Collections

Back to top

Search Constraints

Start Over You searched for: Level Collection Remove constraint Level: Collection Names Baskin, Lisa Unger Remove constraint Names: Baskin, Lisa Unger
Number of results to display per page
View results as:

Search Results

collection icon

Marianne North letter to Dr. Jessop, undated 0.1 Linear Feet — 1 item

Collection comprises an autograph letter from Marianne North to Dr. Jessop, dated May 22, requesting that Jessop provide details about the possible sale of manuscripts of her ancestor, Roger North.

Collection comprises an autograph letter from Marianne North to Dr. Jessop, dated May 22, requesting that Jessop provide details about the possible sale of manuscripts of her ancestor, Roger North.

collection icon

Lydia Howard Sigourney letter, undated 0.1 Linear Feet — 1 item

Collection comprises a handwritten letter Lydia Howard Sigourney drafted as Secretary for the Hartford Ladies' Association for supplicating justice and mercy towards [sic?] the Indians, to request assistance with the circulation of a petition among the women of Hartford. The letter also discusses the political process behind the petition and its circulation. Includes a faint handwritten addendum, written in another person's hand, noting a decision not to send the letter. The item is undated, but possibly dates to the 1830s.
collection icon

Henry Noel Brailsford letters, probably 1911. 0.1 Linear Feet — 2 items

Henry Noel Brailsford was the most prolific British left-wing journalist of the first half of the 20th century. A founding member of the Men's League for Women's Suffrage in 1907, he resigned from his job at The Daily News in 1909 when it supported the force-feeding of suffragettes on hunger strike. Collection comprises two letters from Henry Noel Brailsford to (John Howard?) Whitehouse, probably written in 1911.

Collection comprises two letters from Henry Noel Brailsford to (John Howard?) Whitehouse, probably written in 1911. In the first letter, dated 31 January, Brailsford urges Whitehouse to get his Committee to cooperate with the Conciliation Committee in getting a Conciliation Bill passed ("... the P.M. is more likely to listen to your Committee"). Brailsford also tries to enlist Whitehouse to help him find new members for the Conciliation Committee: "If you see any Liberals who are good suffragists & are not averse in principle from working with Tories, I hope you will invite them to join us." In the second letter, dated 3 March, Brailsford discusses Whitehouse's decision to resign and urges him to reconsider. The resignation was (presumably) over the Conciliation Committee's handling of an inquiry into the violent clash between suffragettes from the Women's Social and Political Union and the police on 1910 November 18 at the House of Commons. On stationery of the Conciliation Committee for Woman Suffrage. Includes transcripts for both letters.

collection icon

Edith Sitwell poems, circa 1940-1950 0.1 Linear Feet — 1 item

Dame Edith Sitwell was a British poet and critic whose work helped usher in the modernist era of British poetry. This autograph manuscript contains the text of two of her poems: "Lullaby" and "Serenade: From Any Man to Any Woman." Both poems were inspired by the early years of World War II and were published in her 1942 collection "Street Songs."

The five leaf holograph manuscript with text on the front side of each numbered page consists of two poems both titled at the top and signed "Edith" at the bottom. Both poems, "Lullaby," and "Serenade: Any Man to Any Woman" appeared in her 1942 collection "Street Songs." In this manuscript, "Serenade" is titled "Any Man to Any Woman." Both were inspired by the early years of World War II and are ironically titled. "Lullaby," sung by a baboon, describes a chaotic, primeval world destroyed by wartime chaos and despair in which, "All is equal - blindness, sight/There is no depth, there is no height." "Serenade" spoken by a dying soldier, regards his love through the lens of death and destruction. He identifies his love with a cannon and invites her to "die with me and be my love" in a reversal of the famous Marlowe line.

Both poems are referenced in the Edith Sitwell papers at the Ransom Humanities Center. Viewed March 9, 2017

Source: Misko, Ellen, "A Study of Dame Edith Sitwell's Later Poems: 1940-1945" (1972). Dissertations. Paper 1211. Viewed March 9, 2017

collection icon

Mathilde Blind letter, circa 1889-1896 0.1 Linear Feet — 1 item

Mathilde Blind was a writer and feminist active in late 19th century England. This letter was written by Blind thanking a correspondent for sending her a newspaper clipping containing a review of her work. She expresses gratitude for his thoughtfulness and for his "sympathetic spirit" towards her work.

The collection comprises a single autograph manuscript letter on a single folded sheet of paper with text on three sides dated June 19, but lacking a year. The manuscript address given at the top of the first page reads: Holly Cottage, The Mount, Hampstead, London, N.W. In the letter, Mathilde Blind writes to thank an unknown male correspondent for sending her a clipping from the Liverpool Mercury containing a review of one of her works. Blind writes, "Sitting here this evening, somewhat tired, somewhat despondent, there comes to me your letter. I cannot tell you how it cheered and strengthened me. There is something profoundly stirring in the thought that far away, among the great unknown multitude of one's fellow beings, there are people who have entered into one's work with a kindly sympathetic spirit."

collection icon

Maria Mitchell letters, circa 1846-1868 0.1 Linear Feet — 3 items

Maria Mitchell was a pioneering United States astronomer. This collection comprises three social correspondence notes written by Mitchell between approximately 1846-1868.

Collection comprises three manuscript notes by Mitchell. The first, written while Mitchell was the librarian at the Nantucket Atheneum, is addressed to a Mrs. Greene regarding a John Quincy Adams letter Mitchell has forwarded to her "at Phebe's request" for her autograph business. The second, written while Mitchell was teaching at Vassar College, is addressed to a Mrs. Burner asking for letters of recommendation to a number of people in London. The third, dated 1877, to a Miss Ladd, sends her regrets for not being able to speak at the Harvard School commencement.

collection icon

Floriana or the method of constructing artificial flowers, circa 1830 0.7 Linear Feet — 1 item

Madame de Rhinfeld, née St. Clair, grew up in a convent in France, where she was instructed in the construction of artificial flowers. She later used this skill to make a living in England. Collection comprises an handwritten, unpublished manuscript volume (256 written pages, plus 45 watercolor and 5 pen and ink plates of illustrations) by Madame de Rhinfeld, written around 1830. In the manuscript, Rhinfeld provides detailed instruction on how to create 24 different artificial flowers, and describes the tools used to make them. Flowers include pomegranate, hyacinth, roses, pansies, narcissus, geraniums, and orange flowers, among others. Includes watercolor diagrams regarding the construction of each flower, with additional paintings of the finished piece. The instructions are accompanied by a chapter of poetry, stories, quotations, and commentary related to each flower. Scattered throughout the manuscript are other pen and ink drawings. Includes an index to flowers and to poets.

Collection comprises an handwritten, unpublished manuscript volume (256 written pages, plus 45 watercolor and 5 pen and ink plates of illustrations) by Madame de Rhinfeld, written around 1830. In the manuscript, Rhinfeld provides detailed instruction on how to create 24 different artificial flowers, and describes the tools used to make them. Flowers include pomegranate, hyacinth, roses, pansies, narcissus, geraniums, and orange flowers, among others. Includes watercolor diagrams regarding the construction of each flower, with additional paintings of the finished piece. The instructions are accompanied by a chapter of poetry, stories, quotations, and commentary related to each flower. Scattered throughout the manuscript are other pen and ink drawings. Includes an index to flowers and to poets.

collection icon

Copy of the Lady Holfords will and codicills 1717..., circa 1720 1.0 Linear Foot — 1 item

Lady Elizabeth Holford was born Elizabeth Lewis around 1650. She first married a merchant called Harbin, whose wealth she inherited. Her second husband was a poor baronet, Sir William Holford, who died before her. Lady Holford died on 3 November 1720, without an heir. Collection comprises a handwritten manuscript copy (70 pages; incomplete, the text ends mid-sentence) of Lady Holford's will and codicils, created around 1720, following her death. In the will, large sums of money are bequeathed to several Oxford colleges, including Christ Church, Pembroke and Worcester Colleges, and Hart Hall, along with Charterhouse School. There are also lesser legacies made to various London charity schools, along with other amounts left to individuals.

Collection comprises a handwritten manuscript copy (70 pages; incomplete, the text ends mid-sentence) of Lady Holford's will and codicils, created around 1720, following her death. In the will, large sums of money are bequeathed to several Oxford colleges, including Christ Church, Pembroke and Worcester Colleges, and Hart Hall, along with Charterhouse School. There are also lesser legacies made to various London charity schools, along with other amounts left to individuals.

collection icon

Virginia Woolf's oak writing desk, between 1904-1907 2.5 Linear Feet — 67.4 x 126 x 87.7 cm; 26.5 x 49.5 x 34.5 inches

Writing desk at which one would stand, designed and owned by Virginia Woolf. The sloping top of the desk features a central panel in two pieces, with hinges at the top. The panel lifts to reveal a storage compartment underneath. Two drawers are located below the storage area, one on each side of the desk. There are metal pulls on each drawer. The left-hand drawer pull surrounds a flower medalion; the medalion on the right-hand drawer is missing. The drawers and desk top each feature a metal lock, but no keys are present. Quentin Bell painted the figure of Cleo holding a trumpet on the top of the desk. He painted the rest of the desk, except the back, in grays with black accents. There are random spatters of paint present on all surfaces.

Writing desk at which one would stand, designed and owned by Virginia Woolf. The sloping top of the desk features a central panel in two pieces, with hinges at the top. The panel lifts to reveal a storage compartment underneath.Two drawers are located below the storage area, one on each side of the desk. There are metal pulls on each drawer. The left-hand drawer pull surrounds a flower medalion; the medalion on the right-hand drawer is missing. The drawers and desk top each feature a metal lock, but no keys are present. Quentin Bell painted the figure of Cleo holding a trumpet on the top of the desk. He painted the rest of the desk, except the back, in grays with black accents. There are random spatters of paint present on all surfaces.

collection icon

Ellen Terry note and cabinet photograph, between 1878-1902 0.1 Linear Feet — 2 items

Dame Ellen Terry, considered the leading Shakespearean actor of her time, was a member of the company at London's Lyceum Theatre from 1878-1902. Collection comprises an autograph note on Lyceum Theatre letterhead (5"x8"). The actor Ellen Terry writes to "Olga" to schedule a social engagement. She writes, "I'm much grieved to hear of you mother ..." and sends "best remembrances" to Olga's husband. There is also an undated cabinet photograph, by Window & Grove photographers, London.

Collection comprises an autograph note on Lyceum Theatre letterhead (5"x8"). The actor Ellen Terry writes to "Olga" to schedule a social engagement. She writes, "I'm much grieved to hear of you mother ..." and sends "best remembrances" to Olga's husband. There is also an undated cabinet photograph, by Window & Grove photographers, London.