The Duke University Libraries Collection of Haggadot consists mainly of Passover Haggadot (singular: Haggadah) from the past 1000 years. The 436 Haggadot in the collection, which are found in the David M. Rubenstein Rare Book & Manuscript Library, the Divinity School Library, Perkins Library, and Lilly Library, span 800 years (1200-2003), represent five continents (excluding only Australia and Antarctica), are written in several different languages (including Russian, Marathi, Italian, Yiddish, Ladino and Arabic), and were created for a variety of specific purposes. A majority of the Haggadot were published in the 20th century. A large number of the Haggadot are illustrated or illuminated while others contain only the text. Although the majority of the Haggadot in the collection were created by printing press, or other printing methods, Duke does own a number of limited edition facsimile editions of handwritten manuscripts. Most, but not all, of the Haggadot found in the Special Collections Library come from the Abram and Frances Pascher Kanof Collection of Jewish Art, Archaeology, and Symbolism. This guide does not include the Duke University Libraries' collection of microfilmed Haggadot. See the last paragraph of the Processing and Searching Note below for further information on searching for Haggadot in the library.
Since many of the Haggadot have similar titles (e.g. Hagadah shel Pesah yields 121 results), and to accommodate the variety of ways in which patrons might want to search for Haggadot, the entire collection has been arranged into three different series: Date List Series, Location List Series, and Purpose List Series. Each of these series contains the entire collection of Haggadot, but arranged according to different criteria. Therefore, the item with call number Haggadah Pam #106, an advertising Haggadah from 19th century New York, can be found in three places: 1) in the Date List under the 19th Century Subseries; 2) in the Location List under the United States Subseries; and 3) in the Purpose List under the Advertising Subseries.
The Date List Series is subdivided by century for Haggadot published from the 13th through the 19th centuries and by decade (e.g., 1910-1919) for those Haggadot created during the 20th and 21st centuries. The majority of the Haggadot (84%) are from the 20th century.
The Location List Series arranges the collection by the country where each Haggadah was created--usually where the item was printed--then by the date of creation. However, facsimile editions have been arranged by the place of their original creation. In these cases, the location where the facsimile was printed is identified in the description of each facsimile. This series is further arranged into subseries by country, including Algeria, Argentina, Austria, Bosnia-Hercegovina, Canada, Czech Republic, England, France, Germany, India, Israel, Italy, Morocco, Netherlands, Poland, Portugal, Russia, Spain, Tunisia, and United States.
The Purpose List Series is further subdivided by the specific purpose for which each Haggadah was written. Most of the Haggadot were created for use at a Passover seder and thus are arranged into the General Subseries. These Haggadot are generally traditional in content and are meant to be used by anyone. Other purpose subseries include Advertising, Children, Christian, Denominations (of Judaism), Facsimiles, Fundraising, Kibbutz, Parody, and Resource.
The Earl J. Hamilton Papers span the years from 1350 to 1995, with Hamilton's research notes and other materials dating chiefly from the 1930s to the 1970s. (Note: Early dates reflect original dates of primary sources rather than the dates on which the photocopies of these sources were created.) Hamilton was a pioneer in the field of quantitative economic history during a career that spanned fifty years. Together with his wife, Gladys Dallas Hamilton, he conducted important research during the 1930s and 1940s on the history of the South American and Spanish economies; the history of American, Spanish, and French banking; the history of John Law and the "Mississippi Bubble" and its effect on European economies; and prices and wages in medieval Spain. Correspondence from Earl Hamilton in the 1980s remarked how essential Gladys Hamilton was as a partner for his research and writing during his career.
Published works represented in the collection include Money, Prices, and Wages in Valencia, Aragon, and Navarre, 1351-1500; American Treasure and the Price Revolution in Spain, 1501-1660; and War and Prices in Spain, 1651-1800. There is also a copy of Hamilton's dissertation (1929).
The collection includes not only extensive background notes for Hamilton's major books and articles, but also over 200 original legajos and other documents pertaining to Spanish trade and economic development, dating primarily from the 17th and 18th centuries. Other primary source materials from the 14th to the 18th centuries are also abundant (chiefly in the form of photostats and transcripts), including hundreds of copies of documents held by the Archivo del Banco de España, the Archivo Histórico Nacional, and other archives in Europe.
Photocopies and microfilm copies of items which belong to other libraries and archives may require permission of the owner institution to further reproduce or publish. Users making further copies for their own research do so at their own discretion. Before publication of any such material, it is the user's responsibility to identify the original source and obtain permission.
The collection also contains drafts and reprints of research papers, and numerous folders of academic and personal correspondence. Some documents in the collection are in French or Spanish.
Note that the early dates given in collection and series titles reflect the dates of the original primary source material that Hamilton used for his research, not the date when the photostat, photocopy or transcription was created.
The collection comprises the papers of Francis Warrington (Frank) Dawson (1840-1889), whose original name was Austin John Reeks; his wife, Sarah Ida Fowler (Morgan) Dawson; and of their son, Francis Warrington Dawson II, known as Warrington Dawson (1878-1962). The papers are primarily literary in character, with many editorials, newspaper writings, short stories, novels, articles, scrapbooks, diaries, reminiscences, and letters.
There are several series in the collection: Correspondence, Photographs, Scrapbooks, Writings, and Printed Materials document the family's activities in the late nineteenth through mid-twentieth centuries. Warrington Dawson's research interests in French manuscripts, early American history, and family genealogy are also documented in the French Manuscripts and Research Files series.
Correspondence, notes, and works in manuscript and typescript concerning Philippine history, administrative problems and policies during the early years of American occupation, the Aglipay or Independent Filipino Church, Roman Catholicism, customs, geography, book manufacturing, education, José Rizal, Freemasonry, Filipino senators, and Katipunan of Filipino Secret Society. Many letters center around James Alfred Le Roy, authority on the Philippine Islands.
Harold Jantz collection of early manuscripts, music manuscripts, and autograph albums, 1477-1905 and undated
The Harold Jantz collection of early manuscripts, music manuscripts, and autograph albums, 1477-1905 and undated, is arranged by size (each item numbered) and includes the following noncontiguous subgroups: Autograph Albums (1633-1857 and undated), Early Music Manuscripts (1818-1874 and undated), Early Manuscript Prayerbooks (1744-1801 and undated), and Early Manuscript Songbooks (1712-1896 and undated). These subgroups are described more fully below.
The collection consists primarily of bound manuscripts, many illustrated, from the 15th through the early 20th centuries. Most materials are in German or English, with some materials in French, Hebrew, Italian, Spanish, Swedish, Greek, or Latin. In addition to the above noted subgroups, the collection includes medical texts (nos. 28, 47, 77); historical chronicles, mostly German (nos. 25, 58, 59, 84, 127); and alchemical/astrological/occult treatises (nos. 9, 20, 53, 74, 114, 120, 122, 129, 148, 161, 165). Among the identified authors are Georg Fabricius (22), Edward Young (29), Sebastian Chiesa (33), Henry Marchant (49), Jacob Böhme (67), J.M. Firmenich (156), and Carl and Julius Dresel (117-119). Printed books, most with manuscript addenda, comprise approximately 10% of the collection.
The subgroup Autograph Albums (1633-1857 and undated) chiefly comprises bound volumes (guestbooks, Stammbücher) of 18th-and 19th-century German, English, and American provenance. These typically contain poems (many original), quotations, and maxims, as well as signatures. Many are illustrated and have laid-in mementoes. This group contains the following numbers from the main collection: 3 (J.C.Waechtler), 4 (Caspari), 5 and 6 (C.F.M. Timaus), 8 (a freemason), 11 ( E.D.), 60, 61, and 62 (Elizabeth J. Noble), 63 ( Miss Kate), 65 (Sarah T. Hopkins), 68 (Ebr. Denison), 69 ( Cornelia), 72 and 104 (Annie Mckay), 106 (Lucinda Olcott), 107 (Eliza Sabin), 108 (Emeline Ronnsville), 117 (Carl Dresel von Geisenheim) and 134.
The subgroup Early Music Manuscripts (1818-1874 and n.d) includes fife music, Spanish songs, a 19th century English tune book, and a vocal dialogue with text entitled Das Bauern Mädchen und der Stadt Junge, as well as works by Harriette Gould Bark, Johann Adolf Hasse, Georg Philipp Telemann, and Isaac C. Day. It comprises numbers 1, 7, 10, 48, 71, 116, 126, 136, and 141 of the main collection.
The subgroup Early Manuscript Prayerbooks (1744-1801 and undated) consists chiefly of 18th-century Roman Catholic prayerbooks and devotional exercises (including 3 copies of Crönung Mariae) in German and Latin. Many are illustrated. It includes numbers 17, 27, 30, 31, 34, 66, 81, 94, 101, and 131-133 of the main collection.
The subroup Early Manuscript Songbooks, (1712-1896 and undated) includes both sacred (chiefly Roman Catholic) and secular song texts without music. The collection contains some German hymns. Items 13, 24, 36, 73, 86, 87, and 139 of the main collection comprise this group. Numbers 86 and 87 are 19th-century transcriptions from the 16th-century Heidelberger Liederhandschrift (Cod. Pal. 343) and Wernigerode Liederhandschrift Zy 15.
Some items from the Jantz Collection have been cataloged separately. To locate these, search the catalog under author: Harold Jantz Collection (David M. Rubenstein Rare Book & Manuscript Library)
The collection includes a wide variety of material concerning the Trinity College Historical Society and ranges in date from [1492?] to 1981. The material includes historical notes, about Trinity College and the Trinity College Historical Society and includes transcribed notes, rosters, lists of donations, records, reviews of activities, stationary, and clippings. The correspondence and meeting announcements, -1981, includes general correspondence about the business of the Trinity College Historical Society and announcements and publicity for upcoming meetings. The administrative files, 1892-1978, includes minutes of the meetings held by the Trinity College Historical Society, and files kept by the presidents, secretaries, and treasurers of the Society. Publications, 1897-1979, include copies of the Historical Papers of the Trinity College Historical Society and newsletters published from 1978-1979. Speeches, 1904-, include notes, original manuscripts, and copies of speeches and papers presented at the meetings of the Trinity College Historical Society. The artifacts, [1492?]-1918, include items collected from all aspects of American life. These relics range from coins and medals, to wooden shoe soles, to a piece of what was thought to be Christopher Columbus's flag.
In January 2007, Box 20 and folders 170 and 173 were transferred to the North Carolina Museum of History in Raleigh, North Carolina.
Professional correspondence, note cards, research and teaching files, essays, offprints and reprints of articles by Jantz and scholars associated with him, and other printed material. Notable items are manuscripts about Johann Wolfgang von Goethe and his FAUST, and manuscripts related to Francis Daniel Pastorius's Bee-Hive. Accession (2008-0159) consists largely of Jantz's correspondence and letters, 1978-1985. Also included are exam blue books, some miscellaneous printed material, and a scrapbook of chromolithographs dating from the Victorian period. The blue books contain writings by Jantz, some relating to Francis Pastorius, and are arranged numerically.
The following overview was compiled almost completely from the 1999 accession of the TePaske Papers, although the 1993 accession contains more of the same types of materials.
This collection consists of summaries of the fiscal records of the royal treasuries of key regions in colonial Spanish America. Represented in these records are present-day Mexico (New Spain), Peru, Upper Peru (Bolivia), Rio de la Plata (Argentina, Paraguay, and Uruguay), Chile, Ecuador, and Cuba. The scope of the records is broad and comprehensive, offering in most cases virtually complete series of fiscal data for the colonial era, from the sixteenth century through the early decades of the nineteenth century.
Variously known as sumarios, cartas cuentas, tanteos or relaciones juradas, the account summaries list all the revenues and expenditures in the account period for each particular treasury district. The royal treasuries (cajas) collected taxes and made disbursements. Tax receipts (cargo) included levies on silver production, sales and port taxes, Indian tribute, and royal monopolies on commodities, (tobacco, mercury, stamped legal paper) and legal transactions. Expenditures (data) included the salaries and upkeep of the district's royal bureaucracy, defense expenses, and support for the missionary activities of the church. Surplus revenue generally found its way into the viceroyalty's coffers to help defray costs related to governmental activities. Each summary synthesizes an account period's worth of transactions in each particular caja or treasury. As such, these documents provide a window into both the fiscal organization of the Spanish empire and the fiscal state of each district, and also help elucidate the diversity of economic life in the various treasury districts.
Most of these records come from the Archivo General de Indias in Sevilla, Spain. Originally organized into bundles or legajos, the account summaries were scattered in various sections of the Sevilla repository. The Contaduría section holds most of the accounts related to the period prior to the mid-eighteenth century. After that, the records are dispersed within the various Audiencia sections for each jurisdiction. For example, the records for the Lima treasury appear in the Audiencia of Lima section of the archive, and so on. The following list offers a broad overview of the location of the holdings in the Archivo General de Indias:
Peru: Up to 1760: Contaduría (legajos 1679-1873); After 1760: Audiencia of Lima (legajos 38-50); Audiencia of Cuzco
Upper Peru: Up to 1760: Contaduría (legajos 1795-1850); After 1760: Audiencia of Charcas (legajos 627-671); Audiencia of Lima (legajos 1301 and 1415)
Chile: Up to 1750: Contaduría (legajos 1854-1858, and 1860); After 1750: Audiencia of Chile (legajos 339-351, 395-415)
Rio de la Plata: Contaduría (legajos 1845, 1846, 1884, 1886A, 1887A, 1894A, 1894B); Audiencia of Buenos Aires (legajos 393-399, 401-409, 442, 445-446, 448, 450-451, 453-455, 457-458, 460-462, 464-466, 484, 619-620, 701-703); Audiencia of Lima (legajo 1416)
Ecuador: Contaduría (legajos 1377, 1539-1540, 1576-1577); Audiencia of Quito (legajos 140-141, 173, 165, 407, 413, 415-429, 469-475, 477, and 497)
Mexico: Up to 1760: Contaduría (legajos 677-940); After 1760: Audiencia of Mexico (legajos 2027-3198); Audiencia of Guadalajara (legajos 436-496)
These archival materials were originally collected for a collaborative research project designed to compile comprehensive fiscal data on the former Spanish American colonies. Except for the Cuban accounts, the majority of these sources have already been published in book format as the list below attests:
A. Mexico (New Spain) and Mexico City:
John J. TePaske and Herbert S. Klein. Ingresos y egresos de la Real Hacienda de Nueva España. 2 vols. México, D.F.: Instituto Nacional de Antropología e Historia, 1986-1988.
John J. TePaske and José y Mari Luz Hernández Palomo. La Real Hacienda de Nueva España: la Real Caja de México, 1576-1816. México: Instituto Nacional de Antropología e Historia, SEP, Departamento de Investigaciones Históricas, Seminario de Historia Económica, 1976.
B. Peru, Upper Peru (Bolivia), Rio de la Plata (Argentina, Paraguay, and Uruguay), Chile, and eighteenth-century Ecuador:
John J. TePaske and Herbert S. Klein. The Royal Treasuries of the Spanish Empire in America. 4 vols. Durham: Duke University Press, 1982-1990.
(Note: The fourth volume in the series on Ecuador was compiled by professors Alvaro Jara and John J. TePaske.)
We strongly encourage researchers to first read the introductions to the published accounts before consulting these records. In the introduction to each volume, researchers will find useful background information about the development of the royal treasury system in the districts for which there is fiscal data. The introductions also concisely explain the organization and operation of the treasuries, the structure of the account summaries and the terminology used in them, the use of multiple units of currency, and other important details about bookkeeping in colonial times.
Although the published account summaries faithfully replicate the originals, there are slight variations. The authors made minor changes to make the data more manageable. Monetary units were rounded off and the entries on both the income and expenditure sides of the accounts were standardized and arranged in alphabetical order. For more information on these and other methodological issues, please see the introduction to the volumes.
The TePaske collection consists of colonial Spanish American fiscal records in both microfilm and print. The printed materials are duplicates of the originals in microform.
caja real = royal treasury
cargo = income, revenue
data = expenditure, disbursement
legajo = bundle of documents
ramo = income/expenditure category
sumario = accounts, account summary (also carta cuenta, tanteo, relación jurada)
tesorero = treasury official (also contador)
Assembled by the staff of the Duke University Medical Library, the History of Medicine Picture File offers thousands of images of individuals, places, and subjects dating from the 1500s to 2002, with the great majority portraying physicians, scientists, nurses, and other individuals related to the history or practice of medicine. Places featured include hospitals and other institutions of medicine, and scenes related to events in medical history. Subject categories include advertising, anatomy, books, caricature, childbirth, embryology, medical instruments, pediatrics, physicians, and surgery, among many others.
Most of the images measure in size under 10x12 inches, but there are approximately 500 larger pieces. The predominant formats are engravings, lithographs, cartoons, clippings from magazines and newspapers, and modern photographic prints, but there are also albumen photographs and other image formats found throughout the files. Items were acquired by the Duke Medical Library from various sources over many decades and functioned as a vertical file for library students and researchers.
The oversize items range in size from 11x15 to 23x30 inches, and offer a varied assemblage of portraits, caricatures, posters, broadsides, and reproductions of artwork, in black-and-white and in color. Items include portraits and scenes with notable physicians; illustrations of various medical practices, procedures, and instruments; anatomical views, some possibly as early as the 17th century; medical advertisements and promotional literature; depictions of events in medical history in Europe and North America; caricatures; 20th century illustrations for book covers; and many other topics.
Images and prints are often accompanied by reproduction negatives and slides created by Medical Center Library staff. Many of the images in this collection were also scanned by Medical Library staff and are available through the Medical Center Library & Archives Duke Medicine Digital Repository database. For more information, please contact the History of Medicine Curator at the Rubenstein Library.
Acquired as part of the History of Medicine Collections at Duke University.
The Jane L. Berdes Collection (1525-1993) has as its focal points the four Venetian welfare institutions known as the Ospedali Grandi and their role as providers of musical training for girls and women. The inclusive dates for the collection begin with the dates of primary materials Berdes collected and extend through her lifetime. The collection consists primarily of Berdes's research notes and materials on the Ospedali Grandi, and photocopies or microfilms of primary sources, including musical scores in manuscript and printed editions. It also contains correspondence, photographs, recordings and printed materials. Berdes identified the maestri of the Ospedali Grandi, the music performed, and the names of over 800 women who were members of the cori , but relatively little is known about them individually with the exception of Maddalena Lombardini Sirmen. In addition, the collection features general materials pertaining to other women in music throughout history. The user is advised that some photocopies are unattributed and, where Berdes did not indicate composer or author, no attempt has been made to provide one. The archive contains very few of Berdes's personal papers.
The bulk of the collection is found in the Research Notes and Materials Series, which contains information gathered in preparation for her books on the Ospedali Grandi and Maddalena Lombardini Sirmen (MLS). The heart of this series is the Ospedali Grandi data designated as "Raw Materials," which contains information culled from primary sources and arranged by subject. Most subseries provide documentation for Raw Materials, including copies of primary and secondary sources, pictures of instruments and iconography, and a bibliography. Similar materials pertaining to Sirmen are here also, as is general information about women in music.
The Music Series contains manuscripts and early printed editions of music performed at the Ospedali Grandi in the form of photocopies or microfilms (printed scores in modern edition are grouped with Printed Materials). There is particular emphasis on the compositions of Sirmen, including some recordings of her music. Works by Bertoni, Galuppi, Hasse, Jommelli, Vivaldi and others are grouped alphabetically by composer. The Correspondence Series contains both general professional correspondence and "Thesis Correspondence," that is letters from other scholars, libraries, archives, museums, and churches in Italian, French and English concerning the Ospedali Grandi and Sirmen. The Miscellaneous Series includes Berdes's other publications on both musical and nonmusical subjects, music criticism, course notes from classes she taught or attended, and memorabilia from her years at Oxford University. A selection of pertinent reference books from Berdes's library is found in the Printed Material Series, as are some libretti, and musical scores by Vivaldi in modern edition.
The user is advised to consult Box #1 for an introduction to the contents of the collection. It contains a copy of Berdes's book Women Musicians in Venice: Musical Foundations, 1525-1855; two copies of her dissertation, entitled Musical Life at the Four Ospedali Grandi, 1525-1855; two binders described by the donor as "the road map to the collection" and a videotaped review of its contents prepared by Berdes.