The Adrienne Cohen Papers span the years 1963-2000 and include print advertisements, copy designs, direct marketing mailings and brochures, storyboards, audiotapes, 16mm and 35mm films of radio and television commercials that document Cohen's work as an advertising copy writer and creative executive. Companies represented include Marschalk, Young & Rubicam, and McCann-Erickson. Clients include Coca-Cola, Drackett, Eastern Airways, Gulf Oil, and Texize.
The materials in the Alix Kates Shulman Papers span the dates 1892 to 2000, with the bulk of materials dating from 1968 to 2000. These materials include: manuscripts, notes, clippings, published books, correspondence, photographs, audio and videotapes, microfilm, address and date books, family and business records. The primary focus of the collection is Shulman's writing and literary career. The secondary focus is the women's liberation and feminist movements, in which Shulman was and continues to be very active (from 1968 to the present). However, feminism and feminist activism are inextricably intertwined with Shulman's writing career, and her 1972 novel Memoirs of an Ex-Prom Queen is regarded by many as the first novel to "come out of" the women's liberation movement of the late 1960s and early 1970s.
Other topics covered by the collection include: her teaching and other academic work; her public speaking and conference activities; and her involvement in political activities besides feminism. This collection sheds valuable light on the concerns and tensions within the women's liberation and second-wave feminist movements. In particular, the materials document debates and disagreements among those active in the movement with regard to sexuality, marriage and domestic relations, women's financial situation and careers, health care, civil rights and cultural expression. Many of these issues are raised in Shulman's own work, including her novels, essays, short fiction, personal letters and her teaching materials.
The collection is divided into seven series. The Personal Papers Series contains Shulman's family history papers, photographs, biographical papers, and her personal correspondence (with writers, academics, political activists and family members). Notable correspondents include Ros Baxandall, Jay Bolotin, Kay Boyle, Rita Mae Brown, Phyllis Chesler, Judy Chicago, Andrea Dworkin, Candace Falk, Marilyn French, Lori Ginzberg, Hannah Green, Erica Jong, Kate Millett, Honor Moore, Robin Morgan, Tillie Olson, Lillian Rubin, Sue Standing, and Meredith Tax. The Political Work Series contains material relating to Shulman's involvement with feminist and other liberal political groups, including Redstockings, New York Radical Women, the PEN Women's Committee, No More Nice Girls, the Women's Action Coalition, and Women Against Government Surveillance
The Literary Work Series contains a variety of materials relating to Shulman's literary career, including financial and other dealings with publishing houses, notes and research, photocopies of publications, reviews of her work, articles and notes she collected regarding the literary scene, and original manuscripts. This series contains information about her early children's books; several books she edited of Emma Goldman's writings; her essays and short fiction; her novels Memoirs of an Ex-Prom Queen (1972), Burning Questions (1975), On the Stroll (1977), In Every Woman's Life . . . (1980); and her memoirs Drinking the Rain (1995) and A Good Enough Daughter (1999). A small amount of correspondence regarding book reviews of other authors' work is also included.
The Academic Work Series contains materials relating to Shulman's graduate work at NYU; her teaching at Yale, the University of Colorado at Boulder, NYU, and the University of Hawaii at Manoa; as well as her relationships with her students. The Public Speaking Series contains materials relating to Shulman's participation in literary and political conferences and gatherings, personal interviews, lectures and book talks.
Portions of the Restricted Materials Series either may not be photocopied without prior permission of Ms. Shulman or the relevant author, or may not be accessed until a future date. The same organizational categories have been applied to the restricted materials as were used in the unrestricted materials to help researchers easily access overlapping and related materials that have been boxed separately due to the restrictions. The Oversize Materials Series contains miscellaneous oversize materials of a biographical and literary nature.
Acquired as part of the Sallie Bingham Center for Women's History and Culture.
The Alpha Phi Omega, Lambda Nu Chapter Records include minutes, reports, correspondence, administrative information, slides, photographs, audio tapes, scrapbooks, and other materials documenting the history of this service fraternity. The first series, Administrative, contains information about the membership, volunteer work, social activities, and alumni of Lambda Nu. The second series, Slides, contains slides of Lambda Nu activities from 1980 to 1997. The next series, Audio Recordings, has one audio cassette of the 1998 Senior Banquet. The fourth series, Composite Photographs, contains photographs of all Lambda Nu Members during most school years between 1986 and 2002. The Scrapbooks series contains photographs, documents, handwritten notes, and other materials assembled by Lambda Nu members. The final series, Oversize Materials, houses oversize scrapbooks.
Collection includes materials from Smith's literary career as an author of mystery novels, files from her work as a gender equity consultant, her newspaper columns on gender in the workplace, and materials from her work with youth at St. Philip's Episcopal Church in Durham. Also includes a small amount of correspondence from Smith's college years and family photographs from the early 20th century. The files relating to her fiction writing also include a set of audiocassettes related to one of her books. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
The records of the American Civil Liberties Union of North Carolina (ACLU of NC) span forty years, from its inception in the early 1960s to its activities in the mid-2000s. The files provide documentation on nearly all aspects of the organization's operations, primarily focusing on the investigation of cases related to civil rights and many related issues, the legal prosecution of cases, public education relating to civil liberties, and lobbying for civil liberties and human rights. Materials include correspondence files from the Excecutive Director's office and other units in the ACLU of NC, beginning from the earliest years; thousands of case files dating from 1969 through the mid-2000s; the legal assistant's files on cases, operations, and attorney's activities; lobbying and subject files; and printed matter and other records relating to the ACLU-NC's outreach and public education activities. There are also some slides related to arts cases, videocassette and audiocassette recordings, and electronic files. Commonly recurring social and legal issues to which the ACLU of NC dedicated its efforts and resources include but are not limited to: the civil rights and legal status of legally under-represented groups such as juveniles and high school students, prisoners, gays, and immigrants; education and academic freedoms; religious freedom and separation of church and state; freedom of expression (including desecration of the flag); racial inequalities and injustices; reproductive rights; women's rights; police misconduct and the legality of search procedures; drug testing and the decriminalization of drugs; voting rights, including issues surrounding reapportionment; and workers' rights, including unionization. There are also many files on the Ku Klux Klan, Confederate displays, and right-wing organizations in NC
The collection is open to use. However, researchers consulting case files and any other materials in this collection should be aware of privacy laws that govern the publication and use of these records, especially in the case of third party information. Most personal names have been removed from case file titles in this web-accessible collection guide. The full version is available only to on-site researchers.
The Legal Program Series, the largest series in the collection at 260 boxes, chiefly consists of court case and other investigations files, and were created and maintained by the branch of the ACLU of NC called the North Carolina Legal Foundation. The files were marked variously as coming from the Office of the Legal Counsel or the Legal Program. These files were kept in their original order, which was generally chronological, though there are many overlapping series and fragmented sequences, some of which are alphabetical. When possible, the nature of the case or investigation is noted in a few words for each entry; keyword searching is the best means to discover names or topics (e.g., "parental consent,""prayer,""1st Amendment,""employee,""free speech," etc.).
Files in the Executive Director Office Series (90 boxes) refer to meetings, annual ACLU national conferences, litigation and political action strategizing, fundraising, and membership, and contain many individual legislative and court case files maintained by the Executive Director's Office (who at times in the ACLU of NC's history also served as the Legal Director). Extensive research and "issues" files, as they were often called, found both in the Legal Program and Executive Office Series, were most often used to support the case and investigative work, and therefore cover topics similar to the case files. Other subject files reflect the Executive Director's efforts to learn about issues relating to other affiliates of the ACLU.
Smaller but significant components of the collection include the Audiovisual Material Series, housing videocassettes and audio recordings, and the Print Material Series, which houses publications, clippings, reports, and other print material created by the ACLU of NC as well as material from other organizations. A nearly complete run of the ACLU of NC's newsletter, Liberty, can be found here, as well as multiple issues from such publications as Prison Law Monitor, Veteran's Advocate, and Youth Law News. Other publications are filed by topic. Many press releases, clippings, and files related to media relations are found in the Executive Director Office Series, and to a lesser extent in the Legal Program Series.
Researchers interested in the earliest history of the ACLU of NC should consult the small Historical Files Series which contains a 1970 history of the organization written by Daniel Pollitt and George Scheer, as well as copies of the original founding documents of incorporation, board and legal foundation meeting minutes from the 1960s to the 1980s, and other files. More complete files of early correspondence, meetings, and legal cases dating from the 1960s and 1970s can be found in other series.
Acquired as part of the Human Rights Archive at Duke University.
American Civil Liberties Union of North Carolina records, 1960-2020; 1960-ongoing and undated 217.5 Linear Feet — approximately 135,000 items
Collection consists primarily of manuscripts and research materials related to Turnipseed's writings (1902-1960s), in particular his multivolume, unpublished autobiography I Tried: An Autobiography of Andrew Spencer Turnipseed. The collection documents Turnipseed's ancestry, early life, and roles as a theologian and activist. Includes many folders of personal and professional correspondence (1929-1980s); lectures and sermons (including 13 audio cassettes); course materials; and travel files. In addition, there are subject files on topics such as Methodism; civil rights; race relations and Southern politics; and public education, including higher education for African-Americans in Alabama. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.
Andrew Spencer Turnipseed papers,, 1902-2002 and undated (bulk 1928-1965) 32.7 Linear Feet — 20,050 Items
The collection chiefly consists of correspondence; scrapbooks and diaries; photographs; diplomatic papers; sound recordings and films; interviews, appointment books; clippings; printed material; and business papers, all documenting Angier Biddle Duke's life and career, especially his role in United States politics and diplomacy during the Kennedy and Johnson administrations, as well as his philanthropic activities and his leadership roles in non-profit institutions. The materials also document the social and political activities of members of the Duke, Drexel, and Biddle families, and their residences in New York City and Long Island. In addition, the papers contain information on economic and social conditions in post-war Europe during Duke's ambassadorship to Spain, and information on Pakistani refugees and other international crises. Other topics include civil rights and desegregation (especially in Washington, DC).
Details on Angier Biddle Duke's life as well as information on the Duke, Biddle, and Drexel families can be found in the Biographical Data Series. These materials include some of A.B. Duke's military records; articles on A.B. Duke; articles and biographical entries on A.B. Duke; "in memoriam" booklets from his first wife's funeral and the funeral of Angier Buchanan Duke, A.B. Duke's father; and genealogical materials on the families. Selected condolences out of the hundreds sent to Robin Chandler Duke after her husband's death in 1995 also reveal much about the personality and life of A.B. Duke. In addition, the narratives in the Diaries Series offer a great deal of material concerning the personalities of A.B. Duke and his family and acquaintances throughout his life.
The Correspondence Series also offers information on the Duke, Biddle, Semans, and Trent families, though correspondence between immediate family members makes up a small percentage of this large series. The correspondence files are most useful for the documentation they provide about A.B. Duke's career. Additional biographical data on A.B. Duke and family members, particularly useful for information on Robin Chandler Duke's social and political activities, can be found in the Clippings Series.
The Photograph Albums and Photographs Series contains hundreds of photographs of the Duke, Semans, and Biddle families. Some early photographs of Angier Biddle Duke were taken during his enlistment in the Army from 1940-1945. An album entitled "A celebration of the life of Benjamin Newton Duke, 1979" can be found in the Scrapbooks Series. Finally, as A.B. Duke served as president of the Duke Family Association of NC from 1988-1995, there are a number of items related to the meetings of this genealogical association found in the Correspondence Series.
Angier Biddle Duke was best known for his ambassadorial skills and his political acumen beginning with his appointment to the office of Ambassador to El Salvador in 1952 as the youngest ambassador ever appointed to a post. His subsequent career in diplomacy and politics, including his appointment as Chief of Protocol under Presidents Kennedy and Johnson, is well-documented throughout the majority of the series. A series of written and taped diaries entitled the "Ambassador's Diary" are especially interesting for A.B. Duke's candid reflections on his experiences.
The political and social events of the 1960s and 1970s are well-represented in the papers in the multimedia formats associated with the Audio, Film, and Videotape Series, containing numerous recordings of speeches, toasts, and visits of foreign dignitaries; the Scrapbooks and Photograph Albums and Photographs Series, which hold many candid and formal photographs of politicians, diplomats, celebrities, and artists; and the Clippings Series. One scrapbook covers President Kennedy's trip to Berlin, West Germany; another oversize scrapbook covers an international incident at Palomares, Spain (1966): while Duke was that country's ambassador, an undetonated U.S. nuclear bomb was lost off the coast of Spain, then recovered after an increased international outcry against nuclear weapons. Materials in the Protocol Papers Series also concern Kennedy's assassination and the transition to a Johnson White House during the period when A.B. Duke was Chief of Protocol. As Jacqueline Kennedy had already become a good friend of A.B. Duke's family, there are items in the Correspondence Series reflecting her close relationship with them in the difficult years after her husband's assassination.
The head of the State Department Office of Protocol serves as principal adviser to the President and Secretary of State on matters of diplomatic procedures governed by law or international customs and practice. Angier Biddle Duke's responsibilities as Chief of Protocol from 1961-1965 and 1968, including his role in the arrangements for the Kennedy funeral, are best represented by materials in the Protocol Papers Series, arranged alphabetically by country, and by many valuable letters and telegrams in the Correspondence Series, and in the Writings and Speeches Series. In addition, a great deal of relevant information, both contemporary and retrospective in nature, can be found in the Interviews Series. Several important volumes in the Scrapbooks and Diaries Series are also were created as records of his tenure as Chief of Protocol, and the Pictures Series contains many candid and formal photographs during this period. Finally, events relating to the Office of Protocol are found in audio or film format in the Audio, Film, and Video Series. Memorabilia from this period such as invitations, dinner menus, guest lists, and souvenir programs from inaugurations abroad can also be found in the Miscellaneous Series.
A.B. Duke's extensive organizational activities in later decades are documented in the Correspondence, Subject Files, Interviews, Printed Materials, and Writings and Speeches Series. A large number of materials reflect A.B. Duke's long involvement in the administration of Long Island University as well as in other institutions such as the International Rescue Commission, various Democratic committees, CARE, the NYC Dept. of Civic Affairs and Public Events, the Spanish Institute, the Appeal to Conscience Foundation, the Japan-American Institute, the World Affairs Council, and the American Council of Ambassadors, and many others. The Subject Files and other series also illustrate A.B. Duke's later involvement in organizations attempting to establish more democratic structures in countries such as El Salvador, Nicaragua, and Guyana.
Some materials also reflect Robin Chandler Duke's later involvement in politics, including her unsuccessful bid for the Democratic nomination to fill Koch's congressional seat in 1978, and her role as chairwoman of Population Action International.
Although they contain relatively few documents, the Legal and Financial Papers provide some information on A.B. Duke's income and financial activities, and on the Doris Duke Trust; also in the legal papers is a publisher's contract for the biography of Doris Duke and a copy of Angier Buchanan Duke's will. Other legal and financial matters related to the Duke and Biddle families, particularly the Doris Duke estate (1995) are referred to on a regular basis in the Correspondence Series. Very little is to be found in the collection on the administration, maintenance, or acquisition of Angier Biddle Duke's residences in Washington, NYC, or Long Island, though some illustrations of residences can be found in the Clippings and Pictures Series.
Collections in the David M. Rubenstein Rare Book & Manuscript Library which contain information relevant to the Angier Biddle Duke Papers include the James Buchanan Duke Papers and especially the Semans Family Papers. The Duke University Living History Program collection, also in the David M. Rubenstein Rare Book & Manuscript Library, contains an interview with Angier Biddle Duke recorded in the 1970s.
Angier Biddle Duke papers, 1915-1990s and undated, bulk 1950-1995 94 Linear Feet — Approx. 46,000 Items
Collection comprises master copies (4 audiocassettes and a Digibeta videotape) for Jeff Storer's oral interviews with Atwater, an African-American civil rights activist based in Durham, North Carolina, regarding her friendship with Ku Klux Klan leader C.P. Ellis. Interviews have been reformatted to compact discs and a gold DVR. Note that one segment of the video copy is silent; the audiocassettes provide the full interview.
Collection includes Snitow's teaching files and materials with an emphasis on her work in Eastern Europe, career files, research files, speeches, correspondence, diaries, journals, notebooks, subject files, materials documenting Snitow's involvement in various activist groups and organizations, feminist publications in Eastern European languages, Snitow's writings and publications, published and unpublished materials documenting women's studies, feminist theory and feminist movements, recorded interviews, Snitow's recorded speeches, recordings of Snitow's radio shows on WBAI, and films by feminist documentarian Carol Jacobsen.
Collection spans the years 1978-2001 and includes advertising agency credentials presentations, correspondence, print advertisements, audiocassettes, videocassettes, compact discs, 16mm films, clippings and other materials that document Arthur Einstein's career as an advertising executive and consultant. Companies represented include Bankers Trust, Compaq, DDB Needham, Foote Cone Belding, IBM, the New York Stock Exchange, Oppenheimer Funds, Saab and Steinway.
The Arthur Frank Burns Papers cover the years 1911 through 2005. The bulk of the material was created from 1940 to 1987 and pertains to Burns's career as an economic advisor, particularly to Republican administrations, as the chair of the Federal Reserve, and as ambassador to Germany. The collection is arranged into seven series: Correspondence, Honors and Awards, Journals, Personal Papers, Photographs, Print Materials, and Research and Teaching. There are also oversize materials housed at the end of the collection. Topics of interest in this collection include but are not limited to: the United States economic system and fiscal policies; the Federal Reserve Board and related committees; recessions, unemployment, and inflation; the world economy and finance; the U.S. presidency during the time period; the Nixon presidency in particular, including the Watergate affair; presidential campaigns and elections; and diplomacy. There is a small amount of research and teaching material, chiefly from the 1920s-1930s. The most significant component of the collection is the correspondence between Arthur Burns and Presidents Eisenhower, Nixon, Kennedy, Ford, Carter, Reagan, and George H. W. Bush, as well as substantial exchanges with economists Milton Friedman and Wesley Clair Mitchell.
The most substantial and notable papers are found in the Correspondence Series, which contains letters and memoranda written from 1911-1997 both to and from Burns and/or his wife, Helen. The series is organized into three subseries, Correspondence by Individual, Correspondence by Topic, and Correspondence to Mrs. Helen Burns. The majority of the exchanges in the first subseries are letters written to or by presidents or vice presidents (Dwight Eisenhower, John F. Kennedy, Richard Nixon, Jimmy Carter, Ronald Reagan, George H. W. Bush, Spiro Agnew, Hubert Humphrey, and Nelson Rockefeller). Burns's correspondence with presidents Eisenhower and Nixon is particularly extensive and reveals the making of crucial policy decisions. Also included is Burns's correspondence with economists Wesley Clair Mitchell, Milton Friedman, and George Stigler. This subseries is organized alphabetically by correspondent and then chronologically.
The Correspondence by Topic subseries contains letters and attachments primarily related to Burns's work in academia, politics, and the private sector. Finally, the Correspondence to Mrs. Helen Burns subseries contains letters written by prominent figures such as Richard Nixon, Ronald Reagan, and Mamie Eisenhower to Burns's wife, Helen, both during his life and after his death.
High-value correspondence, including originals signed by presidents and some other notable correspondents, are separately stored and restricted to use except under direct staff supervision. Photocopies of these original manuscripts have been made for researcher use. Other letters signed by mechanical means have not been photocopied, but they are filed with the photocopies of original letters.
The other series house papers and memorabilia documenting Burns' career, including photocopies of two handwritten journals (1969-1974) kept by Burns during the Nixon Administration; several folders of early research and teaching materials; honors and awards received by Burns; personal correspondence, clippings, and other materials; lectures, speeches, and articles from Burns's career as economist and ambassador; photographs of Burns, his wife Helen, and political figures and celebrities attending events; publicity items such as news clippings, interviews, and articles about Burns; and program materials for the Arthur F. Burns Fellowship, an exchange program for German and U.S. media professionals. Further description available at the series level in this collection guide.
The great majority of the Burns papers are in English, but there are roughly ten items in German and a few items in French and Russian (Cyrillic script).
Arthur F. Burns papers, 1911-2005 and undated, bulk 1940-1987 18.5 Linear Feet — approximately 2,675 items — 2.6 Gigabytes
Audiocassette recording of "The voice of Florence Nightingale, introduced by Adelaide Nutting", 19390.1 Linear Feet — 1 pamphlet binder; 2 audiocassette
Audiocassette recording of "The voice of Florence Nightingale, introduced by Adelaide Nutting", 1939 0.1 Linear Feet — 1 pamphlet binder; 2 audiocassette
Spanning 1956 to 2018, with the bulk of the materials dating from 1976 to 2018, the Barbaralee Diamonstein-Spielvogel Audiovisual Collection documents the programs produced by a pioneering advocate for art, architecture, historical preservation, and public policy. The collection is comprised of over 1,300 items, including analogue and digital audio and video resources, stemming from Diamonstein-Spielvogel's prolific output of books, educational programming, and interviews, as well as her work in historic preservation. Two hundred programs, including television interviews with notable artists, designers, and architects, and presentations by the Historic Landmarks Preservation Center, have been digitized by Duke University Libraries and are available on the Barbaralee Diamonstein-Spielvogel Video Archive on YouTube. Topics covered by the materials in this collection include broad categories such as art and architecture in the 20th century; historic preservation and the protection of cultural property; media and society; social conditions; and women's rights. Where resources are available on YouTube, links have been provided to the specific video. Audio resources are available through the Duke Digital Repository on request. While all master recordings are represented in this guide, the collection contains both copies of master recordings and elements that went in to creating the master recordings. For an inventory of copies and elements, contact Research Services.
Barbaralee Diamonstein-Spielvogel Audiovisual Materials, 1956-2018 and undated, bulk 1950-2018 100 Linear Feet — 1,337 analogue and digital audiovisual resources
Spanning 1876 to 2020, with the bulk of the materials dating from 1950 to the 2010s, the Barbaralee Diamonstein-Spielvogel Collection documents the life and career of a pioneering advocate for art, architecture, historical preservation, and public policy. The collection comprises over 650 boxes of research files, correspondence, printed materials, photographs, memorabilia, artifacts, and artwork, all stemming from Diamonstein-Spielvogel's long career and her prolific output of books, educational programming, interviews, public art installations, and exhibits. The materials highlight her work with many arts and political organizations and her appointments to committees such as the Commission for Cultural Affairs and the New York Landmarks Preservation Commission. Over one hundred of her television interviews with notable artists and other figures have been digitized by the Diamonstein-Spielvogel Video Archive at Duke University.
Topics covered by the materials in this collection include broad categories such as art and architecture in the 20th century; historic preservation and the protection of cultural property; media and society; social conditions, women's rights and the arts in Slovakia during her husband's ambassadorship there; U.S. and overseas politics, particularly related to the Democratic Party; U.S. public policy, with a focus on the arts; the built environment; women and the arts; gender issues and women's rights; travel abroad; and many others. Early materials dating from 1929 to 1965 - chiefly correspondence, writings, and photographs - document family history, her education, and her earliest career in teaching. Other early dates in the collection refer to reproductions of 19th century images chiefly found in exhibit and research files.
The collection is divided into series: Correspondence, Writings, Personal Files, Political Files, Professional Files, Art and Architecture Project Files, Art and Design Project Files, Historic Preservation Project Files, Scrapbooks and Visual Arts Materials.
Taken as a whole, the collection offers rich documentation on the evolution of art and architecture in the U.S., the development of adaptive reuse and landmarks legislation, the relationship of public policy to the arts, and the interplay between public policy and the built environment. Materials from Diamonstein-Spielvogel's personal and research files also document the changing roles of men and women in the United States, and the development of U.S. gender studies; not only did she write on the subject, but her own experiences reveal aspects of women in the workforce, in politics and activist movements, and in positions of authority. Additionally, because of her work for the White House and the Democratic Party, the collection offers insights into 20th century U.S. politics, nationally and in her home state of New York.
Barbaralee Diamonstein-Spielvogel collection, 1876-2020 and undated, bulk 1950-2020 654 boxes — 654 boxes; 8 oversize folders; 2 tubes; 2 frames.
Behind the Veil: Documenting African-American Life in the Jim Crow South records, 1940-1997 and undated, bulk 1993-199769.9 Linear Feet — about 14,018 Items
The Behind the Veil: Documenting African-American Life in the Jim Crow South Records span the years 1940-1997 (bulk 1993-1997) and are comprised chiefly of interviews recorded on cassette tapes. The 1260 interviews, 1993-1997, in this collection cover a number of topics related to African-American life in the 20th century with a focus on the age of southern segregation. The collection includes interviews with people from Albany, Ga.; Fargo, Ark.; Birmingham and Tuskegee, Ala.; Charlotte, Durham, Enfield, New Bern and Wilmington, N. C.; LeFlore County, Miss.; Memphis, Tenn.; Muhlenburg County, Ky.; New Iberia and New Orleans, La.; Norfolk, Va.; Columbia, Orangeburg, St. Helena, and Summerton, S. C.; and Tallahassee, Fla. In addition to interviews conducted specifically for the Behind the Veil project, the collection includes six interviews from the James City Historical Society, Craven County, N.C. as well as eight interviews conducted by Paul Ortiz in Tallahassee, Fla., in the summer of 1997 as part of his dissertation research.
The collection includes duplicate sets of approximately 1700 interview tapes. The Master Tapes Series is closed except for appropriate use by authorized staff from the Behind the Veil project and the David M. Rubenstein Rare Book & Manuscript Library. The Use Tapes Series contains copies of the tapes for use by researchers. The Printed Materials Series provides biographical information about informants, interview agreement forms, proper names sheets, and brief summaries (one-three pages) of each of the 1260 interviews. Also included are some personal papers, the earliest of which is dated 1940. The Transcripts Series currently includes unverified transcripts of 314 interviews in the collection. These transcripts are also available as electronic documents. A disk directory log exists. Contact Research Services staff for more information. More transcripts will be available each semester.
The Behind the Veil collection will eventually include approximately 5100 photographs and slides. This Visual Materials Series will contain items donated by informants and others in the communities where Behind the Veil field-workers conducted interviews. The vast majority of these pictures show family and community members at home or at special events. A smaller number portray buildings and other local places. Images of political events are notably rare in the collection. We also anticipate the eventual addition of the Behind the Veil project's papers, which will be held as the Administrative Files Series.
Behind the Veil interviewers were provided with a list of Interview Questions before they entered the field. Although most interviews in the collection do not follow the list question by question, the list provides a useful research guide to the type of inquiry many interviews follow. The list of questions is included as an appendix in this guide. Frequently discussed topics include family history, local neighborhoods, educational background, employment history, religious institutions, experiences of segregation, local political activities, civic organizations and activities, black-owned businesses and local culture. Behind the Veil informants represent a number of occupational groups, including domestic workers, educators, homemakers, health professionals, manufacturing workers, miners, ministers, political figures, professionals and servicemen.
A Behind the Veil Database, created by Alex X. Byrd, will soon accompany the collection. The fields included are in two categories: Informant and Circumstance of Interview. The Informant fields are Last Name, First Name, Middle or Maiden Name, Sex, Zip Code, Date of Birth, Place of Birth, and Principal Occupations. The Circumstance of Interview fields are Date of Interview, Location of Interview, Processing Subseries, and Interviewers. The other fields are: was the informant part of a group interview?; has the interview been transcribed?; if part of a group interview, under whose name is the material filed?; number of tapes for interview.
Consult reference staff concerning the availability of the database.
The addition (acc# 2001-0183)(100 items, 1.5 linear feet; dated 1996-1997) includes a course syllabus, interviews of African-American North Carolinians on cassette tapes, some student self-evaluations, contracts, indices, and transcript excerpts. The area most represented is Durham, N.C. Students were to aim for insight into how African-Americans built communities during an age of racial oppression. The interviews include much information about family history and social and community issues.
Behind the Veil: Documenting African-American Life in the Jim Crow South records, 1940-1997 and undated, bulk 1993-1997 69.9 Linear Feet — about 14,018 Items
Collection includes manuscripts, sound recordings, and photographs from York's music career, with materials from her participation at the 1986 International Music Festival; press kits with photographs and reviews of her music; contracts and agreements from Ladyslipper Inc.; and materials relating to her album Transformations, released in 1985.
Accession 2018-0113 consists of materials documenting York's academic career as a music therapist, including her M.A. thesis, university evaluations and a tenure portfolio, teaching materials, research materials, conference materials, presentations, correspondence, workshop materials, a performance piece called Finding Voice, grant materials, and music therapy workshop materials.
York also co-edited a number of issues of the lesbian feminist quarterly Sinister Wisdom, which are included in the collection, as are production materials, drafts, and correspondence related to those issues. Also included are issues of the women's periodicals Hotwire and Paid My Dues.
Collection spans 1946-2014 and contains correspondence, photographs, scrapbooks, printed materials, memorabilia, audiovisual materials and other items pertaining to Spielvogel's career in advertising as well as his public service and community activities. Advertising agencies represented include Backer Spielvogel Bates, Interpublic and Saatchi & Saatchi. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
The Catherine Nicholson papers contain materials dating from 1897 to 2005, with the bulk of the collection dating from 1974 to 2005. Materials in the collection primarily document Nicholson's directing and theatre related activities, her work on Sinister Wisdom, and her membership in the group Old Lesbians Organizing for Change (OLOC). The collection comprises correspondence with family and friends; personal and professional writings; poetry; notes; clippings; photographic materials, including black and white and color photographs, color slides, and a cabinet card; audio cassettes; vinyl records; press kits and playbills; reviews about theatre and of plays directed by Nicholson; and ephemera. Included are play scripts written by Catherine Nicholson and other playwrights, and scripts with directorial annotations by Nicholson. The collection contains correspondence, artwork, journals, and receipts related to the publishing of Sinister Wisdom. In addition, the collection houses Nicholson's collection of audiocassettes and long-playing vinyl records, with the majority of albums related to women's music; many of these were published by Olivia Records. Printed materials have been removed and added to the Women and LGBT Rights Periodicals Collection. Use copies of audio recordings will need to be created before items can be accessed by researchers. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
Addition (2010-0068) (28 items, .1 lin. ft.; dated 1984-1985 and undated) comprises letters and cards addressed to Harriet Ellenberger, primarily from Susan Thompson.
The Cathy Davidson Papers encompass Davidson's various writings, organizational work, correspondence, and materials related to Fred Hampton. The Writings Series includes her research and assemblage of famous authors' love letters (Book of Love), as well as drafts of various books, short stories, writing workshops, and publication matters. The Organizations and Professional Activities Series includes files relating to her work with the American Studies Association, the American Literature Section of the MLA, and the American Literature Association, as well as various other professional activities. Part of Davidson's Duke career is documented in the papers as well, particularly her work with the MacArthur Foundation grant for learning institutions in a digital age, as well as some HASTAC materials. The Fred Hampton Materials pertain to the assassination of Fred Hampton in 1969 and Davidson's related photography projects. This series is closed until 2017. Additionaly, permission from Cathy Davidson is required to view any materials in accession 2012-0248 (boxes 21-23) during her lifetime.
The photographs of Cedric N. Chatterley span the years 1983-2013, and were created throughout his career as a documentary photographer, beginning with his Master in Fine Arts thesis project, "Ambivalent Ecstasies/Converging Energies," on American religious experience. The photographs are primarily black-and-white gelatin silver prints ranging in size from 8x10 to 18x24 inches.
The most prominent themes in Chatterley's work are labor, community, and religious expression. He has photographed chicken slaughterhouse workers in Maine; Cambodian immigrants in North Carolina, a project undertaken with Barbara Lau of the Center for Documentary Studies at Duke University; David "Honeyboy" Edwards and other Southern blues musicians in Mississippi and on tour; a substance abusers' rehabilitation community in Durham, N.C., also with Barbara Lau; tornado survivors in South Dakota who rebuilt their town over a period of ten years; Holy Land USA, an abandoned religious theme park in Connecticut; and a woman sheep rancher's work during lambing season in Montana. Some of the images were taken with Chatterley's hand-built cameras.
A final series consists of materials relating to Barbara Lau's book, From Cambodia to Greensboro, documenting Cambodian immigrants in North Carolina, that includes images taken by Chatterley, and a set of recorded interviews from 2008 in which Chatterley speaks about his career as a documentary photographer. The cassettes have been converted to digital files and use copies are available for access. Original recordings are closed to use.
Series are arranged in chronological order; prints are numbered and captioned by the photographer.
Acquired as part of the Archive of Documentary Arts at Duke University.
Collection includes black-and-white photographs (a few are hand-colored), negatives, and slides from projects created by students at Durham's E.K. Powe and W.G. Pearson elementary schools between 1997 and 2004. The images document the social life and the built environment in Durham, N.C., in city neighborhoods where the students live; they feature children, pets, houses and places of business, groups of adults, and other neighborhood scenes. Also includes some student booklets and publications highlighting their projects as part of the program. Materials are sorted by school, with miscellaneous or unidentified materials in the last series. Also contains electronic and audiovisual recordings that require reformatting before use.
Acquired by the Archive of Documentary Arts at Duke University.
Center for Documentary Studies Neighborhoods Project records, 1997-2004 and undated 3 Linear Feet — Approx. 1000 Items
Collection houses photographs, interviews, essays, and other documentary works created by students enrolled in courses or thesis projects on documentary studies at Duke University in Durham, North Carolina, and the University of North Carolina at Chapel Hill (UNC), from 1980 to 2011. Most of the student projects focus on the social life and customs of persons living in and around Durham, Chatham, and Orange counties, North Carolina. Themes include life in cities and towns, particularly in Durham; rural life; schools and other institutions such as churches and retirement homes, and charitable organizations such as soup kitchens and orphanages; community centers such as stores, daycares, and laundromats; African American communities and neighborhoods, particularly in Durham; beauty pageants; local music; farmers and their families; immigrant life; migrant workers; midwives; the 9/11 attacks in New York City; and Duke University students and campus life. One series of images portrays the Chuck Davis African American Dance Ensemble in Durham. Oral histories of N.C. civil rights and labor activists, American war veterans, and other individuals are associated with certain courses.
The majority of projects focus on Durham area locales, but other cities and towns in N.C. documented include Chapel Hill, Hillsborough, Raleigh, Seagrove, Wanchese, Cane Creek, Oxford, Carrboro, Orange Factory, Rougemont, Saxapahaw, Salisbury, Northside, Corinth, and Cedar Grove. There are a few projects based in Virginia, and summer projects located in Massachusetts, Tennessee, Tel-Aviv, and France.
The collection also includes a few grant-supported projects by professional documentarians Eric Green, Kate Rhodenbaugh, Carolina Wang, and Donna Lennard, and photographic work by Bill Bamberger, a faculty member at Duke.
Black-and-white prints make up the majority of formats, but there are also many slides. The more recent additions increasingly include oral histories on audio cassettes and CD-ROMS and other project-related digital media. These are marked in the folder descriptions. Original audiovisual and electronic media are closed to use and may require the production of use copies before they can be accessed.
The courses were all sponsored by the Center for Documentary Photography, which in 1989 changed its name to the Center for Documentary Studies. Among the faculty teaching courses for the Center for Documentary Studies are noted documentarians Bill Bamberger, John Biewen, David Cecelski, Alex Harris, and Margaret Sartor, some of whom have contributed their own documentary work to the David M. Rubenstein Rare Book & Manuscript Library.
Acquired as part of the Archive of Documentary Arts at Duke University.
Center for Documentary Studies student projects collection, 1980-2011 and undated 40 Linear Feet — Approx. 10,00 Items
The Common Woman Chorus records contain material dating from 1985 to 2015 relating to the group's musical and fund-raising activities. The records primarily comprise sheet music, concert programs, publicity, correspondence, and administrative records. Although the records contain mostly print material, a few color photographs, audiocassettes, videos, electronic word documents, t-shirts, and sweathirts are also included. Use copies of original audiovisual recordings will need to be created before items can be accessed by researchers. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
The Cuthbert Simpkins Interviews on John Coltrane comprises 65 audio cassettes of interviews conducted by Simpkins between 1971-1974 while researching his 1975 biography of Coltrane. Simpkins interviewed family members, friends, musicians, and other associates from throughout Coltrane's career. The interviews address such topics as: Coltrane's family history, his childhood in North Carolina, the development of his musical style, his influence on other musicians, and his personality. Many also contain personal anecdotes related to Coltrane from throughout his life. The materials include multiple interviews with Calvin Massey, Jimmy Garrison, Larry Young (Khalid Yasin), Ornette Coleman, and others. The audiocassettes have been digitized for patron access, and portions of some interviews have been transcribed, with the transcriptions included in the collection.
Cuthbert Simpkins Interviews on John Coltrane, 1971-1974 3 Linear Feet — 65 original audiocassettes (with CD use copies for patron access)
Accession (2005-0037) (21 boxes) documents the activities of N.C. gay and lesbian organizations. Includes correspondence, newsletters, programs, flyers, and organizational material from One Voice; organizational material, correspondence, programs, invitations, minutes, registration records, financial records (bulk 1994) from Music & Message, the Gala Choruses Leadership Conference (Sept. 2-4, 1994 in Charlotte); correspondence, newsletters, clippings, financial records (1993-1996), minutes, and administrative records for the N.C. Lesbian and Gay Pride Board; fund raising material for the AIDS fund raiser Heart Strings (June 15, 1992), and Pelag benefit Our Family Celebration (Oct. 12, 1991); and files, promotional materials, newsletters, clippings, minutes, and financial records about a N.C. Lesbian and Gay Pride event, 1994. Also included are posters, t-shirts, 14 VHS video tapes, 1 CD-Rom, 50 photographs, and 25 slides.
Accession (2007-0079) (1600 items; 3 lin. ft.; dated 1991-2002) contains organization files and correspondence for Time Out Youth, an organization for lesbian, gay, and bisexual youth; financial and organizational files for OutCharlotte (1995-1998); NC Pride files; conference materials; and clippings from local publications including the Charlotte Observer, Creative Loafing, and The Leader. Also included are 2 CD-Rs containing audio clips of interviews, 15 Hi8 video cassettes, 9 VHS tapes, 4 audio cassettes, and photographs. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
Accession (2009-0173) (2500 items; 3.6 lin. ft.; dated 1999-2004) includes materials from the planning and construction of The Lesbian and Gay Community Center in Charlotte, NC. Also includes The Center program files, administrative materials, board meeting minutes, publicity, and volunteer information.
This collection (74,159 items, dated 1964-1999) documents David Gergen's professional life as a speech writer, director of communications, and special counsel for U.S. Secretary of the Treasury William E. Simon and for Presidents Nixon, Ford, and Reagan. The materials include presidential campaign materials for the 1972, 1976, 1980, and 1984 elections; subject files; office memos; chronological files and telephone logs; daily planners; and legal and financial papers; as well as drafts and transcripts of Gergen's and other's speeches. The collection includes 86 black-and-white and color photographs, 16 audio cassettes; and 106 video cassettes. (2000-0356)
The addition (47,269 items, dated 1987-1996) continues to document David Gergen's involvement in national politics, as both Counselor and Special Advisor to President Clinton from 1993 to 1995, and as a journalist. Materials include editorials, interoffice memos, and otherU.S. News and World Report documents; financial and subject files relating to his work as an analyst on the MacNeil/Lehrer NewsHour; speeches; correspondence, chronological files, and telephone logs; and financial papers. The addition contains 445 electronic computer files; 5 color and 40 black-and-white photographs; 16 slides; and 82 video cassettes; as well as 35 audio cassettes. The audio and video cassettes include interviews with Richard Nixon and Ross Perot. (2000-0415)
The David X. Young Films, 1955-2007, includes film reels, videocassettes, and audiocassettes produced primarily by artist David X. Young between 1955 and 1996, in New York City, Cape Cod, and Haiti. Although transferred to the Archive of Documentary Arts at the Rubenstein Library in 2012, the collection was originally acquired from Young’s estate by the Center for Documentary Studies, for use by Sam Stephenson in his research on W. Eugene Smith for the book The Jazz Loft Project (2010). As a consequence, nearly half the collection is comprised of materials relating to Young’s involvement in the production of "Let Truth Be The Prejudice," a half-hour documentary on Smith produced by CBS in 1971, as part of its Lamp Unto My Feet series. These materials include a composite print of the final 28-minute program, un-synced picture and soundtrack reels not used in the final program, and videocassette and disc copies of the reels created by the Center for Documentary Studies in 2007.
The balance of the collection consists primarily of elements related to film projects created by Young between 1955 and 1986, including Klaximo, Seven Haitian Moods, Duck Season. Many of the elements in the collection, representing these and other projects, were spooled--put together on one reel--to facilitate video transfer previous to the films being acquired by the Center for Documentary Studies.
In addition to these films, the collection contains nine audiocassette tapes, including radio broadcasts of music and spoken-word material, as well as one recording of David X. Young playing piano, and four VHS videocassette tapes, from television broadcasts of programs on W. Eugene Smith.
David X. Young films, 1955-2007 12.5 Linear Feet — Seven boxes of film reels, one box of video- and audio-cassettes, and one box of CDs and DVDs.
The Doris Duke Audiovisual Collection was created by combining 8mm, 16mm, and 35mm film reels, vinyl recordings, audiocassettes, and associated manuscript materials relating to Doris Duke's travels, her various estates, and her interests in jazz and gospel music, dance, history, and culture. The collection covers the years 1899 to 2012 and is organized into three series: Moving Images, Audio, and Sheet Music and Index Cards.
The Duke Endowment Archives span the years 1902 to 2018, although the bulk of the material dates from 1925 through 2006. The collection consists of correspondence; minutes of meetings; financial records; applications for assistance from hospitals, child care institutions, and churches; statistics; publications; oral history tapes and transcripts; architectural drawings and blueprints; photographs; audio cassettes; and miscellaneous records and papers. The collection documents the administration of the corpus of the trust and the charitable contributions made to the categories of recipients named in the Indenture and Deed of Trust establishing The Duke Endowment. Records are arranged to reflect the responsibilities and operations of the Endowment's trustees, officers, and divisions, with major series including: the Board of Trustees, Treasurer's Office, Controller's Office, Investment Office, Education Division and Committee on Communications, Health Care and Child Care Divisions, and Rural Church Division. Smaller series, documenting such other activities as record-keeping, publications, and the Endowment's history, include: Central Files, Oral History Project, Trust Under Will, Publications, Miscellaneous, Photographic Materials, and Audiovisual Materials. Subject areas represented in the collection include: the history of foundations, hospital and child care demographics and other statistics, rural church buildings and activities, the construction of Duke University, and the life of James Buchanan Duke. The geographic focus is primarily North Carolina and South Carolina.
When James Buchanan Duke established The Duke Endowment as a perpetual charitable trust in 1924, he formalized a tradition of philanthropy that he and other members of the Duke family had practiced for many years, especially with regard to Duke University (formerly Trinity College). The life of James B. Duke, including his philanthropic interests, is documented in the Oral History Project Series (RESTRICTED) and Miscellaneous Series (RESTRICTED), and, to a lesser extent, the Health Care and Child Care Divisions Series' (RESTRICTED) Feasibility Study and Rural Church Division Series (RESTRICTED), Correspondence Subseries. The 100th Anniversary of James B. Duke's birth and interest in Mr. Duke's home in Charlotte, N.C., are documented in the Miscellaneous Series.
The Indenture and Deed of Trust establishing The Duke Endowment delineates the type of beneficiaries eligible for its support. These include non-profit hospitals and child care institutions; educational institutions; and rural churches of the Conference of the Methodist Episcopal Church, South (now the United Methodist Church), including retired ministers and widows and orphans of deceased ministers. Beneficiaries usually reside within North Carolina and South Carolina, i.e., generally the areas served by the water power facilities established by Mr. Duke, although under certain conditions other states may be served. The textile mills served by hydroelectric power were of special interest to Mr. Duke. A statistical study of cotton mills that he requested is in the Miscellaneous Series. The Indenture and Deed of Trust specifies that hospitals and child care institutions for Whites and African Americans should be supported. The Duke Endowment provides technical assistance as well as funding. Specific educational institutions were named in the Indenture: Davidson College, Davidson, N.C.; Duke University, Durham, N.C.; Furman University, Greenville, S.C.; and Johnson C. Smith University, Charlotte, N.C.
For the original corpus of The Endowment, James B. Duke assigned shares of stock from Duke Power Company, British-American Tobacco Company, R.J. Reynolds Tobacco Company, George W. Helme Company, Republic Cotton Mills, and Judson Mills. The Indenture stipulates how income and capital from the corpus should be managed and includes specific directives for handling the stock of Duke Power Company. Continuous records for the financial management of the assets of The Duke Endowment are in the Treasurer's Office (RESTRICTED), Controller's Office (RESTRICTED), and Investment Office Series (RESTRICTED). The volumes in the Controller's Office Series include records of payments made and management of the corpus as well as The Endowment's general operating expenses, such as salaries, rents, furniture, and supplies. The Investment Office Series contains records pertaining to companies in which The Duke Endowment invested. The Treasurer's Office Series includes an historical overview of The Endowment's expenditures and includes the minutes of the Finance Committee, which was established in 1975. The Treasurer's Office Series includes Beneficiary Information System reports, which provide geographic breakdowns of payments to institutions from the inception of The Duke Endowment to the present, and a summary that lists each institution or beneficiary group and how it used funds from The Endowment. The Treasurer's Office and Investment Office records do not reflect the overall financial management of The Duke Endowment.
The first members of the Board of Trustees of The Duke Endowment--Nanaline H. Duke, George G. Allen, William R. Perkins, William B. Bell, Anthony J. Drexel Biddle, Walter C. Parker, Alexander H. Sands, Jr., William S. Lee, Charles I. Burkholder, Norman A. Cocke, Edward C. Marshall, and Bennette C. Geer--were named in the Indenture as parties of the second part. As stipulated by the Indenture, the trustees were required to meet at least ten times a year and the minutes of the meetings were to be recorded. The minutes are located in the Board of Trustees Series (RESTRICTED). Miscellaneous papers and pictures of some trustees, especially of Watson S. Rankin, a physician, who was also head of the Hospital and Child Care Divisions for many years, are in the Miscellaneous Series. Rankin was an early proponent of rural hospitals as a way to make health care available to greater numbers of citizens. The related correspondence of Graham L. Davis, assistant to Watson S. Rankin, is in the Health Care and Child Care Division Series (RESTRICTED), Health Care Subseries. The Publications Series includes material by or about several trustees.
The Indenture directed the trustees to expend funds for the establishment of Duke University. Designated by Mr. Duke "as one of the principal objects of this trust," a percentage of The Duke Endowment's corpus was to be applied annually for its support. Duke Construction Company was organized by the Board of Trustees to build the university (now known as the West Campus). The architect Horace Trumbauer designed the campus buildings and plant, and the landscape was designed by Olmstead Brothers. Financial records for the construction of Duke University, including the operation of Duke Construction Company, are in the Controller's Office Series (RESTRICTED) and architectural drawings for the buildings, campus plot, and landscaping are in the Miscellaneous Series. Documentation of The Endowment's support of the other educational institutions named in the Indenture, including disbursements and income generated, is in the volumes in the Controller's Office Series.
Non-profit hospitals receive support from The Duke Endowment for free days of care for individuals unable to pay the costs of hospitalization. If all the funds designated for free days of care are not spent in any given year, excess funds may be used for support of hospital construction, maintenance, and equipment. Medical education is also supported, and technical assistance for administrative functions is provided through published manuals. A similar arrangement was established for societies, agencies, or institutions that cared for orphans and half-orphans. The Health Care and Child Care Divisions, Central Files (RESTRICTED), and Publications Series provide detailed documentation for institutions and programs that receive assistance from The Duke Endowment.
The history of hospital services and statistics for the types of admissions in North Carolina and South Carolina, especially rural areas, can be studied in the Health Care and Child Care Divisions Series, Health Care Division Subseries [NOTE: Formerly known as the Hospital and Child Care Divisions Series and the Hospital Division Subseries, respectively]. The applications from individual hospitals, as well as summaries and statistics that group institutions into comparable categories, provide important documentation about the various types of hospitals and their clients in North Carolina and South Carolina, including hospitals' economic statuses, physical plants, and in-patient and out-patient demographics. Most of the earlier statistics include breakdowns for the number of African American and White patients served and their medical profiles.
The history of institutional child care in North Carolina and South Carolina is documented in the Health Care and Child Care Divisions Series, Child Care Division Subseries. The Child Care Division applications for assistance describe the individual institutions that request support from The Duke Endowment. The applications include information about the physical plant, administration and financial status, population statistics, and the physical care and education of children. The summaries use the information in the applications for assistance and group it by type of institution, e.g., religious, community, county, state, more than 150 beds, under 151 beds with farms, White, African American, etc.
Minutes in the Health Care and Child Care Divisions Series, Health Care and Child Care Committee Subseries document some discussions of how funds would be allocated by The Duke Endowment. The published Annual Reports of the Hospital and Child Care Divisions include substantial statistical information and summary reports about specific institutions served during the year. These reports, located in the Publications Series, are a useful place to begin research about hospital and child care. Reports for these divisions are also in the Year Books.
Between 1915 and 1924, Mr. Duke made systematic contributions to the Methodist Episcopal Church, South, for churches in the North Carolina and Western North Carolina conferences. His contributions were first administered through the Board of Missions of the Methodist Episcopal Church, South. In 1920 Trinity College began to administer the funds. The Church Architect Program files in the Rural Church Division Series (RESTRICTED), Miscellaneous Subseries reflect another arrangement between Duke University and the Rural Church Division. The creation of The Duke Endowment established a formal trust to continue similar support for building and operating rural churches, income for superannuated ministers, and widows and orphans of deceased ministers. The records of the Rural Church Series, Building Grant Files and Church Maintenance Files Subseries document the assistance that individual churches received to build, maintain, and operate churches. Many of these records include oversize blueprints or architectural drawings. There are also records for special projects and other activities supported by The Duke Endowment. The Correspondence Subseries includes information about the concerns of specific churches as well as Methodism and religion in general. Area economic conditions were often described in the correspondence.
The Education Division and the Committee on Communications are currently responsible for publications produced by The Duke Endowment. The Publications Series is a useful starting place for information about The Endowment's activities for a given year or for a historical overview of the foundation. Publications, especially the Annual Reports and Year Books, provide information about the trustees and staff; changes in the organization of The Duke Endowment; and summary information about various divisions, including financial distributions and income, statistics, and specific programs and activities supported by The Endowment at various institutions. Additional publications are in the Miscellaneous Series. Daily operations of The Duke Endowment are documented in the General Correspondence in the Central Files Series. Some general history about The Endowment is located in the Miscellaneous Series, including a signed copy of the Indenture and anniversary celebrations of the 1930s, 1960s, 1970s, and 1990s.
The Oral History Project Series (RESTRICTED), a project initiated in 1963, records the reminiscences of people who were knowledgeable about Duke University, the Duke family, and North Carolina and the region in general. The interviews were conducted by Frank W. Rounds of the Oral History Project of Columbia University. The correspondence includes outlines of the names of interviewees and the subjects they were to discuss.
Two groups of non-print materials and of oversize materials complete the collection. The Photographic Materials Series (RESTRICTED) contains approximately 200 photographs relating mainly to the Rural Church Division Series, especially the Committees on Church Architecture, and to the Miscellaneous Series. Several audio cassette recordings in the Audiovisual Materials Series (RESTRICTED) document miscellaneous meetings and addresses pertaining to the Health Care and Child Care Divisions Series. Although series from throughout the collection are represented in the Oversize Materials (RESTRICTED), this group is particularly rich in blueprints and other architectural drawings that support related materials in the Miscellaneous Series and in the Rural Church Division Series, Building Grant Files Subseries.
Includes fieldwork reports, interview tapes, slides, photographs, and other documentary material from the research and observations conducted by participants in the Durham Traditional Arts Survey Project. Durham communities and artists represented in the project include African American, African immigrants, Latino, Middle Eastern, Jewish, South Indian, and Asian, as well as occupational traditions and rural community traditions. Acquired as part of the Archive of Documentary Arts.
Collection comprises an audiocassette tape of the oral history interview conducted by Wilk with Emanuel Muravchik while Wilk was completing his graduate work at Duke University. The interview primarily focused on Muravchik's career in the Socialist Party, particularly from the 1920s to the 1950s, and mostly in New York State. Related topics include Muravchick's education; the process followed to place Norman Thomas on the New York State ballot as a Socialist Party candidate for the 1940 Presidential election; the relationships between socialists and communists; approaches used to build the Socialist movement; union and other organizing; as well as the impact of WWII on the movement and its leaders. Among the noted persons mentioned was J. Edgar Hoover. There is no transcript for the interview, and two digital files have been created from the audiocassette.
Correspondence, newsletters, publications, and other materials relating to the activities of Faith Holsaert from the 1960s to the present. A large portion of the collection consists of correspondence and ephemera from her involvement in the Civil Rights movement, including SNCC, and the women's rights movement. Also includes materials from the writing and publishing of Hands on the Freedom Plow, some of which is restricted. The collection also has a large amount of personal memorabilia and materials relating to Holsaert's childhood and family.
Acquired as part of the Sallie Bingham Center for Women's History and Culture.
Collection is comprised of files documenting the development and daily operations of the Feminist Women's Health Center (FWHC), a feminist non-profit women's healthcare center, from the years 1974-2003. Major components of the collection include files from research studies conducted at the center, policies and procedures for maintaining the center, and incidents of anti-abortion protests at the center, specifically involving the group Operation Rescue. The National Abortion Federation, the professional association of abortion providers in the United States and Canada, also figures prominently throughout these records. The collection is organized into six series: Administrative Files, Clinic Files, Subject Files, Financial Material, Legal Files, and Audiovisual Material. The collection also contains a physically segregated Closed Series.
The Administrative Files Series most clearly documents the day-to-day operations of the FWHC. Materials in this series include policies, procedures, and guidelines for operation of the center; minutes and notes from a range of meetings held by the center; personnel files; and schedules. This series contains four subseries: General Administrative Files, Meetings, Personnel Files, and Schedules.
Materials in the Clinic Files Series include a range of records related to clinical services provided and research studies conducted at the FWHC. This series has been divided into four subseries: Statistics, Laboratory Statistics, Research, and Patient Education Information.
The Subject Files Series includes files maintained by the staff of the FWHC on a range of topics related to women's health issues, events, local information, and other women's health clinics. This series contains two subseries: a General subseries which covers these subjects broadly, and an Anti-Abortion Violence subseries which focuses specifically on anti-abortion protests at the FWHC and other locations, the anti-abortion movement in the United States, and pro-choice efforts to counter this movement.
Items in the Financial Material Series consist of records, reports, and files documenting the financial situation of the FWHC between the years 1982 and 2001. These files detail the intricacies involved in operating a women's health clinic from a financial standpoint.
The Legal Files Series contains files related to legal issues faced by the FWHC, including lawsuits and legislation which would affect women's reproductive health and the clinic.
The Audiovisual Material Series consists of 28 audiocassettes and 11 videocassettes. Audiocassettes are primarily recordings of workshops, conference sessions, and events. Videocassettes are primarily educational. One videocassette documents anti-abortion protesters outside the FWHC.
The Closed Series consists of sensitive materials removed from the previous six series and CLOSED to research.
The Folio Club Records include meeting minutes and notes from the foundation of the club through recent years, reflecting the evolution and development of the club from a small group of Duke faculty wives to a large club of women with affiliations throughout the Durham area. Also included are correspondence files, which consist largely of postcard invitations to club programs and letters from members nominating new women to join the group. Also included are several versions of the club's constitution; photographs, some with labels, of the club's members; a handwritten history of the club's first 50 years; and programs collected by the club historian dating from 1937 through 2012 (an incomplete run). The annual programs include membership directories and a schedule of club events, usually centered around a theme. Some are annotated by their former owners.
The Franco Modigliani Papers span the years 1936 to 2005, with the bulk of the materials dating from the 1970s to 2003. Through correspondence, extensive research notes, unpublished writings, lectures and presentations, teaching materials, published materials, photographs, audiovisual materials, scrapbooks, and clippings, the papers document the career of a noted economist and Nobel Prize winner, from his earliest student work in Italy through his 40-year tenure of teaching and research at the Massachusetts Institute of Technology. The most current items are a DVD recording of his memorial held at MIT in 2003, and a thesis by an Italian graduate student on Modigliani's macroeconomic views on the Italian and European economy, of the same year. The many annotations written by Modigliani's wife and collaborator, Serena Modigliani, found throughout the collection, provide further information contextualizing the materials. The collection is organized into the following series: Correspondence; Writings and Speeches; Teaching Materials; Professional Service; Engagements; Printed Materials; Personal Files; Audio and Visual Materials; and Electronic Formats. Oversize materials are described at the end of the collection guide.
Researchers will find ample documentation in the collection on Modigliani's work on the life-cycle hypothesis of savings, leading to the Nobel Prize in 1985. Other materials represent his work on topics and issues such as monetary policies, both domestic and foreign; pension trusts; public debt; econometric modelling; international finance and the international payment system; the effects of and cures for inflation; stabilization policies in open economies; and various fields of finance such as savings and investment, credit rationing, mortgages, the term structure of interest rates, and the valuation of speculative assets. Extensive documentation can also be found in the collection on Modigliani's key participation in the design of a large-scale model of the U.S. economy, called the MPS (an abbreviation deriving from collaborators MIT, Pennsylvania State University, and Social Science Research Council), sponsored by the Federal Reserve Bank, a model used by the U.S. government until the 1990s. Other documents reveal Modigliani's analyses of the forces of economics and politics in the United States as well as in Italy and the European Union as a whole. His views on various social issues, including the arms race, are found throughout the papers, especially in the many editorials and commentaries he wrote for newspapers and other publications. The materials in this collection reveal the high value that Modigliani placed on collaboration with other economists and with graduate students, with whom he exchanged letters, notes, and drafts of writings and commentary. Researchers examining the correspondence and writings will find the comments, replies, and writings of his many colleagues on the same range of topics. Significant correspondents or collaborators documented in the collection include European and American economists such as Albert Ando, with whom he collaborated on the MPS model, Mario Baldassarri, John Bossons, Jacques Drèze, Merton Miller, Paul Samuelson and James Tobin. Many other major economists of the twentieth century, as well as many political and academic individuals, are represented in smaller amounts of writings and correspondence.
In addition to illuminating Modigliani's distinguished academic career and his collaborative approach to teaching and research, the materials in this collection offer insights into how he contributed significantly throughout his life to European and United States economic growth and reform, through professional service as an analyst, advisor, and expert witness. Organizations that benefited from this work include the Federal Reserve Board, the Federal Reserve Bank, the U.S. Congress, and the Treasury Department. Other organizations with whom Modigliani participated and corresponded and are represented in many series in the collection are the offices of the International Economic Association, the American Economic Review, the National Science Foundation, and the National Academy of Sciences.
The Correspondence Series, second largest in the collection, spans all of Modigliani's career, and consists chiefly of professional exchanges initiated by his colleagues in the U.S. and in many other countries. Many of the exchanges are in Italian, though most are in English. Numerous correspondents requested that Modigliani review their writings, and in most cases a draft of their manuscripts can be found in the folder, often accompanied by Modigliani's comments. The correspondence also contains more routine exchanges concerning student advising, academic committees, and activities related to Modigliani's non-academic service. There is very little personal or family correspondence in the collection, though there are some exchanges between Franco Modigliani and his son Andr, sociologist at the University of Michigan, and with his granddaughter Leah, a financial analyst with Morgan Dean Stanley Witter, with whom Modigliani collaborated on a formula for measuring stock risks.
The largest in the collection, the Writings and Speeches Series is subdivided into several subseries, the most extensive of which, the Research and Writings Subseries, contains a wealth of notes, data, subject files, and writings that underpinned and informed nearly all of Modigliani's most significant published works. These extensive files document the evolution of Modigliani's thought on a wide range of economic, social, and political topics, and the amount of materials in this series contributed by his colleagues serves to underscore Modigliani's collaborative approach to research and writing. As much as a third of the material is in Italian. Many of Modigliani's speeches and lectures given around the world, including his Nobel lecture on the life-cycle hypothesis of saving in 1985, can be found in the Speeches and Lectures Subseries. The Non-Academic Writings Subseries contains other writings by Modigliani directed chiefly at a popular audience, in the form of newspaper articles and editorials; while the Writings by Others Subseries houses individual writings, in both manuscript and published form, by Modigliani's colleagues that were not part of the Research and Writings files.
Modigliani spent the greater part of his professional life serving in a number of roles that helped shape the national economic policies in Europe, particularly in Italy, and the United States. The Professional Service Series documents Modigliani's work for various U.S. agencies and organizations. It includes materials from his work under the Federal Reserve Board (FRB), from about 1964 to 1983; these files include agendas, minutes, notes, correspondence, papers, and statistical output relating to FRB meetings and MPS Economic Model. Other files house information relating to his frequent Congressional testimony; his work with the International Economics Association during the seventies and eighties, including conference papers and programs, minutes from executive committee meetings, nominating committee reports, and correspondence; and his other periods of collaboration with the Central Bank, the National Academy of Sciences, the office of the Secretary of the U.S. Treasury, and others. Materials on Modigliani's lengthy service to Italian and other European governments can be found primarily in the Research and Writings Subseries of the Writings and Speeches Series and the Correspondence Series.
The papers in the Teaching Materials Series document Modigliani's career as a professor of economics through lecture notes, syllabi, and some student papers, all filed in the Modigliani as Teacher Subseries. Materials derive chiefly from his tenure at the Massachussetts Institute of Technology, although there are some materials from earlier appointments. There are some materials, chiefly class notes, from Modigliani's own student days in the United States in the Modigliani as Student Subseries.
The Personal Files Series is one of the smallest in the collection. It contains materials pertaining to Modigliani's life in Italy and his forced emigration to the United States in 1939, diplomas and honorary degrees, and a number of folders containing biographical information and articles honoring Modigliani's life and work.
Spanning several decades of internationally-recognized work and the awarding of a Nobel prize in 1985, the materials in the Engagements Series, though routine in nature, document the extent to which Modigliani spoke to academics and the ordinary public about issues in economics, via lectures, conferences, and interviews. Files in the Commitments Subseries include routine correspondence, travel arrangements and itineraries, and some writings related to the lecture or speech. The small Calendars Subseries contains appointment books and calendars dating from 1971 to 2003.
In addition to manuscript materials, the collection holds a great number of published writings. These are chiefly housed in the Printed Materials Series and take the form of reports, journals, books, and many reprints of articles. Most of the materials are written by Modigliani, but there are substantial numbers of publications by others in this series. Almost all of the few dozen bound publications originally found in the collection have been cataloged separately for the Duke online catalog and will be housed in the rare books and Perkins Library stacks. They can be accessed by searching the online catalog; a note in the record indicates their original link with these papers. Although nearly all of Modigliani's article-length published works are represented in this series, including early articles from the 1930s, some titles may not be present.
The Audio and Visual Materials Series serves as a repository for photographs, videocassettes, audiocassettes, microfilms, and a few CD-ROMs, which contain interviews, lectures, and speeches given by Modigliani, with a few including contributions by his colleagues. One CD-Rom contains the proceedings from a posthumous conference held in 2005 in remembrance of Modigliani. Family scrapbooks preserved on microfilm are made up of clippings, programs, and other memorabilia related to significant events in Modigliani's career. Use copies may need to be made of some items. Please consult with Research Services staff before coming to use this collection.
Digital formats in the collection are grouped under the Electronic Formats Series (RESTRICTED), which contains correspondence, course materials, data, and drafts of writings and speeches. The contents of the disks have been migrated to the Special Collections server. A disk directory is available for use. Please consult with Research Services staff before coming to use this series.
The Anne and Frank Warner Collection, with materials dating from 1899 to 2000, is a record of the Warners' active life of collecting, recording, and producing music and publications associated with traditional American folk song culture and African-American music traditions, primarily from along the eastern seaboard areas, in the Appalachian Mountains of western North Carolina, and as far as New Hampshire to the north. The bulk of the materials date from the 1930s through the 1980s, and are organized into six series: Correspondence; Subject Files; Folk Materials; Writings; Audiovisual Materials; and Prints and Negatives. Through handwritten correspondence with a wide variety of folk singers and musicians, subject files, printed materials, film, video, photographs, and the Warners' own studio albums of folk songs, these materials document early methods for recording and collecting songs - the 20th century development of American ethnomusicology. Moreover, as an invaluable resource for studies in traditional American folk life, the collection also includes field audio recordings and photographs of folk singers, songwriters, and musicians in their element, at home with their families, singing and playing their instruments. Notable individuals referred to in the Warner Collection include: William Rose Benet, Carl Carmer, Bill Doerflinger, Lena Bourne Fish, ("Yankee") John Galusha, David Grimes (of the Philco Corporation), Wayland Hand, Rena and Nathan Hicks, Buna Vista and Roby Monroe Hicks, Ray Hicks, Peter and Beryl Kennedy, Alan Lomax, Bessie and Frank Proffitt, Carolyn Rabson, Carl Sandburg, Pete Seeger, Charles K. ("Tink") Tillett and family, and Charles L. Todd. The Warners were actively involved with a number of organizations, among them: the American Folklore Society, the Country Dance and Song Society of America, Duke University, the Library of Congress, the Newport Folk Foundation, the New York State Historical Association, and the YMCA. The Warners published a number of essays concerning traditional American folk culture and music in Think Weekly, the Appalachian Journal, Country Dance and Song, the Long Island Forum, A Celebration of American Family Folklore, and Come for to Sing. In addition to these, Ann Warner's book, Traditional American Folk Songs in the Frank and Anne Warner Collection, 1984, remains the authoritative compendium of the Warners' research in and collection of traditional American folk music.
The Warners' personal and professional relationships with various people and organizations can be traced through materials in the Correspondence Series, 1934-1985. Significant exchanges with the American Folklore Society, the Library of Congress, with William Rose Benet, Carl Carmer, Wayland Hand, Alan Lomax, Carl Sandburg, and Pete Seeger are extensively documented in the files. More correspondence can be found elsewhere in the collection - organized topically in the Subject Series, and according to correspondents' names in the Folk Materials Series.
The Subject Files Series, 1899-1984, houses documentary materials that give a wider context to the Warners' life and work. This series includes information about the Warners' genealogies, Frank Warner's work with youth and his career in the YMCA, material germane to the lawsuit that developed over the song "Tom Dooley," information on and clips about various performances and recordings, and other materials.
The Folk Materials Series, 1938-1982, contains correspondence between the Warners and many of the traditional American folk singers and musicians that they visited; for some of the individuals there is more information than correspondence alone. This series is organized by state, city or region, and then individual or family, for example: North Carolina, Appalachia, Rena and Nathan Hicks. The states represented are: North Carolina, New Hampshire, New York, Virginia, and West Virginia. The Warners' correspondence with both Rena and Nathan Hicks and Bessie and Frank Proffitt comprise the most extensive files. The series materials provide essential documentation for understanding the communities and the world views of the musicians.
The Writings Series, 1938-1985, contains a variety of materials, including documents that the Warners published in journals dedicated to folk life; grant applications; materials germane to the production and publication of Anne Warner's book, Traditional American Folk Songs; words to recorded and unrecorded folk songs in the collection, including some songs by Frank Warner; and Anne Warner's hand-written field research journals and notebooks.
An extensive collection of songs, interviews, and other recordings on audio tape reels, cassette tapes, phonograph albums, and compact discs are housed in the Audiovisual Materials Series, 1940-2000. Several motion picture films and video tape recordings also document the Warners' work and performances. Many of the items in the Audiovisual Materials Series are documented in written form in the Writings Series, including the sound recordings of folk songs and interviews collected in the Library of Congress master tapes, and which are not included in Anne Warner's book, Traditional American Folk Songs.
The Prints and Negatives Series, 1933-1969, extends the Warner collection's scope to include photographic images as well. There are 239 black and white prints, which are arranged alpha-numerically into lots from Lot 1 through Lot 9E. Within the lots, the prints are identified by number. In the pictures, the Warners have captured images of many traditional American folk musicians and singers. The Warners themselves appear frequently throughout the collection. The photographic documentation of the Warners' travels contains pictures of folk singers and their homes and families, including: Nathan, Roby Monroe, Buna Vista, Ray and Linzy Hicks; Lena Bourne Fish; Bessie and Frank Proffitt; the Tillett family; Louis Solomon; and Carl Sandburg.
The Frank Baker Papers date from 1641 through 2002, with the majority of the materials dating from the 1800s to the 1990s. The collection houses correspondence, articles, pamphlets, extensive subject and research files, clippings, publicity, a few audio recordings and microfilm, and other materials documenting the professional career and life of Frank Baker, historian of Methodism and particularly of the life and career of minister John Wesley, considered the founder of British Methodism. The collection is arranged in the following series: Audiovisual Materials, Baker Collections Files; Correspondence; Libraries and Archives; Ministry; Personal Files; Printed Material; Professional Service; Scrapbooks and Albums; Subject Files; Teaching Materials; and Writings and Research. Many of the series are divided into subseries, and two are also followed by an Oversize Materials subseries. Note that early dates usually represent reproductions, not originals, although the collection does house some original research materials.
Topics covered by the materials in the collection include: the history and development of Methodism and of the Wesley family; the history of the Church of England, and the Methodist Church in England, the U.S., and other countries; the development of academic research on Methodism and its publications; the history of the Baker book and manuscript collections in the Duke University Libraries; music and hymnology; and the development of the Wesley Works Series, a publishing project headed by Baker. There are abundant research materials on notable individuals associated with Methodism such as John and Charles Wesley, many other Wesley family members, and others such as William Grimshaw and Francis Asbury.
The largest series is the Subject Files (122 boxes), research files assembled by Baker on approximately 1500 topics related to the Wesley family and the history of Methodism and the Methodist Church. Another large series is Writings and Research (48 boxes), containing files of research notes, correspondence, print materials, and publicity related to each of Baker's published works. There are also many student writings in the collection and other materials related to Baker's teaching. Among the Personal Files are biographical files on Frank Baker; awards and honors; travel-related items, and two portrait photographs of Baker's parents. Baker's personal hobbies are reflected in the stamp collecting materials and a group of Victorian-era monogram and crest albums and "libri amicorum," or friendship albums that round out the collection.
Frank Baker papers, 1641-2002 and undated, bulk 1740-1995 112.7 Linear Feet — Approx. 90,000 items — Approx. 90,000 Items
Frank Espada's photographic archives comprise thousands of photographic prints, contact sheets, and negatives, as well as professional papers, spanning the length of Frank Espada's career as a photographer and community activist from the mid-1950s through 2010. The materials document Espada's Puerto Rican diaspora around the world; indigenous Chamorro communities in Micronesia, primarily in Guam, Tinian, and Saipan; drug abuse prevention programs and HIV/AIDS outreach in San Francisco; and civil rights, education, and housing rights movements, primarily in New York City and San Francisco. Espada was not only an observant photographer, but was also deeply involved in all of his projects as an activist, social worker, and humanitarian.
A large series of professional papers provides supporting documentation of his life and work as a photographer, activist, community organizer, and teacher. The earliest dated item, an essay Espada wrote in 1946, "What democracy means to me," is found in this series, which also contains research files on documentary and research topics; preparation for his many photography projects and related exhibits; a few videocassettes; teaching syllabi and notes from his photography courses at U.C. Berkeley; awards and memorabilia; and publicity.
The largest body of materials, which numbers over 12,000 items and includes photographs as well as manuscripts and over 100 recorded oral interviews, derives from Espada's work with Puerto Rican communities in the U.S. and in Puerto Rico.
Another significant group of materials derives from Espada's activism on behalf of voter registration and school desegregation in New York City from 1962-1970, and later in California in support of anti-poverty, HIV/AIDS and drug abuse prevention and outreach, and housing rights.
Each of the photographic project series includes finished prints ranging in size from 8x10 to 24x30 inches; contact sheets and work prints; and negatives, which are housed in a separate series and are closed to use.
Acquired as part of the Archive of Documentary Arts at Duke University.
Frank Espada photographs and papers, 1946-2010, bulk 1964-2000 56.2 Linear Feet — 76 boxes; 3 oversize folders — approximately 14,500 items
The fully processed portion of the Fred Chappell Papers spans the dates 1960-1997, with the bulk being dated after 1970. There are several additions covering the years 1998 through 2015. The collection consists of correspondence; writings by Chappell and other authors; printed material (primarily serials containing stories, poems, and articles by Chappell but also clippings); legal and financial papers; speeches and addresses; interviews; and other material. Documents relate to Chappell's personal life and career, both as a student and writer at Duke University, where he studied under well-known creative writing teacher William Blackburn, and as a writer and professor at the University of North Carolina at Greensboro (UNC-G). The collection documents the entire length and breadth of Chappell's multifaceted career, beginning with the years just after he completed his undergraduate studies at Duke and started his first novel at the urging of Hiram Haydn, an editor to whom Blackburn had introduced him. Letters, manuscripts, and notebooks provide insight into Chappell's developing literary career, his academic activities at UNC-G, and his growing involvement with a large network of writers, including a number of his former students. Many prominent American authors, especially Southern ones, are represented in the collection. Among the most frequent correspondents are Kelly Cherry, Grace DiSanto, George Garrett, Marianne Gingher, Dana Gioia, Donald Hall, Heather Ross Miller, Robert Morgan, Eve Shelnutt, and Dabney Stuart. Notebooks, manuscripts, typescripts, proofs, and printed material document the development of Chappell's career across all the genres in which he writes. Supporting material in non-print media, including photographs and audio and video cassettes of readings, document public aspects of his career.
The Correspondence Series, arranged chronologically in Incoming and Outgoing subseries, discloses the range of Chappell's interests and activities in the literary community. The letters not only provide a portrait of his development as a poet and novelist but also demonstrate his active roles in supporting the careers of other writers and promoting the literary community. These latter activities are documented by his numerous affirmative responses to a broad range of requests to read drafts of works-in-progress, write recommendations for other writers for grants and awards, write reviews and provide blurbs for new publications, serve as the judge of contests, speak at conferences and workshops, and serve in various advisory and editorial capacities for literary journals. The correspondence also provides much information about his teaching career and his legacy of students who develop successful careers of their own, such as Cherry, Miller, Morgan, and Shelnutt. The bulk of the outgoing correspondence dates to 1990 or after, when, at the request of the Rare Book, Manuscript, and Special Collections Library, Chappell began retaining copies of all outgoing correspondence.
The Writings by Chappell Series is divided into subseries by genres with the exception of one subseries based on format, the Notebooks Subseries. Since Chappell writes with relatively few hand corrections on any particular stage of his work, the development of an individual work is often apparent only by comparing various complete drafts in manuscripts, typescripts, and proofs. The notebooks are particularly valuable in this regard, providing what often appear to be the earliest versions of works. The notebooks also indicate the facility with which Chappell moves from one genre to another, as most of them are not devoted to a single work or genre but rather include poems, stories, novel fragments, essays, reviews, translations, and drafts of correspondence following one after the other. This versatility is further reflected by the Printed Materials Series, which contains extensive serials with Chappell's publications in multiple genres, especially fiction, poetry, and reviews. At the end of this series, the Clippings Subseries documents his public and critical reception with copies of reviews and essays about his work and publicity about it.
The Miscellaneous Series contains a variety of flyers, leaflets, newsletters, and examples of fan mail that further demonstrate his literary career. Prominent here are such items as the proofs for a 1990 symposium about his poetry and newsletters of the Fellowship of Southern Writers. It also contains two small subseries of audio and video cassettes of readings, interviews, and work by other authors.
The Writings by Others Series contains manuscripts from well-known contemporary writers, ex-students, and aspiring writers seeking advice. Chappell's reactions to the manuscripts are written on many of them, often as the first draft of a letter or requested recommendation. Most writers are represented by only one or two items, but Cherry and Shelnutt are both represented by more than a dozen pieces that, together with their frequent correspondence, outline the development of their respective careers.
Later additions to the collection include incoming and outgoing correspondence, drafts and writings of Chappell's poetry, honors and awards, and printed materials and publications featuring Chappell or his work. Most accessions include bound volumes as well as writings and manuscripts by other authors or poets. There are also some oversize materials, audiovisual materials, clippings, and photographs. These additions have been loosely sorted but have not been incorporated physically or intellectually into the originally processed collection. Please consult Research Services with questions about using these materials.
The Frederick Herzog Papers span the years 1947-2011 with the bulk of the material spanning the years 1947-1995, the year of Herzog's death. These papers provide rich documentary evidence on the historical connections between religion, the Civil Rights Movement, and human rights. The material covers specific areas in which Herzog was involved such as the Civil Rights Movement in Durham and other parts of North Carolina, Durham and Duke University history, student unrest in the 1960s, and human rights issues in Peru in the late 1980s and early 1990s. The collection includes video and audiocassettes regarding Herzog's involvement in Peru and various lectures and classes on theology. His work as a professor at the Duke Divinity School and with various other theological and civil rights organizations is documented in the correspondence he sent to and received from various individuals and groups, as well as in the various committee documents and minutes that record his professional activity in the university. The bulk of material on courses taught and lectures given by Herzog, as well as his participation in both the student exchange program with the University of Bonn and in the Peru and Bolivia student exchange program, can be found in his notebooks and course materials. A large part of this collection is comprised of Herzog's research files on religion, civil rights, labor organizing, racial issues, and protest in North Carolina and nationally, including Herzog's own participation in civil disobedience. Noteable research projects include his work in Peru, his work with the United Church of Christ (UCC) and the Evangelical Church of the Union (EKU), and his work with black churches and theology. This collection also contains original annotated drafts of a variety of Herzog's publications, sermons, speeches and lectures.
The papers of George P. Garrett span the years 1929 to 2000 with the bulk of the material being dated between 1960 and 1990. The papers were initially collected and assembled by author, bibliographer, and publisher Stuart T. Wright. Wright published a number of Garrett's works at his Palaemon Press and also assembled the Stuart Wright Bibliographic Collection of George Garrett (see related materials held by the Rubenstein Library). Additional materials were received by the Library directly from George Garrett.
The collection primarily documents Garrett's literary career as an author of novels, short stories, poetry, and dramatic works (including filmscripts) and the tremendous influence he had as an English professor and an editor on an entire generation of writers, particularly in the South. Correspondence with numerous authors, publishers, and educators offers much information about the history of 20th-century Southern literature, publishing, and literary education. The collection is divided into the Writings Series (with subseries of Writings by Garrett, Writings Edited by Garrett, Writings by Others, and Proofs); the Correspondence Series (with 5 subseries of alphabetically and chronologically arranged correspondence); the Audiovisual Material Series; and the Miscellaneous Papers Series.
The Alphabetical Correspondence Subseries: Group A contains letters from numerous contemporary American authors, among them Madison Smartt Bell, who wrote regarding the progress of his fiction, his experience with publishers and literary agents, and his interview with Garrett for Paris Review; and Fred Chappell, whose letters provide commentary on his own works The Inkling and Dagon as well as praise for Garrett's Death of the Fox,The Magic Striptease, and Welcome to the Medicine Show. The Writings by Others Subseries contains Bell's interview with Garrett, in which Garrett discusses his writing process, and critical essays by Fred Chappell (including one on Garrett's The Stranger in the Mirror and one on the work of Sylvia Wilkinson). The Proofs Subseries contains a proof of Reynolds Price's Collected Stories, with brief comments by Garrett.
Garrett's own literary career is documented throughout the collection. The Writings by Garrett Subseries contains manuscripts, typescripts, notes, and drafts of his work, some of it bearing notes for revision. The Chronological Correspondence Subseries contains letters in which Garrett wrote about his works in progress and letters from friends and publishers regarding his work. The comments of noted literary figures regarding Garrett's work frequently appear in letters in the Alphabetical Correspondence Subseries: Group A. This series also affords researchers a detailed view of literary criticism and support exchanged between Garrett and the many authors represented in the collection. His negotiations with publishers are best documented in the Alphabetical Correspondence Subseries: Group B. The Audiovisual Material Series contains some recordings of Garrett reading from his own work.
The Audiovisual Material Series, which contains many recordings of Garrett's lectures, classes, and addresses to groups of writers, students, and literary scholars, documents Garrett's teaching style and his ideas on the teaching of writing. Recordings of lectures and readings by many other well-known authors also appear in this series. Garrett's impact on his students and fellow authors is again visible in the Writings by Others Subseries, which consists of numerous manuscripts, typescripts, and drafts (some bearing notes by Garrett) of work sent to Garrett for commentary and revision.
The addition (Acc. 1998-0356) (5500 items, 15 linear feet; dated 1980-1998 [bulk 1995-1997]) further documents the life, career, and writing of the author and educator. It consists of audiotapes of various authors, including Garrett reading their works; a videocassette entitled "The Great Gatsby"; printed materials and writings, including published books, journals, drafts, and bound proofs; a large amount of personal and business correspondence; and manuscripts submitted to Garrett for comment.
The addition (Acc. 1999-0268) (1 item, 0.3 linear feet; dated [ca. 1996]) consists of a photocopied typescript of Garrett's novel The King of Babylon Shall Not Come Against You with handwritten annotations.
The addition (Acc. 1999-0379) (450 items, 0.6 linear feet; dated 1956-1972) is primarily comprised of incoming correspondence, chiefly professional; a number of writings are interfiled with or attached to letters. Also included are miscellaneous printed materials such as brochures and clippings.
The addition (Acc. 2000-0085) (9100 items, dated 1964-1999) further documents Garrett's literary career with additional manuscripts, often parts of or related to The King of Babylon Shall not Come Against You. There are audiotapes of readings by Garrett and others, literary correspondence, and clippings.
The addition (Acc. 2000-0303) (15 items, 1 linear foot; dated 1995-2000) documents some of Garrett's writing process and his direct comments in readings and on videotape. Included are page proofs and a revised typescript of The King of Babylon Shall Not Come Against You, a revised typescript of Entered From the Sun, 11 cassette tapes of readings and lectures presumably by Garrett, and a videotape entitled "Writers - East of the Blue Ridge" on which he is interviewed.
The addition (Acc. 2002-0034) (1 item, 1 lin. ft.; dated 2002) comprises an uncorrected page proof, with color cover, for Garrett's Going to See the Elephant: Pieces of a Writing Life. This accession is unprocessed and has been interfiled.
Additions (Acc. 2005-0067) (1875 items, 3.0 lin. ft.; dated 1990s-2003) and (Acc. 2004-0133) (2 items, 0.1 lin. ft.; dated 2004) comprise manuscripts, drafts, notes, typescripts, and correspondence for Double Vision, The Year in Fiction, and Every Bitter Thing. Also includes typescripts, notes, holograph manuscripts, and typescripts with holograph corrections for essays, stories, and other writings; and a broadside of Garrett's poem, Luck's Shinning Child, printed for the 2004 Virginia Festival of the Book.
The addition (Acc. 2006-0090) (750 items, 1.2 lin. ft.; dated 2005-2006) contains proofs for Bad Man Blues and The King of Babylon Shall not Come Against You.; manuscripts for Godfather and several short stories; print materials including books and journals authored or edited by Garrett; 2 DVDs; and 12 computer diskettes. The content of these diskettes has been migrated to archival storage server. Closed pending processing.
The addition (Acc. 2007-0075)(5,400 items; 7.2 lin. ft.; dated 1971-2006) primarily contains drafts of Garrett's writings as typescripts and electronic files on diskettes. Also included are books and journals that feature his works and works of other authors; audiocassettes and CDs of interviews and readings by Garrett; and correspondence. Closed pending processing.
The addition (Acc. 2008-0181) (760 items; 1.2 lin. ft.; dated 1999-2008) contains notes, research, and drafts of Garrett's short story "The Source", eventually renamed "Thanksgiving". There are also some folders of correspondence, transcripts of interviews, and some audiovisual material including four audiocassette tapes and one DVD.
The addition (Acc. 2008-0271) (375 items; 0.6 lin. ft.; dated 1985-2008) contains correspondence; drafts and notes for poems and other projects, including an "Armies of Occupation" project; and copies of newspaper clippings and interviews with Garrett.
Addition (Acc. 2013-0168) (50 items, 0.1 lin. ft.; dated 1964-1972) comprises a file of letters to Garrett from those whose last names begin with the letter "P."
The papers of Gerald M. Meier span the years 1928-2003, with the bulk of the materials from 1941-2001. These materials document the growth of Meier's career from a student of economics to an academic economist. This collection includes personal and professional correspondence; lectures; course notes taken as a student or developed for his lectures on international economic relations; syllabi, reading lists, exams, and other course materials; materials relating to conferences attended; published writings; and audiotapes of interviews relating to the evolution of development economics. The Correspondence Series is largely of a professional nature, and is chiefly concerned with international and development economics. Prominent among Meier's correspondents were Peter Bauer, Gottfried Haberler, W.A. Lewis, Hla Myint, Paul Rosenstein-Rodan, W.W. Rostow, Dudley Seers, H.W. Singer, and Paul Streeten.
Many of Meier's major publications are represented in the Writings and Speeches Series. These include Economic Development, Emerging from Poverty, The International Economics of Development, International Trade and Development, Leading Issues in Development Economics, Pioneers in Development, and the Problems series of books. Though there are more than a few folders containing materials on conferences attended by Meier, by and large the Subject Series contains a great deal of course materials. From his days as a student, there are notes, exams, syllabi, reading lists, and bibliographies from Reed College, Harvard University, and University of Oxford concerning courses taken under Edward Chamberlin, Gottfried Haberler, John Hicks, Wassily Leontief, and others. Also, there is material representing the several law courses Meier enrolled in at Yale University and Stanford University. Among the lecture notes from Williams College, Wesleyan University, Yale University, and Stanford University, there are also syllabi, exams, and reading lists representing his tenure as a professor. Of particular note are the several folders concerning Meier's role in the genesis and growth of the College of Social Studies at Wesleyan University.
Accession (2010-0211) also contains work from Meier's career, including reprints of his articles (dated 1949-1984) and materials from his lectures and presentations on development economics (dated 1986-2002). Also included are some miscellaneous correspondence, grant proposals, and book reviews. A large portion of the accession relates to Meier's writings, including his drafts and correspondence from several books, especially Frontiers of Development Economics (published 2001) and Development: Biography of a Subject (published 2004). Another section of interest is Meier's collection of materials on the career of John Hicks, a 1972 Nobel prize-winning economist. The collection includes article reprints written by Hicks, some clippings about his life, and an undated, unpublished manuscript titled "The Theory of Demand and the Theory of Welfare."
The records of the Harriet Wasserman Literary Agency span the dates 1948-1993, with most of the records dating after 1974. The records dated prior to 1981, when the agency was formed, are those of writers who were Wasserman's clients when she was employed at the Russell and Volkening agency and stayed with her when she formed her own agency. The collection documents the careers of individual writers and in doing so indicates the varied activities of a major literary agency: preparation and submission of manuscripts, negotiation of contracts, handling of foreign and reprint rights, publicity, and the differing ways affairs are handled for lesser known or beginning writers and for major authors. Among the more prominent American fiction writers included are Richard Bausch, Saul Bellow, Frederick Buechner, Oscar Hijuelos, Josephine Humphreys, Ruth Prawer Jhabvala, Alice McDermott, and Reynolds Price. In addition, records about historian George F. Kennan and philosopher and historian Allan Bloom are included. The correspondence is primarily about professional matters, although some sense of the personal relationships between the agent and the more prominent clients can be gleaned.
By far, the Bellow papers comprise the largest group relating to any single author, and cover the longest span of years, from 1948 to 1993. There are relatively few papers from 1948 to 1972, but those present contain a few personal letters to Bellow from his contemporaries such as the novelists Ralph Ellison and Wright Morris. The bulk of the Bellow papers date from 1973, and convey a clear impression of the activity surrounding his increasing fame, particularly with the publication of Humboldt's Gift, the 1975 Pulitzer Prize for that novel, and the Nobel Prize in Literature in 1976. After that date his later career is sketched in detail and follows from inception through publication such works as The Dean's December, More Die of Heartbreak, and It All Adds Up.
The collection includes, in smaller amounts, material about the careers of other authors. In the current accession, the Bausch and Jhabvala papers are particularly rich among the fiction writers. Bausch's career is outlined from his breaking into the profession in the mid-1970s to his establishment as a major author by the late 1980s. Jhabvala's papers pick up in mid-career, when she has already published several novels and won the Booker Prize in England, but prior to her growing fame as a screenwriter for Merchant Ivory Productions. Her correspondence also includes a number of letters from director James Ivory and producer Ismail Merchant, particularly relating to the development of the film The Autobiography of a Princess (1975) and the accompanying photography book of the same name.
Of special note are the records about Reynolds Price and Josephine Humphreys. While the HWLA collection contains some unique items about these writers, especially Price, scholars should be aware that the Library is also the primary repository for the personal papers of these writers. Much more information is available in their respective collections.
Among non-fiction writers in the current (1995) accession, the papers of historian George F. Kennan and philosopher Allan Bloom document their careers in the 1980s. Most of the Bloom papers relate to the publicity surrounding the publication of The Closing of the American Mind, particularly reviews and speaking engagements. The Kennan material is more varied, including not only Wasserman's correspondence on Kennan's behalf, but several dozen lengthy letters from Kennan to Wasserman and others.
The 1999 addition (accession #1999-0275) (19,500 items, 32.5 lin. ft.; dated 1974-1999 and undated) expands on all of the collection series, especially materials related to Saul Bellow.
The 2001 addition (accession #2001-0050) (816 items, 12 lin. ft.; dated 1974-2000 and undated) includes book manuscripts, galley proofs (some inscribed), correspondence, notes, and other materials relating to the authors represented by the literary agency. Other materials include sixty-four black-and-white photographs, one black-and-white negative, four color photographs, and one audiocassette tape. Authors included in this addition are Richard Bausch, Jay Williams, Suzi-Lori Parks, Laurel Lee, Karla Kuskin, Elinore Clark, Perrin Ireland, Frederick Buechner, John Tyler Bonner, Martha Moody, Eugene Walter, Caroline Winthrop, Paul Lussier, Sharon Flake, Reynolds Price, Josephine Humphreys, Saul Bellow, George Dawson and Richard Glaubman, Julia Markus, George F. Kennan, Carole L. Glickfeld, Mark Winegardner, Michael Stewart, Diane Vreuls, Sandra Gould Ford, Charles McPhee, Mark Smith, and Harriet Wasserman herself.
The second 2001 addition (accession #2001-0115) (5 items, .1 linear feet; dated 1978-2001, bulk 1997-2001) contains correspondence between Wasserman and Shelley Gruskin. It also includes a playbill for performances of In Dreams Begin Responsibilities and Gimpel the Fool, signed by actor David Marguiles and a copy of Delmore Schwartz's In Dreams Begin Responsibilities and Other Stories. Both book and playbill are mentioned in the correspondence.
The 2003 addition (accession #2003-0051)(12,500 items, 30 linear feet, dated 1982-2000) consists chiefly of client files (correspondence, contracts, financial records, etc.), manuscripts and proofs of books by clients, published versions of books by clients, and related materials. Includes especially significant material for Saul Bellow and a few other authors, including Oscar Hijuelos and George Frost Kennan.
Addition (08-004) (18,000 items; 24 lin. ft.; dated 1984-2006) consists chiefly of client files (correspondence, contracts, financial records, etc.), manuscripts and proofs of books by clients, published versions clients, and related materials. Includes especially significant material for Saul Bellow and a few other authors, including Oscar Hijuelos and George Frost Kennan.
Addition (08-078) (8 items; .2 lin. ft.; dated 1984-2000) includes writing samples for agency authors, as well as literary award kits and publications.
Addition (12-008) (2250 items; 3.0 lin. ft.; dated 1972-2003) consists of agency files about author Reynolds Price, including general correspondence, contracts, book reviews, and other related materials.
Harriet Wasserman Literary Agency records, 1940s-2003 and undated (bulk 1978-1995) 190 Linear Feet — 52,755 items
The records of the documentary project "Indivisible: Stories of American Community" span the dates 1988-2002, with the bulk of the collection dating from 1999 to 2002, the primary timeframe for the project. Through documentary photographs and oral histories, project records, videos, and other materials, the collection documents the social conditions in twelve American communities as well as the history of the project, which explored civil activism, struggle, and change in the following locations: the North Pacific Coast of Alaska; Ithaca, N.Y.; San Francisco, California; Navajo Nation, Arizona and New Mexico; Eau Claire, South Carolina; Delray Beach, Florida; Western North Carolina; Stony Brook, N.Y.; San Juan, Texas; Chicago, Illinois; Philadelphia, Pennsylvania; and the Yaak Valley, Montana. Each project is fully described in its entry in this collection guide. The project co-directors were Tom Rankin of the Center for Documentary Studies and Trudy Wilner Stack of the Center for Creative Photography. The project was also supported by the Pew Charitable Trusts, the NEA, and other agencies.
The photographs in this collection, most of which formed part of a traveling exhibit, were taken chiefly during 1999 by twelve well-known documentary and landscape photographers working in partnership with project oral history interviewers. The photographers are Dawoud Bey, Bill Burke, Debbie Fleming Caffery, Lucy Capehart, Lynn Davis, Terry Evans, Lauren Greenfield, Joan Liftin, Reagan Louie, Danny Lyon, Sylvia Plachy, and Eli Reed. Their images capture the experiences of individuals participating in grassroots initiatives addressing American social issues such as housing, immigration (in particular, Haitians in Florida), the natural environment, race relations, youth empowerment, and economic and cultural development, and others.
Also preserved in this collection are detailed oral histories recorded in each community, with audio recordings and transcriptions; information on the traveling exhibit; and materials on other project outcomes, including a hardbound large-format book of the images, a postcard exhibit, a guide for educators, booklets and other publications on community organizing, and radio and television programs. Other files document the establishment of research archives based on the documentary project's output, at Duke, in Arizona, and in each of the twelve communities.
The collection is arranged into three series: Audiovisual Resources, Photographs, and Project Files. Audiovisual Resources houses the interview tapes as well as other media associated with the project; Photographs includes photographic prints, most of which accompanied the project book and exhibition; Project Files houses the interview records as well as tape lists, logs, and transcripts in both paper and digital formats. Additional supporting materials found in the Project Files Series include postcards and videocassette tapes from exhibits; a CD-ROM of the 2001 website; field notes in paper and digital format; and other office files generated by the project and its staff, including Tom Rankin, one of the project co-directors.
Acquired as part of the Archives for Documentary Arts at Duke University.
Indivisible: Stories of American Community records, 1999-2002, 1988-2002, bulk 1999-2002 14.2 Linear Feet — 7250 items
The collection contains correspondence, flyers, printed material such as newsletters and brochures, audiocassettes, slides, and directories. The material ranges in date from 1961-2007. More than half of this collection is comprised of subject files and subjects include the National Association for Foreign Student Affairs, volunteer programs, English as a Second Language classes, and other activities coordinated by the House. The paper "Decision Process for Study Abroad" by Masaomi Hayashi gives some statistical information about the reasons students come to Duke from abroad. The files also include publications and newsletters produced by other organizations. Flyers, administrative records and newspaper clippings provide a glimpse of some of the day to day operations of the International House. Directories of foreign students and faculty document the makeup of Duke's international community and include statistical breakdowns of individuals by country of origin or field of study, while advance information sheets completed by the students provide personal data (these sheets to do not contain protected information). Also included are two scrapbooks. Computer print-outs which contains personally identifiable information such as social security numbers were destroyed.
Note: The video and audio tape holdings of the Interntional Monitor Institute records are described in separate finding aids. A large portion of these tapes, particularly that section dealing with the Balkans, is not yet processed. Inventories are currently available for the following sections:
The International Monitor Institute Records span the dates 1986-2006, and primarily consist of audiovisual materials related to IMI's documentation of contemporary conflicts and human rights violations around the world. Countries represented include: Burma (Myanmar), Bosnia and Hercegovina, Cambodia, Kuwait, Iraq, Rwanda, Sierra Leone, and Thailand. Includes master and use copies of approximately 6000 videocassettes and 100 audio tapes and audiocassettes. The video and audio material is indexed by an extensive database developed by IMI which includes keywords, air dates, segment producer, segment title, and in some cases, transcripts and stills from the video. There are also six boxes of photographs and slides taken in the same regions, depicting destruction in areas of conflict, forced labor, refugees and refugee camps, and protests. The majority of the photographs, almost all color snapshots, were taken on the Burma/Thai border, in Bosnia and Hercegovina, and refugee camps in Rwanda. One set of seven folders are images taken by staff of the Women's Commission for Refugee Women and Children (now known as the Women's Refugee Commission). There are other images that come from United Nations organizations, including the International Refugee Commission. Finally, organizational records from the offices of IMI comprise a significant amount of the materail in this collection, including an extensive database of the audiovisual components and transcripts from war crimes tribunals.
Addition (2007-0070) (approx. 4000 items, 120 linear ft.; dated 1990-2002) contains master and use copies of videocassettes related to human rights violations around the world.
Acquired as part of the Human Rights Archive.
The Rwanda Videotapes and Audiotapes section of the International Monitor Institute records contains descriptions of 47 tapes and 282 audiotapes collected by IMI that depict human rights issues and themes in Rwanda. These materials span the years 1992-1999. The videotapes largely document massacre sites and mass graves, evacuations, the role of missionaries and human rights activists, and conditions in refugee camps holding both victims and killers. Several documentaries and news reports examine the development of a genocidal ideology in Rwanda tied to its colonial past, as well as offer histories of Tutsi/Hutu animosity, including the role of the Belgian colonial government, France, and the Catholic Church. Many of the materials in this collection offer an analysis of government structure and politics in Rwanda before and after the genocide. In addition, this collection includes various news segments reporting on the movements of the Rwandan Patriotic Front (RPF) and the Rwanda Army as well as the effectiveness of the United Nations in the conflict; includes a documentary on Belgian soldiers killed in Rwanda.
The majority of audiotapes in this collection are RTLM and Radio Rwanda broadcasts inciting violence and orchestrating the genocide, encouraging youth to join military actions, and frequently referring to specific targets, such as Bilyogo and Nyamirambo. Broadcasts also include frequent reference to Inyenzi (cockroaches) and Inkotani (Tutsi Rebel Army). Many of the RTLM broadcasters accuse the Rwanda Patriotic Front (RPF) of the assassination of President Habiyarimana and argue that the Inkotani want to exterminate Hutus and so they must, in turn, be exterminated. Broadcasters speak out against French intervention and accuse the Belgians of alignment with the Rebel Army. The remaining audiotapes were produced by Reporters without Borders (RSF).
The majority of the materials in this collection are in French and Kinyarwanda. Both documentaries and news reports take the form of interviews with Rwandans about the massacres and interviews with members of the RPF as well as with figures involved with organizing the killings. The collection includes interviews with notable figures, such as Théoneste Bagosora on his role in the genocide, Ferdinand Nahimana, the former director of Radio Télévision Libre des Mille Collines (RTLM) about his failure to stop broadcasts that fueled the genocide, as well as accounts given by members of the death squad.
The series in this collection include the Rwanda Videotapes Series, the Rwanda Audiotapes Series (Audiocassette), and the Rwanda Audiotapes Series (Electronic Records). The bulk of the material for this collection belongs to the Audiotapes Series. Acquired as part of the Human Rights Archive. Further material from the IMI Rwanda records can be found in IMI's organizational records, including printed transcripts of many of the audiotapes. All videotapes in this collection are in Betacam SP format. Please note that the descriptions of the tapes in this collection are based on IMI's data and were not originally drafted by Rubenstein Library Staff. Further organizational material on Rwanda can be found in the International Monitor Institute Records, also at the Rubenstein Library.
International Monitor Institute. Rwanda Videotapes and audiotapes, 1992-1999 4 Linear Feet — 7 Gigabytes — About 335 items — 7.04 GB
The Irving Sonn Papers Span the years 1963-1977 and contain general correspondence, clippings, memorabilia, photographs and presentation slides that primarily document the periods of Sonn's employment at Ted Bates & Co. and Needham, Harper & Steers. Also includes recordings of advertising spots and jingles in a variety of formats, including audiotape and cassettes; VHS and Umatic videocassettes; and 16mm film. Clients include Burger King; Kodak; Kentucky Fried Chicken; and Toyota.
This collection contains diaries, calendars, interviews, recordings, photographs, memoranda, clippings, writings, memorabilia, and other documents spanning the lives of Jack F. Matlock and Rebecca B. Matlock. The Matlocks spent 35 years in the US Foreign Service, with posts in Washington, Accra, Vienna, Germany, Zanzibar, Dar es Salaam, Moscow, and Prague. Their collection documents their government work as well as their family life, travels, and interactions with US and Soviet officials and citizens.
Materials have been sorted into series: Diaries, Foreign Service, Consecutive Files, Writings, Academia, Events, Subjects/Organizations/Names, and Personal Files. Each series is detailed below.
The Jacqueline End Papers span the years 1965-2012 and consist primarily of examples of End's creative work, including print advertisements and proofs, design layouts and sketches, photographs, correspondence and printed materials that document her advertising career with a number of agencies, including Doyle Dane Bernbach, Foote Cone & Belding, Forman End Dolleck, Kaplan Thaler, TBWA/Chiat/Day and Wells Rich Greene. Non-paper formats include audiotape, videocassettes, audio cassettes, DAT, CD-R and DVD-R. Clients represented include Absolut, Ascencia (Bayer), Bali and Wonderbra (now part of Hanes family of brands), K-Mart, L'Oreal, Nivea, Ralston Purina, Ricoh, Sara Lee, Sega, Trojan (Church & Dwight) and Volkswagen.
The papers of James Augustus Thomas comprise many folders of correspondence, printed material, and other papers (chiefly 1914-1940), related to his commercial and diplomatic dealings in East Asia and the opening of the tobacco market in China and other countries. Correspondents include Herbert Hoover, Robert Lansing, Theodore Roosevelt, William Howard Taft, and Sun Yat-sen. There are also some personal letters.
The materials document U.S.-China foreign and economic relations; the marketing of U.S. cigarettes in Asia; the British-American Tobacco Company; U.S.-Chinese trade; domestic policies and financial development in China; political events in East Asia and Europe; American foreign policy in East Asia (1920s-1930s); and philanthropy in China, including Thomas' efforts to bring Chinese students to Duke University and other North Carolina institutions.
Printed materials in the collection include reports, economic summaries, essays, conference programs, memos, and ephemera such as admission cards, tickets, and pamphlets. Some materials relate to the World's Fair in New York, and a visit by a Chinese delegation to New York in 1915, illustrated with photographs.
Additions to the collection include three letters pertaining or written to son, Jimmy, by his parents, gelatin silver photographs and a few negatives, and three audiocassettes of an oral interview (by Duke Professor Emeritus Richard Watson) with Dorothy Read Thomas, widow of James A. Thomas, which include a typed transcript. Interview topics include her life in China and Petrograd (now St. Petersburg, Russia) where she taught school briefly; and the social life and customs in Bejing and Shanghai after she married Thomas in 1922.
There are also negative microfilm reels of the series "China Through Western Eyes: Part 3, The Papers of J.A. Thomas c.1905-1923." Positive reels have been sent to the microfilm department.
The papers of Jay Rutherfurd are comprised primarily of correspondence, clippings, essays, and articles related to the subjects Rutherfurd covered during his career as a broadcast journalist. Topics reflect his interest in diplomacy, journalism, and U.S. foreign relations since 1961. Much of the material documents the career of Angier Biddle Duke, a Rutherfurd family friend who served in the diplomatic corps during the Kennedy and Johnson administrations. Other material reflects the instrumental role Rutherfurd played in the creation of Duke University's Living History Program. The collection features more than 53 audiocassettes, two videocassettes, scripts, and filmed interviews (late 1960s to 1980s) with prominent individuals, as well as recordings of TV news segments and radio shows.
In addition, the collection contains Rutherfurd family photographs, diaries, scrapbooks, legal papers, and a genealogy, as well as drafts of Jay Rutherfurd's memoir and miscellany. Individuals represented in these materials include John F. Kennedy, Lyndon B. Johnson, Richard Nixon, Haile Selassie, King Hussein of Jordan, Tito, Prince Juan Carlos of Spain, Jacqueline Kennedy Onassis, Robin Chandler Lynn Duke, Jacques Fray, Rafael Calvo, Stanton Griffis, Earl E. T. Smith, Ottis Pike, Lucius Clay, Averell Harriman, Henry Kissinger, John Sherman Cooper, Stanton Griffis, Terry Sanford, Willy Brandt, Ellsworth Bunker, and Ryoichi Sasakawa, as well as other celebrities and heads of state. The material also documents Rutherfurd's trips to Morroco, Southeast Asia, Nepal, the Panama Canal Zone, the People's Republic of China, Iran, and the Middle East, as well as social life in Southampton, N.Y., and Palm Beach, Fla.
Original audiovisual recordings are closed to use; listening or viewing copies may need to be produced before contents can be accessed. Please consult with Research Services staff before coming to use this material.
The J. B. Fuqua Papers span the years 1929 to 2006, with the bulk of the collection dating from the 1950s to the 1980s. The collection is separated into two divisions according to place of origin: files from Fuqua's business office and his home office. The office files document Fuqua Industries and The Fuqua School of Business at Duke University (founded by J.B. Fuqua), and include annual reports, reading files and general business papers, as well as clippings, periodicals and copies of articles about J. B. Fuqua and his businesses, and some photographs. The home office files primarily document Fuqua's early career and contain many files containing financial records and other materials pertaining to the various businesses he acquired. Fuqua owned several media outlets, including a television station, thus, a large group of materials contain correspondence, applications, and other business materials regarding Fuqua's media ventures and interactions with the Federal Communications Commission. A large component of video recordings chiefly relate to business programs with which Fuqua was involved, and the history of the Duke University Fuqua School of Business; many contain recordings of Fuqua's speeches. The original videos seem to have had a numerical identification system which was not recorded in this inventory. A small but significant group of videocassettes documents the development of Fuqua's program for managers in the former Soviet Union. There are also a number of scrapbooks and photographs, including publicity shots of Fuqua. Although Fuqua was active in Georgia politics, serving in the Georgia House of Representatives and the Georgia Senate, there appear to be relatively few records in the collection relating to this area of his life other than materials on Jimmy Carter and his family and some correspondence from other politicians.
Collection spans 1918-2014 and includes: clippings; tear sheets; correspondence; research reports and other printed materials; slides and slide presentation texts; audiovisual materials in multiple formats including 8mm and 16mm films, audio and video cassettes; book drafts and research files used for teaching and production of Kilbournes books and films. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History and the Sallie Bingham Center for Women's History & Culture.
Collection spans the years 1959-2012 and includes correspondence, direct marketing printed materials, print advertisements and recordings of radio and television broadcast commercials and public service messages that document Yeager's career producing advertising primarily for companies based in Texas. Examples of Yeager's original art are also included. Formats include audio- and videocassettes, audio reels and 16mm films. Companies represented include 7-Eleven, Coca-Cola, Frito-Lay, Radio Shack, Republic Health Corporation, Schenley, Southland Corporation, and Sterling Optical. The collection also touches on Yeager's involvement with the Anthroposophical Society and related enterprises, including Waldorf Method schools such as the Kimberton Waldorf School in Detroit.
The papers of Jerome Shestack span the years of 1944 to 2011, and document the leadership roles he undertook for legal and social justice organizations such as the American Bar Association, the Lawyers Committee for Civil Rights Under Law, the International League for Human Rights, the United Nations Commission on Human Rights, the American Jewish Committee, the International Criminal Court, and many others, and the histories of those entities. Series include extensive correspondence and subject files; organization files; writings by Shestack and others, such as reports, editorials, articles, and speeches; publications and clippings; trial testimonies and proceedings; as well as a small collection of personal files, photographs, and Shestack's World War II diary.
The materials provide insights into Shestack's many professional achievements and how his work in the legal profession intersected his passion for human rights. Shestack held leadership roles in many law and human rights organizations, often simultaneously; therefore, the materials also reveal how organizations often collaborated with one another to address human rights from a legal standpoint. A large portion of the material focuses on Shestack's dedication to the law profession through his active roles in the American Bar Association, which includes his position on the 1987 judicial committee against the Supreme Court nomination of Robert Bork, as well as his role as American Bar Association President from 1997 to 1998.
Other materials in the collection demonstrate Shestack's work to promote and defend human rights on a broad international scale. Significant file groups for countries and their associated human rights cases include Argentina, China, Israel, Russia, and South Africa. His particular interests pertaining to human rights include but are not limited to: law and legislation related to international and domestic human and civil rights; American government policies on human rights; Jewish human rights issues; the defense of political dissidents such as Andrei Sakharov; disappeared persons in Argentina and other human rights abuses; the rights of the mentally disabled; and the history of human rights advocacy.
The worldwide respect Shestack gained for his advocacy work is represented in the collection through extensive correspondence and subject files documenting his connections to notable human rights activists and prominent political leaders, including President Jimmy Carter, President George Bush, René Cassin, and Martin Luther King, Jr.
Some audiovisual materials are scattered throughout the collection: a CNBC interview of Shestack as ABA President, International League for Human Rights Awards Dinner cassettes, Wingspread Interview cassettes, a Court TV Bosnia Trial VHS recording, and a recording of the Independent Counsel Symposium. Original media are closed to use; listening or viewing copies must be made for access.
Acquired as part of the Human Rights Archive at Duke University.
Jerome J. Shestack papers, 1944-2011 and undated, bulk 1965-2000 128 Linear Feet — 86 boxes — Approximately 57,000 items — Approximately 57,000 items
The materials in this collection include 18 videotapes of various Ernest films; two audiotapes of Ernest pitches; five Ernest posters; t-shirts, a doll, a license plate, and other Ernest memorabilia and merchandising products; articles and other publicity materials; advertising kits from the Carden and Cherry Advertising Agency; testimonials from Ernest clients; and personal photographs from collector Roy Lightner with Jim Varney.
Materials in this collection represent both Joan Preiss's personal papers as well as organizational materials from the various groups that she worked with throughout her career. Heavily represented are the activities of the Triangle Friends of the United Farm Workers, which Preiss managed from her house in Durham, N.C. Materials from the TFUFW include meeting minutes, administrative files, publicity and flyers, newsletters, and other miscellaneous papers. Preiss's own organizational notes and agendas are heavily mixed in with official materials from the organization, reflecting the large role that she played in its activities. The majority of files center around the TFUFW's various campaigns and boycotts, which included California grapes, Gallo wine, Prime brand mushrooms, Driscoll and other brands of strawberries, Campbell's products, Red Coach lettuce, and Mt. Olive pickles. Of these, the largest amount of material appears to be from the Mt. Olive boycott, presumably because it lasted for about five years and was one of the last boycotts that Preiss participated in. Materials from these boycotts include leaflets, news clippings, flyers, posters, petitions, endorsements, and photographs of TFUFW members (including Preiss) demonstrating and distributing literature at area grocery stores, frequently wearing costumes or tiaras to draw attention. Along with protesting to the companies themselves, TFUFW frequently targeted the sellers of boycotted products, resulting in a plethora of material about various North Carolina grocery stores and supermarket chains, including Kroger, Wellspring/Whole Foods, Harris Teeter, and Food Lion. Preiss's correspondence with store owners and managers, copies of customer petitions, and information about the various chains are present in the collection. In a similar vein are the materials regarding Duke University's participation (or lack thereof) in both the Red Coach lettuce and the Mt. Olive pickle boycotts, and the Preiss's lobbying towards both students and Duke administration to stop selling and serving boycotted products.
Other labor advcocacy groups are also well-represented in the collection, and frequently the materials from different organizations are mixed together, as Preiss worked with each of them. The Farm Labor Organizing Committee was another organizer of consumer boycotts and protests, and TFUFW activities were often in support of FLOC's goals. FLOC was heavily involved in the Mt. Olive pickle boycott. Also included in the collection are administrative and organizational materials from the National Farm Worker Ministry, such as board meetings, conferences, and publications. In addition, Preiss was very involved in the Farmworker Ministry Committee, and its publications, newsletters, and meeting minutes are also present in the collection.
Aside from boycotting products, these labor groups were active in attempting to improve working conditions for farm workers, through petitions, educating the public through publications and protests, lobbying for legal protection, and marching and organizing to gain attention from the media. Farmworker issues heavily represented in the collection include the use of pesticides and its harmful effects on farm workers and consumers; the H-2A program, undocumented workers, and the abuse of immigrants on North Carolina farms; the attempts to establish a North Carolina anti-slavery law; child labor, particularly of migrant children; occupational safety and hazards in agriculture; violence towards farmworkers attempting to unionize; and obtaining fair contracts for farmworkers to prevent employer abuse. Material formats for documenting these campaigns include newspaper clippings, brochures and leaflets, copies of proposed laws, reports from farm bureaus and other government authorities, and other administrative files such as meeting minutes. Along with Preiss's local organizations, she frequently received updates on these issues from national groups like the UFW, and those newsletters and correspondence are present in the collection as well.
Along with her involvement in different local and national labor organizations, the collection also reflects Preiss's interests in the city of Durham. Although materials from her community involvement in Durham revitalization, Duke Campus Ministry, political campaigns, community health, and human rights issues are not overwhelmingly large, they are substantive enough to offer insights into her activities outside of (or in parallel to) the labor movement.
The John Hicks Papers span the dates of 1950 through 2015, with the bulk of the materials dating from the 1980s and 1990s. The papers consist of compositions composed, arranged, or performed by John Hicks or Elise Wood; and personal files, including business records, press materials, photographs and correspondence. Also included is a large collection of audio and moving image materials, consisting chiefly of concert recordings of Hicks from the 1980s through the 2000s, but also containing rehearsals, interviews, and piano lessons with Hicks. There are audio and moving image materials in audio cassette, LP, CD, VHS, Betamax, and DVD formats.
The collection is comprised of administrative records for the Joint Center for Political and Economic Studies, and includes correspondence, memoranda, budgets, funding reports, publications, policy research studies, conference materials, photographs, audiovisual media, and electronic records. Areas of study include healthcare, HIV/AIDS, minority business, television violence, young fathers, education, and minority community representation.
Among its many publications, JCPES published FOCUS magazine from 1972 to 2011, which covered national issues for an audience largely comprised of black elected officials (BEOs). The collection also includes oral histories of Joint Center founders and influencers, interview transcripts, an extensive history of JCPES, materials from the The Joint Center South Africa office which provided post-Apartheid political assistance activities, and original Southern Regional Council publications.
Other materials include interviews/oral histories with founders Louis Martin, educator Kenneth B. Clark who was the first African American president of the American Psychological Association; and McGeorge Bundy, who served as United States National Security Advisor to Presidents John F. Kennedy and Lyndon B. Johnson on foreign and defense policy from 1961 through 1966. Interviews and transcripts that add historical perspective to African American issues are conversations with Southern black mayors; African American architect and social activist Carl Anthony; and Ernest Green, one of the Little Rock Nine.
Conferences included forums, roundtables, and speeches from notable figures, elected officials, and congressional members including Maya Angelou, Joe Biden, Cory Booker, Edward Brooke, Ron Brown, Carol Moseley Braun, George H.W. Bush, Barbara Bush, Henry Cisneros, Shirley Chisholm, Bill Clinton, Hillary Clinton, Charles Diggs, John Hope Franklin, Jesse Jackson, Maynard Jackson, Valerie Jarrett, Barbara Jordan, Vernon Jordan, Jack Kemp, Coretta Scott King, John Lewis, Eleanor Holmes Norton, Barack Obama, Colin Powell, Charles Rangel, Ronald Reagan, Kasim Reed, Condoleezza Rice, Susan Rice, Donna Shalala, Rodney Slater, Doug Wilder, and Andrew Young. Joint Center historical notes compiled by Darlene Clark Hine are included, as well as Juan Williams' historical publication The Joint Center: Portrait of a Black Think Tank. The files and speeches of Joint Center past presidents Eddie N. Williams; Togo West, Jr.; Ralph Everett, Esq.; and past vice president Eleanor Farrar add insight to the Joint Center's mission of illuminating concerns and trends affecting 20th century African Americans to the legislative influencers most able to effect change.
Joint Center for Political and Economic Studies records, 1966-2014 245 Linear Feet — 6.9 Megabytes — 18 floppy disks with 1228 files; 3 .mp4 video files
Collection includes 15 oral history interviews on 19 audio-cassette tapes, interview transcripts, and other papers related to Leiss's research on Duke University administrator Jon Julian "Jake" Phelps and his experiences during the Civil Rights movement in Durham, N.C. Interview subjects include Jake Phelps, Howard Clement, Floyd McKissick, Jr., Bill Griffith, Stephen Phelps, Peggy Manring, Wayne King, and Trudy Minnear Smith.
The Joseph F. Mattice Papers include correspondence, newspaper clippings, photographs, and ephemera ranging from 1929-1985. The material is organized into six series: Asbury Park New Jersey Riots July 1970, Correspondence, Photographs, Ephemera, Newspaper Clippings, and Audiovisual materials. There is also one oversize folder consisting of a political flyer and two magazines. Mattice acquired the materials during his career as a student at Georgetown University, lawyer, city council member, district court judge, and Monmouth County board of elections member. Mattice was mayor of Asbury Park during the July 1970 riots. The riots lasted from July 4-10, 1970. They began in reaction to the African American community’s frustration with employment discrimination and the poor living conditions in the predominately African American West side neighborhood. The riots caused significant damage to the West Side, 167 people were arrested, and local and State police were summoned. In the end, city government and West Side residents worked together to come to a resolution. The Asbury Park July 1970 riots brought national attention to the town, which is documented via the received correspondence, clippings, and ephemera in the collection.
The later correspondence consists of personal letters and papers coupled with newspaper clippings pertaining to politics in Asbury Park and Monmouth County as a whole.
The Joy Golden Papers span the years 1956-2012 and include correspondence, audition records, scripts, print advertisements, design layouts, storyboards, and other records that document Golden's career in print and radio/television broadcast advertising. Formats include audiocassettes, VHS and Umatic videotapes, 16mm and 1/4" reels, and DVDs. Companies represented include Batten, Barton, Durstine & Osborn (BBDO), J. Walter Thompson Company (JWT), Norman Craig & Kummel, Scali McCabe Sloves, and Golden's own company, Joy Radio. Client files include materials for Abe Beame for Mayor, Alpine Lace Cheese, Automated Data Processing (ADP), Blue Cross/Blue Shield of New Jersey, DuPont, E-Loan, Frommagerie Bel (Frobel), MTA, North Fork Bank, Port Authority of New York, Shell Oil, Warnaco and Wilmington Trust.
Accession (2008-0029) (3600 items; 4.8 lin. ft.; dated 1970-1998, bulk 1973-1982) includes speeches, essays, pamphlets and other feminist publications (e.g. newspapers and journals), administrative files of all the feminist organizations Jones founded or worked with, conference files, project files, subject files, correspondence, and ephemera (including posters and audiocassettes). Some of the organizations represented include the YWCA, My Sister's Place, the Women's Legal Defense Fund's Task Force on Abused Women, and the Feminist Alliance Against Rape. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
The JWT Account Files spans the years 1885-2008, with the bulk of materials covering 1920-1995. It is an artificially-created collection of information about client accounts held by the JWT and provides information about JWT's management of its advertising campaigns. Additionally, the files document deliberations about such topics as media selection; markets and marketing; and target audience for individual advertising campaigns. The bulk of the materials, especially the older records, document clients managed by JWT's New York Office, but the work of other offices is also represented, including: Atlanta Office (Marine Corps); Chicago Office (Oscar Mayer, Kraft); Detroit Office (Ford); and San Francisco Office (Sprint). The collection includes account histories; research reports; memoranda; correspondence; printed material; clippings; brochures and pamphlets; product labels and packaging designs; original artwork and advertising proofs; slides; photographs; audiocassettes and videocassettes. Clients represented include Eastman Kodak; Ford; Ford Dealer Association; R.T. French; General Cigar; Hamm's beer; Handy Andy; International Banana Association; IBM; Kellogg; Kraft; Quaker Oats; U.S. Marine Corps; US Sprint; Warner Lambert; White Castle; and the 1964 World's Fair. More limited materials are available for other significant JWT clients, including: Burger King; Champion Spark Plug; Domino's Pizza; Lever Brothers; Northern Telecom; Oscar Mayer; Rolex; Standard Brands; and Scott Paper.
Materials relating to client accounts for which only a limited amount of information is available are arranged into a Small Files Series. Following the Small Files, there are account records for thirty individual clients.
J. Walter Thompson Company. Account Files, 1885-2008 and undated bulk 1920-1995 400 Linear Feet — 28,0000 Items
Correspondence, memos, reports, speeches, and printed items relating to Stridsberg's career at the J. Walter Thompson Company. Documentation includes reports and pamphlets that address television advertising to men and children, brand advertising, public service campaigns, the role of research in advertising, tobacco marketing, JWT's international offices and clients. Also included are texts of speeches by Rena Bartos and other JWT officers, and Stridsberg's reminiscences of his years at J. Walter Thompson Company in the 1960s and 1970s, especially regarding Ralph Nader and the Ford Motor Company as well as international cigarette marketing. The printed material includes issues of a serial, Motivations (1956-1957), and other bulletins published by Ernest Dichter's Institute for Motivational Research. Audiovisual materials include radio compilation cassettes produced by the Radio Advertising Bureau and other entities; 16mm films Coca-Cola campaigns by McCann-Erickson agency (undated) and a 1976 reel from Dancer Fitzgerald Sample. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
J. Walter Thompson Company. Albert B. Stridsberg papers, 1950-2001 and undated 5.7 Linear Feet — 3,111 Items
The Carroll Carroll Papers cover the years 1934-1979, with the bulk of materials covering the periods 1934-1956 and 1967-1968, during which he worked as Editorial Supervisor of JWT radio programs. The collection consists of correspondence between Carroll and: other JWT employees; JWT clients; the Office of War Information; radio personalities; and family members. Also includes memoranda; scripts for radio programs; short announcements; three episode scripts for a proposed television series called "Madison Avenue"; speeches given at JWT meetings and dinners; and lead sheets for advertising jingles written by Carroll and others. Also contains a cassette recording and transcript of a biographical interview of Carroll, conducted by Les Tremayne in 1973. Companies and products represented in the collection include Ford, 7-Up, Chase & Sanborn, Shell, Kraft, Rinso and Kodak.
General Files were taken from a folder of miscellaneous memoranda and newsletters. Biographical materials were placed in a separate folder. The correspondence files arrived already foldered, labeled and arranged chronologically. Folders were replaced, but labels and order were retained. The scripts and speeches music arrived in unlabeled folders or bound and labeled report folders. Extended scripts and speeches in unlabeled folders were foldered and labeled according to title. Shorter scripts were placed in a folder of miscellaneous scripts. Scripts in bound report folders were removed from binding and placed in individual folders, with original labels retained. Sheet music arrived in one folder, with no obvious arrangement. Musical materials were foldered by song, and arranged by author and date.
This collection (94-110) (27,000 items, 50 linear feet, dated 1908-1989) consists mostly of vertical files, including office newsletters, speeches and writings, publications, training and planning documents from Chicago and other JWT offices. There are also 78 reels of microfilm of Chicago office ads prior to 1970, as well as significant collections of proof files especially pertaining to major clients like Kraft, Quaker Oats, and Schlitz. In addition, the collection holds several hundred "Aber Reports" dating between 1950-1971, which were market research summations of various product categories. A container list for this accession follows below.
Subsequent additions (96-169, 99-130, 99-239) (8514 items; dated 1970-1998) contain an item-level index to the massive library of research reports maintained by JWT's Chicago Office. Materials are arranged in alphabetical order; the largest alphabetical run is by company name. There are also cards for "X" and "AV" reports, general research reports, and an index to JWT People Profiles. Also included are printed proceedings from international symposia on magazine readership research for 1981, 1983, 1985, 1988, and 1991, including copies of some of the previously unpublished papers and related printed material (1998). These materials reveal the lengths to which advertisers go to gain insight into consumer thinking. Acquired as part of the John W. Hartman Center for Sales, Advertising and Marketing History. A container list for accession 99-130 follows below.
Addition (01-110) (70 items, .2 lin. ft.; dated [1980s]) consists of about 70 color slides depicting people, events, and locations within the company's Chicago offices.
Addition (02-0188) (397 items, 8.7 linear feet; dated 1980-2000 and undated) comprises primarily information on and examples of Thompson Total Branding (TTB), including in the US, England, Jamaica, and Asia. TTB began in 1996 and is JWT's method for addressing client marketing needs. Also includes copies of earlier methodologies, the T-Plan and Thompson Way; employee manuals; training material; J. Walter University intern/trainee manual (2000); information about the Lintas, McCann-Erickson, and Ogilvy and Mather agencies; material from JWT's World Partners Council meetings (Italy, 1995; Mexico, 1997) and marketing seminars held in the agency's Asia-Pacific region; six 3/4" U-matic SP and 11 VHS videocassettes, mainly of presentations and training material (1980s-1990s); 1 audiocassette; 47 color slides; and 208 electronic documents on 2 CD-ROMs. A container list for this accession follows below.
Several accessions of the JWT Chicago Office Records were completely or partially deaccessioned at the request of the JWT Chicago and returned to the JWT Record Center. These involved proprietary research in which the clients still retained an interest. The accessions involved were: 95-016 (10 boxes); 95-015 (7 boxes); 95-018 (2 boxes); 95-017 (1 box); and 99-0130 (28 boxes). For further information, contact Research Services.
J. Walter Thompson Company. Chicago Office. records, 1908-2000 and undated 161 Linear Feet — 50,000 items
The Harry Clark Papers cover the years 1945-1992, with the bulk of materials dating from the 1970s, the period during which Clark served as Director of the JWT Frankfurt Office, and during 1984-1986, when he served as Director of JWT in New York. The collection primarily consists of correspondence, administrative forms, presentations, speeches, meeting files, proofs, and financial reports, with extensive records from the Frankfurt Office. The collection also includes agency slide presentations, tear sheets, as well as photographs and other memorabilia of advertising events. Companies represented include Braun, Chevron, De Beers, Eastman Kodak Company, Kellogg Company, Pan American Airways, PepsiCo, Rustenburg Platinum Mines, and Unilever. Correspondence and other items exist in several languages and have not been translated into English.
J. Walter Thompson Company. Harry Clark papers, 1945-1992 and undated 16.85 Linear Feet — 12,640 Items
The International Offices Records cover the years 1929-1998, with the bulk of materials dating from the 1970s-1980s. The collection primarily consists of financial records, correspondence, presentations, campaign drafts, account lists, meeting minutes and printed materials. Also includes slides from several presentations, videocassettes and audiocassettes. Countries and offices most heavily represented in the collection include Argentina (Buenos Aires), Australia (Sydney and Melbourne), Canada (Toronto and Vancouver), Colombia (Bogota), India (Bangalore, Calcutta, Madras, Mumbai, New Delhi), Japan (Tokyo), Mexico (Mexico City), Philippines (Manila), and Puerto Rico (San Juan). Client companies represented include Air-India, Continental Airlines, Kodak, Ford, Kellogg's, Nabisco, Nestlé, Oscar Mayer, Pepsi-Cola, Pizza Hut, Pond's (Unilever), and Warner-Lambert.
J. Walter Thompson Company. International Offices records, 1929-1998 and undated 25.56 Linear Feet — 19170 Items
The J. Walter Thompson Company (JWT) New Business Records span the years 1924-2007, with the bulk of materials spanning 1980-1989. The collection combines the records of the New Business Departments of JWT's major U.S. offices: New York, Chicago, Detroit, Atlanta, and San Francisco, and includes presentations, memoranda, case histories, market research, and profiles of companies, industries, market segments, products and product categories. Topics addressed include the youth market, financial sservices marketing, food and grocery marketing, feminine hygiene and other personal products, and product branding. The collection includes photographs, audiocassettes, videocassettes, DVDs. Over 300 companies are represented in the collection, including Alitalia, Baskin-Robbins, Bell Atlantic, Circuit City, Eastern Airlines, Eyelab, Frito-Lay, Goodyear, Häagen-Dazs, HBO, Hyatt Hotels, IBM, Johnson & Johnson, Kodak, Kraft, Miller Beer, Morgan Stanley, Nabisco, Nestlé, Prudential, Schering-Plough, and the U.S. Navy. Many of the companies represented in the collection subsequently became clients of JWT, so there is some correlation between this collection and the JWT Account Files collection.
J. Walter Thompson Company. New York Office. Media Center Audiovisual collection, 1953-2015 and undated60.0 Linear Feet
Collection includes correspondence, track listings, transcriptions, and other printed materials, audio and video cassettes (Betacam SP, VHS and Umatic), DAT, optical media (CDs, DVDs. etc.), 16mm film reels, phonograph records, and computer media. JWT management events documented in the collection include Cannes and Effies Awards submissions, Epcot, Executive Committee, Worldwide Creative Council, speeches and presentations by top managers as well as interviews undertaken as part of an oral history project at JWT. Offices represented include North America, Europe, Great Britain, India, Asia and Latin America. Main companies include California Lottery, Chase & Sanborn, Chevron, Del Taco, Diageo, Diamond Trading Company (DeBeers), Domino's, Ford, HSBC, Jenny Craig, JetBlue, Kaiser Permanente, Kimberly-Clark, Kodak, Kraft, Lipton, Macy's, Mexicana Airlines, Standard Brands, Trailways, Warner-Lambert, Weight Watchers and Wyeth. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
The Penney P. Burnett Papers cover the years 1973-1987, with the bulk of material dating 1984-1986, years during which she worked for the J. Walter Thompson Company (JWT) as a consultant for investor relations. The collection primarily consists of memoranda, financial reports, organizational charts, surveys, marketing plans, stock exchange reports, annual meeting agendas, presentation speeches and layouts, news releases, cassette tapes of annual meetings, and newspaper and magazine articles concerning JWT. Materials pertain to investments and acquisitions made by JWT in the United States, Europe, Australia, Asia, and South Africa. The collection also includes material pertaining to JWT subsidiaries as well as other companies, including: Gray and Company; Goldman Sachs; Hill and Knowlton Inc.; Lord, Geller, Federico and Einstein (LGFE); Morgan Stanley; Simmons Market Research Bureau (SMRB); Paine Webber; Shearson Lehman Brothers; and Wertheim Schroder. In addition to these materials are correspondences and files relating to JWT executives including Don Johnson and Joseph O'Donnell.
Collection spans the years 1916-2005 with the bulk of materials spanning 1980-2000 and includes texts for speeches and presentations, correspondence and other administrative records, printed materials, photographs and slides, and audiovisual materials (audio and video cassettes, CDs and DVDs) that primarily document Schweitzer's career as an executive, especially with JWT's Detroit Office. Companies represented in the collection include Brouillard Communications, Burger King, Ford, Kodak, Kraft, Nestlé, Rolex, and Unilever.
J. Walter Thompson Company. Peter A. Schweitzer papers, 1916-2005 and undated 18 Linear Feet — 12,000 Items
The Rena Bartos Papers span the years 1960-1998, with the bulk of the material dating from 1975 to 1991. The collection documents Bartos' career through speeches and presentations, publications, correspondence, research files, slides, photographs and videotapes, while in positions at McCann Erickson, the J. Walter Thompson Company (JWT), and The Rena Bartos Company. Major topics include marketing to under-represented groups, the role of women in advertising, and Bartos' efforts to promote marketing towards women and "over forty-nine" adults. The collection is organized into five series and two indexes: Speeches and Presentations; Correspondence; Publications; Research Files; Audiovisual Materials; an Alphabetical List of Publications; and an Alphabetical List of Speech Titles
The Speeches and Presentations Series includes reading copies or scripts from speeches and presentations given by Bartos during her career. Dominant themes include the role of women in advertising, marketing to underrepresented groups such as women and people in Latin America and India, and the psychological aspects of advertising. In addition, the series includes the slides and graphics Bartos used in her speeches, as well as press clippings from her various speaking engagements.
The Correspondence Series includes business correspondence, mailings and solicitations from Bartos' career in marketing research, as well as correspondence with JWT executives, including Don Johnston and Thomas Sutton. The series also contains correspondence between Bartos and the various publishers of her written works.
The Publications Series includes copies of the articles written by Bartos for scholarly and trade publications such as The Harvard Business Review, the Journal of Advertising Research, Marketing Review, and Marketing and Research Today, either from the original periodical or in pre-print form.
The Research Series includes an extensive collection of newspaper and periodical clippings and other resources used by Bartos as supporting materials for her speaking engagements, articles, and books.
The Audiovisual Materials Series includes audio and visual recordings of promotional works for marketing campaigns, including The Moving Target. In addition, this series also includes tapes of speeches and interviews given by Bartos, some of which relate to the published article "The Founding Fathers of Advertising Research."
J. Walter Thompson Company. Rena Bartos papers, 1960-2003 and undated bulk 1975-1991 28 Linear Feet — 11625 Items
The JWT San Francisco Office Records span the years 1959-1999, and includes advertising proofs, commercial artwork, print schedules, marketing plans, manuals, company history materials, correspondence, Creative Library catalogs and audiovisual materials (audio cassettes, VHS video cassettes and videotapes). Also included are the papers of Harry A. Lee, a JWT executive involved in the development of JWT's Pacific Rim business during the 1960s. Companies represented in the collection include California Raisin Advisory Board, Dean Witter, Ferry-Morse Seed Company, Labatt's, Morris Plan, and Schlage. JWT offices touched on in the collection include New York, Manila (Philippines) and Tokyo (Japan).
J. Walter Thompson Company. San Francisco Office records, 1949-1999 and undated 5.8 Linear Feet — 1800 Items
The W. Lee Preschel Papers span the years 1964-2001 and document Preschel's career as president of the J. Walter Thompson Company's Latin American operations. The collection includes correspondence, memoranda, speeches, presentations, reports, clippings, photographs, conference programs and agendas, awards, publications, scrapbooks, memorabilia, and audiovisual materials. Major correspondents include Denis Lanigan and Don Johnston, among others within the company. Clients mentioned include Ford, Kellogg's, Kodak, Draft, Lever, Pond's, Warner-Lambert, R.J. Reynolds/ Nabisco, Burger King, and Banco Mercantil y Corpoven. The collection contains materials in English and Spanish, with the majority of the materials in Spanish.
The collection is organized into three series: Personal Files, Administrative Files, and Audiovisual Materials. The Personal Files Series documents the personal and professional achievements of Preschel, and provide secondary biographical information through a number of industry publications. The series also includes two scrapbooks, compiled by Preschel, documenting his dismissal from and subsequent return to JWT in 1987. The Administrative Files Series documents various aspects of Preschel's career with JWT and includes correspondence, memoranda, speeches, presentations, reports, clippings, photographs, conference programs and agendas, company newsletters and other publications, and memorabilia. The Audiovisual Materials Series includes audiocassettes and VHS videocassettes. Audiocassettes contain recordings of presentations at two conferences attended by Preschel. Large-format materials have been removed from their original series locations and relocated to Oversize Materials. Relocated items have been replaced in the Detailed Description of the Collection by dummy folders enclosed in brackets.
J. Walter Thompson Company. W. Lee Preschel papers, 1964-2001 and undated 6.6 Linear Feet — About 4950 Items
The papers of Kate Millett provide rich documentation of Millett's activities as a feminist activist, artist, and author of numerous works, including Sexual Politics, whose publication established her as one of the founding 20th century feminists. Other works for which supporting materials exist are The Loony-bin Trip, Flying, and The Basement.
Seen in a broader context, Millett's papers provide important documentation of the history of the feminist movement and feminist theory in the United States, including the history of the National Organization for Women. Materials in the collection also cover feminism and the social conditions for women around the globe, especially in France, Italy, and the Middle East - most notably Iran, where Millett traveled in 1979-1980.
The earliest dates in the collection, 1912 and 1928, refer respectively to an early family photograph, and historical resources used when writing the book A.D.. The bulk of the materials span her adult life from the 1950s through the early 2000s.
The collection content reflects the intensely personal nature of much of Millett's work and the frequent fusion of her personal, political, and professional interests, strongly evident in the many files of personal and literary correspondence, including significant exchanges with Ti-Grace Atkinson, Rita Mae Brown, Phyllis Chesler, Andrea Dworkin, Cynthia McAdams, Yoko Ono, Alix Kates Shulman, Gloria Steinem, and many other activists, writers, artists, friends, partners, and family.
Additional series include writings by other authors; papers documenting Millett's work as an artist and instructor; files relating to her New York State farm and artists' colony; materials from Millett's student years, including her thesis which led to the book, Sexual Politics; and scripts and other papers relating to Millett's little-known documentary film, Three Lives (a copy of the film also exists in the collection). Other materials document her relationship with her mother during the last years of her mother's life, also the topic of her book, Mother Millett. Subject files relate to Millett's involvement with the gay and lesbian communities, her research on prisons and torture, and her diagnosis with bipolar disorder and subsequent involvement in anti-psychiatry activism. There are also extensive printed materials such as serial issues, articles, clippings, posters, fliers, mainstream and grassroots newsletters, event programs, and manifestos.
Audiovisual materials, many available through digital access copies, include audio and video recordings of Millett's lectures, speeches, and many conversations with activists, friends, and family. There are also many photographs, slides, and negatives documenting Millett's activities and the people in her life.
Rounding out the visual components of the collection are over 250 pieces of Millett's artwork created by Millett, who was also involved in the Fluxus art movement. Predominant formats include ink drawings, calligraphy, and graphic prints. There are also sculptures and other three-dimensional works, some of which formed part of an installation representing events that surrounded the murder of Sylvia Likens, also the subject of Millett's book, The Basement. A full inventory of the artwork is available in this collection guide.
Electronic formats include some correspondence, book drafts, and other writings. These files are included in the inventory under the appropriate series. The electronic files have been migrated to a library server; please contact the Rubenstein Library for access.
The collection includes sheet music, lyrics, photographs, clippings, correspondence, press releases, 1 cassette tape, and 3 compact discs. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
The papers of Kathy Acker, 1975-1996 and undated, are comprised, for the most part, of manuscript drafts of her novels, short stories, and other miscellaneous writings ranging from early works such as The Childlike Life of the Black Tarantula (1975) to her last novel Pussy, King of the Pirates (1996). Described as a cyberpunk author and performance artist, Acker's novels question the strictures of female sexuality and the power of language.
Collection consists of materials documenting Kathy Hopwood's work in the areas of women's martial arts and self-defense in the Triangle area of North Carolina. Materials from her SafeSkills Dojo comprise self-defense training manuals, course and workshop materials, newsletters, organizational history, some correspondence, and the individual work of both Hopwood and her partner Beth Seigler. Press clippings document mentions of Hopwood, Seigler, and their dojo in print media, largely from Triangle-area publications. Materials from the National Women's Martial Arts Federation (NWMAF) provide documentation of that organization's history, particularly its early years. Hopwood and Seigler were both very active in the organization, and Hopwood served as its archivist for a 10-year period. There is also extensive documentation of NWMAF's yearly training camps for women and girls. Materials from other women's martial arts groups across the country are well-documented, as are materials on sexual assault and rape prevention, particularly from the Triangle area. Also included are books and periodicals on the topic of women's martial arts and self-defense. Photographs document the dojo's work, as well as national training sessions conducted by Hopwood and Seigler. Other audio-visual material consists of training films and examples of the dojo's instructors at work.
Kathy Hopwood papers, 1970-2015 and undated 46.5 Linear Feet — 31 boxes numbered 1-33; numbering skips boxes 9-10
Collection consists of art objects, artists' books, video recordings, audio recordings, research files, drafts of published works, writings, journals and correspondence, materials documenting Hagan's political activism and private teaching, materials documenting her work with the School for Advanced Research, and graphic materials.
Collection was acquired as part of the Sallie Bingham Center for Women's History and Culture.
The Kenneth Roman Papers span the years 1906-2011 and primarily contain materials gathered during Roman's research for a biography of David Ogilvy, The King of Madison Avenue. Includes printed materials, articles, photographs, CDs, VHS videocassettes, audiocassettes of interviews with printed transcriptions, and a collection of writings and speeches by Roman and Ogilvy.
The Kentucky Foundation for Women Records span the dates 1985-2017. The collection provides a rich source of information about grassroots feminist activism, philanthropy, not-for-profit organizations and artistic patronage, feminist art and women's culture. The records of the Foundation include a range of materials, primarily a large number of grant files, including applications and supporting materials of those awarded grants. Also notable are the files for its publication, The American Voice, which include correspondence, copy-edited drafts of poetry and other writings, business records, other publications, miscellaneous ephemera, broadsides, and books of poetry. In addition, there is information on the Hopscotch House and Wolf Pen Writers Colony, miscellaneous correspondence, subject files, annual reports, newsletters, and brochures. The records consist primarily of files, but videocassettes, audiocassettes, and compact disks are also included. The collection is divided into four series: Administrative Files, Project Files, American Voice Files, and Grant Files.
The Administrative Files Series contains Foundation newsletters; administrative correspondence; minutes of Board of Directors meetings; and financial, legal and tax papers. The Project Files Series contains papers on short-term special projects, as well as long-term projects such as the Hopscotch House and the Wolf Pen Women Writers Colony. The American Voice Files Series contains information regarding the publication of the feminist literary journal The American Voice. The series contains correspondence between the editors ( Frederick Smock and Sallie Bingham) and contributors; copy-edited drafts of poetry, prose, and non-fiction essays; business records; broadsides; chapbooks (i.e. hand-bound books); miscellaneous publications; and a partially complete run of the journal. Some of the better-known authors to be published in The American Voice include: Paula Gunn Allen, Isabel Allende, Wendell Berry, Jorge Louis Borges, Kay Boyle, Jo Carson, Andrea Dworkin, Elaine Equi, Doris Grumbach, Joy Harjo, Fenton Johnson, Robin Morgan, Marge Piercy, Reynolds Price, Joyce Carol Oates, and Anne Firor Scott.
Finally, the largest series, the Grant Files Series, contains documentation on the evolution of the Foundation's grant program over the years, as well as files on those projects that received grant monies from the Foundation from 1986 to 1993. The Foundation awarded grants to both men and women, though women are in the majority. The grants supported the work of visual artists, writers, scholars, musicians, composers, documentary and fiction filmmakers, playwrights, painters, sculptors, puppeteers, quilters and other fabric artists, political activists, advocates for physically handicapped women, and those concerned with women and religion and women's employment issues. A unique concern of the grant givers was supporting the exploration and improvement of the situation of women in Appalachia, encouraging women to explore and study the wilderness, and defining and encouraging the emerging field of Ecofeminism.
The addition (Accession 2001-0012) (2208 items, 3.8 lin. ft.; dated 1986-1999) continues to document the process of publishing The American Voice. Materials include correspondence, board minutes, grant applications and evaluations, financial statements, video (3) and audio (4) cassettes and one audio compact disc, and information files for volumes 32-49. Also included are writings by Sallie Bingham. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
The addition (Accession 2007-0126) (5 lin. ft.) consists primarily of files documenting the organization's grant program, and also includes project files, files related to the feminist literary journal The American Voice, publications, and files from Hopscotch House.
Collection comprises 76 color photographic prints, measuring from 11x14 to 20x24 inches, depicting the annual prairie fires that sweep across east-central Kansas. With the exception of one box of unmatted 11x14 prints, the photographs are in hinged window mats measuring 16x20, 20x24, and 24x32 inches. The images were published in a photobook entitled "On fire," for which Schwarm was awarded the 2002 Honigman First Book Prize in Photography by the Center for Documentary Studies in Durham, North Carolina. The photographs were displayed in an exhibit at Duke University Libraries. Also included in the collection is an audio cassette recording of the exhibition talk Schwarm gave on November 6, 2003. Acquired as part of the Archive of Documentary Arts at Duke University.
Larry Schwarm "On fire" exhibit photographs, 1990s, 2003 7 Linear Feet — 6 boxes; 76 prints — 76 color photographs; 1 audio cassette
Accession (2006-0015) consists primarily of files, lectures, and papers for classes taught by Ucko; files pertaining to cross-cultural communications prepared for the U.S. Army JFK Special Warfare Center; 20 labeled color slides; and travel diaries from Sierra Leone, Cuba, the Dominican Republic, Egypt, Senegal, Pakistan, and Holland.
Addition (2007-0015) (750 items, 1.2 lin. ft.; dated 1973-1994) contains typescripts and promotional material for articles and books including Endangered Spouses; course materials including files, papers, and class rosters; correspondence; and one audiocassette. Also included are materials from a study of Russian genealogy by students at Aldephi University directed by Ucko.
Addition (2007-0066) (200 items, 0.6 lin. ft.; dated 1996-1998) contains slides, photographs, oral histories on audiocassettes, 1 VHS videocassettes, printed and other materials all concerning a 1996 exhibit Lenora Ucko curated in honor of her late husband, Henry Zvi Ucko. The exhibit was entitled "What We Brought with Us", an exhibit about the personal items taken by German Jews who fled Nazi Germany in the 1930s. The exhibit was first at Duke University and then moved to the NC Museum of History in Raleigh.
Addition (2011-0063) (900 items, 1.5 lin. ft.; dated 1994-2002) largely consists of materials from Ucko's involvement in the Museum of the Jewish Family. Museum materials include programming pamphlets and advertising, exhibitions, budget materials, grant applications, Board of Directors correspondence and meeting minutes, newsletters, mission and by-laws, and other materials from the operation of the organization, primarily dated 1997-1998. Other items in this addition include some of Ucko's correspondence, her research on museums and memory, and some StoriesWork materials.
Addition (2013-0052) (75 items; .1 lin. ft.; dated 1975, 1981-1982, 2004, 2006, 2008-2009, 2013) includes a research paper and notes on Israeli absorption centers as well as newsletters and pamphlets for StoriesWork. Other items in this addition include pamphlets and flyers advertising Ucko's research consulting business, a program for a 1975 production of All in the Family at the University of Maryland Munich campus (Ucko served as faculty advisor), and a 2013 resume.
The Lenora Greenbaum Ucko Papers were acquired as part of the Sallie Bingham Center for Women's History and Culture.
The Leslie Brown papers span the years 1936-2016 and undated and cover her entire career as a historian, from her doctoral training to her final position at Williams College. There is also extensive information regarding her professional interest in African-American history and the preparation of oral histories, especially those related to the Behind the Veil project at Duke University's Center for Documentary Studies. The Interviews series includes those conducted privately by Brown as well as those from various institutions that she used in her research. There are typescripts and audiocassettes. The Research/Subject files series focuses on her courses and publications, with a particular focus on Durham, NC, African-American organizations, and well-known individuals. A few research items predate Brown's birth. The Course Materials series contains subject and course files she used in her teaching, with an emphasis on African-American studies and oral histories. The Academia series provides information regarding her preparation as a historian, as well as material related to her job talks and lectures, professional activities, and book projects. The Publications series provides various publications related to African-American history, both privately published and from the popular press.
The Lester Wunderman Papers span the years 1946-2010 and include writings, speeches, correspondence, reports, photographs, audiocassettes, videocassettes, 16mm films, and other materials relating to Wunderman's career in direct marketing and direct-mail advertising, his work on Boards of Directors and Trustees, and as a consultant. Included are drafts, proofs and correspondence relating to Wunderman's 1996 book Being Direct: Making Advertising Pay. Advertising agencies represented in the collection include Caspar Pinsker, Maxwell Sackheim, Wunderman Cato Johnson, Wunderman Ricotta & Kline and Young & Rubicam. Also included are correspondence, photographs, negatives and other materials relating to Wunderman's collection of Dogon (Mali) art works, carvings and sculptures, and their use in museum exhibits, catalogs and books on African art. Firms and institutions represented in the collection include American Express, Children's Television Workshop (Sesame Street, Electric Company), Columbia House record club, Ford (including Lincoln-Mercury and Merkur), IBM, Jackson & Perkins mail order nursery, Mitchell Madison Group, Metropolitan Museum of Art (New York, N.Y.), National Observer Correspondence Schools (Famous Artists School, Famous Writers School) and Time, Inc. magazines. Languages present include Spanish, French, Danish, German and Japanese, and have not been translated into English.
Collection contains personal/professional correspondence, subject files, and cassette tapes of Lisa Garmon, writings and other materials related to the publication of the feminist zine Ha!, and a zine collection. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
This collection includes Dr. Louise Branscomb's diaries, notebooks, correspondence, photographs, and personal papers relating to her medical career and civic service in Birmingham during the twentieth century. There is also a significant amount of material related to the Branscomb family, including correspondence and clippings from Louise's parents and siblings.
Dr. Branscomb's diaries and notebooks comprise the largest portion of the collection; they are held within the Bound Volumes Series. Her earliest diaries date from age thirteen, and continue off and on throughout her life. Along with personal diaries, Branscomb kept travel diaries documenting her various trips, including her World War II travels, Korea, China, India, Europe, Russia, Africa, and South America. Another notable portion of Volumes Series are Branscomb's medical notebooks, which she used as indices to assist her diagnoses and treatment of various illnesses. She also kept logs of her surgeries and baby deliveries. Along with Branscomb's diaries, the Volumes Series includes diaries and ledgers kept by her father, L.C. Branscomb, and her mother, Minnie Branscomb. L.C. Branscomb's notebooks log his sermons, baptisms, and travels, as well as his personal and family expenses.
The Correspondence Series has been arranged in loose chronological order, with some isolated events foldered separately. This includes courtship letters between Louise Branscomb's parents, L.C. and Minnie, as well as condolences following L.C. Branscomb's accident and death in 1930. The majority of the series are incoming letters to the Branscomb family, with only a small number of letters written by Louise.
The Family History Series is sorted by family member, including materials from Louise's parents, L.C. Branscomb and Minnie McGehee Branscomb, as well as some of her siblings: Harvie Branscomb, Richard Edwin Branscomb, Lamar Branscomb, Alline Branscomb, Emily Branscomb, Elizabeth Branscomb, Lewis Branscomb, as well as other relatives. The series also contains assorted ephemera collected by the family, including Confederate money and news clippings.
Louise Branscomb's Personal Papers Series documents her range of activities, including her travels, her medical practice, her work with the United Methodist Church, and her philanthropy to institutions like Birmingham Southern College. The series includes drafts of her speeches and writings, as well as clippings referencing her and her work. Some clippings collected by Branscomb include her annotations or reflections on the subject or event, often dating from later in her life.
The Photographs Series includes informal snapshots of the Branscomb family and their friends, as well as formal portraits of Louise Branscomb. This series also contains her various identification and membership cards.
Finally, the Oral History Series contains four audio cassettes containing an oral history conducted between September and October of 1985 in Birmingham, Ala., when Martha E. King interviewed Dr. Branscomb on behalf of the Women's Division Oral History Project for the United Methodist Church's General Board of Global Ministries. There is also correspondence, biographical information about Dr. Branscomb, as well as detailed descriptions of and an index for the interview. However, no transcript of the interview is available. Interview topics include family, education, missionary work, women's issues in the church, race relations, and Branscomb's representing the church on her travels to Africa.
Collection contains correspondence, printed material, and materials relating to the journal publishing process. There are also a few journals, notes, audio cassettes, and writing drafts. The correspondence pertains chiefly to the Jay B. Hubbell Center for Literary Historiography at Duke University, with many letters written by Budd for the purpose of fundraising, acquiring scholars' papers for the Center, and thanking individuals for their contributions and support. Other correspondence relates to the Modern Language Association, its American Literature Section, the Norman Foerster Award, and the formation and activities of MLA's divisions. There is also correspondence by Louis Budd to scholars, asking for reminiscences about early teachers of American literature, and exchanges with Willard Thorpe. Print material includes articles by Budd and other scholars, clippings, and an article entitled "Reminiscences of Jay B. Hubbell" by Clarence Gohdes. Other printed material relates to the American Research Studies Center in India, and the place of American literature in the studies in India. A small group of papers regards Professor Budd's guest editorship of the Vol. 2, No. 3, Jan. 1976 issue of Studies in American Humor. Other papers include materials on the early days of the Melville Society and meeting minutes on an edition of Washington Irving writings.
Acquired as part of the Jay B. Hubbell Center for American Literary Historiography at Duke University.
The papers of Marshall T. Meyer span the years 1919-2004. The collection contains personal and professional correspondence from throughout Meyer's career as a religious leader and human rights activist; his published and unpublished writings and speeches; printed material collected by Meyer; Meyer's working and research files organized by geography, organizations, people, and subject; personal files, including appointment books, biographical material, papers from Meyer's school days, photographs, memorabilia, and material documenting his numerous engagements; audio tapes and cassettes of Meyer's services, interviews, lectures, and other events; and Betacam and VHS videocassette recordings of interviews and other public appearances by Meyer.
The collection contains extensive evidence of Meyer's activities and interests, especially those he engaged in during his tenure at Comunidad Bet el in Buenos Aires, Argentina, and then at B'nai Jeshurun in New York City. The files document Meyer's professional activities, including his often over-lapping roles as religious leader, scholar, and human rights activist. Much of the material in the collection reflects Meyer's devotion and commitment to a socially and politically engaged Conservative Judaism and his involvement with Jewish communities around the world. Meyer was particularly involved in calling attention to human rights violations and working with the victims of violent political oppression in South and Central America in the 1970s and 1980s and then in Palestine, Israel, and the Middle East in the 1990s. Meyer's extensive involvement and leadership in national and international religious, peace, and human rights organizations such as the World Council of Churches are also well-represented, as is his life-long association with his alma maters, Dartmouth College and the Jewish Theological Seminary of America.
The Correspondence Series contains letters in English and Spanish written and received by Meyer (additional correspondence is also contained in Meyer's research files and electronic files). Significant correspondents include Louis Finkelstein, Abraham Joshua Heschel, and Shalom Spiegel.
The Writings and Speeches Series holds Meyer's original compositions in English, Spanish, and Hebrew. These compositions include various literary genres (op-eds, newspaper articles, essays) as well as speeches, addresses, and sermons.
The Research Files Series is subdivided into four categories: Geographic, Organizations, People, and Subject. These files may contain correspondence, notes, printed material, writings, and ephemera. The most common themes that run through this series include human rights, Jewish life, rabbinic education, Latin American Jewry, the Middle East, and Argentina's "Disappeared." The Research Files Series displays a deeper level of intellectual involvement by Meyer (e.g. annotations on printed material, categorizing and filing, integration of correspondence)
The Printed Material Series includes newspapers, clippings, monographs, and serials that Meyer collected over the years. Subjects cover similar territory as the research files. Unlike the Research Files, this material is generally not annotated and was less organized.
The Teaching Material Series contains material from classes taught by Meyer.
The Personal Files Series includes material largely outside the scope of Meyer's professional work: photos, memorabilia, schoolwork, and appointment books.
Video and audio recordings of Meyer's engagements are found in the Audiovisual Material Series. These include lectures, speeches, interviews, television appearances, and religious services. Originals of video and audio tape are closed to use. Patrons must request use copies to access the content of the material.
The Condolences Series contains cards and notes expressing sympathy on Meyer's death. Many of these contain testimonials and reminiscences of his role as rabbi and activist.
Finally, the Electronic Files Series contains transcriptions of documents authored by or related to Meyer, many of which overlap with the content of and the Correspondence, Writings and Speeches, Teaching Material, and Audiovisual Materials Series.
Marshall T. Meyer papers, 1902-2004 and undated, bulk 1984-1993 63.8 Linear Feet — Approx. 48,900 Items
The Marty Rosenbluth papers include publications, reports, case studies, press-releases, mailings, communications, leaflets, audiovisual recordings, and ephemera created by Palestinian and Israeli human rights groups. These groups include Al-Haq (Law in the Service of Man), Badil, B'Tselem, Hamoked (Center for the Defense of the Individual), Public Committee Against Torture in Israel, The West Bank Data Base Project, and Alternative Information Center. The papers also feature materials from Palestinian trade unions and United States-based solidarity groups, as well as unofficial, locally published first-person reports of events and conditions in the Occupied Territories.
This collection contains printed matter, photographs, clippings, speeches and other memorabilia relating to Semans' time as a Duke University trustee, her affiliation with the British American Festival of 1984, and other Duke-related activities and events.
Duke files include reports, programs, addresses and printed ephemera pertaining to matters and events at Duke University. These materials reflect Semans' activities as a university trustee as well as her support for the arts at Duke. These papers also include the transcript of a discussion on race relations at Duke and the takeover of the Allen Building from 1969, as well as minutes from the University Center Committee, the report of the Special Committee on the Functions and Organization of the Board of Trustees, and a summary report of the B.N. Duke Leadership Program.
These materials also include reports on fund raising at Duke and several reports that address salary levels and other issues faced by Duke faculty women and Semans' speech (with slides) given at the 100th Celebration of Duke Memorial United Methodist Church in 1986.
The British American Festival scrapbook contains clippings, correspondence and color snapshots relating to the 1984 North Carolina British-American Festival. There is also a a cassette tape of a recorded interview with Ian Hamilton, who composed "Raleigh's Dream" for the festival.
Oversize folders contain a newsletter from the Duke Class of 1939, Robert Ward's musical score for Music for a Great Occasion for Terry Sanford's inauguration, as well as chapel architectural drawings.