Writing desk at which one would stand, designed and owned by Virginia Woolf. The sloping top of the desk features a central panel in two pieces, with hinges at the top. The panel lifts to reveal a storage compartment underneath.Two drawers are located below the storage area, one on each side of the desk. There are metal pulls on each drawer. The left-hand drawer pull surrounds a flower medalion; the medalion on the right-hand drawer is missing. The drawers and desk top each feature a metal lock, but no keys are present. Quentin Bell painted the figure of Cleo holding a trumpet on the top of the desk. He painted the rest of the desk, except the back, in grays with black accents. There are random spatters of paint present on all surfaces.
Virginia Woolf's oak writing desk, between 1904-1907 2.5 Linear Feet — 67.4 x 126 x 87.7 cm; 26.5 x 49.5 x 34.5 inches
The collection consists of a single autograph manuscript note to an unknown recipient which reads, "With Miss Rebecca West's compliments." On letterhead stationery: 15, Orchard Court. Portman Square.W.1., Welbeck 3606.
The collection consists of a single autograph typescript letter from Sybil Thorndike to Elizabeth Robins at Rounton Grange, Northallerton in North Yorkshire. In the letter, Thorndike thanks Robins for sending her a piece of heather from Rounton Grange. Thorndike writes, "I am sure it is going to bring us luck, and I love having something from Rounton on my dressing table. How lovely to think of you up there among the peacocks and the glorious moors! I really think the play is going to be a success." The letter is signed "yours affectionately, Sybil" with a manuscript postscript asking Robins to give her love to Lady Bell, and to thank Lady Bell for her support. The letter is composed on Thorndike's own letterhead stationery, "Miss Sybil Thorndike" at the address of the New Theater, London and listing her husband, Lewis Casson, as Director. The play in production Thorndike refers to is Shelley's The Cenci, in which she played the lead, Beatrice. With stamped, postmarked envelope.
Collection consists of a single one page autograph manuscript letter from Madame de Staël to the firm LeRoy, Bayard & McEvers in New York City regarding a financial transaction of $20,000. The letter is dated 1814 October 12; a note on the back states that it was received in New York 1815 March 10. In the letter, de Staël writes that she is sending their partner in London, Mr. McEvers, a note for $20,000. She asks if they have received her letter of July 25 in which she asked them to transfer the $20,000 to her account with the firm Doxat & Divett, and reiterates this request in the event that they have not received it. The letter is signed Necker de Staël Holstein. At the time, Madame de Staël owned an estimated 30,000 acres of land in what is now upstate New York, (Sakolski) and it's likely that this transaction was related to her American property holdings. Madame de Staël's father purchased land in America for his daughter and her children with the thought of leaving unstable France and settling in America. Although she never lived there, de Staël increased her American land holdings and reportedly invested $20,000 in developing the property. -- Sakolski, The Great American Land Bubble (1932)