The papers of the Abbot family consist mainly of correspondence, but also include financial and legal papers, diaries, a letter-book, clippings, printed material, speeches and photographs (including cartes-de-visite, and some cyanotypes and tintypes). The materials date from 1733 to 1999, the bulk ranging from 1860-1910. A significant portion of the correspondence comprises of personal letters exchanged during the Civil War between William Richardson Abbot, headmaster of Bellevue High School, and his wife, Lucy Minor Abbot. Abbot's letters mention battles and political events of the Civil War, including his experience as an officer in the First Regiment of the Engineers Troops (Army of Virginia). Other correspondence includes exchanges between W.R. Abbot and his immediate family, both during and after the Civil War, as well as numerous letters to Abbot from parents of boys attending Bellevue High School. The collection also includes materials from the lives of the children and grandchildren of William and Lucy Abbot. Letters from the Abbot children consist of personal exchanges, accounts of travel in turn-of-the-century Europe, as well as experiences in the German university system. Also included is a brief memoir by Ann Minor, Lucy's sister, documenting childhood experiences in Virginia during the Civil War. There are also papers belonging to the Minors of Charlottesville (Va.), such as correspondence of Charles and John Minor.

While the bulk of the collection is made up of correspondence, the papers also include Abbot's addresses to schools and the Virginia Educational Society; printed bulletins detailing courses of study and formal statements of the teaching philosophy at Bellevue; and an official letter-book, receipts, financial and legal documents relating to the purchase, expansion and daily administration of the school. Other materials relating to the children of the William and Lucy Abbot include educational addresses by their son, Charles Minor Abbot, who administered Bellevue until it closed (1901-1909), as well as biographical material on Virginia Henderson's authoritative influence on professional nursing.

The Abbot Family papers provide the researcher with numerous vantage points onto public, professional and private life in nineteenth-century Virginia, most particularly through personalized accounts of men and women of the time. While the papers follow the families' colonial past from the early eighteenth century into the mid-twentieth century, the collection is noteworthy for its emphasis on military and private life in the Confederacy and in the Reconstruction South. The collection illuminates the experience of the Civil War through numerous windows onto the private lives of individuals; the professionalization of secondary education during the Reconstruction; the social and epistolary conventions of nineteenth century courtship; and the construction of an inter-generational identity, based on extended familial affections and ties to the institutions of Bellevue and the University of Virginia.

Businessman active in the lumber industry. Collection contains correspondence, legal and financial papers, printed materials, photographs, and other materials from lumber businesses beginning before 1910, especially in East Tennessee and in the Philippine Islands with headquarters in Philadelphia, Pa. The Insular Lumber Co., Negros Island, P.I., produced mahogany. Also present in the collection are personal and family papers, including numerous photographs.

Collection contains personal and business correspondence, legal and financial papers, printed materials, photographs, and other materials from lumber businesses beginning before 1910, especially in East Tennessee and in the Philippine Islands with headquarters in Philadelphia, Pa. The Insular Lumber Co., Negros Island, P.I., produced mahogany. Also present in the collection are personal and family papers, including numerous photographs and letters to the Edgcombs from friends.

Alice Mary Baldwin (1879-1960) was a professor of history and administrator at the Woman's College of Duke University for almost 25 years. She researched and published widely, made many speeches, and served as a national advocate for women's education. The Alice Mary Baldwin Papers include correspondence, personal materials, speeches, photographs, clippings, printed materials, artifacts, and other materials documenting her personal and professional life. Major subjects include women's education, women in higher education, administration of a woman's college, vocational guidance, and employment for women. Baldwin's major research interest was the colonial clergy in the United States, and she also took an active interest in contemporary labor issues. Several organizations with which Baldwin took a major interest were the U.S. Navy Waves, the American Association of University Women, the Southern School for Workers, and the Duke University Woman's College as a whole. English.

The Alice M. Baldwin Papers contain materials relating to Dean Baldwin's career as an educator, historian, and administrator, especially during her tenure at Duke University. Her papers include official, personal, and professional correspondence, printed matter, photographs, clippings, and other materials concerning the development and administration of the Woman's College at Duke University, the role of women's colleges in society, and the activities of business and professional women. Correspondents include other women educators, administrators of government offices and charitable and social organizations, former students, and Duke University faculty and staff. Among the major subjects besides the Woman's College are the Southern School for Workers, Inc., North Carolina and Southern labor issues, the U.S. Navy Waves program, and the education of women in general. The collection is organized into several series. The first series, Personal, includes documents related to Baldwin's family, genealogy, and education. The second series, Correspondence, consists of materials concerning her research and publications as well as general correspondence. Major correspondents include Nora C. Chaffin, Charles C. Crittenden, Katherine E. Gilbert, Meta Glass, Orie L. Hatcher, Louise McLaren, and Belle Rankin. The series is organized chronologically.

The third series, the Alphabetical File, is the largest series of the collection, and consists of professional and personal correspondence, student papers, and the office files of Baldwin. The file is arranged alphabetically by subject. Among the organizations Baldwin had an interest in were the American Association of University Women, the Institute of Women's Professional Relations, the National Association of Deans of Women, and the North Carolina Council of Women in Education. She also served on the boards of various state and federal commissions and committees dealing with the role of women's colleges in society. Her participation in the U.S. Navy Waves program is well-documented, as is her interest in the Southern School for Workers and other progressive organizations. The fourth series is Writings, which includes final versions, drafts and notes for a number of monographs and articles. Included are extensive notes from her graduate research on New England clergy. Of particular interest in this series is a 90-page manuscript, "The Woman's College As I Remember It," Baldwin's account of her hiring as the first woman with faculty rank at Duke, and the academic challenges involved in the establishment of the Coordinate College for Women there.

The fifth series is Speeches and Addresses, and is comprised primarily of notecards used by Baldwin in making presentations to a variety of groups. The next series is Photographs, and includes photographs of a European trip and excursions to the New England shore, as well as other personal photos. The sixth series is Clippings, and includes clippings on churches, labor relations, and prohibition. The following series is Printed Materials, and consists of several bound volumes, including the "Baldwin Annual" of the Baldwin School, dedicated to Alice Mary Baldwin, and J.B. Rhine's New World of the Mind, dedicated to Baldwin by the author. The final series, Artifacts, consists of two pins given to Baldwin Delta Gamma Kappa and Phi Beta Kappa, and a key from Duke University's White Duchy.

Prominent feminist, author, and political activist in the 1960s and 70s. Author of MEMOIRS OF AN EX-PROM QUEEN (1972), ON THE STROLL (1980), and DRINKING THE RAIN (1995). The materials in the Alix Kates Shulman Papers span the dates 1892 to 2000, with the bulk of materials dating from 1968 to 2000. These materials include: manuscripts, notes, clippings, published books, correspondence, photographs, audio and videotapes, microfilm, address and date books, family and business records. The primary focus of the collection is Shulman's writing and literary career. The secondary focus is the women's liberation and feminist movements, in which Shulman was and continues to be very active (from 1968 to 2000). However, feminism and feminist activism are inextricably intertwined with Shulman's writing career, and her 1972 novel MEMOIRS OF AN EX-PROM QUEEN is regarded by many as the first novel to "come out of" the women's liberation movement of the late 1960s and early 1970s.

The materials in the Alix Kates Shulman Papers span the dates 1892 to 2000, with the bulk of materials dating from 1968 to 2000. These materials include: manuscripts, notes, clippings, published books, correspondence, photographs, audio and videotapes, microfilm, address and date books, family and business records. The primary focus of the collection is Shulman's writing and literary career. The secondary focus is the women's liberation and feminist movements, in which Shulman was and continues to be very active (from 1968 to the present). However, feminism and feminist activism are inextricably intertwined with Shulman's writing career, and her 1972 novel Memoirs of an Ex-Prom Queen is regarded by many as the first novel to "come out of" the women's liberation movement of the late 1960s and early 1970s.

Other topics covered by the collection include: her teaching and other academic work; her public speaking and conference activities; and her involvement in political activities besides feminism. This collection sheds valuable light on the concerns and tensions within the women's liberation and second-wave feminist movements. In particular, the materials document debates and disagreements among those active in the movement with regard to sexuality, marriage and domestic relations, women's financial situation and careers, health care, civil rights and cultural expression. Many of these issues are raised in Shulman's own work, including her novels, essays, short fiction, personal letters and her teaching materials.

The collection is divided into seven series. The Personal Papers Series contains Shulman's family history papers, photographs, biographical papers, and her personal correspondence (with writers, academics, political activists and family members). Notable correspondents include Ros Baxandall, Jay Bolotin, Kay Boyle, Rita Mae Brown, Phyllis Chesler, Judy Chicago, Andrea Dworkin, Candace Falk, Marilyn French, Lori Ginzberg, Hannah Green, Erica Jong, Kate Millett, Honor Moore, Robin Morgan, Tillie Olson, Lillian Rubin, Sue Standing, and Meredith Tax. The Political Work Series contains material relating to Shulman's involvement with feminist and other liberal political groups, including Redstockings, New York Radical Women, the PEN Women's Committee, No More Nice Girls, the Women's Action Coalition, and Women Against Government Surveillance

The Literary Work Series contains a variety of materials relating to Shulman's literary career, including financial and other dealings with publishing houses, notes and research, photocopies of publications, reviews of her work, articles and notes she collected regarding the literary scene, and original manuscripts. This series contains information about her early children's books; several books she edited of Emma Goldman's writings; her essays and short fiction; her novels Memoirs of an Ex-Prom Queen (1972), Burning Questions (1975), On the Stroll (1977), In Every Woman's Life . . . (1980); and her memoirs Drinking the Rain (1995) and A Good Enough Daughter (1999). A small amount of correspondence regarding book reviews of other authors' work is also included.

The Academic Work Series contains materials relating to Shulman's graduate work at NYU; her teaching at Yale, the University of Colorado at Boulder, NYU, and the University of Hawaii at Manoa; as well as her relationships with her students. The Public Speaking Series contains materials relating to Shulman's participation in literary and political conferences and gatherings, personal interviews, lectures and book talks.

Portions of the Restricted Materials Series either may not be photocopied without prior permission of Ms. Shulman or the relevant author, or may not be accessed until a future date. The same organizational categories have been applied to the restricted materials as were used in the unrestricted materials to help researchers easily access overlapping and related materials that have been boxed separately due to the restrictions. The Oversize Materials Series contains miscellaneous oversize materials of a biographical and literary nature.

Acquired as part of the Sallie Bingham Center for Women's History and Culture.

On February 13, 1969, Duke University students in the Afro-American Society occupied the the main administration building to bring attention to the needs of Black students. These needs included an African American studies department, a Black student union, and increased enrollment and financial support for Black students. This and subsequent events became known as the Allen Building Takeover. The Allen Building Takeover Collection contains announcements; flyers; publications; correspondence; handouts; reports; transcripts; ephemera; clippings; a bibliography; photographs documenting Black Culture Week (Feb. 4-12, 1969) and the Allen Building Takeover (Feb. 13, 1969); and items related to student demands, statements by Provost Marcus Hobbs and by Duke President Douglas Knight, student convocations and demonstrations both in support of and against the Takeover, and later events on the Duke campus and in Durham, N.C. In addition, the collection contains clippings and artwork related to remembering the Takeover, including the 2002 Allen Building lock-in.

The collection features materials documenting the Allen Building Takeover at Duke University. The Subject Files series includes color photographs taken inside the building, announcements, flyers, publications, correspondence, handouts, reports, transcripts, and ephemera relating to Black Culture Week (Feb. 4-12, 1969), the Allen Building Takeover (Feb. 13, 1969), and items relating to student demands, statements by Provost Marcus Hobbs and by Duke President Douglas Knight, student convocations and demonstrations both in support of and against the Takeover, and later events on the Duke campus and in Durham, N.C. Photographs were taken by student participant Lynette Lewis and show the students inside the building during the Takeover; they are accompanied by the original color negatives. Also included are clippings of newspaper and magazine coverage of the Takeover from the campus paperThe Chronicle, as well as local, state, and national media.

In addition, the collection contains clippings and artwork related to anniversaries and remembrances of the Takeover. Students created artwork in this collection while participating in the 2002 Allen Building lock-in, an event commemorating 1960s activism at Duke and an opportunity for students and administrators to discuss the racial climate on campus.

The Office of Alumni Affairs at Duke University administers the Duke Alumni Association (DAA), a nonprofit organization serving over 120,000 alumni and former students of Duke University, in addition to thousands of parents and friends of the university. Records contain class files, administrative materials, fundraising materials, alumni publications records, subject files, photographs, video and sound recordings, and an index to Duke students who served in World War II. Materials include reunion information, correspondence, reports, programs, clippings, and printed matter.

Records contain class files, administrative materials, fundraising materials, alumni publications records, subject files, photographs, video and sound recordings, and an index to Duke students who served in World War II. Materials include reunion information, correspondence, reports, programs, clippings, and printed matter.

Market researcher and advertising executive who worked at several agencies; partner in a consulting practice under several names; lecturer and author of marketing textbooks. The Alvin A. Achenbaum Papers span the years 1948-2011 and document Achenbaum's career in advertising (with Grey Advertising, J. Walter Thompson and Backer Spielvogel Bates agencies) and marketing consulting (as a partner in Alvin Achenbaum Associates, Canter Achenbaum Heekin, and Achenbaum Bogda Associates). Collection includes writings and speeches, correspondence, photographs, research reports and related materials. Clients represented include 7-Eleven, American Red Cross, AT&T, Block Drug, Bristol-Myers, Campbell Soup, Chrysler, Dairy Queen, Dentsu, Franklin Mint, General Foods, GTE, Hallmark, Honda, Integrity Music, Kayser-Roth, Kia, K-Mart, Miller Brewing, MTA, Nationwide, Nestlé, Nissan/Datsun, PCA, Pfizer, Philip Morris, Quaker Oats, Revlon, Ryerson Tull, Seagram, Toyota, U.S. Dept. of Defense, and Warner-Lambert. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Alvin A. Achenbaum Papers span the years 1948-2011 and document Achenbaum's career in advertising (with Grey Advertising, J. Walter Thompson and Backer Spielvogel Bates agencies) and marketing consulting (as a partner in Alvin Achenbaum Associates, Canter Achenbaum Heekin, and Achenbaum Bogda Associates). Collection includes writings and speeches, correspondence, photographs, research reports and related materials. Clients represented include 7-Eleven, American Red Cross, AT&T, Block Drug, Bristol-Myers, Campbell Soup, Chrysler, Dairy Queen, Dentsu, Franklin Mint, General Foods, GTE, Hallmark, Honda, Integrity Music, Kayser-Roth, Kia, K-Mart, Miller Brewing, MTA, Nationwide, Nestlé, Nissan/Datsun, PCA, Pfizer, Philip Morris, Quaker Oats, Revlon, Ryerson Tull, Seagram, Toyota, U.S. Dept. of Defense, and Warner-Lambert.

Collection consists of a set of sixty-six commercially produced, hand-colored lantern slides, featuring photographic images taken in the early 20th century in areas of modern-day Israel, Palestine, Jordan, Lebanon, and Syria. Also includes an original list of titles and a slide projector. The slides were sold in sets by the American Colony Stores, the commercial department of a missionary community based in Jerusalem. The landscapes and scenes were intended to illustrate biblical sites, or to remind the viewer of well-known biblical passages, but a few also depict other types of archaeological sites. The slides measure 4 x 3.5 inches. Locations include but are not limited to: the city of Jaffa (Tel Aviv); Sea of Galilee; Jerusalem; Bethlehem; Mount of Temptation (identified with Mount Quarantania); Jericho; Jordan River; Mount Hermon; Bethsaida; Mount of Olives; Emmaus (El- Kubebeh); the mosaic floor at Beit Jibrin; River Abana (El-Barada); Tyre; and the Temple of Sethos. There are also two glass slides with maps of ancient Middle East and Palestine. Five of the slides are damaged and are filed at the end of the collection. The collection is accompanied by a lantern slide projector and by an original list of slide titles. Acquired by the Archive of Documentary Arts at Duke University.

Collection consists of a set of sixty-six commercially produced, hand-colored lantern slides, featuring photographic images taken in the early 20th century in areas of modern-day Israel, Palestine, Jordan, Lebanon, and Syria. The slides were sold in sets by the American Colony Stores, the commercial department of a missionary community based in Jerusalem. The landscapes and scenes were intended to illustrate biblical sites, or to remind the viewer of well-known biblical passages, but a few also depict archaeological sites of interest to tourists. The original title for one such set, represented by many of the slides in this collection, was "Lantern slides and art photos produced by the American Colony photographers illustrating Bible lands."

The slides measure 4 x 3.5 inches and are housed in a typical paper mat and a glass cover, sealed on the borders with black tape. They are stamped with "American Colony Photographers" on the top of the frame and "Jerusalem, Palestine" on the bottom. Titles in the collection inventory are transcribed from handwritten titles on the slide mounts.

Locations include but are not limited to: the city of Jaffa (Tel Aviv); Sea of Galilee; Jerusalem; Bethlehem; Mount of Temptation (identified with Mount Quarantania); Jericho; Jordan River; Mount Hermon; Bethsaida; Mount of Olives; Emmaus (El- Kubebeh); the mosaic floor at Beit Jibrin; River Abana (El-Barada); Tyre; and the Temple of Sethos. There are also two glass slides with maps of ancient Middle East and Palestine. Five of the slides are damaged and are filed at the end of the collection.

The collection is accompanied by a lantern slide projector, and by 10 cardboard squares cut out from the original slide boxes, showing the title of the collection and lists of slide titles.

Acquired as part of the Archive of Documentary Arts at Duke University.

The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a six and a half week summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

The Duke University chapter of the American Society of Civil Engineers is an academic group for Engineering students at Duke University, formed in 1932. Records contain correspondence, annual reports, meeting announcements, planning materials for the Engineers Show, a newsletter, minutes, membership lists, membership certificates, photographs, and clippings. Major subjects include the American Society of Civil Engineers, Duke University, the School of Engineering, civil engineering study and teaching, professional development, student societies, and the history of civil engineering. Materials range in date from 1932 to 1983 (bulk 1944-1970). English.

Contains correspondence, annual reports, notes from field trips, photographs, and other materials pertaining to the activities of the Duke University student chapter of the American Society of Civil Engineers from 1932 to 1983 (bulk 1944-1970).