This collection consists of two scrapbooks containing newspaper clippings, letters, receipts, family photographs, and the written memories of A. Michael Barker (1886-1943) of Wilson, North Carolina. Additional items not contained in the scrapbooks include family photographs, a letter, and a ketubah. The scrapbooks were named for World War I and World War II according to the approximate time of the creation of their contents and the subject matter of the newspaper clippings. Topics represented in the scrapbooks include family life, relief efforts for Jewish victims of World War I in Europe, the Zionist movement, Nazi atrocities against Jews in Europe, and the speeches of President Franklin Delano Roosevelt. Barker's approximately 49 pages of memories (circa 1942-1943) detail his financial troubles, family updates, and feelings on the treatment of Jews in Germany. Most of the correspondence is between Michael Barker or Anna Harris Barker and immediate and extended family members.
Barker created the scrapbooks from financial ledgers of his businesses in New Jersey and Wilson, North Carolina, and the financial entries are largely obscured by scrapbook inserts. While he created a majority of the content of the scrapbooks, some items were added after his death, presumably by another family member.
While the bulk of the collection is made up of correspondence, the papers also include Abbot's addresses to schools and the Virginia Educational Society; printed bulletins detailing courses of study and formal statements of the teaching philosophy at Bellevue; and an official letter-book, receipts, financial and legal documents relating to the purchase, expansion and daily administration of the school. Other materials relating to the children of the William and Lucy Abbot include educational addresses by their son, Charles Minor Abbot, who administered Bellevue until it closed (1901-1909), as well as biographical material on Virginia Henderson's authoritative influence on professional nursing.
The Abbot Family papers provide the researcher with numerous vantage points onto public, professional and private life in nineteenth-century Virginia, most particularly through personalized accounts of men and women of the time. While the papers follow the families' colonial past from the early eighteenth century into the mid-twentieth century, the collection is noteworthy for its emphasis on military and private life in the Confederacy and in the Reconstruction South. The collection illuminates the experience of the Civil War through numerous windows onto the private lives of individuals; the professionalization of secondary education during the Reconstruction; the social and epistolary conventions of nineteenth century courtship; and the construction of an inter-generational identity, based on extended familial affections and ties to the institutions of Bellevue and the University of Virginia.
The Abraham Joshua Heschel Papers span the years 1880 to 1998 and document Abraham Joshua Heschel's personal, academic, and public life, including his long-term involvement and leadership in social activism and other public activities, his reputation as a compelling and sought-after public speaker, and his far-reaching influence as a scholar and religious thinker. Items in this collection include correspondence, writings by and about Heschel, typescripts, clippings, printed material, and a small amount of photographs and artifacts. The materials in the collection provide insight to Heschel's identity as a spiritual leader and how this role was inextricably connected to his personal and professional life.
The collection is organized into the following series: Audio, Correspondence, Personal and Family Materials, Public Activity, Restricted, and Writings. Heschel maintained a meaningful, yet complex filing system. To balance preserving the original order with making the collection as accessible to researchers as possible, several key elements have been added to the collection guide:
•Scope note at the folder level. In many cases folder titles in the collection were reused, abbreviated, in Hebrew, or did not exist. Short descriptions of folder contents have been included not only to provide context for the materials, but also to make distinctions between the varying titles.
•Supplied/enhanced folder titles. In the case of missing or abbreviated titles, supplied titles (in brackets) were created. For folder titles written in Hebrew, the original folder title was documented along with its transliteration and English translation.
•Language extent. There are varying degrees in the amount of language materials in each folder and oftentimes multiple languages are represented in a single folder. To assist researchers, each folder description includes a note identifying the language(s) and their extent in the folder, with the dominant language listed first. The absence of a note indicates that all materials in the folder are in English. The following language categories are used: "A few" indicates that 1-25% of the materials are in another language(s); "Some" 26-65%; "Most" 66-99%; and "All" 100%.
Additionally there was a large of amount of clippings included in the Heschel collection which were generally in fragile condition. Where possible, these clippings were photocopied for preservation purposes and the originals discarded.
The Abram Kanof Papers, 1858-1996, contain printed material, correspondence, writings, and photographs primarily reflecting Dr. Kanof's research and writing in the field of Jewish ceremonial art; his role in the development of the Tobe Pascher Workshop of the Jewish Museum, New York, N.Y.; his curatorship at the North Carolina Museum of Art, Raleigh, N.C.; and to a lesser extent, his patronage of the arts. The Abram Kanof Papers are relevant to the study of religious art in the Judaic tradition, and they also document Dr. Kanof's contributions, as a researcher, patron, and administrator, to the study of the relationship between art and Jewish liturgy and worship.
A substantial part of the collection consists of printed material, including exhibition programs, handbills, articles, journals, and clippings, which is contained in the Subject Files Series. Information pertaining to topics within this series includes art and religion; symbolism; synagogue architecture and decoration; the American Jewish Historical Society; Jewish ceremonial art; liturgical or ritual objects; and artists, including Ludwig Wolpert and Moshe Zabari, both resident artists of the Tobe Pascher Workshop. Primary materials relevant to the history, administration, and programs of the Jewish Museum as well as the development of the Tobe Pascher Workshop are contained in the Subject Files Series. The Correspondence Series primarily reflects Dr. Kanof's role in the formation of the workshop, which was developed to provide for the creation of art and liturgical objects to be used in synagogues as well as serve as an instructional center for training artists.
Pictures of items from exhibitions held at the Jewish Museum and the North Carolina Museum of Art as well as images used in Kanof's Jewish Ceremonial Art and Religious Observance are contained in the Pictures Series. Typescripts, page proofs and galley proofs for Dr. Kanof's works, and offprints and drafts of some of his other writings are contained in the Writings Series.
Selected publications from the Abram Kanof Papers have been cataloged for the rare book collection of the Duke University. David M. Rubenstein Rare Book & Manuscript Library.
The collection contains documents pertaining to academic and research matters at the University such as curriculum development, advising, academic and research support, interdisciplinary programs, consortia and cooperative programs, research centers, and so forth. The materials include handbooks, clippings, flyers, reports, and proposals. The bulk dates are 1964-1994.
Collection incorporates primarily Adelaide Johnson's working materials related to her sculpture of Lucretia Mott, Susan B. Anthony, and Elizabeth Cady Stanton that is located at the United States Capitol building, with focus on Susan B. Anthony. There are cabinet cards of Johnson's plaster casts, cabinet cards of Anthony and Anthony and Stanton, several signed, along with albumen, gelatin deveoping-out paper, and matte collodion printing-out paper prints of Anthony; two silhouettes of Mott; a few letters to Johnson; biographical information about her; and related published materials. There are also exhibit labels for the first exhibition to be held at Elizabeth Cady Stanton's House after it was acquired by the Women's Rights National Park at Seneca Falls, curated by Lisa Unger Baskin in 1986 or 1987, and featuring the Johnson materials. The exhibit was also displayed at the Sophia Smith Collection for a Berkshire Conference in on History of Women.
Papers of Adeline E. (Burr) Davis Green (1843-1931) include letters, 1851-1853, from James M. Burr, brother of Adeline (Burr) Davis Green, to his wife describing his life in California searching for gold; James Burr's journal entitled "Journal of a Cruise to California and the Diggins" ; Civil War letters from her second husband and cousin, Wharton Jackson Green (1831-1910), later agriculturist and U.S. congressman, while a prisoner-of-war at Johnson's Island, Ohio; letters, 1882-1885, from her first husband, David Davis (1815-1886), jurist and U. S. senator, describing daily proceedings in the senate, social functions in Washington, D.C., and notable persons; letters from friends of Davis concerning personal and political matters; letters, 1906-1928, from Jessica Randolph Smith and others pertaining to the Daughters of the Confederacy; and letters, 1911-1931, from James Henry Rice, Jr. (1868-1935), ornithologist, naturalist, editor, and literary figure, discussing politics, conservation, South Carolina culture, world affairs, especially relative to Germany and Russia, his rice plantations, and the League of Nations.
The collection consists primarily of family papers in which some naval correspondence is intermingled. The letters of Sir Robert and Lady Julia Barrie are numerous. There are letters by Admiral Gardner, Dorothy (Gardner) Clayton, and various naval officers and members of the family. There are groups of legal papers, biographical sketches, genealogy, financial accounts, and photographs.
Family relationships and associations are extensive and are represented by comment, legal documents, and genealogies. The families include: Clayton, Cornwall, Cracraft, Cririe, Dixon, Fothergill, Gardner, Humphrys, Ingilby, Lyon, Shuttleworth, and Uppleby. A small group of photographs includes Sir Robert Barrie, William Barrie, John and Olivia (Page) Fothergill, John and Kitty (Leadbetter) Uppleby, Leadbetter and Eliza (Barrie) Uppleby, Charles Clotworthy Wood, Swarthdale House, and others.
The papers were still owned by the family as late as the 1950s. On Feb. 28, 1951, Charles John Ormond Barrie wrote about them to James S. Matthews of the Vancouver City Archives. Ten years earlier (Aug. 19, 1941) he listed several series of letters, some of which are no longer in the collection--correspondence from Lord Aylmer, Sir George Cockburn, Sir John Franklin, and George Vancouver. The covers for a few of these letters remain in the collection. The covers for letters by Admiral Gardner and copies of letters by Barrie indicate other absent manuscripts. Some papers may have been destroyed during Barrie's lifetime.
Collection consists of newsletters and other publications produced by advertising agencies and other organizations. Many of the newsletters were intended for internal communications with agency staff and affiliates, although others were aimed at outside distributions. Agencies represented include BBDO, Ben & Jerry's, Dancer Fitzgerald Sample, Doyle Dane Bernbach, Dentsu, Ernest Dichter, Grey, Isidore and Paulson, Levi Strauss, Marsteller, Ogilvy & Mather, and Young Electric Sign.
Collection consists of programs, letters, and a buying guide from different advertising clubs in the United States. Programs represent events including annual banquets, awards or competitions, and Maypole dances. Five event programs are from the Advertising Club of Baltimore, two of which feature the club's annual "Outstanding Radio and Television Personality" awards.
Collection includes instructions, examples, and entry blanks from advertising contests. Products represented are National Oats and Dutch Pride Cigars.
The Advertising Ephemera Collection is composed of single advertisements, product and trade catalogs, advertising pamphlets, and broadsides. The advertisements are primarily American and from the late 19th and early to mid 20th century. The collection is divided into broad subject categories, based on the primary type of product or service being advertised, which are arranged in alphabetical order. Within each subject category material is divided based upon the form of the material; leaflets, letters, and sheets printed on both sides; trade cards (mechanical, metamorphic, see-thru, shape, fabric inserts, unusual feature, postcards and insert cards); booklets; special categories; and miscellaneous. A subseries of foreign advertising material consists predominately of travel related literature and is arrange alphabetically by country. The arrangement of oversize materials parallels the original arrangement.
The researcher should note that trade catalogs that are pamphlets may be found in several places in the Perkins Library: this collections; individually in the stacks as fully cataloged items; or as part of groups of old pamphlets for which the cataloging was by main entry only. Advertising broadsides may also be found in the Broadsides Collection and many collections of manuscripts also contain advertising materials.
Some useful reference sources for gathering further information on this type of material include:
Romaine, Lawrence B., "A Guide to American Trade Catalogs," 1944-1900 (New York, 1960).
Hammond, Dorothy, "Advertising Collectibles of Times Past," (Des Moines, Iowa, 1974).
Kaduck, John M., "Advertising Trade Cards," (Des Moines, Iowa, 1976).
McQuarry, Jim, "Collectors Guide to Advertising Cards," (Gas City, Indiana, 1975).
Additions to the collection have not been processed and therefore to do reflect the arrangement of the rest of the collection. Please refer to the detailed description below for more information about their content.
The African Americans in Film collection includes ephemeral materials promoting and advertising motion pictures featuring Black actors, directors, and production companies. Materials in this collection include press books, posters, promotional booklets, campaign books, advertising manuals, programs, lobby cards, and other formats. The films documented include silent films, Blaxploitation films, blockbuster action films, musicals, documentaries, and dramas, from smaller Black owned and operated companies to major studio productions. Actors frequently featured in films documented here include Sidney Poitier, Dorothy Dandridge, Pam Grier, Jim Brown, Brock Peters, Fred Williamson, Ruby Dee, Brenda Sykes, Sammie Davis Jr., James Earl Jones, and many others.
Description often includes the format of the material and/or one or more of the Black stars featured in the film. Some description provided by George Robert Minkoff Inc., the dealer from whom part of the collection was purchased, is provided in quotes. Some of that description may have originated from the books Blacks in American films and television: an encyclopedia. and Toms, coons, mulattoes, mammies, and bucks: an interpretive history of Blacks in American films., both by Donald Bogle. The majority of the materials are from the United States, but a few items were created by or for audiences in other countries such as Japan, Denmark, France, Germany, and the United Kingdom, and are noted as such.
The collection consists of three letters written by Agnes Smedley; the first to a Miss Gates, and the second two addressed to Corporal James A. Frankel. The single-page autograph manuscript letter to Miss Gates is written on letterhead stationery with Smedley's Shanghai address identifying her as the "Correspondent of the Frankfurter Zeitung in China." She asks Miss Gates to have "tiffin or tea" with her and wonders "Do you ever have extra time to see strange people?" The second manuscript letter, two leaves with text on all four sides, is dated December 27th, 1944. It primarily concerns Emily Hahn's book "China To Me." Smedley writes, “Miss Hahn spent 9 years sleeping around in Shanghai ... When the Japs took Hong Kong she wrote that she would just have died had she gone to a concentration camp like other Americans. So she went to the Japs and said, 'I’m a bad girl.' So the Japs left her free and she fooled around with them in Hong Kong, drinking and carousing, while the bastards were killing our men... But we Americans find this 'hot stuff' and put it up as a best seller... Miss Hahn is a propagandist for the Chinese reaction. She’s never seen a Chinese Communist, yet she’s agitating against them in N.Y... She led a purely personal life in two Chinese port cities but now poses as an authority on political and military matters of China." The third letter, autograph typescript dated March 23d 1947, was originally enclosed in Frankel’s copy of Smedley's book Battle Hymn of China, and addresses Frankel's questions about the Xi'an Incident of 1936 and the capture of Chiang Kai-shek. Smedley directs Frankel to her article on the topic published in The Nation magazine, as well as "her book."
The collection includes correspondence, speeches, Duke-related material, Emory-related material, clippings, printed material, scrapbooks, and photographs. The material relates not only to Edens' professional career, but also to his family history and to that of his wife. The majority of the collection consists of family photographs, many of which are unidentified and undated.
Collection consists of correspondence, clippings, photographs, slides, and diaries, bulk 1929-1970. Records prior to 1929 pertain to Manchester's childhood and consist of old report cards, school programs, and correspondence. Later records reflect Manchester's activities as a historian, Foreign Service officer, and administrator
Collection consists of medical and pharmaceutical advertisements and promotional materials. Included are posters, booklets, diet guides, recipe books, artifacts (coffee mugs, paperweights, etc.) and other promotional ephemera. Acquired as part of the John W. Hartman Center for Advertising, Sales & Marketing History.
Collection contains two accessions. Accession (1999-0184) (1102 items; 6.0 lin. ft.; dated 1953-1998), consists primarily of writings by Alexander Blackburn, including books, articles, clippings, and typescripts of unpublished works. Also included are correspondence with writer Frank Waters and some other letters; memorabilia; and editorial files and an almost complete run of the literary journal, Writer's Forum, which Blackburn edited.
Accession (2010-0012) (6750 items; 9 lin. ft.; dated 1880-1990s) and accession (2020-0099; 11.5 lin. ft) includes writings, drafts, books, and family history materials. Included are materials from Alexander Blackburn's mother, Elizabeth Cheney Blackburn, and the Cheney family.
The collection includes correspondence, bills and receipts, financial papers, legal papers, political papers, clippings and printed material and ranges in date from 1823-1954, with the bulk dated 1823-1883. Due to preservation concerns, some items were copied onto acid-free paper and stamped as preservation copies. The originals were placed in mylar and are located in Box 7. Patrons should consult with Rubenstein Library staff before handling these materials.
The vast majority of the collection is comprised of correspondence, covering the years 1823-1883. Many of the letters in the collection were written to Stephens, although there are letters written in his own hand. Throughout the correspondence are letters written to Stephens by various family members, most notably his brothers John and Linton. The bulk of the correspondence pertains to Stephens' law work, regarding issues such as the settling of estates and the collection of debts. The most prominent topics include family matters, business and legal matters and Stephens' health. Given the expansive amount of correspondence, below is a breakdown by decade of other topics which appear, in an effort to assist the researcher in locating materials of interest:
Correspondence 1823-1839: Topics include States' Rights, slavery, and an Indian war in Florida [possibly the Creek War]. There is a letter from Herschel V. Johnson who sought advice from Stephens in 1839 regarding negotiations with a railroad company.
Correspondence 1840-1849: Topics include local and national politics/views, opinions about President Martin Van Buren, "agricultural politics," Thomas Dorr and the People's Party, the purchasing of slaves, the 1843 Boston visit of President John Tyler and Vice President Daniel Webster, Stephens' nomination to serve in the U. S. Congress, Whigs and Democrats (Stephens was invited to attend several Whig-sponsored barbeques), and the death of Stephens' brother Aaron. There is a letter from United States Representative Marshall Johnson Wellborn which discusses the Judiciary Act (1841). There are also a substantial number of letters written by and to John Bird and letters written to him and Stephens (they were likely law partners). Of note are two letters written in 1844 by [Sarvis] Pearson (presumably a client of Stephens or his firm) to his estranged wife Mary S. Pearson which offer insight into the subject of divorce and marital discord of the time period.
Correspondence 1850-1859: Letters written by Stephens start to appear more frequently. Topics include largely family and legal matters.
Correspondence 1860-1869: Topics include employment inquiries both pre- and post-Civil War, autograph requests, Stephens' book about the Civil War, and the social history of a post-Civil War Georgia. Items of note: There are petitions (1860) by Stephens' district constituents asking him to address them about the presidential election. There are letters asking him for permission to travel into the Union. There are a couple of letters written by Stephens to Jefferson Davis. There is a letter from March 1860 to Pearce Stevons [Stephens] by Rody Jordan, both of whom were not only brothers but slaves as well. The letter is likely written by someone other than Jordan. A letter to Stephens in October 1866 states that his former slave Pearce was charged with murder and asks for Stephens' legal counsel at Pearce's request (he apparently complied based on a letter from 1869).
Correspondence 1870-1879: Topics include requests for employment and financial help, requests for letters of recommendation, Linton Stephens' death, Stephens' paper the Daily and Weekly Sun, the federal government, autograph requests, and Stephens' work with the Committee on Standard Weights and Measures. Item of note: There are documents from 1873 concerning an illegal distilling and corruption case in Georgia.
Correspondence 1880-1883: Topics includes Stephens' opinion of President James A. Garfield, his bid for Governor, requests for financial help and letters of recommendation for men interested in state posts appointed by the Governor, such as Physician of the Georgia Penitentiary. Items of note: There is a letter dated 1883 signed by Secretary of War, Robert Todd Lincoln. There are two letters from 1882 which offer some insight into African-American involvement in Georgia politics.
The collection consists of an extensive, but incomplete, set of account books, remnants of the office file and James Sprunt's correspondence (personal as well as business letters and papers), and pictures. Among the account books there are long series of ledgers, journals, cashbooks, purchase books, and stock inventories that document the company's operations between the 1870s and 1950s. The ledgers date between 1889 and 1952, and there are private ledgers for 1907 through 1931. The volume of minutes covers 1919-1930, but there are a few others among the offices files along with financial statements, 1885-1915, important legal documents of the partnership and corporation, and assorted other papers.
Correspondence and other papers of James Sprunt and the company date between 1884 and 1952, but they are numerous only for 1904, 1906, 1909-1910, and 1919-1921. The letters date mostly to 1904-1910, and 1919-1921, and are largely files of James Sprunt, reflecting his activities in business and interests in secular and theological education, the Presbyterian church in the U.S., and North Carolina history. Notable correspondents and subjects are Alexander Sprunt (1815-1884), Alexander Sprunt (1852-1937), Alexander Sprunt (b. 1898), James Sprunt (1847-1924), Kenneth Mackenzie Murchison, Francis Herman Packer, John Miller Wells, John Campbell White, Edward Jenner Wood, The Laymen's Missionary Movement, and the Presbyterian mission at Kiangyin, China. Account books, minutes, and correspondence are available also for a number of domestic and foreign subsidaries and branch offices, but these are often quite fragmentary. More than thirty pictures, mostly photographs, illustrate the firm's staff, workers, physical plant, and employees as well as other scenes.
Also included are some papers representing various domestic and foreign subsidiaries and branch offices, especially Champion Compress and Warehouse Company, the Wilmington Compress and Warehouse Company, Alexander Sprunt & Son (of Delaware, a holding company), and the company's offices in New York City and Le Havre, France.
Information about the company's history can be found in: James Sprunt's letters of Nov. 6, 1908; Apr. 9, 1909; Jun. 7 and Oct. 22, 1919; an article in Wilmington's Morning Star from Feb. 11, 1921; and Dictionary of American Biography.
The collection reflects Weinmann's extensive research in the history of Viennese music publishing and is a resource for study of publishing firms in Vienna as well as documenting Weinmann's bibliographical research. The Music Series includes title pages and parts of arrangements, focusing on Viennese publishers and composers, including Georg Druschetzky, Joseph Haydn, Johann Baptist Vanhal, Johann Josef Rösler, and Ferdinand Kauer, as well as Johann Sebastian Bach. Included in the Writings and Speeches Series are manuscript drafts of works related to Weinmann's bibliographies (published in the Beiträge zur Geschichte des Alt-Weiner Musikverlages) as well as bio-bibliographical and historical works. The series also documents Weinmann's study of 19th century Viennese publishing firms including Artaria and Company, Giovanni Cappi, Leopold Kozeluch, Franz Anton Hoffmeister, Carlo and Pietro Mechetti, Tranquillo Mollo, Ignaz Sauer, Johann Traeg, and Thaddäus Weigl. Series includes research by Weinmann's brother, Ignaz Weinmann, on Franz Schubert.
The Research Notes Series consists of bibliographic references and citations, information about works and plate numbers; Weinmann's contributions to the Répertoire international des sources musicales; and Wiener Zeitung references. The Series also concerns Weinmann's work as an editor of the sixth edition of the Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts. Anthony van Hoboken, Willi Boskovsky, Franz Giegling, Anton Fietz, and Arthur Fiedler are among primary correspondents in the collection. Weinmann also collected letters (originals and copies) from persons and publishers he studied, including J.P. Gotthard, Johann Strauss, Franz Xaver Süssmayr, and Tobias Haslinger.
Collection contains personal and business correspondence, legal and financial papers, printed materials, photographs, and other materials from lumber businesses beginning before 1910, especially in East Tennessee and in the Philippine Islands with headquarters in Philadelphia, Pa. The Insular Lumber Co., Negros Island, P.I., produced mahogany. Also present in the collection are personal and family papers, including numerous photographs and letters to the Edgcombs from friends.
Collection holds personal papers, letters, farm diaries, photographs, genealogy and miscellaneous materials documenting her relationships with family and their years at the family farm, Tranquility.
Collection comprises research material gathered by Mrs. Luiggi for her book, "65 Valiants" (University of Florida Press, 1965) concerning American teachers who helped establish teacher education and public schools in Argentina during the 1870s and 1880s. The bulk of the collection consists of letters of various sources about each of the teachers, and notes taken in interviews, and from other sources. There are copies of letters of the 1870s and 1880s by Domingo Faustino Sarmiento and Mary Tyler Peabody Mann. There is information on kindergartens in Boston, Saint Louis, and Washington, D.C.; and the Armstrong, Atkinson, Eccleston, and Stearns families. There is a diary of Sarah Eccleston, 1883-1886; along with pictures of Mrs. Mann and Sarmiento; and photographs of busts of Horace Mann and Abraham Lincoln. There are also 92 black-and-white photographs and 43 negatives providing images of the teachers, including several cartes-de-visite and one tin type.
The papers of Alice J. Cutright Kaine document her work primarily as an administrative advisor at the Tuskegee Institute but also include information on her employment as a public school teacher in Springfield, Ill., her service on the board of the Wisconsin Industrial School for Girls and the State Board of Control (for prisons), and her travels to Dixfield, Maine, and Nelson County, Va. The collection contains correspondence, writings, legal papers, printed materials, photographs, and ephemera.
The strength of the collection lies with its documentation of Tuskegee Institute. Kaine was hired in 1894 as the head of the Household Department to supervise everything "from the making of bricks to the baking of white bread." (newsclipping, 1947) At the time, Kaine was the only white person on the Institute's staff.
Letters to her brother, Austin Cutright, describe her work her at Tuskegee Institute as well as the Tuskegee community in general. In these letters she speaks frankly about Booker T. Washington's educational philosophy and management style and her close relationship with Washington's wife Margaret and their children. Kaine visited several black families and churches in Tuskegee with the Washingtons and her letters and writings describe the living conditions and religious services she observed as well as the difficulties she had as a white woman in an all black community.
Approximately half of the correspondence from 1896-1903 consists of letters written to Kaine from Tuskegee administrators and Margaret Washington after Kaine's departure from Tuskegee. Letters from J.H. Washington, Superintendent of Industries, contain information on the maintenance of housekeeping practices established by Kaine. Letters from Margaret Washington are of a more personal nature and contain anecdotes and news from Tuskegee. Several of the writings and speeches concern Kaine's work at Tuskegee and describe her experiences from a sympathetic yet somewhat patronizing point of view. A file of printed materials relates exclusively to Tuskegee Institute, and a portrait of the Washington family (ca. 1895) is filed in the photographs series.
Outside of the materials relating to Tuskegee Institute, the papers provide only fragmented documentation of Kaine's life. A few letters to Kaine in the 1860s and 1870s describe her appointment to various teaching positions. Legal papers, writings and addresses, and newsclippings reflect her work with the Wisconsin Industrial School for Girls, the State Board of Control, and various social and civic organizations.
Earlier letters, chiefly written to her husband, depict Kaine's visits in the 1880s to New England, particularly Dixfield, Maine, and to her ancestral home in Nelson County, Va. Letters from Dixfield describe the local community life in detail. The series of photographs contains several views of Lovingston, Va., including churches, the courthouse, a hotel, Negro houses and other homes. Letters to Kaine from her brother during the 1940s detail his life in Milwaukee during World War II and to some extent Kaine's life at the Grand Army Home until her death.
The Alice M. Baldwin Papers contain materials relating to Dean Baldwin's career as an educator, historian, and administrator, especially during her tenure at Duke University. Her papers include official, personal, and professional correspondence, printed matter, photographs, clippings, and other materials concerning the development and administration of the Woman's College at Duke University, the role of women's colleges in society, and the activities of business and professional women. Correspondents include other women educators, administrators of government offices and charitable and social organizations, former students, and Duke University faculty and staff. Among the major subjects besides the Woman's College are the Southern School for Workers, Inc., North Carolina and Southern labor issues, the U.S. Navy Waves program, and the education of women in general. The collection is organized into several series. The first series, Personal, includes documents related to Baldwin's family, genealogy, and education. The second series, Correspondence, consists of materials concerning her research and publications as well as general correspondence. Major correspondents include Nora C. Chaffin, Charles C. Crittenden, Katherine E. Gilbert, Meta Glass, Orie L. Hatcher, Louise McLaren, and Belle Rankin. The series is organized chronologically.
The third series, the Alphabetical File, is the largest series of the collection, and consists of professional and personal correspondence, student papers, and the office files of Baldwin. The file is arranged alphabetically by subject. Among the organizations Baldwin had an interest in were the American Association of University Women, the Institute of Women's Professional Relations, the National Association of Deans of Women, and the North Carolina Council of Women in Education. She also served on the boards of various state and federal commissions and committees dealing with the role of women's colleges in society. Her participation in the U.S. Navy Waves program is well-documented, as is her interest in the Southern School for Workers and other progressive organizations. The fourth series is Writings, which includes final versions, drafts and notes for a number of monographs and articles. Included are extensive notes from her graduate research on New England clergy. Of particular interest in this series is a 90-page manuscript, "The Woman's College As I Remember It," Baldwin's account of her hiring as the first woman with faculty rank at Duke, and the academic challenges involved in the establishment of the Coordinate College for Women there.
The fifth series is Speeches and Addresses, and is comprised primarily of notecards used by Baldwin in making presentations to a variety of groups. The next series is Photographs, and includes photographs of a European trip and excursions to the New England shore, as well as other personal photos. The sixth series is Clippings, and includes clippings on churches, labor relations, and prohibition. The following series is Printed Materials, and consists of several bound volumes, including the "Baldwin Annual" of the Baldwin School, dedicated to Alice Mary Baldwin, and J.B. Rhine's New World of the Mind, dedicated to Baldwin by the author. The final series, Artifacts, consists of two pins given to Baldwin Delta Gamma Kappa and Phi Beta Kappa, and a key from Duke University's White Duchy.
The materials in the Alix Kates Shulman Papers span the dates 1892 to 2000, with the bulk of materials dating from 1968 to 2000. These materials include: manuscripts, notes, clippings, published books, correspondence, photographs, audio and videotapes, microfilm, address and date books, family and business records. The primary focus of the collection is Shulman's writing and literary career. The secondary focus is the women's liberation and feminist movements, in which Shulman was and continues to be very active (from 1968 to the present). However, feminism and feminist activism are inextricably intertwined with Shulman's writing career, and her 1972 novel Memoirs of an Ex-Prom Queen is regarded by many as the first novel to "come out of" the women's liberation movement of the late 1960s and early 1970s.
Other topics covered by the collection include: her teaching and other academic work; her public speaking and conference activities; and her involvement in political activities besides feminism. This collection sheds valuable light on the concerns and tensions within the women's liberation and second-wave feminist movements. In particular, the materials document debates and disagreements among those active in the movement with regard to sexuality, marriage and domestic relations, women's financial situation and careers, health care, civil rights and cultural expression. Many of these issues are raised in Shulman's own work, including her novels, essays, short fiction, personal letters and her teaching materials.
The collection is divided into seven series. The Personal Papers Series contains Shulman's family history papers, photographs, biographical papers, and her personal correspondence (with writers, academics, political activists and family members). Notable correspondents include Ros Baxandall, Jay Bolotin, Kay Boyle, Rita Mae Brown, Phyllis Chesler, Judy Chicago, Andrea Dworkin, Candace Falk, Marilyn French, Lori Ginzberg, Hannah Green, Erica Jong, Kate Millett, Honor Moore, Robin Morgan, Tillie Olson, Lillian Rubin, Sue Standing, and Meredith Tax. The Political Work Series contains material relating to Shulman's involvement with feminist and other liberal political groups, including Redstockings, New York Radical Women, the PEN Women's Committee, No More Nice Girls, the Women's Action Coalition, and Women Against Government Surveillance
The Literary Work Series contains a variety of materials relating to Shulman's literary career, including financial and other dealings with publishing houses, notes and research, photocopies of publications, reviews of her work, articles and notes she collected regarding the literary scene, and original manuscripts. This series contains information about her early children's books; several books she edited of Emma Goldman's writings; her essays and short fiction; her novels Memoirs of an Ex-Prom Queen (1972), Burning Questions (1975), On the Stroll (1977), In Every Woman's Life . . . (1980); and her memoirs Drinking the Rain (1995) and A Good Enough Daughter (1999). A small amount of correspondence regarding book reviews of other authors' work is also included.
The Academic Work Series contains materials relating to Shulman's graduate work at NYU; her teaching at Yale, the University of Colorado at Boulder, NYU, and the University of Hawaii at Manoa; as well as her relationships with her students. The Public Speaking Series contains materials relating to Shulman's participation in literary and political conferences and gatherings, personal interviews, lectures and book talks.
Portions of the Restricted Materials Series either may not be photocopied without prior permission of Ms. Shulman or the relevant author, or may not be accessed until a future date. The same organizational categories have been applied to the restricted materials as were used in the unrestricted materials to help researchers easily access overlapping and related materials that have been boxed separately due to the restrictions. The Oversize Materials Series contains miscellaneous oversize materials of a biographical and literary nature.
Acquired as part of the Sallie Bingham Center for Women's History and Culture.
Manuscripts, research files, correspondence, approximately 1287 black-and-white photographs and photostats of documents from various repositories and used in his research, and 3 reels of microfilm. Subjects of the research files and manuscripts include: Dante, Machiavelli, Milton, Jonson, and Aristotle (his POETICS).
Addition (2007-0141; 400 items, 0.5 lin. ft.) contains index files documenting the Gilbert's book collection. Many of these books are now in the collection at the Rare Book, Manuscript and Sepcial Collections Library at Duke University.
Collection includes papers kept by Zalene Allen Angier which include correspondence, 1936-1969, largely letters from her brother George Venable Allen (1903-1970), diplomat, official of the Tobacco Institute, and trustee of Duke University.
Allen's letters describe his diplomatic career and personal matters, including foreign relations and social life in Greece, Egypt, and Iran in the 1930s and 1940s; the royal family of Iran; the Potsdam Conference; and customs of Saudi Arabia. Letters of the 1950s mention celebrities Allen met, such as Yehudi Menuhin and Aristotle Onassis; and relations of the U.S. with India and of Russia with Yugoslavia. Letters of Allen's wife Katherine Martin Allen reflect diplomatic social life.
Clippings relate to Allen's career as diplomat and as director of the United States Information Agency, to his family, and to his death.
Miscellaneous papers include invitations; White House dinner menus; press releases; a report, February 9, 1932, on Japanese-Chinese relations; articles by Allen; and other printed materials.
There are photographs of Allen and many acquaintances, including Marshall Tito, Mohammed Reza Pahlavi, Jawaharlal Nehru, Amjad All, Abba Eban, Wellington Koo, Dwight D. Eisenhower, John Foster Dulles, and William Fulbright.
Papers, 1945-1970, kept by George and Katherine Allen include letters from Eisenhower and Dulles about Allen's shift from the State Department to the USIA; a report on the political situation in Iran, January 21, 1948; correspondence on Egyptian-U.S. relations in the 1950s and the Henry A. Byroade scandal, the Cold War, the cigarette smoking and health controversy, and on Allen's speeches.
Enclosed with a letter from Allen of May 10, 1970, is a petition against slavery by the Baptist Church of Augusta, Maine, dated August 17, 1843.
There are files of speeches and related correspondence on Russia, propaganda, the space race, foreign policy, peace, the tobacco industry, India, Iran, UNESCO, and other topics.
There is material on the Dulles and Eisenhower oral history projects and on various honors and awards received by Allen.
Two scrapbooks contain clippings about Allen's career and family photographs. There is also a photocopy of his book-length manuscript reminiscence of experiences as Ambassador to Iran in the 1940s and 1950s; a letter from Josephus Daniels, 1940, commenting on Allen's review of Daniels' book, Tar Heel Editor; and a tape recording of Allen's address, 1967, to the Tobaccoland Kiwanis Club on the United States in the world.
Contains letters and self-published printed materials. Material ranges in date from 1926-1947.
The Alliance for Audited Media mircofilmed reports collection consists of over 500 16mm microfilm reels of archived printed reports produced by the AAM for subscribing newspapers and publications distributed primarily in the United States and Canada. The reports depict circulation data in a variety of contexts, including coupon distribution, geographical penetration, interactive media, market coverage, trends, and Zip Code analyses.
The records of the Alliance for Guidance of Rural Youth (AGRY) span the years 1887 to 1963, although the bulk of the collection begins in 1914 with the creation of the organization and ends in 1946 with the death of founder and president, Orie Latham Hatcher. Additional records for the Alliance from 1947 to 1963 can be found in the Amber Arthun Warburton papers, also located in the Rubenstein Library.
The records comprise an extensive set of organizational records for AGRY and its predecessors, the Virginia Bureau of Vocations for Women (VBVW) and the Southern Woman's Educational Alliance (SWEA), and document the organization's evolution from its early focus on increasing vocational opportunities for educated southern women and rural high school girls to its later activities in providing county-wide vocational programming for rural youth. Series include correspondence, administrative files, project files, conference files, subject files, writings and speeches, publications, clippings, press releases, and photographic materials, which include prints and nitrate negatives.
Early materials in the Correspondence, Administrative Files, and Clippings and Press Releases series document the Bureau's projects, such as the speaker's bureau and the scholarship program, as well as the Bureau's relationship with other women's organizations such as the Virginia Association of Colleges and Schools for Girls, Southern Collegiate Women (later the American Association of University Women), the National Federation of Business and Professional Women Clubs (BPW), and the National Council of Women.
Strong ties were developed between the Bureau and these organizations during its formative years: Hatcher chaired national and local committees in most of these organizations, and early correspondence and administrative files center on her work with these organizations particularly concerning educational standards and vocational training in women's colleges. In these early records it is often unclear which of these activities were officially adopted by the Bureau or if they were solely Hatcher's activities.
The AGRY's activities documented in the Branch Files Series include benefits, forums, exhibits, and festivals. The New York Branch sponsored several opera benefits to help raise funds during the 1920s. The Rural Mountain Festival, sponsored by the Richmond Branch, was held in 1938. In 1932, the Alliance commissioned noted New York portrait photographer, Doris Ulmann, to photograph rural youth and other individuals in Kentucky. The photographs were subsequently exhibited by several of the branches and were used to promote discussion of vocational issues and the work of the Alliance. Forty-two of these original platinum prints are located in the Photographic Materials Series.
Organizational changes reflected modifications in the organization's goals. Although SWEA continued many of the projects started by the Virginia Bureau, emphasis shifted away from lobbying efforts aimed to open new careers for women and more towards research on women's occupational trends and model guidance counseling programs based on that research. Correspondence during the early 1920s contains letters from faculty and administrators from women's colleges throughout the Northeast and South which describe various approaches (or lack thereof) to providing vocational guidance to students. Administrative files contain information on surveys and on a vocational guidance course for college women which was developed at Goucher College under the auspices of SWEA and tested at Duke University (then Trinity College) and the College of William and Mary. The Publications and Clippings and Press Releases series also contain considerable information regarding Alliance research and activities during this time.
During the mid to late 1920s, SWEA sponsored several research projects through its Rural Guidance Project which examined vocational trends of rural girls in North Carolina and Virginia. While the Correspondence and Administrative Files series document how the projects were organized, the comprehensive data collected during these projects is extant only in resulting SWEA publications such as Rural Girls in the City for Work and the unpublished manuscript "Fifty Rural High School Girls."
Alliance projects in the late 1920s and 1930s consisted of experimental and demonstration guidance programs in rural schools. These projects were located at the Konnarock Training School (Virginia), elementary schools in Albemarle Co., Virginia, Farm Life School (Craven Co., N.C.), and elementary and secondary schools in Breathitt Co., Kentucky, among others. Each of these demonstration projects also resulted in substantial Alliance publications which in most cases represent the bulk of extant documentation of each project. The Photographic Materials series contains many snapshots taken in these various communities, although most are of poor quality and unidentified; there are also negatives in this series. Additional information may also appear scattered throughout Correspondence, Clippings, and Administrative Files series.
The Breathitt County Project Files Series, provides the most comprehensive documentation of the demonstration project which grew to become the Alliance's main research activity from about 1934 to 1942. The project encompassed a wide range of activities including data collection on students' home life, teacher training workshops, vocational guidance programming through the county's Planning Council, and a visit by Eleanor Roosevelt in 1938. Particularly noteworthy in these materials are the extensive raw data files consisting of approximately 2500 autobiographical surveys of students. Additional files contain charts of data compilations and teacher reports which identify trends in students' educational behavior. Photographs of Breathitt County schools, students, and home life, chiefly taken by noted photographer Doris Ullman, are contained in the Photographic Materials Series.
SWEA and AGRY's emphasis on research and dissemination of information was reflected in the increase of published materials produced by the organization. Much of this material is contained in the Publications Series. Clippings of book reviews document the wide-spread acceptance of these publications in a newly emerging field. Several unpublished manuscripts resulting from Alliance research projects are extant in the Writings and Speeches Series and include "Occupations for Educated Women in Durham, Raleigh, and Winston-Salem, North Carolina" (1926), a bound copy of "Fifty Rural High School Girls'' (1930), and final drafts of "When Our Young Folks Come Home to the Smaller Communities" (1945).
Another strategy for publicizing the work of the Alliance was through local and national radio broadcasts. Shows were broadcast from Richmond, New York, and Washington, D.C., and gave information on specific occupations and discussed vocational guidance issues. Broadcast scripts contained in the Writings and Speeches Series feature youths interviewing each other and Orie Hatcher about career goals, a dialogue between Eleanor Roosevelt and Hatcher on the future of rural youth (1938), and a presentation by Amelia Earhart on women in aviation (1931).
The Correspondence, Clippings and Press Releases, and Subject Files series demonstrate the Alliance's shift away from relationships with women's organizations in the late 1920s and towards guidance and educational organizations such as the American Council for Guidance and Personnel Associations (CGPA), National Vocational Guidance Association (NVGA), National Occupational Conference (NOC), National Education Association (NEA), and the U.S. Department of Education in the 1930s. In many of these organizations, Hatcher chaired committees on rural youth, and representatives from these groups served on AGRY's Board of Trustees.
Numerous regional and national conference activities are reflected in the Conference Files Series, with a complete set of conference proceedings and findings contained in the Publications Series. Information on pre-1930s conferences is slim, but additional information on all conferences can be gleaned from the Correspondence and Clippings and Press Releases series. Copies of papers delivered by Alliance members and others are located in the Writings and Speeches Series.
Materials dating past Hatcher's tenure in the Alliance consist mainly of routine administrative correspondence. A more complete set of AGRY organizational records dating from 1947-1963 is located in the papers of Amber Arthun Warburton, her successor. These records continue several series started in the AGRY records such as executive board minutes, publications, project files, and correspondence.
Alliance for Guidance of Rural Youth records, 1887-1963 and undated, bulk 1914-1946 21.5 Linear Feet — Approximately 15,900 items
Collection consists of Duncan's correspondence, including both personal and professional communications with family, friends, and colleagues, including other judges such as Clarence Thomas, John Roberts, Diane Wood, J. Harvie Wilkinson III, William Traxler Jr., and several others; press clippings and articles about Duncan's activities as president for the NC Bar Association and her appointment to and service on the U.S. Court of Appeals (4th Circuit); copies of speeches and programs from her various professional activities for Duke Law School and NC Central Law School, among other appearances; assorted materials from her work for the NC Utilities Commission and Kilpatrick Stockton law firm; her diplomas and awards; some family history materials from her parents and other relatives, including her aunt Helen Blackburn and uncle Armour Blackburn; and assorted photographs, largely unlabelled. Also includes published opinions for the NC Court of Appeals and NC Utility Commission and writings by Duncan.
The Alma S. Wall Papers are organized into the following series: genealogy, correspondence, clippings, printed materials, scrapbooks, and photographs. Alma S. Wall placed her ill husband, Samuel Wall, in a sanitarium and traveled to New York, where she became known as a master of dialects, a singer of spirituals, and a storyteller. She was a great niece of Chief Justice John Marshall. The collection includes some of her writings, photographs of slaves, and photographs documenting the results of the 1926 Miami hurricane. Some correspondence concerns the mental illness of one of Wall's daughters. There are also certificates, a William Jennings Bryan speech, a scrapbook, and diaries belonging to Wall and her daughter.
The collection contains five scrapbooks. Four scrapbooks (1-3, and 5) feature literary figures of the nineteenth and twentieth centuries, including authors and poets, as well as twentieth-century playwrights, essayists, and biographers. Scrapbook 4 features celebrities, political figures, and professors. All the scrapbooks primarily contain clippings from newspapers and journals, including articles, poetry, book reviews, obituaries, and editorials. There are often letters and notes bearing autographs of the authors, some of them purchased by Taylor, or obtained with the assistance of Taylor's mother or her friend, Dorothy Kraus. Unfortunately, many of the autographed items have been removed. Pages often include handwritten or typed lists of works. There are several black-and-white photographs, along with photo postcards, and regular postcards. In addition, there are loose scrapbook pages and loose material for creating pages. Scrapbooks have been disbound for conservation purposes.
Collection includes the records of the Omicron chapter of Alpha Delta Pi, a social sorority for undergraduate women at Duke University. The Omicron chapter was established in 1911. Materials include published histories, a songbook, clippings, correspondence, newsletters, cards, and invitations. Major subjects include Trinity College history, Duke University history, Alpha Delta Pi, women college students, sorority songs, general governance of a sorority, and initiation. Materials date from 1927 to 1979.
Contains correspondence, bylaws, membership records, a constitution, a handbook, reports, certificates, and a brief historic profile pertaining to the Beta Eta chapter of the Alpha Kappa Psi business fraternity at Duke University. Materials range in date from 1929 to 1963.
Ledgers (hard back and composition book), legal documents, family correspondence, almanacs, advertisements, and pamphlets.
Records contain class files, administrative materials, fundraising materials, alumni publications records, subject files, photographs, video and sound recordings, and an index to Duke students who served in World War II. Materials include reunion information, correspondence, reports, programs, clippings, and printed matter.
Chiefly correspondence (1913-1933), relating to Smith's position as manager of the Southern Coal Company, dealing with miners and shippers in Alabama, Kentucky, and Tennessee, and customers in Alabama and Georgia. Includes material on his membership in the local Kiwanis and Masonic organizations.
Collection comprises 167 early to mid-20th century black-and-white photographs of the city and people of Durham, North Carolina. The majority of the images were taken by Alvin T. Parnell, a commercial photographer with a studio in downtown Durham, from about 1920 to 1950; prints from 1898 to 1919 likely were from the Cole-Holladay studio, which Parnell took over around 1920. Formats include a few vintage mounted albumen and gelatin silver prints, unmounted vintage and modern gelatin silver prints, and small contact prints made from original nitrate negatives. There are also twelve safety film negatives present, from which some copy prints were made. Includes an information folder with Parnell's 1986 obituary and collection information.
The largest group of photographs, taken from the late 1910s through the early 1950s, features views of Durham's growing downtown, often commissioned by Parnell's business and City Hall clients. In the background of the many street scenes one can see the progression of small storefront businesses that made up life on Main Street in a 20th century Southern Piedmont city. Given Durham's role as a birthplace for the post-Civil War tobacco manufacturing industry, it is not surprising that there are numerous photographs of buildings and industrial sites belonging to American Tobacco, Blackwell Tobacco, and Liggett Myers. Parnell also photographed buses, trolleys, and other scenes for an early Durham power and transportation company, Durham Public Services.
Other images focus on people, and range widely in subject matter: men posed at a Trinity College (later Duke University) reunion, war veterans at gatherings, fraternities, children on a playground, and a minstrel band. A few are of African American tobacco workers posed in the field and female factory workers ending their shift. There are also portraits of prominent individuals and families: an elderly Bennehan Cameron with family members; John Ruffin Green (one of Durham's earliest tobacco entrepreneurs); Washington Duke and sons with associates at a barbeque; the Rosenstein family (optometrists from New York who came to Durham in 1904); William Umstead (U.S. Senator from northern Durham County); and various police chiefs and businessmen. There are also a few portraits of women, some with captions and some unidentified.
There are also twelve safety film negatives in the collection, sized 8x10 and 4x5 inches, from which a selection of copy prints were made after the collection was acquired. A few have no existing prints – these are noted in the collection guide.
In addition to photographs in this collection, some if not most of the earlier images of Durham in the Durham Chamber of Commerce collection in the Rubenstein Library are likely to have been taken by Parnell. His work is also likely to be found in other collections related to Durham residents containing photographs.
Alvin T. Parnell photographs of Durham, North Carolina, circa 1898-1986, bulk 1910-1960 1.5 Linear Feet — 2 boxes; 183 items — 2 boxes; 183 items
The Amber (Arthun) Warburton Papers consist of the personal and professional papers of Warburton from 1917 to 1976. The bulk of the material comes from the organizational files of the Alliance for Guidance of Rural Youth during Warburton's tenure as executive secretary and director of research, 1947-1963. Other organizations and institutions represented include Atlanta University, Brookwood Labor College, Columbia University (where she received her M.A. in 1927), Mount Holyoke College, Spelman College, Institute of Social and Religious Research, Southern Summer School for Women Workers in Industry, Affiliated Schools for Workers, the Federal Emergency Relief Administration, and the U.S. Children's Bureau.
The Warburton Papers contain correspondence, financial statements, writings, interviews, notes, drafts of studies and reports, newspaper clippings, newsletters, printed material, books, magazines, photographs, diaries, and scrapbooks. Most of the papers are printed material. Also includes her diploma from Columbia (1927), and an oversize photograph of the Three Fates Greek scuplture.
The papers are divided into the following thirteen series:
- Brookwood Labor College
- Columbia University
- Mount Holyoke College
- Southern Summer School for Women Workers in Industry
- Institute of Social and Religious Research
- Spelman College and Atlanta University
- Federal Emergency Relief Administration
- Affiliated Schools for Workers
- U.S. Children's Bureau
- Fairfax County
- U.S. House of Representatives Committee on Agriculture
- Alliance for Guidance of Rural Youth
Warburton's connection with these organizations and institutions is noted in the description of each series.
The largest series is the Alliance for Guidance of Rural Youth Series (AGRY). The series is arranged by subject, in keeping with the arrangement pattern of a 1949 office files index. There are three major subjects within the series: Harlan County (Kentucky), Green Sea (South Carolina), and the National Defense Education Act Study. Each subject contains correspondence, notes, drafts of reports and studies, reports and studies, newspaper clippings, and printed material.
There is overlap among series, especially within the AGRY series. For instance, Warburton might correspond with one person in Green Sea about the Green Sea Institute and later about an upcoming guidance convention. Each letter would probably be found in different subjects: the Green Sea letter under Green Sea Institute, and the convention letter under material about guidance conventions.
The Warburton Papers are a rich source of information on the growth and development of the youth guidance movement in America, especially guidance in rural areas. If combined with the Duke Library's collection of early AGRY papers, a researcher could follow the American rural youth guidance movement from inception to maturation. Furthermore, the numerous surveys conducted in Harlan County and Green Sea contain much material on the socio-economic status and attitudes of people in Appalachia and the rural South in the 1940s and 1950s.
Other highlights include considerable information on the creation, growth, and management of workers' schools and federal training centers for unemployed teachers in the 1930's; in-depth studies of industrial home-work in the Northeast and migrant workers in Texas, Arkansas, and Florida; and pictures of schools, houses, and people in Harlan County and Green Sea. There are also photographs in the Personal, Columbia University, Spelman College and Atlanta University, U.S. Children's Bureau, and Fairfax County series.
Specific subjects are discussed in more detail in the inventory.
Amelia Stinson-Wesley is an ordained Methodist minister and advocate for pastoral care of women and abuse survivors. Her papers consist of correspondence, academic writing, periodical excerpts, pamphlets, flyers, and handouts.
Collection includes promotional booklet that discusses water and the waterproofing benefits of asphalt-based paints and coatings. Booklet is illustrated with watercolors by A. Malrose and Chris Marie Meeker. Included is a letter from the company President to then-Duke University President William Few offering the booklet as a gift. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
The American Association of Advertising Agencies (AAAA) Records spans the years 1918-1998 and includes correspondence, annual corporate and stockholder reports for member agencies, meeting minutes and speeches, biographical summaries, a subject file, and videotapes that document selected activities and functions of the organization. The collection has been compiled from a number of accessions received over time, and so does not represent a comprehensive archive of the AAAA. Certain aspects of AAAA activities, however, are well represented, including the card files that document the professional careers of AAAA members over a 50-year period, and subject files that focus on Federal Trade Commission (FTC), Federal Communications Commission (FCC) and the Food and Drug Administration (FDA) investigations into complaints lodged against advertisers and advertising claims produced in a variety of media, with a particular emphasis on the ways that products were advertised during and in conjunction with children's television programming. Other topics touched on include advertising self-regulation, antitrust issues, advertising laws, and deceptive and ethical practices in marketing and advertising.
The collection is arranged into four series: Administrative Files, Member Card Files, Vertical Files, and Audiovisual Materials. The Administrative Files Series includes correspondence, member corporate annual and stockholder reports, printed materials, meeting minutes and speeches, and memorabilia. The Member Card Files Series contains approximately 46,000 index cards that briefly document the employment histories of individual members roughly between the years 1920 and 1969. The Vertical Files Series consists of an alphabetical subject file primarily focused on FTC, FCC, and FDA hearings on complaints against advertisers as well as documents and testimonies relating to advertising to children. Also included is a compiled set of writings on advertising during times of recession and war. The Audiovisual Materials Series consists primarily of taped interviews with David Ogilvy and William Bernbach. Original videotapes are closed to patron use. Use copies are currently available for some items. Technical Services staff may need to produce use copies before contents can be accessed. Please contact Research Services staff before coming to use the collection.
The Association of Collegiate Alumnae formed in 1881; the Southern Association of College Women formed in 1903. They merged in 1921 to become the American Association of University Women. The Durham branch was founded in 1913 and became part of the AAUW at its founding in 1921. The records of the AAUW Durham chapter span the years from its founding in 1913 through the 1960s. The central organizational records are almost complete for this period, including minutes of Executive Board meetings, Presidents' files, financial records, membership information, and national and state convention files. The Presidents' files contain chiefly correspondence, but programs, membership rosters, and leadership information are also present. Records are arranged alphabetically by file groups.
American Association of University Women. Durham Branch (N.C.) records, 1913-1976 and undated 4.5 Linear Feet — Appoximately 4500 Items
Collection consists of a set of sixty-six commercially produced, hand-colored lantern slides, featuring photographic images taken in the early 20th century in areas of modern-day Israel, Palestine, Jordan, Lebanon, and Syria. The slides were sold in sets by the American Colony Stores, the commercial department of a missionary community based in Jerusalem. The landscapes and scenes were intended to illustrate biblical sites, or to remind the viewer of well-known biblical passages, but a few also depict archaeological sites of interest to tourists. The original title for one such set, represented by many of the slides in this collection, was "Lantern slides and art photos produced by the American Colony photographers illustrating Bible lands."
The slides measure 4 x 3.5 inches and are housed in a typical paper mat and a glass cover, sealed on the borders with black tape. They are stamped with "American Colony Photographers" on the top of the frame and "Jerusalem, Palestine" on the bottom. Titles in the collection inventory are transcribed from handwritten titles on the slide mounts.
Locations include but are not limited to: the city of Jaffa (Tel Aviv); Sea of Galilee; Jerusalem; Bethlehem; Mount of Temptation (identified with Mount Quarantania); Jericho; Jordan River; Mount Hermon; Bethsaida; Mount of Olives; Emmaus (El- Kubebeh); the mosaic floor at Beit Jibrin; River Abana (El-Barada); Tyre; and the Temple of Sethos. There are also two glass slides with maps of ancient Middle East and Palestine. Five of the slides are damaged and are filed at the end of the collection.
The collection is accompanied by a lantern slide projector, and by 10 cardboard squares cut out from the original slide boxes, showing the title of the collection and lists of slide titles.
Acquired as part of the Archive of Documentary Arts at Duke University.
The collection consists of materials collected by the American Dance Festival pertaining to choreographers, dance companies, and others involved in modern dance, including printed materials, newspaper and magazine clippings, press kits, programs, and correspondence.