The papers of B. Everett Jordan span the years 1936 to 1974, with the bulk of the items dating from his years of service in the United States Senate, 1958 to 1972. The collection consists strictly of files from the Senator's Washington office; there are no personal or business papers or materials documenting his political campaigns, the activities of his Senate offices in North Carolina, or political activities prior to 1958. The few pre-1958 items in the collection include background information on several topics and a few files of Jordan's predecessor Senator W. Kerr Scott.
The papers are organized into ten series, most of which are divided into topical subseries. Consisting largely of correspondence, memoranda, legislative documents, and background materials, the collection confirms Jordan's reputation as a diligent and concerned public servant, who was considered by his colleagues to be reliable, genial, and hard-working.
Beginning his service in the Senate at the age of 62, Jordan quickly demonstrated his political savvy and areas of legislative interest. He labored throughout his Senate career on behalf of the interests of agriculture, education, and manufacturing and was proud of his record of doing "the little things" to help his constituents. He worked particularly to encourage the enhancement of water resources in North Carolina, continuing the efforts of W. Kerr Scott on public works projects. His stance on most issues was conservative to moderate. Although usually in accord with his North Carolina colleague Senator Sam Ervin, Jordan at times took an independent stand, casting votes in opposition not only to Ervin but the bloc of other Southern Senators as well, especially from 1964 on.
The Legislation Files contain a complete or nearly-complete record of bills which Jordan sponsored or co-sponsored or on which he participated in debates. In most years, Jordan fell into the bottom third of Senators in terms of numbers of bills which bore his name as sponsor or co-sponsor, though his activity increased over the years. He was a strong proponent of a broad range of major agriculture bills including nutrition programs, farm credit and insurance, agricultural and forestry research, crop marketing, and especially tobacco programs. In the area of natural resources, the files show Jordan's active support for the creation of the Cape Lookout and Cape Hatteras National Seashores in North Carolina. Some of the larger files in the Legislative Series contain extensive constituent correspondence related to particular bills. As in most of the series, correspondence with other senators found here is largely routine in nature. There is considerable overlap of topics among the Legislation, Committee, and Subject series, with related material often located, too, in the Writings and Speeches Series and among the Clippings.
The Committee Files are fullest for the Agriculture and Forestry Committee. Documentation of Rules and Administration Committee activity is somewhat limited during the period of Jordan's chairmanship, at least in part because committee chairmen's files are maintained by the committee or with committee records at the National Archives. As Rules Committee chairman Jordan received the most national exposure of his Senate years--and engendered the greatest partisan controversy--presiding at the televised hearings investigating the financial dealings of Robert G. (Bobby) Baker, the former Senate staff member considered a protege of Lyndon Johnson. Although the material in Jordan's papers about the Baker affair is very limited, substantial records of the investigation are preserved at the National Archives (as part of RG 46, Records of the U.S. Senate). The Public Works Committee files are also sparse, and only minimal information survives here about Jordan's minor committee assignments.
The Subject Files are the largest part of the Jordan collection; the bulk of these papers consists of constituent correspondence and examples of Jordan's replies, which were most often handled by form letters. Samples of out-of-state mail were also retained in many subseries. The sections on Agriculture, Foreign Relations, and Public Works contain the fullest documentation of Jordan's activities. Other topics of less central concern to Jordan or files containing many repetitions of Jordan's or constituents' opinions, have been sampled, with ten to thirty percent of the original size of the subseries retained. The Foreign Relations files are overwhelmingly devoted to the war in Southeast Asia in the late 1960s and early 1970s. Jordan's incoming mail on this topic shifted increasingly to anti-war opinions with each passing year, and in June 1970, following the invasion of Cambodia, Jordan became the first Southern senator publicly to renounce the Nixon Administration's military policy. The Public Works Files document, often in considerable political and technical detail, Jordan's efforts on behalf of flood control, navigation, and beach protection projects. Notable among the best-documented projects is the New Hope Dam and Reservoir Project in the Cape Fear River Basin, which in 1973 was renamed Jordan Lake in honor of the Senator. Among the smaller files, the Judiciary Files are important in illustrating major concerns of the period, notably civil rights, civil unrest, gun control, and school prayer. While Jordan took a conservative states' rights position on many of these issues, the papers also show that he supported the Equal Rights Amendment in 1972.
The next two series, U.S. and N.C. Government Branches and Departments, further illustrate the diligent activity of Jordan's well-organized staff on behalf of constituents. Only a very few of the large numbers of case files documenting the problems of individuals as they tried to interact with the government have been kept. The letters in the retained files contain constituents' opinions and questions on local, regional, or national issues, along with the replies from Jordan's office and the government agency to which the letter was referred. The U.S. Government series is by far the larger and more informative set of records.
The Federal Loans and Grants Series contains widely varying amounts of information about projects. Some files hold merely notifications of action taken on grants; others contain documented grant applications, clippings, and correspondence which contribute to understanding the interaction of governments for local and regional development.
Miscellaneous Series (so labelled by Jordan's office) consist mainly of General files (correspondence from constituents covering multiple issues), Legislative files (correspondence about multiple bills), and a small number of Personal files (correspondence from personal friends and political allies, often on multiple topics). The letters in these subseries are largely similar to other constituent correspondence. The Personal files contain letters to and from Jordan in his senatorial role, not private correspondence.
The Writings and Speeches Series appears to be a nearly complete record of Jordan's speeches, statements, newsletters, and press releases. Remarks made on the Senate floor in connection with particular bills are filed in the Legislation series.
The Clippings Series was honed down substantially from the hundreds of envelopes sent to Jordan's office by clipping services. Editorials, major news and feature stories, Jordan's regular column ("Senator Jordan Reports"), and cartoons--nearly all from North Carolina newspapers--were retained; thousands of duplicates, minor news stories, and general background articles on most topics were discarded.
The single folder of oversize material contains several large maps of flood control projects and a full-page campaign advertisement from a newspaper.
The Photographs Series contains negatives for photographs taken of Jordan while he carried out his Senate duties, 1958-1972. Jordan is the primary subject of each photograph, although several photos feature Jordan with others, most often his wife, visitors, or fellow Senate members, including Sen. John Kennedy and Vice-president Lyndon Johnson.
The Jordan papers are useful for documenting Jordan's public career in the Senate and his views on many issues but not his personal life or private thoughts. In addition the extensive incoming correspondence provides an overview of public concerns on many issues of the period and documents the sense of regional and national crisis that was widespread especially in the mid-to-late 1960s. The correspondence throughout the collection includes scattered letters from a number of prominent North Carolina and national politicians, agricultural and business leaders, but these have not been indexed. The Jordan Papers are complemented by the papers of Senator Samuel J. Ervin, which are housed in the Wilson Library, University of North Carolina, Chapel Hill. Ervin's Senate service, from 1954 to 1974, closely paralleled Jordan's; the two collections together extensively document on a regional and national level many of the political, economic, and social concerns of the era.
Chiefly production records for magazine issues, including drafts and edited copy for articles, laser printer and resin-coated paper page layouts, and color proofs. Includes editorial correspondence, research files, meeting notes, promotional and subscription material, audio cassette and mini-cassette tapes, VHS tape, mini-disks, color and black-and-white photographs, negatives, and color transparencies. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
The majority of images in the collection are faculty and staff portraits taken by Duke Photography staff; a few pictures of students or of other individuals not affiliated with Duke are included. The collection contains photographic prints of various sizes, both black-and-white and color; contact sheets; negatives, including black-and-white 35mm negatives, positive 35mm color slides, and other sizes; and seven CDs of digital files. Most of the items are undated but appear to be from the 1980s through around 2000. Most items include a job number assigned by Duke Photography, either on the back of photographs or on the plastic sheets housing the negatives.
The Duplex Advertising Company. Billboard Images and Records spans the period 1964-1993 and documents the outdoor advertising work of this company in the central Texas area, primarily through photographs, negatives and slides of billboards. Many of the images are in color. A large number of the images are of national campaigns advertised in central Texas, as well as billboards, signs and posters of local Texas business services. In addition, a handful of articles written by R. V. Miller, Jr. for a number of publications, as well as other printed material and miscellaneous items from the Duplex Advertising Company, are present. Some of these articles, along with the images themselves, provide examples of commercial art and design in the outdoor advertising arena. The collection includes outdoor advertising images from national clients such as Kentucky Fried Chicken, Chevrolet, Coca Cola, Coors, Wendy's, Hardee's, and Taco Bell, and Texas clients such as Lone Star and Pearl beers.
Related materials may be found in other outdoor advertising collections, including the Outdoor Advertising Association of America Archives, the Garrett Orr Papers, the Howard Scott Papers, the John Paver Papers, the John E. Browning Papers, the R.C. Maxwell Co. Records, and the Strobridge Collection.
Duplex Advertising Company. Billboard Images and records, circa 1964-1993 and undated 7.5 Linear Feet — 5300 Items
Includes fieldwork reports, interview tapes, slides, photographs, and other documentary material from the research and observations conducted by participants in the Durham Traditional Arts Survey Project. Durham communities and artists represented in the project include African American, African immigrants, Latino, Middle Eastern, Jewish, South Indian, and Asian, as well as occupational traditions and rural community traditions. Acquired as part of the Archive of Documentary Arts.
The Ellis H. Hudson Photographs and Papers date from the 1920s to the late 1950s, and consist of black-and-white photographs and negatives relating to Hudson's research on non-venereal syphilis in Syria in the early twentieth century, as well as galley proofs of maps, charts, graphs, and tables from his book Non-Venereal Syphilis: A Sociological and Medical Study of Bejel (1958). Many of the photographs also appear in this book. Acquired as part of the History of Medicine Collections at Duke University.
The Gaess Outdoor Advertising Photographs collection spans the decades of the 1950s and 1960s and includes black-and-white photographs and negatives of painted and blank billboard structures, locations, proposed locations and competitors' billboards. Clients include Budweiser (Anheuser-Busch), Cities Service, Gulf Oil, Schaefer and Schlitz.
The Gene Federico Papers span the years 1918-2003, with the bulk of the collection dating 1951-1991. The collection documents Federico's sixty years as a pioneering leader in advertising and graphic design, and contains materials from a variety of formats, including correspondence, writings, advertisements proofs and clippings, graphic design and printed materials, posters, sketches/sketchbooks, photographs, negatives, and videotapes. In addition to limited personal and biographical material, the collection primarily documents Federico's creative output as a graphic designer, art director, and advertising executive at agencies including Grey Advertising, Doyle Dane Bernbach, Douglas D. Simon, Benton & Bowles, Warwick & Legler, and as a principal at Lord Geller Federico Einstein; the collection has limited material relating to the specific agencies for which he worked. The collection also documents Federico's extensive freelance and exhibition work throughout his career (most notably the "Love of Apples" and "24-Page Book" designs), in addition to his later consulting work for Brouillard Communications. Client advertisements and graphic design materials compose the majority of the collection. Significant clients represented include: Christian Dior; Elektra Records; Elizabeth Arden; Goldman Sachs; IBM; L'Aiglon Apparel; Lady Pepperell; Napier; The New Yorker; and Woman's Day. Though an art director throughout most of his career, Federico contributed significantly to the graphic design and typographical components of advertising. Through clear and innovative integration of design and typographical components, Federico pioneered the use of visual puns in advertisements, and emphasized clarity of message over design complexity. The collection will be of particular value to researchers interested in developments in print advertising and typographical design since World War II. The collection is organized into six series which focus on Federico's contributions to advertising and graphic design: Professional Files, Personal Files, Graphic Design, Advertising Campaigns, Photographs and Negatives, and Videocassettes.
The Professional Files Series includes business correspondence, professional writings, award/exhibit materials, press clippings and industry publications, in addition to limited files on the Art Directors Club of New York City and Lord Geller Federico Einstein. The Personal Files Series includes biographical and family materials; memorabilia documenting Federico's years as a student at Abraham Lincoln High School and Pratt Institute; World War II materials, including U.S. Army publications/posters produced by Federico and four sketchbooks; and original artwork (drawings, sketches, prints) not related to Federico's professional design and advertising work. The Graphic Design Series documents Federico's extensive graphic design work, including announcements and cards, book and record cover designs, calendars, design concepts, illustrations, letterhead, posters, transparencies, and typographic materials, as well as materials by other artists and designers. The Advertising Campaigns Series includes advertisement clippings and proofs, concepts and sketches, and client reports, representing over one hundred clients in a variety of industries. (Series contains a renowned example of Federico's use of visual puns: a 1953 Woman's Day advertisement - "She's got to Go Out to get Woman's Day " - which features a woman on a bicycle, the wheels of which form the "O"s in "Go Out.") The Photographs and Negatives Series includes both black & white and color images of Federico's advertising and graphic design work, Federico and his associates in a business setting, and a limited selection of personal and family photographs. The Videocassettes Series includes seven videotapes of commercials, short films, and memorial tributes documenting Federico's career in graphic design and advertising. Large-format materials (clippings, proofs, sketches, posters) have been removed from their original series location and relocated to Oversize Materials.
Other materials related to this collection may be found in the J. Walter Thompson Company Archives: Competitive Advertisements Collection and Corporation Vertical Files. For materials relating specifically to the advertising agency Benton & Bowles, consult the D'Arcy Masius Benton & Bowles Advertisements and Archives. Materials relevant to Lord Geller Federico Einstein and advertising strategy may be found in the Arthur Einstein Papers. For materials relating to Brouillard Communications and Doyle Dane Bernbach Advertising, see the Thomas F. Garbett Papers. Materials relevant to IBM advertising may be found in the Edgar Hatcher Papers.
The Henry Haberman Papers span the years 1945-2002 and include photographs, slides, negatives and print advertisements that document Haberman's work as a photographer in the advertising, fashion and travel fields. Companies represented include Armstrong floors, Bausch & Lomb, B.F. Goodrich, British American Tobacco (Lucky Strike), Cannon, Chatham blankets, Cover Girl (Noxell), DuPont, First National City Bank, General Electric, New York Telephone, Northeast Air, Pepsi, R.J. Reynolds and Shaefer beer.
The John E. Browning Papers span the years 1930-1999 and include billboard designs, photographs and negatives, correspondence, an autobiographical sketch, and printed materials relating to commercial art and typography. Arranged alphabetically.