The John Ziegler correspondence spans the dates 1927-2013, with the bulk of the material consisting of World War II-era correspondence between lovers/partners John Zeigler and Edwin Peacock and their close friend George Scheirer, although there is also extensive correspondence between Zeigler and his family present. After the war, Zeigler and Peacock co-founded of a bookstore in Charleston, S.C., while Scheirer lived most of his adult life in Washington, DC. Recipients and names mentioned in letters throughout the collection include family members of all three men, as well as friends, including Carson McCullers. Other materials include documentation of Scheirer's work as a bookbinder; selected copies of Zeigler's writings and publications; photographs of all three individuals; and official military documents relating to Zeigler's and Peacock's service during WWII.
Collection contains several hundred letters and petitions from citizens of Greensboro expressing support for or opposition to integrated seating at the city's lunch counters, specifically at Woolworth's and Kress.
The letters, dated February-March 1960, are chiefly addressed to Zane as Chairman of the Advisory Committee on Community Relations in Greensboro or to Mayor George Roach and other members of the Advisory Committee. As Chairman of the Advisory Committee, Zane wrote an article in the Greensboro Daily News in the wake of the sit-ins soliciting the opinions of Greensboro citizens concerning the integration of lunch counters at Woolworth's and Kress.
Zane asked citizens to consider five alternatives to the situation: 1) "The situation to remain as it is," 2) "The two establishments to remove seats and serve everyone standing," 3) "The two establishments to serve everyone seated," 4) "The two establishments to reserve separate areas for seated white people and seated Negroes," and 5) "The two establishments to discontinue serving food."
Letters from both whites and African Americans offer support or opposition to Zane's alternatives and document sentiment regarding race relations in the community.
Collection comprises material Yount gathered from socialist-feminist organizations across the United States, most likely in association with the national socialist-feminist conference for organizers held at Antioch College in Yellow Springs, Ohio, in July 1975. Includes fliers and handouts; organizational histories, guiding documents, "principles of unity," information sheets, and position statements; pamphlets; film lists; a working paper; action notices; published articles; and newspaper clippings. Also includes handwritten notes on the relationship of Asian women to the larger movement, possibly written by Yount. During processing pieces created for use at the national conference were placed first in the folder, followed by material grouped according to the state in which the local socialist-feminist unit was located.
The Young Women's Christian Association (YWCA) of Durham was founded in 1920 and served the larger Durham community from the 1920s until the 1970s. The Harriet Tubman branch of the Durham YWCA served the AfricanAmerican community in particular and, through collaboration with the Central branch, fostered integration in a radically segregated Durham. In the 1970s, the YWCA became the home of the Durham Women's Health Co-op and the Durham Rape Crisis Center, which operated out of the YWCA Women's Center. These organizations were central to reform movements throughout Durham, from women's health and childcare to fair wages and civil rights. The YWCA of Durham records reflect both the administrative history of the YWCA, as well as the programs, projects, social events, and community outreach that formed the backbone of the organization. For example, a series of scrapbooks, put together by Y Teen groups, program participants, and residents of the YWCA's boarding houses captures the strength of the YWCA community. The broader impact of the YWCA is evident in their range of programming, especially the clubs they hosted, from PMS and Single Mothers groups to a "Matrons Club." The YWCA's impact is also reflected in administrative and financial materials that tell the story of the Y's work to serve the people of Durham that needed a safe place to build community for themselves and their families.
Collection of 77 manuscript sermons (246 pages) that were written and used by the Reverend William Young, delivered at irregular intervals between December 1835 and January 1848. Each sermon is identified by a date and place and is signed by Young. They approximately follow the chronology of Young's circuit appointments. The text is followed by an index in which there is a brief thematic description of each sermon, along with the Bible verse upon which it is based.
The Isaac Jones Young Films contains fourteen 8mm films made primarily by Isaac Jones Young, III, of Henderson, North Carolina. Eleven of the films document Jones's experiences in China, particularly around Shanghai and Tianjin, during the period 1936 to 1940, when he was employed by the Yi Tsoong Tobacco Company (British-American Tobacco's British Cigarette Company). Images include Shanghai in the aftermath of the Japanese invasion of China as part of the Sino-Japanese War, temples and parks in Beijing, a tobacco market and factory, the 1939 Tianjin Flood, stilt walkers, and Young's European/American colleagues in China. One of the films captures a birthday party at Young's family home in Henderson, NC. Two of the films were collected by Young, including a Kodak Cinefilm promotional reel profiling Hawaii, and a silent, black and white print of anime pioneer Noburo Ofuji's 1933 film, The Three Fearless Frogs (Kaeru sanyushi).
Isaac Jones Young Films, 1933-1940 14 items — 8mm film reels — 1.5 Linear Feet — 122 Gigabytes — MKV (FFV1) digital preservation files
Letters (128 items, 1972-1974) to Young from prospective contributors to The Male Muse, including W.H. Auden, William Barber, Victor Borsa, Bruce Boone, Jim Eggeling, Allen Ginsberg, and others. Although the majority of the letters deal specifically with possible poems for inclusion into the anthology, many of the writers touch on their lives as gay men and their opinions of gay literature. The letters contain many original autographs. The collection also includes a copy of the published book.
The Coletta Youngers Papers span the dates 1977-2004, and consist of reports and scholarly research, clippings, correspondence, and government documents related to socio-political conditions and human rights issues in Perú, gathered by Youngers while living in Peru during the 1980s and researching her 2003 book on political violence in Perú. The collection is divided into the Printed Material and the Subject Files Series; there is also a separate listing at the end of this finding aid of printed works transferred to the Duke University Perkins Library general collections. Beyond the research materials in these series, there are currently no additional personal papers of Youngers in the collection. The Printed Material Series contains published reports on human rights circulated by a wide variety of organizations working inside and outside Perú. Most of the Perú-based human rights organizations are connected with the Coordinadora de Derechos Humanos (CNDDHH), an umbrella human rights organization based in Lima. Youngers' research files on human rights issues and a subseries of Peruvian and Latin American serial publications complete the Printed Material Series. The Subject Files Series contains files and informal reports of the CNDDHH and associated human rights organizations, most notably the Asociación Pro Derechos Humanos (APRODEH), El Centro de Asesoría Laboral del Perú (CEDAL), and the Instituto Defensa Legal (IDL). Further documentation of human rights abuses by government and rebel factions, drug policy files, papers related to former Peruvian president Alberto Fujimori's security advisor Vladimiro Montesinos, and the Maoist guerrilla group Sendero Luminoso complete the collection. Material in this collection documents the complex links between Peruvian government policy and international pressure, and the violent tactics employed by revolutionary groups as well as agents of the Peruvian government. Further, it chronicles the consequences of those actions, especially for rural and indigenous populations and local human rights advocates. The collection also contains numerous U.S. government documents obtained through the Freedom of Information Act which give insight into U.S. diplomacy, military and drug policy. Substantial portions of the collection are in Spanish. Aquired as part of the Human Rights Archive.
The David X. Young Films, 1955-2007, includes film reels, videocassettes, and audiocassettes produced primarily by artist David X. Young between 1955 and 1996, in New York City, Cape Cod, and Haiti. Although transferred to the Archive of Documentary Arts at the Rubenstein Library in 2012, the collection was originally acquired from Young’s estate by the Center for Documentary Studies, for use by Sam Stephenson in his research on W. Eugene Smith for the book The Jazz Loft Project (2010). As a consequence, nearly half the collection is comprised of materials relating to Young’s involvement in the production of "Let Truth Be The Prejudice," a half-hour documentary on Smith produced by CBS in 1971, as part of its Lamp Unto My Feet series. These materials include a composite print of the final 28-minute program, un-synced picture and soundtrack reels not used in the final program, and videocassette and disc copies of the reels created by the Center for Documentary Studies in 2007.
The balance of the collection consists primarily of elements related to film projects created by Young between 1955 and 1986, including Klaximo, Seven Haitian Moods, Duck Season. Many of the elements in the collection, representing these and other projects, were spooled--put together on one reel--to facilitate video transfer previous to the films being acquired by the Center for Documentary Studies.
In addition to these films, the collection contains nine audiocassette tapes, including radio broadcasts of music and spoken-word material, as well as one recording of David X. Young playing piano, and four VHS videocassette tapes, from television broadcasts of programs on W. Eugene Smith.