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Harold Jantz Graphic Art collection, circa 1400s-1800s 5 Linear Feet — Approximately 1000 Items

Professor of German literature at Northwestern, Johns Hopkins, and Duke Universities. Collector of German baroque literature and German Americana. A collection of etchings and engravings and other prints. Includes European, American and Asian works. Some old master prints.

A collection of etchings and engravings and other prints. Includes European, American and Asian works. Some old master prints.

This material remains unprocessed and undescribed. Prints have been loosely sorted by American, European, or Asian origin and are foldered accordingly.

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The Harold Jantz collection of early manuscripts, music manuscripts, and autograph albums, 1477-1905 and undated, is arranged by size (each item numbered) and includes the following noncontiguous subgroups: Autograph Albums (1633-1857 and undated), Early Music Manuscripts (1818-1874 and undated), Early Manuscript Prayerbooks (1744-1801 and undated), and Early Manuscript Songbooks (1712-1896 and undated). These subgroups are described more fully below.

The collection consists primarily of bound manuscripts, many illustrated, from the 15th through the early 20th centuries. Most materials are in German or English, with some materials in French, Hebrew, Italian, Spanish, Swedish, Greek, or Latin. In addition to the above noted subgroups, the collection includes medical texts (nos. 28, 47, 77); historical chronicles, mostly German (nos. 25, 58, 59, 84, 127); and alchemical/astrological/occult treatises (nos. 9, 20, 53, 74, 114, 120, 122, 129, 148, 161, 165). Among the identified authors are Georg Fabricius (22), Edward Young (29), Sebastian Chiesa (33), Henry Marchant (49), Jacob Böhme (67), J.M. Firmenich (156), and Carl and Julius Dresel (117-119). Printed books, most with manuscript addenda, comprise approximately 10% of the collection.

The subgroup Autograph Albums (1633-1857 and undated) chiefly comprises bound volumes (guestbooks, Stammbücher) of 18th-and 19th-century German, English, and American provenance. These typically contain poems (many original), quotations, and maxims, as well as signatures. Many are illustrated and have laid-in mementoes. This group contains the following numbers from the main collection: 3 (J.C.Waechtler), 4 (Caspari), 5 and 6 (C.F.M. Timaus), 8 (a freemason), 11 ( E.D.), 60, 61, and 62 (Elizabeth J. Noble), 63 ( Miss Kate), 65 (Sarah T. Hopkins), 68 (Ebr. Denison), 69 ( Cornelia), 72 and 104 (Annie Mckay), 106 (Lucinda Olcott), 107 (Eliza Sabin), 108 (Emeline Ronnsville), 117 (Carl Dresel von Geisenheim) and 134.

The subgroup Early Music Manuscripts (1818-1874 and n.d) includes fife music, Spanish songs, a 19th century English tune book, and a vocal dialogue with text entitled Das Bauern Mädchen und der Stadt Junge, as well as works by Harriette Gould Bark, Johann Adolf Hasse, Georg Philipp Telemann, and Isaac C. Day. It comprises numbers 1, 7, 10, 48, 71, 116, 126, 136, and 141 of the main collection.

The subgroup Early Manuscript Prayerbooks (1744-1801 and undated) consists chiefly of 18th-century Roman Catholic prayerbooks and devotional exercises (including 3 copies of Crönung Mariae) in German and Latin. Many are illustrated. It includes numbers 17, 27, 30, 31, 34, 66, 81, 94, 101, and 131-133 of the main collection.

The subroup Early Manuscript Songbooks, (1712-1896 and undated) includes both sacred (chiefly Roman Catholic) and secular song texts without music. The collection contains some German hymns. Items 13, 24, 36, 73, 86, 87, and 139 of the main collection comprise this group. Numbers 86 and 87 are 19th-century transcriptions from the 16th-century Heidelberger Liederhandschrift (Cod. Pal. 343) and Wernigerode Liederhandschrift Zy 15.

Some items from the Jantz Collection have been cataloged separately. To locate these, search the catalog under author: Harold Jantz Collection (David M. Rubenstein Rare Book & Manuscript Library)