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Amory Leland Williams watercolors and etchings, 1921-1957 1.5 Linear Feet — 2 boxes — 36 items — Sizes range from 4 3/4 x 6 1/2 to 13 3/4 x 20 inches

Collection is arranged in two series: watercolor paintings by artchitect and amateur artist Amory Leland Williams, painted from 1923 to 1939; and a group of etchings by various noted American artists, dating from 1921 to 1957, collected by Williams. Most of the watercolors measure about 12x19 inches, and were painted in southern France and Italy, with a few from southern California and the American or Mexican desert. In Europe, Williams painted in brilliant scenes of Greek temples, churches, barns, canals, gardens, and monuments. The etchings are by notable American printmakers such as John Taylor Arms, Louis Rosenberg, and others. A handful are in their original portfolios, as published by the Society of American Graphic Artists.

Assembled by architect and artist Amory Leland Williams, this collection of 36 artworks is arranged in two series: watercolor drawings by Williams, painted from 1923 to 1939; and a group of etchings and one lithograph by various noted American artists, dating from 1921 to 1957, collected by Williams. The prints range in size from 4 3/4 x 6 1/2 to 13 3/4 x 20 inches, with most measuring roughly 12x19 inches.

The watercolors are scenes from southern France (near Grasse) and Italy (Rome, Sicily, Stresa, Venice), probably painted during a trip in or before 1923; there are also some scenes from southern California and the American or Mexican desert, the latest of which is dated 1939. In Europe, Williams captured the brilliant colors of the Mediterranean, focusing on architectural details of Greek temples, churches, barns, canals, monuments, and fountains. Many pieces are signed, dated, and titled. One shows the Vittorio Emanuele monument in Rome under construction in 1923. Another, a small pastel caricature, is titled "Impression of the Kaiser" also from 1923.

The 10 etchings and one lithograph are by notable American printmakers such as John Taylor Arms (2 prints, one of which is inscribed at length to Williams), Louis Rosenberg (3 prints), and one each by Carl Schultheiss, Victoria Hutson Huntley, Richard Bishop, Warren Davis, and Don Sucuum. A handful are in their large original portfolios with an explanatory title sheet, as published by the Society of American Etchers, later known as the Society of American Graphic Artists (1952).

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Cochrane Family papers, 1777-1957 and undated 5.5 Linear Feet — 4125 Items

Arthur Auckland Leopold Pedro Cochrane served in the British Navy from 1839-1886, where he fought in the Anglo-Chinese war and rose to the rank of admiral. He was also instrumental in administering the Trinidad Lake Asphalt Company during its early years. His brother, Ernest Grey Lambton Cochrane was also active in the Royal Navy from 1847-1873, participating in the British campaign to suppress the slave trade in West Africa during the 1860s. He was also a landowner and landlord of the Redcastle Estate in County Donegal, Ireland, and served in his later years as High Sheriff for County Donegal. The collection contains correspondence, legal and financial documents, notes and writings, notebooks and diaries, clippings, printed books and pamphlets, photographs, maps, charts, diagrams and technical drawings pertaining to the lives and careers of Arthur Auckland Leopold Pedro and Ernest Grey Lambton Cochrane, and to the Trinidad Lake Asphalt Company. The papers span the years 1777-1957, with the bulk of the collection being dated from 1850-1905, and document the naval careers of Arthur Auckland Leopold Pedro Cochrane and Ernest Grey Lambton Cochrane, the role of the Cochrane family as landlords in Western Ulster, and the development of the colonial asphalt industry in Trinidad during the 19th century.

The Cochrane Family Papers span the years 1777-1957, with the bulk of the papers being dated between 1850 and 1905. The collection consists of correspondence; legal and financial documents; personal, naval, and technical notes and other writings; notebooks, diaries, and almanacs; clippings and other saved print material; and photographs, maps, charts, drawings, diagrams, and other visual materials preserved by the Cochranes. The majority of these documents pertain to two members of the Cochrane family: the brothers Admiral Arthur Auckland Leopold Pedro Cochrane and Admiral Ernest Grey Lambton Cochrane. The bulk of the papers deal with three principal subject areas: the naval careers of the brothers; family matters and finances, particularly the finances of their Redcastle Estate in County Donegal, Ireland; and business papers and correspondence relating to the family estates and the Trinidad Lake Asphalt Company, established by Thomas Cochrane, 10th Earl of Dundonald, and continued by his son Arthur Auckland Leopold Pedro Cochrane. The collection is particularly rich in documenting the beginnings of the asphalt industry in Trinidad and land-use issues in Ireland during the 19th century. In addition, Ernest Grey Lambton Cochrane was stationed off the coast of West Africa during much of the 1850s and 1860s, and the collection contains a number of documents relating to the British attempts during that time to suppress the African slave trade, an effort in which Ernest Grey Lambton Cochrane was active. The collection is divided into three series, the Family Papers Series, the Ernest Grey Lambton Cochrane Series, and the Trinidad Lake Asphalt Series, each of which are divided into subseries by format. This division retains the original division of the collection, but researchers should be aware that there is significant crossover between the subject areas of the Family Papers Series and the Ernest Grey Lambton Cochrane Series, and those interested in one of these series should be aware that there may be pertinent material in the other.

The Family Papers Series, the largest of the three, documents two main subject areas: the naval careers of Ernest Grey Lambton and Arthur Auckland Leopold Pedro Cochrane, and the family finances relating to the Redcastle estate. The former of these is documented primarily in the Correspondence subseries and the Notes and Writings Subseries, while the latter is most heavily represented in the Legal and Financial Documents Subseries, which contains a number of rental and account books pertaining to the Cochrane and Doherty family estates in Ireland. The Cochranes were all active inventors, and the Legal and Financial Documents Subseries also includes patent forms for a number of inventions, including means of laying telegraph wire and ships' boilers and propulsion. The Notebooks and Diaries Subseries is comprised primarily of bound volumes of writings by Arthur Auckland Leopold Pedro Cochrane, documenting his daily activity and travels, although it does contain two notebooks used by Thomas Cochrane for surveying during his travels in the 1850s and an Irish Land Commission notebook belonging to Ernest Grey Lambton Cochrane as well. The two remaining subseries, Print Materials and Visual Materials and Artifacts, are much smaller in size, and contain materials pertaining to both brothers, and to the family more generally.

The Ernest Grey Lambton Cochrane Series contains material accessioned separately from the rest of the collection, which documents Ernest Grey Lambton Cochrane's naval life and activities off the Western coast of Africa; his correspondence with Richard Doherty (whose daughter he later married) about financial and estate matters in County Donegal; and his time spent as a landlord in County Donegal, where he became High Sheriff and a member of the Grand Jury after retiring from the navy. The Correspondence Subseries contains Ernest Grey Lambton Cochrane's correspondence with Samuel W. Blackwall of Sierra Leone; Arthur Auckland Leopold Pedro Cochrane; Thomas Barnes Cochrane; Richard Doherty; and others. Of the other subseries, the Legal and Financial Documents and Visual Materials subseries relate primarily to his life in County Donegal, while the Notebooks and Diaries and Notes and Writings subseries deal more extensively with his earlier naval career and time in West Africa. This series was kept separate from the Family Papers Series to preserve the original order of the documents. As should be clear from this description, however, many of the subject areas of this series overlap with those of the Family Papers Series, and researchers interested in the naval career of Ernest Grey Lambton Cochrane or the Cochranes' role as landlords in Northern Ireland should also consult that series.

Finally, the Trinidad Lake Asphalt Series documents the Cochrane family's involvement in the early asphalt industry in Trinidad. The vast majority of the papers included here are those of Arthur Auckland Leopold Pedro Cochrane, who took over the job of overseeing the Cochrane properties and interests in Trinidad after he was invalided during the China wars. However, there are also materials of Thomas Cochrane, 10th Earl of Dundonald, pertaining to the company. To be found here are business correspondence pertaining to the export of asphalt and bitumen from Trinidad, shipping arrangements, experiments conducted on the potential uses of bitumen from Pitch Lake, and other matters related to the establishment and operation of the business; notes relating to experiments conducted, and to the climate and area; legal documents establishing the company and documenting the extent of the Belle Vue, Mon Plaisir and Esperance Estates in Trinidad; maps and plans of these estates and of Pitch Lake; and two printed volumes and other miscellaneous items pertaining to Trinidad. The material contained in this series should be of interest to those researching the development and early stages of the asphalt industry, and to those interested in colonial business, finance, and resource use during the 19th century.

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Dorothy Whitlock papers, 1948-1989 and undated 1.5 Linear Feet — Approx. 300 Items

Occupational therapist and medical illustrator active in Utah and North Carolina. The Dorothy Whitlock Papers span the dates 1948-1989 and derive from Whitlock's work as an occupational therapist and medical illustrator. The collection contains visual materials which include image files and loose images of medical illustrations in a variety of media, including but not limited to watercolor, graphite pencil, brushed graphite paint, pen and ink drawings, photographs of etchings, and photographs. The images include but are not limited to portrayals of various medical procedures, conditions, techniques, and tools. The collection also contains papers related to Whitlock's time as an occupational therapist at the Veterans' Administration Hospital in Oteen, North Carolina, and papers related to her interest in and work on tuberculosis. Acquired as part of the History of Medicine Collections at Duke University.

The Dorothy Whitlock Papers span the dates 1948-1989 and derive from Whitlock's work as an occupational therapist and medical illustrator. The collection contains visual materials which include image files and loose images of medical illustrations in a variety of media, including but not limited to watercolor, graphite pencil, brushed graphite paint, pen and ink drawings, photographs of etchings, and photographs. The images include but are not limited to portrayals of various medical procedures, conditions, techniques, and tools. The collection also contains notebooks created during Whitlock's time at the Veterans' Administration Hospital in Oteen, North Carolina, where she practiced as an occupational therapist.

Additional items include professional materials, including professional files and loose professional materials containing undated in-service notes on tuberculosis, notes and papers from the National Tuberculosis Association's conferences in 1948, 1950, 1951, and 1952 in Salt Lake City, Utah, planning materials for an occupational therapy convention in Glenwood Spring, Colorado in 1950, including correspondence and papers, and additional loose notes relating to Whitlock's work.

Acquired as part of the History of Medicine Collections at Duke University.

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Faithfull family papers, 1864-1887 and undated 0.1 Linear Feet — 22 items

The Faithful family focuses on the family of Rev. Ferdinand Faithfull and Elizabeth Mary Harrison of Headley Rectory in Surrey, England, and their eight children. Among the children were Esther Faithfull Fleet (1823–1908), who was both a book illustrator and the mother of seven children. The youngest child, Emily Faithfull (1836?-1895), was an feminist reformer, philanthropist, printer, publisher, novelist, and lecturer. Collection comprises 14 letters, an envelope autographed by Emily Faithfull, an invitation completed by her, a printed invitation acceptance, a carte de visite and two copies of a mounted albumen photograph of her, along with two illustrated pieces completed by Esther Faithfull Fleet.

Collection comprises 14 letters, an envelope autographed by Emily Faithfull, an invitation completed by her, a printed invitation acceptance, a carte de visite and two copies of a mounted albumen photograph of her, along with two illustrated pieces completed by Esther Faithfull Fleet. The letters, all written by Emily Faithfull, include routine correspondence and thank you notes; other topics include the capacity of Victoria Press to do law work; an honor bestowed on her by the professional women's organization, Sorosis, in New York; a statement in the Guardian newspaper claiming that in a speech she repudiated women's rights as it applied to her work; a request for early assistance with preparations for Christmas in order to provide relief for "some very distressing cases;" and inquiries regarding the printing of her "Jubilee Address" or its distribution. There is one letter to Henry Ward Beecher asking him to hand out notices regarding her upcoming lecture, and mentioning Lucretia Mott's plans to address the audience. Several letters feature the stamp or embossed stamp of the Victoria Press. The carte de visite was produced by the London Stereoscopic & Photography Co., and the mounted photographs by W. & D. Downey of Ebury Street, London. The illustrated pieces completed by Esther Faithfull Fleet include a calling card hand decorated in ink and watercolors (?), and a watercolor painting of a parrot.

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Madame de Rhinfeld, née St. Clair, grew up in a convent in France, where she was instructed in the construction of artificial flowers. She later used this skill to make a living in England. Collection comprises an handwritten, unpublished manuscript volume (256 written pages, plus 45 watercolor and 5 pen and ink plates of illustrations) by Madame de Rhinfeld, written around 1830. In the manuscript, Rhinfeld provides detailed instruction on how to create 24 different artificial flowers, and describes the tools used to make them. Flowers include pomegranate, hyacinth, roses, pansies, narcissus, geraniums, and orange flowers, among others. Includes watercolor diagrams regarding the construction of each flower, with additional paintings of the finished piece. The instructions are accompanied by a chapter of poetry, stories, quotations, and commentary related to each flower. Scattered throughout the manuscript are other pen and ink drawings. Includes an index to flowers and to poets.

Collection comprises an handwritten, unpublished manuscript volume (256 written pages, plus 45 watercolor and 5 pen and ink plates of illustrations) by Madame de Rhinfeld, written around 1830. In the manuscript, Rhinfeld provides detailed instruction on how to create 24 different artificial flowers, and describes the tools used to make them. Flowers include pomegranate, hyacinth, roses, pansies, narcissus, geraniums, and orange flowers, among others. Includes watercolor diagrams regarding the construction of each flower, with additional paintings of the finished piece. The instructions are accompanied by a chapter of poetry, stories, quotations, and commentary related to each flower. Scattered throughout the manuscript are other pen and ink drawings. Includes an index to flowers and to poets.

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Harriet Sanderson Stewart diaries, 1906-1911 0.2 Linear Feet — 5 volumes

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Traveler, diarist, daughter of Reverend Francis Stewart. Three diaries written by affluent British woman traveling with her father. Ms. Stewart recorded her impressions of people and events aboard ships as well as describing accomodations, entertainments, plants, and ways of life in the places she visited. In "Westward Wanderings, 1906-1907" (2 v.), she described her travels in the West Indies, Canada, and the United States (New York City, Boston, and Washington D.C.). Volume I includes a description of the 1907 earthquake in Jamaica. In both volumes Ms. Stewart wrote of her impressions of Black West Indians and her interactions with them. "Eastern Impressions, 1907-1908" (2 v.) documents her journey through Sri Lanka, India, Burma, and North Africa. A third diary, "Scenes from Southern Spain" (1 v.), was written during 1911. Entries are illustrated with numerous watercolors and photographs (including cyanotypes and albumen prints) by Stewart, as well as clippings, postcards, maps, menus, and dried flora.

Three diaries written by affluent British woman traveling with her father. Ms. Stewart recorded her impressions of people and events aboard ships as well as describing accomodations, entertainments, plants, and ways of life in the places she visited. In "Westward Wanderings, 1906-1907" (2 v.), she described her travels in the West Indies, Canada, and the United States (New York City, Boston, and Washington D.C.). Volume I includes a description of the 1907 earthquake in Jamaica. In both volumes Ms. Stewart wrote of her impressions of Black West Indians and her interactions with them. "Eastern Impressions, 1907-1908" (2 v.) documents her journey through Sri Lanka, India, Burma, and North Africa. A third diary, "Scenes from Southern Spain" (1 v.), was written during 1911. Entries are illustrated with numerous watercolors and photographs (including cyanotypes and albumen prints) by Stewart, as well as clippings, postcards, maps, menus, and dried flora.