The collection consists of materials collected by the American Dance Festival pertaining to choreographers, dance companies, and others involved in modern dance, including printed materials, newspaper and magazine clippings, press kits, programs, and correspondence.
The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.
American Dance Festival records, circa 1924-1988, bulk 1934-1977 89.05 Linear Feet
Contains correspondence, lists, administrative materials, memoranda, contracts, legal documents, financial records, class schedules, teaching materials, student records, clippings, press releases, publicity materials, brochures, tickets, posters, and other printed materials created by or related to the American Dance Festival before the decision to move to Durham, North Carolina, in the fall of 1977.
Anna Halprin papers, 1957-1995 1.33 Linear Feet
Collection includes books, magazines, photographic prints, clippings, flyers, written correspondence, programs, essays, and other printed materials.
Charles Reinhart Management, Inc. records, 1951-2008 97.25 Linear Feet
Collection includes correspondence, printed material, and business and financial records created by Charles L. Reinhart and the employees of Charles Reinhart Management, Inc., 1951-2008. Some personal papers of Charles L. Reinhart are also included.
Dance Pages records, 1930-1997, bulk 1982-1997 6.25 Linear Feet
The collection contains the records of Dance Pages, which were collected or created during the production of the magazine, as well as copies of the magazine from 1987 to 1997. Records were typically filed by subject or person rather than by type of record, so files contain a range of materials. The majority of the Dance Pages records are subject files, which primarily contain publicity information such as photographs and press releases for dance companies, dancers, schools, teachers, artists, musicians, filmmakers, photographers, performance venues, events, performances, and other dance-related topics. In addition to publicity materials, subject folders can contain drafts of articles and advertisements, paste-ups for advertisements and magazine features, illustrated graphics, press clippings, correspondence, invoices, brochures, flyers, programs, 35 mm slides, and negatives. The collection also contains administrative files, which hold materials related to magazine contributors, personnel, and business management. While the collection includes some financial documentation and correspondence, these materials are filed with the subject to which they pertain and are therefore distributed throughout the collection.
The materials housed within the collection are in a variety of formats, including paper-based records, magazines, paste-ups, illustrated graphics, newspaper clippings, press kits, programs, flyers, brochures, and catalogs, as well as photographs, contact sheets, negatives, 35 mm slides, and transparencies.
Dr. Charles Davis papers, 1938-2003 23.25 Linear Feet
Collection includes correspondence, paper based records, printed materials, teaching materials, programs, posters, post cards, publications, newspaper clippings, conference materials, notebooks, photographs, negatives, slides, super 8 film, artwork, and various other types of memorabilia
Ethel Tison Chaffin papers, circa 1930-1993 1.5 Linear Feet
The collection contains the personal papers and dance-related memorabilia (circa 1930-1993) of Ethel Tison Chaffin. Materials include photographic prints, newspaper clippings, programs, and correspondence, which are housed within a scrapbook and one Hollinger box. Many of the materials are annotated by Ms. Chaffin.
Included in the scrapbook are Ms. Chaffin's personal photographs documenting her involvement in dance and theater. These photographs depict several of her earliest dance recitals, university dance performances, and her 1948 performance as Laura in Tennessee William's The Glass Menagerie. In addition, she has incorporated photos of colleagues in the dance world. Also included within the scrapbook is correspondence between Ms. Chaffin and various educational institutions regarding admission to advanced dance programs at New York University and Bennington College, as well as job enquiries. Ms. Chaffin documented her career as an instructor by incorporating programs, clippings, and advertisements from her private studio, as well as those relevant to her tenure at Louisiana State University, the University of Alabama, and the Georgia State College for Women (now Georgia College) into the pages of her scrapbook. Memorabilia, including programs from festivals and performances that she attended, is also included within her scrapbook.
Records created after the compilation of the scrapbook are housed separately in a Hollinger box. Materials incorporated into this record set include correspondence with Elizabeth Andrews, educator and dance/drama critic, as well as newspaper clippings for a variety of well-known dancers and choreographers, including George Balanchine, Martha Graham, Charles Weidman, Merce Cunningham, and José Limón.
Free to Dance records, 1987-2004 96.34 Linear Feet
The collection includes business records, grant proposals, correspondence, film, video, sound recordings, oral histories, interview transcripts, photographs, clippings, and research materials created or collected during the production of the three-part television documentary Free to Dance.
The bulk of the Free to Dance Collection dates from 1998 to 2001, when technical production of the series took place; however, the collection also includes grant proposals and early project development documentation dating back to 1987, as well as some correspondence and financial information created after its air date in 2001.
Gerald E. Myers papers, 1979-1988 0.21 Linear Feet — 100 items
This collection contains documents pertaining to Gerald Myers' participation in American Dance Festival programs funded by the National Endowment for the Humanities between 1979 and 1988.