Collection consists of two records books - a Clothing Book and a Morning Reports book - which were created and kept by Company D officers between 1861 and 1864.
The Clothing Book contains a registry of members of the company and their allocations for the year 1862 of items of clothing, like shirts, shoes, and hats, along with other notes for equipment like their mess kits. It has a record of the estimated value of each item, its date of issue, and any subsequent replacements recorded later on.
The Morning Reports ledger was kept from November 1861 through December 1864 by Captains Nathan Frankan and H. F. Chappell, and record the numbers present and absent for soldiers and officers, as well as any accompanying remarks explaining deviations from the tally sheet.
Thirty-four audio WAV files made from source digital audio tapes of interviews, primarily with participants in the Mississippi Freedom Project, from volunteers to organization leaders. The recordings were used for a Minnesota Public Radio documentary entitled "O Freedom Over Me," produced by John Biewen and Kate Cavett in 1994. In addition to interviews documenting the Project, Biewen and Cavett also talked to community leaders, educators, and activists regarding conditions for African Americans in Mississippi thirty years after Freedom Summer.
The 25 Under 25 Photographs collection includes 21 images from an exhibit produced by the Center for Documentary Studies in 2003. The images are all taken from volume 1 of 25 Under 25: Up-and-Coming American Photographers, a 2003 Lyndhurst book published by the Center for Documentary Studies and powerHouse Books.
The exhibit prints are only a small portion of the photographs published in the book. 21 of the 25 photographers are represented in the collection, most with one print. The photographers and the titles of their projects are listed below in the collection's Description. Dates of photographs are unknown. Acquired as part of the Archive of Documentary Arts (Duke University).
Collection consists of four regimental descriptive and orders books with names and descriptions of the 28th Maine's enlisted men and officers, as well as an order book with copies of orders issued and received by the commanders of the unit from 1862 to 1863. It records the regiment's travels from Maine through New York, Washington, and the Gulf coast region, including New Orleans and Pensacola. Inventory lists notes which soldiers died of disease or were killed in action at Donaldsonville, Louisiana. The orders book includes records of court martials, troop transfers, and rules and regulations.
Collection comprises nine letters to A. A. Parker, plus three blank subscription forms with receipts for insurance stock. There are two typed letters on company stationary from Ernest Attwell, one informing Parker that Attwell has made application to the state's insurance department regarding Parker's "certificate to solicit stock subscriptions." (1916 July tenth) In the second letter, Attwell instructs Parker to collect money from two named individuals for their stock. There is an additional letter regarding the purpose of the company, but written on letterhead for the National Fiscal Company, a related company also based at Tuskegee. A final letter is unrelated to the life insurance company; it concerns the mortgage for a store property on Minter Avenue in Selma.
In addition to the correspondence regarding the company, there are five handwritten letters to Parker from his wife, most written while he was in Akron, Ohio, between 1916-1917, although one letter dates as early as 1909. She mainly writes regarding her financial struggles while he is away, "... you ought to remember that I can't pay bills & give your children something to eat with out money. A notice came the other day stating that if the taxes were not paid by the 14 of May that the property would be advertised for sale. I went up to pay it Friday and I did not have enough money." (1917 May 17) In her other letters, Fannie writes about her illnesses, the children, and her other activities, including sewing and visits to others. In her final letter, she rejects Parker's conflicting requests for the family to join him in Ohio, and writes of her unfulfilled expectations for her marriage, and her unhappiness and loneliness resulting from Parker's life on the road, adding that he should stay away until "you can resine your self to being a real husband and real father. You know you do not love home." (1917 June 1)
This collection consists of two scrapbooks containing newspaper clippings, letters, receipts, family photographs, and the written memories of A. Michael Barker (1886-1943) of Wilson, North Carolina. Additional items not contained in the scrapbooks include family photographs, a letter, and a ketubah. The scrapbooks were named for World War I and World War II according to the approximate time of the creation of their contents and the subject matter of the newspaper clippings. Topics represented in the scrapbooks include family life, relief efforts for Jewish victims of World War I in Europe, the Zionist movement, Nazi atrocities against Jews in Europe, and the speeches of President Franklin Delano Roosevelt. Barker's approximately 49 pages of memories (circa 1942-1943) detail his financial troubles, family updates, and feelings on the treatment of Jews in Germany. Most of the correspondence is between Michael Barker or Anna Harris Barker and immediate and extended family members.
Barker created the scrapbooks from financial ledgers of his businesses in New Jersey and Wilson, North Carolina, and the financial entries are largely obscured by scrapbook inserts. While he created a majority of the content of the scrapbooks, some items were added after his death, presumably by another family member.
Collection consists of 28 black-and-white photographs by photographer Aaron Siskind, documenting life and conditions in New York City's Harlem neighborhoods from about 1932 to 1941. The images form part of two of Siskind's early documentary projects: "Harlem Document," and "The Most Crowded Block in the World." Subjects include African American men, women, and children in their kitchens, bedrooms, living rooms, and outside on the streets of Harlem; there are also scenes from the Apollo and New Lafayette theaters, and scenes from a nightclub and a church; many images feature the interiors and exteriors of tenement buildings.
The gelatin silver prints in this collection are all signed by Siskind. They measure 11x14 inches, with the image dimensions ranging from 9 1/8 x 8 3/4 to 11 3/4 x 9 7/5 inches. These particular prints were created by Siskind from original negatives sometime before his death in 1991, possibly in the early 1980s. Some images have multiple copies in the collection.
Aaron Siskind photographs of Harlem, circa 1932-1941 1.0 Linear Foot — 1 box — 28 photographic prints — 11x14 inches — Inscriptions: print versos are marked with legacy identifiers, titles, and dates assigned by former owners, and other notes. All are signed in ink by Siskind.
While the bulk of the collection is made up of correspondence, the papers also include Abbot's addresses to schools and the Virginia Educational Society; printed bulletins detailing courses of study and formal statements of the teaching philosophy at Bellevue; and an official letter-book, receipts, financial and legal documents relating to the purchase, expansion and daily administration of the school. Other materials relating to the children of the William and Lucy Abbot include educational addresses by their son, Charles Minor Abbot, who administered Bellevue until it closed (1901-1909), as well as biographical material on Virginia Henderson's authoritative influence on professional nursing.
The Abbot Family papers provide the researcher with numerous vantage points onto public, professional and private life in nineteenth-century Virginia, most particularly through personalized accounts of men and women of the time. While the papers follow the families' colonial past from the early eighteenth century into the mid-twentieth century, the collection is noteworthy for its emphasis on military and private life in the Confederacy and in the Reconstruction South. The collection illuminates the experience of the Civil War through numerous windows onto the private lives of individuals; the professionalization of secondary education during the Reconstruction; the social and epistolary conventions of nineteenth century courtship; and the construction of an inter-generational identity, based on extended familial affections and ties to the institutions of Bellevue and the University of Virginia.
The collection includes a small account book that A. B. (Abel Beach) Nichols used to record financial transactions that occurred in Alabama from 1835 to 1836. Nine pages contain handwriting and several pages near the front and back of the book have been removed. Of particular interest are two pages with the heading, "A list of the sales of negroes in the State of Alabama in 1835 & 1836," followed by a tabular listing of the number of slaves, their names, from whom purchased, cost, date, to whom sold, time, and amount. In all, Nichols bought and sold 42 slaves for a profit of $21,430.58. Headings such as "A list of bonds bought in Alabama ..." and "Bond on ... in Alabama for articles sold" are found on subsequent pages. Also included in the collection are two letters addressed to A. B. Nichols. The 1846 letter, from Pollard Hopkins & Co., describes efforts regarding the sell or hire of Nichols' slave, Henry, and the "writer's" intention to buy Henry a horse and dray, thereby giving him the means to eventually buy his freedom. The 1850 letter, from Henry, respectfully explains arrangements for acquiring the title to himself.
The Abercrombie & Fitch Quarterly Catalog Collection consists of a run of lifestyle-oriented clothing catalogs issued between 1997 and 2007. The catalog featured articles on a wide range of youth popular culture and lifestyle topics, along with numerous photographs by Bruce Weber. Articles included advice, music and movie reviews, and profiles and interviews with celebrities and cultural critics such as philosopher Slavoj Žižek. The Creative Director for the catalog series was Sam Shahid, who had previously worked in the in-house advertising agencies for Calvin Klein and Banana Republic. After 2003, the lifestyle content and controversial photography was scaled back to focus more narrowly on seasonal fashion.
The collection is arranged chronologically by issue
Abigail Adams letters, Philadelphia, Pennsylvania, to Mrs. Esther Black, Quincy, Massachusetts., 1797-1798
Collection comprises a letter from Abigail Buttens, Wilmington, to her mother, Desire Clark, Chester, dated 1781 April 28. She announces the death of her oldest daughter from a fever and asks for "... prayers for me that God would inable me to behave my self in Christian manner in whatsoever he calls me to meet with." She requests a visit from her mother and her brother, John.
Collection includes founding documents, newsletters, and promotional materials from the Abortion Care Network, with items dating from 2007 to 2010 and undated. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
Collection includes general administrative, financial, programmatic, and educational records; correspondence; founding documents; records of the board of directors; and files from Peg Johnston, co-founder of the Abortion Conversation Project. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
Collection consists of a set of seven mounted photographs, apparently intended for exhibition, and a set of five pro-choice pamphlets created by the Abortion Rights Association of New York (later known as Abortion Rights Association, Inc.). The photographs include coroner's office photographs of deceased women following self-inflicted abortions; morgue photographs of infanticides; equipment and tools used in self-inflicted abortions; and fetuses in utero, one with deformed brain. Author of the included captions is unknown. The pamphlets, written to assist New York physicians and practioners implementing the Supreme Court Roe v. Wade ruling, address women's rights to clinical abortions, abortion laws, counseling and guidance on policies, and references to New York abortion clinics and practitioners.
Collection comprises 37 letters, dated 1850-1866, Abraham Hanson wrote to his wife, Lydia, and one he wrote to his father from Monrovia, Liberia, among other places. Topics include abolition, diplomatic duties, commercial affairs, emigration, shipboard travel, the condition of Liberians and his aspirations for them, health concerns, and personal matters. There are also 15 incoming letters written to Hanson and his wife, dated 1846-1866, reporting on Hanson's welfare and conditions in Liberia and Africa, along with personal travel and religious matters. Includes several condolences written to Lydia following Hanson's dearth. In addition, there is funeral sermon Hanson preached on 1848 December 10 in Wisconsin, a copy of the New York City Colonization Society's circular dated 1840 May 3, and a copy of an 1852 Liberian court decision regarding payment of tuition and provision of clothing for Robert Savage. There is also a sermon dated 1863 Dec 10, entitled "Zion's Compliance and God's Answer, Isaiah 49-16-15." Two of the letters in the collection are incomplete. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.
The Abraham Joshua Heschel Papers span the years 1880 to 1998 and document Abraham Joshua Heschel's personal, academic, and public life, including his long-term involvement and leadership in social activism and other public activities, his reputation as a compelling and sought-after public speaker, and his far-reaching influence as a scholar and religious thinker. Items in this collection include correspondence, writings by and about Heschel, typescripts, clippings, printed material, and a small amount of photographs and artifacts. The materials in the collection provide insight to Heschel's identity as a spiritual leader and how this role was inextricably connected to his personal and professional life.
The collection is organized into the following series: Audio, Correspondence, Personal and Family Materials, Public Activity, Restricted, and Writings. Heschel maintained a meaningful, yet complex filing system. To balance preserving the original order with making the collection as accessible to researchers as possible, several key elements have been added to the collection guide:
•Scope note at the folder level. In many cases folder titles in the collection were reused, abbreviated, in Hebrew, or did not exist. Short descriptions of folder contents have been included not only to provide context for the materials, but also to make distinctions between the varying titles.
•Supplied/enhanced folder titles. In the case of missing or abbreviated titles, supplied titles (in brackets) were created. For folder titles written in Hebrew, the original folder title was documented along with its transliteration and English translation.
•Language extent. There are varying degrees in the amount of language materials in each folder and oftentimes multiple languages are represented in a single folder. To assist researchers, each folder description includes a note identifying the language(s) and their extent in the folder, with the dominant language listed first. The absence of a note indicates that all materials in the folder are in English. The following language categories are used: "A few" indicates that 1-25% of the materials are in another language(s); "Some" 26-65%; "Most" 66-99%; and "All" 100%.
Additionally there was a large of amount of clippings included in the Heschel collection which were generally in fragile condition. Where possible, these clippings were photocopied for preservation purposes and the originals discarded.
Abraham Rand Thompson letter, Charlestown, Massachusetts, to Loammi Baldwin, Esq., Norfolk, Virginia, 1833, June 7
Collection features letters to López Penha from a wide variety of Latin American and European literary and intellectual figures, many of them Jewish. Correspondents include Venezuelan journalist Nicanor Bolet Peraza; Peruvian novelists Mercedes Cabello de Carbonera and Clorinda Matto de Turner; Cuban authors Aurelia Castillo de Gonzáles and Enrique Hernandez Miyares; English novelist H. Rider Haggard; Mexican poet Amado Nervo; European Jewish activists Max Simon Nordau, Angel Pulido, and Israel Zangwill; Spanish authors Gaspar Núñez de Arce, Emilia Pardo Bazán, and Miguel de Unamuno; and many others. The majority of the letters are written in Spanish, a few are in English.
The Abram Kanof Papers, 1858-1996, contain printed material, correspondence, writings, and photographs primarily reflecting Dr. Kanof's research and writing in the field of Jewish ceremonial art; his role in the development of the Tobe Pascher Workshop of the Jewish Museum, New York, N.Y.; his curatorship at the North Carolina Museum of Art, Raleigh, N.C.; and to a lesser extent, his patronage of the arts. The Abram Kanof Papers are relevant to the study of religious art in the Judaic tradition, and they also document Dr. Kanof's contributions, as a researcher, patron, and administrator, to the study of the relationship between art and Jewish liturgy and worship.
A substantial part of the collection consists of printed material, including exhibition programs, handbills, articles, journals, and clippings, which is contained in the Subject Files Series. Information pertaining to topics within this series includes art and religion; symbolism; synagogue architecture and decoration; the American Jewish Historical Society; Jewish ceremonial art; liturgical or ritual objects; and artists, including Ludwig Wolpert and Moshe Zabari, both resident artists of the Tobe Pascher Workshop. Primary materials relevant to the history, administration, and programs of the Jewish Museum as well as the development of the Tobe Pascher Workshop are contained in the Subject Files Series. The Correspondence Series primarily reflects Dr. Kanof's role in the formation of the workshop, which was developed to provide for the creation of art and liturgical objects to be used in synagogues as well as serve as an instructional center for training artists.
Pictures of items from exhibitions held at the Jewish Museum and the North Carolina Museum of Art as well as images used in Kanof's Jewish Ceremonial Art and Religious Observance are contained in the Pictures Series. Typescripts, page proofs and galley proofs for Dr. Kanof's works, and offprints and drafts of some of his other writings are contained in the Writings Series.
Selected publications from the Abram Kanof Papers have been cataloged for the rare book collection of the Duke University. David M. Rubenstein Rare Book & Manuscript Library.
Short subject film whose sequence of still images encapsulates the evolution of medical knowledge and practices from Neolithic times to the 20th century. The style is sixties psychedelic, with fast-moving sequences and vivid colors. The still images consist of historical scenes, procedures, and individuals significant to the history of medicine, chiefly Western, but there are a few images from Eastern practices. The only sound is music from "Mass in F Minor" by the Electric Prunes rock group (1968). Produced by staff in the Audio Visual Resources at the School of Medicine at Wake Forest University for educational purposes as well as for photographic research. Although the original 16 mm film is restricted, there are digital use copies for viewing. Acquired as part of the History of Medicine Collections at Duke University.
"A brief history of medicine" short subject film, 1969 .2 Linear Feet — 1 box — 1 film reel; digital preservation and access file
Collection consists of newsletters, serial publications, and promotional brochures produced by the A.C. Nielsen Company. Materials primarily relate to Nielsen's research into television audience research; media broadcast ratings; television ownership; broadcast stations; and retail promotional activities such as coupons and refunds/rebates.
Materials have been arranged by student name.
Activating the Archive student projects collection, 2015 0.5 Linear Feet — 1 box; 7 computer files; 10.6 Gigabyte
Consists of a single hand-written letter to [Fortunato] Prandi, dated Thursday 5th August. Date could be 1841 or 1847. One page, folded, written on front and back.
The letter is apparently in reply to a request for ten guineas owed by Lovelace to Prandi. She discusses putting off sending him the sum because of travel and also "disagreeable business." She goes on to say she is well in spite of being a "disconsolate widow" and will soon "leave town", "probably to Brighton". The letter closes with an apology for the lateness of repayment and includes a postscript noting her amusement at the "modesty" of his request. It is signed A. A. Lovelace.
Adam Reynolds's series "Architecture of an Existential Threat" was the 2016 winner of the ADA Collection Award for an Emerging Documentarian. He included the following abstract of his work:
"Since its creation in 1948, the State of Israel has felt itself isolated and beset by enemies seeking its destruction. This collective siege mentality is best expressed in the ubiquity of the thousands of bomb shelters found throughout the country. By law all Israelis are required to have access to a bomb shelter and rooms that can be sealed off in case of an unconventional weapons attack. There are over 10,000 public and private bomb shelters found throughout Israel and the Occupied Territories.
The photographs in this series document these bomb shelters and offer a window into the collective mindset of the Israeli people. Israelis have normalized this “doomsday space” into their daily lives, often using the shelters as dance studios, community centers, pubs, and places of worship. For Jewish Israelis haunted by a history of exile and persecution, these shelters are the architecture of an existential threat – both real and perceived."
Collection incorporates primarily Adelaide Johnson's working materials related to her sculpture of Lucretia Mott, Susan B. Anthony, and Elizabeth Cady Stanton that is located at the United States Capitol building, with focus on Susan B. Anthony. There are cabinet cards of Johnson's plaster casts, cabinet cards of Anthony and Anthony and Stanton, several signed, along with albumen, gelatin deveoping-out paper, and matte collodion printing-out paper prints of Anthony; two silhouettes of Mott; a few letters to Johnson; biographical information about her; and related published materials. There are also exhibit labels for the first exhibition to be held at Elizabeth Cady Stanton's House after it was acquired by the Women's Rights National Park at Seneca Falls, curated by Lisa Unger Baskin in 1986 or 1987, and featuring the Johnson materials. The exhibit was also displayed at the Sophia Smith Collection for a Berkshire Conference in on History of Women.
Papers of Adeline E. (Burr) Davis Green (1843-1931) include letters, 1851-1853, from James M. Burr, brother of Adeline (Burr) Davis Green, to his wife describing his life in California searching for gold; James Burr's journal entitled "Journal of a Cruise to California and the Diggins" ; Civil War letters from her second husband and cousin, Wharton Jackson Green (1831-1910), later agriculturist and U.S. congressman, while a prisoner-of-war at Johnson's Island, Ohio; letters, 1882-1885, from her first husband, David Davis (1815-1886), jurist and U. S. senator, describing daily proceedings in the senate, social functions in Washington, D.C., and notable persons; letters from friends of Davis concerning personal and political matters; letters, 1906-1928, from Jessica Randolph Smith and others pertaining to the Daughters of the Confederacy; and letters, 1911-1931, from James Henry Rice, Jr. (1868-1935), ornithologist, naturalist, editor, and literary figure, discussing politics, conservation, South Carolina culture, world affairs, especially relative to Germany and Russia, his rice plantations, and the League of Nations.
This collection includes Field's correspondence, writings, journals, postcard binders, and files from his management and work at The Regulator, Collaborations, Black Mountain Project, Urban Hiker, and several local arts councils and youth writing programs. Materials have been sorted into series but largely remain labeled and foldered according to Field's own arrangement scheme.
Field's Journals Series contain incredibly detailed chapters of his life, which were created and re-typed by Field as a project in the 1990s. Early journals are volumes 1-4; he began titling them in the 1980s. Entries include his daily activities, Durham news, horoscope (I Ching), financial spending, and introspective analysis of his thoughts, writings, and relationships. Binders are dated and sorted by date, YYMMDD.
Field's postcard binders project began in the 1990s to assemble a Book of Men, featuring postcards of images of men in art from art galleries around the world. Other binders he created included postcards documenting American society and culture from the nineteenth century through the 1990s. He also created a Book of Women and collected assorted postcards that remain unassembled into binders, all held in this series.
Field's writings range from poetry to plays to prose, and the Writings Series includes drafts and published versions arranged in both chronological and alphabetical files. The chron files are dated YYMMDD. The alphabetical files are arranged by title.
Field's many businesses and projects are sorted by group name, with some groups' files containing only one or two items and some groups filling an entire box (see especially Collaborations, The Regulator, and Urban Hiker). These files include correspondence, publications, board minutes, notes by Field, and account ledgers. Field served as treasurer for many Durham organizations. Personal tax and investment information has been removed when identified.
The Name and Correspondence Files document Field's personal relationships and his communications as an author and community activist. Files are not strictly correspondence; some include artwork, writings, and publications, including zines and newsletters. Materials are filed by author/creator.
Finally, Field's personal materials include childhood and adolescent scrapbooks and yearbooks; photographs and snapshots with friends and family; headshots and portraits of Field; and personal accounting and financial ledgers.
The collection consists primarily of family papers in which some naval correspondence is intermingled. The letters of Sir Robert and Lady Julia Barrie are numerous. There are letters by Admiral Gardner, Dorothy (Gardner) Clayton, and various naval officers and members of the family. There are groups of legal papers, biographical sketches, genealogy, financial accounts, and photographs.
Family relationships and associations are extensive and are represented by comment, legal documents, and genealogies. The families include: Clayton, Cornwall, Cracraft, Cririe, Dixon, Fothergill, Gardner, Humphrys, Ingilby, Lyon, Shuttleworth, and Uppleby. A small group of photographs includes Sir Robert Barrie, William Barrie, John and Olivia (Page) Fothergill, John and Kitty (Leadbetter) Uppleby, Leadbetter and Eliza (Barrie) Uppleby, Charles Clotworthy Wood, Swarthdale House, and others.
The papers were still owned by the family as late as the 1950s. On Feb. 28, 1951, Charles John Ormond Barrie wrote about them to James S. Matthews of the Vancouver City Archives. Ten years earlier (Aug. 19, 1941) he listed several series of letters, some of which are no longer in the collection--correspondence from Lord Aylmer, Sir George Cockburn, Sir John Franklin, and George Vancouver. The covers for a few of these letters remain in the collection. The covers for letters by Admiral Gardner and copies of letters by Barrie indicate other absent manuscripts. Some papers may have been destroyed during Barrie's lifetime.
.Admittance, matriculation, and "Order of Lecture" cards are from a number of medical students from 1811-1880 in the University of Pennsylvania, Jefferson Medical College, Long Island College Hospital (Brooklyn, N.Y.), Harvard University Medical School, Philadelphia School of Anatomy, New Hampshire Medical Institution, Berkshire Medical Institution, and St. Bartholomew's Hospital (London, England). They contain the autographs of the most eminent professors of the day: i.e., Samuel Gross, Franklin Bache, Benjamin Rush, Austin Flint, Samuel Jackson, S. Weir Mitchell, J. K. Mitchell, Charles D. and James A Meigs, John Barclay Biddle, et al. The St. Bartholomew's Hospital card is signed by Ludford Harvey, John P. Vicent, and John Abernethy, the latter (1764-1831) being an eminent English surgeon and founder of the Medical School of St Bartholomew's. The "Order of Lecture" cards from Jefferson Medical College and the University of Pennsylvania list curricula, faculty and their residences, schedules of lectures and texts.
Admittance cards, 1850-1853, are for courses at the Jefferson Medical School in Philadelphia. They include two matriculation cards for William D. Watson of Chatham County, N. C., dated Nov., 1850, and Oct., 1852, and an examination card Oct., 1852-1853, which is signed by Dr. S. Weir Mitchell as professor of Anatomy, Surgery and Physiology. Dr. Watson returned to Chatham County after his graduation. His house was destroyed during the Civil War. The portion of his medical library saved and stored in a neighboring attic eventually was placed in the historical Collection of the library of the University of Pennsylvania Medical School.
The Adrienne Cohen Papers span the years 1963-2000 and include print advertisements, copy designs, direct marketing mailings and brochures, storyboards, audiotapes, 16mm and 35mm films of radio and television commercials that document Cohen's work as an advertising copy writer and creative executive. Companies represented include Marschalk, Young & Rubicam, and McCann-Erickson. Clients include Coca-Cola, Drackett, Eastern Airways, Gulf Oil, and Texize.
Collection consists of newsletters and other publications produced by advertising agencies and other organizations. Many of the newsletters were intended for internal communications with agency staff and affiliates, although others were aimed at outside distributions. Agencies represented include BBDO, Ben & Jerry's, Dancer Fitzgerald Sample, Doyle Dane Bernbach, Dentsu, Ernest Dichter, Grey, Isidore and Paulson, Levi Strauss, Marsteller, Ogilvy & Mather, and Young Electric Sign.
Collection consists of programs, letters, and a buying guide from different advertising clubs in the United States. Programs represent events including annual banquets, awards or competitions, and Maypole dances. Five event programs are from the Advertising Club of Baltimore, two of which feature the club's annual "Outstanding Radio and Television Personality" awards.
The Advertising Council Records span the years from 1935 to 1999, and primarily consist of public service advertising campaigns developed by the Advertising Council. The campaigns are documented through council booklets, brochures, published articles, and sample advertisements which were distributed to Ad Council members and participating advertising agencies. Particular ad campaigns that are well represented include U.S. Savings Bonds and United Service Organizations (USO) during World War II; Religion in American Life; the Red Cross; the creation of Smokey the Bear and related fire prevention campaigns circa 1941 to 1951; and a campaign to explain the American Economic System, circa 1950 to 1957 (Cold War anti-communism). Various campaigns throughout the 1960s and 1970s are also represented to a lesser extent, including the War on Poverty, Equal Opportunity, and Child Abuse.
The collection is organized into two main series: General Files and Campaigns. The General Files Series contains Ad Council materials that are not specific to particular campaigns, such as annual reports, correspondence, and Ad Council promotional materials. The Campaigns Series, which comprises about two-thirds of the collection, contains pamphlets, brochures, posters, newspaper articles, and memos concerning the strategies of over 100 public service advertising campaigns. Large-format materials from both of these series have been relocated to the Oversize Materials.
Related collections in the David M. Rubenstein Rare Book & Manuscript Library include the J. Walter Thompson Co. Archives: Domestic Advertisements Collection, the War Effort Mobilization Campaigns Poster Collection, the Edgar Hatcher Papers, the Warwick Baker O'Neill Records, and the Outdoor Advertising Association of America (OAAA) Archives. The "official" archives of the Ad Council resides at the University of Illinois--Urbana/Champaign.
The Advertising Ephemera Collection is composed of single advertisements, product and trade catalogs, advertising pamphlets, and broadsides. The advertisements are primarily American and from the late 19th and early to mid 20th century. The collection is divided into broad subject categories, based on the primary type of product or service being advertised, which are arranged in alphabetical order. Within each subject category material is divided based upon the form of the material; leaflets, letters, and sheets printed on both sides; trade cards (mechanical, metamorphic, see-thru, shape, fabric inserts, unusual feature, postcards and insert cards); booklets; special categories; and miscellaneous. A subseries of foreign advertising material consists predominately of travel related literature and is arrange alphabetically by country. The arrangement of oversize materials parallels the original arrangement.
The researcher should note that trade catalogs that are pamphlets may be found in several places in the Perkins Library: this collections; individually in the stacks as fully cataloged items; or as part of groups of old pamphlets for which the cataloging was by main entry only. Advertising broadsides may also be found in the Broadsides Collection and many collections of manuscripts also contain advertising materials.
Some useful reference sources for gathering further information on this type of material include:
Romaine, Lawrence B., "A Guide to American Trade Catalogs," 1944-1900 (New York, 1960).
Hammond, Dorothy, "Advertising Collectibles of Times Past," (Des Moines, Iowa, 1974).
Kaduck, John M., "Advertising Trade Cards," (Des Moines, Iowa, 1976).
McQuarry, Jim, "Collectors Guide to Advertising Cards," (Gas City, Indiana, 1975).
Additions to the collection have not been processed and therefore to do reflect the arrangement of the rest of the collection. Please refer to the detailed description below for more information about their content.
Collection of glossy black and white photographic prints of Afghanistan, taken by an anonymous photographer during the Afghan Wars, most likely in summer and fall 1897 during which there was a major outbreak of hostilities. The images consist of 24 8.125" x 5.75" prints, and 21 smaller 4.125" x 5.75" prints, all affixed to cardstock, three or four per page, often on both sides of the board. There is also a panoramic shot of the Tungai Pass made up of three sequenced prints. Pasted-down typed captions are also present for some images, while others carry handwritten captions; a few are dated 1897. The set was originally housed in an unmarked cloth and board portfolio, which has also been conserved. Resembling to some degree in subject matter the Afghanistan images of military photographer R. B. Holmes, the majority of the images in this collection depict British military camps and landscapes. The landscape views include the Mamund Valley, Tangi Pass, Agrah, Chakdara, Malakand, and Ambeyla Pass, and a few captions describe events taking place in that location. Military camps, many taken at a distance with fine detail, include Buner, Inayat Killa, Kindergali, and Malakand. A few scenes show bridges, including a boat bridge over the Indus. Some prints feature groups of officers in posed and casual scenarios, including one image of the First Royal West Kent Regiment. One image shows the gravesite of 2nd Lieutenant W. C. Browne-Clayton, dated Sept. 30, 1897, killed at the battle of Agrah. Acquired as part of the Archive of Documentary Arts.
The African Americans in Film collection includes ephemeral materials promoting and advertising motion pictures featuring Black actors, directors, and production companies. Materials in this collection include press books, posters, promotional booklets, campaign books, advertising manuals, programs, lobby cards, and other formats. The films documented include silent films, Blaxploitation films, blockbuster action films, musicals, documentaries, and dramas, from smaller Black owned and operated companies to major studio productions. Actors frequently featured in films documented here include Sidney Poitier, Dorothy Dandridge, Pam Grier, Jim Brown, Brock Peters, Fred Williamson, Ruby Dee, Brenda Sykes, Sammie Davis Jr., James Earl Jones, and many others.
Description often includes the format of the material and/or one or more of the Black stars featured in the film. Some description provided by George Robert Minkoff Inc., the dealer from whom part of the collection was purchased, is provided in quotes. Some of that description may have originated from the books Blacks in American films and television: an encyclopedia. and Toms, coons, mulattoes, mammies, and bucks: an interpretive history of Blacks in American films., both by Donald Bogle. The majority of the materials are from the United States, but a few items were created by or for audiences in other countries such as Japan, Denmark, France, Germany, and the United Kingdom, and are noted as such.
Album contains 106 black-and-white and color photographs carefully arranged and mounted in a black-leaf photograph album, bound in Japanese-style lacquered covers inlaid with mother-of-pearl. Photographer may be an African American soldier named Tommy, who served in the U.S. Army's 511th Operation and Maintenance Service (OM SVC) Company during the Korean War. It is unclear whether the photographs are from Japan or Korea, as the latter was strongly influenced by Japanese culture until the end of World War II.
The images depict soldiers in and out of uniform and often engaged in recreational pursuits. Many photographs depict both white and African American soldiers together. Other subjects include local women and children; women with servicemen; the countryside and Japanese-style buildings; and family members and others back home. Included with the album is an early 20th century 10 1/2 x 14 inch portrait of four African American children.
Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture at Duke University.
African American soldier's Korean War photograph album, circa 1950-1953 .5 Linear Feet — 1 box — 2 items
Collection comprises a photograph album likely created by an unidentified African American soldier serving in Vietnam. There are 268 uncaptioned black-and-white and several color photographs ranging in size from 2 3/4 x 3 1/2 to 3 1/2 x 5 inches, along with 15 souvenir postcards, all carefully arranged and mounted in a large decorative travel scrapbook.
Images primarily feature off-duty African American and white servicemen in camp and off base, although few show white and black soldiers mingling. There is also a series of well-executed portraits of individual soldiers, white and black. Scenes from the streets of Saigon and perhaps other large cities abound, showing the diversity of vehicles and pedestrians; there are also some taken in smaller, unidentified towns and villages, presumably in Vietnam. The photographer took many images of markets, bars, pharmacies, and other buildings, almost always from the exteriors, as well as numerous snapshots of local citizens, chiefly women and children, often in groups, and some who appear to be frequently associated with the U.S. military base or camp.
Military locations and scenes include an air base, helicopters in flight, a crashed helicopter, military bases and personnel, Army vehicles along the roads, military police (including one African American), and what appear to be checkpoints. There are a handful of shots showing bombing raids and cleared or destroyed jungle areas.
Overall, the images in this photograph album offer a wealth of details about the Vietnam War from a variety of viewpoints.
Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.
African American soldier's Vietnam War photograph album, circa 1965-1973 1.5 Linear Feet — 1 box; 1 album
Collection comprises a 16-page, 8 1/2 x 11 inch photograph album belonging to an unidentified member of the 45th Engineer General Service Regiment, one of at least four segregated units of African American soldiers active, stationed in Ledo, India beginning in 1942. Their charge was to build a portion of the Stilwell Road, a military supply route from Ledo in Assam, India, through Burma, to Kunming, China.
The album's original binder is no longer present. Mounted on the loose pages are 44 black-and-white snapshot photographs, most measuring 3 x 4 1/2 inches, some with brief captions in ink. The images include posed and candid snapshots of individuals and groups of African American soldiers, at work on the base and during periods of rest. Soldiers identified in the captions include Charley Woodard, Clarence Benson, Charles J. Greene, and Cain Walker. There are also photographs of buildings on the base, including Battalion Chapel, headquarters (labeled "The Gateway to Hell"), Harmony Church, a large Stilwell Road sign, along with varied shots of military equipment, a "Coolie Camp," the "laundry man," and the Taj Mahal. There are a number of blank pages, and there are some photographs missing.
Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.
African American soldier's World War II photograph album of India, circa 1942-1945 0.2 Linear Feet — 1 box — 16 pages
Small photograph album (6x8 inches) housing 35 loosely mounted photographs of U.S. Army African American soldiers in Munich, Germany, August 1945. Comprises 34 black-and-white snapshots measuring approximately 2 1/2 x 3 3/4 inches, and one black-and-white photographic postcard portrait (3x5 inches) of a Corporal Jack Taylor, to whom the album may have belonged. The caption on the back of the postcard bears the name of the 3909th Quartermaster Truck Company. The only dates in the album are found on one page and refer to August 16-19th, 1945, but the other photographs may have been taken before or after this period.
The snapshots are of individuals and groups, and chiefly show the men enjoying some leisure time during the last months of World War II. Most of the images have handwritten captions with last names, nicknames, and commentary. Scenes include the men posing in their bathing suits in what appears to be an un-segregated pool facility, posing with Army trucks, standing in front of a bombed-out building (the only city scene), and waiting in line at mealtime. Among the last names are: Sergeant Carney, Sergeant Riley, Sergeant Ousley, "McKnight," Louis Allen, Sergeant Edward Johnson and Private Robert Johnson ("the fat boys"), First Sergeant Brown, "Mule" Crawford, Homer Magee, "Blind" Knight, J. Martin, Jenkins ("the jive man from New Jersey"), and Corporal Jack Taylor.
Acquired as part of the John Hope Franklin Research Center of African and African American History at Duke University.
African American soldier's World War II photograph album of Munich, Germany, 1945 August 1 item — 1 box — 1 volume; 35 photograph
Collection includes articles, clippings, correspondence, memos, newsletters, and other printed material that document Bogart's career as a journal editor and public relations executive. Institutions represented include American Management Association; Equitable Life; Industrial Relations Counselors; Labor's Non-Partisan League; National Foremen's Institute; Organization Resources Counselors; and the Textile Workers Union of America.
The collection consists of three letters written by Agnes Smedley; the first to a Miss Gates, and the second two addressed to Corporal James A. Frankel. The single-page autograph manuscript letter to Miss Gates is written on letterhead stationery with Smedley's Shanghai address identifying her as the "Correspondent of the Frankfurter Zeitung in China." She asks Miss Gates to have "tiffin or tea" with her and wonders "Do you ever have extra time to see strange people?" The second manuscript letter, two leaves with text on all four sides, is dated December 27th, 1944. It primarily concerns Emily Hahn's book "China To Me." Smedley writes, “Miss Hahn spent 9 years sleeping around in Shanghai ... When the Japs took Hong Kong she wrote that she would just have died had she gone to a concentration camp like other Americans. So she went to the Japs and said, 'I’m a bad girl.' So the Japs left her free and she fooled around with them in Hong Kong, drinking and carousing, while the bastards were killing our men... But we Americans find this 'hot stuff' and put it up as a best seller... Miss Hahn is a propagandist for the Chinese reaction. She’s never seen a Chinese Communist, yet she’s agitating against them in N.Y... She led a purely personal life in two Chinese port cities but now poses as an authority on political and military matters of China." The third letter, autograph typescript dated March 23d 1947, was originally enclosed in Frankel’s copy of Smedley's book Battle Hymn of China, and addresses Frankel's questions about the Xi'an Incident of 1936 and the capture of Chiang Kai-shek. Smedley directs Frankel to her article on the topic published in The Nation magazine, as well as "her book."
The collection consists of 552 zines, collected by the donor between 1994 and 2001. The collection focuses on personal zines by women, politics, the punk music scene, social justice activism, and riot grrrl. Many of the zines are accompanied by correspondence with the donor. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
Collection consists largely of letters received by Aileen Pippett during the course of her research, writing, and post-publication of The Moth and the Star, a biography of Virginia Woolf. The collection's correspondants relayed their opinions (which were mixed) on Pippett's writing a biography of Woolf, and some included general impressions or memories of Woolf as Pippett conducted her research. Other letters are directed to Pippett relating to her printed reviews of other books. There is a letter from Vanessa Bell declining to contribute content to the biography. There are two letters from May Sarton discussing Virginia Woolf along with Pippett's review of Sarton's memoir, I Knew a Phoenix. The collection also includes a copy of Rumer Godden's mixed review of The Moth and the Star, along with letters between Pippett and Godden and their husbands, Roger Pippett and L. Haynes Dixon.
Collection comprises a letter written by James Aitken to his parents from Wilmingtown (Wilmington), North Carolina, on 1775 June 5, as well as a last will and testament for John Aitken, Senior, as recorded in 1793. In his letter, James describes local people as "genteel" and respected for their "education and good behaviour," and goes on to describe local planters and their various crops, long distances ridden, the situation for Presbyterians and his upcoming ordination and resettlement, his plans to obtain a plantation and purchase or hire slaves, preparations for war with Great Britain, and payment of his debts. In his will, John Aitken, Senior, names his son, John, as his successor, and outlines the distribution of his money, land, and property. The will is witnessed by Charles Lang and William Muirhead.
These thirty-three color inkjet photographs are from the body of work "Black Picket Fences" by Akea Brionne Brown and explore the lives of middle-class African Americans in the suburbs of Baltimore, Maryland. Taken in part to confront stereotypes of African American neighborhoods and majority black American cities as dangerous and violent, the images chiefly portray family groups and individuals in interiors of homes and in outside environments such as front yards and streets. The majority of the prints measure 19 3/8 x 24 inches. Two are sized slightly smaller at 15 3/4 x 20 3/4 and 15 x 20 1/4 inches.
The prints are accompanied by the artist's statement, in which she writes: "The project manifested through my own personal critique and observation of the suburban landscape as an ideologically 'white space.' I began to consider the importance of representation and exposure in relation to the formation of black identity, the performativity of blackness, and the ways in which the home transforms into a place of familiarity and/or unfamiliarity depending on who enters the space. In turn, this body of work aims to highlight an often overlooked group in contemporary American culture: the black, suburban middle class."
This work received the 2018 ADA Collection Award for Documentarians of Color. Acquired as part of the Archive of Documentary Arts at Duke University.
Scrapbook consists primarily of letters from regional and corporate managers discussing seasonal promotions, sales figures and goals, and congratulatory messages to Becker for managing successful stores. Also includes copies of photographs and greeting cards. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
Collection consists of medical and pharmaceutical advertisements and promotional materials. Included are posters, booklets, diet guides, recipe books, artifacts (coffee mugs, paperweights, etc.) and other promotional ephemera. Acquired as part of the John W. Hartman Center for Advertising, Sales & Marketing History.
Collection contains material related to Albert Dauncey's commitment to and detention in the Somerset and Bath Pauper Lunatic Asylum (later Mendip Hospital) in Wells, Somerset, England. The correspondence largely relates to draft affidavits and William Dauncey, Albert's brother, obtaining legal authority to manage Albert's estate and pay for his "care and maintenance" at the asylum. Also prominent in the correspondence is John O. Cash, the solicitor for the Daunceys. Legal documents include affidavits, summons, and an order of justice, which deal with re-classifying Albert from a "criminal lunatic" to a "pauper lunatic," as well as William's assumption and management of Albert's estate. The estate management records include records of rent and tax payments related to Albert's property and finances in 1905 and 1906. Receipts for payments to the asylum show William Dauncey paying quarterly for Albert's care. Also included in the collection is an auction poster from 1897 that may be related to Albert Dauncey's property holdings.
Collection contains correspondence, lectures, writings, and course notes. There is testimony involving a union dispute. Some correspondence is divided by name of correspondent.
Collection comprises fourteen black-and-white inkjet prints of photographs taken in Ireland by Alen MacWeeney, chiefly in 1965. Locations include counties Donegal, Galway, Kerry, Limerick, and Sligo, and the city of Dublin. Portraits of individuals, including an old man in a field, a Benedictine monk, a woman in a doorway, and a farming family, coexist with depopulated, dramatic landscapes.
The black-and-white inkjet prints are printed on uncoated textured art paper, and measure 13x18 inches. Image sizes range from 6 1/8 x 10 1/4 to 11 1/2 x 10 1/4 inches.
A photobook titled UNDER THE INFLUENCE (2011) which includes these images and others, accompanied by excerpts of poetry by William B. Yeats, is also held by the Rubenstein Library.
Acquired as part of the Archive of Documentary Arts at Duke University.
Alen MacWeeney photographs, 1962-1986, bulk 1965 .5 Linear Feet — 1 box — 14 prints — The prints all measure approximately 13x18 inches; image sizes vary and are given in the inventory. All sizes given are rounded up to the nearest 1/8 of an inch.
Collection contains two accessions. Accession (1999-0184) (1102 items; 6.0 lin. ft.; dated 1953-1998), consists primarily of writings by Alexander Blackburn, including books, articles, clippings, and typescripts of unpublished works. Also included are correspondence with writer Frank Waters and some other letters; memorabilia; and editorial files and an almost complete run of the literary journal, Writer's Forum, which Blackburn edited.
Accession (2010-0012) (6750 items; 9 lin. ft.; dated 1880-1990s) and accession (2020-0099; 11.5 lin. ft) includes writings, drafts, books, and family history materials. Included are materials from Alexander Blackburn's mother, Elizabeth Cheney Blackburn, and the Cheney family.
Business records and some personal correspondence of four generations of the Cuningham family, including Robert Cuningham; Alexander Cuningham, and his brother, Richard M. Cuningham; the latter's son, John Wilson Cuningham; and grandson, John Somerville Cuningham, all merchants and planters. The early papers center around Alexander and Richard's success as commission merchants for cotton and tobacco in Petersburg, Va., and the firm's planting interests in Person County, N.C. The collection also contains a few family letters, including some from Alexander Jr. while a student at the University of North Carolina, Chapel Hill, and from another son at Leasburg Academy, Caswell County, N.C. The papers of John Somerville Cuningham concern his work as a field agent for the Bureau of Crop Estimates, U.S. Dept. of Agriculture, local politics, and family matters.
The collection includes correspondence, bills and receipts, financial papers, legal papers, political papers, clippings and printed material and ranges in date from 1823-1954, with the bulk dated 1823-1883. Due to preservation concerns, some items were copied onto acid-free paper and stamped as preservation copies. The originals were placed in mylar and are located in Box 7. Patrons should consult with Rubenstein Library staff before handling these materials.
The vast majority of the collection is comprised of correspondence, covering the years 1823-1883. Many of the letters in the collection were written to Stephens, although there are letters written in his own hand. Throughout the correspondence are letters written to Stephens by various family members, most notably his brothers John and Linton. The bulk of the correspondence pertains to Stephens' law work, regarding issues such as the settling of estates and the collection of debts. The most prominent topics include family matters, business and legal matters and Stephens' health. Given the expansive amount of correspondence, below is a breakdown by decade of other topics which appear, in an effort to assist the researcher in locating materials of interest:
Correspondence 1823-1839: Topics include States' Rights, slavery, and an Indian war in Florida [possibly the Creek War]. There is a letter from Herschel V. Johnson who sought advice from Stephens in 1839 regarding negotiations with a railroad company.
Correspondence 1840-1849: Topics include local and national politics/views, opinions about President Martin Van Buren, "agricultural politics," Thomas Dorr and the People's Party, the purchasing of slaves, the 1843 Boston visit of President John Tyler and Vice President Daniel Webster, Stephens' nomination to serve in the U. S. Congress, Whigs and Democrats (Stephens was invited to attend several Whig-sponsored barbeques), and the death of Stephens' brother Aaron. There is a letter from United States Representative Marshall Johnson Wellborn which discusses the Judiciary Act (1841). There are also a substantial number of letters written by and to John Bird and letters written to him and Stephens (they were likely law partners). Of note are two letters written in 1844 by [Sarvis] Pearson (presumably a client of Stephens or his firm) to his estranged wife Mary S. Pearson which offer insight into the subject of divorce and marital discord of the time period.
Correspondence 1850-1859: Letters written by Stephens start to appear more frequently. Topics include largely family and legal matters.
Correspondence 1860-1869: Topics include employment inquiries both pre- and post-Civil War, autograph requests, Stephens' book about the Civil War, and the social history of a post-Civil War Georgia. Items of note: There are petitions (1860) by Stephens' district constituents asking him to address them about the presidential election. There are letters asking him for permission to travel into the Union. There are a couple of letters written by Stephens to Jefferson Davis. There is a letter from March 1860 to Pearce Stevons [Stephens] by Rody Jordan, both of whom were not only brothers but slaves as well. The letter is likely written by someone other than Jordan. A letter to Stephens in October 1866 states that his former slave Pearce was charged with murder and asks for Stephens' legal counsel at Pearce's request (he apparently complied based on a letter from 1869).
Correspondence 1870-1879: Topics include requests for employment and financial help, requests for letters of recommendation, Linton Stephens' death, Stephens' paper the Daily and Weekly Sun, the federal government, autograph requests, and Stephens' work with the Committee on Standard Weights and Measures. Item of note: There are documents from 1873 concerning an illegal distilling and corruption case in Georgia.
Correspondence 1880-1883: Topics includes Stephens' opinion of President James A. Garfield, his bid for Governor, requests for financial help and letters of recommendation for men interested in state posts appointed by the Governor, such as Physician of the Georgia Penitentiary. Items of note: There is a letter dated 1883 signed by Secretary of War, Robert Todd Lincoln. There are two letters from 1882 which offer some insight into African-American involvement in Georgia politics.
One-folder collection of 19th century legal papers and correspondence concerning the migratory movements, legal status, life situations, and relationships of members of a free African American family. The correspondence dates principally from the 1870s, is chiefly written by A.W. Proctor, one of Alexander Proctor's sons, and S.S. Hutchins, friend of Proctor's son, Isaac, and relates to family affairs, business, and other matters. S.S. Hutchins is identified in the Gould's St. Louis Directory (1874), 449, as Chief Clerk in the U.S. Army Engineer's Office. One letter from a friend to a family member mentions seeing Frederick Douglass at Wilberforce College in 1893.
The legal records document the free status of the Proctors, various labor agreements, and migration papers, and include receipts and letters of introduction. Official documents from Haiti are written in French and include an 1865 order permitting the burial of Proctor at St. Marc, Haiti. In terms of the context relating to the family's emigration to Haiti, many people that emigrated by way of the Redpath Agency to Haiti, as was the case for the Proctors, either died or were untraceable by 1864, and few managed to return to the U.S.
This collection consists of family letters of Alexander R. Boteler (1815-1892), Virginia political leader, congressman, and Civil War soldier, with sidelights on his career at Princeton College, Princeton, New Jersey, his courtship of Helen Macomb Stockton, whom he later married, his altercations with Charles J. Faulkner, and "Yankee" depredations at his home, "Fountain Rock," during the Civil War; political correspondence, 1855-1870, relating to the election of 1860 and the Constitutional Union Party; letters concerning Boteler's travels about the country in 1882-1884 while a member of the U.S. Tariff Commission; correspondence concerning claims of James Rumsey as inventor of the first steamboat; and legal and personal papers of Helen (Stockton) Boteler's father, Ebenezer S. Stockton, and grandfather, Robert Stockton. Volumes include Boteler's diary, 1845, relative to his farming activities; a scrapbook on the election of 1848; a scrapbook containing clippings, letters, and pictures devoted principally to the activities and interests of Boteler; and a scrapbook containing clippings, letters, and pictures concerning the Pendleton, Digges, and Pope families, especially the life of Dudley Digges Pendleton who married Helen Stockton Boteler.
The collection also contains the correspondence of Alexander R. Boteler's father, Dr. Henry Boteler, for 1776-1837. Among other correspondents are A. R. Boteler, Lewis Cass, Samuel Cooper, John B. Floyd, S. B. French, Wade Hampton, T. J. Jackson, Andrew Johnson, R. E. Lee, John Letcher, W. P. Miles, John Page, Thomas N. Page, Rembrandt Peale, W. N. Pendleton, W. C. Rives, Alexander Robinson, W. H. Seward, J. E. B. Stuart, Jacob Thompson, J. R. Thompson, Dabney C. Wirt.
Alexander Robinson Boteler papers, 1707-1924, bulk 1836-1889 3 Linear Feet — 5 boxes, 1,686 items (incl. 4 vols.)
The collection contains Webb's "Journal No. 1, From Manila to Calcutta" (142 pp.), Aug. 29-Oct. 19, 1892, and his "Journal No. 2, From Calcutta to Bombay and Agra" (144 pp.), Oct. 20-Dec. 15, 1892. This is the first journal that Webb ever wrote (Vol. 1, p. 1). His journal continued beyond Vol. 2; the last sentence was continued elsewhere, and no pages appear to be missing from this volume. A later volume or volumes contained the account of the rest of his journey which is incomplete here.
Webb's descriptive style is good, and he did extensive touring wherever he went. Thus, his volumes are good travel journals. The most important feature of his account is his contact with Muslim scholars, re-ligious leaders, businessmen, rulers, ordi-nary people, etc. Beginning in Rangoon, he and his mission to spread Islam in America were enthusiastically received not only by individuals but literally by throngs of well-wishers. He was received by many influential Muslims, and his comments about some of them are quite interesting. Webb did not like the English or local people who catered to them, and this attitude, often expressed, colored his reactions to persons whom he met. Some of the significant Muslims whom he discussed have been identified by using S. M. Ikram's Modern Muslim India and the Birth of Pakistan (Lahore, 1977). Spellings of names are given as Webb wrote them unless they are found written otherwise in Ikram's book or other reference sources.
Webb's journals record the following travels in 1892: Vol. 1: Manila, Aug. 29-Sept. 6 (pp. 1-10); ocean travel, Sept. 6-13 (9-23); Singapore, Sept. 14-21 (24-64); ocean travel, Sept. 21-28 (64-80) with a visit at Penang, Sept. 23-25 (66-74); Rangoon, Burma, Sept. 28-Oct. 9 (80-113); ocean travel, Oct. 9-12 (113-122); Calcutta Oct. 12-19 (122-142); Vol. 2: Calcutta, Oct. 20-23 (pp. 1-11); Patna, Oct. 23-24 (11-15); Benares, Oct. 25-26 (15-19); Bombay, Oct. 28-Nov. 17 (21-54); Poona, Nov. 17-19 (56-62); Hyderabad, Nov. 20-Dec. 8 (65-120); Madras, Dec. 10-12 (127-140); and Agra, Dec. 15 (143-144). Travel inside India was by train, of which Webb gave some interesting descriptions.
The item is a printed program for a horse race given by the Sultan of Johore at Singapore on Sept. 15, 1892.
A Xerox copy of Journals 1 and 2, on acid-free paper, is filed with the collection. Further photocopying should be done from these copies, not from the original volumes.
Description from the Manuscript Card Catalog located in the Duke University. David M. Rubenstein Rare Book & Manuscript Library.
The collection consists of an extensive, but incomplete, set of account books, remnants of the office file and James Sprunt's correspondence (personal as well as business letters and papers), and pictures. Among the account books there are long series of ledgers, journals, cashbooks, purchase books, and stock inventories that document the company's operations between the 1870s and 1950s. The ledgers date between 1889 and 1952, and there are private ledgers for 1907 through 1931. The volume of minutes covers 1919-1930, but there are a few others among the offices files along with financial statements, 1885-1915, important legal documents of the partnership and corporation, and assorted other papers.
Correspondence and other papers of James Sprunt and the company date between 1884 and 1952, but they are numerous only for 1904, 1906, 1909-1910, and 1919-1921. The letters date mostly to 1904-1910, and 1919-1921, and are largely files of James Sprunt, reflecting his activities in business and interests in secular and theological education, the Presbyterian church in the U.S., and North Carolina history. Notable correspondents and subjects are Alexander Sprunt (1815-1884), Alexander Sprunt (1852-1937), Alexander Sprunt (b. 1898), James Sprunt (1847-1924), Kenneth Mackenzie Murchison, Francis Herman Packer, John Miller Wells, John Campbell White, Edward Jenner Wood, The Laymen's Missionary Movement, and the Presbyterian mission at Kiangyin, China. Account books, minutes, and correspondence are available also for a number of domestic and foreign subsidaries and branch offices, but these are often quite fragmentary. More than thirty pictures, mostly photographs, illustrate the firm's staff, workers, physical plant, and employees as well as other scenes.
Also included are some papers representing various domestic and foreign subsidiaries and branch offices, especially Champion Compress and Warehouse Company, the Wilmington Compress and Warehouse Company, Alexander Sprunt & Son (of Delaware, a holding company), and the company's offices in New York City and Le Havre, France.
Information about the company's history can be found in: James Sprunt's letters of Nov. 6, 1908; Apr. 9, 1909; Jun. 7 and Oct. 22, 1919; an article in Wilmington's Morning Star from Feb. 11, 1921; and Dictionary of American Biography.
The collection reflects Weinmann's extensive research in the history of Viennese music publishing and is a resource for study of publishing firms in Vienna as well as documenting Weinmann's bibliographical research. The Music Series includes title pages and parts of arrangements, focusing on Viennese publishers and composers, including Georg Druschetzky, Joseph Haydn, Johann Baptist Vanhal, Johann Josef Rösler, and Ferdinand Kauer, as well as Johann Sebastian Bach. Included in the Writings and Speeches Series are manuscript drafts of works related to Weinmann's bibliographies (published in the Beiträge zur Geschichte des Alt-Weiner Musikverlages) as well as bio-bibliographical and historical works. The series also documents Weinmann's study of 19th century Viennese publishing firms including Artaria and Company, Giovanni Cappi, Leopold Kozeluch, Franz Anton Hoffmeister, Carlo and Pietro Mechetti, Tranquillo Mollo, Ignaz Sauer, Johann Traeg, and Thaddäus Weigl. Series includes research by Weinmann's brother, Ignaz Weinmann, on Franz Schubert.
The Research Notes Series consists of bibliographic references and citations, information about works and plate numbers; Weinmann's contributions to the Répertoire international des sources musicales; and Wiener Zeitung references. The Series also concerns Weinmann's work as an editor of the sixth edition of the Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts. Anthony van Hoboken, Willi Boskovsky, Franz Giegling, Anton Fietz, and Arthur Fiedler are among primary correspondents in the collection. Weinmann also collected letters (originals and copies) from persons and publishers he studied, including J.P. Gotthard, Johann Strauss, Franz Xaver Süssmayr, and Tobias Haslinger.
The over 600 black-and-white and color photographs in the collection date from Harris's earliest photographic work as a graduate student at Yale University, to his more recent work documenting the American South. The subjects range widely, and include the landscapes and peoples of Alaska, the American South and New Mexico, and Cuba; they also include portraits of older reading volunteers and students in Philadelphia, students on strike at Yale University, counter-culture people at a Rainbow Gathering in Arizona, a boy going about his day, tethered to electronic technology, elderly people living on their own in central North Carolina, and views of the art-filled interiors of author Reynolds Price's home. The gelatin silver and inkjet prints range in size from 8x10 inch reference prints to 24x36 inch exhibit prints; for large prints there are smaller viewing copies to facilitate research access.
The remaining series house Harris's papers, which document collaborations with other photographers and writers, including Gertrude Duby Blom and E.O. Wilson, and South Africa photographers; they also document his career at Duke University as a teacher, author, and co-founder of the Center for Documentary Studies (CDS) and its serial publication, DoubleTake. The Publicity and Audiovisual Materials Series contains recordings of lectures as well as publicity for exhibits and publications. The Correspondence Series includes not only Harris's exchanges with other photographers, friends, and professionals, but also grant applications, research notes, drafts and proofs, print materials, and some photographs. The DoubleTake files consist mainly of materials generated during the planning stages and early years of the magazine's existence. Materials on Harris's extensive collaborations on other publications, documentary projects, and related exhibitions make up the large Project Files Series, which includes many oral histories and interviews related to his projects, mostly on cassette tapes (use copies must be made for access). The Teaching Materials Series comprises syllabi, student writings and slides, and other materials from classes taught by Harris mainly through the CDS at Duke University. Finally, the Proof Prints Series contains a small number of proof prints related to various projects.
Alex Harris photographs and papers, 1970-2015 55.6 Linear Feet — 86 boxes; 2 oversize folders — 667 photographic prints; approximately 16,062 other items
Alfred and Elizabeth Brand Collection of Civil War and Lee Family papers, 1757-1925 (bulk 1838-1868), bulk 1838-1868
Letters, reports, certificates of appointment, receipts, loans, and other documents pertaining to the Civil War and to the Lee family, and collected by Alfred and Elizabeth Brand. The Civil War Papers Series includes battle reports from Bull Run (1861), Fredericksburg, and Gettysburg; Confederate Army General Orders Nos. 9, 64, and 18; letters detailing the operation of the Confederate Army, outcomes of battles, and Confederate opinions about the Civil War and specific officers. Includes a broadside, "Rally Round the Flag, Boys!;" a transcription of an interview with Jefferson Davis by newspaper writer Augustus C. Buell (1876); a draft of the poem "The Conquered Banner" by the Rev. Abram J. Ryan (1865); two engravings (of Grant and Sherman); John H. Miller and M. French's obligation and oath of allegiance to Virginia and to the Confederate States of America (1862); and J. C. Winsmith's oath of allegiance to the USA and pardon from Andrew Johnson and William H. Seward (1865).
Writers and correspondents in this Series are primarily from Virginia (especially Berkeley County) and Kentucky. Named individuals include Pierre Gustave Tonte Beauregard, Braxton Bragg, David Holmes Conrad, Samuel Cooper, Samuel Wylie Crawford, Jefferson Davis, Ulysses S. Grant, Thomas "Stonewall" Jackson, J. E. Johnson, I. Nadenbousch, Daniel Ruggles, William T. Sherman, and Edwin M. Stanton.
The Lee Family Papers Series comprises primarily Colonial-era governmental and financial documents pertaining to Francis Lightfoot Lee, "Henry Light Horse Harry" Lee, and Richard Henry Lee, Sr. Documents pertain to slavery and enslaved people; maps and surveys of leased land; and loan indentures. Includes certificates appointing Francis Lightfoot Lee as Justice of the Peace (1757-1768); and a letter from Richard Henry Lee, Sr., to Henry Lee regarding the colonists' agitation for freedom (1770). Ante-bellum and Civil War documents in the Lee family papers include loan indentures; a bill of sale for cotton to the Confederate government; two cartes-de-visite (of Robert E. Lee); letters written by Richard Henry Lee, Jr., discussing the sale of his sister's slaves; and a letter from Robert Edward Lee to Samuel Cooper regarding poorly executed military orders (1865). Several documents throughout the collection include the original rare manuscripts dealer's description.
Family and political correspondence of William Clay Cumming; Thomas Cumming; and Alfred Cumming (1802-1873), participant in the "Mormon War," 1857-1861, with material on Mormon history and frontier and pioneer life. Letters of William Clay Cumming, brother of Alfred Cumming, 1805-1818, contain mention of books read and studied at Princeton College, Princeton, New Jersey, in 1805; description of studies, living arrangements, and teachers in the Litchfield Law School, operated at Litchfield, Connecticut, by Tapping Reeve; accounts of violent opposition to Federalism in New England; description of climate and countryside around Litchfield; participation of William Clay Cumming's brother, Joseph, in disturbances at Princeton College, 1807; his activities in the War of 1812 as commander of a company in Florida, campaigns in New York as a colonel, criticisms of officers, a dispute with General George Izard, adoption of a system of discipline for the infantry; description of a trip in 1815 from New York to New Orleans with accounts of Louisville, Lexington, and the Mammoth Cave in Kentucky, Asheville, North Carolina, Nashville, Tennessee, Baton Rouge and New Orleans, Louisiana; a few comments on Brazil and Uruguay, which he visited in 1816; and mention of John McDonogh. A series of letters by Elizabeth Wells (Randall) Cumming to members of her family describes the arduous trip to Utah, scenery, frontier conditions, and Indian troubles. The collection includes hints of discrepancies in Cumming's account with the U.S. government while territorial governor. Included also are nine volumes: journal of an expedition to the Blackfoot Indians with notes and instructions, 1855; two letter books and official proceedings of a commission to hold council with Blackfoot and other Indian tribes, 1855; two letterpress copy books, 1857-1861, 1859-1860, containing copies of letters to government officials, and to James Buchanan, Lewis Cass, Howell Cobb, John B. Floyd, A. S. Johnston, and Brigham Young; and four scrapbooks containing news paper clippings and broadsides. Among the correspondents are W. W. Bibb, J. S. Black, James Buchanan, Lewis Cass, Alfred Cumming, J. B. Floyd, Albert Sidney Johnston, William Medill, B. F. Perry, Franklin Pierce, Alexander H. Stephens, G. M. Troup, and Brigham Young.
Collection contains personal and business correspondence, legal and financial papers, printed materials, photographs, and other materials from lumber businesses beginning before 1910, especially in East Tennessee and in the Philippine Islands with headquarters in Philadelphia, Pa. The Insular Lumber Co., Negros Island, P.I., produced mahogany. Also present in the collection are personal and family papers, including numerous photographs and letters to the Edgcombs from friends.
Planter, attorney, and postmaster of Charleston, S.C.
Letters to Huger's friends and relatives expressing his anti-secession sentiments and his opinions on politics, political leaders, and events in his state. Topics include religion, duels, slavery and free blacks, epidemics, the banking crisis of 1857, military actions in the Charleston area, diplomatic recognition of the Confederacy, Confederate naval operations in Louisiana and off the Carolina coast, Confederate politics and government, and Confederate relations with Great Britain.
Business records and personal papers of Alfred E. Fletcher span the years 1937-1968, and document Fletcher's entrepreneurial activities in the broadcasting business, and his philanthropic activities, particularly in support of the arts in North Carolina, especially opera. Business and philanthropic records, personal correspondence, and other papers are filed together in alphabetical order by topic or name. Boxes 14-15 contain many files documenting Fletcher's long-standing support of opera. In addition, boxes 7-8 contain files concerning the Fletcher family, including a biography of a missionary in the North Carolina mountains, possibly his grandfather.
The Alfred Landon Rives Papers consist primarily Rives's correspondence, relating to his attendance at the École nationale des ponts et chaussées, Paris; his military and civilian careers; family matters and social, political, and economic affairs in Virginia; and the Washington Peace Convention (1861). Includes a diary (1829-1831) of Rives' mother, Judith Page Walker Rives, concerning life in the diplomatic community in Paris, travels on the continent, French social life and customs, the Revolution of 1830, U.S. political developments, and other matters. Also contains three ledgers of Francis E. Rives, U.S. Representative. Correspondents include Francis E. Rives, Julia Page Rives, and Edouard Schwebelé.
Collection includes 18 manuscript sermons of Methodist minister Alfred Playfair Powelson, dated 1883 to 1888. Each sermon is loosely tied with original string and three have printed cover sheets. Some sermons are title with only a book, chapter and verse, while Powelson supplied titles for others. Powelson often recorded the location and date that he preached each sermon. The bulk of the sermons in the collection were given at the First Congregational Church in Woodbury, Conn. or Tacoma, Wash. Also included is Powelson's original minister's license from the State of Ohio, dated 1875.
Collection holds personal papers, letters, farm diaries, photographs, genealogy and miscellaneous materials documenting her relationships with family and their years at the family farm, Tranquility.
Collection comprises research material gathered by Mrs. Luiggi for her book, "65 Valiants" (University of Florida Press, 1965) concerning American teachers who helped establish teacher education and public schools in Argentina during the 1870s and 1880s. The bulk of the collection consists of letters of various sources about each of the teachers, and notes taken in interviews, and from other sources. There are copies of letters of the 1870s and 1880s by Domingo Faustino Sarmiento and Mary Tyler Peabody Mann. There is information on kindergartens in Boston, Saint Louis, and Washington, D.C.; and the Armstrong, Atkinson, Eccleston, and Stearns families. There is a diary of Sarah Eccleston, 1883-1886; along with pictures of Mrs. Mann and Sarmiento; and photographs of busts of Horace Mann and Abraham Lincoln. There are also 92 black-and-white photographs and 43 negatives providing images of the teachers, including several cartes-de-visite and one tin type.
The papers of Alice J. Cutright Kaine document her work primarily as an administrative advisor at the Tuskegee Institute but also include information on her employment as a public school teacher in Springfield, Ill., her service on the board of the Wisconsin Industrial School for Girls and the State Board of Control (for prisons), and her travels to Dixfield, Maine, and Nelson County, Va. The collection contains correspondence, writings, legal papers, printed materials, photographs, and ephemera.
The strength of the collection lies with its documentation of Tuskegee Institute. Kaine was hired in 1894 as the head of the Household Department to supervise everything "from the making of bricks to the baking of white bread." (newsclipping, 1947) At the time, Kaine was the only white person on the Institute's staff.
Letters to her brother, Austin Cutright, describe her work her at Tuskegee Institute as well as the Tuskegee community in general. In these letters she speaks frankly about Booker T. Washington's educational philosophy and management style and her close relationship with Washington's wife Margaret and their children. Kaine visited several black families and churches in Tuskegee with the Washingtons and her letters and writings describe the living conditions and religious services she observed as well as the difficulties she had as a white woman in an all black community.
Approximately half of the correspondence from 1896-1903 consists of letters written to Kaine from Tuskegee administrators and Margaret Washington after Kaine's departure from Tuskegee. Letters from J.H. Washington, Superintendent of Industries, contain information on the maintenance of housekeeping practices established by Kaine. Letters from Margaret Washington are of a more personal nature and contain anecdotes and news from Tuskegee. Several of the writings and speeches concern Kaine's work at Tuskegee and describe her experiences from a sympathetic yet somewhat patronizing point of view. A file of printed materials relates exclusively to Tuskegee Institute, and a portrait of the Washington family (ca. 1895) is filed in the photographs series.
Outside of the materials relating to Tuskegee Institute, the papers provide only fragmented documentation of Kaine's life. A few letters to Kaine in the 1860s and 1870s describe her appointment to various teaching positions. Legal papers, writings and addresses, and newsclippings reflect her work with the Wisconsin Industrial School for Girls, the State Board of Control, and various social and civic organizations.
Earlier letters, chiefly written to her husband, depict Kaine's visits in the 1880s to New England, particularly Dixfield, Maine, and to her ancestral home in Nelson County, Va. Letters from Dixfield describe the local community life in detail. The series of photographs contains several views of Lovingston, Va., including churches, the courthouse, a hotel, Negro houses and other homes. Letters to Kaine from her brother during the 1940s detail his life in Milwaukee during World War II and to some extent Kaine's life at the Grand Army Home until her death.
Collection comprises two letters written by Earle, along with an unrelated cover addressed to her. One letter (1896) was written in response to a request for an autograph; the other letter (1899) was written to C.[?] M. Perry regarding her search for photographs to illustrate a book on New England.
Green writes to an unidentified male editor or publisher ("Dear Sir"), to decline his invitation to write an article for a forthcoming book. She writes that she is "overwhelmed by work this winter," and that "the subject of the American Irish is almost unknown to me and it would need a considerable time and reading to write anything worthy of your insertion." In conclusion, she writes that she is "keeping in view the idea of getting some work done which may draw attention to your publications." Written on letterhead: 36 Grosvenor Road, Westminster.
The materials in the Alix Kates Shulman Papers span the dates 1892 to 2000, with the bulk of materials dating from 1968 to 2000. These materials include: manuscripts, notes, clippings, published books, correspondence, photographs, audio and videotapes, microfilm, address and date books, family and business records. The primary focus of the collection is Shulman's writing and literary career. The secondary focus is the women's liberation and feminist movements, in which Shulman was and continues to be very active (from 1968 to the present). However, feminism and feminist activism are inextricably intertwined with Shulman's writing career, and her 1972 novel Memoirs of an Ex-Prom Queen is regarded by many as the first novel to "come out of" the women's liberation movement of the late 1960s and early 1970s.
Other topics covered by the collection include: her teaching and other academic work; her public speaking and conference activities; and her involvement in political activities besides feminism. This collection sheds valuable light on the concerns and tensions within the women's liberation and second-wave feminist movements. In particular, the materials document debates and disagreements among those active in the movement with regard to sexuality, marriage and domestic relations, women's financial situation and careers, health care, civil rights and cultural expression. Many of these issues are raised in Shulman's own work, including her novels, essays, short fiction, personal letters and her teaching materials.
The collection is divided into seven series. The Personal Papers Series contains Shulman's family history papers, photographs, biographical papers, and her personal correspondence (with writers, academics, political activists and family members). Notable correspondents include Ros Baxandall, Jay Bolotin, Kay Boyle, Rita Mae Brown, Phyllis Chesler, Judy Chicago, Andrea Dworkin, Candace Falk, Marilyn French, Lori Ginzberg, Hannah Green, Erica Jong, Kate Millett, Honor Moore, Robin Morgan, Tillie Olson, Lillian Rubin, Sue Standing, and Meredith Tax. The Political Work Series contains material relating to Shulman's involvement with feminist and other liberal political groups, including Redstockings, New York Radical Women, the PEN Women's Committee, No More Nice Girls, the Women's Action Coalition, and Women Against Government Surveillance
The Literary Work Series contains a variety of materials relating to Shulman's literary career, including financial and other dealings with publishing houses, notes and research, photocopies of publications, reviews of her work, articles and notes she collected regarding the literary scene, and original manuscripts. This series contains information about her early children's books; several books she edited of Emma Goldman's writings; her essays and short fiction; her novels Memoirs of an Ex-Prom Queen (1972), Burning Questions (1975), On the Stroll (1977), In Every Woman's Life . . . (1980); and her memoirs Drinking the Rain (1995) and A Good Enough Daughter (1999). A small amount of correspondence regarding book reviews of other authors' work is also included.
The Academic Work Series contains materials relating to Shulman's graduate work at NYU; her teaching at Yale, the University of Colorado at Boulder, NYU, and the University of Hawaii at Manoa; as well as her relationships with her students. The Public Speaking Series contains materials relating to Shulman's participation in literary and political conferences and gatherings, personal interviews, lectures and book talks.
Portions of the Restricted Materials Series either may not be photocopied without prior permission of Ms. Shulman or the relevant author, or may not be accessed until a future date. The same organizational categories have been applied to the restricted materials as were used in the unrestricted materials to help researchers easily access overlapping and related materials that have been boxed separately due to the restrictions. The Oversize Materials Series contains miscellaneous oversize materials of a biographical and literary nature.
Acquired as part of the Sallie Bingham Center for Women's History and Culture.
The (1) Writings Series is divided into the Books, Novellas and Articles subseries, Uncollected Works subseries, and Addresses and Speeches subseries. Gurganus's writings, collected here as manuscripts, typescripts, and proofs with notes, documenting his development of well-known and critically-acclaimed works. His collected works include White People; The Practical Heart; Plays Well with Others; and, Local Souls. Gurganus's other books and individual stories, essays, and drawings or illustrations related to the titles are included in this Series.
The (2) Correspondence Series is divided into the Chronological Correspondence subseries which consists of letters to and from Gurganus, publishers, and friends, and the Correspondence, Alphabetical by Name subseries is comprised of correspondence between Gurganus and other writers, artists, literary figures, and close friends.
The (3) Personal Papers Series contains Gurganus's family correspondence, documents, many of the books, letters, art and photographs kept in his home. Financial and legal records as well as documentation of his writing career through contracts and royalty statements are also included in this series. The (4) Artwork Series is comprised of doodles, drawings, paintings, and sketches. Series (5) Others' Works, includes books, articles, and typescripts written by friends, students, and others.