Autograph manuscript letter with postmarked envelope from the actress and writer Fanny Kemble in London to Miss Patteson in Andover, 10 May, 1889. Kemble thanks Miss Patterson for sending photographs, mentioning that she particularly values one of Bishop Patteson. She says she is "glad Lord Coleridge thought Lenox (Mass.) pretty. It has always seemed to me a charming mountain village."
The Duke University Libraries Collection of Haggadot consists mainly of Passover Haggadot (singular: Haggadah) from the past 1000 years. The 436 Haggadot in the collection, which are found in the David M. Rubenstein Rare Book & Manuscript Library, the Divinity School Library, Perkins Library, and Lilly Library, span 800 years (1200-2003), represent five continents (excluding only Australia and Antarctica), are written in several different languages (including Russian, Marathi, Italian, Yiddish, Ladino and Arabic), and were created for a variety of specific purposes. A majority of the Haggadot were published in the 20th century. A large number of the Haggadot are illustrated or illuminated while others contain only the text. Although the majority of the Haggadot in the collection were created by printing press, or other printing methods, Duke does own a number of limited edition facsimile editions of handwritten manuscripts. Most, but not all, of the Haggadot found in the Special Collections Library come from the Abram and Frances Pascher Kanof Collection of Jewish Art, Archaeology, and Symbolism. This guide does not include the Duke University Libraries' collection of microfilmed Haggadot. See the last paragraph of the Processing and Searching Note below for further information on searching for Haggadot in the library.
Since many of the Haggadot have similar titles (e.g. Hagadah shel Pesah yields 121 results), and to accommodate the variety of ways in which patrons might want to search for Haggadot, the entire collection has been arranged into three different series: Date List Series, Location List Series, and Purpose List Series. Each of these series contains the entire collection of Haggadot, but arranged according to different criteria. Therefore, the item with call number Haggadah Pam #106, an advertising Haggadah from 19th century New York, can be found in three places: 1) in the Date List under the 19th Century Subseries; 2) in the Location List under the United States Subseries; and 3) in the Purpose List under the Advertising Subseries.
The Date List Series is subdivided by century for Haggadot published from the 13th through the 19th centuries and by decade (e.g., 1910-1919) for those Haggadot created during the 20th and 21st centuries. The majority of the Haggadot (84%) are from the 20th century.
The Location List Series arranges the collection by the country where each Haggadah was created--usually where the item was printed--then by the date of creation. However, facsimile editions have been arranged by the place of their original creation. In these cases, the location where the facsimile was printed is identified in the description of each facsimile. This series is further arranged into subseries by country, including Algeria, Argentina, Austria, Bosnia-Hercegovina, Canada, Czech Republic, England, France, Germany, India, Israel, Italy, Morocco, Netherlands, Poland, Portugal, Russia, Spain, Tunisia, and United States.
The Purpose List Series is further subdivided by the specific purpose for which each Haggadah was written. Most of the Haggadot were created for use at a Passover seder and thus are arranged into the General Subseries. These Haggadot are generally traditional in content and are meant to be used by anyone. Other purpose subseries include Advertising, Children, Christian, Denominations (of Judaism), Facsimiles, Fundraising, Kibbutz, Parody, and Resource.
The Earl J. Hamilton Papers span the years from 1350 to 1995, with Hamilton's research notes and other materials dating chiefly from the 1930s to the 1970s. (Note: Early dates reflect original dates of primary sources rather than the dates on which the photocopies of these sources were created.) Hamilton was a pioneer in the field of quantitative economic history during a career that spanned fifty years. Together with his wife, Gladys Dallas Hamilton, he conducted important research during the 1930s and 1940s on the history of the South American and Spanish economies; the history of American, Spanish, and French banking; the history of John Law and the "Mississippi Bubble" and its effect on European economies; and prices and wages in medieval Spain. Correspondence from Earl Hamilton in the 1980s remarked how essential Gladys Hamilton was as a partner for his research and writing during his career.
Published works represented in the collection include Money, Prices, and Wages in Valencia, Aragon, and Navarre, 1351-1500; American Treasure and the Price Revolution in Spain, 1501-1660; and War and Prices in Spain, 1651-1800. There is also a copy of Hamilton's dissertation (1929).
The collection includes not only extensive background notes for Hamilton's major books and articles, but also over 200 original legajos and other documents pertaining to Spanish trade and economic development, dating primarily from the 17th and 18th centuries. Other primary source materials from the 14th to the 18th centuries are also abundant (chiefly in the form of photostats and transcripts), including hundreds of copies of documents held by the Archivo del Banco de España, the Archivo Histórico Nacional, and other archives in Europe.
Photocopies and microfilm copies of items which belong to other libraries and archives may require permission of the owner institution to further reproduce or publish. Users making further copies for their own research do so at their own discretion. Before publication of any such material, it is the user's responsibility to identify the original source and obtain permission.
The collection also contains drafts and reprints of research papers, and numerous folders of academic and personal correspondence. Some documents in the collection are in French or Spanish.
Note that the early dates given in collection and series titles reflect the dates of the original primary source material that Hamilton used for his research, not the date when the photostat, photocopy or transcription was created.
The collection comprises the papers of Francis Warrington (Frank) Dawson (1840-1889), whose original name was Austin John Reeks; his wife, Sarah Ida Fowler (Morgan) Dawson; and of their son, Francis Warrington Dawson II, known as Warrington Dawson (1878-1962). The papers are primarily literary in character, with many editorials, newspaper writings, short stories, novels, articles, scrapbooks, diaries, reminiscences, and letters.
There are several series in the collection: Correspondence, Photographs, Scrapbooks, Writings, and Printed Materials document the family's activities in the late nineteenth through mid-twentieth centuries. Warrington Dawson's research interests in French manuscripts, early American history, and family genealogy are also documented in the French Manuscripts and Research Files series.
Green writes to an unidentified male editor or publisher ("Dear Sir"), to decline his invitation to write an article for a forthcoming book. She writes that she is "overwhelmed by work this winter," and that "the subject of the American Irish is almost unknown to me and it would need a considerable time and reading to write anything worthy of your insertion." In conclusion, she writes that she is "keeping in view the idea of getting some work done which may draw attention to your publications." Written on letterhead: 36 Grosvenor Road, Westminster.
Correspondence, notes, and works in manuscript and typescript concerning Philippine history, administrative problems and policies during the early years of American occupation, the Aglipay or Independent Filipino Church, Roman Catholicism, customs, geography, book manufacturing, education, José Rizal, Freemasonry, Filipino senators, and Katipunan of Filipino Secret Society. Many letters center around James Alfred Le Roy, authority on the Philippine Islands.
Harold Jantz collection of early manuscripts, music manuscripts, and autograph albums, 1477-1905 and undated
The Harold Jantz collection of early manuscripts, music manuscripts, and autograph albums, 1477-1905 and undated, is arranged by size (each item numbered) and includes the following noncontiguous subgroups: Autograph Albums (1633-1857 and undated), Early Music Manuscripts (1818-1874 and undated), Early Manuscript Prayerbooks (1744-1801 and undated), and Early Manuscript Songbooks (1712-1896 and undated). These subgroups are described more fully below.
The collection consists primarily of bound manuscripts, many illustrated, from the 15th through the early 20th centuries. Most materials are in German or English, with some materials in French, Hebrew, Italian, Spanish, Swedish, Greek, or Latin. In addition to the above noted subgroups, the collection includes medical texts (nos. 28, 47, 77); historical chronicles, mostly German (nos. 25, 58, 59, 84, 127); and alchemical/astrological/occult treatises (nos. 9, 20, 53, 74, 114, 120, 122, 129, 148, 161, 165). Among the identified authors are Georg Fabricius (22), Edward Young (29), Sebastian Chiesa (33), Henry Marchant (49), Jacob Böhme (67), J.M. Firmenich (156), and Carl and Julius Dresel (117-119). Printed books, most with manuscript addenda, comprise approximately 10% of the collection.
The subgroup Autograph Albums (1633-1857 and undated) chiefly comprises bound volumes (guestbooks, Stammbücher) of 18th-and 19th-century German, English, and American provenance. These typically contain poems (many original), quotations, and maxims, as well as signatures. Many are illustrated and have laid-in mementoes. This group contains the following numbers from the main collection: 3 (J.C.Waechtler), 4 (Caspari), 5 and 6 (C.F.M. Timaus), 8 (a freemason), 11 ( E.D.), 60, 61, and 62 (Elizabeth J. Noble), 63 ( Miss Kate), 65 (Sarah T. Hopkins), 68 (Ebr. Denison), 69 ( Cornelia), 72 and 104 (Annie Mckay), 106 (Lucinda Olcott), 107 (Eliza Sabin), 108 (Emeline Ronnsville), 117 (Carl Dresel von Geisenheim) and 134.
The subgroup Early Music Manuscripts (1818-1874 and n.d) includes fife music, Spanish songs, a 19th century English tune book, and a vocal dialogue with text entitled Das Bauern Mädchen und der Stadt Junge, as well as works by Harriette Gould Bark, Johann Adolf Hasse, Georg Philipp Telemann, and Isaac C. Day. It comprises numbers 1, 7, 10, 48, 71, 116, 126, 136, and 141 of the main collection.
The subgroup Early Manuscript Prayerbooks (1744-1801 and undated) consists chiefly of 18th-century Roman Catholic prayerbooks and devotional exercises (including 3 copies of Crönung Mariae) in German and Latin. Many are illustrated. It includes numbers 17, 27, 30, 31, 34, 66, 81, 94, 101, and 131-133 of the main collection.
The subroup Early Manuscript Songbooks, (1712-1896 and undated) includes both sacred (chiefly Roman Catholic) and secular song texts without music. The collection contains some German hymns. Items 13, 24, 36, 73, 86, 87, and 139 of the main collection comprise this group. Numbers 86 and 87 are 19th-century transcriptions from the 16th-century Heidelberger Liederhandschrift (Cod. Pal. 343) and Wernigerode Liederhandschrift Zy 15.
Some items from the Jantz Collection have been cataloged separately. To locate these, search the catalog under author: Harold Jantz Collection (David M. Rubenstein Rare Book & Manuscript Library)
Professional correspondence, note cards, research and teaching files, essays, offprints and reprints of articles by Jantz and scholars associated with him, and other printed material. Notable items are manuscripts about Johann Wolfgang von Goethe and his FAUST, and manuscripts related to Francis Daniel Pastorius's Bee-Hive. Accession (2008-0159) consists largely of Jantz's correspondence and letters, 1978-1985. Also included are exam blue books, some miscellaneous printed material, and a scrapbook of chromolithographs dating from the Victorian period. The blue books contain writings by Jantz, some relating to Francis Pastorius, and are arranged numerically.
The following overview was compiled almost completely from the 1999 accession of the TePaske Papers, although the 1993 accession contains more of the same types of materials.
This collection consists of summaries of the fiscal records of the royal treasuries of key regions in colonial Spanish America. Represented in these records are present-day Mexico (New Spain), Peru, Upper Peru (Bolivia), Rio de la Plata (Argentina, Paraguay, and Uruguay), Chile, Ecuador, and Cuba. The scope of the records is broad and comprehensive, offering in most cases virtually complete series of fiscal data for the colonial era, from the sixteenth century through the early decades of the nineteenth century.
Variously known as sumarios, cartas cuentas, tanteos or relaciones juradas, the account summaries list all the revenues and expenditures in the account period for each particular treasury district. The royal treasuries (cajas) collected taxes and made disbursements. Tax receipts (cargo) included levies on silver production, sales and port taxes, Indian tribute, and royal monopolies on commodities, (tobacco, mercury, stamped legal paper) and legal transactions. Expenditures (data) included the salaries and upkeep of the district's royal bureaucracy, defense expenses, and support for the missionary activities of the church. Surplus revenue generally found its way into the viceroyalty's coffers to help defray costs related to governmental activities. Each summary synthesizes an account period's worth of transactions in each particular caja or treasury. As such, these documents provide a window into both the fiscal organization of the Spanish empire and the fiscal state of each district, and also help elucidate the diversity of economic life in the various treasury districts.
Most of these records come from the Archivo General de Indias in Sevilla, Spain. Originally organized into bundles or legajos, the account summaries were scattered in various sections of the Sevilla repository. The Contaduría section holds most of the accounts related to the period prior to the mid-eighteenth century. After that, the records are dispersed within the various Audiencia sections for each jurisdiction. For example, the records for the Lima treasury appear in the Audiencia of Lima section of the archive, and so on. The following list offers a broad overview of the location of the holdings in the Archivo General de Indias:
Peru: Up to 1760: Contaduría (legajos 1679-1873); After 1760: Audiencia of Lima (legajos 38-50); Audiencia of Cuzco
Upper Peru: Up to 1760: Contaduría (legajos 1795-1850); After 1760: Audiencia of Charcas (legajos 627-671); Audiencia of Lima (legajos 1301 and 1415)
Chile: Up to 1750: Contaduría (legajos 1854-1858, and 1860); After 1750: Audiencia of Chile (legajos 339-351, 395-415)
Rio de la Plata: Contaduría (legajos 1845, 1846, 1884, 1886A, 1887A, 1894A, 1894B); Audiencia of Buenos Aires (legajos 393-399, 401-409, 442, 445-446, 448, 450-451, 453-455, 457-458, 460-462, 464-466, 484, 619-620, 701-703); Audiencia of Lima (legajo 1416)
Ecuador: Contaduría (legajos 1377, 1539-1540, 1576-1577); Audiencia of Quito (legajos 140-141, 173, 165, 407, 413, 415-429, 469-475, 477, and 497)
Mexico: Up to 1760: Contaduría (legajos 677-940); After 1760: Audiencia of Mexico (legajos 2027-3198); Audiencia of Guadalajara (legajos 436-496)
These archival materials were originally collected for a collaborative research project designed to compile comprehensive fiscal data on the former Spanish American colonies. Except for the Cuban accounts, the majority of these sources have already been published in book format as the list below attests:
A. Mexico (New Spain) and Mexico City:
John J. TePaske and Herbert S. Klein. Ingresos y egresos de la Real Hacienda de Nueva España. 2 vols. México, D.F.: Instituto Nacional de Antropología e Historia, 1986-1988.
John J. TePaske and José y Mari Luz Hernández Palomo. La Real Hacienda de Nueva España: la Real Caja de México, 1576-1816. México: Instituto Nacional de Antropología e Historia, SEP, Departamento de Investigaciones Históricas, Seminario de Historia Económica, 1976.
B. Peru, Upper Peru (Bolivia), Rio de la Plata (Argentina, Paraguay, and Uruguay), Chile, and eighteenth-century Ecuador:
John J. TePaske and Herbert S. Klein. The Royal Treasuries of the Spanish Empire in America. 4 vols. Durham: Duke University Press, 1982-1990.
(Note: The fourth volume in the series on Ecuador was compiled by professors Alvaro Jara and John J. TePaske.)
We strongly encourage researchers to first read the introductions to the published accounts before consulting these records. In the introduction to each volume, researchers will find useful background information about the development of the royal treasury system in the districts for which there is fiscal data. The introductions also concisely explain the organization and operation of the treasuries, the structure of the account summaries and the terminology used in them, the use of multiple units of currency, and other important details about bookkeeping in colonial times.
Although the published account summaries faithfully replicate the originals, there are slight variations. The authors made minor changes to make the data more manageable. Monetary units were rounded off and the entries on both the income and expenditure sides of the accounts were standardized and arranged in alphabetical order. For more information on these and other methodological issues, please see the introduction to the volumes.
The TePaske collection consists of colonial Spanish American fiscal records in both microfilm and print. The printed materials are duplicates of the originals in microform.
caja real = royal treasury
cargo = income, revenue
data = expenditure, disbursement
legajo = bundle of documents
ramo = income/expenditure category
sumario = accounts, account summary (also carta cuenta, tanteo, relación jurada)
tesorero = treasury official (also contador)
Assembled by the staff of the Duke University Medical Library, the History of Medicine Picture File offers thousands of images of individuals, places, and subjects dating from the 1500s to 2002, with the great majority portraying physicians, scientists, nurses, and other individuals related to the history or practice of medicine. Places featured include hospitals and other institutions of medicine, and scenes related to events in medical history. Subject categories include advertising, anatomy, books, caricature, childbirth, embryology, medical instruments, pediatrics, physicians, and surgery, among many others.
Most of the images measure in size under 10x12 inches, but there are approximately 500 larger pieces. The predominant formats are engravings, lithographs, cartoons, clippings from magazines and newspapers, and modern photographic prints, but there are also albumen photographs and other image formats found throughout the files. Items were acquired by the Duke Medical Library from various sources over many decades and functioned as a vertical file for library students and researchers.
The oversize items range in size from 11x15 to 23x30 inches, and offer a varied assemblage of portraits, caricatures, posters, broadsides, and reproductions of artwork, in black-and-white and in color. Items include portraits and scenes with notable physicians; illustrations of various medical practices, procedures, and instruments; anatomical views, some possibly as early as the 17th century; medical advertisements and promotional literature; depictions of events in medical history in Europe and North America; caricatures; 20th century illustrations for book covers; and many other topics.
Images and prints are often accompanied by reproduction negatives and slides created by Medical Center Library staff. Many of the images in this collection were also scanned by Medical Library staff and are available through the Medical Center Library & Archives Duke Medicine Digital Repository database. For more information, please contact the History of Medicine Curator at the Rubenstein Library.
Acquired as part of the History of Medicine Collections at Duke University.
The Jane L. Berdes Collection (1525-1993) has as its focal points the four Venetian welfare institutions known as the Ospedali Grandi and their role as providers of musical training for girls and women. The inclusive dates for the collection begin with the dates of primary materials Berdes collected and extend through her lifetime. The collection consists primarily of Berdes's research notes and materials on the Ospedali Grandi, and photocopies or microfilms of primary sources, including musical scores in manuscript and printed editions. It also contains correspondence, photographs, recordings and printed materials. Berdes identified the maestri of the Ospedali Grandi, the music performed, and the names of over 800 women who were members of the cori , but relatively little is known about them individually with the exception of Maddalena Lombardini Sirmen. In addition, the collection features general materials pertaining to other women in music throughout history. The user is advised that some photocopies are unattributed and, where Berdes did not indicate composer or author, no attempt has been made to provide one. The archive contains very few of Berdes's personal papers.
The bulk of the collection is found in the Research Notes and Materials Series, which contains information gathered in preparation for her books on the Ospedali Grandi and Maddalena Lombardini Sirmen (MLS). The heart of this series is the Ospedali Grandi data designated as Raw Materials, which contains information culled from primary sources and arranged by subject. Most subseries provide documentation for Raw Materials, including copies of primary and secondary sources, pictures of instruments and iconography, and a bibliography. Similar materials pertaining to Sirmen are here also, as is general information about women in music.
The Music Series contains manuscripts and early printed editions of music performed at the Ospedali Grandi in the form of photocopies or microfilms (printed scores in modern edition are grouped with Printed Materials). There is particular emphasis on the compositions of Sirmen, including some recordings of her music. Works by Bertoni, Galuppi, Hasse, Jommelli, Vivaldi and others are grouped alphabetically by composer. The Correspondence Series contains both general professional correspondence and Thesis Correspondence, that is letters from other scholars, libraries, archives, museums, and churches in Italian, French and English concerning the Ospedali Grandi and Sirmen. The Miscellaneous Series includes Berdes's other publications on both musical and nonmusical subjects, music criticism, course notes from classes she taught or attended, and memorabilia from her years at Oxford University. A selection of pertinent reference books from Berdes's library is found in the Printed Material Series, as are some libretti, and musical scores by Vivaldi in modern edition.
The user is advised to consult Box #1 for an introduction to the contents of the collection. It contains a copy of Berdes's book Women Musicians in Venice: Musical Foundations, 1525-1855; two copies of her dissertation, entitled Musical Life at the Four Ospedali Grandi, 1525-1855; two binders described by the donor as the road map to the collection and a videotaped review of its contents prepared by Berdes.
The Josiah C. Trent papers consist mostly of correspondence, photographs, research files, and notes and drafts of published and unpublished research and articles. Many of these materials concern Dr. Trent's activities and publications as a collector and historian of medical practice, particularly surgery and epidemiology. The collection also includes printed materials, photographs, a card file - possibly of his personal library, and lecture notes taken during his medical training, as well as diplomas and certificates of residency. The Writings series reveals his wide interests in surgery, medicine in general, the humanities, and medical history.
There is also material relating to Dr. Trent's death and the subsequent donation of his large rare book, artifact, and manuscript collection to the Duke Medical Center Library. Early dates in the collection refer to the content of reproductions of 16th-19th century medical illustrations rather than their dates of reproduction.
The correspondence, found in the Subject Files folders, dates mostly from the 1940s and 1950s, documenting Dr. Trent's rare book and manuscript collecting, and his involvement with various professional organizations and his association and friendships with prominent figures in various fields: medical history - John Fulton, Henry Sigerist, W. W. Francis; book collecting - Henry Schuman; Duke University - Wilburt Davison, Lenox D. Baker. Some folders contain an index of the contents.
There is also some information concerning Mary Duke Biddle Trent Semans, Dr. Trent's wife, who was instrumental in facilitating the support of the history of medicine collections at Duke.
The collection also contains several hundred photographic prints and negatives reproducing medical texts and illustrations dating from the 16th to 20th centuries. The earliest dates in the collection refer to the content of the images, rather than their reproduction by Dr. Trent, Duke Medical Library staff, and others, in the mid-20th century.
The files were kept in Dr. Trent's medical office and contain relatively few items which pertain to his private life. Items of a more personal nature may be found in the James H. and Mary Duke Biddle Trent Semans Family Papers in the David M. Rubenstein Rare Book & Manuscript Library.
Acquired as part of the History of Medicine Collections at Duke University.
Josiah C. Trent papers, 1536-1961 and undated, bulk 1938-1951 6.5 Linear Feet — 9 boxes; 1 oversize folder — approx. 1800 items — approximately 1800 items
The Frank Baker Collection of Wesleyana and British Methodism, 1536-1996 and undated, comprises a vast range of original correspondence, writings, local histories, printed items, engravings, and many other manuscript materials that date from the earliest years of Methodism to its expansion throughout the British Empire during the 18th, 19th, and early 20th centuries. The collection includes the correspondence of two of the most important founders of Methodism, John and Charles Wesley, as well as correspondence from members of the Wesley family, including Samuel Wesley, Sr. (1662-1735), Sarah (Gwynne) Wesley (1726-1822) and the Gwynne family, and the children of Charles and Sarah Wesley: Charles Wesley, Junior (1757-1834), Sarah (Sally) Wesley (1759-1828), and Samuel Wesley (1766-1837).
Additionally, correspondence from many of the key figures in 18th and 19th century history of British Methodism greatly extends the collection's breadth of coverage. Among others, these groups of correspondence include Joseph Benson, Jabez Bunting, Adam Clarke, Thomas Coke, James Everett, John Fletcher, Mary (Bosanquet) Fletcher, Selina Hastings, Countess of Huntingdon, Elizabeth (Ritchie) Mortimer, George Osborn, Hester Ann Rogers, Richard Tabraham, and Thomas Wride.
The collection materials cover many topics, including: the life and training of clergy women correspondence and diaries; the religious life of women; biography; portraiture; spiritual topics; Protestantism as depicted in art; and the debate between Arminianism and Calvinism in the early church. Organizational history in the collection covers several branches of the 18th and 19th century church, including Wesleyan Methodism, Primitive Methodism, missions, and missionary societies.
Formats of materials include church records and registers, account books, autograph albums, broadsides (notices), circular letters, engravings, maps, sermons, scrapbooks, class tickets, photographs, photocopies of original manuscripts, memorabilia, and realia.
Frank Baker collection of Wesleyana and British Methodism, 1536-1996 and undated 50 Linear Feet — approximately 18,000 items
Collection of historical medical instruments and artifacts, art objects, realia, and other three-dimensional objects, primarily originating from Europe and the United States, but including some artifacts from China and Japan. Ranging in age from the late 16th to the late 20th centuries, objects include physician's medical kits and pharmaceutical items (often in the original cases and bags); clinical equipment used in amputation, obstetrics, opthalmology, surgery, neurology, early electrical therapies, and in research and diagnostic settings; instructional objects such as anatomical models; and art objects such as apothecary jars, a bas-relief memento mori, a marble skull, and fetish figures. There are many models of microscopes, from a small monocular "flea glass" to mid-20th century models. Other early medical instruments and supplies include amputation saws, bleeding bowls, cupping glasses, hypodermic needles, infant and invalid feeders, lancets, opthalmoscopes, pill rollers, stethoscopes, syringes, and other items. A more unusual item - and one of the larger pieces - is an adult walker made of wood, dating perhaps to the 19th century or earlier.
There is also a large collection of early anatomical and diagnostic human models from China and continental Europe, in the shape of small, intricately detailed manikins. Most are made from ivory. Some feature removable anatomical parts, and female figures often include a removable fetus. There is also a model illustrating acupuncture points. Other instructional artifacts include glass slides used in medical school lectures.
Most of these objects were photographed by library staff; at a later time, digital images of almost all of the objects in the collection were added to the online Duke University Historical Images in Medicine database, linked in this collection guide. Many of the original black-and-white photographic prints are filed in the History of Medicine Picture File collection. See the Related Materials section in this collection guide for links to these resources.
Forms part of the History of Medicine Collections at Duke University.
The materials comprising the British Correspondence and Miscellany Collection are dated from 1556 to 1972 (bulk 1740-1890). The papers are arranged into the following series: Correspondence, 1556-1972 and undated; Subject Files, 1699-1902 and undated; Pictures, 1795-1921 and undated; and Miscellaneous Material, 1814-1836 and undated An artificial collection, the papers are, for the most part, unrelated by provenance. The collection consists chiefly of correspondence, and topics include numerous political events and activities of the 18th, 19th, and early 20th centuries in Great Britain and the colonies (particularly India and Africa).
The Correspondence Series includes numerous letters to and from British notables. Among the major correspondents represented are: the 8th Duke of Argyll, the 1st and 2nd Barons Auckland, Charles Bradlaugh, John Bright; Robert Brownrigg; George Canning, John Wilson Croker, the 1st Earl of Durham, John Foster, the 1st Baron Dover, George Joachim Goschen, John Hay, the 3rd Marquess Lansdowne, W.E.H. Lecky, Captain John Lenty, the 1st Earl of Liverpool, the 3rd Earl of Lucan, William Melbourne, Lord Broderick Midleton, Viscount Milner, David Christie Murray, Thomas Nimmo, Baron Northcote, Pierce O'Mahoney, the 3rd Viscount Palmerston, the 1st Baronet Pollock, George Rose, the 7th Earl of Shaftesbury, William Sheowring, John Deas Thompson, the 1st Duke of Wellington, William Wilberforce, and Edward Wodehouse.
Among the items in the Correspondence Series are a copy of John Bright's 1851 speech entitled "Papal Aggression" (Bright correspondence); material regarding the Horseguards (Brownrigg correspondence); a testimonial to the character of Sir Francis Burdett written by Lady Hester Stanhope (Burdett correspondence); a letter regarding Wellington's correspondence concerning a transport ship wrecked in the Tagus during his last Iberian campaign (Canning correspondence); letters from David Dundas, including two accompanying circulars (1804 and 1805) from the War Office (Dundas correspondence); and correspondence (and accompanying transcripts) between King George I and M. Braconnier (1709) concerning the King's inability to send a detachment large enough to oppose the French along the borders of the Rhone and Lake Geneva (George I correspondence). Other items include correspondence relating to George Henry's mission in Nyasaland (Henry correspondence); material concerning the cargo ship "The Sea Witch" (Lenty correspondence); correspondence regarding Marsden-Smedley's unsuccessful campaign for Parliament in 1910 (Marsden-Smedley correspondence); and Wellesley's transcript of a testimonial to the character of Charles Wyatt written by the Governor General of India (Wellesley correspondence). The Murray correspondence includes handwritten biographical notes and a printed review (1908) of David Christie Murray's Reflections.
Papers in the Subject Files Series concern a wide range of political, military, and economic matters. They include an anonymous account (1743) of the battle of Dettingen (in French); papers (1856-1860 and undated) relating to the raising of ships at Sebastopol during the Crimean War; a collection of letters from various correspondents concerning decimal currency (1856-1869); papers concerning Newfoundland fisheries (1901-1902); and a document pertaining to the impressment of sailors (1745).
The Guido Mazzoni Pamphlet Collection spans the years 1572 through 1946, with approximately 46,825 pieces in the collection. The bulk of the material, chiefly in the Italian language, dates from the mid-eighteenth to the early twentieth centuries. Formats represented include: pamphlets, libretti, clippings, newspapers, scores, manuscript items, small cards, periodicals, small volumes, broadsides (some very large), epithalamia (pieces produced on the occasion of a wedding), and one photo album. There are many illustrated publications, fine engravings, woodcuts, and items with maps enclosed.
About 80 percent of the materials is in the Italian language, though other languages are represented, most notably Latin, French, English, German, Greek, Spanish, Catalan, Portuguese, and Eastern European languages.
This guide offers access to brief descriptive records for each item. Hundreds of pamphlets, particularly the epithalamia, were described more fully in the library's online catalog and can be found by using the subject keywords "provenance" and "mazzoni guido." A full set of more than 30 volumes held by the library offers photocopied images of Mazzoni's handwritten catalog slips for subject and name access to the pamphlets.
Guido Mazzoni assembled his library in several ways. He purchased many items from rare book dealers and other book sellers in Italy, particularly in Padua, Florence, and Bologna. His colleagues and former students sent him thousands of offprints, extracts, and small volumes of their work, most of them inscribed to Mazzoni. He accumulated materials from his work in the Italian Senate, most notably in areas of education, politics, and the humanities. He also acquired either by purchase or by inheritance entire libraries of academic colleagues, some of whom became his relatives by marriage. Some of these names include Giuseppe Chiarini, his father-in-law, and Raffaello Fornaciari.
The importance of the Mazzoni Pamphlet Collection primarily lies in its contribution to the fields of European and Italian studies. It is a broad but selective bibliography - put into material form, as it were - of nineteenth-century European culture and its transition into the twentieth century. The intellectual arrangement assigned to the pamphlets by library staff places them into thirty-one subject areas.
The largest and most developed subject areas, each represented by thousands of pamphlets, are: Italian history from the inception of population on the Italian peninsula through the 1940s, with emphasis on the 18th and 19th centuries; Italian language and literature from their earliest manifestations through the 1930s; Italian and European politics, ranging from the Etruscan period to the 1930s; and biographical works on Italian notables. Smaller but rich subject collections include Italian education; social life and customs in Italy; archaeology; music, especially popular music and opera; art history; and religious history. Many individual items, particularly literary publications, are ephemeral, rare, and difficult to locate in the United States and even in Italy.
The literary, political, and scientific individuals represented in the collection are too numerous for this introduction, but more detailed information can be found under the section for each subject area listed below. Suffice it to say that virtually every important poet, dramatist, writer, historian, and political figure of the eighteenth and nineteenth centuries is represented, and, perhaps more importantly, many minor authors and political figures of those eras whose works are now difficult to find. In addition, prominent scientific individuals of the nineteenth century and early twentieth centuries are represented in the collection. As Guido Mazzoni was the protegé of Giosué Carducci, that poet is most well-represented; also, as Mazzoni was one of the leading Dante scholars in Italy of his time, materials relating to every topic in Dante studies number in the thousands.
Guido Mazzoni pamphlet collection, 1572-1946, bulk 1750-1940 860 Linear Feet — 1626 boxes — 49,648 items
This collection of heterogeneous material, generally relating to the colonial period of Peru, falls roughly into three groups centering around commerce and industry, literary activity, and religious and social history. Several manuscripts in the first group contain information on the mining of mercury, 1786-1787. Literary materials include the poems of Caviedes in the seventeenth century script useful for correcting errors in the copies published by Ricardo Palma; a copy of iconoclastic and mysterious poems by Antonio de Solís; one cuaderno of the Documentos históricos collected by Manuel de Odriozola; and three Documentos literarios from contemporary publications. Among the Items relating to religion and social history are a compilation of the papers of Peruvian viceroys and others, 1580-1818; an expediente concerning witchcraft and idolatry in Peru; original papers on the modernization of learning which Charles III attempted to impose upon the empire; copy of the proceso of Mariano Tupac Amaru; and a booklet, 1794, describing the founding and development of Quito, Ecuador.
Some of these Items, formerly the property of Manuel de Odriozola, the Peruvian literary historian who brought together this collection, are listed in the Cátalogo de la Biblioteca Peruana Propiedad de Dn. Francisco Perez de Velasco (Lima, 1918). Rubén Vargas Ugarte, S. J., describes some of these manuscripts in Manuscritos Peruanos en las Bibliotecas de América (Buenos Aires, 1945, pp. 230-243) which is volume IV of his Biblioteca Peruana (Lima, 1935- ). John Tate Lanning, James B. Duke Professor of History, also mentioned these manuscripts in his article "The Hispanic Collection" published in Gnomon, Essays for the Dedication of the William R. Perkins Library (Duke Unlversity, April 15 and 16, 1970).
This guide to the collection is the result of extensive recataloging in which, for the first time, considerable attention has been given to analyzing the content of the manuscripts. The descriptions of many of the manuscripts have been enlarged, and, in some cases, author and title information has been changed or refined. Many entries have been added to the card catalog based upon these new descriptions. Copies of these cards have been included in this guide in order to provide additional means of access to the contents of the collection.
Collection consists of single sheet pages or items collected by Baskin which tend to contain an engraved or etched portrait, or at times a photomechanical print, of a woman or feminine person. Many images depict European royalty or other aristocratic figures, or women cultural or literary figures. Most pages include a printed caption with the woman's name. Examples of women depicted include: Mother Damnable, Moll Cutpurse, Catherine de Medici, Hannah More, Mary Wollstonecraft, Martha Hatfield, and Madame de Genlis. One item is a relief sculpture of the bust of Martha Washington. A small portion of the collection consists of assorted examples of advertisements, caricatures, and comics or cartoon illustrations of women. Includes a moveable book-like item which shows a chaste woman before and a party woman after marriage. Also contains an illustrated woman reading with an accompanying poem advising ladies to "Leave reading until you return, It looks so much better at home." Also contains a copy of a comic called "Jane" published by Mick White, 1941, which shows a naked woman at an Royal Air Force decontamination center being ogled by various soldiers. Many of the items in this collection are loose pages which have been copied or removed from bound volumes.
The collection reflects Weinmann's extensive research in the history of Viennese music publishing and is a resource for study of publishing firms in Vienna as well as documenting Weinmann's bibliographical research. The Music Series includes title pages and parts of arrangements, focusing on Viennese publishers and composers, including Georg Druschetzky, Joseph Haydn, Johann Baptist Vanhal, Johann Josef Rösler, and Ferdinand Kauer, as well as Johann Sebastian Bach. Included in the Writings and Speeches Series are manuscript drafts of works related to Weinmann's bibliographies (published in the Beiträge zur Geschichte des Alt-Weiner Musikverlages) as well as bio-bibliographical and historical works. The series also documents Weinmann's study of 19th century Viennese publishing firms including Artaria and Company, Giovanni Cappi, Leopold Kozeluch, Franz Anton Hoffmeister, Carlo and Pietro Mechetti, Tranquillo Mollo, Ignaz Sauer, Johann Traeg, and Thaddäus Weigl. Series includes research by Weinmann's brother, Ignaz Weinmann, on Franz Schubert.
The Research Notes Series consists of bibliographic references and citations, information about works and plate numbers; Weinmann's contributions to the Répertoire international des sources musicales; and Wiener Zeitung references. The Series also concerns Weinmann's work as an editor of the sixth edition of the Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts. Anthony van Hoboken, Willi Boskovsky, Franz Giegling, Anton Fietz, and Arthur Fiedler are among primary correspondents in the collection. Weinmann also collected letters (originals and copies) from persons and publishers he studied, including J.P. Gotthard, Johann Strauss, Franz Xaver Süssmayr, and Tobias Haslinger.