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The Alpha Phi Omega, Lambda Nu Chapter was founded in 1955 at Duke University. The student service fraternity performs variety of volunteer activities in Durham as well as greater North Carolina and South Carolina. The Alpha Phi Omega, Lambda Nu Chapter Records contain minutes, reports, correspondence, administrative information, slides, composite photographs, audio tapes, scrapbooks, and other materials. English.

The Alpha Phi Omega, Lambda Nu Chapter Records include minutes, reports, correspondence, administrative information, slides, photographs, audio tapes, scrapbooks, and other materials documenting the history of this service fraternity. The first series, Administrative, contains information about the membership, volunteer work, social activities, and alumni of Lambda Nu. The second series, Slides, contains slides of Lambda Nu activities from 1980 to 1997. The next series, Audio Recordings, has one audio cassette of the 1998 Senior Banquet. The fourth series, Composite Photographs, contains photographs of all Lambda Nu Members during most school years between 1986 and 2002. The Scrapbooks series contains photographs, documents, handwritten notes, and other materials assembled by Lambda Nu members. The final series, Oversize Materials, houses oversize scrapbooks.

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Collection consists of a set of sixty-six commercially produced, hand-colored lantern slides, featuring photographic images taken in the early 20th century in areas of modern-day Israel, Palestine, Jordan, Lebanon, and Syria. Also includes an original list of titles and a slide projector. The slides were sold in sets by the American Colony Stores, the commercial department of a missionary community based in Jerusalem. The landscapes and scenes were intended to illustrate biblical sites, or to remind the viewer of well-known biblical passages, but a few also depict other types of archaeological sites. The slides measure 4 x 3.5 inches. Locations include but are not limited to: the city of Jaffa (Tel Aviv); Sea of Galilee; Jerusalem; Bethlehem; Mount of Temptation (identified with Mount Quarantania); Jericho; Jordan River; Mount Hermon; Bethsaida; Mount of Olives; Emmaus (El- Kubebeh); the mosaic floor at Beit Jibrin; River Abana (El-Barada); Tyre; and the Temple of Sethos. There are also two glass slides with maps of ancient Middle East and Palestine. Five of the slides are damaged and are filed at the end of the collection. The collection is accompanied by a lantern slide projector and by an original list of slide titles. Acquired by the Archive of Documentary Arts at Duke University.

Collection consists of a set of sixty-six commercially produced, hand-colored lantern slides, featuring photographic images taken in the early 20th century in areas of modern-day Israel, Palestine, Jordan, Lebanon, and Syria. The slides were sold in sets by the American Colony Stores, the commercial department of a missionary community based in Jerusalem. The landscapes and scenes were intended to illustrate biblical sites, or to remind the viewer of well-known biblical passages, but a few also depict archaeological sites of interest to tourists. The original title for one such set, represented by many of the slides in this collection, was "Lantern slides and art photos produced by the American Colony photographers illustrating Bible lands."

The slides measure 4 x 3.5 inches and are housed in a typical paper mat and a glass cover, sealed on the borders with black tape. They are stamped with "American Colony Photographers" on the top of the frame and "Jerusalem, Palestine" on the bottom. Titles in the collection inventory are transcribed from handwritten titles on the slide mounts.

Locations include but are not limited to: the city of Jaffa (Tel Aviv); Sea of Galilee; Jerusalem; Bethlehem; Mount of Temptation (identified with Mount Quarantania); Jericho; Jordan River; Mount Hermon; Bethsaida; Mount of Olives; Emmaus (El- Kubebeh); the mosaic floor at Beit Jibrin; River Abana (El-Barada); Tyre; and the Temple of Sethos. There are also two glass slides with maps of ancient Middle East and Palestine. Five of the slides are damaged and are filed at the end of the collection.

The collection is accompanied by a lantern slide projector, and by 10 cardboard squares cut out from the original slide boxes, showing the title of the collection and lists of slide titles.

Acquired as part of the Archive of Documentary Arts at Duke University.

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David Cutrell photographs, 1969-1977 and undated 0.5 Linear Feet — Approx. 335 items

American-born missionary and photographer who lived in Haiti during the 1970s. The black and white and color images in the David Cutrell Photographs portray life in the village of La Hatte Cadet in Haiti in the 1970s. Missionary David Cutrell lived in La Hatte Cadet and documented daily life with a Roliflex camera. Images include landscapes, portraits and snapshots of everyday life including family groups, children, adults, gardening, livestock, house repair, market day, and religious ceremonies and artifacts. Collection includes negatives, contact sheets, prints, and 35mm and 2" color slides. Arranged in order by format and roll number. Acquired as part of the Archive of Documentary Arts.

The black and white and color images in the David Cutrell Photographs portray life in the village of La Hatte Cadet in Haiti in the 1970s. Missionary David Cutrell lived in La Hatte Cadet and documented daily life with a Roliflex camera. Images include landscapes, portraits and snapshots of everyday life including family groups, children, adults, dwellings, villages, gardening, livestock, house repair, market day, and religious ceremonies and artifacts. Collection includes negatives, contact sheets, prints, and 35mm and 2" color slides. Arranged in order by format and roll number. Acquired as part of the Archive of Documentary Arts.

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The Durham Traditional Arts Survey was conducted in the early 2000s as part of the Document Durham project within the Community Programs department at the Center for Documentary Studies. Participants consisted of folklorists and photographers who traveled through Durham County, attempting to document the diversity of various communities by focusing on traditional artists within those communities. One outcome of the DTAS was the Home Made Visible: Durham 2002 exhibition, which highlighted Durham traditional arts and crafts. Includes fieldwork reports, interview tapes, slides, photographs, and other documentary material from the research and observations conducted by participants in the Durham Traditional Arts Survey Project. Durham communities and artists represented in the project include African American, African immigrants, Latino, Middle Eastern, Jewish, South Indian, and Asian, as well as occupational traditions and rural community traditions. Acquired as part of the Archive of Documentary Arts.

Includes fieldwork reports, interview tapes, slides, photographs, and other documentary material from the research and observations conducted by participants in the Durham Traditional Arts Survey Project. Durham communities and artists represented in the project include African American, African immigrants, Latino, Middle Eastern, Jewish, South Indian, and Asian, as well as occupational traditions and rural community traditions. Acquired as part of the Archive of Documentary Arts.

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The Facilities Management Department (FMD) is responsible for the maintenance, repair and minor alteration of the campus facilities. Collection contains material pertaining to the operations of the Facilities Management Department (FMD) including a 1990/1991 annual report, committee minutes, materials related to the restoration of the stained glass windows in the Chapel, and architectural drawings from the Trumbauer firm of many campus buildings.

Collection contains material pertaining to the operations of the Facilities Management Department (FMD). Materials include the 1990/1991 annual report, committee minutes, significant materials related to the restoration of the Duke Chapel stained glass windows, including condition reports by Dieter Goldkuhle, color slides of the conservation, and rubbings of the windows, as well as original architectural drawings of many campus buildings created by the Horace Trumbauer Firm, for which African American architect Julian Abele was the chief designer.

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The Garrett Orr Papers document the artistic output and personal files of advertising executive Garrett Orr. Although the collection spans the years circa 1873 to 1994, the bulk of the materials fall within two main periods: the 1890s to 1914, comprising a photographic collection of old poster images; and 1930 to 1965, which approximates the span of Orr's professional life. The collection includes the original drawings, water colors and paintings produced by Orr as designs for the outdoor advertising campaigns of a wide variety of products such as Gillette razors, Ipana toothpaste (Bristol-Myers), Lucky Strikes and Viceroy cigarettes (Brown & Williamson), Mazola corn oil (Corn Products Refining Company), Seagram beverages, Verney fabrics, and White Rose tea. Also included are folders of photographs, slides and negatives of Orr's advertising work for approximately 550 companies (with index). In addition, a collection of almost 200 large-format negatives and photographs document images of 19th- and early 20th-century posters for plays, musicals, minstrel shows, circuses, and hotels. A large set of clippings files contain published examples of the work of over 100 graphic artists and illustrators contemporary with Orr, including Floyd Davis, Ronald McLeod, George Petty, Howard Scott, Ben Stahl, Jon Whitcomb, and J. Walter Wilkinson. The collection is organized into five series--the General Files Series; the Artists and Illustrators Series; the Product Files Series; the Other Photographic Materials Series; and the Sketches Series. Large-format items from the Artists and Illustrators Series and Sketches Series have been relocated to Oversize Materials.

Closely related collections held by the Rubenstein Library include: the Outdoor Advertising Association of America (OAAA) Archives; the Outdoor Advertising Association of America (OAAA) Poster Designs; the Outdoor Advertising Association of America (OAAA) Slide Library; the Duplex Advertising Company Billboard Images and Records; the Strobridge Lithographing Company Advertisements; the R.C. Maxwell Co. Records; the Howard Scott Papers; and the John Paver Papers.

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Harold Grier McCurdy papers, 1918-2006 22.6 Linear Feet — 9934 Items

Collection contains an unpublished manuscript of A Photorealist in Quest of God by McCurdy. This work traces the artistic development of his son, John. Among the correspondence are letters between John and his parents, and diaries detailing the early lives of both John and his sister, Ann. Also included is an exhibition catalog of John's work (1977); an essay by John with publishers' responses; his doctoral dissertation; reprints of articles John wrote; original art work; legal papers, handwritten notes, printed material, yearbooks, course work, diplomas, correspondence; and slides and photographs. Other works by Harold McCurdy include Barbara, The Unconscious Autobiography of a Child Genius and About Mary. Another group of materials include correspondence, clippings, articles, and other items relating to Harold McCurdy's writing, teaching, and publishing career.

Addition (2000-0424) (8216 items, dating from 1918-1999) provides a relatively well-rounded and sometimes intimate look into McCurdy's personal and professional life over the majority of his lifetime. Materials include correspondence from and to McCurdy; writings on psychology, poetry, and drama; diaries; subject files; cartoons; and 254 color slides of paintings and other sketches and writings by McCurdy's son, John Derrickson McCurdy.

Addition (2009-0021) (8 items; 0.2 lin. ft.; 1949-2006) consists of 6 bound notebooks and diaries kept by McCurdy. Some of the diaries appear to be sequential; other notebooks include clippings and writings. There is also an index of McCurdy's submissions (1949-1998), as well as a compilation of his poetry (2006).

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Set of 95 photographic color images in slide format, taken by Jeff Kosokoff, a librarian at Duke University, Durham, N.C., while traveling in Japan, mainland China, and Taiwan from January to April 1983. The images are arranged by geographic location, in alphabetical order: Akira, Japan; Hong Kong; Hohhot (or Huhhot), the capital of the Inner Mongolian Autonomous Region in North China; the Inner Mongolia grasslands; and Taipei, Taiwan. Subjects includes the rural landscapes and cityscapes of each area and its citizens, including street scenes and street art, markets, advertising and other signs, vending machines, and modes of transportation. Photographs taken in Inner Mongolia include dwellings (yurts), families and individuals in native dress, domestic Bactrian camels, and some scenes from the city of Hohhot. Acquired as part of the Archive of Documentary Arts at Duke University.

The collection consists of a set of 95 photographic color images in slide format, taken by Jeff Kosokoff, a librarian at Duke University, Durham, N.C., while traveling in Japan, mainland China, and Taiwan from January to April 1983. The images are arranged by geographic location, in alphabetical order: Akira, Japan; Hong Kong; Hohhot (or Huhhot), the capital of the Inner Mongolian Autonomous Region in North China; the Inner Mongolia grasslands; and Taipei, Taiwan. Subjects includes rural landscapes and cityscapes of each area and its citizens, including street scenes and street art, markets, advertising and other signs, vending machines, and modes of transportation. There are images of an acrobatics performance and some night cityscapes. Images taken in Inner Mongolia include dwellings (yurts), families and individuals in native dress, domestic Bactrian camels, and some scenes from the city of Hohhot.

Acquired as part of the Archive of Documentary Arts at Duke University.

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Joel Raphaelson was an advertising executive with Ogilvy & Mather in New York and Chicago. The Joel Raphaelson papers include correspondence, speeches and presentations, writing drafts and other printed materials as well as audiovisual materials in multiple formats (videocassettes, optical disks, audio reels). Topics include agency and account management, management philosophy and strategic direction, and theories of writing for business and advertising copy. A significant portion of the collection is devoted to correspondence with David Ogilvy, Ogilvy's memos and other writings. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Joel Raphaelson papers include correspondence, speeches and presentations, writing drafts and other printed materials as well as audiovisual materials in multiple formats (videocassettes, optical disks, audio reels). Topics include agency and account management, management philosophy and strategic direction, and theories of writing for business and advertising copy. A significant portion of the collection is devoted to correspondence with David Ogilvy, Ogilvy's memos and other writings. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

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This collection (94-110) (27,000 items, 50 linear feet, dated 1908-1989) consists mostly of vertical files, including office newsletters, speeches and writings, publications, training and planning documents from Chicago and other JWT offices. There are also 78 reels of microfilm of Chicago office ads prior to 1970, as well as significant collections of proof files especially pertaining to major clients like Kraft, Quaker Oats, and Schlitz. In addition, the collection holds several hundred "Aber Reports" dating between 1950-1971, which were market research summations of various product categories. A container list for this accession follows below.

Subsequent additions (96-169, 99-130, 99-239) (8514 items; dated 1970-1998) contain an item-level index to the massive library of research reports maintained by JWT's Chicago Office. Materials are arranged in alphabetical order; the largest alphabetical run is by company name. There are also cards for "X" and "AV" reports, general research reports, and an index to JWT People Profiles. Also included are printed proceedings from international symposia on magazine readership research for 1981, 1983, 1985, 1988, and 1991, including copies of some of the previously unpublished papers and related printed material (1998). These materials reveal the lengths to which advertisers go to gain insight into consumer thinking. Acquired as part of the John W. Hartman Center for Sales, Advertising and Marketing History. A container list for accession 99-130 follows below.

Addition (01-110) (70 items, .2 lin. ft.; dated [1980s]) consists of about 70 color slides depicting people, events, and locations within the company's Chicago offices.

Addition (02-0188) (397 items, 8.7 linear feet; dated 1980-2000 and undated) comprises primarily information on and examples of Thompson Total Branding (TTB), including in the US, England, Jamaica, and Asia. TTB began in 1996 and is JWT's method for addressing client marketing needs. Also includes copies of earlier methodologies, the T-Plan and Thompson Way; employee manuals; training material; J. Walter University intern/trainee manual (2000); information about the Lintas, McCann-Erickson, and Ogilvy and Mather agencies; material from JWT's World Partners Council meetings (Italy, 1995; Mexico, 1997) and marketing seminars held in the agency's Asia-Pacific region; six 3/4" U-matic SP and 11 VHS videocassettes, mainly of presentations and training material (1980s-1990s); 1 audiocassette; 47 color slides; and 208 electronic documents on 2 CD-ROMs. A container list for this accession follows below.

Several accessions of the JWT Chicago Office Records were completely or partially deaccessioned at the request of the JWT Chicago and returned to the JWT Record Center. These involved proprietary research in which the clients still retained an interest. The accessions involved were: 95-016 (10 boxes); 95-015 (7 boxes); 95-018 (2 boxes); 95-017 (1 box); and 99-0130 (28 boxes). For further information, contact Research Services.