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Collection
Nell Irvin Painter is a scholar, teacher, and writer in 19th- and 20th-century American and African American history who has been a faculty member of Harvard, Princeton, and the Universities of North Carolina and Pennsylvania. Collection spans the years 1793-2019, with the bulk of the material dating between 1876 and 2007, and contains correspondence, research notes, photocopies of original documents, manuscripts, publication proofs, syllabi, department memoranda, records of her speaking engagements, photographs, personal journals, papers, and photographs, many varying audiovisual formats, and computer diskettes. Also contains extensive file series related to the research and writing of five of her major books: Exodusters: Black Migration to Kansas after Reconstruction; The Narrative of Hosea Hudson: His Life as a Negro Communist in the South; Standing at Armageddon: The United States, 1877-1919; Sojourner Truth, A Life, A Symbol; and Creating Black Americans: African-American History and its Meanings, 1619 to the Present.

The Nell Irvin Painter Papers span the years 1793-2021, with the bulk of the material dating between 1876 and 2007, and are primarily composed of the extensive correspondence, writing, research, teaching materials, and other professional papers that Painter has produced in her long career as a scholar, teacher, and writer in 19th- and 20th-century American and African American history. The materials document the breadth and depth of Painter's interests and her intellectual and personal influence on a generation of historians. Her varied roles as student, teacher, colleague, and mentor are recorded in a wide variety of formats: correspondence with colleagues, students, family, and friends; syllabi, department memoranda, and meeting minutes from her graduate and faculty positions at Harvard, Princeton, and the Universities of North Carolina and Pennsylvania; materials from many professional organizations in the fields of African American history, Southern history, American studies, and women's studies; and records of her speaking engagements, conferences, and meetings. Painter the historian and author are revealed in the extensive notes, photocopies, recordings, photographs, manuscripts, and proofs produced in writing many articles and five of her major books: Exodusters: Black Migration to Kansas after Reconstruction; The Narrative of Hosea Hudson: His Life as a Negro Communist in the South; Standing at Armageddon: The United States, 1877-1919; Sojourner Truth, A Life, A Symbol; and Creating Black Americans: African-American History and its Meanings, 1619 to the Present. The portrait is rounded out by the materials in other series: personal files, which include materials from her student years at Harvard and abroad in Ghana and France as well as personal journals; a few papers of Ghanaian writer Ayi Kwei Armah; photographs, including many historical photographs of African Americans as well as many personal snapshots in color and black-and-white; and other non-print media such as audiotapes, audiocassettes, videocassettes, and computer diskettes.

Painter's research files contain a wealth of information about many topics in American history: biography of African Americans; biography as a literary form; slavery; Reconstruction; the 1870s migration from the South to Kansas; a variety of social reform movements--such as abolition, communism, labor, and women's suffrage--and movers, such as Sojourner Truth and Hosea Hudson; and the history of social conditions and political change in the United States from the early-19th to the mid-20th century, particularly as expressed in race relations, in women's history, and in the South. At the same time, Painter's papers also constitute a contemporary record of many trends in American culture such as career and educational choices and opportunities for academic women and African American professionals. Her correspondence with students, colleagues, and longtime friends such as Nellie Y. McKay, her teaching material and academic files, her papers from an array of historians' organizations, and her personal journals each shed their own light on these themes.

The collection is arranged in these series: Correspondence, Writings and Research, Teaching Materials, Professional Service, Personal Files, Photographic Materials, Audiovisual Materials,Electronic Formats, and a collection of private papers collected by Painter, the Ayi Kwei Armah Papers. The first four series comprise almost eighty percent of the physical extent of the collection and are each divided into several subseries. The Correspondence Series follows Painter's personal life, education, and professional career from her graduate years at Harvard in the late 1960s through her retirement from Princeton in 2004.

The Writings and Research Series is arranged in seven subseries, the first five of which are based on five of Painter's major books; the final two subseries are Other Research Topics, which gathers many of Painter's shorter writings, and Writings by Others. With the exception of the last, all the subseries here contain correspondence with colleagues and editors; typescript drafts of works; various stages of proof; extensive photocopies of archival materials and published articles; voluminous notes about her readings and research; and some photographs and recordings, most of which have been removed to their respective series for preservation.

The Teaching Materials Series documents Painter's work with students and academic colleagues at Harvard, the University of Pennsylvania, the University of North Carolina, Hunter College, and Princeton University. It is arranged into two series: Courses Subseries, with syllabi, reading lists, and Painter's notes on the development of her courses that reflect the evolution of women's studies and African American studies in the curriculum; and the Academic Files Subseries, revealing Painter's many different roles over three decades: graduate student, job applicant, junior and tenured faculty member, dissertation advisor, mentor, and department head.

The Professional Service Series, arranged in two subseries, documents Painter's activities in the broader academic community beyond her university of employment and her personal connections through materials from well over one hundred professional organizations, conferences, foundations, committees and task forces, as well as editorial boards of journals and publishers with which Painter has worked during her career. The Engagements Subseries gathers documents relating to addresses, speeches, and awards ceremonies at some three hundred conferences, meetings, and symposia.

Five smaller series and a gathering of oversize material round out the collection. The Personal Files Series contains an assortment of records such as curriculum vitae; documents about her family; and some records of her student years, especially her travel and study in France and Africa. The series includes some three dozen personal journals covering most of the years from 1959-2005 containing entries about her life and career (NOTE: some journals are CLOSED to use; see details in the series note). The Photographic Materials Series contains several hundred photographs, negatives, and slides, predominantly personal and travel snapshots but also including professional portraits of Painter as well as a number of original photographs and reproductions of archival photographs she used in her research and writing. Much of the material in the early years of the Audiovisual Materials Series is related to her research and writing; by the 1990s, the content shifts focus to documenting Painter herself on the occasion of various interviews and addresses. The Electronic Formats Series consists of diskettes containing correspondence and drafts of writings. The Oversize Materials contains items from several series and subseries are gathered. The final series in the collection consists not of Painter's own work but that of a Ghanaian novelist and poet; see the Ayi Kwei Armah Papers (RESTRICTED) series note for further information on the provenance and usage of these materials.

Unprocessed additions to the collection are listed at the end of the collection guide.

Note about date range of materials: The primary material produced by Painter begins around 1959 with her earliest journals. Earlier dates in various series, occurring mainly in Writings and Research, reflect the intellectual content and original publication of the large volume of reproduced research material present in the collection.

Collection

Park-Lambuth-Sherertz family papers, 1825-1989 2.5 Linear Feet — 1000 Items

The Park, Lambuth, and Sherertz families were Methodist missionaries to China, Japan, and Africa. The collection includes the family Bible; correspondence to and from members of the three families; reports; diary entries; genealogical information; a videocassette; photographs; printed material; poetry; and typescripts of essays regarding family members' daily lives and work as missionaries in China, Japan, and Africa. The families mentioned are ancestors of Olive Sherertz Lanham (Duke '43). Materials range in date from circa 1825 to 1989.

The collection (01-108) (160 items, 1.2 linear feet; dated 1825-1970s) includes the family Bible; correspondence to and from members of the three families; graphic materials; printed material; poetry; and typescripts of essays regarding family members' daily lives and work as missionaries in China, Japan, and Africa. The families mentioned are ancestors of Olive Sherertz Lanham (Duke '43). Includes 2 color prints, 5 black-and-white prints, and 2 albumen prints.

The addition (01-146) (375 items, .6 linear feet; dated 1898-1977) contains letters; reports; diary entries; genealogical information; 1 videocassette; 2 black-and-white photographs, 1 black-and-white print, and 1 albumen print. There are also other items, chiefly relating to the Park, Lambuth, and Sherertz families' life and work in China and Japan.

The 2002 addition (02-179) (100 items, .2 lin. ft.; dated 1825-1981 and n.d.) consists primarily of memoirs and correspondence documenting the families' ancestry and experiences in China and Japan (1825-1981 and n.d.). Also includes newspaper clippings about family members.

The 2004 addition (07-080) (375 items, 0.6 lin. ft; dated circa 1890-1989 and undated) contains letters, biographical sketches of family members, clippings, writings, and photographs documenting the members of the Park, Lambuth, and Sherertz families. Materials range in date from circa 1890 to 1989.

Collection
Retired professor of history at Morgan State University, scholar of the history of African Americans in the motion picture industry, prolific author of books and articles on the subject, and script writer. The papers of Thomas Cripps date from 1839 to 2009, and are arranged into three divisions: films, photographic stills of African American actors and productions, and professional papers, the largest group. Taken as a whole, the films, movie stills, research files, and publication files document Cripps's investigations into representations of racial and ethnic stereotypes in popular culture, particularly in film, but also touch on other issues such as gender in popular culture, portrayal of race in Nazi Germany, and the social dimensions of African American life in the U.S. during the 20th century. Other materials stem from college-level courses taught by Cripps on these same topics, and include many of the visual resources he used in his classes. Acquired as part of the Archive of Documentary Arts at Duke University.

The Thomas Cripps collection dates from approximately 1839 to 2009, with the bulk of the materials dating from 1940-2009, and is arranged into three main divisions: films, photographic stills of African American actors and productions, and professional papers, which is the largest group of the three (closed pending processing). The materials as a whole can be used to study a variety of themes and subjects: racial or ethnic stereotypes in popular culture (chiefly African American, but also Jewish, Irish, and Asian); American and European television culture, broadcasting, and advertising; African American artists; African American film-makers, most notably Oscar Micheaux; U.S. political and social events in the 20th century, including the Depression and the Civil Rights Movement; educational institutions for African Americans; and the teaching of African American history in U.S. higher education. There are significant research materials on Nazi Germany propaganda and the portrayal of race in the party's films.

The thirty-seven films found in the Films Series consist of film shorts, clips from feature films, newsreels, "Soundies," and television commercials, and were collected by Cripps for their portrayals of African Americans, performance by African Americans, or production by African Americans from the turn of the century into the late 1960s 1970s. He also collected filmic materials reflecting other racial and ethnic stereotypes, as seen in the Ethnic Films reel. There are viewing copies for all films.

The Still Photographs Series consists of hundreds of publicity stills and other images taken from U.S. and British feature films featuring African American actors from the silent film era through the 1970s. Many entries, which have been retained from the original envelope labels, carry titles from individual films, but other prints were arranged by Cripps into topical categories such as "Black Athletes," "Jungle Pix," "Silent Films," and "Exotic Primitives."

Cripps's professional papers, a very large group, are closed to access pending processing. They are currently loosely arranged into these series: Correspondence, Dissertation and Research, Morgan State University, Other Papers and AV Materials, Subject Files, and Writings. Beyond the topics discussed above, the materials also document grant proposals written by Cripps; his early dissertation work; coursework in a variety of settings; and his many publication projects.

Acquired as part of the Archive of Documentary Arts at Duke University.

Collection
Economist, university professor, and author in Austria and U.S., born Carl Friedrich Alfred Oskar Morgenstern in Germany. The papers of Oskar Morgenstern, who is associated with the Austrian School of Economics, span the years 1866-1992, although the bulk of the materials date from 1917 to 1977. They consist of correspondence, diaries, subject files, printed material, audiovisual material, manuscript and printed writings and their supporting papers, and biographical and bibliographical information about his career and publications. The collection principally concerns Morgenstern's work as an economic theorist, university professor, author and lecturer, and consultant to business and government.

The papers of Oskar Morgenstern, who is associated with the Austrian school of economics, span the years 1866-1992, although the bulk of the materials date from 1917 to 1977. They consist of correspondence, diaries, subject files, printed material, audiovisual material, manuscript and printed writings and their supporting papers, and biographical and bibliographical information about his career and publications. The collection principally concerns Morgenstern's work as an economic theorist, university professor, author and lecturer, and consultant to business and government.

The first two decades of Morgenstern's career as an economist, the 1920s and 1930s, were associated with the University of Vienna where he was educated and was a faculty member until his emigration to the United States in 1938. He published major books about economic forecasting (1928) and the limits of economics (1934) and numerous other writings in which the subjects of business cycles, prices, the depression of the 1930s, economic conditions in Europe and America, currency and exchange, and economic history and theory are prominent. Information about them is scattered throughout the Correspondence, Writings and Speeches, and Subject Files Series. Morgenstern's interests and correspondents were international, although principally European and American. A considerable part of the correspondence and writings during these years, and all of the diaries, are written in German. English is also prominent, and other languages also occur.

Morgenstern's output of publications during the 1940s, his first decade at Princeton University, was less extensive than in the 1930s, but he and John von Neumann published their classic Theory of Games and Economic Behavior in 1944. As Princeton editor Sanford G. Thatcher wrote in 1987, in sheer intellectual influence, it probably has stimulated more creative thinking, in a wider variety of fields of scholarship, than any other single book Princeton University Press has published. Information about this book and subsequent international developments in game theory pervades the Correspondence, Subject Files, and Writings and Speeches Series until Morgenstern's death. The elaboration of game theory was not only theoretical but also practical, and Morgenstern's writings and projects illustrate its applications, especially in U.S. military and foreign policy during the Cold War.

The Writings and Speeches Series, including the diaries, and the Subject Files Series are extensive for the 1940s as they are for the later decades of Morgenstern's career. The Correspondence Series, however, is extensive only for the 1920s, 1930s, and 1970s. Part of his correspondence apparently did not survive. However, Morgenstern routinely placed letters and other material in his files for subjects and writings, and many letters are to be found there. There are a number of letters for some correspondents, but extensive correspondence with an individual is not characteristic of this collection. A person's letters may be filed in more than one chronological group of correspondence.

Morgenstern published prolifically during the 1950s to 1970s. His major books focused on accuracy in economics (1950), organization (1951), national defense (1958), international finance and business cycles (1959), the peaceful uses of underground nuclear explosions (1967), stock market prices (1970), political, economic, and military forecasting (1973), and expanding and contracting economies in various societies (1976). These books and numerous articles and reviews reveal his interest in economic theory, international economic problems, and the application of mathematics and economics to public policy problems. The Writings and Speeches, Subject Files, and Correspondence Series document many of his publications and such topics as the Cold War, nuclear issues, military and naval affairs (especially the U.S. Navy), defense, space, economic analysis, game theory, the stock market, business cycles, mathematics and economics, statistical validity, and his work with John von Neumann, Martin Shubik, Friedrich A. von Hayek, Gottfried Haberler, Antonio de Viti de Marco, Eveline Burns, Gerald L. Thompson, N. N. Vorob'ev, and others.

Morgenstern taught at Princeton until his retirement in 1970 when be began teaching at New York University, and both schools are represented, particularly in the Subject Files Series. These files and the Writings and Speeches Series document his relationship with public and private organizations, especially the Office of Naval Research, the Rand Corporation, various foundations and scholarly societies, and Mathematica, a consulting firm that did contract work for government and business. Morgenstern was co-founder of Mathematica. The Mathematica Series contains correspondence, memos, policy reports, project proposals, and research papers. The institutions that are often mentioned include NASA, Office of Naval Research, and Sandia Corporation. Topics, among others, relate to analysis of military conflicts, economics of the space program, management research, or peaceful use of nuclear energy. Some materials related to Mathematica Series are still scattered across the rest of the collection.

Morgenstern habitually incorporated into his files pertinent thoughts or information that might be useful for later consideration. Consequently, the Subject Files and Writings and Speeches Series often include letters, memoranda, lecture notes, writings by others, mathematics, printed material, and other Items. Thus, a file for a topic or publication in 1963 may contain relevant dated material from other years and decades.

The diaries, 1917-1977, are relatively complete, but Morgenstern did not write daily or every month. There are significant gaps: 1918-1920; Feb.-May 1938; March 1946-Jan. 1947; and Sept. 1951-Feb. 1952. Shorter gaps also occur in April-May 1924, Sept. 1925; June-July 1948; and April 1949. The diaries are in the Writings and Speeches Series.

Morgenstern's library of printed material was donated to New York University.

Addition (06-067) (2452 items, 13.5 lin. ft.; dated 1935-1976) contains primarily published works by Morgenstern and his major co-authors such as John von Neumann and Gerald L. Thompson in English, French, Spanish, Italian, and German arranged in alphabetical order. Important works contained in this series include typed manuscript portions of Theory of Games and Economic Behavior with annotations, draft chapters of the Question of National Defense, Long Term Planning with Models of Static and Dynamic Open Expanding Economies, the Mathematica Economic Analysis of the Space Shuttle System and some correspondence, as well as supporting documentation and statistics. There are also three audiotape reels with Morgenstern's lectures.

Collection
Thomas Chapin (1957-1998) was a white jazz saxophonist/flutist and composer from Connecticut. Collection includes sheet music, audio recordings, photographs, correspondence, clippings, and other material that document Chapin's life and work.

The collection (100 items, 2.5 linear feet; dated 1979-1998) contains audio cassettes and compositions by Thomas Chapin, as well as clippings, programs, memorial messages, and other items about him. Technical Services staff may need to make use copies of audio cassettes before use. No container list was created for this accession. (99-355)

The addition to the collection (60 items, 2.5 linear feet; dated 1981-1999) includes published materials on Chapin or featuring his music. There are publicity materials; scrapbook items, such as programs or clippings; articles about Chapin from the internet and elsewhere; copies of original scores; compact discs; phonograph records; genealogical information, and other biographical information about him and his trio. Technical Services staff may need to make use copies of sound recordings before use. No container list was created for this accession. (99-0467)

The addition to the collection (15300 items, 29.40 linear feet; dated 1870s-1998, bulk 1980-1997) comprises primarily correspondence; financial records; scrapbooks, graphic materials (98 color photographs, 1 color slide, 6 black-and-white photographs, 24 black-and-white negatives, 17 contact sheets, 1 print, 1 watercolor, and 2 chalk drawings), posters, and other materials detailing Chapin's musical career, especially performances of the Chapin Trio; notebooks and appointment books; and musical scores by Chapin and others. Also includes recordings on 17 reel-to-reel tapes, 8 CDs, and 5 audiocassette tapes of performances by Chapin and others; 3 electronic computer files; and 24 small musical instruments of plastic and metal. (01-0157)

The addition (2002-0281 and 2003-0125; 12,657 items, 50.5 linear feet) consists primarily of studio and demo recordings of Chapin's music on audiocassette, vinyl, and reel-to-reel tape. Also contains a number of collages by Chapin, documenting another of his forms of expression; personal items, especially photographs and correspondence, reflecting his close relationships with family and friends; videos and film reels of recording sessions, tours, and other events, including Chapin's memorial service; sheet music and music books; clothing and hats; 3 hand instruments; performance posters; and business items.

Accession 2021-0109 includes sheet music by Chapin, photographs, scrapbooks, and photo books. The scrapbooks and photo books contain material from Chapin's life, as well as after his death. The posthumous material largely consists of memorial concert programs and articles and clippings about Chapin's life.

Collection

Reynolds Price papers, 1880-2014 and undated 151 Linear Feet — 1 Gigabyte — 1,300 document (MS Word and text formats) and digital image files; approximately 1 gigabytes. — 354 boxes

Reynolds Price (1933-2011) was a novelist, short story writer, poet, dramatist, essayist, translator, and James B. Duke Professor of English at Duke University, where he taught creative writing and literature beginning in 1958. He was an alumnus of Duke and of Oxford University, which he attended on a Rhodes Scholarship. He received fellowships from the Guggenheim Foundation and the National Endowment for the Arts, and his books were nominated for the Pulitzer Prize and the National Book Award. The collection is comprised of correspondence, writings, serials, clippings, speeches, interviews, legal and financial papers, photographs, audiovisual materials, and digital materials reflecting Price's career and personal life. Personal and professional correspondence document his education at Duke University, especially his studies under William Blackburn; his period abroad as a Rhodes Scholar at Merton College, Oxford; and his literary work and interaction with other authors, including Stephen Spender, Eudora Welty, and Allan Gurganus. Writings include manuscripts, typescripts, proofs, outlines, and notes produced in the creation and publication of all his major works, including: A Long and Happy Life; Kate Vaiden; A Palpable God; Clear Pictures; A Whole New Life; The Collected Stories; The Collected Poems; A Letter to a Godchild; Ardent Spirits; The Good Priest's Son, and many other books, individual stories, poems, and essays.

The (1) Correspondence Series is divided into the Correspondence, chronological subseries and the Correspondence, alphabetical by name subseries. The chronological correspondence subseries consists of letters to and from family, friends, teachers, and admirers of Price's work. The alphabetical correspondence subseries comprises correspondence between Price and other writers, literary figures, celebrities, and close friends including Eudora Welty and Stephen Spender. The (2) Writings Series contains various writings by Price and is divided into the Books, Scribner's Files, Uncollected Fiction and Nonfiction, Price Writing in Serials, Reviews by Price, Addresses and Speeches, and Audiovisual Recordings of Price Regarding Writing subseries. The Books subseries is composed chiefly of drafts, typescripts, and proofs of Price's novels, plays, autobiographical works, and volumes of poetry.

The (3) Events Series contains materials documenting Price's achievements, his education, and performances of his dramatic work and his speaking engagements, as well as performances, and presentations of interest to Price. The (4) Personal Papers Series has expanded significantly following the author's death. The Series contains many of the books, letters, art and photographs kept in his home, including personal health and financial records. The Series also includes personal scrapbooks, his postcard collection, and a collection of family home movies. Price's teaching career in the Duke University English Department is documented by the (5) Duke University Series. And manuscripts sent to Price by fellow authors and students make up the (6) Writings by Others Series.

Collection
Online
Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. The JWT Account Files is an artificially-created collection of information about client accounts held by the JWT and provides information about JWT's management of its advertising campaigns. Additionally, the files document deliberations about such topics as media selection; markets and marketing; and target audience for individual advertising campaigns. The bulk of the materials, especially the older records, document clients managed by JWT's New York Office, but the work of other offices is also represented, including: Atlanta Office (Marine Corps); Chicago Office (Oscar Mayer, Kraft); Detroit Office (Ford); and San Francisco Office (Sprint). The collection includes account histories; research reports; memoranda; correspondence; printed material; clippings; brochures and pamphlets; product labels and packaging designs; original artwork and advertising proofs; slides; photographs; audiocassettes and videocassettes. Clients represented include Eastman Kodak; Ford; Ford Dealer Association; R.T. French; General Cigar; Hamm's beer; Handy Andy; International Banana Association; IBM; Kellogg; Kraft; Quaker Oats; U.S. Marine Corps; US Sprint; Warner Lambert; White Castle; and the 1964 World's Fair. More limited materials are available for other significant JWT clients, including: Burger King; Champion Spark Plug; Domino's Pizza; Lever Brothers; Northern Telecom; Oscar Mayer; Rolex; Standard Brands; and Scott Paper. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The JWT Account Files is an artificially-created collection of information about client accounts held by the JWT and provides information about JWT's management of its advertising campaigns. Additionally, the files document deliberations about such topics as media selection; markets and marketing; and target audience for individual advertising campaigns. The bulk of the materials, especially the older records, document clients managed by JWT's New York Office, but the work of other offices is also represented, including: Atlanta Office (Marine Corps); Chicago Office (Oscar Mayer, Kraft); Detroit Office (Ford); and San Francisco Office (Sprint). The collection includes account histories; research reports; memoranda; correspondence; printed material; clippings; brochures and pamphlets; product labels and packaging designs; original artwork and advertising proofs; slides; photographs; audiocassettes and videocassettes. Clients represented include Eastman Kodak; Ford; Ford Dealer Association; R.T. French; General Cigar; Hamm's beer; Handy Andy; International Banana Association; IBM; Kellogg; Kraft; Quaker Oats; U.S. Marine Corps; US Sprint; Warner Lambert; White Castle; and the 1964 World's Fair. More limited materials are available for other significant JWT clients, including: Burger King; Champion Spark Plug; Domino's Pizza; Lever Brothers; Northern Telecom; Oscar Mayer; Rolex; Standard Brands; and Scott Paper.

Collection

Jay Rutherfurd papers, 1887-1995 8 Linear Feet — Approx. 2613 Items

Broadcast journalist, businessman, and resident of Palm Beach (Palm Beach Co.), Fla. These papers are comprised primarily of correspondence, clippings, essays, and articles related to the subjects Rutherfurd covered during his career as a broadcast journalist. Topics reflect his interest in diplomacy, journalism, and U.S. foreign relations since 1961. Much of the material documents the career of Angier Biddle Duke, a Rutherfurd family friend who served in the diplomatic corps during the Kennedy and Johnson administrations. Other material reflects the instrumental role Rutherfurd played in the creation of Duke University's Living History Program. The collection also contains more than 53 audiocassettes, two videocassettes, scripts, and filmed interviews (late 1960s to 1980s) with prominent individuals, as well as recordings of TV news segments and radio shows. In addition, the collection contains Rutherfurd family photographs, diaries, scrapbooks, legal papers, and a genealogy, as well as drafts of Jay Rutherfurd's memoir and miscellany. Individuals represented in these materials include John F. Kennedy, Lyndon B. Johnson, Richard Nixon, Haile Selassie, King Hussein of Jordan, Tito, Prince Juan Carlos of Spain, Jacqueline Kennedy Onassis, Robin Chandler Lynn Duke, Jacques Fray, Rafael Calvo, Stanton Griffis, Earl E. T. Smith, Ottis Pike, Lucius Clay, Averell Harriman, Henry Kissinger, John Sherman Cooper, Stanton Griffis, Terry Sanford, Willy Brandt, Ellsworth Bunker, and Ryoichi Sasakawa, as well as other celebrities and heads of state. These materials also document Jay Rutherfurd's trips to Morocco, Southeast Asia, Nepal, the Panama Canal Zone, the People's Republic of China, Iran, and the Middle East, as well as the social life of Southampton, N.Y., and Palm Beach, Florida.

The papers of Jay Rutherfurd are comprised primarily of correspondence, clippings, essays, and articles related to the subjects Rutherfurd covered during his career as a broadcast journalist. Topics reflect his interest in diplomacy, journalism, and U.S. foreign relations since 1961. Much of the material documents the career of Angier Biddle Duke, a Rutherfurd family friend who served in the diplomatic corps during the Kennedy and Johnson administrations. Other material reflects the instrumental role Rutherfurd played in the creation of Duke University's Living History Program. The collection features more than 53 audiocassettes, two videocassettes, scripts, and filmed interviews (late 1960s to 1980s) with prominent individuals, as well as recordings of TV news segments and radio shows.

In addition, the collection contains Rutherfurd family photographs, diaries, scrapbooks, legal papers, and a genealogy, as well as drafts of Jay Rutherfurd's memoir and miscellany. Individuals represented in these materials include John F. Kennedy, Lyndon B. Johnson, Richard Nixon, Haile Selassie, King Hussein of Jordan, Tito, Prince Juan Carlos of Spain, Jacqueline Kennedy Onassis, Robin Chandler Lynn Duke, Jacques Fray, Rafael Calvo, Stanton Griffis, Earl E. T. Smith, Ottis Pike, Lucius Clay, Averell Harriman, Henry Kissinger, John Sherman Cooper, Stanton Griffis, Terry Sanford, Willy Brandt, Ellsworth Bunker, and Ryoichi Sasakawa, as well as other celebrities and heads of state. The material also documents Rutherfurd's trips to Morroco, Southeast Asia, Nepal, the Panama Canal Zone, the People's Republic of China, Iran, and the Middle East, as well as social life in Southampton, N.Y., and Palm Beach, Fla.

Original audiovisual recordings are closed to use; listening or viewing copies may need to be produced before contents can be accessed. Please consult with Research Services staff before coming to use this material.

Collection

R.C. Maxwell Company records, 1891-2001 and undated 135 Linear Feet — 118,350 Items

Online
R.C. Maxwell Company of Trenton, N.J., was one of the earliest enduring outdoor advertising companies, founded in 1894 by Robert Chester Maxwell (1873-1955) and continued to operate primarily in the New Jersey, New York and Pennsylvania area until the company was sold in 2000. The R.C. Maxwell Company Records span the years 1891-2001 and include photographs and negatives, videocassettes, ledgers and account books, scrapbooks, correspondence and legal papers relating to the company's operations in outdoor advertising. Photographs and negatives in several formats (film, glass negatives, polaroid prints) document billboard designs for a variety of advertisers as well as depicting billboard and electric sign structures and their location relative to the surrounding environment. Urban locations include Times Square in New York and the Atlantic City, N.J., Boardwalk, where a number of photographs also document the Miss America beauty pageant parade and other parades in which the R.C. Maxwell Company participated. A few photographs document billboard construction and erection; there are also photographs of the Maxwell family and of Maxwell company staff and employees. Scrapbooks contain images of billboards and wall paintings produced by the Maxwell company as well as by David L. Clark, a High Point, N.C. artist and sign painter who was R.C. Maxwell's guardian. Other scrapbooks document primarily Coca-Cola signs of the early 20th century, as well as World War I support efforts including the U.S. Food Administration (under the direction of Herbert Hoover), the U.S. Fuel Administration, and Liberty Bond campaigns. Companies represented in the collection include the Boardwalk Advertising Signs Co., C&B Electric Signs Co., Trenton Advertising Co., and Trenton Poster Advertising Co. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The R.C. Maxwell Company Records span the years 1891-2001 and include photographs and negatives, videocassettes, ledgers and account books, scrapbooks, correspondence and legal papers relating to the company's operations in outdoor advertising. Photographs and negatives in several formats (film, glass negatives, polaroid prints) document billboard designs for a variety of advertisers as well as depicting billboard and electric sign structures and their location relative to the surrounding environment. Urban locations include Times Square in New York and the Atlantic City, N.J., Boardwalk, where a number of photographs also document the Miss America beauty pageant parade and other parades in which the R.C. Maxwell Company participated. A few photographs document billboard construction and erection; there are also photographs of the Maxwell family and of Maxwell company staff and employees. Scrapbooks contain images of billboards and wall paintings produced by the Maxwell company as well as by David L. Clark, a High Point, N.C. artist and sign painter who was R.C. Maxwell's guardian. Other scrapbooks document primarily Coca-Cola signs of the early 20th century, as well as World War I support efforts including the U.S. Food Administration (under the direction of Herbert Hoover), the U.S. Fuel Administration, and Liberty Bond campaigns. Companies represented in the collection include the Boardwalk Advertising Signs Co., C&B Electric Signs Co., Trenton Advertising Co., and Trenton Poster Advertising Co.

Approximately 15,000 photographs, dating up to around 1952, have been described in the searchable ROAD Database (Resource of Outdoor Advertising Descriptions). The numbered and indexed black-and-white photographs and negatives (along with a limited number of glass negatives) include images of billboard and electric spectacular executions (illuminated billboards); road shots showing the approach views to billboard structures; images of Maxwell advertising structures; and images of urban and rural billboard displays in various states, primarily Pennsylvania and New Jersey, including a number of images of Times Square in New York and the Atlantic City, N.J. boardwalk. Because the majority of photographs show the billboards in their surroundings, the images provide a snapshot of the people and buildings near the billboard.