The Duke University Libraries Collection of Haggadot consists mainly of Passover Haggadot (singular: Haggadah) from the past 1000 years. The 436 Haggadot in the collection, which are found in the David M. Rubenstein Rare Book & Manuscript Library, the Divinity School Library, Perkins Library, and Lilly Library, span 800 years (1200-2003), represent five continents (excluding only Australia and Antarctica), are written in several different languages (including Russian, Marathi, Italian, Yiddish, Ladino and Arabic), and were created for a variety of specific purposes. A majority of the Haggadot were published in the 20th century. A large number of the Haggadot are illustrated or illuminated while others contain only the text. Although the majority of the Haggadot in the collection were created by printing press, or other printing methods, Duke does own a number of limited edition facsimile editions of handwritten manuscripts. Most, but not all, of the Haggadot found in the Special Collections Library come from the Abram and Frances Pascher Kanof Collection of Jewish Art, Archaeology, and Symbolism. This guide does not include the Duke University Libraries' collection of microfilmed Haggadot. See the last paragraph of the Processing and Searching Note below for further information on searching for Haggadot in the library.
Since many of the Haggadot have similar titles (e.g. Hagadah shel Pesah yields 121 results), and to accommodate the variety of ways in which patrons might want to search for Haggadot, the entire collection has been arranged into three different series: Date List Series, Location List Series, and Purpose List Series. Each of these series contains the entire collection of Haggadot, but arranged according to different criteria. Therefore, the item with call number Haggadah Pam #106, an advertising Haggadah from 19th century New York, can be found in three places: 1) in the Date List under the 19th Century Subseries; 2) in the Location List under the United States Subseries; and 3) in the Purpose List under the Advertising Subseries.
The Date List Series is subdivided by century for Haggadot published from the 13th through the 19th centuries and by decade (e.g., 1910-1919) for those Haggadot created during the 20th and 21st centuries. The majority of the Haggadot (84%) are from the 20th century.
The Location List Series arranges the collection by the country where each Haggadah was created--usually where the item was printed--then by the date of creation. However, facsimile editions have been arranged by the place of their original creation. In these cases, the location where the facsimile was printed is identified in the description of each facsimile. This series is further arranged into subseries by country, including Algeria, Argentina, Austria, Bosnia-Hercegovina, Canada, Czech Republic, England, France, Germany, India, Israel, Italy, Morocco, Netherlands, Poland, Portugal, Russia, Spain, Tunisia, and United States.
The Purpose List Series is further subdivided by the specific purpose for which each Haggadah was written. Most of the Haggadot were created for use at a Passover seder and thus are arranged into the General Subseries. These Haggadot are generally traditional in content and are meant to be used by anyone. Other purpose subseries include Advertising, Children, Christian, Denominations (of Judaism), Facsimiles, Fundraising, Kibbutz, Parody, and Resource.
Hamilton's published works represented in this collection include Money, Prices, and Wages in Valencia, Aragon, and Navarre, 1351-1500; American Treasure and the Price Revolution in Spain, 1501-1660; and War and Prices in Spain, 1651-1800. There is also a copy of his 1929 dissertation.
The collection includes not only extensive background notes for Hamilton's major books and articles, but also over 200 original legajos and other documents pertaining to Spanish trade and economic development, dating primarily from the 17th and 18th centuries. Other primary source materials from the 14th to the 18th centuries are also abundant (chiefly in the form of photostats and transcripts), including hundreds of copies of documents held by the Archivo del Banco de España, the Archivo Histórico Nacional, and other archives in Europe.
Photocopies and microfilm copies of items which belong to other libraries and archives may require permission of the owner institution to further reproduce or publish. Users making further copies for their own research do so at their own discretion. Before publication of any such material, it is the user's responsibility to identify the original source and obtain permission.
The collection also contains drafts and reprints of research papers, and numerous folders of academic and personal correspondence. Some items are in French or Spanish.
Note that the early dates in the collection reflect the dates of the original primary source material that Hamilton used for his research, not the date when the photostat, photocopy or transcription was created.
Background notes, transcriptions of original source material, photostats of Spanish archival material (especially that related to treasure imports), and worksheets for compiling prices and salaries in Spain from 1351 to 1800, all related to Hamilton's research for his major published works. Also, a large number of photostats of materials from the Archivo del Banco de España and the Archivo Histórico Nacional concerning the Bank of Spain, as well as notes and source transcriptions of Hamilton's work on this subject. This series contains many photocopies and microfilm copies of items which belong to other libraries and archives. Photocopies of materials gathered from other repositories by Earl J. Hamilton may require permission of the owner institution to further reproduce or publish. Users making further copies for their own research do so at their own discretion. Before publication of any such material, it is the user's responsibility to identify the original source and obtain permission.
Divided into subseries for each major work; papers within are arranged in Hamilton's original order with original folder titles given.
Note: Dates given below in the descriptions for primary source materials reflect the dates of the original items, not the more modern dates on which the photostats or transcriptions were created.
Earl J. Hamilton papers, 1350-1995, bulk dates 1650-1940 45 Linear Feet — 56 boxes and three oversize folders.
The collection comprises the papers of Francis Warrington (Frank) Dawson (1840-1889), whose original name was Austin John Reeks; his wife, Sarah Ida Fowler (Morgan) Dawson; and of their son, Francis Warrington Dawson II, known as Warrington Dawson (1878-1962). The papers are primarily literary in character, with many editorials, newspaper writings, short stories, novels, articles, scrapbooks, diaries, reminiscences, and letters.
There are several series in the collection: Correspondence, Photographs, Scrapbooks, Writings, and Printed Materials document the family's activities in the late nineteenth through mid-twentieth centuries. Warrington Dawson's research interests in French manuscripts, early American history, and family genealogy are also documented in the French Manuscripts and Research Files series.
Primarily the scrapbooks of Sarah Morgan Dawson, who filled volumes with newpaper clippings by or about her husband Francis W. Dawson I, as well as letters to Captain Dawson and her own comments. Included in this series are also two autograph books of people who attended gatherings hosted by Warrington Dawson from 1909-1961. Arranged by date.
Correspondence, notes, and works in manuscript and typescript concerning Philippine history, administrative problems and policies during the early years of American occupation, the Aglipay or Independent Filipino Church, Roman Catholicism, customs, geography, book manufacturing, education, José Rizal, Freemasonry, Filipino senators, and Katipunan of Filipino Secret Society. Many letters center around James Alfred Le Roy, authority on the Philippine Islands.
The collection includes a wide variety of material concerning the Trinity College Historical Society and ranges in date from [1492?] to 1981. The material includes historical notes, about Trinity College and the Trinity College Historical Society and includes transcribed notes, rosters, lists of donations, records, reviews of activities, stationary, and clippings. The correspondence and meeting announcements, -1981, includes general correspondence about the business of the Trinity College Historical Society and announcements and publicity for upcoming meetings. The administrative files, 1892-1978, includes minutes of the meetings held by the Trinity College Historical Society, and files kept by the presidents, secretaries, and treasurers of the Society. Publications, 1897-1979, include copies of the Historical Papers of the Trinity College Historical Society and newsletters published from 1978-1979. Speeches, 1904-, include notes, original manuscripts, and copies of speeches and papers presented at the meetings of the Trinity College Historical Society. The artifacts, [1492?]-1918, include items collected from all aspects of American life. These relics range from coins and medals, to wooden shoe soles, to a piece of what was thought to be Christopher Columbus's flag.
In January 2007, Box 20 and folders 170 and 173 were transferred to the North Carolina Museum of History in Raleigh, North Carolina.
Professional correspondence, note cards, research and teaching files, essays, offprints and reprints of articles by Jantz and scholars associated with him, and other printed material. Notable items are manuscripts about Johann Wolfgang von Goethe and his FAUST, and manuscripts related to Francis Daniel Pastorius's Bee-Hive. Accession (2008-0159) consists largely of Jantz's correspondence and letters, 1978-1985. Also included are exam blue books, some miscellaneous printed material, and a scrapbook of chromolithographs dating from the Victorian period. The blue books contain writings by Jantz, some relating to Francis Pastorius, and are arranged numerically.
The following overview was compiled almost completely from the 1999 accession of the TePaske Papers, although the 1993 accession contains more of the same types of materials.
This collection consists of summaries of the fiscal records of the royal treasuries of key regions in colonial Spanish America. Represented in these records are present-day Mexico (New Spain), Peru, Upper Peru (Bolivia), Rio de la Plata (Argentina, Paraguay, and Uruguay), Chile, Ecuador, and Cuba. The scope of the records is broad and comprehensive, offering in most cases virtually complete series of fiscal data for the colonial era, from the sixteenth century through the early decades of the nineteenth century.
Variously known as sumarios, cartas cuentas, tanteos or relaciones juradas, the account summaries list all the revenues and expenditures in the account period for each particular treasury district. The royal treasuries (cajas) collected taxes and made disbursements. Tax receipts (cargo) included levies on silver production, sales and port taxes, Indian tribute, and royal monopolies on commodities, (tobacco, mercury, stamped legal paper) and legal transactions. Expenditures (data) included the salaries and upkeep of the district's royal bureaucracy, defense expenses, and support for the missionary activities of the church. Surplus revenue generally found its way into the viceroyalty's coffers to help defray costs related to governmental activities. Each summary synthesizes an account period's worth of transactions in each particular caja or treasury. As such, these documents provide a window into both the fiscal organization of the Spanish empire and the fiscal state of each district, and also help elucidate the diversity of economic life in the various treasury districts.
Most of these records come from the Archivo General de Indias in Sevilla, Spain. Originally organized into bundles or legajos, the account summaries were scattered in various sections of the Sevilla repository. The Contaduría section holds most of the accounts related to the period prior to the mid-eighteenth century. After that, the records are dispersed within the various Audiencia sections for each jurisdiction. For example, the records for the Lima treasury appear in the Audiencia of Lima section of the archive, and so on. The following list offers a broad overview of the location of the holdings in the Archivo General de Indias:
Peru: Up to 1760: Contaduría (legajos 1679-1873); After 1760: Audiencia of Lima (legajos 38-50); Audiencia of Cuzco
Upper Peru: Up to 1760: Contaduría (legajos 1795-1850); After 1760: Audiencia of Charcas (legajos 627-671); Audiencia of Lima (legajos 1301 and 1415)
Chile: Up to 1750: Contaduría (legajos 1854-1858, and 1860); After 1750: Audiencia of Chile (legajos 339-351, 395-415)
Rio de la Plata: Contaduría (legajos 1845, 1846, 1884, 1886A, 1887A, 1894A, 1894B); Audiencia of Buenos Aires (legajos 393-399, 401-409, 442, 445-446, 448, 450-451, 453-455, 457-458, 460-462, 464-466, 484, 619-620, 701-703); Audiencia of Lima (legajo 1416)
Ecuador: Contaduría (legajos 1377, 1539-1540, 1576-1577); Audiencia of Quito (legajos 140-141, 173, 165, 407, 413, 415-429, 469-475, 477, and 497)
Mexico: Up to 1760: Contaduría (legajos 677-940); After 1760: Audiencia of Mexico (legajos 2027-3198); Audiencia of Guadalajara (legajos 436-496)
These archival materials were originally collected for a collaborative research project designed to compile comprehensive fiscal data on the former Spanish American colonies. Except for the Cuban accounts, the majority of these sources have already been published in book format as the list below attests:
A. Mexico (New Spain) and Mexico City:
John J. TePaske and Herbert S. Klein. Ingresos y egresos de la Real Hacienda de Nueva España. 2 vols. México, D.F.: Instituto Nacional de Antropología e Historia, 1986-1988.
John J. TePaske and José y Mari Luz Hernández Palomo. La Real Hacienda de Nueva España: la Real Caja de México, 1576-1816. México: Instituto Nacional de Antropología e Historia, SEP, Departamento de Investigaciones Históricas, Seminario de Historia Económica, 1976.
B. Peru, Upper Peru (Bolivia), Rio de la Plata (Argentina, Paraguay, and Uruguay), Chile, and eighteenth-century Ecuador:
John J. TePaske and Herbert S. Klein. The Royal Treasuries of the Spanish Empire in America. 4 vols. Durham: Duke University Press, 1982-1990.
(Note: The fourth volume in the series on Ecuador was compiled by professors Alvaro Jara and John J. TePaske.)
We strongly encourage researchers to first read the introductions to the published accounts before consulting these records. In the introduction to each volume, researchers will find useful background information about the development of the royal treasury system in the districts for which there is fiscal data. The introductions also concisely explain the organization and operation of the treasuries, the structure of the account summaries and the terminology used in them, the use of multiple units of currency, and other important details about bookkeeping in colonial times.
Although the published account summaries faithfully replicate the originals, there are slight variations. The authors made minor changes to make the data more manageable. Monetary units were rounded off and the entries on both the income and expenditure sides of the accounts were standardized and arranged in alphabetical order. For more information on these and other methodological issues, please see the introduction to the volumes.
The TePaske collection consists of colonial Spanish American fiscal records in both microfilm and print. The printed materials are duplicates of the originals in microform.
caja real = royal treasury
cargo = income, revenue
data = expenditure, disbursement
legajo = bundle of documents
ramo = income/expenditure category
sumario = accounts, account summary (also carta cuenta, tanteo, relación jurada)
tesorero = treasury official (also contador)
Assembled by the staff of the Duke University Medical Library, the History of Medicine Picture File offers thousands of images of individuals, places, and subjects dating from the 1500s to 2002, with the great majority portraying physicians, scientists, nurses, and other individuals related to the history or practice of medicine. Places featured include hospitals and other institutions of medicine, and scenes related to events in medical history. Subject categories include advertising, anatomy, books, caricature, childbirth, embryology, medical instruments, pediatrics, physicians, and surgery, among many others.
Most of the images measure in size under 10x12 inches, but there are approximately 500 larger pieces. The predominant formats are engravings, lithographs, cartoons, clippings from magazines and newspapers, and modern photographic prints, but there are also albumen photographs and other image formats found throughout the files. Items were acquired by the Duke Medical Library from various sources over many decades and functioned as a vertical file for library students and researchers.
The oversize items range in size from 11x15 to 23x30 inches, and offer a varied assemblage of portraits, caricatures, posters, broadsides, and reproductions of artwork, in black-and-white and in color. Items include portraits and scenes with notable physicians; illustrations of various medical practices, procedures, and instruments; anatomical views, some possibly as early as the 17th century; medical advertisements and promotional literature; depictions of events in medical history in Europe and North America; caricatures; 20th century illustrations for book covers; and many other topics.
Images and prints are often accompanied by reproduction negatives and slides created by Medical Center Library staff. Many of the images in this collection were also scanned by Medical Library staff and are available through the Medical Center Library & Archives Duke Medicine Digital Repository database. For more information, please contact the History of Medicine Curator at the Rubenstein Library.
Acquired as part of the History of Medicine Collections at Duke University.
Cannon, Walter B., 1871-1945 box size: 16x20 inches
The Jane L. Berdes Collection (1525-1993) has as its focal points the four Venetian welfare institutions known as the Ospedali Grandi and their role as providers of musical training for girls and women. The inclusive dates for the collection begin with the dates of primary materials Berdes collected and extend through her lifetime. The collection consists primarily of Berdes's research notes and materials on the Ospedali Grandi, and photocopies or microfilms of primary sources, including musical scores in manuscript and printed editions. It also contains correspondence, photographs, recordings and printed materials. Berdes identified the maestri of the Ospedali Grandi, the music performed, and the names of over 800 women who were members of the cori , but relatively little is known about them individually with the exception of Maddalena Lombardini Sirmen. In addition, the collection features general materials pertaining to other women in music throughout history. The user is advised that some photocopies are unattributed and, where Berdes did not indicate composer or author, no attempt has been made to provide one. The archive contains very few of Berdes's personal papers.
The bulk of the collection is found in the Research Notes and Materials Series, which contains information gathered in preparation for her books on the Ospedali Grandi and Maddalena Lombardini Sirmen (MLS). The heart of this series is the Ospedali Grandi data designated as Raw Materials, which contains information culled from primary sources and arranged by subject. Most subseries provide documentation for Raw Materials, including copies of primary and secondary sources, pictures of instruments and iconography, and a bibliography. Similar materials pertaining to Sirmen are here also, as is general information about women in music.
The Music Series contains manuscripts and early printed editions of music performed at the Ospedali Grandi in the form of photocopies or microfilms (printed scores in modern edition are grouped with Printed Materials). There is particular emphasis on the compositions of Sirmen, including some recordings of her music. Works by Bertoni, Galuppi, Hasse, Jommelli, Vivaldi and others are grouped alphabetically by composer. The Correspondence Series contains both general professional correspondence and Thesis Correspondence, that is letters from other scholars, libraries, archives, museums, and churches in Italian, French and English concerning the Ospedali Grandi and Sirmen. The Miscellaneous Series includes Berdes's other publications on both musical and nonmusical subjects, music criticism, course notes from classes she taught or attended, and memorabilia from her years at Oxford University. A selection of pertinent reference books from Berdes's library is found in the Printed Material Series, as are some libretti, and musical scores by Vivaldi in modern edition.
The user is advised to consult Box #1 for an introduction to the contents of the collection. It contains a copy of Berdes's book Women Musicians in Venice: Musical Foundations, 1525-1855; two copies of her dissertation, entitled Musical Life at the Four Ospedali Grandi, 1525-1855; two binders described by the donor as the road map to the collection and a videotaped review of its contents prepared by Berdes.
The Josiah C. Trent papers consist mostly of correspondence, photographs, research files, and notes and drafts of published and unpublished research and articles. Much of this material concern Trent's activities and publications as a collector and historian of medical practice, particularly surgery and epidemiology. This collection also includes printed material, photographs, a card file (possibly of his personal library), and lecture notes taken during his medical training, as well as diplomas and certificates of residency. The Writings series reveals his wide interests in surgery, medicine in general, the humanities, and medical history.
The correspondence, found in the Subject Files folders, dates mostly from the 1940s-1950s, documenting Trent's rare book and manuscript collecting, and his involvement with various professional organizations and his association and friendships with prominent figures in medical history (John Fulton, Henry Sigerist, and W. W. Francis), book collecting (Henry Schuman), and Duke University (Wilburt Davison and Lenox D. Baker). Some folders contain an index of the contents.
There is also some information concerning Mary Duke Biddle, Trent's wife, who was instrumental in facilitating the support of the history of medicine collections at Duke.
There is also material relating to Trent's death and the subsequent donation of his large rare book, artifact, and manuscript collection to the Medical Center Library. This collection contains several hundred photographic prints and negatives reproducing medical texts and illustrations dating from the 16th-20th centuries. The earliest dates in the collection refer to the content of the images, rather than their reproduction by Trent, Medical Center Library staff, and others, in the mid-20th century.
These files were kept in Trent's medical office and contain relatively few items which pertain to his private life. Items of a more personal nature may be found in the James H. and Mary Duke Biddle Trent Semans family papers in the David M. Rubenstein Rare Book and Manuscript Library.
Photographic prints and negatives that are reproductions of medical illustrations and texts dating from the 16th-20th century. These dates refer to the content, and not to Trent's creation of the prints and negatives, which took place in the 1930s-1940s. Many of the images are from German sources and some are housed in the Bettmann Archive. The prints and negatives are housed separately in 7.5x5.5 and 9x12-inch envelopes and arranged alphabetically by author or title. Unless otherwise noted, all titles include both negatives and prints.
Josiah C. Trent papers, 1536-1961, bulk dates 1938-1951 6.5 Linear Feet — Nine boxes and one oversize folder.
Correspondence, notes, and papers chiefly relating to Trent's activities as a collector of rare books and manuscripts, and the dedication of the Trent Collection at the Duke University Medical Center Library in 1949. There is also a folder of material on his death, a folder concerning Mary Duke Biddle Trent, and some financial information. Some folders contain an index and folder description within. Arranged alphabetically by original title.
A library card file is also housed in this series, most likely relating to titles in his library.
The Frank Baker Collection of Wesleyana and British Methodism, 1536-1996 and undated, comprises a vast range of original correspondence, writings, local histories, printed items, engravings, and many other manuscript materials that date from the earliest years of Methodism to its expansion throughout the British Empire during the 18th, 19th, and early 20th centuries. The collection includes the correspondence of two of the most important founders of Methodism, John and Charles Wesley, as well as correspondence from members of the Wesley family, including Samuel Wesley, Sr. (1662-1735), Sarah (Gwynne) Wesley (1726-1822) and the Gwynne family, and the children of Charles and Sarah Wesley: Charles Wesley, Junior (1757-1834), Sarah (Sally) Wesley (1759-1828), and Samuel Wesley (1766-1837).
Additionally, correspondence from many of the key figures in 18th and 19th century history of British Methodism greatly extends the collection's breadth of coverage. Among others, these groups of correspondence include Joseph Benson, Jabez Bunting, Adam Clarke, Thomas Coke, James Everett, John Fletcher, Mary (Bosanquet) Fletcher, Selina Hastings, Countess of Huntingdon, Elizabeth (Ritchie) Mortimer, George Osborn, Hester Ann Rogers, Richard Tabraham, and Thomas Wride.
The collection materials cover many topics, including: the life and training of clergy women correspondence and diaries; the religious life of women; biography; portraiture; spiritual topics; Protestantism as depicted in art; and the debate between Arminianism and Calvinism in the early church. Organizational history in the collection covers several branches of the 18th and 19th century church, including Wesleyan Methodism, Primitive Methodism, missions, and missionary societies.
Formats of materials include church records and registers, account books, autograph albums, broadsides (notices), circular letters, engravings, maps, sermons, scrapbooks, class tickets, photographs, photocopies of original manuscripts, memorabilia, and realia.
Frank Baker collection of Wesleyana and British Methodism, 1536-1996 50 Linear Feet — approximately 18,000 items
Collection consist of historical medical instruments and artifacts, art objects, realia, and other three-dimensional objects, primarily originating from Europe and the United States, but including some artifacts from China and Japan. Ranging in age from the late 16th to the late 20th centuries, objects include physician's medical kits and pharmaceutical items (often in the original cases and bags); clinical equipment used in amputation, obstetrics, opthalmology, surgery, neurology, early electrical therapies, and in research and diagnostic settings; instructional objects such as anatomical models; and art objects such as apothecary jars, a bas-relief memento mori, a marble skull, and fetish figures.
There are many models of microscopes, from a small monocular "flea glass" to mid-20th century models. Other early medical instruments and supplies include amputation saws, bleeding bowls, cupping glasses, hypodermic needles, infant and invalid feeders, lancets, opthalmoscopes, pill rollers, stethoscopes, syringes, and other items. A more unusual item - and one of the larger pieces - is an adult walker made of wood, dating perhaps to the 19th century or earlier.
Of interest is a large collection of early anatomical and diagnostic human models from China and continental Europe, in the shape of small, intricately detailed manikins, most crafted from ivory. Some feature removable anatomical parts, and female figures often include a removable fetus. There is also a model illustrating acupuncture points. Other instructional artifacts include glass slides used in medical school lectures.
Most of these objects were photographed by Medical Library staff; at a later time, digital images of almost all of the objects in the collection were added to the online Duke University Historical Images in Medicine database, linked in this collection guide and now available through the Duke Digital Repository. Many of the original black-and-white photographic prints are filed in the History of Medicine Picture File collection. See the Related Materials section in this collection guide for links to these resources.
Acquired as part of the History of Medicine Collections at Duke University.
Dr. McCoy was a resident at Watts Hospital in Durham, N.C., and acquired this kit the year the hospital closed (1976). A piece of tape affixed to the lid of the kit appears to have "Dr. B.W. Roberts" written in faded ink. Dr. Roberts was a pediatrician at Watts Hospital in 1938.
Artifacts donated by Henry J. Pyle, M.D., Grand Rapids, Michigan
The materials comprising the British Correspondence and Miscellany Collection are dated from 1556 to 1972 (bulk 1740-1890). The papers are arranged into the following series: Correspondence, 1556-1972 and undated; Subject Files, 1699-1902 and undated; Pictures, 1795-1921 and undated; and Miscellaneous Material, 1814-1836 and undated An artificial collection, the papers are, for the most part, unrelated by provenance. The collection consists chiefly of correspondence, and topics include numerous political events and activities of the 18th, 19th, and early 20th centuries in Great Britain and the colonies (particularly India and Africa).
The Correspondence Series includes numerous letters to and from British notables. Among the major correspondents represented are: the 8th Duke of Argyll, the 1st and 2nd Barons Auckland, Charles Bradlaugh, John Bright; Robert Brownrigg; George Canning, John Wilson Croker, the 1st Earl of Durham, John Foster, the 1st Baron Dover, George Joachim Goschen, John Hay, the 3rd Marquess Lansdowne, W.E.H. Lecky, Captain John Lenty, the 1st Earl of Liverpool, the 3rd Earl of Lucan, William Melbourne, Lord Broderick Midleton, Viscount Milner, David Christie Murray, Thomas Nimmo, Baron Northcote, Pierce O'Mahoney, the 3rd Viscount Palmerston, the 1st Baronet Pollock, George Rose, the 7th Earl of Shaftesbury, William Sheowring, John Deas Thompson, the 1st Duke of Wellington, William Wilberforce, and Edward Wodehouse.
Among the items in the Correspondence Series are a copy of John Bright's 1851 speech entitled "Papal Aggression" (Bright correspondence); material regarding the Horseguards (Brownrigg correspondence); a testimonial to the character of Sir Francis Burdett written by Lady Hester Stanhope (Burdett correspondence); a letter regarding Wellington's correspondence concerning a transport ship wrecked in the Tagus during his last Iberian campaign (Canning correspondence); letters from David Dundas, including two accompanying circulars (1804 and 1805) from the War Office (Dundas correspondence); and correspondence (and accompanying transcripts) between King George I and M. Braconnier (1709) concerning the King's inability to send a detachment large enough to oppose the French along the borders of the Rhone and Lake Geneva (George I correspondence). Other items include correspondence relating to George Henry's mission in Nyasaland (Henry correspondence); material concerning the cargo ship "The Sea Witch" (Lenty correspondence); correspondence regarding Marsden-Smedley's unsuccessful campaign for Parliament in 1910 (Marsden-Smedley correspondence); and Wellesley's transcript of a testimonial to the character of Charles Wyatt written by the Governor General of India (Wellesley correspondence). The Murray correspondence includes handwritten biographical notes and a printed review (1908) of David Christie Murray's Reflections.
Papers in the Subject Files Series concern a wide range of political, military, and economic matters. They include an anonymous account (1743) of the battle of Dettingen (in French); papers (1856-1860 and undated) relating to the raising of ships at Sebastopol during the Crimean War; a collection of letters from various correspondents concerning decimal currency (1856-1869); papers concerning Newfoundland fisheries (1901-1902); and a document pertaining to the impressment of sailors (1745).
The Guido Mazzoni Pamphlet Collection spans the years 1572 through 1946, with approximately 46,825 pieces in the collection. The bulk of the material, chiefly in the Italian language, dates from the mid-eighteenth to the early twentieth centuries. Formats represented include: pamphlets, libretti, clippings, newspapers, scores, manuscript items, small cards, periodicals, small volumes, broadsides (some very large), epithalamia (pieces produced on the occasion of a wedding), and one photo album. There are many illustrated publications, fine engravings, woodcuts, and items with maps enclosed.
About 80 percent of the materials is in the Italian language, though other languages are represented, most notably Latin, French, English, German, Greek, Spanish, Catalan, Portuguese, and Eastern European languages.
This guide offers access to brief descriptive records for each item. Hundreds of pamphlets, particularly the epithalamia, were described more fully in the library's online catalog and can be found by using the subject keywords "provenance" and "mazzoni guido." A full set of more than 30 volumes held by the library offers photocopied images of Mazzoni's handwritten catalog slips for subject and name access to the pamphlets.
Guido Mazzoni assembled his library in several ways. He purchased many items from rare book dealers and other book sellers in Italy, particularly in Padua, Florence, and Bologna. His colleagues and former students sent him thousands of offprints, extracts, and small volumes of their work, most of them inscribed to Mazzoni. He accumulated materials from his work in the Italian Senate, most notably in areas of education, politics, and the humanities. He also acquired either by purchase or by inheritance entire libraries of academic colleagues, some of whom became his relatives by marriage. Some of these names include Giuseppe Chiarini, his father-in-law, and Raffaello Fornaciari.
The importance of the Mazzoni Pamphlet Collection primarily lies in its contribution to the fields of European and Italian studies. It is a broad but selective bibliography - put into material form, as it were - of nineteenth-century European culture and its transition into the twentieth century. The intellectual arrangement assigned to the pamphlets by library staff places them into thirty-one subject areas.
The largest and most developed subject areas, each represented by thousands of pamphlets, are: Italian history from the inception of population on the Italian peninsula through the 1940s, with emphasis on the 18th and 19th centuries; Italian language and literature from their earliest manifestations through the 1930s; Italian and European politics, ranging from the Etruscan period to the 1930s; and biographical works on Italian notables. Smaller but rich subject collections include Italian education; social life and customs in Italy; archaeology; music, especially popular music and opera; art history; and religious history. Many individual items, particularly literary publications, are ephemeral, rare, and difficult to locate in the United States and even in Italy.
The literary, political, and scientific individuals represented in the collection are too numerous for this introduction, but more detailed information can be found under the section for each subject area listed below. Suffice it to say that virtually every important poet, dramatist, writer, historian, and political figure of the eighteenth and nineteenth centuries is represented, and, perhaps more importantly, many minor authors and political figures of those eras whose works are now difficult to find. In addition, prominent scientific individuals of the nineteenth century and early twentieth centuries are represented in the collection. As Guido Mazzoni was the protegé of Giosué Carducci, that poet is most well-represented; also, as Mazzoni was one of the leading Dante scholars in Italy of his time, materials relating to every topic in Dante studies number in the thousands.
Literature, 1572-1943 4020 items
This series includes 4020 items. Formats include pamphlets, newpapers, small volumes, clippings, and periodicals.
Dates range from 1572 to 1943, with 109 pieces dating from the eighteenth century.
Because Guido Mazzoni was very interested in foreign literatures, this section is also well-developed, with the predominant literatures being works in Greek, Latin, French, English, and German, or criticism of those works. All periods are represented, though the classical period and nineteenth century somewhat more so. Very important is the large group of French eighteenth-century dramatic works, most of them translated in Italian. Also of value are pamphlets and other materials concerned with the Latin works of many prominent Italian and other European writers. A large number of pamphlets in Latin are from nineteenth-century Italy, even when speeches, eulogies, or essays were still written in Latin and spoken in that tongue as well. One very interesting pamphlet is a Latin poem submitted for a poetry competition by a young Giovanni Pascoli.
Individual authors or critics include: Guido Mazzoni, Aristotle, Anacreonte, Homer, Catullus, Virgil (A and S), Horace (A and S), Aeschylus, William Shakespeare, John Milton, William Wordsworth, Francesco Petrarca (A and S), Museo Grammatico, Francois Ronsard, Voltaire, Percy Bysshe Shelly (A and S), Goethe, Victor Hugo, and hundreds of minor authors.
Not included under this subject heading would be any works concerning Dante's Latin works: these would be found under the Dante series. Also not included are Italian works originally in Italian but translated into another language: these are under "Italian literature." For related works, check the series for "Biography," as always, and perhaps "Italian periodicals" or "Periodicals."
Guido Mazzoni pamphlet collection, 1572-1946, bulk 1750-1940 860 Linear Feet — 1626 boxes — 49,648 items
Italian drama, 1601-1942 1666 items
One of the more significant series in the collection, this group contains 1666 items, with the majority of the formats represented being pamphlets and small volumes. Some of the items have very fine engravings and printer's devices.
There are eleven seventeenth century imprints and hundreds from the eighteenth and early nineteenth centuries.
This sub-collection is extremely valuable for its concentration on Italian theater in the eighteenth and nineteenth centuries, particularly during the Napoleonic era and the French Revolution. Many items will prove valuable to scholars interested in issues of censorship and the proliferation of theater for a large middle-class public. Several rare seventeenth- century pieces can be found, including Niccolo` Barbieri's (Beltrame's) defense of comedy.
Important authors represented in these materials include: Carlo Goldoni (A and S), Vincenzo Monti (A and S), Guido Mazzoni, Vittorio Alfieri (A and S), Giovan Battista Guarini, Niccolo` Barbieri detto il Beltrame, Flaminio Scala, Carlo De' Dottori; Luigi Manzini, Ridolfo Campeggi, Federico Della Valle, Gasparo Gozzi, Carlo Gozzi, Giovan Battista Fagiuoli, F. T. Marinetti (S), Eleonora Duse (S), Machiavelli (S), Alessandro Manzoni (S), and Melchiorre Cesarotti (A and S).
Not included in this section are dramas in translation from other languages, even if they are translated into Italian. Look under "Literature" for works in translation whose original language is not Italian.
Collection consists of single sheet pages or items collected by Baskin which tend to contain an engraved or etched portrait, or at times a photomechanical print, of a woman or feminine person. Many images depict European royalty or other aristocratic figures, or women cultural or literary figures. Most pages include a printed caption with the woman's name. Examples of women depicted include: Mother Damnable, Moll Cutpurse, Catherine de Medici, Hannah More, Mary Wollstonecraft, Martha Hatfield, and Madame de Genlis. One item is a relief sculpture of the bust of Martha Washington. A small portion of the collection consists of assorted examples of advertisements, caricatures, and comics or cartoon illustrations of women. Includes a moveable book-like item which shows a chaste woman before and a party woman after marriage. Also contains an illustrated woman reading with an accompanying poem advising ladies to "Leave reading until you return, It looks so much better at home." Also contains a copy of a comic called "Jane" published by Mick White, 1941, which shows a naked woman at an Royal Air Force decontamination center being ogled by various soldiers. Many of the items in this collection are loose pages which have been copied or removed from bound volumes.
Assorted examples of artwork, advertisements, caricatures, and comics or cartoon illustrations of women. Includes a manipulated postcard with a bird removing a woman's wig, mocking her empty head. Includes a manipulated item which shows a chaste woman after and a party woman before marriage. Also contains an illustrated woman reading with an accompanying poem advising ladies to "Leave reading until you return, It looks so much better at home." Also contains a comic called "Jane" published by Mick White, 1941, which shows a naked woman at an Royal Air Force decontamination center being ogled by various soldiers.
The collection reflects Weinmann's extensive research in the history of Viennese music publishing and is a resource for study of publishing firms in Vienna as well as documenting Weinmann's bibliographical research. The Music Series includes title pages and parts of arrangements, focusing on Viennese publishers and composers, including Georg Druschetzky, Joseph Haydn, Johann Baptist Vanhal, Johann Josef Rösler, and Ferdinand Kauer, as well as Johann Sebastian Bach. Included in the Writings and Speeches Series are manuscript drafts of works related to Weinmann's bibliographies (published in the Beiträge zur Geschichte des Alt-Weiner Musikverlages) as well as bio-bibliographical and historical works. The series also documents Weinmann's study of 19th century Viennese publishing firms including Artaria and Company, Giovanni Cappi, Leopold Kozeluch, Franz Anton Hoffmeister, Carlo and Pietro Mechetti, Tranquillo Mollo, Ignaz Sauer, Johann Traeg, and Thaddäus Weigl. Series includes research by Weinmann's brother, Ignaz Weinmann, on Franz Schubert.
The Research Notes Series consists of bibliographic references and citations, information about works and plate numbers; Weinmann's contributions to the Répertoire international des sources musicales; and Wiener Zeitung references. The Series also concerns Weinmann's work as an editor of the sixth edition of the Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts. Anthony van Hoboken, Willi Boskovsky, Franz Giegling, Anton Fietz, and Arthur Fiedler are among primary correspondents in the collection. Weinmann also collected letters (originals and copies) from persons and publishers he studied, including J.P. Gotthard, Johann Strauss, Franz Xaver Süssmayr, and Tobias Haslinger.
The Frank Baker Papers date from 1641 through 2002, with the majority of the materials dating from the 1800s to the 1990s. The collection houses correspondence, articles, pamphlets, extensive subject and research files, clippings, publicity, a few audio recordings and microfilm, and other materials documenting the professional career and life of Frank Baker, historian of Methodism and particularly of the life and career of minister John Wesley, considered the founder of British Methodism. The collection is arranged in the following series: Audiovisual Materials, Baker Collections Files; Correspondence; Libraries and Archives; Ministry; Personal Files; Printed Material; Professional Service; Scrapbooks and Albums; Subject Files; Teaching Materials; and Writings and Research. Many of the series are divided into subseries, and two are also followed by an Oversize Materials subseries. Note that early dates usually represent reproductions, not originals, although the collection does house some original research materials.
Topics covered by the materials in the collection include: the history and development of Methodism and of the Wesley family; the history of the Church of England, and the Methodist Church in England, the U.S., and other countries; the development of academic research on Methodism and its publications; the history of the Baker book and manuscript collections in the Duke University Libraries; music and hymnology; and the development of the Wesley Works Series, a publishing project headed by Baker. There are abundant research materials on notable individuals associated with Methodism such as John and Charles Wesley, many other Wesley family members, and others such as William Grimshaw and Francis Asbury.
The largest series is the Subject Files (122 boxes), research files assembled by Baker on approximately 1500 topics related to the Wesley family and the history of Methodism and the Methodist Church. Another large series is Writings and Research (48 boxes), containing files of research notes, correspondence, print materials, and publicity related to each of Baker's published works. There are also many student writings in the collection and other materials related to Baker's teaching. Among the Personal Files are biographical files on Frank Baker; awards and honors; travel-related items, and two portrait photographs of Baker's parents. Baker's personal hobbies are reflected in the stamp collecting materials and a group of Victorian-era monogram and crest albums and "libri amicorum," or friendship albums that round out the collection.
Frank Baker papers, 1641-2002 and undated, bulk 1740-1995 112.7 Linear Feet — Approx. 90,000 items — Approx. 90,000 Items
Contains materials pertaining to the personal and professional activities of William Thomas Laprade, educator, historian, editor, and civic leader in the Duke University community. Papers include correspondence, notes, reports, printed materials, manuscript materials, photographs, diplomas, memorabilia, clippings, student papers, and letters. Materials include research and manuscript materials for books on 17th, 18th, and 19th century Europe, as well as a letter from Anthony Eyre to his brother-in-law, Sir John Newton, English mathematician and astronomer (1660). Correspondence concerns professional interests, Laprade's family, the Great Depression, World War I, and World War II. A complete alphabetical index to named persons in this collection, including correspondence, can be found in Box 16. The oversize box contains materials from the Laprade collection that were formerly housed in the map cabinets and the General Oversize collection. Materials range in date from 1660-1975 (bulk 1898-1975).
Personal and Laprade family letters are concerned with family and local news, health, church meetings, grain production at the family mill in Rivermont, Va., the 1908 presidential election, and Laprade's father's voting machine invention. From about 1902 to 1904, Laprade participated in a large network of correspondence centered in the Weekly Courier-Journal newspaper of Louisville, Ky. Students wrote in, under pseudonyms, to discuss their ideals and problems. Other correspondence subjects include the effects of World War I and World War II on the Laprade family.
The collection consists of correspondence, writings, and other ephemeral materials relating to the Fox and Backhouse families, along with materials relating to nineteenth century Quaker communities and families in England. The bulk of the collection is correspondence between different members of the Backhouse family, including Jonathan and Hannah Chapman Backhouse, their son Edmund Backhouse and his wife Juliet Fox, and their grandson Jonathan Edmund (Jed) Backhouse. Caroline Fox is also a routine correspondant. The letters discuss family news, personal activities and travel, religious sentiments.
There are two excerpts of diaries which appear to be by different authors and may relate to Hannah Chapman Backhouse's travels to the United States in the 1830s, or to another family member's travels in Europe or the Middle East. The handwriting of these pages is challenging and the excerpts are unattributed and appear to be undated, so more research would be helpful.
Also present in the collection are some writings, including essays and poetry, typically spiritual or relating to prayer, as well as some honorifics for Edmund Backhouse and a copy of his obituary. There are some manuscript riddles, some watercolors, and some sketches of scenes and still lifes. The collection also includes some ceremonial documents, including a letter from the Society of Friends declaring support for Hannah and Jonathan Backhouse's travels to the United States.
Correspondence, 1840s-1930s 9 folders Files
Dated correspondence arranged chronologically by decade. The bulk of the correspondence is personal family letters from the mid-19th century, 1840s-1870s. Frequent correspondents are Hannah Backhouse, Edmund Backhouse, Juliet Fox Backhouse, Jed (Johnathan Edmund) Backhouse, and Caroline Fox. Topics include their visits, friends and family health, meetings and other Friends activities, and generally routine updates and expressions of fondness.
The Wesley Works Archive, 1676-1996 and undated, bulk 1724-1791, 1960-1996, forms part of the working papers of the Wesley Works Editorial Project (WWEP). Formed in 1960, this international and inter denominational consortium of scholars is producing a complete critical edition of the works of John Wesley, the 18th century Church of England clergyman who was a primary founder of Methodism. The collection consists of that portion of the Project's documents gathered by Frank Baker during almost four decades of service as the WWEP's General Editor, Textual Editor, and main bibliographer, and consists of the correspondence, writings, research, printed materials, photocopied manuscripts, proofs, and other materials produced by Baker and the many other historians, theologians, and clergy who have participated in the Project. Because John Wesley preached, wrote, and published so widely, the content of the research materials required for a full edition of his writings necessarily contains much information not only about the founding and early history of the Methodist and Wesleyan Methodist Churches, but also much information about the history of religious thought and dissent in 18th century England, the Evangelical Revival, and the history of publishing. Beyond the ostensible purpose of the WWEP, however, the modern correspondence and scholarly debate contained in these papers also throws light on such topics as scholarly publishing and textual criticism.
The collection also sheds light on the history and mechanics of the transmission of texts. That is, while the reproduced printed materials here document the complex publishing and textual history of the thousands of editions of Wesley's writings to appear in his lifetime alone, at the same time the original writings of modern scholars involved in the WWEP document how older texts are researched and recovered from the past, all for the purpose of establishing a present authoritative text to be passed on to the future.
Series in the Wesley Works Archive are arranged to correspond to the unit structure of the thirty-five volume Bicentennial Edition. Described more fully below, the initial sixteen series of the archive and the sixteen units and thirty-five volumes of the Bicentennial Edition are as follows: Sermons (1-4); Explanatory Notes upon the New Testament (5-6); A Collection of Hymns for the Use of the People called Methodists (7); Worship (8); The Methodist Societies (9-10); The Appeals to Men of Reason and Religion and Certain Related Open Letters (11); Doctrinal and Controversial Treatises (12-13); Social/Political Tracts (14); Catechetical/Educational Works (15); Editorial Works (16); Medical Writings (17); Journals and Diaries (18-24); Letters (25-31); Oxford Diaries (32); Bibliography (33-34); and Index and Miscellanea (35). A concluding seventeenth series, General Files, gathers materials about the overall history and organization of the WWEP.
The history of the Wesley Works Editorial Project already extends more than fifty years, from its inception in 1960 to the 2011 publication of The Methodist Societies: The Minutes of Conference. This volume, as the seventeenth to be published, marks the halfway point of the entire Bicentennial Edition, which will comprise thirty-four volumes plus a concluding general index volume. Although the General Files are placed as the final series in order to avoid interrupting the parallel structure of series and volumes, they actually mark the best place to begin an overview of the collection, since their various folder groups document much of the administrative history of the Project. Overviews and details of the Project's inception, history, institutional support, and editorial guidelines are best found in the folder groups for the Board of Directors and the Editorial Board. The history of the actual content, intellectual structure, and presentation of volumes can be found in such groups as grouped under such categories as Editorial Procedures and Bulletins of the WWP. Most of the latter were issued by Frank Baker in the 1970s and contain much detail about the content and style choices that were being made for various volumes. The General Files also contain materials that may relate to more than one unit of the Bicentennial Edition, as well as some Wesley publications not selected for inclusion, especially his Explanatory Notes Upon the Old Testament.