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Amy Mariaskin Zine collection, 1995-2005 3 Linear Feet — 150 Items

Amy Mariaskin began collecting and trading zines with other women as a member of the Pittsburgh, PA, Riot Grrrl Chapter from 1995-2002. She authored the zine Southern Fried Darling from 1995-2002, and Vortext, about meteorology and weather. Collection consists of about 150 zines, mostly self-published by women and girls in the United States. Subjects include feminism, riot grrrl, body image and consciousness, music, mental health, depression and mental illness, film, poetry, rock and punk music, comics, violence against women, sexual identity, homosexuality and bisexuality, transgender issues, and race. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection consists of about 150 zines, mostly self-published by women and girls in the United States. Subjects include feminism, riot grrrl, body image and consciousness, music, mental health, depression and mental illness, film, poetry, rock and punk music, comics, violence against women, sexual identity, homosexuality and bisexuality, transgender issues, and race. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

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Carlyle Marney papers, 1899-1979 58 Linear Feet — Approx. 45,000 Items

The papers of Carlyle Marney span the years 1899-1979, although the bulk of the collection begins in the late 1950s. Included are correspondence, drafts of writings and sermons, press releases, leaflets, pamphlets, bulletins, financial records, clippings, newsletters, calendars, reports, course materials, minutes, printed material, notes, pictures, tapes, and films. Reflected in the papers is information on rural poverty, the American Baptist Convention, the Baptist Church, especially in Texas and North Carolina, Christian writings, Abingdon Press, which published many of Marney's books, and racial prejudice. Concerning prejudice see in particular the Writings and Speeches Series: Marney (Structures of Prejudice) and the Correspondence Series (Church and Race Conference).

The principal focus of the collection is Marney's professional career as a Baptist clergyman, serving two lengthy pastorates at First Baptist Church in Austin, Texas (1948-1958), and at Myers Park Baptist Church in Charlotte, North Carolina (1958-1967), and as Founder-Director of Interpreters' House, an ecumenical center of study and work at Lake Junaluska, N.C. (1967-1978). He divided his duties to eventually develop a tripartite profession as a pastor, author, and speaker. He transcended his Southern roots to attain a national reputation as a speaker and theologian. The collection illuminates Marney as an independent and controversial figure within the Southern Baptist Church. One of the hallmarks of his ministry, which separated him from most Southern Baptists, was his ecumenical focus. According to his biographer, John J. Carey, "Marney sought to be a force for Baptist renewal and to broaden the ecclesiastical and theological bases of the Southern Baptists."¹

The Correspondence Series, Writings and Speeches Series, and Engagements Series form the major groups in the collection. The Correspondence Series, which comprises almost one-third of the bulk of the collection, consists chiefly of professional correspondence, but there is also a group of folders for Marney family members. Prominent correspondents include James T. Cleland, William Sloan Coffin, Pope A. Duncan, Findley Edge, Harry Golden, William J. Kilgore, Martin Luther King, Jr., Karl Menninger, Bill Moyers, Guy Ranson, and Elton Trueblood. Abingdon Press and the American Baptist Convention also have major files in this series. The Association of Southern Baptists for Scouting, Christian Century Foundation, and the Myers Park Baptist Church are other organizations represented in this series. The above-named topics also appear under appropriate topical headings in the Subject Files Series. There are also files in the Correspondence Series for the Church and Race Conference (Charlotte, N. C., 1965) and the God is Dead movement.

Both published and unpublished works appear in the Writings and Speeches Series. Marney was the author of twelve books and contributed articles to various theological journals; other single sermons appear in various anthologies. Most of his books were published by Abingdon Press, a Methodist publisher. There is also a copy of the book published in 1953, These Things Remain, as well as television programs, 1954, under the same title. Included in this series are the texts of unpublished books, such as City of Light/City of Wilderness,Great Encounter,Recovery of the Church, and Tragic Man/Tragic House.

In the files of writings of other persons are works of Karl Menninger and Guy Ranson, who also appear in Marney's correspondence. Other writers appearing in this section are Rufus Carrollton Harris, William Jackson Kilgore, Franklin Hamlin Littell, John David Maguire, Orval Hobart Mowrer, H. Richard Niebuhr, Schubert Miles Ogden, Clyde Penrose St. Amant, and John Egnar Skoglund.

The Engagements Series, 1958-1978, primarily reflects the latter portion of Marney's career, during his tenure at Myers Park Baptist Church and at Interpreters' House. Both this series and the Calendars Series testify to Marney's busy schedule of speaking appointments, especially during the Myers Park pastorate. In fact, the church hired a full-time administrator to aid in managing the daily activities of the church. Marney preached at major colleges, universities, and seminaries across the United States, including Harvard University, Yale University, and Duke University. He accepted a variety of speaking engagements including the Chautauqua Institute in New York; the Massanetta Center in Virginia; worship services; conferences and symposia; religious organizations, such as Temple Beth El Sisterhood; retreats; and the North Carolina Council of Churches. In addition, Marney spoke at military installations, the Southern Textile Association, and various secular organizations and clubs, such as the Chamber of Commerce, Sertoma Club, and YMCA.

Two major topics in the Subject Series are the Christian Century Foundation, of which Marney was a trustee, and the Ministers and Missionaries Benefit Board of the American Baptist Convention. These two topics overlap with files in the Correspondence Series. Other files of interest include Abingdon Press, the Boy Scouts of America, the Committee on Religion in Appalachia, First Baptist Church (Austin), Myers Park Baptist Church, and the Southern Baptist Theological Seminary. There is also a mimeographed copy of a diary (prepared from tapes), 1954, Sept.-Nov., that Marney wrote on a trip to Korea and Japan, as part of a preaching mission for the Army and Air Force in the Far East.

The President's National Advisory Commission on Rural Poverty Series contains reports on aspects of rural poverty, such as economics, education, conservation and development of natural resources, health and medical care, government, housing, and farming.

The Southern Baptist Theological Seminary Series includes notes on such topics as Christian missions, church history, theology, and Old and New Testament studies. An early volume, 1899-1902, contains notes for a class by W. O. Carver on Christian missions.

The Notes Series contains notes Marney made from the works of various theologians and other authors, such as F.S.C. Northrop, Hans Reichenbach, A. C. Reid, Paul Tillich, Harold H. Titus, Arnold J. Toynbee, and Alfred North Whitehead.

In the Audiovisual Series features sermons, lectures, and books in the following formats: cassette tapes, reel-to-reel tapes, and motion picture films. Of particular interest are the series of reel-to-reel tapes of Laymen's Hour recordings and the Massanetta Springs Recordings made by Marney. The Laymen's Hour was a radio broadcast; most of the recordings in this series are in 1965, with one in 1962. Massanetta Springs, Inc. is the Conference Center of the Synod of Virginia, Presbyterian Church, U. S., located near Harrisonburg, Va. These recordings, 1957-1974, were a series of annual lectures at Bible conferences at the center. Originals are closed to use, but listening copies are available for many of the recordings; otherwise staff need to arrange to have use copies made. Please consult with Research Services staff before coming to use this collection.

1. John J. Carey, Carlyle Marney: A Pilgrim's Progress(Macon, Ga.: Mercer University Press, 1980) , p. 36.

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Charles McKinney papers, 1952-1993 and undated 42 Linear Feet — 31500 Items

Charles C. Chick McKinney founded and headed the McKinney & Silver (M&S) advertising agency for 22 years, where he held positions of President and Chief Executive Officer. The agency, originally based in Raleigh, N.C., and presently headquartered in Durham, N.C., is one of the largest advertising agencies in the Southeastern U.S. The Charles McKinney Papers cover the years 1952-1993, with the bulk of materials dating from 1968-1990, the period during which McKinney served as President and CEO of the McKinney & Silver (M&S) advertising agency. The collection primarily consists of correspondence, memoranda, clippings, M&S presentations to clients, proofs, speeches, reports, McKinney's handwritten drafts of advertising campaigns, and numerous brochures from graphic artists and design companies. The collection also includes films of advertising spots, slides for new business presentations, and many periodicals related to advertising and graphic design. Companies represented in the collection include American Drew; Bacardi Corporation; Bahamas; Barnett Banks; Benihana; Beatrice Foods Company; Bigelow-Sanford Carpet Company; Black & Decker Corporation; Braniff Airways; Brown & Forman Inc.; Brown & Williamson; Colours; Del Monte Corporation; Drackett; Dunlop Sport, GoodMark Foods, Inc.; Gravely; Homelite; Kingsdown; Mars, Inc.; North Carolina National Bank; North Carolina Travel and Tourism; Norweigan Cruise Line; PET Dairy; Piedmont Airlines, Inc.; Pillsbury Company; Pine State; Quincy's; Royal Caribbean Cruise Line; Tile Council of America; Travelmation; and USAir Group, Inc.

The Charles McKinney Papers cover the years 1952-1993, with the bulk of materials dating from 1968-1990, the period during which McKinney served as President and CEO of the McKinney & Silver (M&S) advertising agency. The collection primarily consists of correspondence; memoranda; clippings; presentations to clients; proofs; speeches; reports; McKinney's handwritten drafts of advertising campaigns; and brochures from graphic artists and design companies. The collection also includes films and videocassettes of advertising spots, slides for new business presentations, and periodicals related to advertising and graphic design. Companies represented in the collection include American Drew; Bacardi Corporation; Bahamas Tourism; Barnett Banks; Benihana; Beatrice Foods Company; Bigelow-Sanford Carpet Company; Black & Decker Corporation; Braniff Airways; Brown & Forman Inc.; Brown & Williamson; Colours; Del Monte Corporation; Drackett; Dunlop Sport; GoodMark Foods, Inc.; Gravely; Homelite; Kingsdown; Mars, Inc.; North Carolina National Bank; North Carolina Travel and Tourism; Norweigan Cruise Line; PET Dairy; Piedmont Airlines, Inc.; Pillsbury Company; Pine State Dairy; Quincy's; Royal Caribbean Cruise Line; Tile Council of America; Travelmation; and USAir Group, Inc.; among others.

Many of the clippings and presentation drafts and fragments arrived unfoldered and interspersed throughout the collection. Complete presentation drafts were foldered by presentation title; presentation fragments and clippings were foldered as miscellaneous. Many of McKinney's drafts of advertising campaigns appeared in ruled notepads, often with clippings and additional sketched interleaved. Items attached to a particular notepad were foldered together and titled by subject and detached from cardboard backing. Legal sized notes were photocopied and reduced to letter size.

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Duke Film Society records, 1949-1956. 0.5 Linear Feet — 250 Items

Organized in 1949, the Duke Film Society's aim was to bring to the Duke University campus the best foreign, experimental, documentary, educational, and art films, both current and past. It was disbanded in 1965. Collection contains materials pertaining to the organization and operations of the Duke Film Society including society minutes, press releases of programs, financial statements, film catalogs/ promotional material and correspondence with film production companies. The collection spans the years 1949-1956.

Contains materials pertaining to the organization and operations of the Duke Film Society including society minutes, press releases of programs, financial statements, film catalogs/ promotional material and correspondence with the following Martin J. Lewis Theatrical Productions, Contemporary Films Inc., The Museum of Modern Art, Loew's International Corporation, Wallace Film Exchange, Brandon Films Inc., Classic Pictures Inc., Community Cinema Corporation, Paul Goldman Motion Pictures, United Artists Corporation, United World Films Inc., British Film Institute, and other companies.

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Irving Sonn papers, 1963-1977 and undated 3.25 Linear Feet — 2000 Items

Irving Sonn was a copy writer for several advertising agencies including: Ted Bates & Co.; Ogilvy & Mather; Compton Advertising, Inc.; and Needham, Harper & Steers. The Irving Sonn Papers span the years 1963-1977 and contain general correspondence, clippings, memorabilia, photographs and presentation slides that primarily document the periods of Sonn's employment at Ted Bates & Co. and Needham, Harper & Steers. Also includes recordings of advertising spots and jingles in a variety of formats, including audiotape and cassettes; VHS and Umatic videocassettes; and 16mm film. Clients include: Burger King; Kodak; Kentucky Fried Chicken; and Toyota. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Irving Sonn Papers Span the years 1963-1977 and contain general correspondence, clippings, memorabilia, photographs and presentation slides that primarily document the periods of Sonn's employment at Ted Bates & Co. and Needham, Harper & Steers. Also includes recordings of advertising spots and jingles in a variety of formats, including audiotape and cassettes; VHS and Umatic videocassettes; and 16mm film. Clients include Burger King; Kodak; Kentucky Fried Chicken; and Toyota.

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John Benjamin Harris is Professor Emeritus of Management and Marketing at Virginia State University. He pioneered governmental and commercial awareness of African American advertising markets and, in the 1970s, became the Director of the Virginia State Office of Minority Business Enterprise and Special Assistant to the Governor for Minority Enterprise. The John Benjamin Harris Papers span the years 1955-1991 and include scholarly articles, corporate reports and proposals, product labels, 16mm film reels, and audio tapes. Materials represent Harris' academic and professional work at New York University and Virginia State University as well as his work for the Virginia State Office of Minority Business Enterprise. Topics touched on in the collection include minority business enterprises; minority markets and minorities (especially African Americans) as consumers; and African American mass media. In addition, the collection reflects Harris' work for the advertising industry with employers including Cunningham & Walsh, Inc., the Leo Burnett Company, Inc., and the Ted Bates Company. Brands represented include Alka-Seltzer (Miles Laboratories), Campbell Soup, Coca-Cola, Cleveland Electric, Eastman Kodak, Pillsbury, and Schlitz.

The John Benjamin Harris Papers span the years 1955-1991 and include scholarly articles, corporate reports and proposals, product labels, 16mm film reels, and audio tapes. Materials represent Harris' academic and professional work at New York University and Virginia State University as well as his work for the Virginia State Office of Minority Business Enterprise. Topics touched on in the collection include minority business enterprises; minority markets and minorities (especially African Americans) as consumers; and African American mass media. In addition, the collection reflects Harris' work for the advertising industry with employers including Cunningham & Walsh, Inc., the Leo Burnett Company, Inc., and the Ted Bates Company. Brands represented include Alka-Seltzer (Miles Laboratories), Campbell Soup, Coca-cola, Cleveland Electric, Eastman Kodak, Pillsbury, and Schlitz.

The collection is organized into three series: Writings, Package Labels, and Audiovisual Materials. The Writings Series includes scholarly articles, reports, and proposals from Harris' academic and professional career in marketing research. The Package Labels series includes images of Campbell Soup Company branded product labels. The Audiovisual Materials series includes reels of television and radio advertisements for various company brands and advertising agencies.

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Correspondence, memos, reports, speeches, and printed items relating to Stridsberg's career at the J. Walter Thompson Company. Documentation includes reports and pamphlets that address television advertising to men and children, brand advertising, public service campaigns, the role of research in advertising, tobacco marketing, JWT's international offices and clients. Also included are texts of speeches by Rena Bartos and other JWT officers, and Stridsberg's reminiscences of his years at J. Walter Thompson Company in the 1960s and 1970s, especially regarding Ralph Nader and the Ford Motor Company as well as international cigarette marketing. The printed material includes issues of a serial, Motivations (1956-1957), and other bulletins published by Ernest Dichter's Institute for Motivational Research. Audiovisual materials include radio compilation cassettes produced by the Radio Advertising Bureau and other entities; 16mm films Coca-Cola campaigns by McCann-Erickson agency (undated) and a 1976 reel from Dancer Fitzgerald Sample. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

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Collection contains miscellaneous files from the Detroit office; tearsheets, client and competitive advertising. Acquired as part of the John W. Hartman Center for Sales, Advertising and Marketing History.

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Lois Gaeta was a television and radio script writer at the J. Walter Thompson (JWT) advertising agency from 1955 to 1961. The Lois Gaeta Papers span the years 1956 to 1961 and include television and radio scripts, filmed commercial spots, as well as print advertisements and packaging samples, that document Gaeta's work as a script and copy writer for JWT. Companies represented include Beecham Products (Eno), Blue Cross/Blue Shield, Colgate-Palmolive (Stripe toothpaste), Eastman Kodak, Mentholatum, Reader's Digest, and W.F. Young (Absorbine Jr.).

The Lois Gaeta Papers span the years 1956 to 1961 and include television and radio scripts, filmed commercial spots, as well as print advertisements and packaging samples, that document Gaeta's work as a script and copy writer for JWT. Companies represented include Beecham Products (Eno), Blue Cross/Blue Shield, Colgate-Palmolive (Stripe toothpaste), Eastman Kodak, Mentholatum, Reader's Digest, and W.F. Young (Absorbine Jr.).

The collection is arranged into three series: General Files; Company Files; and Audiovisual Materials. The General Files Series includes clippings, correspondence and other printed materials, arranged alphabetically. The Company Files Series consists of radio and television scripts, print advertisements and packaging examples, arranged alphabetically by company name. Therein, scripts are arranged chronologically by year. The Audiovisual Materials Series consists of 16mm black-and-white films of television commercials, primarily for Mentholatum.

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The Morris and Dorothy Margolin film collection dates from 1947 to 1982 and includes twenty-five 16mm and seven Super 8 motion picture films created by Morris Margolin, chiefly documenting Morris and Dorothy's international travels. The films include footage from Pakistan, Bulgaria, Ethiopia, and Kenya -- rare destinations for Western travelers in the 1950s, 1960s, and 1970s. Highlights include an abundance of images of the Soviet Union and Israel, and images of Capetown documenting the apartheid years. All of the films are color, and a few include sound elements such as narration, music, or even sound effects. The collection also includes a handful of home movies that document family trips and events such as graduations and birthdays, and one film that appears to be a professionally produced documentary about the Soviet Union. The films are complemented by over 4,000 color slides of still images taken during their travels. The collection, arranged chronologically, also includes Digital Betacam preservation tapes, DVD masters and DVD use copies.

The Morris and Dorothy Margolin Film Collection includes 32 home movies that capture the Margolins' travels between 1947 and 1976. Destinations represented in the collection include Austria, Belgium, Bulgaria, Canada, Denmark, England, Ethiopia, France, Germany, Greece, Hawaii, Hong Kong, Hungary, Israel, Italy, Japan, Jamaica, Kenya, Majorca, Monaco, Morocco, Norway, Pakistan, Portugal, Puerto Rico, Romania, Scotland, South Africa, the Soviet Union, Spain, Sweden, Switzerland, Tanzania, Thailand, Turkey, and Yugoslavia. All of the films are in color, and a few include sound.

Also included is a handful of home movies that document family trips and events such as graduations and birthdays, and one film that appears to be a professionally produced documentary about the Soviet Union acquired by the Margolins during their travels.

Particularly notable is the adventurous nature of many of the countries visited, such as the Soviet Union, Pakistan, Bulgaria, Ethiopia, and Kenya -- rare destinations for Western travelers in the 1950s, 1960s, and 1970s. The films are also noteworthy because Morris often trained his camera on his surroundings, recording everyday life as well as architectural and geographical features of the countries he visited. His wife Dorothy also makes frequent appearances in the films.

The films are complemented by over 4,000 color slides taken in most of these same countries from 1959 to 1982. Of particular interest are images from the former Soviet Union and Israel, both from the mid-1960s, images of South Africa during apartheid, as well as early images of France, Italy, and Thailand.

Acquired as part of the Archive of Documentary Arts at Duke University.