Primarily records of the American Economic Review, (Accession 2001-0118) specifically journal office files consisting of correspondence, manuscript, book review, and referee files (1969-1998). There are also records for the organization (1886-1984) and for its Committee on the Status of Women in the Economics Profession (CSWEP 1972-1993), including histories, reports, minutes, statistics, as well as membership, account, conference, board member, miscellaneous, and newsletter or editorial office files. Some CSWEP material is also present as 371 machine-readable records. There is a small set of journal office records for the Journal of Economic Literature (1975, 1984-1994 and undated). In addition, there are 50 black-and-white photographs of former association presidents, a 39"x10" black-and-white group photograph taken at an unidentified meeting, 48 rolls of microfilm from the various journals (mostly AER), 63 microfiche of Journal of Economic Literature correspondence (-1980), and 7 reel-to-reel audiotapes.
Addition (2001-0082) (4000 items, 9.6 linear feet; dated 1998-1999) includes records for the American Economic Review, including correspondence and referee files for rejected and withdrawn articles (1998), accepted articles (1999), and papers and proceedings (1999).
Addition (2002-0215) (21000 items, 33.4 linear feet; dated 1999-2001) contains records for the American Economic Review, including editorial correspondence, referee reports, and manuscripts for rejected articles (1999-2000) and accepted articles (March-December 2001) and papers and proceedings (2000-2001). Also includes 37 electronic documents on one floppy disk.
The collection consists of 15 additional accessions dating from 2003 to 2008 with over 200 additional boxes. These additions have not been processed, but are available for research with permission from the American Economic Association. Please consult the Preliminary Description of Unprocessed Collection (below) for details.
Spanning 1876 to 2020, with the bulk of the materials dating from 1950 to the 2010s, the Barbaralee Diamonstein-Spielvogel Collection documents the life and career of a pioneering advocate for art, architecture, historical preservation, and public policy. The collection comprises over 650 boxes of research files, correspondence, printed materials, photographs, memorabilia, artifacts, and artwork, all stemming from Diamonstein-Spielvogel's long career and her prolific output of books, educational programming, interviews, public art installations, and exhibits. The materials highlight her work with many arts and political organizations and her appointments to committees such as the Commission for Cultural Affairs and the New York Landmarks Preservation Commission. Over one hundred of her television interviews with notable artists and other figures have been digitized by the Diamonstein-Spielvogel Video Archive at Duke University.
Topics covered by the materials in this collection include broad categories such as art and architecture in the 20th century; historic preservation and the protection of cultural property; media and society; social conditions, women's rights and the arts in Slovakia during her husband's ambassadorship there; U.S. and overseas politics, particularly related to the Democratic Party; U.S. public policy, with a focus on the arts; the built environment; women and the arts; gender issues and women's rights; travel abroad; and many others. Early materials dating from 1929 to 1965 - chiefly correspondence, writings, and photographs - document family history, her education, and her earliest career in teaching. Other early dates in the collection refer to reproductions of 19th century images chiefly found in exhibit and research files.
The collection is divided into series: Correspondence, Writings, Personal Files, Political Files, Professional Files, Art and Architecture Project Files, Art and Design Project Files, Historic Preservation Project Files, Scrapbooks and Visual Arts Materials.
Taken as a whole, the collection offers rich documentation on the evolution of art and architecture in the U.S., the development of adaptive reuse and landmarks legislation, the relationship of public policy to the arts, and the interplay between public policy and the built environment. Materials from Diamonstein-Spielvogel's personal and research files also document the changing roles of men and women in the United States, and the development of U.S. gender studies; not only did she write on the subject, but her own experiences reveal aspects of women in the workforce, in politics and activist movements, and in positions of authority. Additionally, because of her work for the White House and the Democratic Party, the collection offers insights into 20th century U.S. politics, nationally and in her home state of New York.
Barbaralee Diamonstein-Spielvogel collection, 1876-2020 and undated, bulk 1950-2020 654 boxes — 654 boxes; 8 oversize folders; 2 tubes; 2 frames.
The collection documents Humphreys' professional life as an author. It contains correspondence between Humphreys and other writers and editors; business contracts with Viking Press and others for her publications and for movie rights; handwritten and typed manuscripts and proofs for her books Dreams of Sleep, Rich in Love, and Fireman's Fair, as well as typescripts of works by other authors (including Robb Forman Dew and Louise Erdrich); reviews of her own work as well as reviews written by Humphreys of others' works; and information detailing her speaking engagements and interviews. In addition, the collection contains clippings of reviews and interviews, photographs and negatives (16 black-and-white, 4 color, and 23 negatives); audiotapes from a "Women in Literature" series in which Humphreys participated; and 10 electronic files of book manuscripts, especially Dreams of Sleep, originally on computer disks and now migrated to the electronic records server. Also included are books inscribed to Humphreys and seven scrapbooks containing additional correspondence regarding her work as well as reviews.
The collection (100 items, 2.5 linear feet; dated 1979-1998) contains audio cassettes and compositions by Thomas Chapin, as well as clippings, programs, memorial messages, and other items about him. Technical Services staff may need to make use copies of audio cassettes before use. No container list was created for this accession. (99-355)
The addition to the collection (60 items, 2.5 linear feet; dated 1981-1999) includes published materials on Chapin or featuring his music. There are publicity materials; scrapbook items, such as programs or clippings; articles about Chapin from the internet and elsewhere; copies of original scores; compact discs; phonograph records; genealogical information, and other biographical information about him and his trio. Technical Services staff may need to make use copies of sound recordings before use. No container list was created for this accession. (99-0467)
The addition to the collection (15300 items, 29.40 linear feet; dated 1870s-1998, bulk 1980-1997) comprises primarily correspondence; financial records; scrapbooks, graphic materials (98 color photographs, 1 color slide, 6 black-and-white photographs, 24 black-and-white negatives, 17 contact sheets, 1 print, 1 watercolor, and 2 chalk drawings), posters, and other materials detailing Chapin's musical career, especially performances of the Chapin Trio; notebooks and appointment books; and musical scores by Chapin and others. Also includes recordings on 17 reel-to-reel tapes, 8 CDs, and 5 audiocassette tapes of performances by Chapin and others; 3 electronic computer files; and 24 small musical instruments of plastic and metal. (01-0157)
The addition (2002-0281 and 2003-0125; 12,657 items, 50.5 linear feet) consists primarily of studio and demo recordings of Chapin's music on audiocassette, vinyl, and reel-to-reel tape. Also contains a number of collages by Chapin, documenting another of his forms of expression; personal items, especially photographs and correspondence, reflecting his close relationships with family and friends; videos and film reels of recording sessions, tours, and other events, including Chapin's memorial service; sheet music and music books; clothing and hats; 3 hand instruments; performance posters; and business items.