Collection comprises correspondence, legal papers, business records, bills and receipts, photographs, writings, recipes, clippings, and other items relating to the life and career of businessman M.C. (Marshall Clayton) Stoner, of Chambersburg, Pennsylvania, and three generations of the Brewer and Stoner families from Pennsylvania and Maryland. Includes many speeches by George W. Brewer, a lawyer and senator in the Pennsylvania legislature, 1857-1859, and M.C. Stoner's father-in-law. Much of the correspondence and other items relate to coal mining and specifically to M.C. Stoner's Rocky Ridge Mining Company. There are also letters written to Stoner's daughter, Louise, chiefly from male friends.

Collection comprises correspondence, legal papers, business records, bills and receipts, photographs, writings, recipes, clippings, and other items relating to the life and career of businessman M.C. (Marshall Clayton) Stoner, of Chambersburg, Pennsylvania. Includes many speeches by George W. Brewer, a lawyer and senator in the Pennsylvania legislature, 1857-1859, and M.C. Stoner's father-in-law. Much of the correspondence and other items relate to coal mining and specifically to M.C. Stoner's Rocky Ridge Mining Company.

Other materials, including early legal papers, pertain to three generations of the Brewer and Stoner families from Pennsylvania and Maryland. There are also letters written to Stoner's daughter, Louise, chiefly from male friends. Her writings may also be present in the collection.

Materials from (or related to) the migration by sea of Cubans, Dominicans, and Haitians, including the refugee camp for Cuban and Haitian rafters that existed in Guantanamo Bay, Cuba, largely dating from 1991-1996. Collection includes camp newspapers and artwork created by refugees held at Guantánamo Bay, Cuba; materials from the U.S. Coast Guard and other military sources, such as newspapers written in Haitian Creole, photocopies of camp rules and refugee intake procedures, and a transcript from an introductory video shown to refugees arriving at the camps; magazines and media coverage of refugee situations, including some material on Elián González; photographs and slides of refugees, Coast Guard personnel, and conditions in the camps in Cuba. Refugees arriving in Miami are included as are photographs of the work of the Guantanámo Refugee Assistance and Services Program in Miami and in the camps in Guantánamo Bay.

Materials include newspapers, artwork, clippings, U.S. military publications aimed at camp residents, camp notes, reports, and photographs from a variety of sources. Newspapers are one of the largest formats within the collection, which includes the complete run of éxodo, a newspaper with color issues printed from November 1994-September 1995 from Camps Kilo and Charlie Village in the Guantánamo Bay camps; issues of El Bravo, El Balsero, and El Futuro from 1994-1995; Sa K'pase, N'ap Boule, and Qué Pasa, newspapers printed by the U.S. military in Creole and Spanish and designed for Haitian and Cuban refugees at the camps; as well as newspaper clippings and some magazine issues covering the refugee crisis of 1994-1995 and the plight of Caribbean refugees in general.

Photographs are another significant component of the collection. U.S. Coast Guard photographs and slides of rafters and rescuers date from 1980 to the 1990s or 2000s, and are accompanied by photocopies from the U.S. Coast Guard's Historian Office detailing refugees assistance as early as 1959. The collection also includes unsorted and largely unlabeled photographs from the camps; those that are labeled date from 1994.

Other materials in the collection include some refugee artwork, publications about Cuba, a folder of Cuba information including some materials on Elián González, and other ephemera mentioning Cuban refugees. In addition, 8 CDs with photographs and other materials have been transferred to Duke's ERM server and are in the custody of the Electronic Records archivist.

The papers of the Abbot family consist mainly of correspondence, but also include financial and legal papers, diaries, a letter-book, clippings, printed material, speeches and photographs (including cartes-de-visite, and some cyanotypes and tintypes). The materials date from 1733 to 1999, the bulk ranging from 1860-1910. A significant portion of the correspondence comprises of personal letters exchanged during the Civil War between William Richardson Abbot, headmaster of Bellevue High School, and his wife, Lucy Minor Abbot. Abbot's letters mention battles and political events of the Civil War, including his experience as an officer in the First Regiment of the Engineers Troops (Army of Virginia). Other correspondence includes exchanges between W.R. Abbot and his immediate family, both during and after the Civil War, as well as numerous letters to Abbot from parents of boys attending Bellevue High School. The collection also includes materials from the lives of the children and grandchildren of William and Lucy Abbot. Letters from the Abbot children consist of personal exchanges, accounts of travel in turn-of-the-century Europe, as well as experiences in the German university system. Also included is a brief memoir by Ann Minor, Lucy's sister, documenting childhood experiences in Virginia during the Civil War. There are also papers belonging to the Minors of Charlottesville (Va.), such as correspondence of Charles and John Minor.

While the bulk of the collection is made up of correspondence, the papers also include Abbot's addresses to schools and the Virginia Educational Society; printed bulletins detailing courses of study and formal statements of the teaching philosophy at Bellevue; and an official letter-book, receipts, financial and legal documents relating to the purchase, expansion and daily administration of the school. Other materials relating to the children of the William and Lucy Abbot include educational addresses by their son, Charles Minor Abbot, who administered Bellevue until it closed (1901-1909), as well as biographical material on Virginia Henderson's authoritative influence on professional nursing.

The Abbot Family papers provide the researcher with numerous vantage points onto public, professional and private life in nineteenth-century Virginia, most particularly through personalized accounts of men and women of the time. While the papers follow the families' colonial past from the early eighteenth century into the mid-twentieth century, the collection is noteworthy for its emphasis on military and private life in the Confederacy and in the Reconstruction South. The collection illuminates the experience of the Civil War through numerous windows onto the private lives of individuals; the professionalization of secondary education during the Reconstruction; the social and epistolary conventions of nineteenth century courtship; and the construction of an inter-generational identity, based on extended familial affections and ties to the institutions of Bellevue and the University of Virginia.

Market researcher and advertising executive who worked at several agencies; partner in a consulting practice under several names; lecturer and author of marketing textbooks. The Alvin A. Achenbaum Papers span the years 1948-2011 and document Achenbaum's career in advertising (with Grey Advertising, J. Walter Thompson and Backer Spielvogel Bates agencies) and marketing consulting (as a partner in Alvin Achenbaum Associates, Canter Achenbaum Heekin, and Achenbaum Bogda Associates). Collection includes writings and speeches, correspondence, photographs, research reports and related materials. Clients represented include 7-Eleven, American Red Cross, AT&T, Block Drug, Bristol-Myers, Campbell Soup, Chrysler, Dairy Queen, Dentsu, Franklin Mint, General Foods, GTE, Hallmark, Honda, Integrity Music, Kayser-Roth, Kia, K-Mart, Miller Brewing, MTA, Nationwide, Nestlé, Nissan/Datsun, PCA, Pfizer, Philip Morris, Quaker Oats, Revlon, Ryerson Tull, Seagram, Toyota, U.S. Dept. of Defense, and Warner-Lambert. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Alvin A. Achenbaum Papers span the years 1948-2011 and document Achenbaum's career in advertising (with Grey Advertising, J. Walter Thompson and Backer Spielvogel Bates agencies) and marketing consulting (as a partner in Alvin Achenbaum Associates, Canter Achenbaum Heekin, and Achenbaum Bogda Associates). Collection includes writings and speeches, correspondence, photographs, research reports and related materials. Clients represented include 7-Eleven, American Red Cross, AT&T, Block Drug, Bristol-Myers, Campbell Soup, Chrysler, Dairy Queen, Dentsu, Franklin Mint, General Foods, GTE, Hallmark, Honda, Integrity Music, Kayser-Roth, Kia, K-Mart, Miller Brewing, MTA, Nationwide, Nestlé, Nissan/Datsun, PCA, Pfizer, Philip Morris, Quaker Oats, Revlon, Ryerson Tull, Seagram, Toyota, U.S. Dept. of Defense, and Warner-Lambert.

Collection consists of a set of sixty-six commercially produced, hand-colored lantern slides, featuring photographic images taken in the early 20th century in areas of modern-day Israel, Palestine, Jordan, Lebanon, and Syria. Also includes an original list of titles and a slide projector. The slides were sold in sets by the American Colony Stores, the commercial department of a missionary community based in Jerusalem. The landscapes and scenes were intended to illustrate biblical sites, or to remind the viewer of well-known biblical passages, but a few also depict other types of archaeological sites. The slides measure 4 x 3.5 inches. Locations include but are not limited to: the city of Jaffa (Tel Aviv); Sea of Galilee; Jerusalem; Bethlehem; Mount of Temptation (identified with Mount Quarantania); Jericho; Jordan River; Mount Hermon; Bethsaida; Mount of Olives; Emmaus (El- Kubebeh); the mosaic floor at Beit Jibrin; River Abana (El-Barada); Tyre; and the Temple of Sethos. There are also two glass slides with maps of ancient Middle East and Palestine. Five of the slides are damaged and are filed at the end of the collection. The collection is accompanied by a lantern slide projector and by an original list of slide titles. Acquired by the Archive of Documentary Arts at Duke University.

Collection consists of a set of sixty-six commercially produced, hand-colored lantern slides, featuring photographic images taken in the early 20th century in areas of modern-day Israel, Palestine, Jordan, Lebanon, and Syria. The slides were sold in sets by the American Colony Stores, the commercial department of a missionary community based in Jerusalem. The landscapes and scenes were intended to illustrate biblical sites, or to remind the viewer of well-known biblical passages, but a few also depict archaeological sites of interest to tourists. The original title for one such set, represented by many of the slides in this collection, was "Lantern slides and art photos produced by the American Colony photographers illustrating Bible lands."

The slides measure 4 x 3.5 inches and are housed in a typical paper mat and a glass cover, sealed on the borders with black tape. They are stamped with "American Colony Photographers" on the top of the frame and "Jerusalem, Palestine" on the bottom. Titles in the collection inventory are transcribed from handwritten titles on the slide mounts.

Locations include but are not limited to: the city of Jaffa (Tel Aviv); Sea of Galilee; Jerusalem; Bethlehem; Mount of Temptation (identified with Mount Quarantania); Jericho; Jordan River; Mount Hermon; Bethsaida; Mount of Olives; Emmaus (El- Kubebeh); the mosaic floor at Beit Jibrin; River Abana (El-Barada); Tyre; and the Temple of Sethos. There are also two glass slides with maps of ancient Middle East and Palestine. Five of the slides are damaged and are filed at the end of the collection.

The collection is accompanied by a lantern slide projector, and by 10 cardboard squares cut out from the original slide boxes, showing the title of the collection and lists of slide titles.

Acquired as part of the Archive of Documentary Arts at Duke University.

The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a six and a half week summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

The Duke University chapter of the American Society of Civil Engineers is an academic group for Engineering students at Duke University, formed in 1932. Records contain correspondence, annual reports, meeting announcements, planning materials for the Engineers Show, a newsletter, minutes, membership lists, membership certificates, photographs, and clippings. Major subjects include the American Society of Civil Engineers, Duke University, the School of Engineering, civil engineering study and teaching, professional development, student societies, and the history of civil engineering. Materials range in date from 1932 to 1983 (bulk 1944-1970). English.

Contains correspondence, annual reports, notes from field trips, photographs, and other materials pertaining to the activities of the Duke University student chapter of the American Society of Civil Engineers from 1932 to 1983 (bulk 1944-1970).

Author and professor of American literature at Duke University and Johns Hopkins University. The Charles Roberts Anderson Papers span the dates 1806-1993 and document his active career as professor of American literature at Duke University and Johns Hopkins University. Included are research materials on the intellectual life of Charleston, S.C., and on American literary figures such as Paul Hamilton Hayne, Emily Dickinson, Henry James, Sidney Lanier (to whom Anderson was related), Herman Melville, Henry David Thoreau, and others. Additional material includes correspondence and files on Anderson's publications; lectures and files related to teaching; travel diaries and keepsakes; and other papers related to his family history and academic career. Copies of correspondence and other documents by Anderson's research subjects, particularly Hayne, detail elements of life in the South in the nineteenth century. In addition, material in this collection chronicles the academic life of Anderson and provides insight into the state of literary scholarship and publishing in the mid-twentieth century. Early dates usually reflect the dates of the content of original material photocopied by Anderson in the course of his research. Acquired as part of the Jay B. Hubbell Center for American Literary Historiography.

The Charles Roberts Anderson Papers span the dates 1806-1993 and document the active literary career of Anderson, who was professor of American literature at Duke University and Johns Hopkins University and a reknowned international lecturer. Included are research materials on Paul Hamilton Hayne and other Southern literary figures. Also contains writings and research files on the subjects of Anderson's books and edited volumes, especially Emily Dickinson, Henry James, Sidney Lanier (to whom Anderson was related), Herman Melville, Henry David Thoreau, and other American literary figures, including Walt Whitman, William Faulkner, and Mark Twain. Additional material includes files on his research and publications on the intellectual life of Charleston, S.C.; correspondence and files on other publications; lectures and files related to teaching, including two audiotapes of Anderson's lectures on Dickinson; travel journals, keepsakes, and two films on Charleston, S.C. and Stratford, England; and other papers related to the Anderson family history and his academic career. Copies of correspondence and other documents by Anderson's research subjects, particularly Hayne, detail social conditions and life in the South in the nineteenth century. In addition, material in this collection chronicles the academic life of Anderson and provides insights into the state of American literary scholarship and publishing in the mid-twentieth century. Early dates usually reflect original material photocopied by Anderson in the course of his research. Acquired as part of the Jay B. Hubbell Center for American Literary Historiography.

Anthony family of Burlington (Guilford Co.), N.C. Collection primarily comprises 32 albumen photographs and one tintype (circa 1861-1954 and undated), most of which are accompanied by identifying information and feature formal portraits. Nineteen of the photographs represent Newlin or Anthony family members. Among the other thirteen, five are images of the Letterboat, Perry, and Holt families; four are unidentified images of World War I soldiers, possibly associates of Joseph Jonathan Newlin; and one is a print of evangelist "Cyclone Mac." The tintype is of an unidentified Confederate soldier, possibly James Rieh, whose letter of 12 May 1861 is in the collection. Other materials include John Anthony's bank account book (1906-1907); his personal account book (1892-1922), with entries for housekeeping and farm expenses and income; and a commonplace book for M. G. Newell (1938?). In addition, there are a few letters (1910-1958), clippings (1950-1974), and printed materials (1922-1961).

Collection primarily comprises 32 albumen photographs and one tintype (circa 1861-1954 and undated), most of which are accompanied by identifying information and feature formal portraits. Nineteen of the photographs represent Newlin or Anthony family members. Among the other thirteen, five are images of the Letterboat, Perry, and Holt families; four are unidentified images of World War I soldiers, possibly associates of Joseph Jonathan Newlin; and one is a print of evangelist "Cyclone Mac." The tintype is of an unidentified Confederate soldier, possibly James Rieh, whose letter of 12 May 1861 is in the collection. Other materials include John Anthony's bank account book (1906-1907); his personal account book (1892-1922), with entries for housekeeping and farm expenses and income; and a commonplace book for M. G. Newell (1938?). In addition, there are a few letters (1910-1958), clippings (1950-1974), and printed materials (1922-1961).

The DoubleTake magazine records contain story manuscripts with editor's markings, correspondence, photographs and slides, and production files for issue numbers 1-16, 1994-1999. Files of editors Jay Woodruff, Rob Odom, and other editors contain correspondence with writers whose work they were interested in publishing and editing. There are postcards and transparencies used in various issues; and a complete run of the magazine through spring 1999. There are two unidentified files. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection holds story manuscripts (with editor's marks), correspondence, and production files for issues 1-16, 1994-1999. Files of editors Jay Woodruff, Rob Odom, and other editors contain correspondence with writers whose work they were interested in publishing and editing. There are postcards and transparencies used in various issues; and a complete run of the magazine through spring 1999. There are two unidentified files.

Later accessions include production files and correspondence between the magazine's editors and its contributors, also covering issues 1-16.

Accession 2010-0081 includes photographer name files, dating from 1993 (pre-production) through 1998, kept by Alex Harris and other DoubleTake staff. Files were created whenever a photographer corresponded with the magazine, and include copies of correspondence between editors and photographers, slides of sample work, contracts for those who were accepted as contributors, and occasional biographies or other information about the photographer. Some files represent a particular museum's exhibit rather than a personal photographer; these are designated with exhibit titles instead of a photographer's name.

Files are organized alphabetically, and include correspondence from well before the magazine began publication, as well as materials post-dating Harris's departure from the magazine.

Acquired as part of the Archive of Documentary Arts at Duke University.

Set of 96 black-and-white glass lantern slides used in the United States for the teaching of history and geography. All of the slides except one were published by the Keystone View Company of Meadville, Pennsylvania. The 97th slide is a clear film transparency of a map of Germany following World War I, published by the Excelsior Illustration Company. Images include well-known United States historic sites; landmarks in colonial cities such as Williamsburg and Boston; views and cultural scenes from the Middle East, Japan, Hawaii, Korea, and the Philippines; a U.S. suffragists' parade in 1913; a set of Japanese and Western wedding scenes; and a few images of U.S. troops taken during the Mexican, Cuban and Philippine conflicts and in World War I. One slide shows the ruins of Belleau, France, circa 1918. Another features a memorial portrait of Secretary of State John Hay (d. 1905). The slides all measure 4 x 3.25 inches. They are accompanied by two booklets with detailed narrative entries for most of the slides. Acquired as part of the Archive of Documentary Arts at Duke University.

Set of 96 black-and-white glass lantern slides used in the United States for the teaching of history and geography, probably in secondary schools and colleges. All of the slides except one were published by the Keystone View Company of Meadville, Pennsylvania. The 97th slide is a clear film transparency of a map of Germany following World War I, published by the Excelsior Illustration Company. Titles were transcribed from the originals as assigned by the Keystone Company.

Images include well-known United States historic sites; landmarks in colonial cities such as Williamsburg and Boston; views and cultural scenes from the Middle East, China, Japan, Hawaii, Korea, and the Philippines; a set of Japanese and Western wedding scenes; and a few images of U.S. troops taken during the Mexican, Cuban and Philippine conflicts and in World War I. One slide shows the ruins of Belleau, France, circa 1918. Other images include a U.S. suffragists' parade in 1913, a memorial portrait of John Hay, Secretary of State (died in 1905), the ship U.S.S. Maine, the "Rough Riders," and a portrait of the American Consul in Cuba. The slides all measure 4 x 3.25 inches. They are accompanied by two booklets with detailed narrative entries for most of the slides.

Acquired as part of the Archive of Documentary Arts at Duke University.

Scholar, editor, collector, and Duke University faculty member specializing in the history of English and American Methodist history, and the life and career of minister John Wesley. Collection documents the professional career and life of Frank Baker, historian of Methodism and particularly of the founder and Methodist minister John Wesley. Materials are arranged in the following series: Baker Collections Files; Correspondence; Libraries and Archives; Ministry; Personal Files; Printed Materials; Professional Service; Scrapbooks and Albums; Subject Files; Teaching Materials; and Writings and Research. Topics covered include: the history of the Baker book and manuscript collections in the Duke University libraries; the history and development of Methodism and of the Wesley family; the Church of England; the Methodist Church in England, the U.S., and other countries; the development of academic research on Methodist history; music and hymnology; and material on the Wesley Works Series, a publishing project headed by Baker. There are abundant research materials on notable individuals associated with Methodism such as Charles Wesley and many other Wesley family members, William Grimshaw, and Francis Asbury. Printed material abounds, and includes many maps, articles, clippings and newspapers, pamphlets, and religious music.

The Frank Baker Papers date from 1641 through 2002, with the majority of the materials dating from the 1800s to the 1990s. The collection houses correspondence, articles, pamphlets, extensive subject and research files, clippings, publicity, a few audio recordings and microfilm, and other materials documenting the professional career and life of Frank Baker, historian of Methodism and particularly of the life and career of minister John Wesley, considered the founder of British Methodism. The collection is arranged in the following series: Audiovisual Materials, Baker Collections Files; Correspondence; Libraries and Archives; Ministry; Personal Files; Printed Material; Professional Service; Scrapbooks and Albums; Subject Files; Teaching Materials; and Writings and Research. Many of the series are divided into subseries, and two are also followed by an Oversize Materials subseries. Note that early dates usually represent reproductions, not originals, although the collection does house some original research materials.

Topics covered by the materials in the collection include: the history and development of Methodism and of the Wesley family; the history of the Church of England, and the Methodist Church in England, the U.S., and other countries; the development of academic research on Methodism and its publications; the history of the Baker book and manuscript collections in the Duke University Libraries; music and hymnology; and the development of the Wesley Works Series, a publishing project headed by Baker. There are abundant research materials on notable individuals associated with Methodism such as John and Charles Wesley, many other Wesley family members, and others such as William Grimshaw and Francis Asbury.

The largest series is the Subject Files (122 boxes), research files assembled by Baker on approximately 1500 topics related to the Wesley family and the history of Methodism and the Methodist Church. Another large series is Writings and Research (48 boxes), containing files of research notes, correspondence, print materials, and publicity related to each of Baker's published works. There are also many student writings in the collection and other materials related to Baker's teaching. Among the Personal Files are biographical files on Frank Baker; awards and honors; travel-related items, and two portrait photographs of Baker's parents. Baker's personal hobbies are reflected in the stamp collecting materials and a group of Victorian-era monogram and crest albums and "libri amicorum," or friendship albums that round out the collection.

Pennsylvania artist who studied at Vassar College and in Europe. Clippings, notebooks, photographs, paper ephemera, and correspondence, chiefly 1885-1895, with family or friends (mostly women) concerning in part the role of women in Victorian society and her early career as an artist. Also includes a history of the Clymer family (1949) and several small, original sketches. nicludes a photo album and a scrapbook.

Clippings, notebooks, photographs, paper ephemera, and correspondence, chiefly 1885-1895, with family or friends (mostly women) concerning in part the role of women in Victorian society and Eugenia Balch's early career as an artist and travels in Europe. Balch lived in Paris for some time, and was fluent in French. Also includes a history of the Clymer family (1949) and several small, original sketches. Includes a photograph album. A letter from Alice Fauchon to her close friend, Eugenia Balch, dated May 30, 1892, recounts in detail her attempts to procure an abortion, which were unsuccessful (she gave birth to a son in October).

Alice Mary Baldwin (1879-1960) was a professor of history and administrator at the Woman's College of Duke University for almost 25 years. She researched and published widely, made many speeches, and served as a national advocate for women's education. The Alice Mary Baldwin Papers include correspondence, personal materials, speeches, photographs, clippings, printed materials, artifacts, and other materials documenting her personal and professional life. Major subjects include women's education, women in higher education, administration of a woman's college, vocational guidance, and employment for women. Baldwin's major research interest was the colonial clergy in the United States, and she also took an active interest in contemporary labor issues. Several organizations with which Baldwin took a major interest were the U.S. Navy Waves, the American Association of University Women, the Southern School for Workers, and the Duke University Woman's College as a whole. English.

The Alice M. Baldwin Papers contain materials relating to Dean Baldwin's career as an educator, historian, and administrator, especially during her tenure at Duke University. Her papers include official, personal, and professional correspondence, printed matter, photographs, clippings, and other materials concerning the development and administration of the Woman's College at Duke University, the role of women's colleges in society, and the activities of business and professional women. Correspondents include other women educators, administrators of government offices and charitable and social organizations, former students, and Duke University faculty and staff. Among the major subjects besides the Woman's College are the Southern School for Workers, Inc., North Carolina and Southern labor issues, the U.S. Navy Waves program, and the education of women in general. The collection is organized into several series. The first series, Personal, includes documents related to Baldwin's family, genealogy, and education. The second series, Correspondence, consists of materials concerning her research and publications as well as general correspondence. Major correspondents include Nora C. Chaffin, Charles C. Crittenden, Katherine E. Gilbert, Meta Glass, Orie L. Hatcher, Louise McLaren, and Belle Rankin. The series is organized chronologically.

The third series, the Alphabetical File, is the largest series of the collection, and consists of professional and personal correspondence, student papers, and the office files of Baldwin. The file is arranged alphabetically by subject. Among the organizations Baldwin had an interest in were the American Association of University Women, the Institute of Women's Professional Relations, the National Association of Deans of Women, and the North Carolina Council of Women in Education. She also served on the boards of various state and federal commissions and committees dealing with the role of women's colleges in society. Her participation in the U.S. Navy Waves program is well-documented, as is her interest in the Southern School for Workers and other progressive organizations. The fourth series is Writings, which includes final versions, drafts and notes for a number of monographs and articles. Included are extensive notes from her graduate research on New England clergy. Of particular interest in this series is a 90-page manuscript, "The Woman's College As I Remember It," Baldwin's account of her hiring as the first woman with faculty rank at Duke, and the academic challenges involved in the establishment of the Coordinate College for Women there.

The fifth series is Speeches and Addresses, and is comprised primarily of notecards used by Baldwin in making presentations to a variety of groups. The next series is Photographs, and includes photographs of a European trip and excursions to the New England shore, as well as other personal photos. The sixth series is Clippings, and includes clippings on churches, labor relations, and prohibition. The following series is Printed Materials, and consists of several bound volumes, including the "Baldwin Annual" of the Baldwin School, dedicated to Alice Mary Baldwin, and J.B. Rhine's New World of the Mind, dedicated to Baldwin by the author. The final series, Artifacts, consists of two pins given to Baldwin Delta Gamma Kappa and Phi Beta Kappa, and a key from Duke University's White Duchy.

Katharine May Banham (1897-1995) served as a professor in the Department of Psychology at Duke University from 1946 to 1967, specializing in child psychology and development. Papers include correspondence, writings, speeches, case files and research notes, teaching materials, diaries, memorabilia, photographs, and oral history interviews of Katharine M. Banham, relating to her work in the field of psychology and her contributions to Duke University, Durham, and North Carolina. Prominent subjects include psychological experimentation, child psychology, geriatrics and gerontology, human social and emotional development, children with cerebral palsy, the Woman's College, Duke Preschool, Duke Institute for Learning in Retirement, the North Carolina Psychological Association, the Durham Child Guidance Clinic, and the Center for the Study of Aging and Human Development. Includes information about Banham's involvement in Durham, N.C. clubs and organizations related to the arts and community health.

The Katharine May Banham Papers span the years between 1910 and 1995, with the bulk occurring between 1945 and 1984. These papers include her master's theses and dissertation work, professional and academic writings, case files, and data documenting psychological experiments that culminated in the development of tests, as well as research articles and one monograph; transcripts of talks and addresses; translations of French psychological texts, teaching materials; administrative records of and records documenting her role in various civic and academic clubs and organizations; professional and personal correspondence; and personal materials including art, photographs, memorabilia, poetry and other personal writings, diaries, biographical information, legal documents, and tapes and transcripts of an oral history interview done in 1980. The main subject areas include Banham's contribution to the profession, her participation in the Duke community, and the Durham community as well as regional, national, and international communities and agencies. [Note: materials in this collection may use outdated terms such as "mentally retarded" to refer to people, especially children, with mental disabilities. These terms appear in some folder titles.]

The collection chiefly reflects Banham's career as a woman psychologist during a period when there was little support for women in professional or academic careers. The papers document Banham's research and teaching in three countries; her contributions in the areas of child psychology and geriatrics, particularly human social and emotional development; functioning and development of children with cerebral palsy and mental or physical disabilities; the history and especially the development of psychological testing of children and adults; and parapsychological phenomena. Research and teaching materials are located within the Academic and Professional Psychology series and Duke Activities series. Materials relevant to Banham's professional development are scattered throughout all five series.

The collection is also important for the perspective it offers on the Duke University Psychology Department and the Woman's College during the 1940s to the 1960s. Information related to both as well as her role in the Admissions and scholarships Committees among other faculty committees (see the folder list located in the description of Duke Activities series), the Duke Preschool, the Duke Film Society, and the Duke Institute for Learning in Retirement can be found primarily in the Duke Activities series. Material regarding the development and teaching of an infant and child psychology curriculum and a series of correspondence with graduate students are also of special interest and can be found in the Duke Activities series. Other materials relating to her contributions to the Duke Community are located in the Academic and Professional Psychology series, the Correspondence series, and the Personal Files series.

Banham's contribution to the city of Durham is reflected in the Agency and Club Participation series with the most in depth materials relating to her role in establishing the French Club, the Photographic Arts Society, the Altrusa Club, and the Committee for Successful Aging (which became the Golden Age Society and finally, the Coordinating Council for Senior Citizens), and, to a lesser degree, in the Academic and Professional Psychology series specifically in her role as one of the founding psychologists of the Durham Child Guidance Clinic. Banham co-founded the North Carolina Psychological Association in addition to being an active member and officer of other regional, national, and international organizations such as the League of Women Voters, the American Association of University Women, and the International Council of Women Psychologists.

Banham's life was defined by her professional and academic commitments and so her closest relationships were with her colleagues and the many individuals to whom she gave her time and the benefit of her professional skills. The Correspondence and personal series best reflect her tireless efforts on behalf of the people with whom she come into contact. Her papers are particularly useful as they document the period of the 1920s through the 1960s in England, Canada, and especially the United States from the perspective of a highly educated, professional woman.

Dean of Howard University School of Communications, 1975-1985; founder of the Minorities and Communications Division of the Association for Education in Journalism and Mass Communication. Collection includes materials from Lionel Barrow's advertising career, his teaching and tenure at Howard University, and his involvement in the Association for Education in Journalism and Mass Communication (AEJMC). The earliest materials include student work from Barrow's youth and his studies at Morehouse College, as well as materials from his service in the 24th Infantry Regiment during the Korean War. Another significant portion of the collection is Barrow's newspaper clippings and subject files, dating largely from the 1960s-2000s. His research on an unfinished book about the Freedom's Journal is also a large component of the collection. Also included are numerous photographs, some dating as early as the 1950s, but the bulk of which date 1982-2000s. These include family vacations and events, as well as professional events with AEJMC, the National Association of Black Journalists, and other conferences and organizations. Another notable component of the collection is the section of materials from Barrow's mother, Wilhelmina Barrow, who served as an American Red Cross Girl in Europe during World War II and the post-war period. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

The collection includes materials from Barrow's advertising career, his teaching and tenure at Howard University, and his involvement in the Association for Education in Journalism and Mass Communication (AEJMC). AEJMC materials include a series of folders from a diversity survey in 2004; files from the founding and the operations of the Minorities and Communications Division; and programs and reports from AEJMC activities, especially in the 1970s and 1980s. Materials also reflect Barrow's involvement in the Council for Opportunities in Education, in particular his promotion of the TRIO program, offering funding and education opportunities for underprivileged youth.

A small part of the collection is Barrow's educational materials, dated 1940s-1970s, including reports and essays from his years at Morehouse College as well as his Ph.D. proposals and notes from the University of Wisconsin.

Also included are materials from his service in the 24th Infantry Regiment during the Korean War. The Korean War material, dated 1950-1951, includes press releases, written by Barrow, regarding various battles and army movements. Also included is correspondence to his mother, Wilhelmina Barrow, discussing his activities, as well as his struggles with payment and segregation in the U.S. Army.

Another significant portion of the collection is Barrow's newspaper clippings, dating largely from the 1960s-2000s, covering racial integration and the Civil Rights movement in Washington D.C., issues in journalism, and diversity and the condition of black Americans. These clippings have been loosely arranged by Barrow according to the date, the person's name, or the subject.

There are also numerous folders with clippings and research from Barrow's unfinished book on the history of the Freedom's Journal, the first African-American owned and operated newspaper in the United States. Subjects include slavery, education, conditions in different states, and other information about American life in the 1820s.

Also included are numerous photographs, some dating as early as the 1950s, but the bulk of which date from 1982 to the 2000s. The majority of the photographs are snapshots, many featuring the Barrow family and its activities. There are also snapshots of professional events with AEJMC, the National Association of Black Journalists, and other conferences and organizations. The photographs have not been arranged, but arrived well-labeled by Barrow, frequently with dates and captions for each image.

The collection also includes materials from Wilhelmina Barrow, Lionel's mother, relating to her service in the American Red Cross during World War II and in the post-war period. Wilhelmina's materials include ARC training and recruitment documents, her transport papers, newspapers and other publications geared toward servicemen and women, reports from Red Cross Clubs, suggested itineraries for traveling Europe while on leave, and souvenirs from her trips to Italy, France, and Belgium. Also included in this section are reports and clippings about the National Council of Negro Women; Barrow was a member for some time during the 1950s and 1960s. Some of these materials relate to segregation and discrimination.

Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Collection consists of a commercially produced set of 48 hand-colored glass lantern slides entitled "Woman: The World Over," published in 1901 by Riley Brothers in Bradford, England. The original printed booklet accompanying the set lists 53 slides in all, and contains detailed lecture-format captions. The women in the portraits represent nations around the world. Subjects include women of different classes; married women and women in courtship; there are women depicted in their homes, with children, and in roles which the lecture suggests are little more than slaves. Other slides show women working in agricultural, service, and industrial settings, and gambling and climbing mountains. There is one slide of the Women's Temple in Chigago, headquarters of the Women's Christian Temperance Union. Lecture notes refer to problematic social conditions for women, particularly regarding marriage, and changing social norms as the 20th century begins. One slide is black-and-white. All titles are original, as is the slide sequence. Acquired as part of the Lisa Unger Baskin Collection at Duke University.

Collection consists of a nearly complete lecture set of 48 hand-colored glass lantern slides published in England. The original printed booklet accompanying the set bears the full title, "Woman: the world over. A lecture to accompany a series of 54 photographic transparencies for the optical lantern." The price appearing on the booklet is sixpence.

The booklet lists 53 slides in this set, and contains detailed lecture-format captions which would be read aloud as the slides were projected. The series is incomplete: numbers 28, 47, 48, 51, 53, and 54 are not present. Titles are also printed along the mount edges of each slide but are obscured in a few cases by black repair tape. All titles are original, as is the slide order. The titles and lecture script contain historical terms and language that may be offensive to modern-day audiences. The slides measure 3 1/4 inches square (83 x 83 mm).

The slides and lecture notes were originally arranged in six series, retained in this description: Woman in Society; The Domestic Woman; Woman in Subjection; Emancipated Woman; Woman the Breadwinner; and Angelic Woman.

The women in the portraits represent races, cultures and nations around the world, among which British Guiana, China, Iceland, India, Japan, Netherlands, the Philippines, Russia, Switzerland, Tonga, Tunisia, and the U.S. There are portraits of women with high social status, married women, and women in courtship; there are women depicted in their homes, women with children, and in roles of subjugation which the lecture suggests are little more than slaves. A few images include men.

The series "Woman the Breadwinner" includes agricultural, craft, and industrial scenes, and a slide of women nurses attending to patients. The "Emancipated Woman" series includes an actress, a group of nurses, and women mountaineering. There is one slide of the Women's Temple in Chigago, headquarters for the Women's Christian Temperance Union from 1892 to 1926. Titles are present on the edges of most of the glass slide mounts, and are listed in full in the booklet.

The booklet's lecture notes refer to problematic social conditions for women, particularly regarding marriage, as well as changing social norms as the 20th century begins. The series ends with romantic images of ideal women, chiefly through the lens of courtship and beauty. Most of the missing slides are from this group.

The set held by the Rubenstein is numbered 1239 in the lecture booklet. There is no date on either the slides or the booklet, but the Women's Temple in Chigago, completed in 1892, provides the earliest date. A slide entitled "Wife of the Khedive" helps provide the latest date: the Egyptian title "Khedive" was last used in 1914. The Lucerna Magic Lantern Web Resource (viewed online November 8 2017) gives the publisher as the Riley Brothers of Bradford, Yorkshire, England, and the publication date as 1901.

Acquired as part of the Sallie Bingham Center for Women's History and Culture and the Lisa Unger Baskin Collection at Duke University.

Physician, health officer, and librarian of the Georgia Medical Society; from Savannah. Collection contains public health information, including correspondence, health and mortality records, biographical information, genealogies, reports, and printed matter relating to the medical history and practice of medicine in Savannah. Also includes manuscript drafts from naturalist Walter J. Hoxie.

Public health information, including correspondence, health and mortality records, biographical information, genealogies, reports, and printed matter. Most of the material relates to Bassett's work in public health and medical professional education efforts for Savannah and Chatham County, Georgia. Some topics addressed are school health examinations, nurses and midwives training, vaccination efforts, and milk pasteurization and licensing. There is also a significant amount of material acquired and assembled by Bassett as part of his role as librarian and medical historian for the Georgia Medical Society, including his research about the history of the medical profession in Savannah and Georgia from the colonial period through the late nineteenth century. Collection includes photoduplicates of original manuscripts and artifacts held in other repositories as well as Bassett's notes and drafts of biographical sketches about prominent Georgia physicians and families. Collection also contains Bassett's extensive lecture notes and laboratory notebooks from his medical training at the University of Wisconsin and University of Pennsylvania. Subjects covered include bacteriology, chemistry, infectious diseases, obstetrics, and gynecology.

Also held in this collection is a series of drafts by author Walter J. Hoxie, a naturalist and Girl Scout pioneer who also wrote columns for the Savannah Morning News and was an apparent family friend of the Bassetts. Most of the drafts appear to be unpublished folk stories or family stories; there are also bird-watching lists.

Bates Worldwide advertising agency (Bates) was established in 1940 by former executives of the Benton & Bowles agency. It grew to become one of the largest agencies in the U.S. until its demise in 2003. Bates began as a simple proprietorship, but as the company grew its organizational structure took on different forms: a partnership, then a corporation before becoming a publicly traded transnational entity, and finally becoming a subsidiary in a global holding company. From the 1970s on, Bates' growth and international expansion was fueled by a long series of mergers, partnerships and acquisitions that continued until the company was itself acquired, first by the Saatchi & Saatchi and later by the WPP Group. Materials in the collection relate to Bates' permutations into a variety of corporate entities, including Ted Bates & Co., Ted Bates, Inc., Backer Spielvogel Bates, and Bates Worldwide, Inc., along with its subsidiaries (such as Campbell-Mithun and Kobs and Draft) and parent organizations (Cordiant Communications Group, Saatchi & Saatchi). Thus, the collection provides a window into the larger corporate culture of mergers, consolidations, acquisitions and takeovers that led to the formation of giant transnational advertising conglomerates and marked a profound shift in the landscape of the advertising industry during the late 20th century. The Bates Worldwide, Inc. Records spans the years 1934-2003 and includes correspondence, corporate policy manuals, photographs, publications, graphic designs, print advertisements, electronic records and videocassettes that document the activities of this major global advertising agency over the course of its corporate life. Bates built its early reputation as an advertising agency with a particular talent for promoting pharmaceutical products (Carter's Pills, Anacin analgesics) and common household goods (Mars candies, Wonder bread, Palmolive soap, Colgate dental cream). Advertising policies developed around a philosophy Bates called the Unique Selling Proposition (USP), which informed an imperative to identify and promote a single, unique and compelling reason for consumers to use any given product or service. As the company grew into a global business, USP evolved into more complex forms, including the Bates Brand Wheel. Major clients included Brown & Williamson Tobacco Co., Carter-Wallace Corporation, Hyundai America, the Joint Recruiting Advertising Program of the combined U.S. Armed Services, M&M/Mars Inc., Miller Brewing Company, Pfizer, the U.S. Navy and Wendy's International. There is also some information on the company's founder, Ted Bates, as well as on Rosser Reeves, Bates' first copy writer and the chief architect of the USP concept.

The Bates Worldwide, Inc. ("Bates") Records span the years 1934-2003 and include correspondence, corporate policy manuals, photographs, publications, graphic designs, print advertisements, electronic records and videocassettes that document the activities of this major global advertising agency over the course of its corporate life. Bates began as a simple proprietorship, but as the company grew its organizational structure took on different forms: a partnership, then a corporation before becoming a publicly traded transnational entity, and finally becoming a subsidiary in a global holding company. From the 1970s on, Bates' growth and international expansion was fueled by a long series of mergers, partnerships and acquisitions that continued until the company was itself acquired, first by Saatchi & Saatchi and later by the WPP Group. Materials in the collection relate to Bates' permutations into a variety of corporate entities, including Ted Bates & Co., Ted Bates, Inc., Backer Spielvogel Bates, and Bates Worldwide, Inc., along with its subsidiaries (such as Campbell-Mithun and Kobs and Draft) and parent organizations (Cordiant Communications Group, Saatchi & Saatchi). Thus, the collection provides a window into the larger corporate culture of mergers, consolidations, acquisitions and takeovers that led to the formation of giant transnational advertising conglomerates and marked a profound shift in the landscape of the advertising industry during the late 20th century.

Bates built its early reputation as an advertising agency with a particular talent for promoting pharmaceutical products (Carter's Pills, Anacin analgesics) and common household goods (Mars candies, Wonder bread, Palmolive soap, Colgate dental cream). Advertising policies developed around a philosophy Bates called the Unique Selling Proposition (USP), which informed an imperative to identify and promote a single, unique and compelling reason for consumers to use any given product or service. As the company grew into a global business, USP evolved into more complex forms, including the Bates Brand Wheel. Major clients include Brown & Williamson Tobacco Co., Carter-Wallace Corporation, Colgate-Palmolive Company, Hyundai America, the Joint Recruiting Advertising Program of the combined U.S. Armed Services, M&M/Mars Inc., Miller Brewing Company, Pfizer, the U.S. Navy and Wendy's International. There is also some information on the company's founder, Ted Bates, as well as on Rosser Reeves, Bates' first copy writer and the chief architect of the USP concept.

The collection is organized into ten series and one cumulative subject index--Client Files, Corporate Communications Department, Creative Department, Financial Records, Human Resources Department, Memorabilia, New Business, Print Books, Vertical Files and Audiovisual Materials. The Client Files Series includes research reports, storyboards and graphic designs for Bates' clients. The Corporate Communications Department Series includes company-wide memoranda, public relations policy manuals, and a large file of biographical sketches and photographs of Bates' executives, as well as news clippings and press releases relating to the company and its clients. The Creative Department Series primarily focuses on Bates' efforts to stimulate creativity throughout its worldwide offices through participation in internal and industry-wide advertising competitions. The Financial Records Series includes general ledgers and other accounting reports. The Human Resources Department Series includes employee benefits literature and information on company affairs including press releases and staff memoranda. The Memorabilia Series includes promotional clothing, games, office posters and awards. The New Business Series includes materials relating to requests for proposals from prospective clients. The Print Books Series contains material from over 100 albums of proof sheets and print advertisements from existing clients. The Vertical Files Series consists of an alphabetical file of general information collected to aid in various aspects of company operations. The Audiovisual Materials Series contains periodic review collections of advertising, video memoranda, speeches, retirement presentations and highlight compilations prepared for prospective clients and award show consideration. A Subject Cross-Reference Index at the end of the finding aid links materials pertaining to specific clients, corporations, events and policies scattered throughout the various subject series.

Some materials were received as electronic files. Disks were assigned consecutive numbers reflecting the order in which they were encountered. If a work has a corresponding or associated electronic file, the file is included in the container list. The contents of each disk have been migrated to the Special Collections server. Consequently, the contents of these disks are available only in correspondingly numbered electronic subdirectories. Consult a reference archivist for access to the electronic files.

Bedinger and Dandridge families of Virginia, West Virginia, Kentucky, Ohio, and New York. Collection consist of journals, correspondence, poems, reviews, and other papers of the Bedinger, Dandridge, Washington, Henry Clay, and Adam Stephen families, of Virginia, Kentucky, and Ohio; and of the Cornwall, Lawrence, Mitchell, Walter Bowne, and Rufus King Southgate families, of Connecticut, Maine, and New York primarily created or collected by Caroline Danske (Bedinger) Dandridge. The papers fall into six classes: journals and fragments of journals of Danske Dandridge (1864-1909), Henry Bedinger (1830s), and Daniel Bedinger (1811); correspondence and material on Kentucky and the northern Shenandoah Valley during the Revolutionary period; family correspondence, genealogies, and memoirs used in writing the Bedinger family history; papers of Henry Bedinger, the American Minister to Denmark in the 1850s; poems, reviews and literary correspondence of Danske Dandridge, and poems and prose of her father, Henry Dandridge, and of her daughter, Serena Catherine Dandridge; and horticultural writings of Danske Dandridge.

Collection includes the correspondence and papers of five generations of families from Virginia, West Virginia, Kentucky, Ohio, and New York chiefly created or collected by Carolina Danske (Bedinger) Dandridge. The primary portion of the collection is made up of the personal and family papers of Danske Dandridge (1858-1914), a writer and horticulturist. From 1866 to her marriage in 1877, Danske Dandridge's correspondence is concerned with social life in Virginia and Washington, D.C., and with family matters. Her literary correspondence begins in the early 1880s and continues until the year of her death. Correspondents include John Esten Cooke, Edmund C. Stedman, Oliver Wendell Holmes, John Greenleaf Whittier, and Thomas W. Higginson. There are sustained exchanges of letters with William Hayes Ward, editor of The Brooklyn Independent which published much of her work; with the poet Lizette Woodworth Reese of Baltimore; and Margaretta Lippincott. Material on gardening begins to appear in the papers for the 1890s and includes a large number of letters and eleven notebooks.

Danske Dandridge's family correspondence continues with here sister Mrs. J. F. B. (Mary Bedinger) Mitchell, and her brother, Henry Bedinger IV, as well as with her numerous cousins.

Correspondence of Adam Stephen Dandridge (1844-1924) reflects his career in the West Virginia House of Representatives and his business as a seller of farm machinery.

Correspondence and papers of Serena Katherine (Violet) Dandridge, daughter of Danske and Adam Stephen Dandridge, bear on her career as an illustrator for the zoologist Hubert Lyman Clark, and reflect her interest in women's suffrage and the Swedenborgian Church. There are also twelve volumes of her writings in manuscript.

Correspondence and papers of Danske Dandridge's father, Henry Bedinger Dandridge III, include letters on literary subjects from Thomas Willis White, Philip Pendleton Cooke, and Nathaniel Beverly Tucker; papers from his years as a member of the United States House of Representatives from 1845 to 1849; records of his service, 1853-1858, first as a consul and then as minister of the United States in Sweden and in particular his negotiation of the treaty with Sweden in 1857; and his notebooks containing poems and comments on social life in Virginia.

Letters of Caroline B. (Lawrence) Bedinger, mother of Danske Dandridge, to her husband's family in the South and her relatives in New York concern her experience as a young woman in Washington, D.C., and Virginia; her stay in Copenhagen; the Civil War experiences of her husband's family and her own; family life; and the education of her children.

The collection contains a large number of transcripts made by Danske Dandridge from originals in the possession of various branches of her family, including the Swearingens, Shepherds, Morgans, Rutherfords, Worthingtons, Washingtons, Kings, Brownes, and Lawrences for the period from the American Revolution to the Civil War. There are also copies of letters and documents from the Lyman C. Draper manuscripts at the University of Wisconsin. Essentially, they are the papers of three brothers, George Michael Bedinger (1756-1843), Henry Bedinger II (1753-1843), and Daniel Bedinger (1761-1818), and their descendants and connections. Among the many subjects discussed are warfare with Indigenous Americans and conditions on the Virginia frontier; descriptions of the events of the Revolution; trading in salt and fur; experiences of Americans held prisoner by the British during the Revolution; flour milling in the Potomac valley; trade and transport of farm commodities; travel on the Mississippi to New Orleans, 1811-1812; James Rumsey and the development of the steamboat; the settling of Kentucky and Ohio, descriptions of Washington D.C., Philadelphia, and Baltimore at various times from 1800 to 1860; antebellum social life, South and North; and extensive comments on politics through 1860, particularly on the opposition to Federalism and the early Democratic-Republican Party.

Description taken from Guide to the Cataloged Collections in the Manuscript Department of the William R. Perkins Library, Duke University. (1980).

William Bell was a photographer from Philadelphia. He was employed in 1872 by the U.S. Geographical and Geological Explorations and Surveys West of the 100th Meridian, a United States Army survey team. Collection includes sixteen gold-toned albumen prints, printed from negatives made by William Bell on the Wheeler Expedition of 1872. Fourteen photographs are from Arizona, two from Utah. Primary subjects include landscapes of the Grand Canyon and Colorado River. Some of Bell's photographs from this expedition were used for prints in George M. Wheeler's Report Upon United States Geographical Surveys West of the One Hundredth Meridian...(Washington: GPO, 1875-1889). In the field Bell prepared his own dry-plate negatives, a photographic process somewhat uncharacteristic for his time. he This process allowed him to store prepared plates longer than his contemporaries, who used wet plates, but would have also increased the exposure times for his plates.

This collection includes sixteen gold-toned, albumen prints, printed from negatives made by William Bell while on the Wheeler Expedition of 1872. Fourteen photographs are from Arizona, and two are from Utah. The primary subjects of this collection are picturesque landscapes made of the Grand Canyon and Colorado River. Some of Bell's photographs from this expedition were used for prints in George M. Wheeler's Report Upon United States Geographical Surveys West of the One Hundredth Meridian...(Washington: GPO, 1875-1889). This collection is composed of one series entitled the Wheeler Expedition of 1872 Series.

The government included photographers on western expeditions to make a visual record of the landscape and its inhabitants. The photographs created during these expeditions served to create maps used to plan for the construction of roads and railways; locate natural resources; facilitate future military operations; as well as to collect ethnographic information on and locate Indian tribes. Perhaps most importantly, the commanders of western expeditions used the resulting photographs as a public relations tool to gain support for future expeditions, and to record geological information, the study of which had become a popular science during the period. By the time of their completion, the surveys had explored much of the region between the Great Plains and the Pacific Coast. This recording made Bell and the other western expeditionary photographers some of the earliest participants in America's tradition of documentary photography.

While in the field, Bell utilized a photographic process somewhat uncharacteristic for his time; he prepared his own dry-plate negatives. This process allowed him to store prepared plates longer than his contemporaries, who used wet plates, but would have also increased the exposure times for his plates.

Margaret Bennett was a 1930 graduate of the Woman's College of Duke University and involved with numerous student groups and organizations including the Student Government Council. Album contains photographic prints and negatives of scenes of student life in the late 1920s and early 1930s.

Album contains photographs that document student life in the late 1920s and early 1930s. Photographs include formal portraits, candid snapshots taken on what is today East Campus, and baseball players in uniform.

William Blackburn was a professor of English and creative writing at Duke University. The collection includes correspondence, writings, teaching materials and notes, biographical and family papers, printed materials, scrapbooks, audiovisual material, and photographs from William Blackburn and his family.

The William Blackburn papers are arranged in the following series: Correspondence; Writings; Teaching Material; Duke University Literary and Artistic Projects; Biographical Data and Family Papers; Printed Material; Scrapbooks; Audiovisual Material; and Photographs. Correspondence includes Blackburn family letters, letters relating to Blackburn's teaching and career at Duke University, and typescripts of letters by and about Joseph Conrad. Writings include Blackburn's own writings and speeches as well as those of students and his son Alexander Lambert Blackburn. Clippings mostly concern Blackburn's academic work, literary events at Duke in which Blackburn was pivotal, and reviews of the work of his students (including Anne Tyler, William Styron, and Reynolds Price). The collection also includes numerous photographs of family members and some of literary figures.

Addition (2007-0129) (200 items; 0.6 lin. ft.; dated 1937-1972) contains correspondence between Blackburn and his daughter, Mary April Blackburn Hill.

Addition (2008-0071) (30 items; 0.1 lin. ft.; 1925-1973) includes correspondence between William Blackburn and his brother, Clark, as well as additional papers from Elizabeth Blackburn. Elizabeth's papers include correspondence and two literary compositions.

Addition (2010-0013) (200 items; 0.6 lin. ft.; dated 1928-1985) includes correspondence between Blackburn and his wife, Elizabeth, especially during the breakup of their marriage; notes about William Blackburn from his son, Alexander Blackburn; articles, speeches, and clippings; and materials from his students and colleagues.

Gertrude Duby Blom (1901-1993) was a Swiss-born journalist, anthropologist, and environmental activist who documented the cultures of indigenous Mayan people in the jungle highlands of Chiapas, Mexico. Collection comprises 71 black-and-white exhibit prints featuring images taken by Gertrude Duby Blom between 1941 and 1979 in the highland jungles and towns of the state of Chiapas, Mexico. The photographs were printed in 1982 by Barry Norris, Blom's close friend and collaborator, for a traveling exhibition that opened in 1984 in New York City. The landscapes and portraits depict the cultural and ecological environments inhabited by individuals and groups of indigenous Maya, predominantly the Lacandon; there are also images of Latino immigrants to the region, chiefly lumber industry workers and their families, and other townspeople in San Cristobal. Scenes from camps and towns portray mealtimes, hunting and gathering expeditions, agricultural customs, religious ceremonies, folk Catholicism and its rituals, classrooms, medical clinics, and street scenes. Later images attest to the destruction of native ecosystems and the rapidly changing culture of the indigenous peoples. The matted gelatin silver prints vary in size from 11x14 to 22x22 inches; there is also one 26x26 inch matted print. Accompanying the photographs are project correspondence, notes, publicity, and other materials (1983-20043) documenting the collaboration between Alex Harris, documentary photographer from the Center for Documentary Studies at Duke University, and individuals in Mexico and the U.S., which resulted in a major exhibit, "People of the forest: photographs of the Maya by Getrude Blom," launched in 1984, and the publication of "Gertrude Blom: bearing witness" (1984). Acquired as part of the Archive of Documentary Arts at Duke University.

Collection comprises 71 black-and-white exhibit prints featuring images taken by anthropologist, activist, and journalist Gertrude Duby Blom between 1941 and 1979 in the highland jungles and towns of the state of Chiapas, Mexico. The photographs were printed in 1982 by Barry Norris, Blom's close friend and collaborator, for a major exhibition of her work that opened in 1984 in New York City.

The landscapes and portraits taken by Blom depict the cultural and ecological environments inhabited by indigenous Maya, predominantly the Lacandon, but also neighboring Tzotzil and Tzeltal; there are also images of Latino immigrants to the region, chiefly lumber industry workers and their families, and other townspeople in San Cristobal. Scenes from camps and towns portray mealtimes, hunting and gathering expeditions, agricultural customs, religious ceremonies, folk Catholicism and its rituals, classrooms, medical clinics, and street scenes. Later images attest to the destruction of native ecosystems and the rapidly changing culture of the indigenous peoples. The matted gelatin silver prints vary in size from 11x14 to 22x22 inches; there is also one 26x26 inch matted print.

Accompanying the photographs are files of project correspondence, notes, publicity, and other materials (1983-2004) documenting the collaboration between Alex Harris, documentary photographer of the Center for Documentary Studies at Duke University, and individuals in Mexico and the U.S., which resulted in a major international traveling exhibit, "People of the forest: photographs of the Maya by Getrude Blom," launched in 1984, and the publication of a book of essays and images, "Gertrude Blom: bearing witness" (1984), edited by Alex Harris and Margaret Sartor.

Acquired as part of the Archive of Documentary Arts at Duke University.

Methodist educators and family members from Kentucky and Alabama. The Boatman Family Papers span the years 1901-1981; the majority of the papers were generated by the Rev. Dr. Conway and Mrs. Caroline Boatman, Methodist educators from Kentucky. The collection is arranged in series by family member and institution, the most substantial series being the Conway and Caroline Boatman Series; the John Paul Boatman Series; and the Union College Series. Other smaller groups pertain to other family members. Family correspondence makes up the majority of the collection, but there are also scrapbooks; educational records (primarily financial); many photographs of Union College in Barbourville, Kentucky; and clippings and other printed items. Topics covered by the correspondence in the Conway and Caroline's papers cover their courtship (1909-1919); the Methodist Episcopal mission in Jubbulpore, India (1919-1923); and India Methodist Theological College (1923-1925). There are also many references to the three institutions where Dr. Boatman served as President - Iowa National Bible Training School (1928-1931), Snead College in Boaz, Ala., and College of Barbourville, Ky. (1939-1959). Fund-raising, especially during the Depression, is a commonly recurring theme. Other letters from sons of the Boatmans refer to their college years from the 1930s-1940s. Institutions referred to here include Drew University, University of Kentucky in Lexington, and Southwestern College in Kansas.

The Boatman Family Papers span the years 1901-1981; the majority of the papers were generated by the Rev. Dr. Conway and Mrs. Caroline Boatman, Methodist educators from Kentucky. The collection is arranged in series by family member and institution, the most substantial series being the Conway and Caroline Boatman Series; the John Paul Boatman Series; and the Union College Series. Other smaller groups pertain to other family members. Family correspondence makes up the majority of the collection, but there are also scrapbooks; educational records (primarily financial); many photographs of Union College in Barbourville, Kentucky; and clippings and other printed items. Topics covered by the correspondence in the Conway and Caroline's papers cover their courtship (1909-1919); the Methodist Episcopal mission in Jubbulpore, India (1919-1923); and India Methodist Theological College (1923-1925). There are also many references to the three institutions where Dr. Boatman served as President - Iowa National Bible Training School (1928-1931), Snead College in Boaz, Ala., and College of Barbourville, Ky. (1939-1959). Fund-raising, especially during the Depression, is a commonly recurring theme. Other letters from sons of the Boatmans refer to their college years from the 1930s-1940s. Institutions referred to here include Drew University, University of Kentucky in Lexington, and Southwestern College in Kansas.

Leo Bogart was an applied sociologist and mass media expert who was Vice President and General Manager of the Newspaper Advertising Bureau (NAB) from 1960-1989. In his career with the NAB, Bogart pioneered new methodologies in newspaper marketing research and led two major projects during the mid 1970s-1989 to bolster the ailing newspaper industry, the Newspaper Readership Project and the Future of Advertising Project. He was also a prolific author and public speaker, and published 195 articles and 14 books, and delivered over 150 speeches from 1943-2005. The Leo Bogart Papers span the years 1912-2010 and document Bogart's professional work with the Newspaper Advertising Bureau; as a mass media expert; and as an author and public speaker. The collection includes correspondence, clippings, articles, speeches, books, journals, chapters, drafts, proposals, notes, reports, scrapbooks, resumes, interviews, schedules, programs, pamphlets, administrative records, research materials, publications, promotional materials, ephemera, yearbooks, student papers, military records, photographs, negatives, and slides. Materials represent Bogart's professional work as Vice President and General Manager of the Newspaper Advertising Bureau, as well as his early employment with Standard Oil (New Jersey), McCann-Erickson, and Revlon, Inc.; as a prolific author and public speaker; as a Senior Fellow with the Gannett Center for Media Studies at Columbia University; and as a mass media consultant with the Innovation International Media Consulting Group. The bulk of files relate to research on U.S. markets, although some files do cover international research projects. Topics include newspaper marketing research; newspaper readership; newspaper advertising; television and society; critiques of mass media; social science research methodology; and international newspapers in emerging markets. The collection also documents Bogart's early experiences as a student and as a soldier in the U.S. Army Signal Corps during World War II, which formed the basis for several of his writing projects.

The Leo Bogart Papers span the years 1912-2005 and document Bogart's professional work with the Newspaper Advertising Bureau; as a mass media expert; and as an author and public speaker. The collection includes correspondence, clippings, articles, speeches, books, journals, chapters, drafts, proposals, notes, reports, scrapbooks, resumes, interviews, schedules, programs, pamphlets, administrative records, research materials, publications, promotional materials, ephemera, yearbooks, student papers, military records, photographs, negatives, and slides. Materials represent Bogart's professional work as Vice President and General Manager of the Newspaper Advertising Bureau, as well as his early employment with Standard Oil (New Jersey), McCann-Erickson, and Revlon, Inc.; as a prolific author and public speaker; as a Senior Fellow with the Gannett Center for Media Studies at Columbia University; and as a mass media consultant with the Innovation International Media Consulting Group. The bulk of files relate to research on U.S. markets, although some files do cover international research projects. Topics include newspaper marketing research; newspaper readership; newspaper advertising; television and society; critiques of mass media; social science research methodology; and international newspapers in emerging markets. The collection also documents Bogart's early experiences as a student and as a soldier in the U.S. Army Signal Corps during World War II, which formed the basis for several of his writing projects.

Blanche McCrary Boyd is a writer raised in South Carolina. She has also lived and worked in California, Vermont, and New York. The collection consists of correspondence (1963-1984); notes, drafts, and proofs of her books Nerves, Mourning the Death of Magic, and The Redneck Way of Knowledge; reports on the Greensboro shootings (November 1979); and materials on the Democratic National Convention of 1980. Short stories, essays, reviews of Boyd's work, and photographs are also included. Many of the letters are long and substantive, including some retained copies of Boyd's own letters. Her report on the Greensboro shootings is based on a large number of newspaper and magazine clippings, also included in the collection, as well as interviews. Materials on Boyd's trip to China in 1983 are also found in the collection.

The collection consists of correspondence (1963-1984); notes, drafts, and proofs of her books Nerves, Mourning the Death of Magic, and The Redneck Way of Knowledge; reports on the Greensboro, North Carolina shootings of Communist Worker Party members (November 1979); and the Democratic National Convention of 1980. Short stories, essays, reviews of Boyd's work, and photographs are also included. Many of the letters are long and substantive, including some retained copies of Boyd's own letters. Her report on the Greensboro shootings is based on a large number of newspaper and magazine clippings, also included in the collection, as well as interviews. Twenty cassette tapes on the Greensboro shootings; The Redneck Way of Knowledge; and Boyd's trip to China in 1983 also form part of the collection. An index to the tapes may be found at the beginning of the collection.

William Kenneth Boyd (1879-1938) was a historian, professor, and director of the library at Duke University. During his career at Duke and Trinity College, he published widely and helped to collect and preserve personal papers and books about Southern and North Carolina history. The William Kenneth Boyd papers include correspondence, diaries, financial and legal materials, writings, notes, student papers, photographs (including tintypes), and other materials related to the personal and professional life of Boyd. Major correspondents include N. B. McDowell, Pat LeGrand, Marion Colley, and John Spencer Bassett. There are also letters from W. E. B. Du Bois and other prominent African Americans. English.

The William Kenneth Boyd papers include correspondence, diaries, financial and legal materials, writings, notes, student papers, photographs (including tintypes), and other materials related to the personal and professional life of Boyd. The collection is arranged into seven series.

The first series, Personal, includes family materials like diaries, financial and legal materials, and other family writings. The diaries were written by Boyd's first wife and his daughter. The second series, Correspondence, includes personal, History Department, and Library and Flowers Collection correspondence. Major personal correspondents include N.B. McDowell, Pat LeGrand, Marion Colley, and John Spencer Bassett. Of particular interest in the personal correspondence are some letters Boyd exchanged with prominent African-Americans, including W. E. B. Du Bois, in 1899. The History Department and Library and Flowers Collection correspondence discuss research and administrative activities in these two areas of Duke University.

The third series, Writings, includes published and unpublished articles and books by Boyd. The fourth series, Notes, includes research and lecture notes taken by Boyd. The topics of both Writings and Notes tend to be about Southern and specifically North Carolina history. The next series, Teaching, primarily includes student papers about Southern and North Carolina history. The Library series includes administrative papers from when Boyd directed the library at Duke. The last series, Photographs, features family photographs, most of which are tintypes in excellent condition.

George W. H. Britt was an educator, editor, journalist, and author employed as a U.S. intelligence officer during World War II. Collection includes correspondence, journal entries, memoranda, intelligence and statistical reports, reminiscences, news clippings, photographs, and financial papers from Britt's employment by the U.S. Office of War Information; materials chiefly date from 1942 to 1944. Includes correspondence between Britt and the American ambassador in Turkey, Laurence A. Steinhardt. Contains legal papers, correspondence, and clippings relating to Karl and Stella von Kleczkowski; Karl was a former German espionage agent in Turkey who turned to the Allied cause in 1943.

The papers of George W. H. Britt comprise correspondence, memoranda, intelligence, and statistical reports, reminiscences, news clippings, black-and-white intelligence photographs, and financial papers (primarily 1942-1944) from his employment by the U.S. Office of War Information in Beirut and Cairo.

Also includes correspondence between Britt and the American ambassador in Turkey, Laurence A. Steinhardt. Contains legal papers, correspondence, and clippings relating to Karl and Stella von Kleczkowski; Karl was a former German espionage agent in Turkey who turned to the Allied cause in 1943.

Professor of Education at Trinity College, Durham NC. Collection chiefly is composed of letters, educational reports, numerous writings and addresses, and various professional papers, all relating to tobacco relief, education, and agriculture in North Carolina. Specific topics cover the Department of Education of what was then known as Trinity College in Durham, N.C.; the history of North Carolina, from an unpublished draft; and the matter of education for rural populations in N.C. and elsewhere. Materials include a microfilm of Brooks' papers held by the Department of Archives and History in Raleigh, N.C.; telegrams; extensive manuscripts for unpublished works, lecture notes, an address by Supt. Benjamin Lee Smith of Greensboro Public Schools. Other items in the collection include a scrapbook; cards from Brooks to his wife from abroad; original poems written by Brooks; photographs; memorabilia; an itinerary of his trip with other agricultural experts to Europe; a contract in manuscript drawn up in 1774 between citizens of Mecklenburg Co. and John Patterson, a school teacher, who was engaged to teach there; a printed document concerning Judge Walter Clark; and other miscellaneous items. There is also a printed copy of the diary of Dr. J. F. Shaffner, Sr. and blueprints of the N.C. State Fairgrounds.

Collection chiefly is composed of letters, educational reports, numerous writings and addresses, and various professional papers, all relating to tobacco relief, education, and agriculture in North Carolina. Specific topics cover the Department of Education of what was then known as Trinity College in Durham, N.C.; the history of North Carolina, from an unpublished draft; and the matter of education for rural populations in N.C. and elsewhere. Materials include a microfilm of Brooks' papers held by the Department of Archives and History in Raleigh, N.C.; telegrams; extensive manuscripts for unpublished works, lecture notes, and an address by Supt. Benjamin Lee Smith of Greensboro Public Schools. Other items in the collection include a scrapbook; cards from Brooks to his wife from abroad; original poems written by Brooks; photographs; memorabilia; an itinerary of his trip with other agricultural experts to Europe; a contract in manuscript drawn up in 1774 between citizens of Mecklenburg Co. and John Patterson, a school teacher, who was engaged to teach there; a printed document concerning Judge Walter Clark; and other miscellaneous items. There is also a printed copy of the diary of Dr. J. F. Shaffner, Sr. and blueprints of the N.C. State Fairgrounds.

Lawyer, superior court judge, associate justice of North Carolina Supreme Court, active in Washington (Beaufort Co.), N.C. Professional correspondence, indentures, deeds, wills, receipts, a memorandum book, and other papers, mainly dating from 1850-1878 and largely relating to George Hubbard Brown, an attorney from Washington, N.C., and his legal practice, and to his service as associate justice of the North Carolina Supreme Court. There is a small amount of correspondence, among which are letters from John Humphrey Small, U.S. Representative from North Carolina.

Indentures, deeds, wills, receipts, a memorandum book, and other papers, mainly dating from 1850-1878 and largely relating to George Hubbard Brown, an attorney from Washington, N.C., and his legal practice, and to his service as associate justice of the North Carolina Supreme Court. There is a small amount of correspondence, among which are letters from John Humphrey Small, U.S. Representative from North Carolina.

John E. Browning was a commercial artist and designer who worked in outdoor advertising in New Jersey. The John E. Browning Papers span the years 1930-1999 and include billboard designs, photographs and negatives, correspondence, an autobiographical sketch, and printed materials relating to commercial art and typography. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The John E. Browning Papers span the years 1930-1999 and include billboard designs, photographs and negatives, correspondence, an autobiographical sketch, and printed materials relating to commercial art and typography. Arranged alphabetically.

Doris Bryn (née Krehnbrink) was a prominent fashion and cover model during the 1940s-1960s and co-designer of several lines of fashion accessories with her husband Roger Vsn Schoyck under the brand names Roger Van S. and Mr. R. The Doris Bryn Papers span the years 1939-1998 and includes correspondence, clippings, print advertisements, photographs, design sketches and garment labels that document Bryn's career as a professional cover and fashion model (for Conover, John Powers and Eileen Ford agencies) and as a designer of dresses, shoes, leather goods, jewelry and other fashion accessories under the lines Roger Van S. and Mr. R among others. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Doris Bryn Papers span the years 1939-1998 and includes correspondence, clippings, print advertisements, photographs, design sketches and garment labels that document Bryn's career as a professional cover and fashion model (for Conover, John Powers and Eileen Ford agencies) and as a designer of dresses, shoes, leather goods, jewelry and other fashion accessories under the lines Roger Van S. and Mr. R among others.

Arthur Frank Burns was an Austrian-born economist, policy maker, and diplomat; chair of U.S. Federal Reserve Board from 1970-1978 and economic advisor for six U.S. presidencies. These papers cover the years 1911 through 2005. The bulk of the material was created between 1940 and 1987 and pertains to Burns's career as an economic advisor, particularly to Republican administrations, as the chair of the Federal Reserve, and as ambassador to Germany. The collection is arranged into seven series: Correspondence, Honors and Awards, Journals, Personal Papers, Photographs, Print Materials, and Research and Teaching. Topics of interest in this collection include but are not limited to: the United States economic system and fiscal policies; the Federal Reserve Board and related committees; recessions, unemployment, and inflation; the world economy and finance; the U.S. presidency during the time period; the Nixon presidency in particular, including the Watergate affair; presidential campaigns and elections; and U.S. diplomacy. There is a limited amount of research and teaching material, chiefly from the 1920s-1930s. The most significant component of the collection is the correspondence between Arthur Burns and Presidents Eisenhower, Nixon, Kennedy, Ford, Carter, Reagan, and George H. W. Bush, as well as substantive exchanges with economists Milton Friedman and Wesley Clair Mitchell. There are a few letters in German, French, and Russian.

The Arthur Frank Burns Papers cover the years 1911 through 2005. The bulk of the material was created from 1940 to 1987 and pertains to Burns's career as an economic advisor, particularly to Republican administrations, as the chair of the Federal Reserve, and as ambassador to Germany. The collection is arranged into seven series: Correspondence, Honors and Awards, Journals, Personal Papers, Photographs, Print Materials, and Research and Teaching. There are also oversize materials housed at the end of the collection. Topics of interest in this collection include but are not limited to: the United States economic system and fiscal policies; the Federal Reserve Board and related committees; recessions, unemployment, and inflation; the world economy and finance; the U.S. presidency during the time period; the Nixon presidency in particular, including the Watergate affair; presidential campaigns and elections; and diplomacy. There is a small amount of research and teaching material, chiefly from the 1920s-1930s. The most significant component of the collection is the correspondence between Arthur Burns and Presidents Eisenhower, Nixon, Kennedy, Ford, Carter, Reagan, and George H. W. Bush, as well as substantial exchanges with economists Milton Friedman and Wesley Clair Mitchell.

The most substantial and notable papers are found in the Correspondence Series, which contains letters and memoranda written from 1911-1997 both to and from Burns and/or his wife, Helen. The series is organized into three subseries, Correspondence by Individual, Correspondence by Topic, and Correspondence to Mrs. Helen Burns. The majority of the exchanges in the first subseries are letters written to or by presidents or vice presidents (Dwight Eisenhower, John F. Kennedy, Richard Nixon, Jimmy Carter, Ronald Reagan, George H. W. Bush, Spiro Agnew, Hubert Humphrey, and Nelson Rockefeller). Burns's correspondence with presidents Eisenhower and Nixon is particularly extensive and reveals the making of crucial policy decisions. Also included is Burns's correspondence with economists Wesley Clair Mitchell, Milton Friedman, and George Stigler. This subseries is organized alphabetically by correspondent and then chronologically.

The Correspondence by Topic subseries contains letters and attachments primarily related to Burns's work in academia, politics, and the private sector. Finally, the Correspondence to Mrs. Helen Burns subseries contains letters written by prominent figures such as Richard Nixon, Ronald Reagan, and Mamie Eisenhower to Burns's wife, Helen, both during his life and after his death.

High-value correspondence, including originals signed by presidents and some other notable correspondents, are separately stored and restricted to use except under direct staff supervision. Photocopies of these original manuscripts have been made for researcher use. Other letters signed by mechanical means have not been photocopied, but they are filed with the photocopies of original letters.

The other series house papers and memorabilia documenting Burns' career, including photocopies of two handwritten journals (1969-1974) kept by Burns during the Nixon Administration; several folders of early research and teaching materials; honors and awards received by Burns; personal correspondence, clippings, and other materials; lectures, speeches, and articles from Burns's career as economist and ambassador; photographs of Burns, his wife Helen, and political figures and celebrities attending events; publicity items such as news clippings, interviews, and articles about Burns; and program materials for the Arthur F. Burns Fellowship, an exchange program for German and U.S. media professionals. Further description available at the series level in this collection guide.

The great majority of the Burns papers are in English, but there are roughly ten items in German and a few items in French and Russian (Cyrillic script).

James Cannon III worked as an educator and administrator at Trinity College and Duke University from 1919 to 1960, serving as Dean of the Divinity School from 1951 to 1958. The Canon papers contain correspondence, manuscript drafts of sermons and publications, course materials, subject files, clippings, photographs, ephemera, and scrapbooks relating to the life and work of James Cannon III. Major subjects include biblical literature and the Bible as literature, religious education, missionary training, history of religion, Christianity, Buddhism, comparative religion, and the Cannon family, especially James Cannon, Jr. and James Cannon IV. English.

The Cannon papers were originally organized into three main files and arranged alphabetically within these files. Three series reflecting the original order were created: Personal files and family history, Writings, and Subject files. The Writings series was reorganized by type of writing into three subseries: Sermons, Articles, and Course materials. Some clippings files, reference materials, gradebooks, and duplicates were removed from the papers.

John Armstrong Chaloner was a celebrity and writer known for coining the catchphrase “Who’s looney now?” in the aftermath of psychiatric experiments and own legal troubles regarding his sanity. Great-grandson of John Jacob Astor; from Cobham (Albemarle County), Virginia. Collection includes business and personal correspondence, legal papers, writings and drafts by Chaloner, printed materials primarily composed of newspaper clippings, and some personal financial documents and photographs. The letters, almost half of the collection, are concerned with Chaloner’s attempts to have himself declared sane after a four-year involuntary internment in Bloomingdale Asylum at White Plains, New York.

The John Armstrong Chaloner papers have been arranged into five series: Correspondence, Legal Papers, Writings/Drafts, Printed Materials, and Personal Materials. Correspondence, almost half the collection, comprises business and personal correspondence. Most the content consists of Chaloner’s communications and consultations with various attorneys in New York, North Carolina, and Virginia that address his multiple legal battles. Legal Papers consists of legal briefs, appeals, court transcripts, depositions, memos, and notes from Chaloner’s various legal petitions and trails. Writings/Drafts comprises manuscript drafts, notes, and some published versions of Chaloner’s assorted publications. Printed Materials includes an assortment of magazine articles, advertisements, invitations, flyers, and newspaper clippings. Personal Materials includes some personal photographs and an assortment of financial documents such as bills, receipts, cancelled checks, and ledger sheets.

The records of the Charles W. Hoyt Company advertising agency span the years 1894-1973 with the bulk dating between 1909-1928. The collection primarily documents the founding and operation of the company, and to a lesser extent the personal activities of the Hoyt family (Charles, Effie, Winthrop, and Everett) and Winthrop's service during World War II in the U. S. Army Air Force. Materials include correspondence, scrapbooks, company publications and manuals, financial records, clippings, diaries, writings, drawings, photographs, house advertisements, Nazi medals, song lyrics, and printed material. Very little information exists in the collection concerning the Hoyt Company's clients. The only client advertisements that survive were produced for Merck and Co. The Hoyt company scrapbooks document some activities for clients including Arnold Bakers, Golden Blossom Honey, Jamaica Tourist Board, KLM, Stanley Home Products, the Charles B. Woolson Co. and the State of New Hampshire. The collection contains correspondence between family members as well as between the company and Merck and Co., the Charles B. Knox Co., and William Benton, one of the founders of the Benton and Bowles advertising agency. Another notable person mentioned in the collection is Hoyt Company employee Samuel Meek, who would go on to become an important executive for the J. Walter Thompson Company advertising agency. The collection is organized into the Company Series; the Family Series; and the Winthrop Hoyt World War II Series. Large-format items are located in the Oversize Materials.

The Company Series contains the bulk of material in the collection and is concerned with the founding, and subsequent operation of the Charles W. Hoyt Company from 1909 to 1965 by Charles W. Hoyt (until his death in 1928), and then by his sons Winthrop and Everett "Red" Hoyt. The Company produced and sold advertising and marketing plans to clients in addition to providing other advertising services. Charles Hoyt's philosophy of "planned" advertising is well-documented.

The Family Series consists of personal diaries, correspondence, photographs and other printed materials relating to Hoyt family members as distinct from the activities of the Charles W. Hoyt Company. Family members for whom materials exist include Charles W. Hoyt, Effie Smith Hoyt, Winthrop Hoyt, and Everett "Red" Hoyt.

The Winthrop Hoyt World War II Records Series documents Hoyt's service during the war as an intelligence officer in the United States Army Air Force. It includes correspondence and writings, photographs, Nazi medals and other materials.

Oversize Materials include items removed from other series due to their size.

Physician; member of the Clay family of Alabama; headed a photographic unit in the Medical Corps of the U.S. Navy in WWII; also served in the Hospital Division of the Medical Corps in that war. Later served as a hospital administrator and taught at a number of universities including the American University in Beirut, University of Chicago, Columbia University and Yale University. His consulting service included work for N.C. Memorial Hospital. Collection includes Clay family correspondence, Clement Clay's professional and military correspondence, and writings, including a number of presentations and reports. There are also scrapbooks, and two photographs of C.C. Clay, II as a child.

Collection includes Clay family correspondence, Clement Clay's professional and military correspondence, and writings, including a number of presentations and reports. There are also scrapbooks, and two photographs of C.C. Clay as a child.

Diskin Clay was on the Classics faculty at Duke University from 1990 to 2008. This collection of his professional papers includes correspondence, writings, teaching files, and research materials. Topics include Greek literature, especially poetry; Greek philosophy; and archaeology in Greece; specific topics relate to Oenanda, an ancient Greek city in Turkey, to the writings of Xenophon, Diogenes, and the poetry of Archilocus. There are also many slides of Greece, as well as from Italy and Paris, France, taken during research and archaeology trips.

The professional papers of classics professor Diskin Clay include correspondence, writings, teaching files, and research materials. Topics include Greek literature, especially poetry; Greek philosophy; and archaeology in Greece; specific topics relate to Oenanda, an ancient Greek city in Turkey, to the writings of Xenophon, Diogenes, and the poetry of Archilocus.

Also included in the collection are many slides of Greece, as well as from Italy and Paris, France, taken during research and archaeology trips. Clay's writings are also present in the form of short papers and drafts of longer works. There is one CD-ROM.

Rhodes scholar and lawyer of Asheville, N.C. Collection is divided into the following categories: Correspondence (1815-1969, some transcribed); Writings (1682-1965); Speeches (1896-1965); Miscellany (ca. 1908); Clippings (1792-1975); Printed materials (1865-1977); Volumes (1886-1954); Pictures, late 19th and early 20th centuries; and an Alphabetical file (1787-1977), arranged by topic. Most of the material spans the years 1900-1960. Included are personal correspondence and materials relating to Cocke's political and civic interests; family correspondence and photographs; clippings; and scrapbooks. Cocke's many correspondents include Sam Ervin, B. Everett Jordan, and Terry Sanford. Correspondence topics include the Democratic Party; life as an American law student in England; English law compared to American law; and travels in Europe. Some letters refer to Thomas Wolfe, whom Cocke knew.

Collection reflects the varied interests of Cocke. It is divided into the following categories: correspondence (1815-1969, some transcribed); writings (1682-1965); speeches (1896-1965); miscellany (ca. 1908); clippings (1792-1975); printed materials (1865-1977); volumes (1886-1954); pictures, late 19th and early 20th centuries; and an alphabetical file (1787-1977), arranged by topic. The collection covers a wide variety of topics and time periods, but most of the material has dates in the span 1900-1960. Included are personal correspondence and materials relating to Cocke's political and civic interests. His many correspondents include Sam Ervin, B. Everett Jordan, and Terry Sanford. Correspondence topics include the Democratic Party; life as an American law student in England; English law compared to American law; travels in Europe; Thomas Wolfe, whom Cocke knew; publishing efforts; and a meeting with Lady Astor and the future King Edward VII. Other items include family letters; manuscripts by Cocke's mother, Nola, including "My Reminiscences of the Sixties (1861-1865)" about the Reconstruction era in Tenn.; clippings regarding a proposed N.C. constitution amendment requiring a literacy test for voter registrants in the 1860s; speeches by William Cocke, Sr., mayor of Asheville, N.C.; a guardian's account book later turned into a scrapbook; a large campaign scrapbook for Senate candidate Alton Asa Lennon; Cocke-Dilworth family photographs and many albumen prints of Europe. Topics in the alphabetical file include civic clubs; United World Federalists, Inc.; the attempt to establish the state of Franklin in what is now western N.C.; legal cases regarding horse stealing, a slave sale, and other topics; court reform in N.C. and the Bell Committee; and the Commission on International Cooperation under the N.C. Dept. of Conservation and Development.

Residents of Canada, Europe, and Asheville, N.C. Collection consists largely of a two-volume diary, 1895-1919, of Isabel Fleury Coleman, a twenty-three volume set of diaries, 1904-1971, belonging to Mary Augusta Coleman, and photographs of Fleury-Coleman family members and some of their residences. There are also two volumes pertaining to Mary Coleman's personal accounts and the "French Broad River Garden Club, 1967-1969," a few items of correspondence and genealogy, and a number of clippings and printed materials. Topics covered by the materials include music instruction (violin and piano), women's society life in Asheville, N.C., and women's travel in European countries during the 20th century.

Collection consists largely of a two-volume diary, 1895-1919, of Isabel Coleman, a twenty-three volume set of diaries, 1904-1971, belonging to Mary Augusta Coleman, and photographs of Fleury-Coleman family members and some of their residences. There are also two volumes pertaining to Mary Coleman's personal accounts, "French Broad River Garden Club, 1967-1969," a few items of correspondence and genealogy, and a number of clippings and printed materials. Topics covered by the materials include music clubs, instruction and performance (violin and piano) in Europe and the U.S., women's society life and fashions in Asheville, N.C., and women's travel in European countries during the 20th century. There are few comments about current events, even during the World Wars and the Depression, but there are extensive accounts of social life and customs in Europe and Asheville, N.C.

Compton Advertising, Inc. was founded in 1937, formed out of the former company Blackman Advertising, Inc. In the 1980s Compton merged with, and was eventually absorbed by, Saatchi & Saatchi. The Compton Advertising, Inc. Records cover the years 1915-1956 and includes proofs of house advertisements and brochures promoting Blackman Advertising, Inc.; its successor Compton Advertising, Inc.; and the Blackett, Sample & Hummert, Inc. agency. Contains an album of mounted photographs; and credentials charts intended for new business presentations. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Compton Advertising, Inc. Records cover the years 1915-1956 and includes proofs of "house advertisements" and brochures promoting Blackman Advertising, Inc.; its successor Compton Advertising, Inc.; and the Blackett, Sample & Hummert, Inc. agency. Contains an album of mounted photographs; and credentials charts intended for new business presentations.

Warner Max Corden (W. M. Corden) is an Australian economist specializing in trade protection. Collection of his professional papers includes materials from his studies, work, and professorship in Australia, including many files of correpondence with fellow economists around the world; also includes drafts, publications, and reviews of his writings.

Collection consists of materials created and assembled by W. Max Corden, including writings, correspondence, and project files from his studies and career at Oxford, the International Monetary Fund, and the Australian National University. Items in this collection have been described and sorted by Corden; descriptions are replicated here. He has largely arranged the materials to correspond with his professional career; materials from his time working at Oxford, IMF, and SAIF have been separated from his materials produced in Australia. The collection also contains series based on format, including conferences and lectures, writings and publications, and many files of correspondence with economists around the world. Acquired as part of the Economists' Papers Archive at Duke University.

Carl V. Corley (1921-2016) was a white novelist and illustrator who served in the Marines during World War II. Collections contains the writings, drawings, scrapbooks, notebooks, correspondence, and published materials that document Corley's career and artistic output of Corley. The collection also includes typescripts and manuscripts of published and unpublished works of gay fiction, southern history, and heterosexual and homosexual erotica, some of which is in the form of comic books or graphic novels. The Sabina Allred Allen Collection of Carl Corley Papers includes correspondence and illustrations from Corley.

The Carl V. Corley papers contain the writings, drawings, scrapbooks, notebooks, and published materials that document the career and artistic output of the novelist and illustrator. The collection also includes typescripts and manuscripts of published and unpublished works of gay fiction, southern history, and heterosexual and homosexual erotica, some of which is in the form of comic books or graphic novels.

Corley's pulp novels were set primarily in early twentieth century Mississippi and Louisiana, though several were set in the South Pacific, where Corley served during World War II, and reflect varying degrees of autobiographical content. Corley's later works also show his interest in historical subject matter as well as utopian science fiction. Many of Corley's published and unpublished works include cover and textual illustrations produced by Corley.

The collection further includes photographs of the artist and friends, works by related authors and artists, correspondence with publishers, and some work-related notes and materials.

The Sabina Allred Allen Collection of Carl Corley papers consists of love letters written from Corley to Sabina during World War II, as well as artwork that Corley produced for Sabina during the war. Also extant is correspondence from Corley to Sabina dated 1999 through 2002, during which time Corley was working on an illustrated autobiography. Many of the letters from this later time period contain racist diatribes against Black Americans, as well as offensive language and stereotypes.

Courtland Cox (1941- ) is an African American civil rights activist, former member of the Student Nonviolent Coordinating Committee, and a co-founder of the Drum and Spear Bookstore in Washington, D.C. His papers consist of materials related to the Drum and Spear Bookstore and associated organizations, folders related to his tenure as the Secretary General of the Sixth Pan-African Congress in Tanzania, as well as subject files on the civil rights movement in the South during the 1960s. Includes some photographs of events, a photograph album beloning to Cox, and a group of audiocassette recordings as well as electronic records.

Collection contains materials related to Cox's management of the Drum and Spear Bookstore and Press in Washington, D.C., his tenure as the Secretary General of the Sixth Pan-African Congress in Tanzania, and his collected subject files on the civil rights movement in the South. Non-paper formats include photographs of events, a photograph album belonging to Cox, and a group of audiocassette recordings as well as electronic records.

Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Award-winning artist and writer whose works focus on humankind's relationship with God. She has lived and worked around the world, but eventually settled in New Mexico in the 1980s. Accession (2010-0020) includes letters; photographs; exhibition catalogs and publicity; public response to her poems and books; research and notes on mythologies, art, and nature; and other personal materials from her life. The materials largely date from the 1960s through the 1980s, covering her scholarship in Europe, her time in England as a nun in Stanbrook Abbey, and the years following her return to New Mexico. Includes Craighead's prayer books and psalters, some dating from the early 1900s, as well as some copies of her own publications and artwork. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The Meinrad Craighead Papers includes a variety of materials, largely dating from Craighead's adult life from the 1960s to the 1980s. The collection is divided into the following series: Personal Papers, Writings, Research, Artwork, Photographs, and Books.

Craighead's Personal Papers Series is a mixture of items, ranging from personal correspondence to official correspondence relating to her U.S. passport. Several folders have information on Craighead's recent activities, including presentation notes, her travel for speaking or workshop engagements, and materials from her retreats and public programming in the 1990s-2000s. This series also includes several versions of Craighead's resume, documenting her activities prior to the mid-1980s.

The Writings Series consists largely of feedback, book reveiws, and correspondence following the publishing of three of Craighead's books: The Sign of the Tree (1979), The Mother's Songs (1986), and the Litany of the Great River (1991). Drafts from the latter reveal that the book was initially referred to as the "Litany of the Rio Grande." The Writings Series also includes loose drafts, poems, and other undated materials.

The Research Series includes Craighead's handwritten notes and drafts from her research into the mythology and mysticism of different world cultures, including ancient Egypt, Rome, and Native Americans. Another interest of Craighead was the role of nature, including different animals, in the symbolism and spirituality of various religions and groups. These files are loosely sorted by subject.

Samples of Craighead's prints and paintings can be found in the Artwork Series, which also includes exhibition catalogs, printings and publications of her work (including several copies of Catholic Worker newspapers, which used her illustrations in the 1970s), as well as a small amount of artwork and poetry by others that Craighead collected. The prints in this series are not original works of art, but instead are photocopies or photographs of her work. They include copies of her inkprints, paintings, and glass etchings.

The Photographs Series includes the majority of the collection's photographs, which are both color and black-and-white prints, as well as negatives. Craighead appears to have taken several rolls of film of altars, outdoor landscapes, foliage, rock formations, and animals that she then used in creating her artwork. Other photographs from this series are portraits of Craighead, by both friends and professional photographers, as well as a small amount of photographs of Stanbrook Abbey in England. A final photograph worth mentioning is one of Craighead and three nuns at Pope Pius VI's coronation in Rome in 1963.

The final series, the Printed Materials Series, includes Craighead's personal books, copies of her published books, and books that include her artwork as illustrations. Craighead's personal books consist of prayer books, early editions of Christian texts, and a book about the Stanbrook Abbey Press. Craighead's illustrations can be found in three editions of Catholic missals from 1975 and 1982. Finally, this series includes autographed copies of Craighead's own publications, The Mother's Birds, The Sign of the Tree, and "Christian Symbols," a compilation of loose prints.

John Franklin Crowell was an educator, economist, and journalist. He served as President of Trinity College (Randolph County, and Durham, N.C.) from 1887-1894. The John Franklin Crowell Records and Papers primarily consist of materials concerning Crowell's research interests and publications; his presidency of Trinity College; and his activities after leaving Trinity. The collection includes correspondence, reprints, manuscripts, memoranda, scrapbooks, photographs, printed matter, account books, cash books, and grade books. Materials range in date from 1883 to 1932. English.

The collection includes correspondence, reprints, manuscripts, memoranda, scrapbooks, photographs, printed matter, account books, cash books, and grade books. The correspondence includes letters about the relocation of Trinity from Randolph County to Durham and Crowell's vision for Trinity College. Research and writings include research notes, reprints, manuscripts, photographs, and memorandum books. The memorandum books include notes on a variety of subjects including NY tenements, economic and financial subjects, and personal notes. Scrapbooks include printed matter concerning Trinity College, newspaper clippings on commodity markets, and shipping reports. The printed matter consists of clippings, flyers, newspapers, announcements, and other material pertaining to Crowell's interests. The account books, cash books, and grade books are part of the Trinity College Records, and give details about college life. Major subjects of the collection include Crowell's presidency of Trinity College (Randolph County, and Durham, N. C.); his research interests and publications; and activities after leaving Trinity.

Poet, essayist, translator, publisher, activist, and performing artist; owner and editor of New Native Press in Cullowhee (Jackson Co.), N.C. Crowe's collection contains correspondence with other writers, friends, and relatives; manuscript and printed versions of works by Crowe and others; poetry notebooks; publicity materials; photographs; audio cassettes and other media; New Native Press records; and other items. Other poets represented include Wendell Berry, Robert Bly, Lawrence Ferlinghetti, Allen Ginsberg, Joy Harjo, David Meltzer, Philip Daughtry, Neeli Cherkovski, Gary Snyder, Bobi Jones (Welsh), Jack Hirschman, Ken Wainio, Dianna Henning, John Lane, and Joe Napora. There is documentation regarding Crowe's music, including collaborations with Nan Watkins. There is also material regarding San Francisco intellectual circles and the International Poetry Festival held there, as well as correspondence concerning activism regarding a wide range of political and social issues. Acquired as part of the George Washington Flowers Collection of Southern Americana.

Collection contains correspondence with other writers, friends, and relatives; manuscript and printed versions of works by Crowe and others; poetry notebooks; publicity materials; photographs; audio cassettes; New Native Press records; and other items. Figures represented include Wendell Berry, Robert Bly, Lawrence Ferlinghetti, Allen Ginsberg, Joy Harjo, David Meltzer, Philip Daughtry, Neeli Cherkovski, Gary Snyder, Bobi Jones (Welsh), Jack Hirschman, Ken Wainio, Dianna Henning, John Lane, and Joe Napora. There is also material regarding San Francisco intellectual circles and the International Poetry Festival held there, as well as correspondence concerning activism regarding a wide range of political and social issues.

Unprocessed additions (from 2006 through 2022) have been described as individual series with box lists in the collection guide. Materials include correspondence, New Native Press published books, original drafts and manuscripts, recordings, posters, book cover art and proofs, and galleys. Includes material related to the publication of Automatic Antiquity (Ken Wainio), Shaking the Grass for Dew (Richard Lewis), In the Middle Woods (Neeli Cherkovski), and rEdlipstick (Ted Pope). Also includes materials from various translations and anthologies featuring Crowe's edits and contributions; recent books by Crowe such as Zoro's Field: My Life in the Appalachian Woods, Crack Light, Rare Birds, The Watcher, A House of Girls, The End of Eden, Book of Rocks, The Brucciano Poemsarticles; interviews, appearances, and reviews by Crowe; documentation of Crowe's music with Thomas Rain Crowe and the Boatrockers; materials from Crowe's community and environmental activism in Tuckasegee, NC; color and black-and-white photographs; music, poetry, and video on audio cassettes, CDs, videocassettes, and computer diskettes or USBs.

Mason Crum (1887-1980) served on the faculty in the Department of Religion at Duke University from 1930 to 1957, specializing in race relations and Christianity, as well as the social history of the Gullah community of the South Carolina Sea Islands. The papers contain correspondence, printed material, writings, clippings, slides, photographs, negatives, and glass slides, and and a sound recording. Subjects of interest include religious aspects of race relations and segregation, African American religion and churches, Gullah dialect and culture, Methodist Episcopal Church, South, and the Lake Junaluska, N.C. retreat. Photographs are of the Sea Islands, Lake Junaluska, Mason Crum's family, former slave Charles Baxter, and images relating to the Washington Duke family and Durham.

The Mason Crum papers include correspondence, printed material, hand written and typewritten manuscripts of books and articles, clippings, photographs, negatives, and glass slides, and an audio tape, dating chiefly from 1931-1959. Crum acquired the materials over the course of his career as a professor of Biblical literature who had interests in African American history, psychology, race relations, and recent Methodist church history. His major area of research was the Gullah communities of Edisto and St. Helena, two of the South Carolina Sea Islands, with the bulk of work here dating from the 1930s; the result of the research was Gullah, published by Duke University Press in 1940.

Other areas of interest reflected in the papers are moral education, pastoral counseling, and religious pageantry. Crum's concern with Christianity and race relations is shown by his participation in cooperative efforts in education, and in the teaching of one of the first Black studies courses in the South (1954).

Also included in the papers are photographs from the Sea Islands, from Junaluska, N.C., and more personal images of family, children, and relating to the Washington Duke family in Durham, N.C.

Author Linda Dahl wrote the first full-length biography of jazz pianist, arranger, composer, and educator Mary Lou Williams (1910-1981), titled Morning Glory: A Biography of Mary Lou Williams (1999). The Linda Dahl Collection on Mary Lou Williams contains materials compiled by Dahl in researching the Williams biography, including newspaper and magazine clippings, correspondence, photographs and transparency strips, concert programs, and a variety of financial and foundation records.

The Linda Dahl Collection on Mary Lou Williams contains materials compiled by Dahl in researching her 1999 biography of Williams. The collection features newspaper and magazine clippings on Williams; letters from Williams to her friend Joyce Breach regarding Williams's concert tours and other travels, Roman Catholicism, the business of jazz, and Williams's medical ailments; as well as letters to Breach from other of Williams's associates. One folder of miscellaneous correspondence by Williams primarily relates to the planning of jazz concerts and to Williams's work with the Bel Canto Foundation and the Charlie Parker Memorial Fund. The collection also contains a selection of records related to the Mary Lou Williams Foundation; thirteen photographs and four transparency strips of Williams; a folder of concert programs featuring Williams or her compositions; and six miscellaneous publications, primarily on music, from throughout Williams's lifetime.

Johnny Long was a native of Newell, North Carolina and a student at Duke University from 1931 to 1935. In 1931, Long and ten other Duke freshmen formed the Duke Collegians Orchestra, later the Johnny Long Orchestra. Long and the Orchestra recorded several hits and performed at jazz venues around the country. Long continued to perform until his death in 1972. The scrapbook contains photographs, clippings, gig posters and advertisements, album liner notes, and other assorted memorabilia related to the Duke Collegians and the Johnny Long Orchestra and other big bands from North Carolina with inclusive dates 1931-1990.

The scrapbook, created by C. Shelby Dale (Duke '35), bass player and original member of the Orchestra, contains material pertaining to the career of Johnny Long with the Duke Collegians and the Johnny Long orchestra with the inclusive dates 1931 through 1973. Material includes photographs, clippings, gig posters and advertisements, album liner notes and other assorted memorabilia. Additional material also covers reunions of the surviving members of the Duke Collegians and the careers of other big bands and band leaders such as Les Brown and His Band of Renown (formerly the Duke Blue Devils), a 1936 graduate of Duke; Jelly Leftwich, the first Director of Duke's Department of Music and conductor of the Duke University Club Orchestra; Hal Kemp, leader of the Carolina Club Orchestra formed while a student at the University of North Carolina at Chapel Hill; and Joseph Franklin "Sonny" Burke, a 1937 graduate of Duke and leader of the Duke Ambassadors.

The Davis family, originally of Hampton, Virginia, is a prominent African-American family whose members include authors, journalists, photographers, filmmakers, composers, and educators who have made significant contributions to American history and culture. The collection includes photograph albums, loose photographs, and writings documenting the history of the African American Davis family in Hampton, Virginia from the 1930s to the 1950s as well as family members at later points; it also includes materials related to family history and genealogy that span the period from 1876 to the 1920s. Family members featured within the collection include William Roscoe Davis, Andrew Davis, Arthur P. Davis, Sr., Georgia Campbell Neal, Willie Louise Barbour Davis, Collis H. Davis, Sr., Georgia Louise Davis, Jennie Crosby Davis, Collis H. Davis, Jr., Thulani Davis, Anthony Davis, and Charles Sumner Stone, Jr. (Chuck). Educational institutions attended by family members and documented in the collection include Colby College, Fryeburg Academy, George P. Phenix School, and the Hampton Institute.

The Davis Family Papers span the years 1876 to 2007, with the bulk of the material dating from 1924 to 2004, and are arranged into three series of photograph albums, loose photographs, and family papers that document the personal histories of members of the African American Davis family. Of the albums in the Photograph Albums Series, four were created by Louise Davis and one was assembled by Georgia Campbell Neal, Louise's grandmother. Louise Davis's photograph album dating from 1947-1949 contains snapshots that pertain to her stay at Fryeburg Academy and at the Encampment for Citizenship summer program. Her 1949-1953 photograph album documents student life at Colby College in Maine. Many images in the Photographs Series were taken by Billie Davis and by Louise Davis, who were particularly interested in photography, but some were contributed by others, including Reuben Burrell of Hampton Institute. Subjects include members of the Davis family and their friends, both at special events and in everyday home and school life in Hapmton, Virginia from the 1930s to the 1950s. The family papers found in the Writings Series consist of correspondence, documents, and published articles related to Davis family members. These include magazine features on Louise Davis from 2001 and 2004, as well as photocopies of Louise Davis's many articles written for major East Coast newspapers and other publications. Materials related to Thulani Davis include photocopies of her articles for the Village Voice and the San Francisco Sun Reporter, and reviews of her books. Papers related to Anthony Davis include reviews and feature articles on his performance and composition career including his operas X, The Life and Times of Malcolm X, Under the Double Moon, Tania, Amistad, and Wakonda's Dream. Genealogical materials include a photocopy of a handwritten draft of Georgia Campbell Neal's autobiography, reports on several of the Davis family reunions in the 1990s, as well as detailed family trees of the Davis and Stone families.

Official magazine of the Democratic National Committee, published monthly in Washington D.C. Its editors were Clayton Fritchey, Sam Brightman, and Philip M. Stern, with political cover art by Leo Hershfield. Collection contains editorial files of the Democratic Digest, dating from 1953-1961, with the contents of the files falling into three large categories: correspondence, editorial, and art files. The correspondence includes many letters from readers, critics, and Democratic Senators and Governors, chiefly in response to political issues of the day such as McCarthyism, corruption, civil rights, economics, labor, nuclear weapons, farm subsidies, party politics, and elections. Editorial files contain edited copy for articles and columns; TV and radio scripts, including speeches by Democratic candidates; and many clippings reprinted in the Digest. About a third of the collection consists of hundreds of pieces of original layout art, including political cartoons by Leo Hershfield and others, and a few photographs of political leaders such as Truman, Stevenson, and Johnson. Finally, a smaller group of printed materials published for the Democratic 1960 national campaign includes political leaflets, pamphlets, party platforms and position papers, a newsprint publication examining of the records of Nixon and Kennedy, and a few other items.

Collection contains editorial files of the Democratic Digest, dating from 1953-1961, with the contents of the files falling into three large categories: correspondence, editorial, and art files. The correspondence files, arranged in alphabetical order, include telegrams and memoranda between the Democratic Digest staff, the Democratic National Committee and other organizations, and many letters from readers, critics, and Democratic Senators and Governors, chiefly responding to political issues of the day, such as McCarthyism, scandals and corruption, civil rights, the American economy, labor, farm subsidies, nuclear weapons, war, and elections, and offering criticism on the content of the publication. There is also some personal correspondence.

Voluminous editorial files contain nearly complete content for issues, and are filed in publication order by month and year, 1955-1961. The files enclose copy for articles and columns, with many corrections and layout notes; condensed versions of TV and radio addresses, including speeches by Democratic candidates; and many clippings from original articles reprinted in the Digest, attached to the magazine's own copy. Some of this material is brittle and fragile.

About a third of the collection consists of hundreds of pieces of original layout art, printers proofs of covers, and political cartoons, and a handful of photographs of Democratic leaders of the time such as Truman, Stevenson, and Johnson (Box 25). For an unknown reason, there is also a portrait of Durham native and Duke alumnus and benefactor William Washington Flowers. A few complete copies of the Digest are sometimes included in the artwork files next to associated cover art. There are many examples of production artists' layout materials that include original art and sketches, and paste-ups on boards with directions for layout. The original art for the cover cartoons by noted illustrator Leo Hershfield is rendered in vivid watercolors. The artwork and layouts are loosely arranged in chronological order.

Finally, a smaller group of printed materials deriving from the Democratic 1960 national campaign includes political leaflets, pamphlets, party platforms and position papers, a newsprint publication examining of the records of Nixon and Kennedy, and a few other items.

Filmmaker Lorenzo DeStefano directed and produced a documentary on jazz guitarist Talmage Farlow (1921-1998) titled Talmage Farlow (Productions A-Propos, 1981). The collection contains audio, moving image, and paper materials created and compiled by DeStefano during the production and distribution of the documentary and its related audio recordings.

The Talmage Farlow Documentary Film Collection consists of materials created and compiled by filmmaker Lorenzo DeStefano during the making of the film Talmage Farlow and several related audio recordings. The majority of the materials are in various audio and moving image formats, including 16mm and 35mm film, Hi8, Betacam SP, VHS, DVD, 1/4 inch and 1/2 inch open reel audio tape, audiocassette, and CD. These are located in the Audio and Moving Image Materials Series. The Paper Files Series includes materials maintained by DeStefano on the production, distribution, and marketing of the documentary and its related audio recordings.

Barbaralee Diamonstein-Spielvogel is an advocate for the arts, interviewer, documentarian, teacher, political organizer, and resident of New York City. Her collection comprises research files, correspondence, printed materials such as articles and clippings, photographs, scrapbooks, artifacts, and artwork, all deriving from Barbaralee Diamonstein-Spielvogel's books, educational programming, interviews, public art installations, and exhibits centering on the arts and architecture and historic preservation in the United States. The materials highlight her work with many arts and political organizations and appointments to committees such as the Commission for Cultural Affairs, the New York State Council on the Arts, and the New York Landmarks Preservation Commission. Also includes materials from her work as columnist and author for publications like Ms. Magazine, Harper's Bazaar, and Saturday Review, and as television producer for CBS and A and E. Topics include: art and architecture in the 20th century; artists' biographies and interviews; gender and society; historic preservation from the 1960s to the present; the history of New York City, particularly through art, architecture, and public space; media and society; social conditions in Slovakia during her husband's ambassadorship there; U.S. politics and public policy; arts programs affiliated with the White House; women and the arts; women's rights; and many others.

Spanning 1876 to 2022, with the bulk of the materials dating from 1950 to the 2010s, the Barbaralee Diamonstein-Spielvogel Collection documents the life and career of a pioneering advocate for art, architecture, historical preservation, and public policy. The collection comprises over 650 boxes of research files, correspondence, printed materials, photographs, memorabilia, artifacts, and artwork, all stemming from Diamonstein-Spielvogel's long career and her prolific output of books, educational programming, interviews, public art installations, and exhibits. The materials highlight her work with many arts and political organizations and her appointments to committees such as the Commission for Cultural Affairs and the New York Landmarks Preservation Commission. Over one hundred of her television interviews with notable artists and other figures have been digitized by the Diamonstein-Spielvogel Video Archive at Duke University.

Topics covered by the materials in this collection include broad categories such as art and architecture in the 20th century; historic preservation and the protection of cultural property; media and society; social conditions, women's rights and the arts in Slovakia during her husband's ambassadorship there; U.S. and overseas politics, particularly related to the Democratic Party; U.S. public policy, with a focus on the arts; the built environment; women and the arts; gender issues and women's rights; travel abroad; and many others. Early materials dating from 1929 to 1965 - chiefly correspondence, writings, and photographs - document family history, her education, and her earliest career in teaching. Other early dates in the collection refer to reproductions of 19th century images chiefly found in exhibit and research files.

The collection is divided into series: Correspondence, Writings, Personal Files, Political Files, Professional Files, Art and Architecture Project Files, Art and Design Project Files, Historic Preservation Project Files, Scrapbooks, and Visual Arts Materials.

Taken as a whole, the collection offers rich documentation on the evolution of art and architecture in the U.S., the development of adaptive reuse and landmarks legislation, the relationship of public policy to the arts, and the interplay between public policy and the built environment. Materials from Diamonstein-Spielvogel's personal and research files also document the changing roles of men and women in the United States, and the development of U.S. gender studies; not only did she write on the subject, but her own experiences reveal aspects of women in the workforce, in politics and activist movements, and in positions of authority. Additionally, because of her work for the White House and the Democratic Party, the collection offers insights into 20th century U.S. politics, nationally and in her home state of New York.

African-American lawyer and businesswoman in the states of Alaska, Indiana, and Alabama. The personal and business papers of African American lawyer and businesswoman Mahala Ashley Dickerson span the years 1958 to 2007, the year of Dickerson's death, and chiefly consist of correspondence; newspaper clippings; real estate records; programs, letters, and additional items documenting honors, awards, and public appearances; papers concerning her homestead plot in Alaska and other personal and business concerns; photographs and videocassettes; and directories, journal publications, and pamphlets and correspondence concerning the American Bar Foundation and the Alabama State Bar Association. Business records chiefly are related to Dickerson's law firm of Dickerson & Gibbons, and the charitable organization Al-Acres, which she founded in memory of her son, Alfred, who drowned in 1960. There is some correspondence in the collection related to her memoir, Delayed Justice for Sale, which she published in 1998.

The personal and business papers of African American lawyer and businesswoman Mahala Ashley Dickerson span the years 1958 to 2007, the year of Dickerson's death, and chiefly consist of correspondence; newspaper clippings; real estate records; programs, letters, and additional items documenting honors, awards, and public appearances; papers concerning her homestead plot in Alaska and other personal and business concerns; photographs and videocassettes; and directories, journal publications, and pamphlets and correspondence concerning the American Bar Foundation and the Alabama State Bar Association. Business records chiefly are related to Dickerson's law firm of Dickerson & Gibbons, and the charitable organization Al-Acres, which she founded in memory of her son, Alfred, who drowned in 1960. There is some correspondence in the collection related to her memoir, Delayed Justice for Sale, which she published in 1998 and is available in Duke's Perkins Library. Audiovisual materials consist of personal photos of Dickerson, friends, and family, and videos of the American Bar Association's Margaret Brent Women Lawyers of Achievement Awards Ceremony for Dickerson, 1995. A box of oversized memorabilia houses a pasteboard mount of the first page of an original 1984 article reviewing Dickerson's life accomplishments, and a poster advertising Dickerson's bid for Alaska's House of Representatives in 1968. Collection is arranged in topical groupings in alphabetical order. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Ben E. Douglas, Sr. (1895-1981) was a politician, developer, and mayor of Charlotte, N.C. from 1935-1941. Collection contains three folders of correspondence with friends, family, business associates, and political figures; clippings; a small amount of printed material; addresses and writings; and over 100 photographs, including 22 autographed photographs of such notables as Gen. John Pershing, Eddie Rickenbacker, Gov. Luther Hodges, Eddie Cantor, and Gene Autry. There is relatively little material relating to Douglas' service as mayor, however, there are some items that refer to his failed Congressional campaign of 1956. Also included are three scrapbooks showing the development of N.C. during the period from 1953-955, when Douglas was Director of the N.C. Dept. of Conservation and Development, nine volumes of Douglas Airport studies and plans, and three boxes of papers relating to his work on the Airport Advisory Committee, including meeting minutes, letters, memos, clippings, reports, and airport plans.

Collection contains three folders of correspondence with friends, family, business associates, and political figures; clippings; a small amount of printed material; addresses and writings; and over 100 photographs, including 22 autographed photographs of such notables as Gen. John Pershing, Eddie Rickenbacker, Gov. Luther Hodges, Eddie Cantor, and Gene Autry. There is relatively little material relating to Douglas' service as mayor, however, there are some items that refer to his failed Congressional campaign of 1956. Also included are three scrapbooks showing the development of N.C. during the period from 1953-955, when Douglas was Director of the N.C. Dept. of Conservation and Development, nine volumes of Douglas Airport studies and plans, and three boxes of papers relating to his work on the Airport Advisory Committee, including meeting minutes, letters, memos, clippings, reports, and airport plans.

William Boone Douglass (1864-1947) was a white lawyer, engineer, and surveyor from Corydon (Harrison Co.), Indiana who was known for his survey work in the southwest United States. Collection includes correspondence, genealogical material, maps, photographs, notebooks on the Pueblo Indians, and other papers of Douglass and of various members of the Boone and Douglass families.

Collection includes a biographical sketch of Douglass, correspondence of the Boone and Douglass families, genealogical information and research, financial and legal documents, material related to Douglass' survey work and national parks, printed and visual material, and writings.

Correspondence pertains to family matters, the Kansas-Nebraska question, the passing of the first overland mail from California through Cassville, Missouri in 1858, elections to be held in Indiana in 1860, Douglass' surveying activities, establishment of a National Park of the Cliff Cities of New Mexico, the securing of power from Boulder Dam, and other matters. There are several Civil War letters from both Union and Confederate soldiers. There is a large amount of correspondence for Douglass' parents, Benjamin P. Douglass and Victoria Boone, as well as for his son, William Boone Douglass, Jr.

The financial and legal documents include receipts, account books, deeds, a court docket from an unidentified court, and patent case files and diagrams. Also of note is an 1814 deed of emancipation for Sally and Champion, two formerly enslaved people, who were emancipated by William Vincett in Harrison County, Indiana.

Booklets, brochures, and publications cover a wide range of topics and locations, including traveling in Santa Fe, N.M., the Transylvania Company and the founding of Henderson, K.Y., and the history of U.S. coinage laws.

Material related to Douglass' survey work consists of notes, writings, and drawings about the different sites that he surveyed, particularly those in present-day Utah, Arizona, and New Mexico, as well as maps and plats. Douglass' published "Notes on the Shrines of the Tewa and Other Pueblo Indians of New Mexico" (1917) is included in the writings. Also included are many photographs of Utah, New Mexico, and the Southwest. These photographs show natural formations, the surveyors, and also Pueblo peoples and customs, including Santiago Naranjo, Francisco Naranjo, and the Pueblo peoples' traditional Buffalo Dance. The Notebook on Pueblo Indians, Vol. I, contains descriptions of Douglass' visit to the San Ildefonso Pueblo and his observations of dwellings, meals, symbols, and rituals, with particular attention paid to the Scalp Dance. Vol. II contains notes on the Tewa language, cardinal colors and locations, clans, culture, and history, as well as Douglass' notes on other publications that address the Tewa language and Pueblo peoples. Douglass' survey work prompted him to advocate for the establishment of a "National Park of the Cliff Cities of New Mexico"--material related to this effort, including proposed legislation and maps, is in the collection.

Correspondence, clippings, and the material related to Douglass' survey work make mention of the indigenous groups and individuals he encountered, including the Paiute, Navajo, and Pueblo peoples and Jim Mike, Santiago Naranjo, and Francisco Naranjo. Most of the material about Jim Mike addresses his role in leading Douglass to the natural bridges in Utah, including what is now known as Rainbow Bridge National Monument.

Chief of Protocol and ambassador to Spain, Morocco, and Denmark under the Kennedy, Johnson, and Carter administrations; resident of New York, N.Y., Long Island, N.Y., and Washington, D.C. The collection chiefly consists of correspondence; scrapbooks and diaries; photographs; diplomatic papers; sound recordings and films; interviews, appointment books; clippings; printed material; and business papers, all documenting Angier Biddle Duke's life and career, especially his role in United States politics and diplomacy during the Kennedy and Johnson administrations, as well as his philanthropic activities and his leadership roles in non-profit institutions. The materials also document the social and political activities of members of the Duke, Drexel, and Biddle families, and their residences in New York City and Long Island. In addition, the papers contain information on economic and social conditions in post-war Europe during Duke's ambassadorship to Spain, and information on Pakistani refugees and other international crises. Other topics include civil rights and desegregation (especially in Washington, DC).

The collection chiefly consists of correspondence; scrapbooks and diaries; photographs; diplomatic papers; sound recordings and films; interviews, appointment books; clippings; printed material; and business papers, all documenting Angier Biddle Duke's life and career, especially his role in United States politics and diplomacy during the Kennedy and Johnson administrations, as well as his philanthropic activities and his leadership roles in non-profit institutions. The materials also document the social and political activities of members of the Duke, Drexel, and Biddle families, and their residences in New York City and Long Island. In addition, the papers contain information on economic and social conditions in post-war Europe during Duke's ambassadorship to Spain, and information on Pakistani refugees and other international crises. Other topics include civil rights and desegregation (especially in Washington, DC).

Details on Angier Biddle Duke's life as well as information on the Duke, Biddle, and Drexel families can be found in the Biographical Data Series. These materials include some of A.B. Duke's military records; articles on A.B. Duke; articles and biographical entries on A.B. Duke; "in memoriam" booklets from his first wife's funeral and the funeral of Angier Buchanan Duke, A.B. Duke's father; and genealogical materials on the families. Selected condolences out of the hundreds sent to Robin Chandler Duke after her husband's death in 1995 also reveal much about the personality and life of A.B. Duke. In addition, the narratives in the Diaries Series offer a great deal of material concerning the personalities of A.B. Duke and his family and acquaintances throughout his life.

The Correspondence Series also offers information on the Duke, Biddle, Semans, and Trent families, though correspondence between immediate family members makes up a small percentage of this large series. The correspondence files are most useful for the documentation they provide about A.B. Duke's career. Additional biographical data on A.B. Duke and family members, particularly useful for information on Robin Chandler Duke's social and political activities, can be found in the Clippings Series.

The Photograph Albums and Photographs Series contains hundreds of photographs of the Duke, Semans, and Biddle families. Some early photographs of Angier Biddle Duke were taken during his enlistment in the Army from 1940-1945. An album entitled "A celebration of the life of Benjamin Newton Duke, 1979" can be found in the Scrapbooks Series. Finally, as A.B. Duke served as president of the Duke Family Association of NC from 1988-1995, there are a number of items related to the meetings of this genealogical association found in the Correspondence Series.

Angier Biddle Duke was best known for his ambassadorial skills and his political acumen beginning with his appointment to the office of Ambassador to El Salvador in 1952 as the youngest ambassador ever appointed to a post. His subsequent career in diplomacy and politics, including his appointment as Chief of Protocol under Presidents Kennedy and Johnson, is well-documented throughout the majority of the series. A series of written and taped diaries entitled the "Ambassador's Diary" are especially interesting for A.B. Duke's candid reflections on his experiences.

The political and social events of the 1960s and 1970s are well-represented in the papers in the multimedia formats associated with the Audio, Film, and Videotape Series, containing numerous recordings of speeches, toasts, and visits of foreign dignitaries; the Scrapbooks and Photograph Albums and Photographs Series, which hold many candid and formal photographs of politicians, diplomats, celebrities, and artists; and the Clippings Series. One scrapbook covers President Kennedy's trip to Berlin, West Germany; another oversize scrapbook covers an international incident at Palomares, Spain (1966): while Duke was that country's ambassador, an undetonated U.S. nuclear bomb was lost off the coast of Spain, then recovered after an increased international outcry against nuclear weapons. Materials in the Protocol Papers Series also concern Kennedy's assassination and the transition to a Johnson White House during the period when A.B. Duke was Chief of Protocol. As Jacqueline Kennedy had already become a good friend of A.B. Duke's family, there are items in the Correspondence Series reflecting her close relationship with them in the difficult years after her husband's assassination.

The head of the State Department Office of Protocol serves as principal adviser to the President and Secretary of State on matters of diplomatic procedures governed by law or international customs and practice. Angier Biddle Duke's responsibilities as Chief of Protocol from 1961-1965 and 1968, including his role in the arrangements for the Kennedy funeral, are best represented by materials in the Protocol Papers Series, arranged alphabetically by country, and by many valuable letters and telegrams in the Correspondence Series, and in the Writings and Speeches Series. In addition, a great deal of relevant information, both contemporary and retrospective in nature, can be found in the Interviews Series. Several important volumes in the Scrapbooks and Diaries Series are also were created as records of his tenure as Chief of Protocol, and the Pictures Series contains many candid and formal photographs during this period. Finally, events relating to the Office of Protocol are found in audio or film format in the Audio, Film, and Video Series. Memorabilia from this period such as invitations, dinner menus, guest lists, and souvenir programs from inaugurations abroad can also be found in the Miscellaneous Series.

A.B. Duke's extensive organizational activities in later decades are documented in the Correspondence, Subject Files, Interviews, Printed Materials, and Writings and Speeches Series. A large number of materials reflect A.B. Duke's long involvement in the administration of Long Island University as well as in other institutions such as the International Rescue Commission, various Democratic committees, CARE, the NYC Dept. of Civic Affairs and Public Events, the Spanish Institute, the Appeal to Conscience Foundation, the Japan-American Institute, the World Affairs Council, and the American Council of Ambassadors, and many others. The Subject Files and other series also illustrate A.B. Duke's later involvement in organizations attempting to establish more democratic structures in countries such as El Salvador, Nicaragua, and Guyana.

Some materials also reflect Robin Chandler Duke's later involvement in politics, including her unsuccessful bid for the Democratic nomination to fill Koch's congressional seat in 1978, and her role as chairwoman of Population Action International.

Although they contain relatively few documents, the Legal and Financial Papers provide some information on A.B. Duke's income and financial activities, and on the Doris Duke Trust; also in the legal papers is a publisher's contract for the biography of Doris Duke and a copy of Angier Buchanan Duke's will. Other legal and financial matters related to the Duke and Biddle families, particularly the Doris Duke estate (1995) are referred to on a regular basis in the Correspondence Series. Very little is to be found in the collection on the administration, maintenance, or acquisition of Angier Biddle Duke's residences in Washington, NYC, or Long Island, though some illustrations of residences can be found in the Clippings and Pictures Series.

Collections in the David M. Rubenstein Rare Book & Manuscript Library which contain information relevant to the Angier Biddle Duke Papers include the James Buchanan Duke Papers and especially the Semans Family Papers. The Duke University Living History Program collection, also in the David M. Rubenstein Rare Book & Manuscript Library, contains an interview with Angier Biddle Duke recorded in the 1970s.

Benjamin Newton Duke (1855-1929) was a tobacco manufacturer, industrialist, and philanthropist of Durham, NC and New York, NY and a trustee and major benefactor of Trinity College (later Duke University). He was the son of Washington Duke, older brother of James B. Duke, husband of Sarah Pearson Angier Duke, and father of Angier Buchanan Duke and Mary Duke Biddle. The materials in this collection document the business, financial, philanthropic, and personal interests of Benjamin N. Duke and his family, especially Duke's involvement in the tobacco, textile, banking, and hydroelectric industries in North Carolina and New York and the Duke family's financial support of a variety of institutions, including educational institutions for African Americans and women, the Methodist Episcopal Church, South and individual churches, orphanages, hospitals, and community organizations. The Richard B. Arrington series and Alexander H. Sands, Jr., series document the personal and financial interests of Benjamin N. Duke's private secretaries in New York, NY.

The papers of Benjamin Newton Duke have been collected from various sources over time and span the years 1834 to 1969, although the bulk of the material dates from 1890 to 1929. The materials in the collection document the business, financial, philanthropic, and personal interests of Benjamin N. Duke and his family in Durham, NC and New York, NY, especially Duke's involvement in the tobacco, textile, banking, and hydroelectric industries and the Duke family's financial support of a variety of institutions, including educational institutions for African Americans and women, the Methodist Episcopal Church, South, and individual churches, orphanages, hospitals, and community organizations. Types of material in the collection include correspondence, financial statements and ledgers, bills and receipts, architectural blueprints and drawings, land plats, deeds, photographs, photograph albums, scrapbooks, and a diary.

Family members represented include Sarah P. Duke, Angier Buchanan Duke, Mary Duke Biddle, Washington Duke, James B. Duke, Brodie L. Duke, Lida Duke Angier, and Anthony J. Drexel Biddle, Jr. Other individuals represented include Julian S. Carr, William A. Erwin, John C. Kilgo, William P. Few, Daniel Lindsay Russell, James E. Shepard, and George W. Watts.

The Richard B. Arrington series and Alexander H. Sands, Jr. series document the personal and financial interests of Benjamin N. Duke's private secretaries in New York, NY.

The Duke University Art Association was formed by William K. Boyd in 1930. The Association planned and organized art exhibits, gallery talks, and other art appreciation activities on the Duke campus until the early 1940s. Collection includes minutes, correspondence, photographs, exhibit catalogs, lists of objects, membership lists, and related materials. Major subjects include faculty spouses, art appreciation, the Woman's College Library, the American Federation of Arts, the Carl Shurz Memorial Foundation for the Development of Cultural Relations Between the United States and Germany, the College Art Association, and the Southern States Art League. The bulk of the materials range in date from 1930 to 1938. English.

The Art Association Records include minutes, correspondence, photographs, exhibit catalogs, lists of objects, membership lists, and related materials. Major subjects include faculty spouses, art appreciation, the American Federation of Arts, the Carl Shurz Memorial Foundation for the Development of Cultural Relations Between the United States and Germany, the College Art Association, and the Southern States Art League.

The Baldwin Federation was an undergraduate organization which united Alspaugh, Bassett, Brown and Pegram Residence Halls on the East Campus of Duke University from around 1971 to the early 1980s. Records contain minutes, constitutions, reports, ballots, correspondence, fliers, newsletters, a survey, a pamphlet, printed materials, photographs, and clippings. Major subjects include student life at Duke University, dormitories, residence and education, college freshmen, and the Joe Baldwin festival. Materials range in date from 1971 to 1985. English.

Contains materials pertaining to the Baldwin Federation at Duke University from 1971-1983.

Youth Document Durham and Durham Works were programs sponsored by Duke University and the Center for Documentary Studies that brought together young people ages 12–16 from diverse Durham communities to document their lives, local history, and contemporary social issues through photography, oral history, and narrative writing. The Youth Document Durham and Durham Works project records span the years 1995-2008 and document the process of training young people in Durham, North Carolina schools to use photography and other arts, oral histories, and writing to record the history and members of their communities and the local issues affecting the students' lives. Many of the students are African American or Hispanic and their topics often highlight social conditions and race relations in African American and Hispanic communities in Durham neighborhoods and in a few other locations, including South Carolina. Topics explored by participants, both interviewers and interviewees, include crime, food cultures, jobs and education, music, racism, technology, teen violence, work cultures, and tobacco cultivation and its social context. The bulk of the collection is made up of hundreds of oral interviews conducted by junior high and high school students with community members, documented through audiocassette recordings, photographs, writings, and some transcripts, but there are also many program publications, project curricula, and administrative records for the program from its beginnings through 2008. There is also a database created by Center for Documentary Studies staff that records the complete information for each interview, including descriptive notes on certain interviews. This data also contains restricted information. For access to this database, please consult with a reference archivist. Acquired as part of the Archive of Documentary Arts at Duke University.

The Youth Document Durham and Durham Works program records span the years 1995-2008 and document the process of training young people in Durham, North Carolina schools to use photography and other arts, oral histories, and writing to record the histories and members of their communities and the local issues affecting the students' lives. Although the vast majority of the projects focus on Durham, there is also one project based in South Carolina. Topics explored by participants, both interviewers and interviewees, include crime, food cultures, jobs and education, music, racism, technology, teen violence, work cultures, and tobacco cultivation and its social context. The collection is divided into four series: Interviews, Photographic Material, Project Files, and Additions.

The bulk of the collection is made up of hundreds of interviews conducted by junior high and high school students with community members, but there are also many program publications, project curricula, and administrative records for those years. The contents of each series is described in full below. There is also a Community Stories database that houses the complete information for each interview, including descriptive notes on certain interviews, and restricted information. For access to this database, please consult with a reference archivist.

The Interviews Series forms the bulk of the collection, and houses the materials generated by the student projects. Each session was organized around a topic which usually would be repeated in subsequent years, such as "Durham Works" or "Old Five Points." Folders usually house one set of interviews conducted by one or more students, and contents typically consist of one or more cassette tapes of the oral interviews, consent forms and other documentation about the interviewees, and writings by the students that came out of their experiences as interviewers. Some interviews have been transcribed. Original audiovisual materials are closed to use; viewing or listening copies need to be made before contents can be accessed. Folders are arranged in number order as assigned by Center for Documentary Studies Staff; they are not in chronological order. An alternate listing at the end of this collection inventory groups boxes by project title rather than folder number order.

In addition to oral histories and writings, the students also produced many images of their subjects and their communities. Photographic prints and negatives of their work are housed in the Photographic Materials Series. Students also produced poems and drawings, and these are chiefly found in the Project Files Series.

Supporting program materials - curriculum guides, notes on staff meetings, staff guidelines, assessments of outcomes - are found in the Project Files Series. Also housed here are additional photographic images, mostly of the project students and staff, CDs with final projects, and the many publications that came out of the Center for Documentary Studies program. These booklets contain mostly interview transcriptions but also include photographs, drawings, annotations, and poetry. Also included is a retrospective collection of Youth Document Durham participant photos and essays, edited by Hong-An Truong and published in 2005.

Later accessions to the collections are found in the Additions Series. These items consist of audiovisual materials, photographs, and some printed materials. In addition to the Youth Document Durham project, related projects included in the Additions series are the Youth Treatment Court, which seems to have been a division of Youth Document Durham, and the Connect Program, which included projects from Old Five Points as well as special group projects for youth.

Acquired as part of the Archive of Documentary Arts at Duke University.

The Behind the Veil: Documenting African-American Life in the Jim Crow South project was undertaken by Duke University's Center for Documentary Studies from 1990-2005. Its goal was to record and preserve African American experiences in the American South from the 1890s to the 1950s. Materials in the Behind the Veil project collection date from about 1864 to 2011, with the bulk dating from the 1990s; earlier dates represent original image content rather than the reproduction date. The collection comprises over 1200 oral history interviews with associated transcripts and administrative files, several thousand historic and contemporary photographs, and project records, which include paper and electronic administrative files and audiovisual recordings. Oral histories were conducted in 19 locations, chiefly in the South; topics represented in these recordings include childhood, religion, education, politics, celebrations and other events, family histories, work histories and military service, and details about segregation and the effects of racism in the South. Acquired as part of the John Hope Franklin Research Center for African American History and Culture at Duke University.

Materials in the Behind the Veil project collection date from about 1864 to 2011, with the bulk dating from the 1990s; earlier dates represent original image content rather than the reproduction date. The core component of the collection comprises over 1200 oral histories conducted by Behind the Veil interviewers with African Americans in cities, towns, and rural locations in Georgia; Arkansas; Michigan; Alabama; North Carolina; Los Angeles, California; Mississippi; Tennessee; Kentucky; Louisiana; Virginia; South Carolina, and Florida. The majority of the interviews were conducted during summers between 1993 to 1995, with additional interviews added from 1995 to 2004. These interviews, originally recorded by Behind the Veil staff and volunteers on audiocassettes, have been digitized; in addition, all other project records and images are currently being digitized and will be made available as they are ingested into the Duke Digital Repository.

A second core component consists of over 2100 historical and contemporary photographic images in the form of black-and-white and color slides, photographic prints, and negatives. These form several large groups: donated historical materials imaged at interview locations by BTV staff; contemporary photographs taken by staff as they gave interviews and explored local communities; and photographs of BTV staff at work, BTV offices, and project events and training. Historic images in slide format include many photographs of African American individuals and families dating from the 1880s to the mid-20th century; they also include images of documents such as news clippings, military papers, political ephemera, school diplomas, and brief publications. The images are described in more detail in their listings in this collection guide.

The remainder of the collection consists of project administrative records. These files - in paper and electronic format - include National Endowment for the Humanities (NEH) grant information; correspondence; staffing records; meeting notes and minutes; outreach; files on publication and exhibit projects; and information on classes, seminars, and training given for students and project staff.

The Behind the Veil collection not only focuses on the experiences of individuals, but also reflects the importance of black institutions as the backbone of black communities. The interviews, documents and photographs reflect the crucial role that black churches, fraternal societies, women's clubs, and political organizations played in African American community life. The testimony of educators and students from historically black colleges, agricultural schools and institutes enrich conventional beliefs about black agency in segregated schools.

Although the focus of the interviews was on the Jim Crow era, the life history format of most interviews led informants to comment on events after segregation. Information about civil rights struggles in the 1960s, African American participation in desegregation within local communities, and post-1965 activism and community work are also included in many Behind the Veil interviews. The interviews in this collection also raise crucial questions about the shape of memory and the creation of narratives that can inform not only research in oral history but also literature and anthropology. Research into black religion can be enriched by the voices of Behind the Veil. Studies that examine oppression and resistance could be informed by the rich documentary record of labor and social culture that the collection presents. The Behind the Veil collection illuminates innumerable topics, time periods, and research interests.

The Neighborhoods Project was created as part of the Community Programs department within Duke's Center for Documentary Studies. According to the CDS website, it offered North Carolina elementary school teachers an innovative and effective way to meet social studies goals outlined in the state's standard course of study. The project provided a way to engage students in their own communities, focusing on their individual lives and stories through photographs, narrative writing, and storytelling. It provided a series of experiential learning activities that encouraged the use of photography, oral history, and narrative writing in an exploration of community and citizenship. Collection includes black-and-white photographs, negatives, and slides from projects created by students at Durham's E.K. Powe and W.G. Pearson elementary schools between 1997 and 2004. The images document the social life and the built environment in Durham, N.C., in city neighborhoods where the students live; they feature children, pets, houses and places of business, groups of adults, and other neighborhood scenes where whites, African Americans, and Spanish-seeking citizens live. Some materials are in Spanish. Also includes some student booklets and publications highlighting their projects as part of the program. Acquired as part of the Archive for Documentary Arts.

Collection includes black-and-white photographs (a few are hand-colored), negatives, and slides from projects created by students at Durham's E.K. Powe and W.G. Pearson elementary schools between 1997 and 2004. The images document the social life and the built environment in Durham, N.C., in city neighborhoods where the students live; they feature children, pets, houses and places of business, groups of adults, and other neighborhood scenes. Also includes some student booklets and publications highlighting their projects as part of the program. Materials are sorted by school, with miscellaneous or unidentified materials in the last series. Also contains electronic and audiovisual recordings that require reformatting before use.

Acquired by the Archive of Documentary Arts at Duke University.

The materials comprising the British Correspondence and Miscellany Collection are dated from 1556 to 1972 (bulk 1740-1890). The papers are arranged into the following series: Correspondence, 1556-1972 and undated; Subject Files, 1699-1902 and undated; Pictures, 1795-1921 and undated; and Miscellaneous Material, 1814-1836 and undated An artificial collection, the papers are, for the most part, unrelated by provenance. The collection consists chiefly of correspondence, and topics include numerous political events and activities of the 18th, 19th, and early 20th centuries in Great Britain and the colonies (particularly India and Africa).

The Correspondence Series includes numerous letters to and from British notables. Among the major correspondents represented are: the 8th Duke of Argyll, the 1st and 2nd Barons Auckland, Charles Bradlaugh, John Bright; Robert Brownrigg; George Canning, John Wilson Croker, the 1st Earl of Durham, John Foster, the 1st Baron Dover, George Joachim Goschen, John Hay, the 3rd Marquess Lansdowne, W.E.H. Lecky, Captain John Lenty, the 1st Earl of Liverpool, the 3rd Earl of Lucan, William Melbourne, Lord Broderick Midleton, Viscount Milner, David Christie Murray, Thomas Nimmo, Baron Northcote, Pierce O'Mahoney, the 3rd Viscount Palmerston, the 1st Baronet Pollock, George Rose, the 7th Earl of Shaftesbury, William Sheowring, John Deas Thompson, the 1st Duke of Wellington, William Wilberforce, and Edward Wodehouse.

Among the items in the Correspondence Series are a copy of John Bright's 1851 speech entitled "Papal Aggression" (Bright correspondence); material regarding the Horseguards (Brownrigg correspondence); a testimonial to the character of Sir Francis Burdett written by Lady Hester Stanhope (Burdett correspondence); a letter regarding Wellington's correspondence concerning a transport ship wrecked in the Tagus during his last Iberian campaign (Canning correspondence); letters from David Dundas, including two accompanying circulars (1804 and 1805) from the War Office (Dundas correspondence); and correspondence (and accompanying transcripts) between King George I and M. Braconnier (1709) concerning the King's inability to send a detachment large enough to oppose the French along the borders of the Rhone and Lake Geneva (George I correspondence). Other items include correspondence relating to George Henry's mission in Nyasaland (Henry correspondence); material concerning the cargo ship "The Sea Witch" (Lenty correspondence); correspondence regarding Marsden-Smedley's unsuccessful campaign for Parliament in 1910 (Marsden-Smedley correspondence); and Wellesley's transcript of a testimonial to the character of Charles Wyatt written by the Governor General of India (Wellesley correspondence). The Murray correspondence includes handwritten biographical notes and a printed review (1908) of David Christie Murray's Reflections.

Papers in the Subject Files Series concern a wide range of political, military, and economic matters. They include an anonymous account (1743) of the battle of Dettingen (in French); papers (1856-1860 and undated) relating to the raising of ships at Sebastopol during the Crimean War; a collection of letters from various correspondents concerning decimal currency (1856-1869); papers concerning Newfoundland fisheries (1901-1902); and a document pertaining to the impressment of sailors (1745).

The Mathematics Department at Duke University has sponsored several special programs to train high school and college math teachers. Two of these programs were the Summer Institute in Science and Mathematics and the Retired Officer Program. The Summer Institute in Science and Mathematics, supported by the National Science Foundation, helped secondary school teachers upgrade their skills in the sciences and in math. The Summer Institute trained teachers from 1957-1970. The Retired Officer Program trained retired military personnel to teach mathematics in high school or at the introductory college level. It was also supported by the National Science Foundation and trained teachers from 1958-1967. The collection contains yearbooks, program records, course lists, photographs, government reports, and information about these special programs. English.

The Mathematics Department Special Programs Records contain yearbooks, program records, course lists, photographs, government reports, and information about the Summer Institute in Science and Mathematics and the Retired Officer Program. An effort has been made to remove application letters, rejections letters, requests for information, receipts, and grades from the collection. Because many of these items are interspersed in the yearbooks and program records, some of these items may still remain and are covered by access restrictions.

The Duke University Museum of Art opened to the public in 1969, in a renovated science building on the University's East Campus. In 1998, Duke alumnus Raymond D. Nasher donated funds to support construction of a new art museum at Duke University, the Nasher Museum of Art, set to open in 2005. Collection includes correspondence, administrative files, financial records, exhibit catalogs and publicity material, fund-raising files, clippings, photographs, and related records. Major subjects include the opening of the Museum of Art, the Brummer Collection of Medieval and Renaissance Art, and exhibits. Materials range in date from 1962 to 2002. English.

Collection includes correspondence, administrative files, financial records, exhibit catalogs and publicity material, fund-raising files, clippings, photographs, and related records. Major subjects include the opening of the Museum of Art, the Brummer Collection of Medieval and Renaissance Art, and exhibits. Materials range in date from 1962 to 2002.

The Office of Alumni Affairs at Duke University administers the Duke Alumni Association, a nonprofit organization serving over 120,000 alumni and former students of Duke University, in addition to thousands of parents and friends of the university. Records contain class files, administrative materials, fundraising materials, alumni publications records, subject files, photographs, video and sound recordings, and an index to Duke students who served in World War II. Materials include reunion information, correspondence, reports, programs, clippings, and printed matter. English.

Records contain class files, administrative materials, fundraising materials, alumni publications records, subject files, photographs, video and sound recordings, and an index to Duke students who served in World War II. Materials include reunion information, correspondence, reports, programs, clippings, and printed matter.

The Office of Black Church Studies was established as an initiative of the Duke Divinity School in the early 1970s. The office was created to support African American students and faculty in the Divinity School and sustain a specific curriculum on black preaching and the black experience with Christianity. There are materials related to African American churches, civil rights, and the status of African American students and faculty in universities across the country. Materials related to Martin Luther King, Jr.; Benjamin Chavis; Gardner C. Taylor; and Prathia Hall Wynn are included. Some items relate to black church studies at other academic institutions, non-profit organizations, and churches. The collection includes manuscripts, black-and-white and color photographs, digital images, and electronic records contained on compact discs. There are publications that predate the creation of the office.

The Office of Black Church Studies was established as an initiative of the Duke Divinity School in the early 1970s. The office was created to support African American students and faculty in the Divinity School and sustain a specific curriculum on black preaching and the black experience with Christianity.There are materials related to African American churches, civil rights, and the status of African American students and faculty in universities across the country. Materials related to Martin Luther King, Jr.; Benjamin Chavis; Gardner C. Taylor; and Prathia Hall Wynn are included.Some items relate to black church studies at other academic institutions, non-profit organizations, and churches. The collection includes manuscripts, black-and-white and color photographs, digital images, and electronic records contained on compact discs. There are publications that predate the creation of the office.

The School of Law dates its origins as far back as 1850. The school experienced many organizational changes and several temporary closures in its early years before re-establishing itself as the School of Law in 1904. This collection includes papers of deans of the law school in 1930 and continuing forward. Also included are materials related to the law school's publications, the Duke Bar Association, legal research centers, the law library, Richard Nixon's time as a student at the law school and general administrative files dating back to 1914.

This collection includes papers of the deans of the School of Law starting in 1930. This material covers a wide range of information relating to the daily operations of the law school and includes: general correspondence, financial documents, annual reports, recruitment files, clerkship files, clippings, subject files, meeting minutes, development materials, and general office files. The collection also includes information about the various law school journals and publications edited and created by both students and faculty. Administrative files date back to 1914 and include: blank exams, financial documents, correspondence, placement bulletins, and other general files. Topics include legal education, Richard Nixon, administration, faculty, students, alumni, university presidents and administrators, the American Bar Association, the American Association of Law Schools, the school's Legal Aid Clinic, and law library.

Duke University has celebrated anniversaries of two major founding events: the establishment of continuous education at Brown's Schoolhouse in Randolph County, N.C., in 1838, and the creation of the Duke Endowment, which transformed Trinity College into Duke University in 1924. As a result, the institution commemorated the 100th Anniversary of its beginnings in Randolph County in 1938/1939, the 50th Anniversary of the Duke Endowment and founding of Duke University in 1974/1975, the 150th Anniversary of its beginnings in Randolph County in 1988/1989, and the 75th Anniversary of the Duke Endowment and founding of Duke University in 1999/2000. The Duke University Anniversaries Collection includes correspondence, clippings, photographs, printed matter, programs, speeches, a sound recording, a diary, acknowledgements from other institutions, a time capsule, and other materials relating to events commemorating the beginnings and founding of Duke University. Major subjects include events planning, fund raising, Duke University, Trinity College (Randolph Co., N.C. and Durham, N.C.), Normal College (Randolph Co., N.C.), Union Institute (Randolph Co., N.C.), and Brown's Schoolhouse (Randolph Co., N.C.). English.

The Duke University Anniversaries Collection is divided into four series, arranged by anniversary. 50th Anniversary (1924-1974) of the founding of Duke University series includes correspondence, planning materials, programs, meeting minutes, financial statements, printed matter, and clippings created by the 50th Anniversary Steering and Advisory Committees. Materials range in date from 1973 to 1975. The 75th Anniversary (1924-1999) of the founding of Duke University series includes logos, a commemorative mailing cancellation stamp, a press release, and a sound recording of a speech given by John Koskinen on the Y2K conversion. Materials range in date from 1999 to 2000.

The 100th Anniversary (1838-1938) of the beginnings of Duke University series includes printed materials, correspondence, Centennial Fund records, a diary, publications, invitation lists, congratulations from other institutions, and several complete packets of centennial celebration materials. Also included is a time capsule, labeled: "1939-2039. A collection of items presented to the President of Duke University at the Centennial Celebration, April 22, 1939; not to be opened until the occasion of the Two Hundredth Anniversary of the institution." Materials range in date from 1937 to 1939. Finally, the 150th Anniversary (1838-1988) of the beginnings of Duke University series includes articles, printed matter, correspondence, clippings, subject files, photographs, programs, and financial materials. Major subjects include Sesquicentennial Celebration planning and events, the historical marker for Brown's Schoolhouse, and the plaque and maintenance of the Trinity College Memorial Gazebo in Randolph County. Materials range in date from 1988 to 2000 (bulk 1988-1989). The collection also includes a program from the Centennial Celebration of the relocation of Trinity College to Durham, 1992.

The Duke Vigil was a silent demonstration at Duke University, April 5-11, 1968, following the assassination of Dr. Martin Luther King, Jr. The collection features announcements, flyers, publications, handouts, correspondence, reports, ephemera, press releases, clippings, a diary, sound recordings and WDBS broadcasts, and photographs. Individuals prominent within the collection include John Blackburn, Kenneth Clark, John Strange, David Henderson, Duke President Douglas Knight, Samuel DuBois Cook, and Wright Tisdale. Major subjects include student demonstrations, race relations, Duke University employee wages and labor union, and the anniversary and reunion of the Vigil in 1988. Materials range in date from 1968 to 1988. English.

The collection features a variety of materials documenting the Vigil at Duke University from April 5-11, 1968. These materials originate from numerous sources and were compiled by University Archives staff for teaching and research. The first series, Subject files, contains primary documents, including announcements, flyers, publications, handouts, correspondence, reports, and ephemera; media coverage including press releases and clippings; personal papers and a diary about the Vigil from John Blackburn, Kenneth Clark, John Strange, and David Henderson; and analyses and materials relating to the anniversary and reunion of the Vigil in 1988.

The Sound recordings series features five audiotapes made by a Duke student during the Vigil. Additional sound recordings can be found in the Related collections series. These collections include the WDBS broadcast recordings and the University Archives Photograph Collection, and they provide further audio and visual documentation of the Vigil. The WDBS records feature eleven audiotapes of radio broadcasts on events during the Vigil. The Photograph Collection includes over twenty black and white photographs of the Vigil, one color photograph, and numerous negatives, contact prints, and slides.

On February 13, 1969, Duke University students in the Afro-American Society occupied the the main administration building to bring attention to the needs of Black students. These needs included an African American studies department, a Black student union, and increased enrollment and financial support for Black students. This and subsequent events became known as the Allen Building Takeover. The Allen Building Takeover Collection contains announcements; flyers; publications; correspondence; handouts; reports; transcripts; ephemera; clippings; a bibliography; photographs documenting Black Culture Week (Feb. 4-12, 1969) and the Allen Building Takeover (Feb. 13, 1969); and items related to student demands, statements by Provost Marcus Hobbs and by Duke President Douglas Knight, student convocations and demonstrations both in support of and against the Takeover, and later events on the Duke campus and in Durham, N.C. In addition, the collection contains clippings and artwork related to remembering the Takeover, including the 2002 Allen Building lock-in.

The collection features materials documenting the Allen Building Takeover at Duke University. The Subject Files series includes color photographs taken inside the building, announcements, flyers, publications, correspondence, handouts, reports, transcripts, and ephemera relating to Black Culture Week (Feb. 4-12, 1969), the Allen Building Takeover (Feb. 13, 1969), and items relating to student demands, statements by Provost Marcus Hobbs and by Duke President Douglas Knight, student convocations and demonstrations both in support of and against the Takeover, and later events on the Duke campus and in Durham, N.C. Photographs were taken by student participant Lynette Lewis and show the students inside the building during the Takeover; they are accompanied by the original color negatives. Also included are clippings of newspaper and magazine coverage of the Takeover from the campus paperThe Chronicle, as well as local, state, and national media.

In addition, the collection contains clippings and artwork related to anniversaries and remembrances of the Takeover. Students created artwork in this collection while participating in the 2002 Allen Building lock-in, an event commemorating 1960s activism at Duke and an opportunity for students and administrators to discuss the racial climate on campus.

The majority of images in the collection are faculty and staff portraits taken by Duke Photography staff; a few pictures of students or of other individuals not affiliated with Duke are included. The collection contains photographic prints, negatives, slides, and CDs of digital files. Most of the items are undated but appear to be from the 1980s through around 2000. Most items include a job number assigned by Duke Photography. Duke Photography is a department of the Office of Public Affairs and Government Relations. Chris Hildreth is the current director; the department also includes assistant director Les Todd and six other staff photographers.

The majority of images in the collection are faculty and staff portraits taken by Duke Photography staff; a few pictures of students or of other individuals not affiliated with Duke are included. The collection contains photographic prints of various sizes, both black-and-white and color; contact sheets; negatives, including black-and-white 35mm negatives, positive 35mm color slides, and other sizes; and seven CDs of digital files. Most of the items are undated but appear to be from the 1980s through around 2000. Most items include a job number assigned by Duke Photography, either on the back of photographs or on the plastic sheets housing the negatives.

The Woman's College was established at Duke University in 1930, as a coordinate to Trinity College for men. As a coordinate college within Duke University, the Woman's College fostered a community that allowed for shared university faculty, curriculum, and educational facilities, while giving women an opportunity for leadership through their separate student government, social standards committees, and judicial board. It was merged with Trinity College in 1972. The collection includes university administrative records, correspondence, reports, memoranda, minutes, course schedules, statistics, handbooks, newsletters, calendars, financial information, photographs, audio recordings and other materials. Major topics include coordinate education at Duke University, especially administrative and curricular procedures; relationship between the Woman's College and its students (in loco parentis); social standards policies; women's student government; integration of the Woman's College; student health care; and student organizations.

Materials in the collection include university administrative records, correspondence, reports, memoranda, minutes, course schedules, statistics, handbooks, newsletters, calendars, financial information, photographs, audio recordings, scrapbooks, and other materials from the tenures of Deans Baldwin, Brinkley, Ball, and Kreps. The university administrative records of other offices such as Dean of Women, Academic Dean, Assistant Dean of Women, and Dean of Freshmen are also present.

The Duke University Women's Department of Health and Physical Education began in about 1926 and merged with the Men's Physical Education Department in 1975. The Women's Department was responsible for providing required physical education courses, overseeing recreational and athletic activities, and providing a major in physical education. The Department had three chairmen during its existence: Julia R. Grout, Betty F. McCue, and Elizabeth C. Bookhout. The Women's Department of Health and Physical Education Records include correspondence, reports, brochures, publicity materials, student records, scrapbooks, and photographs. Major topics include the curriculum and administration of the department, student attitudes toward P.E., the attempt to build or renovate the gymnasium facility for women, the eventual merging of the Women's and Men's departments, and the effect of Title IX on women's athletics. English.

The Women's Department of Health and Physical Education Records consist of correspondence, reports, brochures, publicity materials, student records, scrapbooks, and photographs. The records are organized into two series: Alphabetical Files and Scrapbooks.

The alphabetical files primarily cover the period from the 1930s to 1975. Of note are photographs of women participating in physical education classes and sports; materials from the Women's Athletic Association and Women's Recreation Association; several surveys and reports from the 1960s and 1970s about women students' feelings and attitudes toward physical education; correspondence, estimates, and reports about the proposed building of a new facility for the department; correspondence and many reports which document the struggle with the administration to maintain the Department as a separate unit from the men's department in the 1970s; materials that discuss the effect of Title IX on women's sports and the growth of women's sports in the 1970s. Major figures include Julia R. Grout and Elizabeth C. Bookhout, both of whom served as Chairman of the department. The Alphabetical Files also include information on students who majored in physical education. In accordance with the Family Education Rights and Privacy Act of 1974 as amended, Duke University permits students to inspect their education records and limits the disclosure of personally identifiable information from education records.

The Alphabetical Files are arranged by broad subjects: Addresses, Administration, Annual Reports, Budget, Correspondence, Curriculum, Departmental Studies and Reports, Facilities, History, Photographs, Publicity, Recreation, Staff Meetings, Task Force and Curriculum Committee Action, and Women's Athletics. Within each of these subsections, materials are arranged either chronologically or alphabetically. The original arrangement of the materials has been maintained as much as possible.

The Scrapbooks are compilations of photographs, clippings, programs, correspondence, and other memorabilia. There are three books which date from 1932 to 1975.

The Duplex Advertising Company. Billboard Images and Records spans the period 1964-1993 and documents the outdoor advertising work of this company in the central Texas area, primarily through photographs, negatives and slides of billboards. Many of the images are in color. A large number of the images are of national campaigns advertised in central Texas, as well as billboards, signs and posters of local Texas business services. In addition, a handful of articles written by R. V. Miller, Jr. for a number of publications, as well as other printed material and miscellaneous items from the Duplex Advertising Company, are present. Some of these articles, along with the images themselves, provide examples of commercial art and design in the outdoor advertising arena. The collection includes outdoor advertising images from national clients such as Kentucky Fried Chicken, Chevrolet, Coca Cola, Coors, Wendy's, Hardee's, and Taco Bell, and Texas clients such as Lone Star and Pearl beers.

Related materials may be found in other outdoor advertising collections, including the Outdoor Advertising Association of America Archives, the Garrett Orr Papers, the Howard Scott Papers, the John Paver Papers, the John E. Browning Papers, the R.C. Maxwell Co. Records, and the Strobridge Collection.

Businessman active in the lumber industry. Collection contains correspondence, legal and financial papers, printed materials, photographs, and other materials from lumber businesses beginning before 1910, especially in East Tennessee and in the Philippine Islands with headquarters in Philadelphia, Pa. The Insular Lumber Co., Negros Island, P.I., produced mahogany. Also present in the collection are personal and family papers, including numerous photographs.

Collection contains personal and business correspondence, legal and financial papers, printed materials, photographs, and other materials from lumber businesses beginning before 1910, especially in East Tennessee and in the Philippine Islands with headquarters in Philadelphia, Pa. The Insular Lumber Co., Negros Island, P.I., produced mahogany. Also present in the collection are personal and family papers, including numerous photographs and letters to the Edgcombs from friends.

Activist and union organizer who was involved with the Coalition of Labor Union Women, the Service Employees International Union, the Black Radical Congress, the Black Workers for Justice, Jobs with Justice, Solidarity, and the Durham NAACP. El-Amin was also a founding member of the Labor Party and the Southern Anti-Racism Network. Collection includes organizational and subject files from El-Amin's years of activism and organizing in the Service Employees International Union, the Black Radical Congress, the Southern Anti-Racism Network, and numerous other groups and causes. Also includes publications, photographs, videotapes, and correspondence. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The Theresa El-Amin Papers have been divided into series: Organizations and Movements, Subject Files, Conferences, Personal Files and Correspondence, Printed Materials, Photographs and Audiovisual, Black Liberation Historical Documents, Realia, and Oversize Materials. The largest series, Organizations and Movements, features materials from El-Amin's long career as an activist and union organizer with groups such as Black Workers for Justice, the Service Employees International Union, Jobs with Justice, the Green Party of the United States, the NAACP, the Coalition of Labor Union Women, the Black Radical Congress, Solidarity, and the Southern Anti-Racism Network. Other highlights of the Organizations and Movements series include the Black Liberation movement and the Free Mumia Abu-Jamal movement. There are also numerous other groups and movements represented within this series. Contents typically include handouts and fliers from various events; email correspondence; reports and publications from different groups, including some newsletters; and clippings with coverage of different campaigns and activities.

The Subject Files series was largely created by El-Amin, with additional subjects added in processing to account for loose pages in the collection. Topics heavily represented include Muhammad Ahmad, community organizing and its many components, healthcare, South Africa and apartheid, North Carolina, and workplace safety. There are also subject files for several countries, as well as materials about Hurricane Katrina.

The Printed Materials series includes newsletters, magazines, journals, fliers, handouts, and other miscellaneous materials from a wide variety of sources. The first box contains runs of various periodicals, including Forward Motion, In Defense of Marxism, and Labor Notes. These runs are incomplete and represent only a sampling of the publication. The second box of printed materials relates largely to El-Amin's union involvement, and features miscellaneous union publications from the 1980s-2000s. There is a small amount of earlier material, mainly in the Historical Pamphlets folder, which includes publications on desegregation and its impact on unions. The remainder of the series is also largely miscellaneous, with one or two issues of a wide range of newsletters, magazines, or organizational reports.

The small Conferences series contains conference books, fliers, correspondence, and handouts from various conferences El-Amin attended between 1985 and 2010. There is some overlap between this series and the Organizations and Movements series. Another small series is El-Amin's Personal Files and Correspondence, which consists largely of certificates and other remnants of her professional organizing education and career. This series also includes copies of her resumes and a 1997 oral history transcript.

The Photographs and Audiovisual Materials series includes large amounts of loose photographs, labeled by El-Amin, documenting many of the organizations, activities, and events referenced in earlier portions of the collection. It also includes some personal photographs of El-Amin's family and friends. The VHS tapes in this series document a range of protests and issues important to the BWFJ and El-Amin's union organizing.

Articles and pamphlets acquired by El-Amin relating to the Black Panther Party and the Black Liberation movement of the 1960s are included in the Black Liberation Historical Documents series. Highlights include a transcript of Stokely Carmichael, Chairman of SNCC, speaking at the 1966 Berkeley conference on "Black Power and its Challenges." Includes articles on the condition of African Americans by Bayard Rustin, as well as coverage of the Watts riot and recovery of the Watts area. Also includes several issues of Commentary Reports from the 1960s.

The Realia series is largely unsorted, but includes three boxes of t-shirts and one box of buttons and other ephemera collected by El-Amin in her years as an activist.

Finally, the Oversize Materials contains objects withdrawn from their respective series due to their large size. These include Jobs with Justice foam boards and posters.

Eleanor "Elly" Elliott was a women's rights activist, a board member of NOW's Legal Defense and Education Fund, a Barnard College Board Member, served on the National Advisory Council on Women's Educational Programs and was an editor at Vogue magazine. These materials consist of personal papers from the Elliott family and administrative files from Elliott's work in various women's rights organizations and philanthropic activities. It also includes photographs, scrapbooks and some audio/visual materials.

These papers consist of personal materials from the Elliott and Thomas families as well as administrative files from Elliott's work in various women's rights organizations and philanthropic activities.

The collection includes some material regarding Elly's husband, Jock Elliott, former chairman of the Ogilvy and Mather advertising firm. Included in the Thomas family materials is a series on Eleanor's mother, Dorothy Q. Thomas. In the legal and financial papers series, there are materials pertaining to the divorce and child support matters of Elliott's brother, James A. Thomas Jr.

The collection contains scrapbooks and photographs, as well as reel-to-reel audiotapes that require reformatting before use.

John Jock Elliott was an executive with Ogilvy & Mather (O&M) during 1960-1982, including tenure as Chairman of O&M U.S. and O&M International. In addition, Elliott was an author, collector and philanthropist. The Jock Elliott Papers cover the years 1945-2005, with the bulk of materials dating from 1961-1982, the period during which Elliott served as an executive with Ogilvy & Mather (O&M) advertising agency. The collection primarily consists of correspondence, corporate annual reports, programs, speeches and photographs related to company meetings and events. The collection also includes videocassettes and memorabilia commemorating meetings and special events; materials relating to Eleanor Elliott and David Ogilvy; information on affirmative action hiring programs; as well as some speeches and correspondence from the period 1945-1959 when Elliott worked for the Batten, Barton, Durstine & Osborn (BBDO) advertising agency. Companies represented in the collection include Shell Oil, Du Pont Men's Wear and Trans World Airlines (TWA).

The Jock Elliott Papers cover the years 1945-2005, with the bulk of materials dating from 1961-1982, the period during which Elliott served as an executive with Ogilvy & Mather (O&M) advertising agency. The collection primarily consists of correspondence, corporate annual reports, programs, speeches and photographs related to company meetings and events. The collection also includes videocassettes and memorabilia commemorating meetings and special events; materials relating to Eleanor Elliott and David Ogilvy; information on affirmative action hiring programs; as well as some speeches and correspondence from the period 1945-1959 when Elliott worked for the Batten, Barton, Durstine & Osborn (BBDO) advertising agency. Companies represented in the collection include Shell Oil, Du Pont Men's Wear and Trans World Airlines (TWA).

Note for clarification: Ogilvy & Mather (O&M) was co-founded by David Ogilvy in 1948. Originally called Hewitt, Ogilvy, Benson, and Mather (OBM), in 1953 the company name was shortened to Ogilvy & Mather (O&M). Both entities are present in this collection.

Charles Abram Ellwood (1873-1946) established the Department of Sociology at Duke University in 1930, retiring in 1944. The papers feature incoming and outgoing correspondence, chiefly professional but with some personal exchanges; minutes and other records of Pi Gamma Mu; book and article manuscripts; speeches; news clippings and book reviews; and some photographs. There are some papers related to his teaching career, chiefly related to summer school appointments and his positions at Missouri and Duke. A microfilm copy of a scrapbook (circa 1900-1946) contains clippings from Ellwood's career. Professional topics in the papers cover discussion and criticism of Ellwood's books, articles, and views; international and U.S. sociology organizations; the sociology departments at the University of Missouri and Duke University; social ethics; criminology; the social function of religion; and the scientific and statistical approach to sociology. Issues in Ellwood's papers related to crises of the time include race relations; political systems and beliefs; Fascism; persecution of Jews in Europe; U.S. involvement in World War II; religion and ethics; militarism and pacifism; and compulsory conscription.

The papers of sociologist Charles A. Ellwood feature incoming and outgoing correspondence, chiefly professional but with some personal exchanges; minutes and other records of Pi Gamma Mu; book and article manuscripts; speeches; news clippings and book reviews; and some photographs. There are some papers related to his teaching career, chiefly related to summer school appointments and his positions at University of Missouri--Columbia and Duke University. A microfilm copy of a scrapbook (circa 1900-1946) contains clippings from Ellwood's career. Professional topics in the papers cover discussion and criticism of Ellwood's books, articles, and views; international and U.S. sociology organizations; the sociology departments at the University of Missouri and Duke University; social ethics; criminology; the social function of religion; and the scientific and statistical approach to sociology. Issues in Ellwood's papers related to crises of the time include race relations; political systems and beliefs; Fascism; persecution of Jews in Europe; U.S. involvement in World War II; religion and ethics; militarism and pacifism; and compulsory conscription.

Advertising copy writer and creative executive for a number of agencies, including: Doyle Dane Bernbach; Wells Rich Greene; Foote, Cone & Belding; TBWA/Chiat/Day. Primarily examples of creative work, including print advertisements and proofs, design layouts and sketches, photographs, correspondence and printed materials. Non-paper formats include audiotape, videocassettes, audio cassettes, DAT, CD-R and DVD-R. Clients represented include Absolut, Ascencia (Bayer), Bali and Wonderbra (now part of Hanes family of brands), K-Mart, L'Oreal, Nivea, Ralston Purina, Ricoh, Sara Lee, Sega, Trojan (Church & Dwight) and Volkswagen. Agencies represented include Doyle Dane Bernbach, Foote Cone & Belding, Forman End Dolleck, Kaplan Thaler, TBWA/Chiat/Day and Wells Rich Greene. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Jacqueline End Papers span the years 1965-2012 and consist primarily of examples of End's creative work, including print advertisements and proofs, design layouts and sketches, photographs, correspondence and printed materials that document her advertising career with a number of agencies, including Doyle Dane Bernbach, Foote Cone & Belding, Forman End Dolleck, Kaplan Thaler, TBWA/Chiat/Day and Wells Rich Greene. Non-paper formats include audiotape, videocassettes, audio cassettes, DAT, CD-R and DVD-R. Clients represented include Absolut, Ascencia (Bayer), Bali and Wonderbra (now part of Hanes family of brands), K-Mart, L'Oreal, Nivea, Ralston Purina, Ricoh, Sara Lee, Sega, Trojan (Church & Dwight) and Volkswagen.

Collection contains correspondence, scrapbooks, albums, clippings, addresses, writings, and other materials that concern the personal lives and careers of Mr. and Mrs. Emanuel J. ("Mutt") and Sara Evans, and their sons, Robert and Eli. Mutt Evans's mayoral correspondence is divided into a general file and a subject file. Some materials depict the private lives of the Evanses, including photographs, albums, and personal correspondence. Sara's family, the Nachamsons, is often represented. The collection also includes extensive documentation about Sara's role in Hadassah, both locally and nationally, as well as the family's participation in other Isareli and Jewish causes. Also included are materials from their work in developing and fundraising for the Judaic Studies Program at Duke University.

Collection contains correspondence, scrapbooks, albums, clippings, addresses, writings, and other materials that concern the personal lives and careers of the Evans family, particularly Emanuel J. and Sara Evans, their sons, Eli and Robert, and Emanuel's brother, Monroe. The family owned and operated United Department Stores, and for twelve years, 1951 to 1963, Emanuel Evans was mayor of Durham, NC. He was also very active in his synagogue, was a president of VISTAS, and participated actively in the University of North Carolina's Alumni Association.

There are two scrapbooks on Emanuel Evans's mayoral terms and a similar volume and other materials devoted to Mrs. Evans's activities as leader of Hadassah including items pertaining to Israel. Mr. Evans's mayoral correspondence is divided into a general file and a subject file. In pictures and personal correspondence, the Nachamson family is often represented. One early clipping from a Fayetteville, N.C. newspaper, tells of Mr. Evans's sister being refused teaching positions because of her Jewish faith. Eli Evans is a correspondent and writer, led the establishment of the National Jewish Archives of Broadcasting, and was on the staff of the Carnegie Foundation that helped launch "Sesame Street." He was president of the UNC student body and a number of items in the collection concern his presidency.

Also included is an address of Eli Evans presented during the conference on Southern-Jewish history in 1976, Eli Evans's vita, his unpublished diary of the Kissinger shuttle, and a large number of his writings, many concerning U.S. politics, minorities, and Jews in the South. There is a reprint of a chapter from his book, The Provincials, and reports from the Charles H. Revson Foundation, of which he is president. Also included are materials concerning Eli's brother Robert, a correspondent with CBS, who continued on as a television executive. Their uncle, Monroe Evans, was mayor of Fayetteville, NC, and his service is documented in several of the collection's scrapbooks.

One entire scrapbook is devoted to the writings of Mildred and Madeline Evans, Monroe's wife and daughter.

The audiovisual series contains a 16mm film copy of a 1957 episode of Edward R. Murrow's "See It Now," with which Robert Evans was involved, and a 16mm film copy of Governor Terry Sanford's November 1964 appearance on WUNC-TV, in which he reflects on his governorship and the current political scene. Several audio recordings capture Sara Evans addressing the Seaboard Regional Conference of Hadassah in 1982. Eli N. Evans's appearance on Richard D. Heffner's The Open Mind is documented.

First Jewish mayor of Fayetteville, N.C. Collection contains papers mainly from his term in office, 1965-1969. There is correspondence and materials from his campaign; a significant collection of pictures taken during his tenure; and scrapbooks holding pictures, letters, clippings, items relating to his chairmanship of the Cumberland Co. United Services Fund, original writings and poetry.

Collection contains papers mainly from his term in office, 1965-1969. There is correspondence and materials from his campaign; a significant collection of pictures taken during his tenure; as well as clippings, programs and printed materials.

Reuben Oscard Everett was an attorney and civic leader in Durham, N.C. The R. O. Everett Papers includes Everett's extensive diaries, 1915-1971, chronicling Everett's professional career, his interests, his family's careers, and social, civic and historical aspects of life in Durham, N.C. The collection also contains a small amount of correspondence, clippings, lecture notes, printed material, pictures, and other papers. In addition, transcripts for all the diaries in the collection have been converted to electronic documents that have been transferred to the Special Collections file server.

The R. O. Everett Papers span the years 1913-1971, centered around Everett's extensive diaries, 1915-1971, chronicling in detail Everett's professional career beginning in Durham N.C., his interests, his family's careers, and social, civic and historical aspects of life in Durham, N.C. Of particular interest are his discussions of legal cases and local politics. The collection also contains a small amount of correspondence, clippings, lecture notes, printed material, pictures, and other papers. Transcripts for all the diaries in the collection have been converted to electronic documents that have been transferred to the library file server.

Wright H. Bill Everett (1925-2010) was a media space salesman for several major magazines, and the founder of his own businesses, Flix and the W.H. Everett Co., that specialized in a variety of print materials combining humorous captions with still images from silent movies. The Wright H. Everett Papers span the years 1853-1998 and include correspondence, photographs and negatives, 8mm and 16mm films and audiotapes, print advertisements, layouts, presentations, research reports, pamphlets and brochures that document Everett's career selling advertising space in national magazines as well as his own businesses, Flix and the W.H. Everett Co. Magazines represented in the collection include Advertising Age, American Home, Flying, Progressive Grocer, Reader's Digest, Reminisce, Suburbia Today, Time, Western Advertising and Woman's Home Companion. Other companies represented include American Greeting Cards, Hunter Snead, Lennen-Newell, Maclean Hunter Media and Remington Advertising. There are also files relating to Everett's book How Were Things At The Office? Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Wright H. Everett Papers span the years 1853-1998 and include correspondence, photographs and negatives, 8mm and 16mm films and audio tapes, print advertisements, layouts, presentations, research reports, pamphlets and brochures that document Everett's career selling advertising space in national magazines as well as his own businesses, Flix and the W.H. Everett Co. Magazines represented in the collection include Advertising Age, American Home, Flying, Progressive Grocer, Reader's Digest, Reminisce, Suburbia Today, Time, Western Advertising and Woman's Home Companion. Other companies represented include American Greeting Cards, Hunter Snead, Lennen-Newell, MacLean Hunter Media and Remington Advertising. There are also files relating to Everett's book How Were Things At The Office?

African-American family based in Greensboro (Guildford Co.), North Carolina. Waldo C. Falkener served on the Greensboro City Council from 1959-1963. His wife, Margaret, was also politically active. The collection primarily documents the political career of Waldo C. Falkener, and comprises minutes and reports from Greensboro City Council meetings. There are also materials from his campaigns for office and items that document his successes as a council member. In addition, there are documents relating to other family members, including photographs, news articles, correspondence, and deeds. Later accessions include clippings, correspondence, and other materials documenting the political careers of the Falkeners. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

The collection primarily documents the political career of Waldo C. Falkener and comprises minutes and reports from Greensboro City Council meetings. The council minutes include committee reports (finance, public works, transportation, and real estate committees), as well as ordinances, laws, memoranda, and letters. Meeting notes are arranged by date, spanning 1959-1966. There are also materials from his campaigns for office and items that document his successes as a council member. Some correspondence relates to the life of Falkener's father, Henry Hall Falkener, also an active politician and public school teacher. Documents span beyond Falkener's death in 1992 up until 2001, including obituaries and memorial material. In addition, there are documents relating to other family members, George H. Falkener, Henry Hall Falkener, Madge Z. Mitchell Falkener, and Margaret E. Falkener. Materials include photographs, news articles, correspondence, and deeds. Printed materials consist largely of those published by the Greensboro City Council, including annual budget reports, personel reviews, and handbooks. The collection includes newspaper articles about Falkener's civic services and letters of appreciation (1972, 1979), as well as materials related to the successful campaign to name a Greensboro elementary school after Falkener and his father (2001).

Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Chiefly family and professional correspondence, but also printed material, writings and speeches, scrapbooks, diaries, clippings, and photographs. The collection primarily pertains to the Farrar family and to Preston C. Farrar. Much of the Correspondence Series (1801-1976, undated) consists of personal letters among family members, especially written to Preston C. Farrar; his wife Edna P. Farrar; brother Samuel Clark Farrar, Jr.; sister Josephine; father Samuel Clark Farrar; and mother Ettie Farrar. However, the series also documents the careers in education of Samuel Farrar, Sr., and Preston Farrar. Business letters from Samuel Farrar concern real estate investments in Pennsylvania and New York that father and son owned jointly.

The Diaries Series (1887-1927, undated) includes diaries Preston C. Farrar kept while attending Washington and Jefferson College (1887-1891). The Writings and Speeches Series (1890-1925, undated) includes writings by Preston C. Farrar on teaching literature, English, and education. The Printed Material Series (1878-1957) includes drama and opera programs for New York City theaters, collected by Edith P. Farrar (1899-1957). The Photographs Series contains pictures and photograph albums primarily of family and friends (1888-1938, undated). The Scrapbooks and Clippings Series (1879-1945, undated) contains items that pertain to educational law and school operation; family events; local Allegheny elections; and world news, especially World War I. The Genealogy Series (1740-1984, undated) contains primarily correspondence, notes, and transcripts of wills relating to the Cooke/Cook family.

The Gene Federico Papers span the years 1918-2003, with the bulk of the collection dating 1951-1991. The collection documents Federico's sixty years as a pioneering leader in advertising and graphic design, and contains materials from a variety of formats, including correspondence, writings, advertisements proofs and clippings, graphic design and printed materials, posters, sketches/sketchbooks, photographs, negatives, and videotapes. In addition to limited personal and biographical material, the collection primarily documents Federico's creative output as a graphic designer, art director, and advertising executive at agencies including Grey Advertising, Doyle Dane Bernbach, Douglas D. Simon, Benton & Bowles, Warwick & Legler, and as a principal at Lord Geller Federico Einstein; the collection has limited material relating to the specific agencies for which he worked. The collection also documents Federico's extensive freelance and exhibition work throughout his career (most notably the "Love of Apples" and "24-Page Book" designs), in addition to his later consulting work for Brouillard Communications. Client advertisements and graphic design materials compose the majority of the collection. Significant clients represented include: Christian Dior; Elektra Records; Elizabeth Arden; Goldman Sachs; IBM; L'Aiglon Apparel; Lady Pepperell; Napier; The New Yorker; and Woman's Day. Though an art director throughout most of his career, Federico contributed significantly to the graphic design and typographical components of advertising. Through clear and innovative integration of design and typographical components, Federico pioneered the use of visual puns in advertisements, and emphasized clarity of message over design complexity. The collection will be of particular value to researchers interested in developments in print advertising and typographical design since World War II. The collection is organized into six series which focus on Federico's contributions to advertising and graphic design: Professional Files, Personal Files, Graphic Design, Advertising Campaigns, Photographs and Negatives, and Videocassettes.

The Professional Files Series includes business correspondence, professional writings, award/exhibit materials, press clippings and industry publications, in addition to limited files on the Art Directors Club of New York City and Lord Geller Federico Einstein. The Personal Files Series includes biographical and family materials; memorabilia documenting Federico's years as a student at Abraham Lincoln High School and Pratt Institute; World War II materials, including U.S. Army publications/posters produced by Federico and four sketchbooks; and original artwork (drawings, sketches, prints) not related to Federico's professional design and advertising work. The Graphic Design Series documents Federico's extensive graphic design work, including announcements and cards, book and record cover designs, calendars, design concepts, illustrations, letterhead, posters, transparencies, and typographic materials, as well as materials by other artists and designers. The Advertising Campaigns Series includes advertisement clippings and proofs, concepts and sketches, and client reports, representing over one hundred clients in a variety of industries. (Series contains a renowned example of Federico's use of visual puns: a 1953 Woman's Day advertisement - "She's got to Go Out to get Woman's Day " - which features a woman on a bicycle, the wheels of which form the "O"s in "Go Out.") The Photographs and Negatives Series includes both black & white and color images of Federico's advertising and graphic design work, Federico and his associates in a business setting, and a limited selection of personal and family photographs. The Videocassettes Series includes seven videotapes of commercials, short films, and memorial tributes documenting Federico's career in graphic design and advertising. Large-format materials (clippings, proofs, sketches, posters) have been removed from their original series location and relocated to Oversize Materials.

Other materials related to this collection may be found in the J. Walter Thompson Company Archives: Competitive Advertisements Collection and Corporation Vertical Files. For materials relating specifically to the advertising agency Benton & Bowles, consult the D'Arcy Masius Benton & Bowles Advertisements and Archives. Materials relevant to Lord Geller Federico Einstein and advertising strategy may be found in the Arthur Einstein Papers. For materials relating to Brouillard Communications and Doyle Dane Bernbach Advertising, see the Thomas F. Garbett Papers. Materials relevant to IBM advertising may be found in the Edgar Hatcher Papers.

T. S. Ferree Jr. was a commercial artist, graphic designer and advertising executive based in Raleigh, N.C. The T. S. Ferree, Jr. Papers span the years 1940-1989 and include drawings and sketches, proofs and tear sheets of printed advertisements, clippings, photographs, slides, speeches, brochures and pamphlets, direct marketing mailers and collateral literature that document Ferree's and the Ferree Studios' advertising and commercial design work. Clients consist mainly of businesses located in the Virginia-North Carolina-South Carolina tri-state region, including Branch Banking and Trust (BB&T), BTR Management, Ciba-Geigy, General Electric, McLean Trucking, Newport News Shipbuilding, Reckitt Benckiser (Glass Plus, Spray 'n Wash), Smith Transfer Company, Sweetheart Cups (Maryland Cup Corporation), Tobacco Associates and The Washington Group. The collection also includes materials relating to the Ferree School of Art, the Raleigh Ad Club, and the Advertising Federation of America. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The T. S. Ferree, Jr. Papers span the years 1940-1989 and include drawings and sketches, proofs and tear sheets of printed advertisements, clippings, photographs, slides, speeches, brochures and pamphlets, direct marketing mailers and collateral literature that document Ferree's and the Ferree Studios' advertising and commercial design work. Clients consist mainly of businesses located in the Virginia-North Carolina-South Carolina tri-state region, including Branch Banking and Trust (BB&T), BTR Management, Ciba-Geigy, General Electric, McLean Trucking, Newport News Shipbuilding, Reckitt Benckiser (Glass Plus, Spray 'n Wash), Smith Transfer Company, Sweetheart Cups (Maryland Cup Corporation), Tobacco Associates and The Washington Group. The collection also includes materials relating to the Ferree School of Art, the Raleigh Ad Club, and the Advertising Federation of America.

Pat Finelli (1927-1970) was a free-lance commercial photographer in New York during the 1960s who worked for a number of New York advertising agencies, including J. Walter Thompson, Compton, and Erwin, Wasey, Ruthrauf & Ryan. The Pat Finelli Photographs span the years 1962-1970 and include photographs, negatives, slides, transparencies and print advertisements that document Finelli's work for advertising agencies including J. Walter Thompson and Erwin, Wasey, Ruthrauf & Ryan. Companies featured include BMW, First National City Bank, Ford, Lederle, Mack, Mercury outboard, Pet and Procter & Gamble. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Pat Finelli Photographs span the years 1962-1970 and include photographs, negatives, slides, transparencies and print advertisements that document Finelli's work for advertising agencies including J. Walter Thompson and Erwin, Wasey, Ruthrauf & Ryan. Companies featured include BMW, First National City Bank, Ford, Lederle, Mack, Mercury, Pet and Procter & Gamble.

Margaret Fishback was an advertising copywriter for Macy's, Cecil & Presbrey, Warwick & Legler, Young & Rubicam, Doyle Dane Bernbach, and a number of freelance clients. A poet, columnist, and author of prose work, she contributed frequently to national magazines and published several books. The Margaret Fishback Papers span the years 1863 through 1978 and document Fishback's dual careers in advertising and writing as well as her personal life. The collection includes correspondence, layouts, drafts, galley proofs, radio scripts, working copy of advertising text, poetry, prose, published material, appointment books, scrapbooks, photographs, and other materials. Clients represented in the papers include Borden's, Chef Boy-Ar-Dee, Clairol, General Foods, Gourmet Foods, Gimbels, Macy's, Martex, Moore-McCormack Lines, Norcross, Norsk, Pabst, and Simmons Beautyrest.

The Margaret Fishback Papers span the years 1863 through 1978 and document Fishback's dual careers in advertising and writing as well as her personal life. The collection includes correspondence, layouts, drafts, galley proofs, radio scripts, working copy of advertising text, poetry, prose, published material, appointment books, scrapbooks, photographs, and other materials. Clients represented in the papers include Arrow, Borden's, Chef Boy-Ar-Dee, Clairol, General Foods, Gimbels, Gourmet Foods, Macy's, West Point Pepperell (Martex), Moore-McCormack Lines, Norcross, Norsk, Pabst, Simmons Beautyrest, and Wrigley. Materials that predate Fishback's birth consist of a small collection of 19th-century prints and illustrations.

The collection is organized into three series: Personal Files, Writings, and Advertising.

The Personal Files Series chiefly documents Fishback's personal life through personal correspondence, datebooks, diaries, and photographs. Also included are a number of items collected by Fishback such as etiquette books, newspaper clippings, church bulletins, and travel memorabilia. Biographical data, chiefly news articles, provide secondary source material about Fishback and her family.

The Writings Series documents Fishback's writing career, containing her published works as well as a large amount of work in unpublished form. Writings include articles and light poetry written for national news and general-interest publications such as Collier's, Liberty, Life, Look, the New York Times, New Yorker, Saturday Evening Post, and Time. Writings also include Fishback's contributions to women's magazines such as Cosmopolitan, Family Circle, Glamour, Good Housekeeping, Judge, Mademoiselle, McCall's, War Brides, Woman's Day, and Woman's Home Companion. A large number of Fishback's poems were reprinted as compilations; Fishback also compiled her own work in several scrapbooks. Materials represent Fishback's writings for children, including a promotional booklet for Martex and an English translation of a German poetry book. In addition to general prose and poetry, this series also includes materials collected and produced for a column entitled "Woman-Talk," which Fishback wrote for Liberty from 1943 to 1947. Also included are short stories, greeting card work, letters to magazine and newspaper editors, speeches for various events such as author talks and advertising conventions, and other miscellaneous writings. General files document the administrative aspects of Fishback's writing career. These files contain correspondence, chiefly between Fishback and various editors and publishers, as well as financial and legal materials.

The Advertising Series documents Fishback's advertising work for R.H. Macy and Co. Department Store, as well as work for advertising agencies and freelance work. Included in this series are advertisements in various stages of production: notes, drafts, proofs, and tear sheets. Administrative materials, such as correspondence, often accompany the advertisements. Also represented in this series is evidence of Fishback's professional affiliations, particularly with the Advertising Women of New York (AWNY). Materials generated or collected in the process of preparing for speaking engagements with professional societies are also included. The series also includes a small collection of trade literature, chiefly books on advertising topics written by other authors.

Large-format print materials have been removed from their original series locations and relocated to Oversize Materials. Relocated items have been replaced in the Detailed Description of the Collection by dummy folders enclosed in brackets.

Budweiser beer is an American-style pale lager produced by Anheuser-Busch. In the 1940s and 1950s the company sought to advertise its beer on billboards and other outdoor displays. Collection contains four dossiers from three different outdoor advertising companies, each proposing locations for Budweiser billboards in a particular city. Each dossier contains photographs of prospective locations, as well as accompanying notes and cost estimates. Collection also contains loose photographs of potential billboard locations. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection contains four dossiers from three different outdoor advertising companies (Foster & Kleiser, Disosway & Fisher, and A.H. Villepigue), each proposing locations for Budweiser billboards in a particular city. Each dossier contains photographs of prospective locations, as well as accompanying notes and cost estimates. Collection also contains loose photographs of potential billboard locations. Many of these loose photographs are attributed to photographer Thomas H. Murtaugh (1919-2000). Other identified photographers are Louis Nemeth (1918-2011) and Braun Photo Service.

Collection contains letters, memoranda, clippings, printed materials, writings, photographs, and other materials centered primarily upon Fowler, an unpublished author. Included are manuscripts of novels and stories, printed and typed writings of others, some historical writings, and research about Charlottesville, Albemarle Co., and Lynchburg, Va. There are some photographs from Hyde Co., N.C. Clippings concern the career and writings of Lynchburg newspaperwoman Martha Rivers Adams.

Economics author and professor at the University of Florida. Collection contains materials related to economist Milton Friedman. Included are lecture notes, notes on Free to Chose, photographs, and eight audiocassettes with transcriptions of discussions interviews conducted by Fraser.

Collection contains materials related to economist Milton Friedman. Included are lecture notes, notes on Free to Chose, photographs, and eight audiocassettes with transcriptions of discussions interviews conducted by Fraser.

Businessman, philanthropist, and chairman of The Fuqua Companies and Fuqua Enterprises. The J.B. Fuqua Papers span the years 1929-2006. The collection is separated into two divisions according to place of origin: Fuqua's business office and his home office. The office files document Fuqua Industries and The Fuqua School of Business at Duke University, and include annual reports, reading files and general business papers, as well as clippings, periodicals, and copies of articles about J. B. Fuqua and his businesses. The home office files primarily document Fuqua's early career and contain files for the various businesses he acquired. A large component of video cassette recordings chiefly contain speeches and programs related to Fuqua and the Duke University Fuqua School of Business.

The J. B. Fuqua Papers span the years 1929 to 2006, with the bulk of the collection dating from the 1950s to the 1980s. The collection is separated into two divisions according to place of origin: files from Fuqua's business office and his home office. The office files document Fuqua Industries and The Fuqua School of Business at Duke University (founded by J.B. Fuqua), and include annual reports, reading files and general business papers, as well as clippings, periodicals and copies of articles about J. B. Fuqua and his businesses, and some photographs. The home office files primarily document Fuqua's early career and contain many files containing financial records and other materials pertaining to the various businesses he acquired. Fuqua owned several media outlets, including a television station, thus, a large group of materials contain correspondence, applications, and other business materials regarding Fuqua's media ventures and interactions with the Federal Communications Commission. A large component of video recordings chiefly relate to business programs with which Fuqua was involved, and the history of the Duke University Fuqua School of Business; many contain recordings of Fuqua's speeches. The original videos seem to have had a numerical identification system which was not recorded in this inventory. A small but significant group of videocassettes documents the development of Fuqua's program for managers in the former Soviet Union. There are also a number of scrapbooks and photographs, including publicity shots of Fuqua. Although Fuqua was active in Georgia politics, serving in the Georgia House of Representatives and the Georgia Senate, there appear to be relatively few records in the collection relating to this area of his life other than materials on Jimmy Carter and his family and some correspondence from other politicians.

Gaess Outdoor was a family-owned outdoor advertising company founded in the 1930s in northern New Jersey, serving the New Jersey-Metropolitan New York market. It was acquired in 1997 by Universal Outdoor, a subsidiary of Clear Channel Communications, Inc. The Gaess Outdoor Advertising Photographs collection spans the decades of the 1950s and 1960s and includes black-and-white photographs and negatives of painted and blank billboard structures, locations, proposed locations and competitors' billboards. Clients include Budweiser (Anheuser-Busch), Cities Service (Citgo), Gulf Oil, Schaefer and Schlitz. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Gaess Outdoor Advertising Photographs collection spans the decades of the 1950s and 1960s and includes black-and-white photographs and negatives of painted and blank billboard structures, locations, proposed locations and competitors' billboards. Clients include Budweiser (Anheuser-Busch), Cities Service, Gulf Oil, Schaefer and Schlitz.

The Sidney D. Gamble collection consists primarily of contact sheets, hand-colored glass slides, 35mm duplicate slides, contact prints, negatives, and other photographic formats documenting Gamble's four visits to China from 1908 to 1932. In total, there are over 5,000 unique images in the collection depicting urban and rural life, economic conditions, public events, agriculture, religious statuary, architecture, and the countryside. In addition to photographs of China, the collection contains a handful of images captured by Gamble from Japan and Korea and images captured by David Gamble in the western United States, circa 1906. Also included are artifacts, audiovisual materials, including moving images captured by Gamble in China from 1926 to 1933, scrapbooks, a small selection of Gamble's personal papers, and records of the Sidney D. Gamble Foundation for China Studies, which relate to the exhibition of Gamble's photographs in China and the United States, 1980s-2000s. Acquired as part of the Archive of Documentary Arts at Duke University.

The collection consists primarily of contact sheets and contact prints, hand-colored glass slides, 35mm duplicate slides, negatives, and other photographic formats documenting Sidney Gamble's four visits to China from 1908 to 1932. In total, there are over 5,000 unique images, which depict urban and rural life, economic conditions, public events, architecture, religious statuary, and the countryside.

Other materials in the collection include artifacts; audiovisual materials, including moving images captured by Gamble in China from 1926 to 1933; a small collection of Sidney D. Gamble's personal papers; records of the Sidney D. Gamble Foundation; and printed materials. The Personal Papers series includes biographical information, correspondence, scrapbooks, notebooks, and writings documenting Gamble's travels in China and his study of the country's social life and customs. The Gamble Foundation Records series consists of correspondence, printed materials, and reports documenting the Foundation's curation and exhibition of Gamble's photographs in the United States and China from the 1980s to the 2000s. The Printed Materials series includes Mandarin character drill cards, and Mandarin readers used in Chinese language schools, as well as a thesis describing the origins and evolution of the Princeton in Asia program. In addition to photographs of China, the collection contains a handful of images captured by Sidney Gamble from Japan and Korea, and images captured by his father David Gamble in the western United States around 1906.

Acquired as part of the Archive of Documentary Arts at Duke University.