Collection includes typescripts for four works (approximately 700 pages) and typesetting instructions for the opening pages of Rumors of the Turning Wheel, which was published by Lisa Unger Baskin's Aee Press in 2003. The four works, True Wedding: Ten Household Tales, Beatrice and the Blind Child, Change of Life, and an untitled volume of poetry, are unpublished and undated. Some of the typescripts are annotated; also present are a few pieces of undated correspondence from Halley to Baskin.
The collection consists of correspondence (1963-1984); notes, drafts, and proofs of her books Nerves, Mourning the Death of Magic, and The Redneck Way of Knowledge; reports on the Greensboro, North Carolina shootings of Communist Worker Party members (November 1979); and the Democratic National Convention of 1980. Short stories, essays, reviews of Boyd's work, and photographs are also included. Many of the letters are long and substantive, including some retained copies of Boyd's own letters. Her report on the Greensboro shootings is based on a large number of newspaper and magazine clippings, also included in the collection, as well as interviews. Twenty cassette tapes on the Greensboro shootings; The Redneck Way of Knowledge; and Boyd's trip to China in 1983 also form part of the collection. An index to the tapes may be found at the beginning of the collection.
The Margaret Fishback Papers span the years 1863 through 1978 and document Fishback's dual careers in advertising and writing as well as her personal life. The collection includes correspondence, layouts, drafts, galley proofs, radio scripts, working copy of advertising text, poetry, prose, published material, appointment books, scrapbooks, photographs, and other materials. Clients represented in the papers include Arrow, Borden's, Chef Boy-Ar-Dee, Clairol, General Foods, Gimbels, Gourmet Foods, Macy's, West Point Pepperell (Martex), Moore-McCormack Lines, Norcross, Norsk, Pabst, Simmons Beautyrest, and Wrigley. Materials that predate Fishback's birth consist of a small collection of 19th-century prints and illustrations.
The collection is organized into three series: Personal Files, Writings, and Advertising.
The Personal Files Series chiefly documents Fishback's personal life through personal correspondence, datebooks, diaries, and photographs. Also included are a number of items collected by Fishback such as etiquette books, newspaper clippings, church bulletins, and travel memorabilia. Biographical data, chiefly news articles, provide secondary source material about Fishback and her family.
The Writings Series documents Fishback's writing career, containing her published works as well as a large amount of work in unpublished form. Writings include articles and light poetry written for national news and general-interest publications such as Collier's, Liberty, Life, Look, the New York Times, New Yorker, Saturday Evening Post, and Time. Writings also include Fishback's contributions to women's magazines such as Cosmopolitan, Family Circle, Glamour, Good Housekeeping, Judge, Mademoiselle, McCall's, War Brides, Woman's Day, and Woman's Home Companion. A large number of Fishback's poems were reprinted as compilations; Fishback also compiled her own work in several scrapbooks. Materials represent Fishback's writings for children, including a promotional booklet for Martex and an English translation of a German poetry book. In addition to general prose and poetry, this series also includes materials collected and produced for a column entitled "Woman-Talk," which Fishback wrote for Liberty from 1943 to 1947. Also included are short stories, greeting card work, letters to magazine and newspaper editors, speeches for various events such as author talks and advertising conventions, and other miscellaneous writings. General files document the administrative aspects of Fishback's writing career. These files contain correspondence, chiefly between Fishback and various editors and publishers, as well as financial and legal materials.
The Advertising Series documents Fishback's advertising work for R.H. Macy and Co. Department Store, as well as work for advertising agencies and freelance work. Included in this series are advertisements in various stages of production: notes, drafts, proofs, and tear sheets. Administrative materials, such as correspondence, often accompany the advertisements. Also represented in this series is evidence of Fishback's professional affiliations, particularly with the Advertising Women of New York (AWNY). Materials generated or collected in the process of preparing for speaking engagements with professional societies are also included. The series also includes a small collection of trade literature, chiefly books on advertising topics written by other authors.
Large-format print materials have been removed from their original series locations and relocated to Oversize Materials. Relocated items have been replaced in the Detailed Description of the Collection by dummy folders enclosed in brackets.
Margaret Fishback papers, 1863-1978 and undated (bulk 1920-1973), bulk 1920-1973 47.6 Linear Feet — About 35,700 items
The Moses family papers primarily consist of manuscripts written by Belle Moses, and include her research notes and letters. Notes, clippings, letters, telegrams, diaries, theater advertisements, book reviews, and other papers of Montrose J. Moses and Dorothy Herne also represent a substantial portion.
Additional materials include five scrapbooks assembled by the Herne sisters; family and travel photographs dating from the 19th to the 20th centuries, along with corresponding nitrate negatives; and 19th century doctor's visiting books belonging to Montrose and Belle's father, who was a physician in Georgia. Also present are memorabilia such as pins, calling cards, programs, and other keepsakes. Print materials found in the collection include literature, poetry, and textbooks published around the turn of the century.
The Sallie Bingham Papers provide rich documentation of the personal life, literary development, and philanthropic activities of Sallie Bingham, feminist and writer. The papers, dated 1900-2011, with the bulk of the materials dating from the 1940s to 2011, are comprised of correspondence, speeches, writings, subject files, personal papers, diaries and notebooks, legal and financial papers, audiovisual recordings, and photographic media. Included also are some records of The Kentucky Foundation for Women, a philanthropic organization founded by Bingham; The American Voice, a literary journal founded by Bingham and published under the auspices of The Kentucky Foundation for Women; and Santa Fe Stages, a regional theater founded by Bingham. Arranged into the following series: Audiovisual Materials, Correspondence, Diaries and Notebooks, Kentucky Foundation for Women, Legal and Financial, Miscellaneous, Photographs, Poetry, Santa Fe Stages, Speeches, Subject Files, Writings, and Oversize Material, with the Writings, Diaries and Notebooks, and Correspondence Series composing the bulk of the collection.
The Writings Series is central to the collection, and is correspondingly substantial, comprising over half of the papers. It includes drafts, research, correspondence and publicity related to such novels as Small Victories, Upstate, Matron of Honor, and Straight Man, her memoir Passion and Prejudice, the writing and production of the plays The Awakening and The Death of Henry Flagler as well as poetry and many short, personal essays. The Poetry Series consists of individual poems, while compendiums of poetry are in the Writings Series. Many of Bingham's writings (including poems, novels, short stories, plays and essays) exist as electronic files and are available to researchers. These files are listed in the Poetry and the Writings Series. The Diaries and Notebooks Series contains material spanning her entire life -- from her adolescence in Louisville, Kentucky in the 1940s to her experiences living in Santa Fe, New Mexico, and contain many ideas for writings and references to the process of writing. The Correspondence Series also spans the same period of time, and contains family correspondence spanning many decades, as well as literary and personal correspondence between Bingham and such well-known authors, activists and artists as Judy Chicago and Gloria Steinem. The smaller Speeches Series houses writings by Bingham for public engagements, and in addition to contributing to a portrait of Bingham as a writer, documents her explication of feminist issues relating to women in the corporate world, in publishing, and women in history.
Bingham, born into a prominent Louisville, Ky. family that owned The Louisville Courier-Journal, worked for the newspaper as book page editor, 1982-1985. She also took an active seat on the board of the Bingham Enterprises, which was responsible for The Courier-Journal and other media corporations in the Louisville area. Bingham's desire to sell her shares in the stock in the newspaper resulted in the sale of The Courier-Journal in 1986. The Bingham family and the break-up of the Bingham Enterprises were the subject of at least four books ( The Binghams of Louisville, House of Dreams, The Patriarch and Bingham's Passion and Prejudice) and much media attention. Materials concerning this aspect of Bingham's life can be found in the Legal and Financial Papers Series and Subject Files Series. Audiovisual materials in the Audiotapes and Videotapes Series document aspects of Bingham's career and life through interviews and other events.
NOTE: This collection also contains numerous additions that have not been processed. For descriptions of later additions, please see below or consult the library's online catalog.