Rebecca West note, 16 August 1931 0.1 Linear Feet — 1 item — 12.5 x 16.5
The collection consists of a single autograph manuscript note to an unknown recipient which reads, "With Miss Rebecca West's compliments." On letterhead stationery: 15, Orchard Court. Portman Square.W.1., Welbeck 3606.
Elizabeth Winspear metamorphosis book, 1799 0.1 Linear Feet
Madame de Staël letter to LeRoy, Bayard & McEvers, 1814 October 12 0.1 Linear Feet — 1 item
Collection consists of a single one page autograph manuscript letter from Madame de Staël to the firm LeRoy, Bayard & McEvers in New York City regarding a financial transaction of $20,000. The letter is dated 1814 October 12; a note on the back states that it was received in New York 1815 March 10. In the letter, de Staël writes that she is sending their partner in London, Mr. McEvers, a note for $20,000. She asks if they have received her letter of July 25 in which she asked them to transfer the $20,000 to her account with the firm Doxat & Divett, and reiterates this request in the event that they have not received it. The letter is signed Necker de Staël Holstein. At the time, Madame de Staël owned an estimated 30,000 acres of land in what is now upstate New York, (Sakolski) and it's likely that this transaction was related to her American property holdings. Madame de Staël's father purchased land in America for his daughter and her children with the thought of leaving unstable France and settling in America. Although she never lived there, de Staël increased her American land holdings and reportedly invested $20,000 in developing the property. -- Sakolski, The Great American Land Bubble (1932)
Helen Maria Williams letters, 1820 and undated 0.1 Linear Feet — 7 items
Collection comprises four letters written by Helen Maria Williams, two to her nephew, Athanase Laurent Charles Coquerel, one to Mrs. [Joel?]Barlow, and one to an unidentified recipient. One letter contains the date 1820; the other letters are undated. Topics in the letters include Coquerel's position, her income, the health and situation of friends and family members, an unnamed woman she wishes to avoid, along with the imprisonment of James Wol[l]stonecraft and Thomas Payne's [Paine's] efforts on his behalf. Three letters are accompanied by partial or full transcription.
Anna Letitia Barbauld and William Allen poems, 1823 August 23-30 0.1 Linear Feet — 1 item
Collection consists of a single piece of paper (20 x 12.5 cm) with an autograph manuscript poem by Anna Letitia Barbauld on the front and a poem called "Follow Me" by William Allen on the back. Barbauld's poem reads as follows: Born to the weighty honours of a name/Whose deeds of mercy England's shores proclaim/Yet know, you may inherit lands or pelf/But must, for praise - for love, be good yourself. It's signed A.L. Barbauld and dated August 23rd 1823. The verso contains a two-stanza autograph manuscript devotional poem by William Allen titled "Follow Me." It is signed Stoke Newington 30 of 8th month 1823. Barbauld and Allen were both educators and abolitionists who lived in Stoke Newington at the time of this writing. These poems are evidence that they had at least an epistolary friendship.
Sarah J. Hale letter to Mathew Carey, 1823 March 9 0.1 Linear Feet — 1 item
The collection consists of a single signed autograph letter with text on one side from Sarah J. Hale to the Philadelphia publisher Mathew Carey. Hale thanks Carey for his subscription to her charity, the Seaman's Aid Society and Mariner's House of Boston for the year 1822-1823. Hale also inquires about local interest in a Philadelphia organization that teaches needlework as a means of economic empowerment to poor women.
Dr. J. H. Fairfax certificate, 1831 February 21 0.1 Linear Feet — 1 item
Margaret Fuller letter, 1840 December 14 0.1 Linear Feet — 1 item
Collection comprises a letter (1840 December 14) Margaret Fuller wrote to her uncle to request a meeting to review her mother's letter.
Sophia Foord letter to Robert Adams, 1843 May 8 1 item — 1 folder
Three-page letter from Sophia Foord of Northampton, MA to Robert Adams of Pawtucket, RI regarding the Northampton Association of Education and Industry. Abolitionists Lydia Maria Child and William Lloyd Garrison are also mentioned, as is the Underground Railroad. A section is missing from the top of the first leaf, affecting text on the second page.
Mary B. Tuckey poems, 1845-1846 0.4 Linear Feet — 1 item
Isabella S. Gardner diary, 1852-1874 and undated 0.6 lin. ft. Linear Feet — 8 items
Lady Wilde letter, 1852 November 19 0.1 Linear Feet — 2 items
Higginson, Thomas Wentworth letter, 1859 November 16 0.1 Linear Feet — 1 item
The collection consists of a single page autograph manuscript letter from abolitionist Thomas Wentworth Higginson to an unknown male correspondent. Wentworth writes that he has prepared a lecture called A Visit to the Family of John Brown. Sources indicate that Higginson had returned from visiting the Brown family in the Adirondacks on November 4th, 1859. He writes that no one else from Massachusetts has visited the Brown family that he's aware of, except for fellow abolitionist Franklin Benjamin Sanborn. He asks if the recipient would prefer this lecture to the one Higginson had previously prepared. This lecture was likely turned into a chapter in Higginson's 1898 book Contemporaries called A Visit to John Brown's Household in 1859.
Marilla M. Ricker scrapbook, 1866-1911 0.5 Linear Feet — 1 item
Collection comprises a scrapbook (66 leaves, 27 x 35 cm.) bound in maroon cloth with oak leaf and acorn decoration on front cover. The first leaf is inscribed "Marilla M. Ricker, March 1, 1896, 30 Codman Place, Roxbury, Mass." It consists chiefly of U.S newspaper clippings by and about Ricker. Some clippings have mss. annotations indicating the titles and dates of the newspapers. Topics include Ricker's political writings, philanthropic activities, and extensive activism on behalf of women's suffrage. Suffrage activities detailed in the newspaper stories include Ricker's legal activities, attempts to vote, run for public office, and apply for a diplomatic post. Also pasted in are six notes addressed to Ricker from correspondents including the Arts and Crafts Movement leader Elbert Hubbard, Illinois Senator John A. Logan, and the African-American author, orator, and abolitionist Frederick Douglass. Clipped autographs from faith leader Sarah J. Farmer, suffrage leader Elizabeth Cady Stanton and Ohio Senator John Sherman are also pasted in. Black and white portraits and illustrations of Ricker are interspersed throughout. The scrapbook also contains an 1881 certification admitting Ricker to the bar of the District of Columbia, an 1899 brief from a case Ricker tried before the Supreme Court of New Hampshire, printed ephemera including the seal of the American Secular Union and Freethought Federation, and 25 U.S. postage stamps.
George Sand letter to Juliette Lamber, 1867 August 18 0.1 Linear Feet — 3 items
Collection contains a letter from George Sand to Juliette Lamber, written 18 August 1867 at Sand's Nohant estate. The letter discusses possible plans to meet. Also, Sand acknowledges that she has been depressed by the death of her dear friend François Rollinat, and hopes their meeting can help her find courage to live. In a postscript, she adds that she has read Lamber's THE MANDARIN, and that Lamber has the elements of a serious talent. Includes an enclosure for the letter, as well as an English transcription.
Helen Paterson Allingham papers, 1868-1916, 2015 3.6 Linear Feet — 4 boxes — 11 items
Collection primarily includes four sketchbooks by Allingham, but also contains four letters, a carte de visite, and two exhibit labels. The four sketchbooks date from 1868-1916, and feature sketches and drawings made in graphite, watercolor, and pen and ink. Subjects are varied, and include English cottages and buildings, architectural features, sailboats and coastal scenes, figures, landscapes, and botanical items.
The letters, dated 1881-1882 and undated, include three written by Allingham. There is one to Marcus B. Huish regarding her painting, The Tea Party, which she reports is incomplete, but she plans to finish before it is exhibited. There is a letter to a friend to whom she sends autographs, then describes her country place and garden, along with her 4-month-old son. Another letter focuses on the difficulty of finding unfurnished rooms. The final letter in the collection is written by Andrew Halliday to Dr. Watkins, regarding Allingham's address. There is also a carte-de-visite of English women's rights activist Emily Faithfull, with her signature, along with two modern exhibit labels on Allingham.
Sarah J. Ewing diary, 1868 December 17-1869 July 17 0.1 Linear Feet — 1 item
Sarah Orne Jewett letters, 1877 June 15-circa 1890s 0.1 Linear Feet — 2 items
Collection consists of two autograph manuscript letters written by Sarah Orne Jewett. The first is addressed to a Mr. Sawyer, the editor of a new journal, declining to send him anything to print in his first issue, as she has been ill and doesn't wish to write something in a hurry. She sends him "hearty good wishes for the success of his magazine," asks him to send her a prospectus, and "suppose[s] that, like all editors, you have more verses than you wish to print." The letter is on a single sheet of folded paper with writing on three pages dated 1877 June 15 and written from South Berwick, [Maine]. The second letter is a sympathy note written on mourning stationery and addressed to Miss [Lucy] Coffin dated 26 December, but lacking a year. A Boston address appears at the top. Jewett expresses sympathy for the loss of Miss Coffin's father from both her and her companion Mrs. Field, and reminisces about a day they had spent together in Newburyport. Jewett references John Greenleaf Whittier, who was a student of Lucy's cousin Joseph while at Dartmouth College. The Coffin Family was prominent in New England and lived in Newbury, Massachusetts for many generations.
Christina Rossetti letter, 1881 December 17 0.1 Linear Feet — 1 item
Collection consists of an autograph manuscript letter signed Christina G. Rossetti, granting the unnamed recipient, presumably a publisher, permission to reprint some of her poems. The letter is written on a single folded sheet of paper with text on two pages. She lists her address as: 30 Torrington Square - London - W.C. Rossetti refers to the correspondent's "assurance that no variation whatsoever" will appear in "your Fine Art book for Xmas 1882." Rossetti names three of her books he may use as source material: "Poems," "Pageant," and "Sing Song." She writes, "I name these, because not every piece to be found elsewhere is in every instance of my own copyright."
Louisa Wright needlework sample book, 1888 0.8 Linear Feet — 1 item
Lydia Becker letter and obituary, 1890 and undated 0.1 Linear Feet — 1 item
British women's suffrage societies broadsides and handbills, 1898-1911 and undated 0.1 Linear Feet — 14 items
May Morris papers, 1909-1931 and undated 0.2 Linear Feet — 24 items
Collection comprises letters, an article, a few photographs, and several drawings. There are 16 letters and notes, dated 1909-1931, addressed to "Ada," who was Ada Culmer, the companion/caregiver for May Morris' sister, Jenny. Fifteen of these items were written by May, with one by Jenny. Subjects range from personal matters to Kelmscott business, including May’s editing of her father’s collected works. Much of the content centers on mutual friends and relatives (with a focus on Jenny's ill health); several letters also mention foreign travel. The article, "Mrs. William Morris," The Athenaeum, 1914 Feb. 7, contains the author's memories of Jane Morris, following her death. There is an albumen photograph (4.25 x 5.75-inches) by Ernest Hall of Oxford, showing May Morris at work on one of her tapestries at Kelmscott, as well as a developing out paper copy by Haines of London of a 1905 Carter and Co. photograph (6 x 4.25-inches) of Jane, May, and Jenny Morris, with Ada Culmer. In addition, there is a reproduction of a photograph of Kelmscott manor. Includes three undated reproductions of portraits of female figures.
Letter and memorial items for Emily Wilding Davison, 1913 0.1 Linear Feet — 5 items
Rose Pastor Stokes letter to Benjamin Butler Davenport, 1914 August 6 0.1 Linear Feet — 2 items
Warren G. Harding letter to Harriet Taylor Upton, 1917 February 11, 1917 February 11 0.1 Linear Feet — 1 item
The collection consists of a single autograph typescript letter on Senator Warren G. Harding's United States Senate letterhead dated 1917 February 11. Senator Harding writes to suffragist Mrs. Harriet Taylor Upton of Warren, Ohio, "I beg to acknowledge your telegram of February 4. By reason of my former experience as a member of the Senate of Ohio General Assembly, I would be reluctant to advise Senator Murrell of Clinton County as to his ultimate action on the suffrage matter." Murrell was a member of the Ohio General Assembly. By 1917, Senator Harding was prepared to vote in the affirmative on the issue of women's suffrage. Harriet Upton was was hoping to leverage his influence to generate similar support in their home state of Ohio.
Sybil Thorndike letter to Elizabeth Robins, 1922 September 21 0.1 Linear Feet — 1 item
The collection consists of a single autograph typescript letter from Sybil Thorndike to Elizabeth Robins at Rounton Grange, Northallerton in North Yorkshire. In the letter, Thorndike thanks Robins for sending her a piece of heather from Rounton Grange. Thorndike writes, "I am sure it is going to bring us luck, and I love having something from Rounton on my dressing table. How lovely to think of you up there among the peacocks and the glorious moors! I really think the play is going to be a success." The letter is signed "yours affectionately, Sybil" with a manuscript postscript asking Robins to give her love to Lady Bell, and to thank Lady Bell for her support. The letter is composed on Thorndike's own letterhead stationery, "Miss Sybil Thorndike" at the address of the New Theater, London and listing her husband, Lewis Casson, as Director. The play in production Thorndike refers to is Shelley's The Cenci, in which she played the lead, Beatrice. With stamped, postmarked envelope.
Margaret Sanger letter to Vachel Lindsay, 1925 February 13 0.1 Linear Feet — 2 items
The collection consists of a single-page typescript autograph letter from Margaret Sanger to the poet Vachel Lindsay with an autograph manuscript note at the bottom and an accompanying single-sheet folded pamphlet. The pamphlet contains the program for the Sixth International Neo-Malthusian and Birth Control Conference held in New York March 25-31, 1925; the letter is composed on matching letterhead and addressed to Lindsay care of the Macmillan Company in New York. In the letter, Sanger asks Lindsay if he would be willing to compose a message of support to be read at the conference. Lindsay sent the letter back to Sanger with a playful manuscript note by way of reply at the bottom signed Nicholas Vachel Lindsay. His response states that he wants "twelve sons, seven feet high," and that the best way to get them would be "to marry the Seven Sutherland Sisters, as long-haired women have long-legged sons." He concludes by asking Sanger if she knows where the Sisters happen to be at the time. The Seven Sutherland Sisters were famously long-haired and traveled with Barnum and Bailey as a family singing act. In a 1926 letter to the poet Sara Teasdale, Lindsay's wife Elizabeth refers to this as "his famous response" to the Neo-Malthusian Conference.
Source: The Annotated Letters of Nicholas Vachel Linsday to Sara Trevor Teasdale http://www.vachellindsay.org/LetterstoSara/vl_letters_210_241.pdf; viewed March 9, 2017
Elizabeth Arden letter to Mrs. Hyatt, 1926 June 26 0.1 Linear Feet — 1 item
The collection consists of a single autograph typescript letter dated 1926 June 26 written by Elizabeth Arden to a Mrs. Hyatt, who had contacted her for advice after hearing her speak on the radio. Arden writes, "I know that where one is a busy housewife and has many duties in a country home, it is hard to get rest and relaxation. Perhaps you are of the naturally alert, quick, nervous type and use up a lot of energy everyday." Arden advises her to "get a little rest period at least once a day and relax in a quiet room or take a soothing, warm bath and a little nap," as well as to eat a healthy diet. She goes on to recommend products in her Venetian Preparations line that will soothe chapped hands, and encloses her booklet "The Quest of the Beautiful." On letterhead stationery from 673 Fifth Avenue embossed with the Venetian trademark.
Agnes Smedley letters, 1930s-1947 0.1 Linear Feet — 3 items
The collection consists of three letters written by Agnes Smedley; the first to a Miss Gates, and the second two addressed to Corporal James A. Frankel. The single-page autograph manuscript letter to Miss Gates is written on letterhead stationery with Smedley's Shanghai address identifying her as the "Correspondent of the Frankfurter Zeitung in China." She asks Miss Gates to have "tiffin or tea" with her and wonders "Do you ever have extra time to see strange people?" The second manuscript letter, two leaves with text on all four sides, is dated December 27th, 1944. It primarily concerns Emily Hahn's book "China To Me." Smedley writes, “Miss Hahn spent 9 years sleeping around in Shanghai ... When the Japs took Hong Kong she wrote that she would just have died had she gone to a concentration camp like other Americans. So she went to the Japs and said, 'I’m a bad girl.' So the Japs left her free and she fooled around with them in Hong Kong, drinking and carousing, while the bastards were killing our men... But we Americans find this 'hot stuff' and put it up as a best seller... Miss Hahn is a propagandist for the Chinese reaction. She’s never seen a Chinese Communist, yet she’s agitating against them in N.Y... She led a purely personal life in two Chinese port cities but now poses as an authority on political and military matters of China." The third letter, autograph typescript dated March 23d 1947, was originally enclosed in Frankel’s copy of Smedley's book Battle Hymn of China, and addresses Frankel's questions about the Xi'an Incident of 1936 and the capture of Chiang Kai-shek. Smedley directs Frankel to her article on the topic published in The Nation magazine, as well as "her book."
May Byron letter to Rev. Edwin J. Matthews, 1932 August 23 0.1 Linear Feet — 1 item
Collection consists of a single autograph manuscript letter written by May Byron to Reverend Edwin J. Matthews. Byron's return address is "c/o British Weekly" and Matthews' address is "The Rectory, Calstone, Calne, Wiltshire." Matthews had written to ask Byron, "the one lesson which has been most impressed upon me by my life's experiences." Byron replies, "These experiences have been so wide, so varied, and in several respects so unique that I could not possibly sum up their results in one lesson." Matthews had also asked Byron for a list of her writings, and she replies that she's unable to do so because she's lost track of them. She states that both the British Museum and the Library of Congress had asked her for a similar list, and she was unable to help them, in part because of her use of pseudonyms, and also because of her many years' work as a journalist. She concludes by stating that most all her writings are currently out of print, except for her children's books, "which have been going on selling for some 20 years."
Julia Ellsworth Ford letter to Helen Hoke, 1935 October 16 0.1 Linear Feet — 1 item
Collection consists of a single two-page autograph typescript letter on letterhead stationery dated 1935 October 16 with manuscript postscript. Julia Ellsworth Ford writes to Helen Hoke offering an introduction to members of the Yeats family while Hoke is in Dublin that winter. Ford particularly wants Helen to meet Elizabeth Yeats because of her work printing with the Cuala Press; Ford owns a complete set of their books. Ford writes that she had hosted the father, John Butler Yeats, in New York, where he stayed until his death in 1922. If Hoke wishes to meet William Butler in Ireland, she should ask Elizabeth, but that he "is more or less of a recluse because of writing all the time."
Pearl S. Buck letter to Frances Perkins, 1939 May 24 0.1 Linear Feet — 1 item
The collection consists of a single autograph typescript letter from the author Pearl S. Buck to the U.S. Secretary of Labor Frances Perkins. Perkins had written to Buck to congratulate her for winning the Nobel Prize in Literature for 1938. Buck responds, "It is very kind of you indeed to write me as you have about the Nobel Prize. It adds a great deal to the pleasure of this award, which I cannot but feel was given as much to America and China as it was to me." Buck's return address is given as "209 The Manor, 333 E. 43rd Street, New York City."
American Women's Voluntary Services enamel pin, 1940s 0.1 Linear Feet — 1 item
Margaret Bourke-White note to Mort Weisinger, 1946 December 14 0.1 Linear Feet — 1 item
Collection comprises a single autograph manuscript note (dated 1946 December 14) on letterhead stationery from the Ambassador Hotel, Chicago. Photographer Margaret Bourke-White writes to the comic book editor Mort Weisinger, "It's a good story and I like it very much. Ought to be swell with the cartoons." Bourke-White likely refers to a comic book about her life published in 1947.
Vera Brittain letter to John Middleton Murry, 1946 September 13 0.1 Linear Feet — 1 item
Consists of a single typescript letter from Brittain to the critic and editor John Middleton Murry dated September 13, 1946. Single-page, with text on front and back written on letterhead reading "2 Cheyne Walk, Chelsea S.W.3." Brittain comments on the revival of Murry's The Adelphi, and on strategies to finance such literary magazines. The second part of the letter discusses her opinions on methods of pacifist activism, particuarly as related to nuclear war. The postscript discusses the forthcoming publication of John Hersey's 1946 book Hiroshima. She comments, "If only the world could read it, the 'next war' would move much further off." It is signed "Vera."
Student Nonviolent Coordinating Committee photographs, 1960s 0.1 Linear Feet — 5 items
Nadia Boulanger note to R.I., 1963 October 6 0.1 Linear Feet — 1 item
The collection consists of a single autograph manuscript note (dated 1963 October 6) from the French composer and conductor Nadia Boulanger to a sick friend identified as "R.I." It's likely that the recipient was the conductor Robert Irving. Boulanger inquires as to what advice he's received from his doctors, and mentions her own recent illness. She says that her faith has "brought moral relief to the physical suffering." She asks after his plans and hopes for the future, "in spite of all that makes regular work so difficult." Boulanger writes her address at the bottom of the note: 35 Rue Ballu, Paris IX.
Lydia Bailey account statement, April 2, 1823 1 item — 1 Folder
Manuscript document signed by Lydia Bailey, listing 65 itemized expenditures dated March 8-29, 1823, totaling $141.50 for "Printing certificates of spirits, wines & teas imported in the first quarter of 1823." It begins "Genl. John Steele, Collector of the Port of Philadelphia/To Lydia R. Bailey," and concludes with a certifying statement, and a receipt for payment in full signed by Bailey. Each entry specifies the quantity of certificates printed and the name of the ship for which each lot is destined. There is also a single entry for "1000 copies blanks for inspectors."
Consists of a single hand-written letter to [Fortunato] Prandi, dated Thursday 5th August. Date could be 1841 or 1847. One page, folded, written on front and back.
The letter is apparently in reply to a request for ten guineas owed by Lovelace to Prandi. She discusses putting off sending him the sum because of travel and also "disagreeable business." She goes on to say she is well in spite of being a "disconsolate widow" and will soon "leave town", "probably to Brighton". The letter closes with an apology for the lateness of repayment and includes a postscript noting her amusement at the "modesty" of his request. It is signed A. A. Lovelace.
Virginia Woolf's oak writing desk, between 1904-1907 2.5 Linear Feet — 67.4 x 126 x 87.7 cm; 26.5 x 49.5 x 34.5 inches
Writing desk at which one would stand, designed and owned by Virginia Woolf. The sloping top of the desk features a central panel in two pieces, with hinges at the top. The panel lifts to reveal a storage compartment underneath.Two drawers are located below the storage area, one on each side of the desk. There are metal pulls on each drawer. The left-hand drawer pull surrounds a flower medalion; the medalion on the right-hand drawer is missing. The drawers and desk top each feature a metal lock, but no keys are present. Quentin Bell painted the figure of Cleo holding a trumpet on the top of the desk. He painted the rest of the desk, except the back, in grays with black accents. There are random spatters of paint present on all surfaces.
Copy of the Lady Holfords will and codicills 1717..., circa 1720 1.0 Linear Foot — 1 item
Collection comprises a handwritten manuscript copy (70 pages; incomplete, the text ends mid-sentence) of Lady Holford's will and codicils, created around 1720, following her death. In the will, large sums of money are bequeathed to several Oxford colleges, including Christ Church, Pembroke and Worcester Colleges, and Hart Hall, along with Charterhouse School. There are also lesser legacies made to various London charity schools, along with other amounts left to individuals.
Maria Mitchell letters, circa 1846-1868 0.1 Linear Feet — 3 items
Collection comprises three manuscript notes by Mitchell. The first, written while Mitchell was the librarian at the Nantucket Atheneum, is addressed to a Mrs. Greene regarding a John Quincy Adams letter Mitchell has forwarded to her "at Phebe's request" for her autograph business. The second, written while Mitchell was teaching at Vassar College, is addressed to a Mrs. Burner asking for letters of recommendation to a number of people in London. The third, dated 1877, to a Miss Ladd, sends her regrets for not being able to speak at the Harvard School commencement.
Mathilde Blind letter, circa 1889-1896 0.1 Linear Feet — 1 item
The collection comprises a single autograph manuscript letter on a single folded sheet of paper with text on three sides dated June 19, but lacking a year. The manuscript address given at the top of the first page reads: Holly Cottage, The Mount, Hampstead, London, N.W. In the letter, Mathilde Blind writes to thank an unknown male correspondent for sending her a clipping from the Liverpool Mercury containing a review of one of her works. Blind writes, "Sitting here this evening, somewhat tired, somewhat despondent, there comes to me your letter. I cannot tell you how it cheered and strengthened me. There is something profoundly stirring in the thought that far away, among the great unknown multitude of one's fellow beings, there are people who have entered into one's work with a kindly sympathetic spirit."
Edith Sitwell poems, circa 1940-1950 0.1 Linear Feet — 1 item
The five leaf holograph manuscript with text on the front side of each numbered page consists of two poems both titled at the top and signed "Edith" at the bottom. Both poems, "Lullaby," and "Serenade: Any Man to Any Woman" appeared in her 1942 collection "Street Songs." In this manuscript, "Serenade" is titled "Any Man to Any Woman." Both were inspired by the early years of World War II and are ironically titled. "Lullaby," sung by a baboon, describes a chaotic, primeval world destroyed by wartime chaos and despair in which, "All is equal - blindness, sight/There is no depth, there is no height." "Serenade" spoken by a dying soldier, regards his love through the lens of death and destruction. He identifies his love with a cannon and invites her to "die with me and be my love" in a reversal of the famous Marlowe line.
Both poems are referenced in the Edith Sitwell papers at the Ransom Humanities Center. Viewed March 9, 2017
Source: Misko, Ellen, "A Study of Dame Edith Sitwell's Later Poems: 1940-1945" (1972). Dissertations. Paper 1211. Viewed March 9, 2017
Marianne North letter to Dr. Jessop, undated 0.1 Linear Feet — 1 item
Collection comprises an autograph letter from Marianne North to Dr. Jessop, dated May 22, requesting that Jessop provide details about the possible sale of manuscripts of her ancestor, Roger North.