Commonplace book, dated circa 1769-1774, appears to have been created by Zuriel Waterman and Sarah Dean. The name Sarah Dean appears on the inside cover, but many later entries written in a different hand are attributed to Zuriel Waterman. The book contains a number of excerpts, verse, and other writings including: "A Chronological Table of Epithets of the Kings of England," "Versus on Mr. George Whitefield," "A Short and True Description of North Carolina and its Inhabitants," and "Care for bite of a mad dog." Also included is a count of inhabitants in the colony of Rhode Island by locale and race, a sketch of the city of Troy, a petition of the Continental Congress to the King of England, and various religious and political writings.
Collection comprises twenty-five color inkjet prints from "Corrections," a documentary project by photographer Zora J. Murff. Taken in Iowa, these portraits of male and female teenage offenders on probation, parole, or charged again as adults are further contextualized by images of electronic tracking bracelets, jumpsuits, cells and detention centers, and intake paperwork. Images are accompanied by detailed captions written by the photographer. The prints measure 17 x 22 inches (image size 16 x 20 inches). As a whole, the collection documents the administration and human context of the 21st century juvenile justice system in the U.S. and Iowa.
In the artist's statement, also included in the collection, Murff writes: "From 2012 to 2015, I worked as a Tracker for Linn County Juvenile Detention and Diversion Services in Cedar Rapids, Iowa. As a Tracker, I provided services to youths who were convicted of crimes, adjudicated, and subsequently ordered to complete probation...Through employing ideas of anonymity, voyeurism, and introspection, 'Corrections' is an examination of youth experience in the system, the role images play in defining someone who is deemed a 'criminal,' and how the concepts of privacy and control may affect their future."
This work received the 2018 ADA Award for Emerging Documentarians. Acquired as part of the Archive of Documentary Arts at Duke University.
The Yusuf Salim Collection (chiefly undated, but some dated between 1982 and 1987) has as its focal point manuscripts of 36 lead sheets for Salim's jazz compositions. One additional folder contains a piece of writing by Salim and a photocopy of an article on him from the Raleigh News and Observer from 1987. Acquired as part of the Jazz Archive at Duke University.
Collection includes some printed materials about youth radio as well as audiovisual materials that are closed to use until preservation copies can be made. Acquired as part of the Archive of Documentary Arts.
The Youth Document Durham and Durham Works program records span the years 1995-2008 and document the process of training young people in Durham, North Carolina schools to use photography and other arts, oral histories, and writing to record the histories and members of their communities and the local issues affecting the students' lives. Although the vast majority of the projects focus on Durham, there is also one project based in South Carolina. Topics explored by participants, both interviewers and interviewees, include crime, food cultures, jobs and education, music, racism, technology, teen violence, work cultures, and tobacco cultivation and its social context. The collection is divided into four series: Interviews, Photographic Material, Project Files, and Additions.
The bulk of the collection is made up of hundreds of interviews conducted by junior high and high school students with community members, but there are also many program publications, project curricula, and administrative records for those years. The contents of each series is described in full below. There is also a Community Stories database that houses the complete information for each interview, including descriptive notes on certain interviews, and restricted information. For access to this database, please consult with a reference archivist.
The Interviews Series forms the bulk of the collection, and houses the materials generated by the student projects. Each session was organized around a topic which usually would be repeated in subsequent years, such as "Durham Works" or "Old Five Points." Folders usually house one set of interviews conducted by one or more students, and contents typically consist of one or more cassette tapes of the oral interviews, consent forms and other documentation about the interviewees, and writings by the students that came out of their experiences as interviewers. Some interviews have been transcribed. Original audiovisual materials are closed to use; viewing or listening copies need to be made before contents can be accessed. Folders are arranged in number order as assigned by Center for Documentary Studies Staff; they are not in chronological order. An alternate listing at the end of this collection inventory groups boxes by project title rather than folder number order.
In addition to oral histories and writings, the students also produced many images of their subjects and their communities. Photographic prints and negatives of their work are housed in the Photographic Materials Series. Students also produced poems and drawings, and these are chiefly found in the Project Files Series.
Supporting program materials - curriculum guides, notes on staff meetings, staff guidelines, assessments of outcomes - are found in the Project Files Series. Also housed here are additional photographic images, mostly of the project students and staff, CDs with final projects, and the many publications that came out of the Center for Documentary Studies program. These booklets contain mostly interview transcriptions but also include photographs, drawings, annotations, and poetry. Also included is a retrospective collection of Youth Document Durham participant photos and essays, edited by Hong-An Truong and published in 2005.
Later accessions to the collections are found in the Additions Series. These items consist of audiovisual materials, photographs, and some printed materials. In addition to the Youth Document Durham project, related projects included in the Additions series are the Youth Treatment Court, which seems to have been a division of Youth Document Durham, and the Connect Program, which included projects from Old Five Points as well as special group projects for youth.
Acquired as part of the Archive of Documentary Arts at Duke University.
Youth Document Durham and Durham Works Project records, 1995-2008 and undated 45.5 Linear Feet — Approximately 10,085 Items
The Young Women's Christian Association (YWCA) of Durham was founded in 1920 and served the larger Durham community from the 1920s until the 1970s. The Harriet Tubman branch of the Durham YWCA served the AfricanAmerican community in particular and, through collaboration with the Central branch, fostered integration in a radically segregated Durham. In the 1970s, the YWCA became the home of the Durham Women's Health Co-op and the Durham Rape Crisis Center, which operated out of the YWCA Women's Center. These organizations were central to reform movements throughout Durham, from women's health and childcare to fair wages and civil rights. The YWCA of Durham records reflect both the administrative history of the YWCA, as well as the programs, projects, social events, and community outreach that formed the backbone of the organization. For example, a series of scrapbooks, put together by Y Teen groups, program participants, and residents of the YWCA's boarding houses captures the strength of the YWCA community. The broader impact of the YWCA is evident in their range of programming, especially the clubs they hosted, from PMS and Single Mothers groups to a "Matrons Club." The YWCA's impact is also reflected in administrative and financial materials that tell the story of the Y's work to serve the people of Durham that needed a safe place to build community for themselves and their families.
Collection is made up of three commercial sets of black-and-white glass lantern slides that accompanied lectures on human anatomy for general audiences. They were produced sometime between 1888 and 1900. The slides measure 3 1/4 by 3 1/4 inches (83x83 mm), and the glass plates are bound with black paper. Most of the slides have titles printed along the edges of the paper mounts.
The first set (17 slides out of about 50 in the original set) is titled Human physiology popularly explained, and illustrates aspects of neurological, cardiovascular, muscular, and skeletal systems. Among the slides of the thorax and its organs is an image showing the effects of the "tight lacing" on women's corsets. As indicated on the title slide, the detailed images in the set are based on illustrations by English author, teacher, and naturalist William S. Furneaux.
The second set (18 slides of about 40) has as its title The heart and its action, and illustrates all aspects of the cardiovascular system, including pulmonary and neurological anatomy. The illustrator is unknown.
The third set (3 slides) offers microscopic cross-sections of the human liver, bone, and tooth. The slides are part of a set called Microscopic gems: from the three kingdoms of nature.
All three lecture sets were produced in the late 19th century and perhaps into the first years of the 20th century by the firm York & Son, as evidenced by the presence on each slide of the London firm's "snake" trademark on a paper label.
These lecture sets were distributed widely by a number of optical and photographic firms. Two sets in this collection were sold through a Glasgow optician, J. Lizars, whose trademark label also appears on most of the slides in the first and third sets.
Acquired as part of the History of Medicine Collections at Duke University.
York & Son human anatomy and physiology glass lantern slides, between 1888-1900 1 Linear Foot — 2 boxes — 38 slides; one wooden storage box (empty) — 3 1/4 x 3 14/ inches — 38 slides; one wooden storage box
Collection comprises a photograph album maintained by Yōko Hioki primarily featuring her family and school. She was a 9th grader in 1953. There are 128 albumen and gelatin silver photographs ranging in size from 0.875 x 1.375-inches to 7.75 x 5.5-inches. The majority of the photographs are captioned. The first photograph in the album is a group family photograph taken sometime during the war, before the deployment of one of her family members. In addition, besides several pictures of Yōko, there are group and individual photographs of her school teachers and classmates, including reunion photographs, and many images of class field trips, including one trip to Nikko. There are also casual and formal individual and group images of Yōko's family, including those taken at a birthday party for her sister.
Collection comprises a papercut by Yehudit Shadur, entitled "Mizrach" (east wall marker), from the original in the Jewish National Museum and Archives, Israel. Cut blue paper; mounted on brown paper. 15.25 x 18.75 inches.