. A unique concern of the grant givers was supporting the exploration and improvement of the situation of women in Appalachia, encouraging women to explore and study the wilderness, and defining and encouraging the emerging field of Ecofeminism.

The addition (Accession 2001-0012) (2208 items, 3.8 lin. ft.; dated 1986-1999) continues to document the process of publishing The American Voice. Materials include correspondence, board minutes, grant applications and evaluations, financial statements, video (3) and audio (4) cassettes and one audio compact disc, and information files for volumes 32-49. Also included are writings by Sallie Bingham. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The addition (Accession 2007-0126) (5 lin. ft.) consists primarily of files documenting the organization's grant program, and also includes project files, files related to the feminist literary journal The American Voice, publications, and files from Hopscotch House.

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Lynnsy Logue papers, 1995-2007 0.6 Linear Feet — 2 items

Lynnsy Logue is a sculptor and founder of the Wonderful Women organization. She worked with Rachel Watkins to create The Homecoming Queens project in the mid-1990s. Accession (2009-0099) (2 items; 0.6 lin. ft.; dated 1995-2007) includes a scrapbook and a videotape from The Homecoming Queens public arts project. The Homecoming Queens was a traveling exhibit of life-size mannequins and papier-mache dolls that represented women suffering from various social and political issues around the world, including female genital mutilation, rape, abuse, war, aging, and sexism. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Accession (2009-0099) (2 items; 0.6 lin. ft.; dated 1995-2007) includes a scrapbook and a videotape from The Homecoming Queens public arts project. The Homecoming Queens was a traveling exhibit of life-size mannequins and papier-mache dolls that represented women suffering from various social and political issues around the world, including female genital mutilation, rape, abuse, war, aging, and sexism. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

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Nancy Blood papers, 1967-1977 1.5 Linear Feet — 750 items

Nancy Blood is a retired Durham County Public Libraries librarian and is also a feminist and LGBT rights activist. Accession (2009-0101) (1.5 lin. ft.; dated 1967-1977 and undated) consists of a subject file of printed materials discussing women's health, employment, art, feminism, academics, law, motherhood, etc. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Accession (2009-0101) (1.5 lin. ft.; dated 1967-1977 and undated) consists of a subject file of printed materials discussing women's health, employment, art, feminism, academics, law, motherhood, etc. Acquired as part of the Sallie Bingham Center for Women's History and Culture.