Materials include newspapers, artwork, clippings, U.S. military publications aimed at camp residents, camp notes, reports, and photographs from a variety of sources. Newspapers are one of the largest formats within the collection, which includes the complete run of éxodo, a newspaper with color issues printed from November 1994-September 1995 from Camps Kilo and Charlie Village in the Guantánamo Bay camps; issues of El Bravo, El Balsero, and El Futuro from 1994-1995; Sa K'pase, N'ap Boule, and Qué Pasa, newspapers printed by the U.S. military in Creole and Spanish and designed for Haitian and Cuban refugees at the camps; as well as newspaper clippings and some magazine issues covering the refugee crisis of 1994-1995 and the plight of Caribbean refugees in general.
Photographs are another significant component of the collection. U.S. Coast Guard photographs and slides of rafters and rescuers date from 1980 to the 1990s or 2000s, and are accompanied by photocopies from the U.S. Coast Guard's Historian Office detailing refugees assistance as early as 1959. The collection also includes unsorted and largely unlabeled photographs from the camps; those that are labeled date from 1994.
Other materials in the collection include some refugee artwork, publications about Cuba, a folder of Cuba information including some materials on Elián González, and other ephemera mentioning Cuban refugees. In addition, 8 CDs with photographs and other materials have been transferred to Duke's ERM server and are in the custody of the Electronic Records archivist.
Collection contains correspondence, scrapbooks, albums, clippings, addresses, writings, and other materials that concern the personal lives and careers of the Evans family, particularly Emanuel J. and Sara Evans, their sons, Eli and Robert, and Emanuel's brother, Monroe. The family owned and operated United Department Stores, and for twelve years, 1951 to 1963, Emanuel Evans was mayor of Durham, NC. He was also very active in his synagogue, was a president of VISTAS, and participated actively in the University of North Carolina's Alumni Association.
There are two scrapbooks on Emanuel Evans's mayoral terms and a similar volume and other materials devoted to Mrs. Evans's activities as leader of Hadassah including items pertaining to Israel. Mr. Evans's mayoral correspondence is divided into a general file and a subject file. In pictures and personal correspondence, the Nachamson family is often represented. One early clipping from a Fayetteville, N.C. newspaper, tells of Mr. Evans's sister being refused teaching positions because of her Jewish faith. Eli Evans is a correspondent and writer, led the establishment of the National Jewish Archives of Broadcasting, and was on the staff of the Carnegie Foundation that helped launch "Sesame Street." He was president of the UNC student body and a number of items in the collection concern his presidency.
Also included is an address of Eli Evans presented during the conference on Southern-Jewish history in 1976, Eli Evans's vita, his unpublished diary of the Kissinger shuttle, and a large number of his writings, many concerning U.S. politics, minorities, and Jews in the South. There is a reprint of a chapter from his book, The Provincials, and reports from the Charles H. Revson Foundation, of which he is president. Also included are materials concerning Eli's brother Robert, a correspondent with CBS, who continued on as a television executive. Their uncle, Monroe Evans, was mayor of Fayetteville, NC, and his service is documented in several of the collection's scrapbooks.
One entire scrapbook is devoted to the writings of Mildred and Madeline Evans, Monroe's wife and daughter.
The audiovisual series contains a 16mm film copy of a 1957 episode of Edward R. Murrow's "See It Now," with which Robert Evans was involved, and a 16mm film copy of Governor Terry Sanford's November 1964 appearance on WUNC-TV, in which he reflects on his governorship and the current political scene. Several audio recordings capture Sara Evans addressing the Seaboard Regional Conference of Hadassah in 1982. Eli N. Evans's appearance on Richard D. Heffner's The Open Mind is documented.
The Theresa El-Amin Papers have been divided into series: Organizations and Movements, Subject Files, Conferences, Personal Files and Correspondence, Printed Materials, Photographs and Audiovisual, Black Liberation Historical Documents, Realia, and Oversize Materials. The largest series, Organizations and Movements, features materials from El-Amin's long career as an activist and union organizer with groups such as Black Workers for Justice, the Service Employees International Union, Jobs with Justice, the Green Party of the United States, the NAACP, the Coalition of Labor Union Women, the Black Radical Congress, Solidarity, and the Southern Anti-Racism Network. Other highlights of the Organizations and Movements series include the Black Liberation movement and the Free Mumia Abu-Jamal movement. There are also numerous other groups and movements represented within this series. Contents typically include handouts and fliers from various events; email correspondence; reports and publications from different groups, including some newsletters; and clippings with coverage of different campaigns and activities.
The Subject Files series was largely created by El-Amin, with additional subjects added in processing to account for loose pages in the collection. Topics heavily represented include Muhammad Ahmad, community organizing and its many components, healthcare, South Africa and apartheid, North Carolina, and workplace safety. There are also subject files for several countries, as well as materials about Hurricane Katrina.
The Printed Materials series includes newsletters, magazines, journals, fliers, handouts, and other miscellaneous materials from a wide variety of sources. The first box contains runs of various periodicals, including Forward Motion, In Defense of Marxism, and Labor Notes. These runs are incomplete and represent only a sampling of the publication. The second box of printed materials relates largely to El-Amin's union involvement, and features miscellaneous union publications from the 1980s-2000s. There is a small amount of earlier material, mainly in the Historical Pamphlets folder, which includes publications on desegregation and its impact on unions. The remainder of the series is also largely miscellaneous, with one or two issues of a wide range of newsletters, magazines, or organizational reports.
The small Conferences series contains conference books, fliers, correspondence, and handouts from various conferences El-Amin attended between 1985 and 2010. There is some overlap between this series and the Organizations and Movements series. Another small series is El-Amin's Personal Files and Correspondence, which consists largely of certificates and other remnants of her professional organizing education and career. This series also includes copies of her resumes and a 1997 oral history transcript.
The Photographs and Audiovisual Materials series includes large amounts of loose photographs, labeled by El-Amin, documenting many of the organizations, activities, and events referenced in earlier portions of the collection. It also includes some personal photographs of El-Amin's family and friends. The VHS tapes in this series document a range of protests and issues important to the BWFJ and El-Amin's union organizing.
Articles and pamphlets acquired by El-Amin relating to the Black Panther Party and the Black Liberation movement of the 1960s are included in the Black Liberation Historical Documents series. Highlights include a transcript of Stokely Carmichael, Chairman of SNCC, speaking at the 1966 Berkeley conference on "Black Power and its Challenges." Includes articles on the condition of African Americans by Bayard Rustin, as well as coverage of the Watts riot and recovery of the Watts area. Also includes several issues of Commentary Reports from the 1960s.
The Realia series is largely unsorted, but includes three boxes of t-shirts and one box of buttons and other ephemera collected by El-Amin in her years as an activist.
Finally, the Oversize Materials contains objects withdrawn from their respective series due to their large size. These include Jobs with Justice foam boards and posters.
Collection comprises correspondence, legal papers, business records, bills and receipts, photographs, writings, recipes, clippings, and other items relating to the life and career of businessman M.C. (Marshall Clayton) Stoner, of Chambersburg, Pennsylvania. Includes many speeches by George W. Brewer, a lawyer and senator in the Pennsylvania legislature, 1857-1859, and M.C. Stoner's father-in-law. Much of the correspondence and other items relate to coal mining and specifically to M.C. Stoner's Rocky Ridge Mining Company.
Other materials, including early legal papers, pertain to three generations of the Brewer and Stoner families from Pennsylvania and Maryland. There are also letters written to Stoner's daughter, Louise, chiefly from male friends. Her writings may also be present in the collection.
While the bulk of the collection is made up of correspondence, the papers also include Abbot's addresses to schools and the Virginia Educational Society; printed bulletins detailing courses of study and formal statements of the teaching philosophy at Bellevue; and an official letter-book, receipts, financial and legal documents relating to the purchase, expansion and daily administration of the school. Other materials relating to the children of the William and Lucy Abbot include educational addresses by their son, Charles Minor Abbot, who administered Bellevue until it closed (1901-1909), as well as biographical material on Virginia Henderson's authoritative influence on professional nursing.
The Abbot Family papers provide the researcher with numerous vantage points onto public, professional and private life in nineteenth-century Virginia, most particularly through personalized accounts of men and women of the time. While the papers follow the families' colonial past from the early eighteenth century into the mid-twentieth century, the collection is noteworthy for its emphasis on military and private life in the Confederacy and in the Reconstruction South. The collection illuminates the experience of the Civil War through numerous windows onto the private lives of individuals; the professionalization of secondary education during the Reconstruction; the social and epistolary conventions of nineteenth century courtship; and the construction of an inter-generational identity, based on extended familial affections and ties to the institutions of Bellevue and the University of Virginia.
The Alvin A. Achenbaum Papers span the years 1948-2011 and document Achenbaum's career in advertising (with Grey Advertising, J. Walter Thompson and Backer Spielvogel Bates agencies) and marketing consulting (as a partner in Alvin Achenbaum Associates, Canter Achenbaum Heekin, and Achenbaum Bogda Associates). Collection includes writings and speeches, correspondence, photographs, research reports and related materials. Clients represented include 7-Eleven, American Red Cross, AT&T, Block Drug, Bristol-Myers, Campbell Soup, Chrysler, Dairy Queen, Dentsu, Franklin Mint, General Foods, GTE, Hallmark, Honda, Integrity Music, Kayser-Roth, Kia, K-Mart, Miller Brewing, MTA, Nationwide, Nestlé, Nissan/Datsun, PCA, Pfizer, Philip Morris, Quaker Oats, Revlon, Ryerson Tull, Seagram, Toyota, U.S. Dept. of Defense, and Warner-Lambert.
Collection consists of a set of sixty-six commercially produced, hand-colored lantern slides, featuring photographic images taken in the early 20th century in areas of modern-day Israel, Palestine, Jordan, Lebanon, and Syria. The slides were sold in sets by the American Colony Stores, the commercial department of a missionary community based in Jerusalem. The landscapes and scenes were intended to illustrate biblical sites, or to remind the viewer of well-known biblical passages, but a few also depict archaeological sites of interest to tourists. The original title for one such set, represented by many of the slides in this collection, was "Lantern slides and art photos produced by the American Colony photographers illustrating Bible lands."
The slides measure 4 x 3.5 inches and are housed in a typical paper mat and a glass cover, sealed on the borders with black tape. They are stamped with "American Colony Photographers" on the top of the frame and "Jerusalem, Palestine" on the bottom. Titles in the collection inventory are transcribed from handwritten titles on the slide mounts.
Locations include but are not limited to: the city of Jaffa (Tel Aviv); Sea of Galilee; Jerusalem; Bethlehem; Mount of Temptation (identified with Mount Quarantania); Jericho; Jordan River; Mount Hermon; Bethsaida; Mount of Olives; Emmaus (El- Kubebeh); the mosaic floor at Beit Jibrin; River Abana (El-Barada); Tyre; and the Temple of Sethos. There are also two glass slides with maps of ancient Middle East and Palestine. Five of the slides are damaged and are filed at the end of the collection.
The collection is accompanied by a lantern slide projector, and by 10 cardboard squares cut out from the original slide boxes, showing the title of the collection and lists of slide titles.
Acquired as part of the Archive of Documentary Arts at Duke University.
The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.
Contains correspondence, annual reports, notes from field trips, photographs, and other materials pertaining to the activities of the Duke University student chapter of the American Society of Civil Engineers from 1932 to 1983 (bulk 1944-1970).
American Society of Civil Engineers, Duke University Chapter records, 1932-1983, bulk 1944-1970 2.5 Linear Feet — 2,500 Items
The Charles Roberts Anderson Papers span the dates 1806-1993 and document the active literary career of Anderson, who was professor of American literature at Duke University and Johns Hopkins University and a reknowned international lecturer. Included are research materials on Paul Hamilton Hayne and other Southern literary figures. Also contains writings and research files on the subjects of Anderson's books and edited volumes, especially Emily Dickinson, Henry James, Sidney Lanier (to whom Anderson was related), Herman Melville, Henry David Thoreau, and other American literary figures, including Walt Whitman, William Faulkner, and Mark Twain. Additional material includes files on his research and publications on the intellectual life of Charleston, S.C.; correspondence and files on other publications; lectures and files related to teaching, including two audiotapes of Anderson's lectures on Dickinson; travel journals, keepsakes, and two films on Charleston, S.C. and Stratford, England; and other papers related to the Anderson family history and his academic career. Copies of correspondence and other documents by Anderson's research subjects, particularly Hayne, detail social conditions and life in the South in the nineteenth century. In addition, material in this collection chronicles the academic life of Anderson and provides insights into the state of American literary scholarship and publishing in the mid-twentieth century. Early dates usually reflect original material photocopied by Anderson in the course of his research. Acquired as part of the Jay B. Hubbell Center for American Literary Historiography.
Charles Roberts Anderson papers, 1806-1993 and undated 15.9 Linear Feet — Approximately 10,200 Items
Collection primarily comprises 32 albumen photographs and one tintype (circa 1861-1954 and undated), most of which are accompanied by identifying information and feature formal portraits. Nineteen of the photographs represent Newlin or Anthony family members. Among the other thirteen, five are images of the Letterboat, Perry, and Holt families; four are unidentified images of World War I soldiers, possibly associates of Joseph Jonathan Newlin; and one is a print of evangelist "Cyclone Mac." The tintype is of an unidentified Confederate soldier, possibly James Rieh, whose letter of 12 May 1861 is in the collection. Other materials include John Anthony's bank account book (1906-1907); his personal account book (1892-1922), with entries for housekeeping and farm expenses and income; and a commonplace book for M. G. Newell (1938?). In addition, there are a few letters (1910-1958), clippings (1950-1974), and printed materials (1922-1961).
Collection holds story manuscripts (with editor's marks), correspondence, and production files for issues 1-16, 1994-1999. Files of editors Jay Woodruff, Rob Odom, and other editors contain correspondence with writers whose work they were interested in publishing and editing. There are postcards and transparencies used in various issues; and a complete run of the magazine through spring 1999. There are two unidentified files.
Later accessions include production files and correspondence between the magazine's editors and its contributors, also covering issues 1-16.
Accession 2010-0081 includes photographer name files, dating from 1993 (pre-production) through 1998, kept by Alex Harris and other DoubleTake staff. Files were created whenever a photographer corresponded with the magazine, and include copies of correspondence between editors and photographers, slides of sample work, contracts for those who were accepted as contributors, and occasional biographies or other information about the photographer. Some files represent a particular museum's exhibit rather than a personal photographer; these are designated with exhibit titles instead of a photographer's name.
Files are organized alphabetically, and include correspondence from well before the magazine began publication, as well as materials post-dating Harris's departure from the magazine.
Acquired as part of the Archive of Documentary Arts at Duke University.
Set of 96 black-and-white glass lantern slides used in the United States for the teaching of history and geography, probably in secondary schools and colleges. All of the slides except one were published by the Keystone View Company of Meadville, Pennsylvania. The 97th slide is a clear film transparency of a map of Germany following World War I, published by the Excelsior Illustration Company. Titles were transcribed from the originals as assigned by the Keystone Company.
Images include well-known United States historic sites; landmarks in colonial cities such as Williamsburg and Boston; views and cultural scenes from the Middle East, China, Japan, Hawaii, Korea, and the Philippines; a set of Japanese and Western wedding scenes; and a few images of U.S. troops taken during the Mexican, Cuban and Philippine conflicts and in World War I. One slide shows the ruins of Belleau, France, circa 1918. Other images include a U.S. suffragists' parade in 1913, a memorial portrait of John Hay, Secretary of State (died in 1905), the ship U.S.S. Maine, the "Rough Riders," and a portrait of the American Consul in Cuba. The slides all measure 4 x 3.25 inches. They are accompanied by two booklets with detailed narrative entries for most of the slides.
Acquired as part of the Archive of Documentary Arts at Duke University.
The Frank Baker Papers date from 1641 through 2002, with the majority of the materials dating from the 1800s to the 1990s. The collection houses correspondence, articles, pamphlets, extensive subject and research files, clippings, publicity, a few audio recordings and microfilm, and other materials documenting the professional career and life of Frank Baker, historian of Methodism and particularly of the life and career of minister John Wesley, considered the founder of British Methodism. The collection is arranged in the following series: Audiovisual Materials, Baker Collections Files; Correspondence; Libraries and Archives; Ministry; Personal Files; Printed Material; Professional Service; Scrapbooks and Albums; Subject Files; Teaching Materials; and Writings and Research. Many of the series are divided into subseries, and two are also followed by an Oversize Materials subseries. Note that early dates usually represent reproductions, not originals, although the collection does house some original research materials.
Topics covered by the materials in the collection include: the history and development of Methodism and of the Wesley family; the history of the Church of England, and the Methodist Church in England, the U.S., and other countries; the development of academic research on Methodism and its publications; the history of the Baker book and manuscript collections in the Duke University Libraries; music and hymnology; and the development of the Wesley Works Series, a publishing project headed by Baker. There are abundant research materials on notable individuals associated with Methodism such as John and Charles Wesley, many other Wesley family members, and others such as William Grimshaw and Francis Asbury.
The largest series is the Subject Files (122 boxes), research files assembled by Baker on approximately 1500 topics related to the Wesley family and the history of Methodism and the Methodist Church. Another large series is Writings and Research (48 boxes), containing files of research notes, correspondence, print materials, and publicity related to each of Baker's published works. There are also many student writings in the collection and other materials related to Baker's teaching. Among the Personal Files are biographical files on Frank Baker; awards and honors; travel-related items, and two portrait photographs of Baker's parents. Baker's personal hobbies are reflected in the stamp collecting materials and a group of Victorian-era monogram and crest albums and "libri amicorum," or friendship albums that round out the collection.
Frank Baker papers, 1641-2002 and undated, bulk 1740-1995 112.7 Linear Feet — Approx. 90,000 items — Approx. 90,000 Items
Clippings, notebooks, photographs, paper ephemera, and correspondence, chiefly 1885-1895, with family or friends (mostly women) concerning in part the role of women in Victorian society and Eugenia Balch's early career as an artist and travels in Europe. Balch lived in Paris for some time, and was fluent in French. Also includes a history of the Clymer family (1949) and several small, original sketches. Includes a photograph album. A letter from Alice Fauchon to her close friend, Eugenia Balch, dated May 30, 1892, recounts in detail her attempts to procure an abortion, which were unsuccessful (she gave birth to a son in October).
The Alice M. Baldwin Papers contain materials relating to Dean Baldwin's career as an educator, historian, and administrator, especially during her tenure at Duke University. Her papers include official, personal, and professional correspondence, printed matter, photographs, clippings, and other materials concerning the development and administration of the Woman's College at Duke University, the role of women's colleges in society, and the activities of business and professional women. Correspondents include other women educators, administrators of government offices and charitable and social organizations, former students, and Duke University faculty and staff. Among the major subjects besides the Woman's College are the Southern School for Workers, Inc., North Carolina and Southern labor issues, the U.S. Navy Waves program, and the education of women in general. The collection is organized into several series. The first series, Personal, includes documents related to Baldwin's family, genealogy, and education. The second series, Correspondence, consists of materials concerning her research and publications as well as general correspondence. Major correspondents include Nora C. Chaffin, Charles C. Crittenden, Katherine E. Gilbert, Meta Glass, Orie L. Hatcher, Louise McLaren, and Belle Rankin. The series is organized chronologically.
The third series, the Alphabetical File, is the largest series of the collection, and consists of professional and personal correspondence, student papers, and the office files of Baldwin. The file is arranged alphabetically by subject. Among the organizations Baldwin had an interest in were the American Association of University Women, the Institute of Women's Professional Relations, the National Association of Deans of Women, and the North Carolina Council of Women in Education. She also served on the boards of various state and federal commissions and committees dealing with the role of women's colleges in society. Her participation in the U.S. Navy Waves program is well-documented, as is her interest in the Southern School for Workers and other progressive organizations. The fourth series is Writings, which includes final versions, drafts and notes for a number of monographs and articles. Included are extensive notes from her graduate research on New England clergy. Of particular interest in this series is a 90-page manuscript, "The Woman's College As I Remember It," Baldwin's account of her hiring as the first woman with faculty rank at Duke, and the academic challenges involved in the establishment of the Coordinate College for Women there.
The fifth series is Speeches and Addresses, and is comprised primarily of notecards used by Baldwin in making presentations to a variety of groups. The next series is Photographs, and includes photographs of a European trip and excursions to the New England shore, as well as other personal photos. The sixth series is Clippings, and includes clippings on churches, labor relations, and prohibition. The following series is Printed Materials, and consists of several bound volumes, including the "Baldwin Annual" of the Baldwin School, dedicated to Alice Mary Baldwin, and J.B. Rhine's New World of the Mind, dedicated to Baldwin by the author. The final series, Artifacts, consists of two pins given to Baldwin Delta Gamma Kappa and Phi Beta Kappa, and a key from Duke University's White Duchy.
The collection includes materials from Barrow's advertising career, his teaching and tenure at Howard University, and his involvement in the Association for Education in Journalism and Mass Communication (AEJMC). AEJMC materials include a series of folders from a diversity survey in 2004; files from the founding and the operations of the Minorities and Communications Division; and programs and reports from AEJMC activities, especially in the 1970s and 1980s. Materials also reflect Barrow's involvement in the Council for Opportunities in Education, in particular his promotion of the TRIO program, offering funding and education opportunities for underprivileged youth.
A small part of the collection is Barrow's educational materials, dated 1940s-1970s, including reports and essays from his years at Morehouse College as well as his Ph.D. proposals and notes from the University of Wisconsin.
Also included are materials from his service in the 24th Infantry Regiment during the Korean War. The Korean War material, dated 1950-1951, includes press releases, written by Barrow, regarding various battles and army movements. Also included is correspondence to his mother, Wilhelmina Barrow, discussing his activities, as well as his struggles with payment and segregation in the U.S. Army.
Another significant portion of the collection is Barrow's newspaper clippings, dating largely from the 1960s-2000s, covering racial integration and the Civil Rights movement in Washington D.C., issues in journalism, and diversity and the condition of black Americans. These clippings have been loosely arranged by Barrow according to the date, the person's name, or the subject.
There are also numerous folders with clippings and research from Barrow's unfinished book on the history of the Freedom's Journal, the first African-American owned and operated newspaper in the United States. Subjects include slavery, education, conditions in different states, and other information about American life in the 1820s.
Also included are numerous photographs, some dating as early as the 1950s, but the bulk of which date from 1982 to the 2000s. The majority of the photographs are snapshots, many featuring the Barrow family and its activities. There are also snapshots of professional events with AEJMC, the National Association of Black Journalists, and other conferences and organizations. The photographs have not been arranged, but arrived well-labeled by Barrow, frequently with dates and captions for each image.
The collection also includes materials from Wilhelmina Barrow, Lionel's mother, relating to her service in the American Red Cross during World War II and in the post-war period. Wilhelmina's materials include ARC training and recruitment documents, her transport papers, newspapers and other publications geared toward servicemen and women, reports from Red Cross Clubs, suggested itineraries for traveling Europe while on leave, and souvenirs from her trips to Italy, France, and Belgium. Also included in this section are reports and clippings about the National Council of Negro Women; Barrow was a member for some time during the 1950s and 1960s. Some of these materials relate to segregation and discrimination.
Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.
"Woman: the World Over": a lecture to accompany a series of 54 photographic transparencies for the optical lantern, 1901
Collection consists of a nearly complete lecture set of 48 hand-colored glass lantern slides published in England. The original printed booklet accompanying the set bears the full title, "Woman: the world over. A lecture to accompany a series of 54 photographic transparencies for the optical lantern." The price appearing on the booklet is sixpence.
The booklet lists 53 slides in this set, and contains detailed lecture-format captions which would be read aloud as the slides were projected. The series is incomplete: numbers 28, 47, 48, 51, 53, and 54 are not present. Titles are also printed along the mount edges of each slide but are obscured in a few cases by black repair tape. All titles are original, as is the slide order. The titles and lecture script contain historical terms and language that may be offensive to modern-day audiences. The slides measure 3 1/4 inches square (83 x 83 mm).
The slides and lecture notes were originally arranged in six series, retained in this description: Woman in Society; The Domestic Woman; Woman in Subjection; Emancipated Woman; Woman the Breadwinner; and Angelic Woman.
The women in the portraits represent races, cultures and nations around the world, among which British Guiana, China, Iceland, India, Japan, Netherlands, the Philippines, Russia, Switzerland, Tonga, Tunisia, and the U.S. There are portraits of women with high social status, married women, and women in courtship; there are women depicted in their homes, women with children, and in roles of subjugation which the lecture suggests are little more than slaves. A few images include men.
The series "Woman the Breadwinner" includes agricultural, craft, and industrial scenes, and a slide of women nurses attending to patients. The "Emancipated Woman" series includes an actress, a group of nurses, and women mountaineering. There is one slide of the Women's Temple in Chigago, headquarters for the Women's Christian Temperance Union from 1892 to 1926. Titles are present on the edges of most of the glass slide mounts, and are listed in full in the booklet.
The booklet's lecture notes refer to problematic social conditions for women, particularly regarding marriage, as well as changing social norms as the 20th century begins. The series ends with romantic images of ideal women, chiefly through the lens of courtship and beauty. Most of the missing slides are from this group.
The set held by the Rubenstein is numbered 1239 in the lecture booklet. There is no date on either the slides or the booklet, but the Women's Temple in Chigago, completed in 1892, provides the earliest date. A slide entitled "Wife of the Khedive" helps provide the latest date: the Egyptian title "Khedive" was last used in 1914. The Lucerna Magic Lantern Web Resource (viewed online November 8 2017) gives the publisher as the Riley Brothers of Bradford, Yorkshire, England, and the publication date as 1901.
Acquired as part of the Sallie Bingham Center for Women's History and Culture and the Lisa Unger Baskin Collection at Duke University.
"Woman: the World Over": a lecture to accompany a series of 54 photographic transparencies for the optical lantern, 1901 49 items — 1 box; 1 pamphlet binder — 48 glass lantern slides; one printed booklet — Slides measure 3 1/4 x 3 1/4 inches — 48 glass slides; 1 printed booklet.
Public health information, including correspondence, health and mortality records, biographical information, genealogies, reports, and printed matter. Most of the material relates to Bassett's work in public health and medical professional education efforts for Savannah and Chatham County, Georgia. Some topics addressed are school health examinations, nurses and midwives training, vaccination efforts, and milk pasteurization and licensing. There is also a significant amount of material acquired and assembled by Bassett as part of his role as librarian and medical historian for the Georgia Medical Society, including his research about the history of the medical profession in Savannah and Georgia from the colonial period through the late nineteenth century. Collection includes photoduplicates of original manuscripts and artifacts held in other repositories as well as Bassett's notes and drafts of biographical sketches about prominent Georgia physicians and families. Collection also contains Bassett's extensive lecture notes and laboratory notebooks from his medical training at the University of Wisconsin and University of Pennsylvania. Subjects covered include bacteriology, chemistry, infectious diseases, obstetrics, and gynecology.
Also held in this collection is a series of drafts by author Walter J. Hoxie, a naturalist and Girl Scout pioneer who also wrote columns for the Savannah Morning News and was an apparent family friend of the Bassetts. Most of the drafts appear to be unpublished folk stories or family stories; there are also bird-watching lists.
The Bates Worldwide, Inc. ("Bates") Records span the years 1934-2003 and include correspondence, corporate policy manuals, photographs, publications, graphic designs, print advertisements, electronic records and videocassettes that document the activities of this major global advertising agency over the course of its corporate life. Bates began as a simple proprietorship, but as the company grew its organizational structure took on different forms: a partnership, then a corporation before becoming a publicly traded transnational entity, and finally becoming a subsidiary in a global holding company. From the 1970s on, Bates' growth and international expansion was fueled by a long series of mergers, partnerships and acquisitions that continued until the company was itself acquired, first by Saatchi & Saatchi and later by the WPP Group. Materials in the collection relate to Bates' permutations into a variety of corporate entities, including Ted Bates & Co., Ted Bates, Inc., Backer Spielvogel Bates, and Bates Worldwide, Inc., along with its subsidiaries (such as Campbell-Mithun and Kobs and Draft) and parent organizations (Cordiant Communications Group, Saatchi & Saatchi). Thus, the collection provides a window into the larger corporate culture of mergers, consolidations, acquisitions and takeovers that led to the formation of giant transnational advertising conglomerates and marked a profound shift in the landscape of the advertising industry during the late 20th century.
Bates built its early reputation as an advertising agency with a particular talent for promoting pharmaceutical products (Carter's Pills, Anacin analgesics) and common household goods (Mars candies, Wonder bread, Palmolive soap, Colgate dental cream). Advertising policies developed around a philosophy Bates called the Unique Selling Proposition (USP), which informed an imperative to identify and promote a single, unique and compelling reason for consumers to use any given product or service. As the company grew into a global business, USP evolved into more complex forms, including the Bates Brand Wheel. Major clients include Brown & Williamson Tobacco Co., Carter-Wallace Corporation, Colgate-Palmolive Company, Hyundai America, the Joint Recruiting Advertising Program of the combined U.S. Armed Services, M&M/Mars Inc., Miller Brewing Company, Pfizer, the U.S. Navy and Wendy's International. There is also some information on the company's founder, Ted Bates, as well as on Rosser Reeves, Bates' first copy writer and the chief architect of the USP concept.
The collection is organized into ten series and one cumulative subject index--Client Files, Corporate Communications Department, Creative Department, Financial Records, Human Resources Department, Memorabilia, New Business, Print Books, Vertical Files and Audiovisual Materials. The Client Files Series includes research reports, storyboards and graphic designs for Bates' clients. The Corporate Communications Department Series includes company-wide memoranda, public relations policy manuals, and a large file of biographical sketches and photographs of Bates' executives, as well as news clippings and press releases relating to the company and its clients. The Creative Department Series primarily focuses on Bates' efforts to stimulate creativity throughout its worldwide offices through participation in internal and industry-wide advertising competitions. The Financial Records Series includes general ledgers and other accounting reports. The Human Resources Department Series includes employee benefits literature and information on company affairs including press releases and staff memoranda. The Memorabilia Series includes promotional clothing, games, office posters and awards. The New Business Series includes materials relating to requests for proposals from prospective clients. The Print Books Series contains material from over 100 albums of proof sheets and print advertisements from existing clients. The Vertical Files Series consists of an alphabetical file of general information collected to aid in various aspects of company operations. The Audiovisual Materials Series contains periodic review collections of advertising, video memoranda, speeches, retirement presentations and highlight compilations prepared for prospective clients and award show consideration. A Subject Cross-Reference Index at the end of the finding aid links materials pertaining to specific clients, corporations, events and policies scattered throughout the various subject series.
Some materials were received as electronic files. Disks were assigned consecutive numbers reflecting the order in which they were encountered. If a work has a corresponding or associated electronic file, the file is included in the container list. The contents of each disk have been migrated to the Special Collections server. Consequently, the contents of these disks are available only in correspondingly numbered electronic subdirectories. Consult a reference archivist for access to the electronic files.