ANS.

AMS, unsigned. Incomplete manuscript of a study on enzymes and enzyme activation.

ALS. Letter of recommendation for Doctor Forester Dexter.

Letter (ALS) to "Cher Confrere et Ami"

ANS. Returning thanks for congratulations upon investiture as baron.

Norma Taylor Mitchell was an American History professor at Troy University in Alabama and a lay leader in the United Methodist Church. These materials document her research and teaching career, as well as her church leadership.

The collection contains material documenting Mitchell's dissertation research on the Virginia politician David Campbell (1779-1859). Boxes 2-5 consist entirely of information on loose index cards. These materials also document Mitchell's research on the enslaved women who lived on Campbell's estate in Abington, VA. The collection also contains materials related to Mitchell's research on the Alabama physician Louise Branscomb. There are materials documenting Mitchell's professional activities and teaching career at what was then known as Troy State University. Mitchell's extensive service work in the Methodist Church at the local, regional, and national levels is also documented.

The Duke News Service informs the public and the university community about research, programs, and events at Duke. The collection consists of biographical files of Duke University faculty, staff, alumni, and others compiled by the News Service, as well as some photographic materials in separate folders. The files contain primarily clippings and also curricula vitae, photographs, and other printed materials. English.

The collection consists of biographical files of Duke University faculty, staff, alumni, and others compiled by the News Service. The files contain primarily clippings and also curricula vitae, and other printed materials; most photographic materials were separated into other folders, described below.

Outdoor advertising executive, manager of family billposting company Harold Outdoor Advertising that operated in Indiana and surrounding states.

Slides, photographs and printed material related to billboards posted in and around Indianapolis, Indiana by Harold Outdoor Advertising, General Outdoor Advertising, and Naegele Outdoor during the 1930s-60s. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a six and a half week summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

Ethel Tison Chaffin was born on January 13, 1921 in Natchitoches, LA. From childhood on, she took dance classes with a variety of instructors and, as a college student, studied dance at Louisiana State University, New York University, the University of Maryland, and Bennington College. Instructors included John Martin (former dance critic at the New York Times), Charles Weidman (Humphrey-Weidman Technique), Ethel Butler (Martha Graham Technique), and Nina Fornoff (Hanya Holm Technique). Ms. Chaffin also participated in master classes with Martha Graham and Katherine Manning. The collection contains the personal papers and dance-related memorabilia (circa 1930-1993) of Ethel Tison Chaffin. Materials include photographic prints, newspaper clippings, programs, and correspondence, which are housed within a scrapbook and one Hollinger box. Many of the materials are annotated by Ms. Chaffin.

The collection contains the personal papers and dance-related memorabilia (circa 1930-1993) of Ethel Tison Chaffin. Materials include photographic prints, newspaper clippings, programs, and correspondence, which are housed within a scrapbook and one Hollinger box. Many of the materials are annotated by Ms. Chaffin.

Included in the scrapbook are Ms. Chaffin's personal photographs documenting her involvement in dance and theater. These photographs depict several of her earliest dance recitals, university dance performances, and her 1948 performance as Laura in Tennessee William's The Glass Menagerie. In addition, she has incorporated photos of colleagues in the dance world. Also included within the scrapbook is correspondence between Ms. Chaffin and various educational institutions regarding admission to advanced dance programs at New York University and Bennington College, as well as job enquiries. Ms. Chaffin documented her career as an instructor by incorporating programs, clippings, and advertisements from her private studio, as well as those relevant to her tenure at Louisiana State University, the University of Alabama, and the Georgia State College for Women (now Georgia College) into the pages of her scrapbook. Memorabilia, including programs from festivals and performances that she attended, is also included within her scrapbook.

Records created after the compilation of the scrapbook are housed separately in a Hollinger box. Materials incorporated into this record set include correspondence with Elizabeth Andrews, educator and dance/drama critic, as well as newspaper clippings for a variety of well-known dancers and choreographers, including George Balanchine, Martha Graham, Charles Weidman, Merce Cunningham, and José Limón.