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Collection
Online
Collection comprises a scrapbook (96 pages) featuring primarily newspaper and magazine clippings that document the leaders, activists, actions and activities of the Women's Social and Political Union between 1908 and 1917. The unidentified compiler was likely a member of the organization, for she included handwritten labels identifying unnamed participants and often provided handwritten commentary on actions taken or the treatment of women imprisoned. In several cases, she was also able to obtain autographs of individual suffragists. Events documented include the 1913 Suffrage Pilgrimage, the memorial for Emily Wilding Davison, Rosa May Billinghurst, the Coronation procession, and the suffragist's bombing of Westminster Abbey. Other topics include what men did to get the vote; voting as a right; forcible feedings and other injuries the women sustained; marches, speeches, and gatherings of support; the work of the Pankhursts; women's activities in support of the war in Europe; the organization's offices; and international supporters of women's suffrage. Includes several items laid-in.
Collection
The Women's Guild of Arts was founded in England in 1907 by textile designer and jeweller May Morris, and grew to about 60 members. The organization offered female artists an alternative to the Art Workers' Guild, the artists' association established in 1884 to encourage excellence in the fine and applied arts, and from which women were excluded until the 1960s. Collection comprises primarily 81 letters from 29 members of the Women's Guild of Arts between 1902 and 1949. There are 7 additional documents, including draft resolutions, certificates, lists, and notes.

Collection comprises primarily 81 letters from 29 members of the Women's Guild of Arts between 1902 and 1949. There are 7 additional documents, including draft resolutions, certificates, lists, and notes. Three letters predate the founding of the organization in 1907. The primary topic of the letters is the crisis within the Guild regarding its women-only status, an argument regarding how restrictive the Guild should be. Pamela Colman Smith wrote to May Morris (22 January 1913) that the reason she joined the Guild was that it made a point of asking its members not to exhibit at women-only shows, as it lowered the standard of work and that the Guild was never intended to be a purely woman's affair. Other letters on the subject come from Evelyn de Morgan, Feodora Gleichen, and Ethel Sandell. Gleichen's letter was circulated to members, and the collection contains a list of those who agreed with her; several letters are marked up to indicate a position on the matter. There is also a draft resolution welcoming any move to widen the scope of the Guild "such as stimulating and interesting lectures not only from our own members but from men and women outside....It is with this in view that we supported the resolution passed at the recent Annual Meeting, inviting as Honorary Associates a few people with whose work we are in sympathy..." (22 January 1913). Other topics in the letters include the role of the president, exhibitions, lectures, and the work of the organization, along with the William Morris Centenary Commemoration in 1934.

Collection

"Woman: the World Over": a lecture to accompany a series of 54 photographic transparencies for the optical lantern, 1901 49 items — 1 box; 1 pamphlet binder — 48 glass lantern slides; one printed booklet — Slides measure 3 1/4 x 3 1/4 inches — 48 glass slides; 1 printed booklet.

Online
Collection consists of a commercially produced set of 48 hand-colored glass lantern slides entitled "Woman: The World Over," published in 1901 by Riley Brothers in Bradford, England. The original printed booklet accompanying the set lists 53 slides in all, and contains detailed lecture-format captions. The women in the portraits represent nations around the world. Subjects include women of different classes; married women and women in courtship; there are women depicted in their homes, with children, and in roles which the lecture suggests are little more than slaves. Other slides show women working in agricultural, service, and industrial settings, and gambling and climbing mountains. There is one slide of the Women's Temple in Chigago, headquarters of the Women's Christian Temperance Union. Lecture notes refer to problematic social conditions for women, particularly regarding marriage, and changing social norms as the 20th century begins. One slide is black-and-white. All titles are original, as is the slide sequence. Acquired as part of the Lisa Unger Baskin Collection at Duke University.

Collection consists of a nearly complete lecture set of 48 hand-colored glass lantern slides published in England. The original printed booklet accompanying the set bears the full title, "Woman: the world over. A lecture to accompany a series of 54 photographic transparencies for the optical lantern." The price appearing on the booklet is sixpence.

The booklet lists 53 slides in this set, and contains detailed lecture-format captions which would be read aloud as the slides were projected. The series is incomplete: numbers 28, 47, 48, 51, 53, and 54 are not present. Titles are also printed along the mount edges of each slide but are obscured in a few cases by black repair tape. All titles are original, as is the slide order. The titles and lecture script contain historical terms and language that may be offensive to modern-day audiences. The slides measure 3 1/4 inches square (83 x 83 mm).

The slides and lecture notes were originally arranged in six series, retained in this description: Woman in Society; The Domestic Woman; Woman in Subjection; Emancipated Woman; Woman the Breadwinner; and Angelic Woman.

The women in the portraits represent races, cultures and nations around the world, among which British Guiana, China, Iceland, India, Japan, Netherlands, the Philippines, Russia, Switzerland, Tonga, Tunisia, and the U.S. There are portraits of women with high social status, married women, and women in courtship; there are women depicted in their homes, women with children, and in roles of subjugation which the lecture suggests are little more than slaves. A few images include men.

The series "Woman the Breadwinner" includes agricultural, craft, and industrial scenes, and a slide of women nurses attending to patients. The "Emancipated Woman" series includes an actress, a group of nurses, and women mountaineering. There is one slide of the Women's Temple in Chigago, headquarters for the Women's Christian Temperance Union from 1892 to 1926. Titles are present on the edges of most of the glass slide mounts, and are listed in full in the booklet.

The booklet's lecture notes refer to problematic social conditions for women, particularly regarding marriage, as well as changing social norms as the 20th century begins. The series ends with romantic images of ideal women, chiefly through the lens of courtship and beauty. Most of the missing slides are from this group.

The set held by the Rubenstein is numbered 1239 in the lecture booklet. There is no date on either the slides or the booklet, but the Women's Temple in Chigago, completed in 1892, provides the earliest date. A slide entitled "Wife of the Khedive" helps provide the latest date: the Egyptian title "Khedive" was last used in 1914. The Lucerna Magic Lantern Web Resource (viewed online November 8 2017) gives the publisher as the Riley Brothers of Bradford, Yorkshire, England, and the publication date as 1901.

Acquired as part of the Sallie Bingham Center for Women's History and Culture and the Lisa Unger Baskin Collection at Duke University.

Collection
Collection contains objects and ephemera relating to the women's suffrage movement in the United Kingdom and United States in the late nineteenth and early twentieth century. Various pro- and anti-suffrage perspectives are represented. The items include banners, textiles, buttons, pins, and badges, along with other related handbills and printed materials.

Collection comprises materials relating to the women's suffrage movement in the United States and United Kingdom, including pins, medallions, buttons, textiles, card sets, stamps, photographs, and printed materials and ephemera. The majority of the collection's items express pro-women's suffrage sentiments. Organizations present include the Woman's Peace Party, Catholic Women's Suffrage Society, Women's Freedom League, National Union of Women's Suffrage Societies, Cymeric Suffrage Union, Men's League for Women's Suffrage, Women's Social and Political Union (W.S.P.U.), Women's Christian Temperance Union, and the Woman's Suffrage National Aid Corps. Examples of messages conveyed include: "Votes for Women," "Vote No on Women's Suffrage," "Women's Equality. Women's Lives." Some items include portraits of women suffragists, including Susan B. Anthony and Inez Milholland. Several items reference voting to repeal the 19th amendment. Also includes three sets of "Panko or Votes for Women: The Great Card Game Suffragists v. Anti-Suffragists," published in 1909 by Peter Gurney with illustrations by E.T. Reed, from Punch magazine. Postcards and photographs include both caricatures and real-photo images of suffragists, suffragettes, and their allies, as well as items mocking or opposing the woman's suffrage movement. The collection contains some 1910s banners, scarves, and sashes in yellow and white, and others in green and purple fabric, with text reading "Votes for Women"; there are also a variety of printed handbills, handouts, fliers, and ephemeral materials circulated and distributed to the public for suffrage campaigns in different states, including Massachusetts, New York, and Maine.

Collection
Collection comprises a letter written by the United States Senator from Ohio Warren G. Harding to the suffragist Harriet Taylor Upton regarding support for women's suffrage. Harding responds to a telegram from Upton asking him to use his influence on Ohio State Senator U.G. Murrell in support of women's voting rights. Harding replies that he is "reluctant" to advise Murrell on the matter because of his previous experience with Murrell while Harding was a member of the Ohio General Assembly.

The collection consists of a single autograph typescript letter on Senator Warren G. Harding's United States Senate letterhead dated 1917 February 11. Senator Harding writes to suffragist Mrs. Harriet Taylor Upton of Warren, Ohio, "I beg to acknowledge your telegram of February 4. By reason of my former experience as a member of the Senate of Ohio General Assembly, I would be reluctant to advise Senator Murrell of Clinton County as to his ultimate action on the suffrage matter." Murrell was a member of the Ohio General Assembly. By 1917, Senator Harding was prepared to vote in the affirmative on the issue of women's suffrage. Harriet Upton was was hoping to leverage his influence to generate similar support in their home state of Ohio.

Collection
The collection consists of five typescript letters, one photocopied Encyclopedia Britannica article regarding Sackville-West's book "Aphara Behn" in the "Representative Women" series, along with a poem. The first letter, one page addressed to Sackville-West, dated 1953 May 22, signed "A. Purvis," discusses the birthplace and date of Aphra Behn. A photocopy of the Encyclopedia Britannica article on Behn is included. A typescript note dated 18 July, 1961, signed V. Sackville-West on Sissinghurst letterhead, was written in response to a letter from Sylvia Haymon about Aphra Behn, and Sackville-West's article on Behn in the Encyclopedia Britannica. Included are copies of three letters, all dated 1961, sent to Sylvia Haymon, two to Sackville-West, and one to Miss J. Parfitt, Acting Editor of the Women's Page of The Times in London. The topics of the undated, one-page "Diary-Poem" have to do with Sackville-West's loss of her given name upon her marriage to Harold Nicolson in 1913, and the loss of Knole, her family's estate in Kent, in 1928 because of patriarchal inheritance laws.

The collection consists of five typescript letters, one photocopied Encyclopedia Britannica article regarding Sackville-West's book "Afara Behn" in the "Representative Women" series, along with a poem. The first letter, one page addressed to Sackville-West, dated 1953 May 22, signed "A. Purvis," discusses the birthplace and date of Aphra Behn. A photocopy of the Encyclopedia Britannica article on Behn is included. A typescript note dated 18 July, 1961, signed V. Sackville-West on Sissinghurst letterhead, was written in response to a letter from Sylvia Haymon about Aphra Behn, and Sackville-West's article on Behn in the Encyclopedia Britannica. Included are copies of three letters, all dated 1961, sent to Sylvia Haymon, two to Sackville-West, and one to Miss J. Parfitt, Acting Editor of the Women's Page of The Times in London. The topics of the undated, one-page "Diary-Poem" have to do with Sackville-West's loss of her given name upon her marriage to Harold Nicolson in 1913, and the loss of Knole, her family's estate in Kent, in 1928 because of patriarchal inheritance laws.

Collection

Virginia Woolf's oak writing desk, between 1904-1907 2.5 Linear Feet — 67.4 x 126 x 87.7 cm; 26.5 x 49.5 x 34.5 inches

Writing desk at which one would stand, designed and owned by Virginia Woolf. The sloping top of the desk features a central panel in two pieces, with hinges at the top. The panel lifts to reveal a storage compartment underneath. Two drawers are located below the storage area, one on each side of the desk. There are metal pulls on each drawer. The left-hand drawer pull surrounds a flower medalion; the medalion on the right-hand drawer is missing. The drawers and desk top each feature a metal lock, but no keys are present. Quentin Bell painted the figure of Cleo holding a trumpet on the top of the desk. He painted the rest of the desk, except the back, in grays with black accents. There are random spatters of paint present on all surfaces.

Writing desk at which one would stand, designed and owned by Virginia Woolf. The sloping top of the desk features a central panel in two pieces, with hinges at the top. The panel lifts to reveal a storage compartment underneath.Two drawers are located below the storage area, one on each side of the desk. There are metal pulls on each drawer. The left-hand drawer pull surrounds a flower medalion; the medalion on the right-hand drawer is missing. The drawers and desk top each feature a metal lock, but no keys are present. Quentin Bell painted the figure of Cleo holding a trumpet on the top of the desk. He painted the rest of the desk, except the back, in grays with black accents. There are random spatters of paint present on all surfaces.

Collection
Vera Brittain was an English writer and pacifist activist best known for her World War I memoir Testament of Youth. The Vera Brittain letter to critia and editor John Middleton Murry concerns matters relating to the publishing and financing of Murry's literary, socialist, and pacifist magazine The Adelphi. Brittain also writes of her pacifism as it relates to concerns about nuclear warfare in the immediate aftermath of World War II.

Consists of a single typescript letter from Brittain to the critic and editor John Middleton Murry dated September 13, 1946. Single-page, with text on front and back written on letterhead reading "2 Cheyne Walk, Chelsea S.W.3." Brittain comments on the revival of Murry's The Adelphi, and on strategies to finance such literary magazines. The second part of the letter discusses her opinions on methods of pacifist activism, particuarly as related to nuclear war. The postscript discusses the forthcoming publication of John Hersey's 1946 book Hiroshima. She comments, "If only the world could read it, the 'next war' would move much further off." It is signed "Vera."

Collection
Thomas Smith was a resident of the burrough of Norfolk, Va. Deed of manumission of "negro Sue," more commonly known as Susannah Mallory, former property of Charles King Mallory, of Elizabeth City County, [Va.?], by Thomas Smith in the Court of Norfolk County, Va., on 1803 July 19. In the document Smith makes it clear that the sixty dollars he paid for her purchase from Charles King Mallory was advanced entirely by Sue and that he acted only as her "Friendly agent" in the matter, with no interest in holding her as a slave. The deed is witnessed by Richard Henry Lee and R. C. Archer.

Deed of manumission of "negro Sue," more commonly known as Susannah Mallory, former property of Charles King Mallory, of Elizabeth City County, [Va.?], by Thomas Smith in the Court of Norfolk County, Va., on 1803 July 19. In the document Smith makes it clear that the sixty dollars he paid for her purchase from Charles King Mallory was advanced entirely by Sue and that he acted only as her "Friendly agent" in the matter, with no interest in holding her as a slave. The deed is witnessed by Richard Henry Lee and R. C. Archer.

Collection
Dame Sybil Thorndike was a distinguished British actress best known for her work on stage. In this letter to the actress and playwright Elizabeth Robins, Thorndike thanks her for the gift of some heather from Yorkshire. She also sends her regards and thanks to "Lady Bell" for her support. The letter is addressed to Robins at Rounton Grange, the North Yorkshire estate which was the family home of the writer Florence Bell ("Lady Bell"). Bell and Robins were close friends and collaborators. Thorndike refers to a play; at the time of this letter, she was in rehearsals for the 1922-23 London production of Shelley's The Cenci at the New Theater, directed by her husband, Lewis Casson. This letter connecting three key female figures of the London stage is evidence of the strong support network these women formed in a male-dominated arena.

The collection consists of a single autograph typescript letter from Sybil Thorndike to Elizabeth Robins at Rounton Grange, Northallerton in North Yorkshire. In the letter, Thorndike thanks Robins for sending her a piece of heather from Rounton Grange. Thorndike writes, "I am sure it is going to bring us luck, and I love having something from Rounton on my dressing table. How lovely to think of you up there among the peacocks and the glorious moors! I really think the play is going to be a success." The letter is signed "yours affectionately, Sybil" with a manuscript postscript asking Robins to give her love to Lady Bell, and to thank Lady Bell for her support. The letter is composed on Thorndike's own letterhead stationery, "Miss Sybil Thorndike" at the address of the New Theater, London and listing her husband, Lewis Casson, as Director. The play in production Thorndike refers to is Shelley's The Cenci, in which she played the lead, Beatrice. With stamped, postmarked envelope.

Collection

Susan P. Parrott account book, 1839-1846 0.1 Linear Feet — 1 item

Susan P. Parrott was a widow who probably resided in Maine during the mid-nineteenth century. Collection comprises an handmade account book with paper covers (35 pages, some blank, with an additional 5 leaves excised) maintained by Susan P. Parrott from 1839-1846, mainly to track her payments to at least 30 women she hired to work for her from one day to several months at a time. It is not clear in what capacity she hired the women, although one, Martha Brackett, was a seamstress.

Collection comprises an handmade account book with paper covers (35 pages, some blank, with an additional 5 leaves excised) maintained by Susan P. Parrott from 1839-1846, mainly to track her payments to at least 30 women she hired to work for her from one day to several months at a time. It is not clear in what capacity she hired the women, although one, Martha Brackett, was a seamstress. A few entries are accompanied by notes on the women: Martha White was African American, and on 1842 July 1, Parrott noted that she engaged Bridget(t) O'Boyle "to stay two months from this date--and to behave herself better." Other payments were recorded for tobacco, cider, gin, pills, medicine, bonnets, dresses, corsets, slippers, ribbons and a lace collar, cloth, gloves, crockery, and letters. Parrott also recorded cash entries.

Collection

Susan B. Anthony collection, 1870-1900 0.1 Linear Feet — 13 items

Collection comprises seven letters from Susan B. Anthony to various correspondents, one postcard written to her, a printed item, and a letter by S. J. S. Holden that mentions Anthony, Stanton, and the 1874 National Woman Suffrage Association (N.W.S.A.) convention.

Collection comprises seven letters from Susan B. Anthony to various correspondents, one postcard written to her, a printed item, and a letter by S. J. S. Holden that mentions Anthony, Stanton, and the 1874 National Woman Suffrage Association (N.W.S.A.) convention. In June 1870, Anthony wrote two letters to Edwin A. Studwell, who became her business manager, regarding payment for lectures in which she participated with Elizabeth Cady Stanton; her need to sell her serial, The Revolution, and plans for its continued success; competition with suffragists in Boston; her life insurance policies; and her general need for ready funds. There is also a Dec. 1873 letter from Anthony to Judge Henry R. Selden requesting copy for his argument made on Anthony's behalf regarding the Rights of Women in the U.S. District Court of New York, to be published in time for the upcoming N.W.S.A. convention. The postscript to this letter was written upon a flyer for a mass meeting of the New York Woman's Suffrage Society. Collection includes a copy of the final, printed version of Selden's argument, "Rights of women under the late constitutional amendments."

In 1894, Anthony wrote two letters to a suffragist concerning problems in Kansas; she wished to identify the Republican, Progressive, or other person responsible for "stirring things up," for the Republicans failed to include suffrage in their platform. On 1900 April 24, Anthony wrote to Rachel [Foster Avery?] regarding several publications in process, including forms for letters to the national conventions of the prohibition, Populist, Democratic, and Republican parties; a "memorial;" an appeal to the Ecumenical Council; along with other work to be shared by the suffrage leadership. A letter from Anthony 1900 July 22 was written to an unnamed suffragist who likely requested an autograph, "Yes indeed--you shall have my pen tracks--not only--but also my wish that you both believe in work for the protection of women in the crowning right of citizenship--the right to vote--and so help to hasten the day when ours shall be a true republic in practice as it now is in theory."

Collection also includes a postcard written to Anthony from Mary L. Lathrop in Jackson, [Miss.?] in 1874 regarding Lathrop's inability to send more money following Anthony's successful speaking engagement there; the money went toward advertising for the event. Another letter, from S. J. S. Holden to Rachel [Foster Avery?], in 1874 describes attendance at the N.W.S.A. convention, the speeches of Anthony and Elizabeth Cay Stanton, and other pastimes in Washington, D.C. Several of the letters in the collection are written on N.W.S.A. or National-American Woman Suffrage Association letterhead; Anthony's 1894 letters are stamped with the ownership mark of the Daughters of the Pioneers of Washington library. Collection includes dealer transcriptions for two of Anthony's letters.

Collection

Summons, 1785 May 31 0.1 Linear Feet — 1 item

New York County's Court of Oyer and Terminer and General Gaol Delivery was the court of criminal jurisdiction, especially for crimes punishable by life imprisonment or death. Collection comprises a manuscript summons from the Court of Oyer and Terminer and General Gaol Delivery in New York City dated 1785 May 31 for Doctor Charles M. McKnight, James J. Beekman, Sarah Conolly (Conoly), and Ann McClean (McClain) to serve as witnesses the following day against the African American prisoner Hannah, who was indicted for "Murder of a Bastard Child."

Collection comprises a manuscript summons from the Court of Oyer and Terminer and General Gaol Delivery in New York City dated 1785 May 31 for Doctor Charles M. McKnight, James J. Beekman, Sarah Conolly (Conoly), and Ann McClean (McClain) to serve as witnesses the following day against the African American prisoner Hannah, who was indicted for "Murder of a Bastard Child."

Collection
Collection comprises 5 black-and-white gelatin silver developing-out paper photographs taken by SNCC representatives from the Atlanta, Georgia, regional office. One photograph is uncredited, the others were photographed by Joffré T. Clarke, Bob Fletcher, and Tom Wakayama. They are undated, but probably were taken during the 1960s. Subjects in the images are all African-American, and include an elderly woman picking cotton, a young boy drawing with crayons, a little girl in a group watching others, a man slaughtering hogs, and a group building a house.
Collection
Sophia Foord was a 19th century teacher in Massachusetts who was involved with the abolitionist, utopian socialist, and feminist movements. The Sophia Foord letter to Robert Adams mainly concerns the Northampton Association of Education and Industry, a utopian socialist community.

Three-page letter from Sophia Foord of Northampton, MA to Robert Adams of Pawtucket, RI regarding the Northampton Association of Education and Industry. Abolitionists Lydia Maria Child and William Lloyd Garrison are also mentioned, as is the Underground Railroad. A section is missing from the top of the first leaf, affecting text on the second page.

Collection
Online
The Sarah Orne Jewett letters consist of two pieces of correspondence written by the author to an editor, Mr. Sawyer, and to Lucy Coffin. Sarah Orne Jewett was a well-known 19th century author whose fiction is set in her native rural Maine. In the first letter, Jewett declines to send Mr. Sawyer anything to print in the first issue of his magazine, as she has been ill and busy, and doesn't want to write something in a hurry, although she wishes him well with his new publication. The second is a condolence letter to Lucy Coffin of Newbury, Massachusetts on the loss of her father. The Coffins were a prominent Massachusetts family.

Collection consists of two autograph manuscript letters written by Sarah Orne Jewett. The first is addressed to a Mr. Sawyer, the editor of a new journal, declining to send him anything to print in his first issue, as she has been ill and doesn't wish to write something in a hurry. She sends him "hearty good wishes for the success of his magazine," asks him to send her a prospectus, and "suppose[s] that, like all editors, you have more verses than you wish to print." The letter is on a single sheet of folded paper with writing on three pages dated 1877 June 15 and written from South Berwick, [Maine]. The second letter is a sympathy note written on mourning stationery and addressed to Miss [Lucy] Coffin dated 26 December, but lacking a year. A Boston address appears at the top. Jewett expresses sympathy for the loss of Miss Coffin's father from both her and her companion Mrs. Field, and reminisces about a day they had spent together in Newburyport. Jewett references John Greenleaf Whittier, who was a student of Lucy's cousin Joseph while at Dartmouth College. The Coffin Family was prominent in New England and lived in Newbury, Massachusetts for many generations.

Collection
Collection comprises a letter from the 19th century writer and editor Sarah J. Hale to the prominent Philadelphia publisher Mathew Carey thanking him for his contribution to Hale's charity benefiting Boston seamen.

The collection consists of a single signed autograph letter with text on one side from Sarah J. Hale to the Philadelphia publisher Mathew Carey. Hale thanks Carey for his subscription to her charity, the Seaman's Aid Society and Mariner's House of Boston for the year 1822-1823. Hale also inquires about local interest in a Philadelphia organization that teaches needlework as a means of economic empowerment to poor women.

Collection
Collection comprises a diary (49 pages) Sarah Ewing maintained in ink, focusing on the domestic abuse she suffered from her husband, including verbal and physical abuse. One entry also records her husband's arrest for an assault that took place outside the home. By the end of the diary, Sarah has left her husband in fear for her safety, taking with her the baby. After visiting the house in order to retrieve more clothing, she ends the diary with a note that she is not a thief, "I had never in my life before removed or taken away from H.H. [Haydon House] any articles of clothing or jewelry of any sort." Marginal notes made by an unidentified writer in pencil indicate that the diary may have been used in legal or other proceedings on her behalf.
Collection
Sara Grand was a pseudonym for author and feminist Frances Elizabeth Bellenden Clarke (1854-1943), of Great Britain. Includes a signed statement and a letter, both written from Tunbridge Wells.

Includes a signed statement and a letter, both written from Tunbridge Wells. In the statement (approximately 1898), Grand notes that it is in the condition of the hope and lives of the masses that sets the tone for a nation. She calls on all right-thinking people in power to work for the elevation of the masses and a universal federation that will make patriotism obsolete. The letter (1908) to writer Miss [Matilda] Betham-Edwards includes descriptions of Grand's recent activities, and notes that she is enclosing an almanac and a card. Includes an attempted transcription of the letter.

Collection
Sarah Brown Capron was born in Lanesboro, Massachusetts, in 1828, the daughter of Henry Brown Hooker and Martha (Chickering) Hooker. The family subsequently moved to Falmouth, Massachusetts. Sarah graduated from Wheaton Seminary, and married William Capron on October 1, 1856. Over the course of their marriage, the Caprons had 3 children. On November 24, 1856, the Caprons sailed to Ceylon, India, as missionaries of the American Board of Commissioners for Foreign Mission. Arriving in Madras in March of 1857, they labored in Tirupuvanum and Mana Madura for the next sixteen years. Collection comprises a copy of a letter (10 pages) written by Sarah B. Capron in Mana Madura, India, to unidentified recipients on 1865 December 26 and 28.

Collection comprises a copy of a letter (10 pages) written by Sarah B. Capron in Mana Madura, India, to unidentified recipients on 1865 December 26 and 28. Sarah was in southern India, with her two daughters, practicing medicine and treating residents of the town, although her medical training was minimal. She stated that "more knowledge of medical services would save me a vast amount of care.... when I go to America, I must have some Hospital experience & practice, somehow" (page 1). She then narrated a typical day for her, telling of the various patients she treated, including a man with stomach pain, a woman with knee pain, a young boy who was gored by a cow, a man with ear discharge, a woman with eye pain, children with dysentery, a beggar with sores, and an infant with lung congestion.

Collection
Collection comprises a letter Stokes wrote to dramatist Benjamin Butler Davenport regarding her plan to attend his play "The Silent Assertion" with her husband. Includes enclosure.
Collection

Rebecca West note, 16 August 1931 0.1 Linear Feet — 1 item — 12.5 x 16.5

Rebecca West was a British writer and critic. The Rebecca West note consists of a single autograph manuscript note to an unknown correspondent reading, "With Miss Rebecca West's compliments." On letterhead stationery: 15, Orchard Court. Portman Square.W.1., Welbeck 3606.

The collection consists of a single autograph manuscript note to an unknown recipient which reads, "With Miss Rebecca West's compliments." On letterhead stationery: 15, Orchard Court. Portman Square.W.1., Welbeck 3606.

Collection

Queen Silver papers, 1891-1995 1.6 Linear Feet — 96 items

Queen Silver (1910-1998), a life-long resident of Los Angeles, California, was known from a young age as a Freethinker (atheist), feminist, and socialist. Collection includes letters, clippings, broadsides, flyers, a pamphlet, and black-and-white photographs, some mounted, as well as two color photographs.

Collection includes letters, clippings, broadsides, flyers, a pamphlet, and black-and-white photographs, some mounted, as well as two color photographs. Much of the material relates to Silver's lectures on humanist topics, but in addition to letters by Silver there are also letters from an admirer, a teacher, and from her mother. Items predating Silver's birth include a broadside for a speech by and photographs of her mother.

Collection
Pearl S. Buck was an American writer best known for her depictions of rural Chinese life. Her bestselling novel The Good Earth was awarded the Pulizer Prize, and she was the first woman to win the Nobel Prize in Literature (1938). This letter is written by Buck to Frances Perkins, then Franklin D. Roosevelt's Secretary of Labor, the first woman to hold a cabinet post. Buck thanks Perkins for congratulating her on winning the Nobel Prize. She writes that the award, "was given as much to America and China as it was to me."

The collection consists of a single autograph typescript letter from the author Pearl S. Buck to the U.S. Secretary of Labor Frances Perkins. Perkins had written to Buck to congratulate her for winning the Nobel Prize in Literature for 1938. Buck responds, "It is very kind of you indeed to write me as you have about the Nobel Prize. It adds a great deal to the pleasure of this award, which I cannot but feel was given as much to America and China as it was to me." Buck's return address is given as "209 The Manor, 333 E. 43rd Street, New York City."

Collection

Pankhurst family papers, 1891-1923 0.2 Linear Feet — 13 items

The Pankhurst family included English political activists and leaders of British women's suffrage movement, Emmeline (1858-1928) and her daughters, Christabel (1880-1958), and Estelle Sylvia (1882-1960). Collection includes letters by Emmeline, Christabel, and Sylvia Pankhurst, as well as photographs of them.

Collection includes letters by Emmeline, Christabel, and Sylvia Pankhurst, as well as photographs of them. Topics in the letters include women's suffrage, opinions of Emmeline in the United States, and Sylvia's running of newspapers, including the Worker's Dreadnought. There is also an autograph for Christabel. Images include photo postcards of Emmeline and Christabel, an albumen photograph of Emmeline and another unidentified woman breaking the flag at Lincoln's Inn House at Christmas Sale (1912), and a silver gelatin photograph of Sylvia attending a luncheon in her honor in Cincinnati.

Collection
Collection comprises a single autograph manuscript note dated 1963 with a Paris return address from the conductor and composer Nadia Boulanger to her friend "R.I." Boulanger inquires after his recent illness and encourages him to carry on his work in the future. The note's recipient is likely the composer Robert Irving.

The collection consists of a single autograph manuscript note (dated 1963 October 6) from the French composer and conductor Nadia Boulanger to a sick friend identified as "R.I." It's likely that the recipient was the conductor Robert Irving. Boulanger inquires as to what advice he's received from his doctors, and mentions her own recent illness. She says that her faith has "brought moral relief to the physical suffering." She asks after his plans and hopes for the future, "in spite of all that makes regular work so difficult." Boulanger writes her address at the bottom of the note: 35 Rue Ballu, Paris IX.

Collection

Millicent Fawcett autograph notes, 1879-1908 0.1 Linear Feet — 3 items

Millicent Garrett Fawcett (1847-1929) was an English politician, writer, and feminist. Collection comprises three autograph notes written by Fawcett.

Collection comprises three autograph notes written by Fawcett. Two (1879, 1882, with covers) were written to Mrs. Thorne at the London School of Medicine for Women, one regarding a subscription to a fund for the hospital, the other with an agreement to speak at a distribution of prizes. The final note was written to Mrs. Dalby (1908), regarding a check for traveling expenses, and her pleasure regarding meeting and talking about supporters of justice for women.

Collection

May Morris papers, 1909-1931 and undated 0.2 Linear Feet — 24 items

Mary "May" Morris was an English artisan, embroidery designer, jeweller, socialist, and editor. Collection comprises letters, an article, a few photographs, and several drawings. There are 16 letters and notes, dated 1909-1931, addressed to "Ada," who was Ada Culmer, the companion/caregiver for May Morris' sister, Jenny. Fifteen of these items were written by May, with one by Jenny. Subjects range from personal matters to Kelmscott business, including May’s editing of her father’s collected works. Much of the content centers on mutual friends and relatives (with a focus on Jenny's ill health); several letters also mention foreign travel. The article, "Mrs. William Morris," The Athenaeum, 1914 Feb. 7, contains the author's memories of Jane Morris, following her death. There is an albumen photograph (4.25 x 5.75-inches) by Ernest Hall of Oxford, showing May Morris at work on one of her tapestries at Kelmscott, as well as a developing out paper copy by Haines of London of a 1905 Carter and Co. photograph (6 x 4.25-inches) of Jane, May, and Jenny Morris, with Ada Culmer. In addition, there is a reproduction of a photograph of Kelmscott manor. Includes three undated reproductions of portraits of female figures.

Collection comprises letters, an article, a few photographs, and several drawings. There are 16 letters and notes, dated 1909-1931, addressed to "Ada," who was Ada Culmer, the companion/caregiver for May Morris' sister, Jenny. Fifteen of these items were written by May, with one by Jenny. Subjects range from personal matters to Kelmscott business, including May’s editing of her father’s collected works. Much of the content centers on mutual friends and relatives (with a focus on Jenny's ill health); several letters also mention foreign travel. The article, "Mrs. William Morris," The Athenaeum, 1914 Feb. 7, contains the author's memories of Jane Morris, following her death. There is an albumen photograph (4.25 x 5.75-inches) by Ernest Hall of Oxford, showing May Morris at work on one of her tapestries at Kelmscott, as well as a developing out paper copy by Haines of London of a 1905 Carter and Co. photograph (6 x 4.25-inches) of Jane, May, and Jenny Morris, with Ada Culmer. In addition, there is a reproduction of a photograph of Kelmscott manor. Includes three undated reproductions of portraits of female figures.

Collection
May Byron was a prolific British author best known for her children's books including a series of biographies and abridgements of J. M. Barrie's Peter Pan. In this letter, she responds to Rev. Edwin J. Matthews' request for the most important life lesson she's learned and for a list of her publications. Byron responds that she couldn't possibly sum up her life's experiences into one lesson, and that she can't provide a list of her publications because she's lost track of them. She does note that most of her children's books are still in print and have "been going on selling for some 20 years."

Collection consists of a single autograph manuscript letter written by May Byron to Reverend Edwin J. Matthews. Byron's return address is "c/o British Weekly" and Matthews' address is "The Rectory, Calstone, Calne, Wiltshire." Matthews had written to ask Byron, "the one lesson which has been most impressed upon me by my life's experiences." Byron replies, "These experiences have been so wide, so varied, and in several respects so unique that I could not possibly sum up their results in one lesson." Matthews had also asked Byron for a list of her writings, and she replies that she's unable to do so because she's lost track of them. She states that both the British Museum and the Library of Congress had asked her for a similar list, and she was unable to help them, in part because of her use of pseudonyms, and also because of her many years' work as a journalist. She concludes by stating that most all her writings are currently out of print, except for her children's books, "which have been going on selling for some 20 years."

Collection
Maud Ballington Booth was the founder, with her husband, of the Volunteers of America in 1896 and its auxiliary, the Volunteer Prison League. Collection comprises a typescript letter, signed Maud B. Booth, written to Alice Boughton on 1905 January 27, regarding a photographic portrait to be completed by Boughton.

Collection comprises a typescript letter, signed Maud B. Booth, written to Alice Boughton on 1905 January 27, regarding a photographic portrait to be completed by Boughton. On Prison League, Volunteers of America, stationary.

Collection

Mathilde Blind letter, circa 1889-1896 0.1 Linear Feet — 1 item

Mathilde Blind was a writer and feminist active in late 19th century England. This letter was written by Blind thanking a correspondent for sending her a newspaper clipping containing a review of her work. She expresses gratitude for his thoughtfulness and for his "sympathetic spirit" towards her work.

The collection comprises a single autograph manuscript letter on a single folded sheet of paper with text on three sides dated June 19, but lacking a year. The manuscript address given at the top of the first page reads: Holly Cottage, The Mount, Hampstead, London, N.W. In the letter, Mathilde Blind writes to thank an unknown male correspondent for sending her a clipping from the Liverpool Mercury containing a review of one of her works. Blind writes, "Sitting here this evening, somewhat tired, somewhat despondent, there comes to me your letter. I cannot tell you how it cheered and strengthened me. There is something profoundly stirring in the thought that far away, among the great unknown multitude of one's fellow beings, there are people who have entered into one's work with a kindly sympathetic spirit."

Collection
Mary Ritter Beard was an American historian and archivist. Collection comprises 8 letters Mary R. Beard wrote to Margaret Zogbaum, a resident of Mizzen Top in Tryon, North Carolina, between 1947 and 1950.

Collection comprises 8 letters, 3 autograph and 5 typescript, Mary R. Beard wrote to Margaret Zogbaum, a resident of Mizzen Top in Tryon, North Carolina, between 1947 and 1950. Topics include the state of the publishing industry for literature; plans for visitors; musicologists Henry S. Drinker and his wife, Sophie; and the demands of Beard's writing, including its serving as a "salvation" following her husband's death in 1948, as well as her rule for not writing introductions for works by others.

Collection
Dr. Mary J. Scarlett was a Quaker, born in 1822 in Bucks County, Pennsylvania. She devoted her early years to being a teacher in Chester County, Pennsylvania, then entered and graduated from the Woman's Medical College in 1857. In 1862, she became professor of anatomy at Woman's Medical College of Pennsylvania.

Collection contains seven letters (22 pages) M. J. Scarlett wrote between 1845-1864. Two letters were addressed to her sister, Elizabeth (1845, 1849), and five to her niece (1858, 1860, 1863, 1864). In the letters she discussed details of her life at the time, from the teaching of students to the choosing of proper fabric for sewing a dress, making a comfortable sitting room, or studying public health and hygiene. She also mentioned many family matters. She commented on her hopes for the abolition of slavery and the infighting among abolitionists at a recent national meeting, and noted her puzzlement that those Quakers who would quickly speak as abolitionists would not also speak up on issues of faith within the Society of Friends. During the Civil War, she described the effect of the draft in Philadelphia, recorded the general concern that the Army of the Potomac needed to be successful, and pointed to camps nearby as well as to funerals passing. Collection also includes an undated broadside for "An Introductory Lecture to a Course on Physiology" to be delivered by Scarlett. Acquired as part of the History of Medicine Collections (Duke University), the Lisa Unger Baskin Collection, and the Sallie Bingham Center for Women's History and Culture.

Collection

Mary B. Tuckey poems, 1845-1846 0.4 Linear Feet — 1 item

Collection comprises a volume containing nine handwritten poems prepared by Mary B. Tuckey and others for the 1845 anti-slavery fair held in Boston, Massachusetts, but brought together in a presentation volume. The volume features hand-painted covers and two illustrations, and was presented to Maria Weston Chapman, editor of the Boston Liberty Bell, by Mary Mannix, secretary of the female anti-slavery society in Cork, Ireland, in 1846. The volume was enclosed in a case with a leather spine, with initials "M.M. to M.W.C" and dated "Cork, 1846." One of the poems commemorates Frederick Douglass' visit to Cork.
Collection
Collection comprises 48 stereographic photographs, 5 cartes-de-visite photographs and a clipping regarding Martha Maxwell. The cartes-de-visite photographs feature full-length portraits of Maxwell, two seated at her taxidermy work and three standing while holding a gun. Several of the stereographic photographs are also portraits, most often showing Maxwell positioned within displays of her taxidermy birds and mammals; however, the majority of the stereographs depict her displays at the Centennial Exhibition and at the Rocky Mountain Museum in Boulder. The clipping describes the birds and mammals represented at her Centennial Exhibition display and provides a review of her work.
Collection

Marilla M. Ricker scrapbook, 1866-1911 0.5 Linear Feet — 1 item

Marilla Ricker was an influential suffragist and pioneering woman lawyer. Her scrapbook consists chiefly of newspaper clippings by and about Ricker, chronicling her long activist career and public life advocating for suffrage and equal rights for women. It also includes correspondence and ephemera.

Collection comprises a scrapbook (66 leaves, 27 x 35 cm.) bound in maroon cloth with oak leaf and acorn decoration on front cover. The first leaf is inscribed "Marilla M. Ricker, March 1, 1896, 30 Codman Place, Roxbury, Mass." It consists chiefly of U.S newspaper clippings by and about Ricker. Some clippings have mss. annotations indicating the titles and dates of the newspapers. Topics include Ricker's political writings, philanthropic activities, and extensive activism on behalf of women's suffrage. Suffrage activities detailed in the newspaper stories include Ricker's legal activities, attempts to vote, run for public office, and apply for a diplomatic post. Also pasted in are six notes addressed to Ricker from correspondents including the Arts and Crafts Movement leader Elbert Hubbard, Illinois Senator John A. Logan, and the African-American author, orator, and abolitionist Frederick Douglass. Clipped autographs from faith leader Sarah J. Farmer, suffrage leader Elizabeth Cady Stanton and Ohio Senator John Sherman are also pasted in. Black and white portraits and illustrations of Ricker are interspersed throughout. The scrapbook also contains an 1881 certification admitting Ricker to the bar of the District of Columbia, an 1899 brief from a case Ricker tried before the Supreme Court of New Hampshire, printed ephemera including the seal of the American Secular Union and Freethought Federation, and 25 U.S. postage stamps.

Collection

Marie folder, 1875 July 16 1.0 Linear Foot — 1 item

Marie was an artist born in 1852 without arms, who completed her works with her mouth. Collection comprises a folder on the artist Marie that was distributed at her exhibition during a Utrecht fair on 1875 July 16. The folder contains a handbill describing the artist and her work in Dutch, printed by J. P. Nobels in Haarlem; a carte de visite of Marie by J. van Crewel & Fils, Anvers; and her autograph in French with a quote and a note that she has written it using her mouth.

Collection comprises a folder on the artist Marie that was distributed at her exhibition during a Utrecht fair on 1875 July 16. The folder contains a handbill describing the artist and her work in Dutch, printed by J. P. Nobels in Haarlem; a carte de visite of Marie by J. van Crewel & Fils, Anvers; and her autograph in French with a quote and a note that she has written it using her mouth.

Collection
Collection comprises an autograph letter from Marianne North to Dr. Jessop, dated May 22, requesting that Jessop provide details about the possible sale of manuscripts of her ancestor, Roger North.

Collection comprises an autograph letter from Marianne North to Dr. Jessop, dated May 22, requesting that Jessop provide details about the possible sale of manuscripts of her ancestor, Roger North.

Collection

Maria Mitchell letters, circa 1846-1868 0.1 Linear Feet — 3 items

Maria Mitchell was a pioneering United States astronomer. This collection comprises three social correspondence notes written by Mitchell between approximately 1846-1868.

Collection comprises three manuscript notes by Mitchell. The first, written while Mitchell was the librarian at the Nantucket Atheneum, is addressed to a Mrs. Greene regarding a John Quincy Adams letter Mitchell has forwarded to her "at Phebe's request" for her autograph business. The second, written while Mitchell was teaching at Vassar College, is addressed to a Mrs. Burner asking for letters of recommendation to a number of people in London. The third, dated 1877, to a Miss Ladd, sends her regrets for not being able to speak at the Harvard School commencement.

Collection
The Margaret Sanger letter to Vachel Linsday regards a request from the contraception activist to the poet asking him to write a statement of support to be read at an upcoming birth control conference. Linsday responds by writing a note at the bottom of Sanger's letter replying that he wishes to father "twelve sons seven feet high" with the famously long-haired Seven Sutherland Sisters. The accompanying pamphlet contains the program for the upcoming conference.

The collection consists of a single-page typescript autograph letter from Margaret Sanger to the poet Vachel Lindsay with an autograph manuscript note at the bottom and an accompanying single-sheet folded pamphlet. The pamphlet contains the program for the Sixth International Neo-Malthusian and Birth Control Conference held in New York March 25-31, 1925; the letter is composed on matching letterhead and addressed to Lindsay care of the Macmillan Company in New York. In the letter, Sanger asks Lindsay if he would be willing to compose a message of support to be read at the conference. Lindsay sent the letter back to Sanger with a playful manuscript note by way of reply at the bottom signed Nicholas Vachel Lindsay. His response states that he wants "twelve sons, seven feet high," and that the best way to get them would be "to marry the Seven Sutherland Sisters, as long-haired women have long-legged sons." He concludes by asking Sanger if she knows where the Sisters happen to be at the time. The Seven Sutherland Sisters were famously long-haired and traveled with Barnum and Bailey as a family singing act. In a 1926 letter to the poet Sara Teasdale, Lindsay's wife Elizabeth refers to this as "his famous response" to the Neo-Malthusian Conference.

Source: The Annotated Letters of Nicholas Vachel Linsday to Sara Trevor Teasdale http://www.vachellindsay.org/LetterstoSara/vl_letters_210_241.pdf; viewed March 9, 2017

Collection

Margaret Fuller letter, 1840 December 14 0.1 Linear Feet — 1 item

Margaret Fuller was a teacher, journalist, and critic. Collection comprises a letter (1840 December 14) Margaret Fuller wrote to her uncle to request a meeting to review her mother's letter.

Collection comprises a letter (1840 December 14) Margaret Fuller wrote to her uncle to request a meeting to review her mother's letter.

Collection
Photographer Margaret Bourke-White writes to comic book editor Mort Weisinger commenting that she likes a story and that "it ought to be swell with the cartoons." The note likely refers to a comic book about Bourke-White published in 1947.

Collection comprises a single autograph manuscript note (dated 1946 December 14) on letterhead stationery from the Ambassador Hotel, Chicago. Photographer Margaret Bourke-White writes to the comic book editor Mort Weisinger, "It's a good story and I like it very much. Ought to be swell with the cartoons." Bourke-White likely refers to a comic book about her life published in 1947.

Collection
Madame de Staël (1766-1817) was a French literary figure whose writings were highly influential in late 18th and early 19th century Europe. She was a political polemicist whose famous confrontation with Napoléon Bonaparte led to her exile from Paris until the Bourbon Restoration. This letter was written in 1814 towards the end of her life. She writes from Paris to the prominent New York mercantile firm LeRoy, Bayard & McEvers concerning a financial transaction in the amount of $20,000. She states that she has transferred the sum to McEvers in London, and wishes to confirm that they will, in turn, transfer it to her account with another firm. At the time she wrote this letter, Madame de Staël owned a large tract of land in upstate New York. Her father originally purchased the land in the event that the family wanted to escape France's instability and settle in America. Although she and her children never moved to the United States, de Staël both increased her land holdings and invested in developing her property. LeRoy, Bayard & McEvers represented Europeans purchasing property in New York State, so it's highly likely that the $20,000 was used to either increase or develop Madame de Staël's American land holdings. This letter is evidence of a degree of financial and business independence that was highly unusual for a woman at the time.

Collection consists of a single one page autograph manuscript letter from Madame de Staël to the firm LeRoy, Bayard & McEvers in New York City regarding a financial transaction of $20,000. The letter is dated 1814 October 12; a note on the back states that it was received in New York 1815 March 10. In the letter, de Staël writes that she is sending their partner in London, Mr. McEvers, a note for $20,000. She asks if they have received her letter of July 25 in which she asked them to transfer the $20,000 to her account with the firm Doxat & Divett, and reiterates this request in the event that they have not received it. The letter is signed Necker de Staël Holstein. At the time, Madame de Staël owned an estimated 30,000 acres of land in what is now upstate New York, (Sakolski) and it's likely that this transaction was related to her American property holdings. Madame de Staël's father purchased land in America for his daughter and her children with the thought of leaving unstable France and settling in America. Although she never lived there, de Staël increased her American land holdings and reportedly invested $20,000 in developing the property. -- Sakolski, The Great American Land Bubble (1932)

Collection

Lydia Maria Child letters, 1863-1873 0.1 Linear Feet — 2 items

Lydia Maria Child was a prominent American abolitionist. The Lydia Maria Child letters consist of two letters written by Child, the first to artist William Tolman Carlton, and the second to a Miss. Howland. The first letter concerns Carlton's well-known painting "Waiting for the Hour," and references the writer and fellow abolitionist John Greenleaf Whittier. The second letter replies to a query about the German writer Bettina Von Arnim.

Collection contains two letters written by Lydia Maria Child, the first to artist William Tolman Carlton, and the second to Miss. Howland. The first letter, dated September 15th, 1863, concerns Carlton's painting "Waiting for the Hour", which currently hangs at the White House. Child thanks Carlton for a photograph of the painting that had been delivered to her nephew, George L. Stearns. Child's friend, John Greenleaf Whittier, wanted the painting presented to fellow abolitionist Charles Sumner. The second letter is a reply to Miss Howland, who inquired if Child had ever seen correspondence from the German writer Bettina Von Arnim. Child replies in the negative.

Collection

Lydia Howard Sigourney letter, undated 0.1 Linear Feet — 1 item

Collection comprises a handwritten letter Lydia Howard Sigourney drafted as Secretary for the Hartford Ladies' Association for supplicating justice and mercy towards [sic?] the Indians, to request assistance with the circulation of a petition among the women of Hartford. The letter also discusses the political process behind the petition and its circulation. Includes a faint handwritten addendum, written in another person's hand, noting a decision not to send the letter. The item is undated, but possibly dates to the 1830s.
Collection
Collection comprises an undated letter Becker wrote to Lady [Downing?] regarding the fate of an unnamed bill before the House of Lords. She mentions that "... we have done what we could to bring a strong body of earnest, intelligent, feminine opinion to bear on the Peers." She then requests help finding accommodations for upcoming meetings in Exeter. Pasted to the letter, probably dated 1890, is a copy of Becker's obituary.
Collection
Lydia Bailey was a prominent 19th-century Philadelphia printer. The Lydia Bailey account statements itemizes two printing jobs commissioned by John Steele of the Port of Philadelphia. The jobs were for use by commercial ships.

Includes two manuscript documents. The first, signed by Lydia Bailey, listing 65 itemized expenditures dated March 8-29, 1823, totaling $141.50 for "Printing certificates of spirits, wines & teas imported in the first quarter of 1823." It begins "Genl. John Steele, Collector of the Port of Philadelphia/To Lydia R. Bailey," and concludes with a certifying statement and a receipt for payment in full signed by Bailey. Each entry specifies the quantity of certificates printed and the name of the ship for which each lot is destined. There is also a single entry for "1000 copies blanks for inspectors." The second manuscript itemized 268 expenditures dated April 3-June 25, 1823, totaling $664.25, entitled "Genl. John Steele, Collector of the Port of Philadelphia/To Lydia R. Bailey." Again, each entry specifies the quantity of certificates printed and the name of the ship for which each lot is destined. There are water stains on this document.

Collection

Lucretia Mott papers, 1848-1887 and undated 0.1 Linear Feet — 12 items

Lucretia Mott was a Quaker teacher of Philadelphia, Pa.; a Hicksite; an abolitionist; and a promoter of women's rights, temperance, and peace. Collection includes a quote accompanied by Mott's autograph, along with three letters, including one regarding arranging a meeting, one regarding the death of Margaret Pryor, and one written by Mott to Thomas M'Clintock regarding the death of her brother and with news of other mutual acquaintances. There are also five items from an 1879 autograph book, including albumen photographs of Mott and an unidentified man, a copy of the same quote and signature of Mott, an address for a letter, and a newspaper obituary for John G. Saxe. Includes a 5.5"x7.75" albumen studio portrait of Mott that has some hand-tinting, taken by F. Gutekunst in Philadelphia in 1861, along with an undated carte de visite of Mott, also taken by Gutekunst. There is an additional undated carte de visite of Mott, by Broadbent and Phillips of Philadelphia.

Collection includes a quote accompanied by Mott's autograph, along with three letters, including one regarding arranging a meeting, one regarding the death of Margaret Pryor, and one written by Mott to Thomas M'Clintock regarding the death of her brother and with news of other mutual acquaintances. There are also five items from an 1879 autograph book, including albumen photographs of Mott and an unidentified man, a copy of the same quote and signature of Mott, an address for a letter, and a newspaper obituary for John G. Saxe. Includes a 5.5"x7.75" albumen studio portrait of Mott that has some hand-tinting, taken by F. Gutekunst in Philadelphia in 1861, along with an undated carte de visite of Mott, also taken by Gutekunst. There is an additional undated carte de visite of Mott, by Broadbent and Phillips of Philadelphia.

Collection

Louisa Wright needlework sample book, 1888 0.8 Linear Feet — 1 item

Collection comprises a volume entitled "Needlework," containing 16 pages of illustrations for sewing and darning patterns and techniques, accompanied by 22 finished samples. The title page indicates the work was done by Louisa Wright during a "Second Year" at an unnamed institute or training facility. There are illustrations for hemming and seaming, stitching, sewing on a tape, gathering, setting-in, making a buttonhole, herring-boning, darning a thin place, tacking, making a gusset, making a calico patch, darning a hole, whipping, using a print patch, crosscut darning, Swiss darning and grafting, and stocking-web darning. The volume has a sewn cover in khaki cloth featuring two pink ribbon closures with bows, buttons, and thread button-loops. The title "Needlework" is emboidered in pink thread.
Collection
Lydia L. Brennan ran a photographic business, the Elite Studio in Butte, Montana, until December 1896, when she sold the business to J. W. Nelson. Brennan married John N. Kirk, a Butte lawyer. Collection comprises two autograph, signed letters Lydia L. Brennan wrote to the Holter Hardware Company in Helena, Montana, on July 1 and October 3, 1896, to place orders for photographic supplies, particularly American Aristo Platino papers.

Collection comprises two autograph, signed letters Lydia L. Brennan wrote to the Holter Hardware Company in Helena, Montana, on July 1 and October 3, 1896, to place orders for photographic supplies, particularly American Aristo Platino papers. On her Elite Studio stationary, with the stamp of Holter Hardware indicating the inquiries were received and answered.

Collection
Collection assembled by Lisa Unger Baskin containing printed ephemera, receipts, manuscripts, handbills, catalogs, decorative trade cards, prospectuses, circulars, political campaign materials, and other advertisements from the United Kingdom, Western Europe, and the United States. The bulk of the collection's materials advertise businesses or services offered by women, including millinery, fancy goods, hair work, tea, painting, teaching, music, bricklaying, gardening, dressmaking, apothecaries, and a clairvoyant. Also includes calling cards and bookplates with women's names, and assorted ephemera relating to women's pay, income, or work, including a pensioner's card for a firefighter's widow and a pamphlet about life insurance for women.

Collection assembled by Lisa Unger Baskin containing printed ephemera, receipts, manuscripts, handbills, catalogs, decorative trade cards, prospectuses, circulars, political campaign materials, and other advertisements from the United Kingdom, Western Europe, and the United States. The bulk of the collection's materials advertise businesses or services offered by women or for women, including millinery, fancy goods, hair work, tea, painting, teaching, music, bricklaying, gardening, dressmaking, apothecaries, and a clairvoyant. Also includes calling cards and bookplates with women's names, and assorted ephemera relating to women's pay, income, or work, including a penioner's card for a firefighter's widow and pamphlets about life insurance for women. Some receipts, contracts, and statistics record rates of pay or income for women employees, or rates charged by women proprietors. Contains some advertisements for health-related retreats or vacations; circulars seeking to hire saleswomen or other women into different occupations; and some lending library slips. Includes examples of some Lippincott seed catalogs from the early 1900s, art samples and calligraphy by women, and some materials related to domestic arts and homemaking, including advertisements for patterns, sewing, cooking, and landscaping or interior decoration. Some materials relate to women's courtesy and conduct in public spaces, or to their appearance and clothing.

Collection

Lisa Unger Baskin Collection of Photographs, circa 1860-1960s, bulk 1860-1910 4.5 Linear Feet — 8 boxes — 514 items — Dimensions are given in item-level entries in centimeters and are approximate. The great majority are standard cartes-de-visite and cabinet card sizes, with more modern prints ranging from 4x6 to 8x10 inches; the largest items, few in number, measure approximately 10x12 up to 11x15 inches. — The majority of the items in this visual collection take the form of 19th century albumen cartes-de-visite and cabinet cards mounted on card stock. As the 19th century wanes, gelatin silver prints, most also mounted, become more common. There are a handful of cased images, stereographic cards, a few tintypes, several platinum prints, and photo-mechanical images in the form of single prints and postcards. Many of the albumen portraits are hand-tinted and card mounts are often ornately decorated, while others are roughly trimmed and spare in detail. Color pigments are chiefly found in hand-tinted photographs or in mechanical prints.

Lisa Unger Baskin, who assembled this collection of photographs centered on women's history and culture, is a bibliophile, collector, and activist. Collection consists of 514 photographs and other graphic items in a variety of formats typical for the time, chiefly albumen, but also including gelatin silver, cased images, and mechanical prints; there are also small groups of true photographic postcards. Along with titles, dates, and content, data points may include biographies of photographers and subjects, studio addresses, and other notes. Roughly three-quarters of the images were produced by commercial women photographers in the U.S., Canada, and Europe. The great majority date from about 1860 to 1920, and the most common format is studio portraits of white men, women, children, and families. There are also many photographs of well-known women artists, entertainers, intellectuals, and activists of the time, as well as images of women in educational and a variety of work settings, on sports teams, posing with uniforms, guns, and tools, and enjoying leisure activities. Roughly 40 images are portraits of African Americans and other people of color or mixed race. Color images are chiefly limited to hand-tinted images and mechanical prints. Acquired as part of the Lisa Unger Baskin Collection at Duke University.

Collection consists of 514 photographic items, almost all single black-and-white prints, in a variety of formats typical for the 19th and early 20th centuries: largely albumen, with some gelatin silver prints, a few tintypes, daguerreotypes, glass plates, and one cyanotype. There are also some mechanical prints such as Woodburytypes and half-tone prints, and groups of commercially produced postcards, collectible cards, and stereographs. Color images are chiefly limited to hand-tinted images and mechanical prints.

Roughly three-quarters of the images were taken by women photographers operating or managing studios in all regions of the United States, with a smaller number in England, Sweden, Canada, and a few other countries; some were well-known but the majority were small business operators in smaller cities and towns. Whenever possible, a brief photographer's biography is included with the image entry.

The majority of the images are studio portraits of mostly unidentified North American men, women, children, and families, with a slight focus on New England. Roughly 40 images are portraits of African American or mixed-race individuals young and old, with a few groups of people of color. There are several ethnographic images of northern African women and a few scenes from Southeast Asia.

In addition to portraiture, the collection offers images of women artists, authors, nurses, teachers, and students who appear in early images of graduation and sports teams. Women and girls in boarding house and hotel rooms, at home, on bicycles, at work in factories, large and small offices, mines, and hospitals, wearing uniforms, brandishing guns and tools, and enjoying leisure activities. One hand-sewn booklet of photographs appears to show scenes from a training school for African American women. Also present are many portraits of female actors, entertainers, and wealthy women. There are very few musicians. Of interest are several photographs of light-skinned enslaved children distributed as abolitionist propaganda.

The cataloger transcribed titles and dates when present and indicated the source location; in the absence of a title, the cataloger devised descriptive titles. The great majority of dates are approximate and are based on the format, biographies, geneaologies, and clothing styles. Much information was derived from history of photography websites and photographer indexes, especially the website Langdon's List of 19th & Early 20th Century Photographers.

Collection

Lisa Unger Baskin collection of materials about Anzia Yezierska, 1987-1988, 1987-1988 0.5 Linear Feet — Guide to the Lisa Unger Baskin collection of materials about Anzia Yezierska, 1987-1988

Anzia Yezierska (1880-1970) was a Polish-American author. Collection consists of materials collected by Lisa Unger Baskin about the publication of "Anzia Yezierska: A Writer's Life," a biography by Yezierska's daughter, Louise Levitas Henriksen, published in 1988. Materials include drafts of a New York Times book review by Helen Yglesias. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Galley proof, unbound book manuscript, dust jacket, and materials regarding the publication of Anzia Yezierska: A Writer's Life, written by Louise Levitas Henriksen and Jo Ann Boydston in 1988. Includes a typescript draft with manuscript corrections of a review of the book by Helen Yglesias, later published in the New York Times.

Collection
Sir Lionel Henry Cust was a British art historian, courtier, and museum director. He was director of the National Portrait Gallery from 1895 to 1909 and co-edited The Burlington Magazine from 1909 to 1919. Collection comprises two autograph letters signed by Cust, dated 1906 November 22 and 1906 November 26, to "Jack," regarding a portrait said to be that of Charlotte Brontë. The November 26 letter also mentions Constantine Gilles Romain Heger. On letterhead of the National Portrait Gallery.

Collection comprises two autograph letters signed by Cust, dated 1906 November 22 and 1906 November 26, to "Jack," regarding a portrait said to be that of Charlotte Brontë. The November 26 letter also mentions Constantine Gilles Romain Heger. On letterhead of the National Portrait Gallery.

Collection

Liberia to America poem, 1849 0.1 Linear Feet — 1 item

Martin Farquhar Tupper was an English writer and poet. Collection comprises Martin Farquhar Tupper's manuscript poem in four verses, "Liberia to America." Signed, with location Albury, England [crossed out], Surrey. Tupper was among the first to support the new country; he exhorts Americans to support their "sable" brothers and to recognize the state officially, "with gracious glance befriend Thine own sons, no longer slaves!" The poem is undated, but probably dates around 1849, with the United States' formal recognition of Liberia.

Collection comprises Martin Farquhar Tupper's manuscript poem in four verses, "Liberia to America." Signed, with location Albury, England [crossed out], Surrey. Tupper was among the first to support the new country; he exhorts Americans to support their "sable" brothers and to recognize the state officially, "with gracious glance befriend Thine own sons, no longer slaves!" The poem is undated, but probably dates around 1849, with the United States' formal recognition of Liberia.

Collection
Collection comprises a letter written by "Nonia" on June 16, 1913, regarding how she managed to obtain the Emily Wilding Davison memorial items, including a bulletin for the memorial service, an official program for the funeral procession, and a memorial card. Nonia was likely an upper class woman, for Princess Alice of Teck assisted her in collecting the items; the princess was afraid they would be considered suffragettes. The collection also holds a transcription for the letter.
Collection

Laura Knight letters, 1939 May 11 0.1 Linear Feet — 2 items

Dame Laura Knight was an English artist who worked in oils, watercolours, etching, engraving and drypoint. Two letters written by Laura Knight on 1939 May 11 that provide letters of introduction for contacts in the United States on behalf of fellow artist Clara Klinghoffer. One is written to Klinghoffer, the other to Marion Fenhagen.

Two letters written by Laura Knight on 1939 May 11 that provide letters of introduction for contacts in the United States on behalf of fellow artist Clara Klinghoffer. One is written to Klinghoffer, the other to Marion Fenhagen.

Collection

Lady Wilde letter, 1852 November 19 0.1 Linear Feet — 2 items

Collection comprises a letter from Lady Wilde discussing the loss of her mother, followed by her marriage, and announcing the birth of her eldest son, William Charles Kingsbury Wilde. She also comments on marriage, "a woman's duty ends with marriage. She becomes a vegetable, a house leek, a mop--I feel that I am 'potted' for the rest of my days...." Includes an enclosure with a note written in another hand identifying Wilde along with the letter's recipient, whose last name may be Grant.
Collection
In the late 18th century, Eleanor Butler (1739-1829) and Sarah Ponsonby (1755-1832), also known as the Ladies of Llangollen, left their lives in the upper tiers of Anglo-Irish society and made a home for themselves in Llangollen, Wales, to the disapproval of both their families. Butler and Ponsonby appeared to have understood their relationship as a marriage, and they were known for dressing alike in masculine clothing. They were part of an emerging culture of 'romantic friendship' between same-sex couples. While they lived a life of rural retreat, the Ladies' relative celebrity and social status meant that their home Plas Newydd became a salon. They hosted the many of the intelligensia of the day, including poets such as Wordsworth and Byron, and the reigning Queen Charlotte. The collection is largely made up of letters by the Ladies, as well as materials about Llangollen, the cultural haven of Plas Newydd, and images of the Ladies in the late 18th and early 19th centuries.

The Ladies of Llangollen Collection is made up of materials both by and about Lady Eleanor Butler and Miss Sarah Ponsonby's life at their home, Plas Newydd, in Llangollen, Wales.

The largest part of the collection is the letters written by and to the Ladies. Most of the correspondence takes place between Sarah Ponsonby and her cousin Mrs. Sarah Tighe, along with letters from Eleanor Butler, their neighbor Ch. L. West, and the Fownes family, Sarah Ponsonby's cousins and former guardians. The manuscripts include poems by the Ladies, as well as an account written about the Ladies of Llangollen by Ch. L. West and an album by a visitor to Llangollen. The papers contain items and images of the Ladies of Llangollen, Llangollen Vale, and the traditions of Wales in the late 18th and early 19th centuries. Guidebooks, maps, and printed materials make up the materials about the history of the Ladies' beloved Llangollen. The images of the Ladies and their home in Llangollen Vale make up the largest part of the image files.

Collection
Children's book author and socialite Julia Ellsworth Ford writes to fellow children's book writer Helen Hoke offering an introduction to the Yeats family while Hoke is in Dublin. Ford particularly wishes Hoke to meet Elizabeth Yeats because of her printing work with the Cuala Press. She writes that she considers William Butler Yeats the greatest poetic genius to emerge from England and Ireland in the 20th century, but that it will be difficult to meet him because he "is more or less a recluse because of writing all the time."

Collection consists of a single two-page autograph typescript letter on letterhead stationery dated 1935 October 16 with manuscript postscript. Julia Ellsworth Ford writes to Helen Hoke offering an introduction to members of the Yeats family while Hoke is in Dublin that winter. Ford particularly wants Helen to meet Elizabeth Yeats because of her work printing with the Cuala Press; Ford owns a complete set of their books. Ford writes that she had hosted the father, John Butler Yeats, in New York, where he stayed until his death in 1922. If Hoke wishes to meet William Butler in Ireland, she should ask Elizabeth, but that he "is more or less of a recluse because of writing all the time."

Collection
Collection comprises a deed of manumission for a "negro woman slave named Sophy and a negro girl named Sarah and a negro boy named Henry, children of said Sophy," former property of Sarah E. Murray of Anne Arundel County, Md., and then assigned to J. Nevett Steele of Baltimore, Maryland. The deed was signed and sealed by J. Nevett Steele and the administrator of Sarah E. Murray's personal estate, Mary Murray, then recorded in the [Howard?] District of Anne Arundel County on 1846 December 4. The deed was witnessed by Abner Neal and T.[Thomas] Hanson Belt.

Collection comprises a deed of manumission for a "negro woman slave named Sophy and a negro girl named Sarah and a negro boy named Henry, children of said Sophy," former property of Sarah E. Murray of Anne Arundel County, Md., and then assigned to J. Nevett Steele of Baltimore, Maryland. The deed was signed and sealed by J. Nevett Steele and the administrator of Sarah E. Murray's personal estate, Mary Murray, then recorded in the [Howard?] District of Anne Arundel County on 1846 December 4. The deed was witnessed by Abner Neal and T.[Thomas] Hanson Belt. Sophy was 37 years old, Sarah was 13 years old, and Henry was 10 years old at the time.

Collection

I sell the shadow to support the substance : Sojourner Truth, [1864] 1 photograph — print on card mount ; mount 17 x 11 cm.

Albumen photographic portrait on cabinet card featuring full-length image of Sojourner Truth; facing front but turned slightly to her left; in a dark dress with light collar, cap, and shawl; holding her knitting while seated; with her left arm resting on a small table that has a decorative table cloth and holds a notebook and vase of flowers. The room has a patterned rug. There are five spatters of ink or another substance on the surface of the photograph, along with a few spatters on the mount.

"Entered according to act of Congress in the year 1864 by Sojourner Truth in the clerk's office of the U.S. District Court for the Eastern District of Michigan."--Verso of card mount.

Collection
Collection comprises materials created or collected in preparation for a 1990 exhibit held at the University of San Francisco Gleeson Library on Isak Dinesen/Karen Blixen that featured photographs taken of her by Rie Nissen. Includes a few letters, photocopies of biographical information for Nissen, a 1943 catalog of Nissen's photography, caption notes for the photographs, exhibit caption cards, as well as publicity drafts and material. There are two items written in Danish.
Collection

Isabella S. Gardner diary, 1852-1874 and undated 0.6 lin. ft. Linear Feet — 8 items

Collection comprises a printed 1853 "West of England Pocket Book or Gentleman's Diary with an almanack" presented to Isabella Gardner by her husband in 1852. Gardner filled the volume with routine diary entries, usually briefly mentioning the weather and the health of family members, whether they were any visitors, along with any travel or activities and with whom the family took tea or had dinner. More unusual entries have to do with a tooth extraction, the birth of Frank, and a fire at their home. Entries became less frequent from October to December 1853. Also, several pages list household accounts and amounts paid, usually for food and servant salaries. Several items post-dating the diary were laid-in, including four brief letters to and from family members, a recipe for a throat tonic, a note with dates of ancestors, and a religious flier. A child later made drawings in available spaces on pages of the diary.
Collection
Letter written by abolitionist Thomas Wentworth Higginson regarding an upcoming lecture entitled A Visit to the Family of John Brown.

The collection consists of a single page autograph manuscript letter from abolitionist Thomas Wentworth Higginson to an unknown male correspondent. Wentworth writes that he has prepared a lecture called A Visit to the Family of John Brown. Sources indicate that Higginson had returned from visiting the Brown family in the Adirondacks on November 4th, 1859. He writes that no one else from Massachusetts has visited the Brown family that he's aware of, except for fellow abolitionist Franklin Benjamin Sanborn. He asks if the recipient would prefer this lecture to the one Higginson had previously prepared. This lecture was likely turned into a chapter in Higginson's 1898 book Contemporaries called A Visit to John Brown's Household in 1859.

Collection

Henry Noel Brailsford letters, probably 1911. 0.1 Linear Feet — 2 items

Henry Noel Brailsford was the most prolific British left-wing journalist of the first half of the 20th century. A founding member of the Men's League for Women's Suffrage in 1907, he resigned from his job at The Daily News in 1909 when it supported the force-feeding of suffragettes on hunger strike. Collection comprises two letters from Henry Noel Brailsford to (John Howard?) Whitehouse, probably written in 1911.

Collection comprises two letters from Henry Noel Brailsford to (John Howard?) Whitehouse, probably written in 1911. In the first letter, dated 31 January, Brailsford urges Whitehouse to get his Committee to cooperate with the Conciliation Committee in getting a Conciliation Bill passed ("... the P.M. is more likely to listen to your Committee"). Brailsford also tries to enlist Whitehouse to help him find new members for the Conciliation Committee: "If you see any Liberals who are good suffragists & are not averse in principle from working with Tories, I hope you will invite them to join us." In the second letter, dated 3 March, Brailsford discusses Whitehouse's decision to resign and urges him to reconsider. The resignation was (presumably) over the Conciliation Committee's handling of an inquiry into the violent clash between suffragettes from the Women's Social and Political Union and the police on 1910 November 18 at the House of Commons. On stationery of the Conciliation Committee for Woman Suffrage. Includes transcripts for both letters.

Collection
Helen Yglesias (1915-2008) was an American novelist. Collection comprises photocopies of research material, along with an edited and final manuscript related to Yglesias' book, ISABEL BISHOP.

Collection comprises photocopies of research material, along with an edited and final manuscript related to Yglesias' book, ISABEL BISHOP, published by Rizzoli, 1989, New York.

Collection

Helen Paterson Allingham papers, 1868-1916, 2015 3.6 Linear Feet — 4 boxes — 11 items

Collection primarily includes four sketchbooks by Allingham, but also contains four letters, a carte de visite, and two exhibit labels. The four sketchbooks date from 1868-1916, and feature sketches and drawings made in graphite, watercolor, and pen and ink. Subjects are varied, and include English cottages and buildings, architectural features, sailboats and coastal scenes, figures, landscapes, and botanical items. The letters, dated 1881-1882 and undated, include three written by Allingham. There is one to Marcus B. Huish regarding her painting, The Tea Party, which she reports is incomplete, but she plans to finish before it is exhibited. There is a letter to a friend to whom she sends autographs, then describes her country place and garden, along with her 4-month-old son. Another letter focuses on the difficulty of finding unfurnished rooms. The final letter in the collection is written by Andrew Halliday to Dr. Watkins, regarding Allingham's address. There is also a carte de visite of English women's rights activist Emily Faithfull, with her signature, along with two modern exhibit labels on Allingham.

Collection primarily includes four sketchbooks by Allingham, but also contains four letters, a carte de visite, and two exhibit labels. The four sketchbooks date from 1868-1916, and feature sketches and drawings made in graphite, watercolor, and pen and ink. Subjects are varied, and include English cottages and buildings, architectural features, sailboats and coastal scenes, figures, landscapes, and botanical items.

The letters, dated 1881-1882 and undated, include three written by Allingham. There is one to Marcus B. Huish regarding her painting, The Tea Party, which she reports is incomplete, but she plans to finish before it is exhibited. There is a letter to a friend to whom she sends autographs, then describes her country place and garden, along with her 4-month-old son. Another letter focuses on the difficulty of finding unfurnished rooms. The final letter in the collection is written by Andrew Halliday to Dr. Watkins, regarding Allingham's address. There is also a carte-de-visite of English women's rights activist Emily Faithfull, with her signature, along with two modern exhibit labels on Allingham.

Collection
Helen Maria Williams was a British novelist, poet, and translator of French-language works. Collection comprises four letters written by Helen Maria Williams, two to her nephew, Athanase Laurent Charles Coquerel, one to Mrs. Joel [Ruth] Barlow, and one to an unidentified recipient.

Collection comprises four letters written by Helen Maria Williams, two to her nephew, Athanase Laurent Charles Coquerel, one to Mrs. Joel [Ruth] Barlow, and one to an unidentified recipient. Williams provided aid for fellow republican radicals. On 22 August 1798, she wrote to her American expatriate friend Ruth Barlow. Williams hoped that Ruth's husband, the diplomat Joel Barlow, would assist James Wollstonecraft (Mary's brother), who was then in prison in Paris as a suspected spy. The letter notes Thomas Payne's [Paine's] ineffective efforts on James' behalf. Other topics in the letters include Coquerel's position, her income, the health and situation of friends and family members, and an unnamed woman she wishes to avoid. Three letters are accompanied by partial or full transcription.

Collection
Helen Adams Keller was a white American author, political activist, and lecturer. Collection includes letters from Helen Keller to Agatha and Harry Hunter, dated 1930 and undated, thanking them for their food gifts at Christmas. There is another letter from Keller to Frank L. Boyden, dated 1949, regarding the possibility of a bequest by him to the American Foundation for the Blind. Includes his letter in response negating that possibility, but expressing his admiration for her. There is also an unrelated letter in the collection, written by Harry Hunter to Mabel McCormick (Mrs. Ferris? McCormick) in 1951, discussing their respective interests, food, friends, business, and their love for each other. Includes envelopes. Also contains a photograph of Anne Sullivan and Helen Keller, and a postcard with her printed portrait and a salutation in Braille.

Collection includes letters from Helen Keller to Agatha and Harry Hunter, dated 1930 and undated, thanking them for their food gifts at Christmas. There is another letter from Keller to Frank L. Boyden, dated 1949, regarding the possibility of a bequest by him to the American Foundation for the Blind. Includes his letter in response negating that possibility, but expressing his admiration for her. There is also an unrelated letter in the collection, written by Harry Hunter to Mabel McCormick (Mrs. Ferris? McCormick) in 1951, discussing their respective interests, food, friends, business, and their love for each other. Includes envelopes.

Collection also contains two images of Helen Keller. First is a photograph of Keller and Anne Sullivan standing near train tracks, autographed by photographer W.H. Langley and dated 1913. Second is an undated postcard with a printed portrait of Keller and a message in Braille that reads: "I am a co-worker with Helen Keller."

Collection
Collection comprises a 35-page memorandum book maintained by the Haulsey family of London, England, from 1646-1846. The memoranda usually record marriages, births, christenings, deaths, and burials, but there are also separate notes on family genealogy, as well as a few notes on land tenancy transfers, and money lent and received. There is one record regarding numbers of silver trays and candlesticks. Volume entries are handwritten on varying types of paper, and are not in chronological order. The volume also features an embroidered binding and a metal-clasp closure with initials G.W. (one clasp is missing). The embroidery includes images of day and night, as well as a dog, monkey, church, house, windmill, swallow, snail, and various plants and flowers.
Collection
Harriet Martineau was a British social theorist and Whig writer, often cited as the first female sociologist. Collection comprises 21 letters written by Harriet Martineau from Ambleside between 1868 and 1876, primarily to Mr. (John?) Robinson, with one letter to Prime Minister Gladstone regarding her rejection of a pension (1873 June 3). A few letters are incomplete. In addition, there are four undated fragments of letters. Topics include the republishing of her biographical sketches originally published in the Daily Mail; scandals of the period, particularly the Harriet Beecher Stowe-Lady Byron scandal and the John Stuart Mill and Harriet Taylor scandal, along with Martineau's associated writings; re-publication of Eastern Life: Present & Past and her holding of copyright; the 2nd edition of Traditions of Palestine; and the autobiography of Brougham and its errors about Martineau and her family, which she wishes corrected in the Daily News. Other topics include liberal politics, religion, her declining health and need of a companion and servants, her rejection of a pension, and planned meetings with Robinson, as well as condolences sent on the death of his son. There is an additional letter written on behalf of Martineau by Miss Goodwin to an unidentified addressee, regarding politics and Martineau's health (1873 February 20).

Collection comprises 21 letters written by Harriet Martineau from Ambleside between 1868 and 1876, primarily to Mr. (John?) Robinson, with one letter to Prime Minister Gladstone regarding her rejection of a pension (1873 June 3). A few letters are incomplete. In addition, there are four undated fragments of letters. Topics include the republishing of her biographical sketches originally published in the Daily Mail; scandals of the period, particularly the Harriet Beecher Stowe-Lady Byron scandal and the John Stuart Mill and Harriet Taylor scandal, along with Martineau's associated writings; re-publication of Eastern Life: Present & Past and her holding of copyright; the 2nd edition of Traditions of Palestine; and the autobiography of Brougham and its errors about Martineau and her family, which she wishes corrected in the Daily News. Other topics include liberal politics, religion, her declining health and need of a companion and servants, her rejection of a pension, and planned meetings with Robinson, as well as condolences sent on the death of his son. There is an additional letter written on behalf of Martineau by Miss Goodwin to an unidentified addressee, regarding politics and Martineau's health (1873 February 20).

Collection
Harriet Elisabeth Beecher Stowe (1811 June 14-1896 July 1) was an American abolitionist and author. Collection comprises an introduction and a letter written by Harriet Beecher Stowe, along with a carte de visite of her. There is an undated introduction she wrote for the second edition of Narrative of Sojourner Truth. Stowe's statement appears as an introduction in some copies of the 1853 edition. In the introduction, Stowe discusses the African-American abolitionist and women's rights activist, remarking on her mental energy and revelatory powers as a Christian, and attests to Truth's character. She then mentions that the sales of the work will "secure a home for [Truth in] her old age ..." There is an undated letter Stowe wrote from Northampton Depot on Aug. 10 to Mr. Ward, informing him that although she is disposed to support his request, she is under pressures that limit her use of the pen. The carte de visite features a textured surface, and was created by the Howell studio in New York.

Collection comprises an introduction and a letter written by Harriet Beecher Stowe, along with a carte de visite of her. There is an undated introduction she wrote for the second edition of Narrative of Sojourner Truth. Stowe's statement appears as an introduction in some copies of the 1853 edition. In the introduction, Stowe discusses the African-American abolitionist and women's rights activist, remarking on her mental energy and revelatory powers as a Christian, and attests to Truth's character. She then mentions that the sales of the work will "secure a home for [Truth in] her old age ..." There is an undated letter Stowe wrote from Northampton Depot on Aug. 10 to Mr. Ward, informing him that although she is disposed to support his request, she is under pressures that limit her use of the pen. The carte de visite features a textured surface, and was created by the Howell studio in New York.

Collection
Hannah Hutchinson married Samuel Mather in 1731; the couple settled in Boston, Mass. She died in 1781 (some sources have the death date 1752) and Samuel died in 1779. Collection comprises a request written by Hannah Hutchinson Matter on 3 April 1858 to Edward Hutchinson, asking him to fulfill the pecuniary bequest made to her by his father and to give the sum (4 pounds) to her son, Samuel Mather, Junior. The back of the request contains Samuel's note, dated 3 May 1858, stating that he received the money.

Collection comprises a request written by Hannah Hutchinson Matter on 3 April 1858 to Edward Hutchinson, asking him to fulfill the pecuniary bequest made to her by his father and to give the sum (4 pounds) to her son, Samuel Mather, Junior. The back of the request contains Samuel's note, dated 3 May 1858, stating that he received the money.

Collection

Grace Hazard Conkling letters, 1918, 1925. 0.1 Linear Feet — 2 items

Grace Walcott Hazard Conkling was an American author, a poet and an English professor. Collection comprises two letters written to Conkling. The first was written by Florence Converse at the Atlantic Monthly, dated 1918 October 19, in regard to the publishing of Conkling's poem, "Names," in the magazine. The second was written by Elisabeth Cutting at the North American Review, dated 1925 June 22, asking Conkling to be a book reviewer, and mentioning Amy Lowell in association with a speech Conkling made.

Collection comprises two letters written to Conkling. The first was written by Florence Converse at the Atlantic Monthly, dated 1918 October 19, in regard to the publishing of Conkling's poem, "Names," in the magazine. The second was written by Elisabeth Cutting at the North American Review, dated 1925 June 22, asking Conkling to be a book reviewer, and mentioning Amy Lowell in association with a speech Conkling made.

Collection
Collection contains a letter from George Sand to Juliette Lamber, written 18 August 1867 at Sand's Nohant estate. The letter discusses possible plans to meet. Also, Sand acknowledges that she has been depressed by the death of her dear friend François Rollinat, and hopes their meeting can help her find courage to live. In a postscript, she adds that she has read Lamber's THE MANDARIN, and that Lamber has the elements of a serious talent. Includes an enclosure for the letter, as well as an English transcription.

Collection contains a letter from George Sand to Juliette Lamber, written 18 August 1867 at Sand's Nohant estate. The letter discusses possible plans to meet. Also, Sand acknowledges that she has been depressed by the death of her dear friend François Rollinat, and hopes their meeting can help her find courage to live. In a postscript, she adds that she has read Lamber's THE MANDARIN, and that Lamber has the elements of a serious talent. Includes an enclosure for the letter, as well as an English transcription.

Collection

Frances Power Cobbe letters, 1886 and undated 0.1 Linear Feet — 2 items

Frances Power Cobbe was an Irish writer, social reformer, anti-vivisection activist, and leading women's suffrage campaigner. Cobbe wrote the first letter to Mrs. Madden, undated but probably in 1886, regarding vivisection along with the poor treatment of horses. She wrote the second, undated, letter to Miss Galtz[?], regarding a planned visit.

Cobbe wrote the first letter to Mrs. Madden, undated but probably in 1886, regarding vivisection along with the poor treatment of horses. She wrote the second, undated, letter to Miss Galtz[?], regarding a planned visit.

Collection
Jonathan and Hannah Chapman Backhouse were members of the Society of Friends (Quakers) in England in the mid-1800s. Their son, Edmund Backhouse, married Juliet Fox in 1848. This collection contains personal correspondence between members of the different connected Quaker families based in England, as well as some diaries, genealogical notes, and other printed ephemera from the family. Forms part of the Lisa Unger Baskin Collection in the Sallie Bingham Center for Women's History and Culture.

The collection consists of correspondence, writings, and other ephemeral materials relating to the Fox and Backhouse families, along with materials relating to nineteenth century Quaker communities and families in England. The bulk of the collection is correspondence between different members of the Backhouse family, including Jonathan and Hannah Chapman Backhouse, their son Edmund Backhouse and his wife Juliet Fox, and their grandson Jonathan Edmund (Jed) Backhouse. Caroline Fox is also a routine correspondant. The letters discuss family news, personal activities and travel, religious sentiments.

There are two excerpts of diaries which appear to be by different authors and may relate to Hannah Chapman Backhouse's travels to the United States in the 1830s, or to another family member's travels in Europe or the Middle East. The handwriting of these pages is challenging and the excerpts are unattributed and appear to be undated, so more research would be helpful.

Also present in the collection are some writings, including essays and poetry, typically spiritual or relating to prayer, as well as some honorifics for Edmund Backhouse and a copy of his obituary. There are some manuscript riddles, some watercolors, and some sketches of scenes and still lifes. The collection also includes some ceremonial documents, including a letter from the Society of Friends declaring support for Hannah and Jonathan Backhouse's travels to the United States.

Collection
Madame de Rhinfeld, née St. Clair, grew up in a convent in France, where she was instructed in the construction of artificial flowers. She later used this skill to make a living in England. Collection comprises an handwritten, unpublished manuscript volume (256 written pages, plus 45 watercolor and 5 pen and ink plates of illustrations) by Madame de Rhinfeld, written around 1830. In the manuscript, Rhinfeld provides detailed instruction on how to create 24 different artificial flowers, and describes the tools used to make them. Flowers include pomegranate, hyacinth, roses, pansies, narcissus, geraniums, and orange flowers, among others. Includes watercolor diagrams regarding the construction of each flower, with additional paintings of the finished piece. The instructions are accompanied by a chapter of poetry, stories, quotations, and commentary related to each flower. Scattered throughout the manuscript are other pen and ink drawings. Includes an index to flowers and to poets.

Collection comprises an handwritten, unpublished manuscript volume (256 written pages, plus 45 watercolor and 5 pen and ink plates of illustrations) by Madame de Rhinfeld, written around 1830. In the manuscript, Rhinfeld provides detailed instruction on how to create 24 different artificial flowers, and describes the tools used to make them. Flowers include pomegranate, hyacinth, roses, pansies, narcissus, geraniums, and orange flowers, among others. Includes watercolor diagrams regarding the construction of each flower, with additional paintings of the finished piece. The instructions are accompanied by a chapter of poetry, stories, quotations, and commentary related to each flower. Scattered throughout the manuscript are other pen and ink drawings. Includes an index to flowers and to poets.

Collection
Autograph manuscript letter with postmarked envelope from the actress and writer Fanny Kemble in London to Miss Patteson in Andover, 10 May, 1889. Kemble thanks Miss Patteson for sending photographs, mentioning that she particularly values one of Bishop Patteson. She says she is "glad Lord Coleridge thought Lenox (Mass.) pretty. It has always seemed to me a charming mountain village." Frances Anne "Fanny" Kemble was a British actress, writer, and abolitionist. She was born into a theater family; her acting career spanned the years 1829-1868. Kemble acted to support herself, but she was most passionate about writing, and was an accomplished playwright, poet, and diarist. She married the Pierce Mease Butler, an American who subsequently inherited his family' plantations. After spending time in Georgia, Kemble became an abolitionist and later divorced her husband. In 1863, Kemble published her anti-slavery memoir, Journal of a Residence on a Georgian Plantation in 1838-1839, which is said to have influenced the British against supporting the Confederacy in the Civil War. Kemble's own family was divided on that issue, as her elder daughter sided with her mother, while her younger daughter returned to Georgia with her father. Frances Butler Leigh published Ten Years on a Georgia Plantation Since the War (1883) as a rebuttal to her mother's memoir. Kemble's success as a Shakespearean actress enabled her to buy a cottage in Lenox, Massachusetts. Her correspondent, Miss Patteson, is the daughter of Frances Duke Patteson, a niece of the poet Samuel Coleridge Taylor; the Lord Coleridge mentioned in the letter is John Duke Coleridge (1820-1894), the 2nd Lord Chief Justice of England. Bishop Patteson refers to Miss Patteson's sister, John Patteson (1827-1871), who became an Anglican martyr after being killed doing mission work in the Solomon Islands.

Autograph manuscript letter with postmarked envelope from the actress and writer Fanny Kemble in London to Miss Patteson in Andover, 10 May, 1889. Kemble thanks Miss Patterson for sending photographs, mentioning that she particularly values one of Bishop Patteson. She says she is "glad Lord Coleridge thought Lenox (Mass.) pretty. It has always seemed to me a charming mountain village."

Collection

Faithfull family papers, 1864-1887 and undated 0.1 Linear Feet — 22 items

The Faithful family focuses on the family of Rev. Ferdinand Faithfull and Elizabeth Mary Harrison of Headley Rectory in Surrey, England, and their eight children. Among the children were Esther Faithfull Fleet (1823–1908), who was both a book illustrator and the mother of seven children. The youngest child, Emily Faithfull (1836?-1895), was an feminist reformer, philanthropist, printer, publisher, novelist, and lecturer. Collection comprises 14 letters, an envelope autographed by Emily Faithfull, an invitation completed by her, a printed invitation acceptance, a carte de visite and two copies of a mounted albumen photograph of her, along with two illustrated pieces completed by Esther Faithfull Fleet.

Collection comprises 14 letters, an envelope autographed by Emily Faithfull, an invitation completed by her, a printed invitation acceptance, a carte de visite and two copies of a mounted albumen photograph of her, along with two illustrated pieces completed by Esther Faithfull Fleet. The letters, all written by Emily Faithfull, include routine correspondence and thank you notes; other topics include the capacity of Victoria Press to do law work; an honor bestowed on her by the professional women's organization, Sorosis, in New York; a statement in the Guardian newspaper claiming that in a speech she repudiated women's rights as it applied to her work; a request for early assistance with preparations for Christmas in order to provide relief for "some very distressing cases;" and inquiries regarding the printing of her "Jubilee Address" or its distribution. There is one letter to Henry Ward Beecher asking him to hand out notices regarding her upcoming lecture, and mentioning Lucretia Mott's plans to address the audience. Several letters feature the stamp or embossed stamp of the Victoria Press. The carte de visite was produced by the London Stereoscopic & Photography Co., and the mounted photographs by W. & D. Downey of Ebury Street, London. The illustrated pieces completed by Esther Faithfull Fleet include a calling card hand decorated in ink and watercolors (?), and a watercolor painting of a parrot.

Collection

European tourist travel negatives, between 1910-1915 36 items — 1 box — 34 nitrate negatives; 2 original processing envelopes — 3 5/8 x 4 7/8 inches

This early 20th century collection of 34 nitrate sheet negatives features black-and-white travel images taken mainly in European cities. Subjects chiefly focus on popular tourist landmarks such as gardens, parks, bridges, buildings, and statuary. The travelers seem to be all women and at least one young child. Locations identified by library staff include Paris and Bruges, but other locations are unidentified, as are the photographer and subjects. It is assumed that some locations are in London or England, as one of two commercial photograph processing envelopes from the London firm Selfridge's accompanying the negatives is marked "English trip 1913." The negatives are sized 3 5/8 x 4 7/8 inches.

This early 20th century collection of 34 nitrate sheet negatives features black-and-white tourist travel images mainly taken in European cities sometime between 1910-1915. Subjects chiefly focus on landmarks such as gardens, parks, bridges, buildings, and statuary. The travelers seem to include women and at least one young child. Identified cities include Paris and Bruges, but other locations are uncertain, as are the identities of the photographer and subjects. Two commercial photographic processing envelopes are from the London firm Selfridge's; one is marked "English trip, 1913." The negatives are sized 3 5/8 x 4 7/8 inches.

The dating is taken in part from the 1913 date on the processing envelope and from a billboard advertising a musical being staged in Paris.

Forms part of the Lisa Unger Baskin Collection, acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection
Collection comprises a printed copy of a will (1875?), along with manuscript inventories; lists of stocks and bonds; related correspondence; and payments made against the estate of Margaret Bromfield Blanchard in 1877 and 1878. Henry B. Rogers served as her executor. There are also her manuscript records outlining the distribution of the estate, dated 1867-1868. The Bromfield School is mentioned extensively in the will and the distribution documents. In the will she outlines "if boys are admitted [to the school], I order that their number shall always be one-third less than that of girls." In addition, there are a few records related to the estate of Margaret Blanchard's grandfather?, Henry Bromfield, in Cheltenham, England, dated 1836-1842, including the executor's account. Unrelated documents include a written agreement between Mary Blanchard and Hiram Osborn for his assumption of the farming duties in 1864, along with a letter regarding the establishment of trustees for the Bromfield school, dated around 1890.
Collection
Emmeline and Frederick Pethick-Lawrence were British socialist activists best known for their involvement with the suffragist movement. The collection consists of some correspondence; printed pamphlets and literature collection by the Pethick-Lawrences, as well an Official Programme of the Great Demonstration of Suffragettes in Hyde Park in 1910; and copies of the Printed Statement of Claim and Further Particulars of Statement of Claim following protests by suffragettes in London which resulted in broken windows, particularly accusations of incitement by the defendants (including the Pethick-Lawrences) following speeches, published circulars, newsletters, and meetings of the Women's Social and Political Union in 1911-1912.

The collection consists of four typescript notes and two greeting cards. The first card is headed "Votes for Women, The National Women's Social and Political Union, Greetings and Good Wishes for 1908," addressed to Mr. and Mrs. Grinling from Mr. and Mrs. Pethick-Lawrence. The second card, dated 1936-1937, has a tipped-in photograph of the Pethick-Lawrences, signed "with love from Fred and Emmeline." A typescript letter, on The National Women's Social and Political Union stationery, dated July 8, 1908, is signed by Emmeline Pethick-Lawrence to Mrs. Grinling, and asks to have her husband convey a resolution passed at a Woolich suffrage meeting to Prime Minister Asquith. Included is a typescript copy of the letter from Grinling to Asquith carrying out the request. A typescript note, dated September 22, 1922, signed Mrs. Pethick-Lawrence on her letterhead, declines subscribing to something sent to her by Mr. Grinling. A typescript note from Emmeline Pethick-Lawrence to C.H. Grinling, dated October 3, 1945, mentions a copy of a birthday telegram Grinling sent to Gandhi, who she describes as "one of the great moral and religious leaders of the present age ... his reputation and his influence will continue to grow for many years to come." A typescript note signed "Fred," dated July 9, 1945 on "The Rt. Hon. Lord Pethick-Lawrence of Peaslake" letterhead thanks C.H. Grinling for a letter of welcome.

The library also holds a number of individually cataloged printed materials owned by the Pethick-Lawrences.

Collection
Online
Emma Goldman was an anarchist known for her political activism, writing, and speeches. She played a pivotal role in the development of anarchist political philosophy in North America and Europe in the first half of the 20th century. The Emma Goldman papers feature over 300 letters, primarily written by Emma Goldman, although other anarchists, activists, and thinkers are represented as authors, including Alexander Berkman, Eugene Debs, Harry Kelly, Alexander Shapiro, and the Socialist Party of New England. Many of the letter recipients are unnamed (as "Comrade"), but the majority of the letters were directed to Thomas H. Keell, an English compositor and editor for the anarchist periodical Freedom, in London. Letter topics most often center around requests made of Keell in support of various writing projects as well as speaking engagements and organizing work completed in Europe, the United States, and Canada, but also touch on visa constraints for Goldman and Berkman, the state of the anarchist movement in various countries, the lack of support for anarchist publications, as well as general position statements, especially in regard to Soviet Russia and the Spanish Civil War. There are also papers related to various prominent anarchists. These include typescript drafts of four articles and letters by anarchists; nine handwritten articles on anarchist themes written in Italian by Errico Malatesta; publications; press releases; ephemera, including tickets, brochures, solicitation letters, handbills and flyers; a contract and room layout for speaking engagements; Thomas H. Keell's list of works on anarchism; newspaper clippings; and six black-and-white photographs. The Emma Goldman papers are part of the Lisa Unger Baskin Collection.

The Emma Goldman papers feature over 300 letters, primarily written by Emma Goldman, although other anarchists, activists, and thinkers are represented as authors, including Alexander Berkman, Eugene Debs, Harry Kelly, Alexander Shapiro, and the Socialist Party of New England. Many of the letter recipients are unnamed (as "Comrade"), but the majority of the letters were directed to Thomas H. Keell, an English compositor and editor for the anarchist periodical Freedom, in London. Letter topics most often center around requests made of Keell in support of various writing projects as well as speaking engagements and organizing work completed in Europe, the United States, and Canada, but also touch on visa constraints for Goldman and Berkman, the state of the anarchist movement in various countries, the lack of support for anarchist publications, as well as general position statements, especially in regard to Soviet Russia and the Spanish Civil War. There are also papers related to various prominent anarchists. These include typescript drafts of four articles and letters by anarchists; nine handwritten articles on anarchist themes written in Italian by Errico Malatesta; publications; press releases; ephemera, including tickets, brochures, solicitation letters, handbills and flyers; a contract and room layout for speaking engagements; Thomas H. Keell's list of works on anarchism; newspaper clippings; and six black-and-white photographs.

Collection
Single page testimony signed by Emily G. Wightman describing her husband's physical abuse and his neglect of his children.

Single-page handwritten manuscript testimony signed by Emily G. Wightman on the topic of her husband's physical abuse of her and his neglect of their children. Text reads: "Cruel and inhuman treatment by my husband such as frequently and greatly impair my health and endanger my life rendering it unsafe for me to cohabit with him - Refusing & neglecting to provide sufficient provisions and clothing for his family and when otherwise provided he deprives the family of their use by hiding & secreting them and locking them up in places where they cannot be found or recovered by the family when needed." Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection
Dame Ellen Terry, considered the leading Shakespearean actor of her time, was a member of the company at London's Lyceum Theatre from 1878-1902. Collection comprises an autograph note on Lyceum Theatre letterhead (5"x8"). The actor Ellen Terry writes to "Olga" to schedule a social engagement. She writes, "I'm much grieved to hear of you mother ..." and sends "best remembrances" to Olga's husband. There is also an undated cabinet photograph, by Window & Grove photographers, London.

Collection comprises an autograph note on Lyceum Theatre letterhead (5"x8"). The actor Ellen Terry writes to "Olga" to schedule a social engagement. She writes, "I'm much grieved to hear of you mother ..." and sends "best remembrances" to Olga's husband. There is also an undated cabinet photograph, by Window & Grove photographers, London.

Collection
Collection comprises a full-color, four-page manuscript metamorphosis book, with verses and pen-and-watercolor illustrations by Elizabeth Winspear, who was possibly a resident of New England. Each page features two flaps that fold out in stages to reveal new illustrations. Characters include Adam and Eve, along with a lion, griffin, and eagle, and themes include the attainment of wealth, and impact of sickness and death. Includes a clamshell box.
Collection
Harrogate College Union is the alumnae association for Harrogate Ladies' College in Harrogate, England. The Union was established in 1895. Elizabeth Wilhelmina Jones, or M. E. Jones, was headmistress of the school 1898-1935. Collection comprises materials related to a celebration, hosted by the college union in 1959, of Elizabeth Wilhelmina Jones' 90th birthday, along with items related to her memorial the following year.

Collection comprises materials related to a celebration, hosted by the college union in 1959, of Elizabeth Wilhelmina Jones' 90th birthday, along with items related to her memorial the following year. Includes two newspaper clippings regarding the birthday; a related luncheon invitation, menu, and college union pin; two items associated with her memorial service; and a notice regarding a memorial fund to be established in her name. In addition, there are three black-and-white photographs of the birthday luncheon and one color photograph of Jones. The rest of the collection items are mainly forms related to photographic orders.

Collection

Elizabeth Fry papers, 1821-1850 0.1 Linear Feet — 1 folder

Elizabeth Gurney Fry (1780-1845) was an English prison reformer, social reformer, and a Quaker philanthropist. Collection comprises some letters, poetry copied by Fry, and two portraits.

Collection comprises three letters, a note, poetry copied by Fry, and two portraits. The correspondence includes: a joint letter (dated 1821 Sept. 22) from Fry and her brother, Joseph, thanking James Williams, sheriff of London and Middlesex, for his interest in and support of the work of their organization for the improvement of female prisoners at Newgate. In the other letters (1839 and 1842), Fry briefly mentions separate confinement and the new colony at Australsund in West Australia. The undated note (probably around 1850) written to Blesia(?) regarding an accident on the part of Fry's daughter[-in-law] Sophia, that prevents Fry's visit. The other manuscript page contains two items of poetry, On Parent Knees a Naked New-born Child by Sir William Jones, copied at Plashet House on 1825 February 5, and 1 Timothy 4:12, copied on 1823 July 8. The collection also contains two printed portraits of Fry.

Collection
Elizabeth Cleghorn Gaskell was a novelist and short-story writer. Collection contains a letter Elizabeth Gaskell wrote to Ellen Nussey on [1855] July 27 regarding her work on her biography of Charlotte Brontë, and making arrangements to meet with Nussey to review any letters "which you may think it right to entrust me with." She refers to having already reviewed letters held by Mr. Nichols, Brontë's husband, but never mentions Brontë by name.

Collection contains a letter Elizabeth Gaskell wrote to Ellen Nussey on [1855] July 27 regarding her work on her biography of Charlotte Brontë, and making arrangements to meet with Nussey to review any letters "which you may think it right to entrust me with." She refers to having already reviewed letters held by Mr. Nichols, Brontë's husband, but never mentions Brontë by name.

Collection
Elizabeth Cabot Cary Agassiz (December 5, 1822 – June 27, 1907) was an American educator, and the co-founder and first president of Radcliffe College. Collection comprises an autograph, signed letter Elizabeth Cary Agassiz wrote to Dr. Thomas Hill on January 20 [1886] regarding his article on her husband published in the Unitarian Review in December 1885. Also includes a printed photograph of her.

Collection comprises an autograph, signed letter Elizabeth Cary Agassiz wrote to Dr. Thomas Hill on January 20 [1886] regarding his article on her husband published in the Unitarian Review in December 1885. She notes that she was unable to follow his entire argument, "for the kingdoms of geometry are closed to me. But in reading it I am nonetheless conscious of a law which binds all things together...." Also includes a printed photograph of her.

Collection
Elizabeth Cady Stanton (1815 November 12-1902 October 26) was an American suffragist, social activist, abolitionist, and leading figure of the early women's rights movement. Collection contains four signed letters written by Elizabeth Cady Stanton to various correspondents.

Collection contains four signed letters written by Elizabeth Cady Stanton to various correspondents. The first, dated [1880s] May 9 from New York, was written in response to a letter by a Miss Ives regarding a misunderstanding between them over articles or interviews written for The World and The Recorder; includes a transcription. In the second, dated 1881 April 26 from Tenafly, N.J., Stanton wrote to William Russel Dudley regarding his position, as well as her son Theodore's amicably-ended engagement to Miss White, daughter of Cornell University President Andrew Dickson White, and his plans to marry another. In the third letter, dated 1883 Dec. 10 from Geneva, N.Y., Stanton wrote to Courtland Palmer, declining an invitation address the first meeting of the Century Club, and regretting that she was not apprised in time to change her travel plans, as she had just returned from Europe; item is mounted.

In the fourth letter, Stanton wrote to Edgar F. Gladwin on July 28 [no year provided] from Tenafly, N.J., answering his question, if she thinks "that the cause of woman suffrage would be greatly advanced if the generalty [sic] of women gave their active approval." She answers "Most assuredly" and goes on to mention how the lives of Turkish and Mormon women would change if they repudiated the social practices of their societies. Stanton then goes on to state that the reason women in the United States do not wholeheartedly support suffrage is because of theology: "They accept what is taught them by holy men at the altar. Believing... woman an afterthought in the creation; the author of sin; cursed in her maternity, marriage for her a condition of slavery, she's prepared for any form of degradation. Hence until the majority are emancipated from the old theologies they will never demand political freedom. My present endeavor is to turn my guns on the church."

Collection
Elizabeth Arden was a pioneering cosmetics entrepreneur. In this letter, she writes to advise a potential customer on matters relating to health and beauty. Arden advises her to get plenty of rest, eat a balanced diet, and to use products from Arden's Venetian line in order to soothe her chapped hands. Arden writes, "I know that where one is a busy housewife and has many duties in a country home, it is hard to get rest and relaxation. Perhaps you are of the naturally alert, quick, nervous type and use up a lot of energy everyday."

The collection consists of a single autograph typescript letter dated 1926 June 26 written by Elizabeth Arden to a Mrs. Hyatt, who had contacted her for advice after hearing her speak on the radio. Arden writes, "I know that where one is a busy housewife and has many duties in a country home, it is hard to get rest and relaxation. Perhaps you are of the naturally alert, quick, nervous type and use up a lot of energy everyday." Arden advises her to "get a little rest period at least once a day and relax in a quiet room or take a soothing, warm bath and a little nap," as well as to eat a healthy diet. She goes on to recommend products in her Venetian Preparations line that will soothe chapped hands, and encloses her booklet "The Quest of the Beautiful." On letterhead stationery from 673 Fifth Avenue embossed with the Venetian trademark.

Collection
Eleanor Vere Boyle (1825-1916) was an British artist of the Victorian era whose work consisted mainly of watercolor illustrations in children's books. Collection comprises an autograph letter, signed E. V. B., written by Boyle to Mr. [L?]awley on May 11, regarding payment for wine glasses and his portrait in the Pall Mall Magazine.

Collection comprises an autograph letter, signed E. V. B., written by Boyle to Mr. [L?]awley on May 11, regarding payment for wine glasses and his portrait in the Pall Mall Magazine. On her Huntercombe Manor, Maidenhead, letterhead.

Collection
Collection comprises Edith Wharton's corrected Italian manuscript (34 typed pages) for her short story, "La Duchessa in Preghiera" (The Duchess at Prayer), originally published in English in Scribner's Magazine, August 1900, then by Scribner's in the collection of her stories, "Crucial Instances," 1901. The corrections are in Italian and are in Wharton's own hand.
Collection

Edith Sitwell poems, circa 1940-1950 0.1 Linear Feet — 1 item

Dame Edith Sitwell was a British poet and critic whose work helped usher in the modernist era of British poetry. This autograph manuscript contains the text of two of her poems: "Lullaby" and "Serenade: From Any Man to Any Woman." Both poems were inspired by the early years of World War II and were published in her 1942 collection "Street Songs."

The five leaf holograph manuscript with text on the front side of each numbered page consists of two poems both titled at the top and signed "Edith" at the bottom. Both poems, "Lullaby," and "Serenade: Any Man to Any Woman" appeared in her 1942 collection "Street Songs." In this manuscript, "Serenade" is titled "Any Man to Any Woman." Both were inspired by the early years of World War II and are ironically titled. "Lullaby," sung by a baboon, describes a chaotic, primeval world destroyed by wartime chaos and despair in which, "All is equal - blindness, sight/There is no depth, there is no height." "Serenade" spoken by a dying soldier, regards his love through the lens of death and destruction. He identifies his love with a cannon and invites her to "die with me and be my love" in a reversal of the famous Marlowe line.

Both poems are referenced in the Edith Sitwell papers at the Ransom Humanities Center. Viewed March 9, 2017

Source: Misko, Ellen, "A Study of Dame Edith Sitwell's Later Poems: 1940-1945" (1972). Dissertations. Paper 1211. Viewed March 9, 2017

Collection
Collection comprises a certificate written by Fairfax stating that he examined Alsy (Alice), who was a slave being hired out to Charles Mothershead in Westmoreland Co., Va. He found that she had procidentia uteri (her entire uterus was outside the vagina), which caused her to be unable to work. He added, "She may be made useful by the application of an instrument properly adjusted, to keep the part from coming down."
Collection
Cornelia Ann Ludlow Willink (1788-1866) used these notebooks as a young girl in New York studying penmanship, mathematics, and geography. The math workbook (dated 1796) is hardback bound, with arithmetic lessons on numeration, addition, subtraction, multiplication, division, and measurements. The five copybooks (dated approximately 1800-1802) are bound in marbled paper, with school assignments and lessons on penmanship, geography and history about the United States and Canada, repeatedly copied sentences about manners, morals, and character, and other assorted assignments. Collection assembled by Lisa Unger Baskin, and was acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection consists of a mathematics manuscript workbook and five manuscript copybooks used by Cornelia Ann Ludlow as a young girl between the ages of approximately eight and fourteen years old (dating between 1796 and 1802). The math workbook (dated 1796) is hardback bound, with arithmetic lessons on numeration, addition, subtraction, multiplication, division, and measurements. The five copybooks (dated approximately 1800-1802) are bound in marbled paper, with school assignments and lessons on penmanship, geography and history about the United States and Canada, repeatedly copied sentences about manners, morals, and character, and other assorted assignments.

Acquired as part of the Lisa Unger Baskin Collection.

Collection
Lady Elizabeth Holford was born Elizabeth Lewis around 1650. She first married a merchant called Harbin, whose wealth she inherited. Her second husband was a poor baronet, Sir William Holford, who died before her. Lady Holford died on 3 November 1720, without an heir. Collection comprises a handwritten manuscript copy (70 pages; incomplete, the text ends mid-sentence) of Lady Holford's will and codicils, created around 1720, following her death. In the will, large sums of money are bequeathed to several Oxford colleges, including Christ Church, Pembroke and Worcester Colleges, and Hart Hall, along with Charterhouse School. There are also lesser legacies made to various London charity schools, along with other amounts left to individuals.

Collection comprises a handwritten manuscript copy (70 pages; incomplete, the text ends mid-sentence) of Lady Holford's will and codicils, created around 1720, following her death. In the will, large sums of money are bequeathed to several Oxford colleges, including Christ Church, Pembroke and Worcester Colleges, and Hart Hall, along with Charterhouse School. There are also lesser legacies made to various London charity schools, along with other amounts left to individuals.