The Radical and Labor Pamphlets Collection (1896-1967) includes approximately 720 pamphlets and other ephemeral publications relating to communism, socialism and other left-wing movements as well as to labor organizations and trade unions. There are some additional pamphlets related to anti-communist movements and some examples of Soviet propaganda.

The Radical and Labor Pamphlets Collection spans the years from 1896 to 1967, with the bulk of the dates falling between 1911 and 1954, and is made up of publications relating to communism, socialism and other left-wing movements as well as to labor parties and trade unions. Subjects represented are: the Communist Party in the U.S. and Great Britain; socialism in the U.S. and other countries; radical youth organizations; political trials and persecutions of radical activists; labor organizations; anti-fascist and pacifist movements; anarchist organizations; anti-Communist propaganda; Soviet propaganda; and Soviet-Western relations. Other significant topics include economic justice, electoral campaigns, human rights issues, the role of women and youth in activist movements, unemployment, housing, fascism in Spain and other contemporary war issues.

There are many important individual authors represented in this collection, including Israel Amter, Arthur Clegg, Georgi Dimitrov, Emma Goldman, Gilbert Green, Grace Hutchins, Mikhail Ivanovich Kalinin, Corliss Lamont, Clare Booth Luce, Philip Murray, Harry Pollitt, Karl Radek, Iosif Stalin, Lev Trotskii, and many others. Many pamphlets were produced anonymously under the aegis of institutions: these include the Communist Party, USA, Socialist Labor Party, Young Communist League, International Labor Defense, Civil Rights Congress, Communist International, Congress of Industrial Organizations, Farmer's Labor Unions, American Federation of Labor, Friends of the Soviet Union, and many more.

The pamphlets are arranged by subject categories, with the largest groups relating to the activities and membership of the Communist and Socialist parties. There is a small group of pamphlets chiefly made up of radical and labor song collections from 1912 to 1950. The majority of the pamphlets were produced in the United States and Great Britain, but there are also smaller groups of materials from Russia, India, Australia, Canada, China, Ireland, Italy, Brazil, the Philippines, and Mexico.

Many of these publications are ephemeral, that is, focused on urgent contemporary issues and generally intended for immediate consumption or short-term use. For this and for other reasons, they were often printed on poor quality paper which now shows signs of severe deterioration. The results are that few of these publications remain in circulation, and researchers may find many of them difficult to locate in library collections.

Printed materials including reports, event programs, newsletters, and brochures published by the Beloved Community Center between 2002-2013. Topics include local governance, the Greensboro Truth and Reconciliation Commission, and the Greensboro Police Department. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

The Beloved Community Center is a community-based, grassroots organization dedicated to social activism, advocacy, and uplift in the Greensboro, NC area. The collection comprises printed materials, including reports, event programs, newsletters, and brochures published by the Beloved Community Center between 2002-2013. Topics include local governance, the Greensboro Truth and Reconciliation Commission, and the Greensboro Police Department. Reports include: "A Decade of Building a Spirit of Beloved Community" and "Our Democratic Mission: Transitioning the Greensboro Police Department from Double Standards and Corruption to Accountability and Professionalism." Newsletters and brochures included are: "Towards a New Democratic Conversation: Connecting Mass Movements to Building Local People Power and Governance," "Celebrating 20 Years: A New Era for Greensboro and the Nation," "The Democracy Road: Toward a More Racially Just City, A Sustainable Economy, Good Jobs for All, and Relevant, Equitable Education." Also included is the event program for the "Swearing in and Seating of the Greensboro Truth and Reconciliation Commission." Reports include: "A Decade of Building a Spirit of Beloved Community" and "Our Democratic Mission: Transitioning the Greensboro Police Department from Double Standards and Corruption to Accountability and Professionalism." Newsletters and brochures included are: "Towards a New Democratic Conversation: Connecting Mass Movements to Building Local People Power and Governance," "Celebrating 20 Years: A New Era for Greensboro and the Nation," "The Democracy Road: Toward a More racially Just City, A Sustainable Economy, Good Jobs for All, and Relevant, Equitable Education." Also included is the event program for the "Swearing in and Seating of the Greensboro Truth and Reconciliation Commission."

Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Re-Imagining is an ecumenical, radical, Christian movement focused on creating ways of understanding Womanist, Feminist, Mujerista, and Asian Feminist theologies, and opening spaces for dialogue with the church, diverse religious communities, and the world. Eighty-two audio files comprise an oral history project by Sherry E. Jordon with 73 participants in the Re-Imagining conferences, including the first gathering in 1993, Re-Imagining: A Global Theological Conference By Women: For Men and Women. Additionally, 127 mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from gatherings in 1993, 1994, 1995, 1996, 1998, and 2000, as well as three linear feet of papers documenting Jordon's work with Re-Imagining.

Re-Imagining is an ecumenical, radical, Christian movement focused on creating ways of understanding Womanist, Feminist, Mujerista, and Asian Feminist theologies, and opening spaces for dialogue with the church, diverse religious communities, and the world. Eighty-two audio files comprise an oral history project by Sherry E. Jordon with 72 participants in the Re-Imagining conferences, including the first gathering in 1993, Re-Imagining: A Global Theological Conference By Women: For Men and Women. Additionally, 127 mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from gatherings in 1993, 1994, 1995, 1996, 1998, and 2000, as well as papers documenting Jordon's work with Re-Imagining. Interviewees and speakers include Martha O. Adams, Jann Aldredge-Clanton, Gail Allan, Elizabeth Andrew, Diana Butler Bass, Mary Farrell Bednarowski, Elizabeth Bettenhausen, Nadean Bishop, Kathy Black, Donna Blackstock, Steven Blons, Robert Brinkley, Rita Nakashima Brock, John M. Buchanan, Nancy Chinn, Faye Christensen, Hyun Kyung Chung, Susan Cole, J. Ann Craig, Susan Halcomb Craig, Kathy Deacon-Weber, Sister Holy Spirit DeSouza, Heather Murray Elkins, Sara M. Evans, Marylee Fithian, Mary Gates, Marchelle Hallman, Susan Hames, Robin Henry, Maren Hinderlie, José Hobday, Mary E. Hunt, Pamela Carter Joern, Sally Howell Johnson, Katie Johnson, Barbara Anne Keely, Betty Kersting, Judith Allen Kim, Annie Wu King, Rebecca Lynn Kiser, Mary Kuhns, Pui-lan Kwok, Barbara Lund, Barbara K. Lundblad, Mary Ann Weese Lundy, Katherine Austin Mahle, Eily Marlow, Joan M. Martin, Mary Kaye Medinger, Joyce Ann Mercer, Virginia R. Mollenkott, Melanie S. Morrison, Susan Morrison, Mary Clark Moschella, Vivian Jenkins Nelsen, Randy Nelson, Christie Neuger, John Niles, Manley Olson, Ofelia Ortega, Doris Pagelkopf, Rebecca Todd Peters, Virginia Pharr, Joy Mincey Powell, Mary Preus, Anne Primavesi, Bernice Johnson Reagon, Jo Ringgenberg, Mary Kay Sauter, Jeanyne B. Slettom, Jerie Smith, Joyce D. Sohl, Hilda Spann, Allison Stokes, John Strausz-Clement, Judith Strausz-Clement, Sue Swanson, Hal Taussig, Margaret Thomas, Rebecca Tollefson, Carmen Valenzuela, Johanna W.H. Van Wijk-Bos, Emily Wigger, Delores S. Williams, Eugenia Williams, Lois Wilson, and Miriam Therese Winter.

Fourteen single-sheet printed documents issued by officials in northern Italian ports or inland trade centers, declaring that ships, cargoes, and crews have been inspected and are free of contagion, chiefly meaning bubonic plague. Cities include Venice, Brindisi, Milano, Piacenza, Ravenna, Reggio, San Giovanni in Persiceto, and Trieste. Almost all bear small woodcuts chiefly of patron saints and coats of arms, and official seals and stamps. Handwritten annotations include dates, itineraries, and, in the case of maritime shipping, the names of ships and owners. Some note the type of cargo and a few list the names of crew members, with age, stature, and other details. Most are in Italian but several also include some Latin. Forms part of the History of Medicine Collections at Duke University.

Fourteen single-sheet printed documents, issued from 1630 to 1818 by officials in northern Italian ports or inland trade centers, declaring that ships, cargo, and crews have been inspected and are free of contagion, chiefly meaning plague. Most are in Italian, but several also include some Latin.

Nine of these bills of health originated in Venice, with others from Brindisi, Guastalla, Milano, Piacenza, Ravenna, Reggio, San Giovanni in Persiceto, Segna, San Martino, and Trieste. They range in size from 6 x 8 1/4 to 12 x 16 1/2 inches. Almost all bear one or more small woodcuts such as patron saints and coats of arms; blindstamps and seals are also often present.

Typical handwritten content on the front and sometimes back of the sheet gives the name of the ship's owner and his ship, the ship's itinerary, number of containers ("Colli"), and type of cargo. A few of the documents also include lists of crew members, with names, ages, and stature. A few terms of interest that appear include "lazzeretto," indicating a place of quarantine, and "epizootico," a medical term for a non-human epidemic or agent. Forms part of the History of Medicine Collections at Duke University.

Collection contains original caricatures, original and drafts drawings, and select magazine issues that critique political decisions, parties, cultural and social issues, world affairs, economics, womens' rights, equality, foreign policies, World War II, and more in 20th century Turkey. Artists such as Ramiz Gökçe, Memduh, Olgaç, and many more are represented in this collection. There are also representative caricature journals, e.g., Mizah, Akbaba, Karikatür, and Amcabey.

Collection contains original caricatures, original and drafts drawings, and select magazine issues that critique political decisions, parties, cultural and social issues, world affairs, economics, womens' rights, equality, foreign policies, World War II, and more in 20th century Turkey. Artists including Ramiz Gökçe, Memduh, Olgaç, Surri, Sinan, Altan Erbulak, Ramiz, İsmail Gülgeç, Cafer Zorlu, Semih Balcıoğlu, Hüseyin, Zeki Beyner, Bedri Koraman, Nehar Tüblek, Şevket Yalaz, Doğruer, Ali Kılıç, Derya Sayın, Vedat Kemer, Can Barsan, Buğra, Kamil Masaracı, Dt. İlhan Şen, Çetin, İlhan İşler, Çakmak, Latif, Ramize Erer, Bilal, Özden Ögrüg, Oktay, Musa Kart, Ahmet Erkanlı, Apti, Çetin Küçük, Sedar Kıcıklar, Tekin Aral, Emre Ulaş, Zarakol, Atilla & Ergün, Kamil Yavuz, Salih Memecan, Canol, Kemalettin Atlaş, Suha, Melih Pakalın, Seçkin, Vedat Özdemiroğlu, O. Gültekin, Zeki Bikmen, Oğuz Mak, Vahdet Süpahioğlu, Metin, Seyit, Seydali Gönen, Haldun Yücesoy, Oğuz Peker, Münif Fehim, Ratip Tahir, and Salih Memecan are represented in this collection. There are also representative caricature journals, e.g., Mizah, Akbaba, Karikatür, and Amcabey.

Mary McCornack Thompson was an American Presbyterian missionary who spent over forty years (1889-1932) traveling and teaching in South Africa and Rhodesia. The collection contains diaries, and a few letters. Main subjects are missionary life and travel in Africa. Materials range in date between 1887-1962.

The Mary McCornack Thompson Diaries date from 1887 to 1962 and are arranged into two series: Diaries and Correspondence. The bulk of the collection consists of 90 journals that contain detailed accounts of Mary McCornack Thompson's work as a Presbyterian missionary and teacher with the American Board of Commissioners for Foreign Missions in South Africa. During her 43 years as a missionary Thompson worked briefly at the mission station at Esidumbi in South Africa, but she spent most of her time at the Mount Selinda mission in the Melsetter region of Rhodesia ( Zimbabwe). In the diaries, Thompson wrote of her daily activities as a missionary, including building and expanding the mission, encounters with locals, learning Zulu, wildlife, meeting other missionaries, teaching and praying. These detailed entries offer a glimpse into the social conditions, race relations, and native cultures of various South African regions. Thompson also recounts her many travels throughout Africa, Europe, Asia, the United States, and Canada. Included in the collection is one folder of correspondence, mainly from William L. Thompson (Thompson's husband) regarding the collection and the transfer of Mary's diaries to Oberlin College.

The Diaries Series documents Thompson's almost daily activities between the years of 1887-1933, spanning all five of her missionary trips to Africa. Volumes 1-6 describe her first missionary trip (1887-1899), detailing her preparations for travel to Africa, her arrival, and her first encounters with native Africans. During this time Thompson married another missionary, William L. Thompson, and together they traveled for four months, mostly on foot, from South Africa to Rhodesia (Zimbabwe). They settled at Mount Selinda, which would be their home in Africa for the next forty years. Volumes 6-8 describe Mary Thompson's visits to the United States between her missionary trips, including taking cooking and photography classes, and traveling around the U.S.

Volumes 8-35 detail her second trip to Africa (1901-1910), during which time the mission at Mount Selinda began to expand rapidly. Thompson often writes about elections at the mission, as well as prayer services and sermons. She occasionally mentions world events such as the explosion of Mt. Pelee in Martinique, the Russian Revolution, and the detention of Queen Wilhelmina of Holland. She also describes her experiences with local natives who teach her the Zulu language. Volumes 35-40 cover Thompson's trip back to the United States in 1910. She describes lectures and meetings, and discussions on the outbreak of World War I. Her diary entries become less frequent during her stay in the United States.

Volumes 40-57 span her third trip to Africa (1911-1917), and entries tend to be bit longer and more descriptive. On this trip volumes 44-49 were written in diary volumes entitled "Warriors of Africa," whose covers depict African natives, and volumes 52-55 in volumes bearing the title "Empire Exercise," portraying historical events. Volumes 57 and 58 describe Thompson's travels during 1916-17 (at the height of World War I) to Hong Kong, Japan, Canada, and the U.S. Volumes 59-60 recount her time back in the United States; much of the content revolves around religious and political meetings on World War I, and the 1918 U.S. midterm elections..

Volumes 61-77 detail her fourth trip to Africa (1919-1925), and volumes 78-89 her fifth and last trip to Africa (1926-1932). Volume 80 does not begin until page 92, and is filled with various writing; some entries appear to be copies of diaries of historical figures. The diary entitled "Notes on Work at Moody Bible Institute" contains lecture notes, thoughts, scripture quotations, and observations by Thompson while attending a higher-education Christian organization, Moody Bible Institute, in Chicago in 1918, between her third and fourth missionary trips to Africa.

The Correspondence Series contains six letters regarding the collection and transfer of Mary McCornack Thompson's diaries after her death in 1936. The first five letters are from by William L. Thompson (Thompson's husband), to his nieces Margaret and Jay Urice, who are locating and collecting Mary's diaries. The sixth letter is from Jay Urice to Mr. Julian Fowler, a librarian at Oberlin College, about having Mary's diaries sent to Oberlin.

Manuscript volume includes thirty-two articles of varying lengths relating mostly to the political, economic, social, and ecclesiastical history of the French province of Dauphiné during the eighteenth century. No authors are given for any of the writings. The volume probably dates from the decade before the outbreak of the revolutions. Topics of the articles include: the boundary between Dauphiné and Sardinia; the government of Geneva in 1733; extracts from the registers of the Council of State about certain ecclesiastical matters; the boundaries of Dauphiné; methods of teaching at the University of Paris; population, emigration, and the Huguenots; the condition and productivity of Valence, Montélimar, Crest, and Die; commerce, silk and textile production; meat production; a history of fiefs; a petition from the nobles to the King, 1770; Princess Charlotte of Brunswick-Wolfenbüttel, wife of the Russian Tsarevich Alexius Petrovich; affairs concerning the parliament of Dauphiné; and other matters.

Collection consists of a 44-page scrapbook belonging to an unidentified compiler, that documents the history of Fort Des Moines as a Women's Army Corps training center, and more specifically the 404th Women's Army Corps (WAC) band, the first African American female band in the United States military. In addition to the approximately 100 photographs, there are photographic postcards, and clippings from official Fort Des Moines publications. The scrapbook begins with a photograph of the front page of the Honolulu Star-Bulletin from 8 December 1941, followed by a short history of Fort Des Moines, with clippings and photo postcards documenting its conversion to the first Women's Army Auxiliary Corps training center. The second half of the scrapbook documents the African American women's band, with photographs showing the women in and out of uniform; many of the photographs are signed or are otherwise identified in ink. Scenes include the practice room, women marching with instruments, and band members enjoying off-duty pastimes. There are at least two photographs of Major Charity Adams Earley, the first commissioned African American WAC. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Collection consists of a forty-four page scrapbook belonging to an unidentified compiler, documenting the history of Fort Des Moines, Iowa, as a Women's Army Corps (WAC) training center, and the 404th Women's Army Corps band, the first African American female band in the United States military. The scrapbook contains 100 photographs, all but one black-and-white, ranging in size from 2 x 3 inches to 7 1/2 x 8 3/4 inches. The creator also included photographic postcards as well as clippings from official Fort Des Moines publications. The covers for the scrapbook are missing.

The first page contains a photograph of the front page of the Honolulu Star-Bulletin from December 8, 1941. The following early pages provide a short history of Fort Des Moines, with clippings documenting its conversion to the first Women's Army Auxiliary Corps training center. The clippings are augmented by photo postcards depicting the grounds, along with one showing a woman blowing a bugle into a oversize megaphone.

Documentation of the African American women's band begins on page 21, with a group portrait. Other photographs show the women in uniform; many of the photographs are signed or are otherwise identified in ink. Images include the practice room, women marching with instruments, and off-duty band members relaxing, riding bicycles, traveling together, preparing for sleep, or playing with pets. There are at least two photographs of Major Charity Adams Earley, the first commissioned African American WAC.

Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

This collection contains 163 assorted postcards with photographs and mechanically printed images of Egypt, dating from the 1880s through the 1930s.

This collection contains 163 assorted postcards with photographs and mechanically printed images of Egypt, dating from the 1880s through the 1930s. There are both black-and-white and color printed postcards. The postcards include landscapes and scenes of Egyptian life during British colonial occupation, with images featuring temples, tombs, pyramids, mosques, harbors, monuments, street stalls, bazaars, markets, hotels, cafes, boats, camels, and carts. There are a range of portraits of anonymous individuals, including vendors, shopkeepers, dancers, nomadic travelers, and musicians. Sites represented in the collection include: Cairo, Giza, Alexandria, Suez, Port-Said, Luxor (Thebes), Aswan, the Sahara desert, and the Nile River. Some of the postcards have been used, and include correspondence, postage, or postmarks. Most are blank.

Missionary to India and author of religious works. Cousin to Virginia Woolf; daughter of James Fitzjames Stephen, who was brother to Leslie Stephen, Virginia Woolf's father. Handwritten diary, 151 full pages, by 16-year-old Dorothea Jane Stephen. Entries document the author's anticipation of Jubilee Day (July 21, 1887, the 50th anniversary of Queen Victoria's reign), as well as her activities on the day itself (written in red rather than black ink), and the parties and church services following it. Other topics include her daily life in London and two family trips in England. In particular, Stephen chronicled (through both words and ink drawings) her family, including her mother and two sisters; school classes and examinations; visiting rounds; current fashion, horses, and carriages rides; leisure activities and sports, especially collecting bugs, reading, dancing, and playing lawn tennis; and visiting the coast at Barnstaple, England. She also described sites in London, including Buckingham Palace, St. Jame's Park, Piccadilly, and Kensington Heights.

Handwritten diary, 151 full pages, by 16-year-old Dorothea Jane Stephen. Entries document the author's anticipation of Jubilee Day (July 21, 1887, the 50th anniversary of Queen Victoria's reign), as well as her activities on the day itself (written in red rather than black ink), and the parties and church services following it. Other topics include her daily life in London and two family trips in England. In particular, Stephen chronicled (through both words and ink drawings) her family, including her mother and two sisters; school classes and examinations; visiting rounds; current fashion, horses, and carriages rides; leisure activities and sports, especially collecting bugs, reading, dancing, and playing lawn tennis; and visiting the coast at Barnstaple, England. She also described sites in London, including Buckingham Palace, St. Jame's Park, Piccadilly, and Kensington Heights.

The Edwin and Terry Murray Papers include a range of materials related to the comic book collecting, comic conventions, and science fiction fandom of Edwin L. and Terry A. Murray.

The Edwin and Terry Murray Papers include a range of materials related to the comic book collecting, comic conventions, and science fiction fandom of Edwin L. and Terry A. Murray. Included are photos documenting over fifty comic conventions that the Murray brothers organized at their home in Durham, North Carolina. Also included is correspondence related to their comic book and science fiction collecting activities, as well as newspaper clippings about their extensive comic book collections. The collection includes published and unpublished writing by the Murray Brothers, as well as collectible comic strips and science fiction ephemera. It also includes mock-ups and production materials for two fanzines, Vertigo and Trefoil, published by Edwin.

Collection consists of postcards, with photographs or printed images of tombs, worship places, and cemetery monuments from locations across the Middle East region, including Egypt, Libya, Morocco, Iran, Palestine, Iraq, and India. Some images of Christian, Judaic, and Muslim holy and religious sites.

.Admittance, matriculation, and "Order of Lecture" cards are from a number of medical students from 1811-1880 in the University of Pennsylvania, Jefferson Medical College, Long Island College Hospital (Brooklyn, N.Y.), Harvard University Medical School, Philadelphia School of Anatomy, New Hampshire Medical Institution, Berkshire Medical Institution, and St. Bartholomew's Hospital (London, England). They contain the autographs of the most eminent professors of the day: i.e., Samuel Gross, Franklin Bache, Benjamin Rush, Austin Flint, Samuel Jackson, S. Weir Mitchell, J. K. Mitchell, Charles D. and James A Meigs, John Barclay Biddle, et al. The St. Bartholomew's Hospital card is signed by Ludford Harvey, John P. Vicent, and John Abernethy, the latter (1764-1831) being an eminent English surgeon and founder of the Medical School of St Bartholomew's. The "Order of Lecture" cards from Jefferson Medical College and the University of Pennsylvania list curricula, faculty and their residences, schedules of lectures and texts.Admittance cards, 1850-1853, are for courses at the Jefferson Medical School in Philadelphia. They include two matriculation cards for William D. Watson of Chatham County, N. C., dated Nov., 1850, and Oct., 1852, and an examination card Oct., 1852-1853, which is signed by Dr. S. Weir Mitchell as professor of Anatomy, Surgery and Physiology. Dr. Watson returned to Chatham County after his graduation. His house was destroyed during the Civil War. The portion of his medical library saved and stored in a neighboring attic eventually was placed in the historical Collection of the library of the University of Pennsylvania Medical School.

.Admittance, matriculation, and "Order of Lecture" cards are from a number of medical students from 1811-1880 in the University of Pennsylvania, Jefferson Medical College, Long Island College Hospital (Brooklyn, N.Y.), Harvard University Medical School, Philadelphia School of Anatomy, New Hampshire Medical Institution, Berkshire Medical Institution, and St. Bartholomew's Hospital (London, England). They contain the autographs of the most eminent professors of the day: i.e., Samuel Gross, Franklin Bache, Benjamin Rush, Austin Flint, Samuel Jackson, S. Weir Mitchell, J. K. Mitchell, Charles D. and James A Meigs, John Barclay Biddle, et al. The St. Bartholomew's Hospital card is signed by Ludford Harvey, John P. Vicent, and John Abernethy, the latter (1764-1831) being an eminent English surgeon and founder of the Medical School of St Bartholomew's. The "Order of Lecture" cards from Jefferson Medical College and the University of Pennsylvania list curricula, faculty and their residences, schedules of lectures and texts.

Admittance cards, 1850-1853, are for courses at the Jefferson Medical School in Philadelphia. They include two matriculation cards for William D. Watson of Chatham County, N. C., dated Nov., 1850, and Oct., 1852, and an examination card Oct., 1852-1853, which is signed by Dr. S. Weir Mitchell as professor of Anatomy, Surgery and Physiology. Dr. Watson returned to Chatham County after his graduation. His house was destroyed during the Civil War. The portion of his medical library saved and stored in a neighboring attic eventually was placed in the historical Collection of the library of the University of Pennsylvania Medical School.

Titled "After Eisenhower" in reference to the outgoing President's speech about military power, this body of work by photographer Jasmine Clark consists of 36 16x20 inch color inkjet photographs of signs, symbols, slogans, and advertising that permeate the streets and outdoor spaces of military-based towns. The images convey complex themes of patriotism, Christianity, masculinity and feminity, and other iconographic expressions of "Middle America" culture. Acquired by the Archive of Documentary Arts at Duke University.

Titled in reference to outgoing President Eisenhower's speech regarding the dangers of military power, this collection consists of 36 16x20 inch color inkjet photographs from the documentary project "After Eisenhower" by photographer Jasmine Clark. Clark documented signs, symbols, slogans, murals and advertising that permeate the streets and outdoor spaces of an anonymous military town or towns. No locations are recorded for the photographs, but they were all or almost all taken in California. The images convey complex themes of patriotism, Christianity, masculinity and femininity, and other iconographic expressions of "Middle America" culture.

From the artist's statement: "The photographs in 'After Eisenhower' are influenced by my upbringing in a United States Marine Corps community in Twentynine Palms, California...My sister and I were exposed to the ideologies of American patriotism and nationalism. We learned the critical distinction between the two; namely, that the embedded framework of American nationalism is inseparable from and in service to the systemic cultural narrative that brown skin and other physical characteristics are negative."

"The military is intertwined in the established patriotic, national and Christian identity. How is patriotism learned and sustained without any direct military relationship and in a society that oppresses any aspect of your identity? President Dwight D. Eisenhower's farewell presidential address warned about the implications of military power and its impact on American culture. In response to my curiosities and Eisenhower's warning, my work probes how American patriotic identity manifests when its symbols, e.g., the national anthem and the American flag, are conflated with complex and polarizing issues such as racial discrimination, religion, gender identity, and nationalism. The saturation of these oversimplified messages is disconcerting. They are meant to have clear meanings. However, these places and artifacts suggest more problematic truths about American life and our relationship to our military."

For her work "After Eisenhower," Clark received the Archive of Documentary Arts Award for Emerging Documentarians in 2017.

Acquired by the Archive of Documentary Arts at Duke University.

Register of admissions and scrapbooks of the North Carolina State Hospital for the Insane, Raleigh, N.C., of which Grissom was superintendent.

Collection consists of four volumes connected with Dr. Eugene Grissom, related to his superintendentship of the North Carolina Insane Asylum in Raleigh.

Volume 1 is a register of admissions, 1883-1887, including information about white patients admitted to the Raleigh Insane Asylum including names, NC county of residence, and occasionally the outcome of their admission (typically either their cause of death or the note that they had left the hospital, cured). This register tracked only admissions for the Eastern Division of white patients in North Carolina; patients residing in the Western Division were treated at an insane asylum in Morganton.

The other three volumes are scrapbooks, largely consisting of clippings about Grissom or the asylum. All of these scrapbooks include coverage of Grissom's medical lectures and papers on the treatment of the insane, his roles in various medical organizations, the work of the insane asylum as a progressive institution, and the political turmoil Grissom occasionally faced.

In addition to clippings relating to Grissom's medical career and his work at the Insane Asylum, Volume 2 (a scrapbook dated 1875-1877) includes clippings from various newspapers covering a controversy about whether Grissom (a Republican) should be removed from his position as superintendent during the fallout of the 1877 election in North Carolina.

Volume 3 is a scrapbook assembled by A. Watkins Verith (sp?) on Grissom's behalf, dating from circa 1877-1880. It includes clippings and notations (by Verith) about Grissom's political career, including debates about his potential run for North Carolina governor in 1879; coverage of a controversy with Dr. William A. Hammond over Grissom's treatment methods (including Grissom's proponency of mechanical restraints for violent patients, such as handcuffs and straightjackets); his expert testimony in a Danville murder case that the accused, Justin Thomas Dejarnette, was clinically insane; as well as public notices about his various lectures and appearances.

Volume 4 (1877-1880) contains clippings and some annotations about Grissom's service as superintendent for the Insane Asylum, including a published letter from Dorothea Dix praising the work of the hospital. There are additional clippings covering the Dejarnette murder case (1880), Grissom's involvement in Masonic ceremonies in 1880, and Grissom's potential runs for governor.

The Memory Project Oral History collection comprises digital video recordings and written supporting documentation of interviews spanning 2009 to 2016. The interviews were conducted by filmmakers associated with the Work Station, a film studio run by Wu Wenguang in Caochangdi, Beijing, China. Memory Project interviews were conducted with Chinese people about mid-20th century rural life, primarily experiences during the Great Famine (1958-1961), but also the Land Reform and Collectivization (1949-1953), the Great Leap Forward (1958-1960), the Four Cleanups Movement (1964), and the Cultural Revolution (1966-1976). Wu's studio in suburban Beijing, known as the Work Station, is the home for this project. More than 150 young filmmakers have joined the project, and since 2010 they have visited 246 villages in 20 provinces and interviewed more than 1,100 elderly villagers. These filmmakers, many of whom returned to their families' rural hometowns, developed new intergenerational relationships with elderly relatives. During the process of interviewing the villagers, they reconciled the official history taught in schools with each family's experiences.

The Memory Project Oral History collection comprises digital video recordings and written supporting documentation of interviews spanning 2009 to 2016. The interviews were conducted by filmmakers associated with the Work Station, a film studio run by Wu Wenguang in Caochangdi, Beijing, China. Memory Project interviews were conducted with Chinese people about mid-20th century rural life, primarily experiences during the Great Famine (1958-1961), but also the Land Reform and Collectivization (1949-1953), the Great Leap Forward (1958-1960), the Four Cleanups Movement (1964), and the Cultural Revolution (1966-1976). The interviews show regional variations in famine experiences and rural culture. They add intimate detail and humanity to the story of the deaths and starvation of millions of Chinese, providing a unique perspective on the unofficial history of the Great Famine.

Due to the geographic scope and rural focus of the Memory Project, the interviews are frequently conducted in regional dialects. In many cases, the filmmakers provided Chinese language transcripts. Many recordings are also accompanied by prose reflections written by the filmmakers, the text of which originally came from the Work Station blog or email communication between filmmakers. The notes and blogs written by the filmmakers and the interview footage preserve the fading memories of people who lived through the Great Famine, ensuring that their stories are not forgotten.

The interviews described in this collection guide are arranged geographically by Province and Village. While multiple filmmakers may have worked in a single province, in most cases, only a single filmmaker traveled to each village represented. Approximately 500, nearly one half, of the interviews and supporting documentation are described as of January 2021. These interviews include those conducted by Wu Wenguang 吴文光, Zhang Mengqi 章梦奇, Zou Xueping 邹雪平, Li Xinmin 李新民, Jia Nannan 贾楠楠, Luo Bing 罗兵, Lin Tao 林涛, Zhang Ping 张苹, Li Yushan 李雨珊, Guo Zhihua 郭志华, Qu Yufeng 屈玉凤, Gao Runxiang 高润香, Guo Rui 郭睿, Hu Tao 胡涛, Jia Zhitan 贾之坦, Shao Yuzhen 邵玉珍, Shu Qiao 舒侨, Wen Hui 文慧, Wu Haizhu 吴海珠, Ye Zuyi 叶祖艺, Yi Yangmin 易旸敏, and Zhang Haishen 张海深. Other interviews will be published incrementally as each filmmaker's material is arranged and described.

Most materials are available in Chinese. A smaller number of interview transcripts have been translated into English. Those interviews that have English translations are noted in the individual interview descriptions below. All digital files are available online. Videos may be played directly through this collection guide while additional text documents and transcripts can be accessed clicking links next to the embedded videos in this collection guide, or directly via Duke Digital Collections at https://repository.duke.edu/dc/memoryproject/.

The Cuban Revolution Materials collection comprises assorted printed materials and serials publications regarding the Cuban Revolution of 1959, Fidel Castro's governance, and U.S. foreign policy in Cuba in the 1960s, especially the Bay of Pigs Invasion of April 1961. Committees and Organizations series contains assorted documents including leaflets, position statements, generated by pro-Cuba organizations based in major metropolitan areas, primarily New York City, in 1960 and 1961. Original sources are unknown; the collection was received as a transfer from the Duke University Library pamphlet collection.

Collection arranged into two series, Committees and Organizations and Assorted Printed Materials. The first series comprises assorted documents from U.S.-based committees in support of the Cuban Revolution and critical of U.S. foreign policy. The Assorted Printed Materials series is comprised of single serials related to the Cuban Revolution and U.S. foreign policy in Cuba, especially the Bay of Pigs Invasion in the early 1960s. The collection was transferred to the Rubenstein Library from the Duke University Library pamphlet collection in 2012. Their original source or sources are unknown; however it is likely that materials were collected by the library to support student research in the 1960s. Most of the material is from 1960 and 1961, with a concentration of printed materials from April and May of 1961, around the time of the Bay of Pigs Invasion. Committees represented in the collection show a pro-Cuba agenda and include The Fair Play for Cuba Committee, The Truth About Cuba Committee, Young Socialists Alliance, and the Non-Violent Committee for Cuban Independence. Materials include leaflets, event flyers, newsletters and correspondence, committee resolutions, and other printed ephemera from their grassroots efforts to educate audiences about the actions of the U.S. military in Cuba.

This collection includes a number of periodicals produced by different organizations interested in enabling and protecting a women's right to reproductive healthcare. The organizations are: the Mayo Clinic, the American Civil Liberties Union's Reproductive Freedom Project, the Center for Reproductive Rights, and HealthyWomen. Accession (2009-0236) (300 items; 0.6 lin. ft.; dated 1989-2009) includes the following publications: Mayo Clinic Women's Health Resource (Mayo Clinic); Reproductive Freedom News (Center for Reproductive Law and Policy, now known as the Center for Reproductive Rights); Reproductive Rights Update (Reproductive Freedom Project); and the National Women's Health Report (National Women's Health Resource Center). Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The collection includes periodicals from the above organizations, each discussing various aspects of reproductive health. The periodicals are: the Mayo Clinic Women's Health Resource (May 2007); the Reproductive Freedom News (July 1992-December 1997); the Reproductive Rights Update (December 1989-July 1998) and the National Women's Health Report (Fall 1990-March 2009).

Edmund Snare was a physician and resident of Huntingdon (Huntingdon Co.), Pennsylvania. Collection comprises a ledger (dated 1836-1867) and three documents, including a letter (1864 January 19) appointing Edmund Snare as an examining surgeon of the Pension Office; a printed document (dated 1864-1866) with a handwritten list of pensioners he examined; and a letter (July 1866) from Snare to pensioner John Horst requesting more details regarding his injury, with Horst's responses. The last portion of the ledger (approximately 53 pages) contains Snare's records regarding his examinations of soldiers, primarily from Pennsylvania regiments, who had been discharged for various injuries and diseases from both the Civil and Mexican wars. The ledger was initially used (118 pages) to record transactions for a mercantile business belonging to another Edmund Snare, presumably a relative of Dr. Snare.

Collection comprises a ledger (dated 1836-1867) and three documents, including a letter (1864 January 19) appointing Edmund Snare as an examining surgeon of the Pension Office; a printed document (dated 1864-1866) with a handwritten list of pensioners he examined; and a letter (July 1866) from Snare to pensioner John Horst requesting more details regarding his injury, with Horst's responses. The last portion of the ledger (approximately 53 pages) contains Snare's records regarding his examinations of soldiers, primarily from Pennsylvania regiments, who had been discharged for various injuries and diseases from both the Civil and Mexican wars. One soldier was from New York, one from Illinois, and one was an African American with the 32d Regt. U.S. Colored Troops. Entries recorded the soldier's name, home town, regiment and immediate commanding officer, as well as the attorney representing the soldier in his petition. Sometimes the battle in which the injury was received is mentioned, including Antietam, Gettysburg, and Cold Harbor; other notes mention men who were captured and sent to Confederate prisons, including Andersonville. Snare then provided a detailed medical description of the injury or wound and any resulting damage. Several of the men had contracted diseases while on duty, such as typhoid or tuberculosis, had sustained hernias or were sidelined by rheumatism, but most of the men suffered gunshot wounds or injuries from cannon fire. In the margins Snare recorded his estimates for awarding a pension, according to guidelines set by the Pension Office. Some of the soldiers were examined annually or biennially over the course of three years, to reassess their continued eligibility.

The ledger was initially used (118 pages) to record transactions for a mercantile business belonging to another Edmund Snare, presumably a relative of Dr. Snare. This Edmund Snare of Huntingdon, Pennsylvania, and New York, sold goods such as coffee, flour, wine, tea, dried fruit, and Cuban tobacco, among other items, and purchased goods from a variety of firms. Includes an alphabetical listing of his customers; along with records of expenditures, invoices, and sales; and tabulations of profits, primarily between May and July 1836. Acquired as part of the History of Medicine Collection.

Albumen photographic portrait on cabinet card featuring full-length image of Sojourner Truth; facing front but turned slightly to her left; in a dark dress with light collar, cap, and shawl; holding her knitting while seated; with her left arm resting on a small table that has a decorative table cloth and holds a notebook and vase of flowers. The room has a patterned rug. There are five spatters of ink or another substance on the surface of the photograph, along with a few spatters on the mount.

"Entered according to act of Congress in the year 1864 by Sojourner Truth in the clerk's office of the U.S. District Court for the Eastern District of Michigan."--Verso of card mount.

The collection consists of one expense account book kept by a shopkeeper in or near Port Deposit, Cecil County, Maryland. Chronological entries from March 1850 to February 1863 record the date, description, and amount for each personal and business expenditure of the shopkeeper, who appears to have sold medicine and paint. Business related entries include freight bills, license fees, corporation taxes, payments for services performed at the shop, expenses in Baltimore and Philadelphia, regular purchases from wholesale druggists such as Canby & Hatch and Wilson & Merritt, and frequent checks drawn on Cecil Bank. Other firms frequently mentioned include Hugh Bolton & Co., Geo. D. Wetherill & Co., and Clark & Jones. Also listed are purchases of food including flour, butter, potatoes, apples, peaches, chicken, beef, mackerel, and brandy; purchases of non-food items including wood, seeds, matches, candles, books, and journals; expenses for his wife and children; payments for services performed at the house; and contributions to the Colonization Society, missionary organizations, the local Methodist church, and Reverend Henry Colelazer. In addition to the itemized entries, the account book contains two tabular sections that together record the daily total for nearly every week from March 18, 1850, to August 10, 1863. Overall, 122 filled and 5 partially used manuscript pages reflect the life of an educated and civic-minded rural shopkeeper in Maryland during the mid-1800s.

"Degeto Weltspiegel 22. Entscheidung auf dem Balkan III. Sprung nach Kreta" is a 16mm, black-and-white, silent film documenting the German airborne invasion of Crete in May 1941.

"Degeto Weltspiegel 22. Entscheidung auf dem Balkan III. Sprung nach Kreta" is a 16mm, black-and-white, silent film documenting the German airborne invasion of Crete in May 1941. The film was produced by German newsreel company Degeto Weltspiegel, which sold propaganda-styled newsreels for home use in Germany during World War II. While the Battle of Crete was a German victory, German paratrooper losses were far more substantial than the film indicates.

A moderately more complete version of the film, including opening titles and approximately twelve extra seconds of footage, exists on the Internet Archive (https://archive.org/details/DegetoWeltspiegelNr22).

The film is printed on Zeiss Ikon safety film stock.

The collection includes pro-Allied, anti-Allied, pro-Axis, and anti-Axis propaganda leaflets and broadsides that were distributed in Europe and the Pacific war zones with the aim of damaging enemy morale and sustaining the morale of the occupied countries. Also includes a set of Special Service I.B.S. posters warning soldiers against venereal disease.

The collection includes pro-Allied, pro-Axis, and anti-Allie and anti-Axis propaganda in the form of flyers, broadsides, and leaflets that were distributed or dropped in the United States, England, Germany, occupied France, and the Pacific arena from 1939 and 1945. The majority of the leaflets are in German and were dropped by the Political Warfare Executive (PWE) over Germany. There is also a significant run of anti-Semitic, anti-Bolshevik, pro-German broadsides published by Theodor Kasse and the Deutscher Fichte-Bund of Hamburg, Germany, in English and intended for Allied audiences. The collection also contains propaganda leaflets from the Psychological Warfare Branch, U.S. Army Forces, Pacific Area, APO 500, most of which are in Japanese (most with English translations), some of them in Tok Pisin. There are also leaflets from the French exile government dropped over occupied France (in French, most accompanied by English translations); some propaganda newsletters, magazines and newspapers from France and the Netherlands (in English translation); German propaganda in English intended for dropping over Great Britain; some examples of Japanese propaganda (in Japanese); and a few single leaflets in Finnish, Russian, and Burmese. One notable portion of the collection is a set of broadsides illustrated by Pvt. Franklyn, printed by Special Service I.B.S., targeting American soldiers and warning them against loose women who may be infected with venereal disease. These posters often include the campaign's catchphrase, "Leave 'Em Alone! Don't be a Dope with a Dose."

Collection comprises correspondence, legal papers, business records, bills and receipts, photographs, writings, recipes, clippings, and other items relating to the life and career of businessman M.C. (Marshall Clayton) Stoner, of Chambersburg, Pennsylvania, and three generations of the Brewer and Stoner families from Pennsylvania and Maryland. Includes many speeches by George W. Brewer, a lawyer and senator in the Pennsylvania legislature, 1857-1859, and M.C. Stoner's father-in-law. Much of the correspondence and other items relate to coal mining and specifically to M.C. Stoner's Rocky Ridge Mining Company. There are also letters written to Stoner's daughter, Louise, chiefly from male friends.

Collection comprises correspondence, legal papers, business records, bills and receipts, photographs, writings, recipes, clippings, and other items relating to the life and career of businessman M.C. (Marshall Clayton) Stoner, of Chambersburg, Pennsylvania. Includes many speeches by George W. Brewer, a lawyer and senator in the Pennsylvania legislature, 1857-1859, and M.C. Stoner's father-in-law. Much of the correspondence and other items relate to coal mining and specifically to M.C. Stoner's Rocky Ridge Mining Company.

Other materials, including early legal papers, pertain to three generations of the Brewer and Stoner families from Pennsylvania and Maryland. There are also letters written to Stoner's daughter, Louise, chiefly from male friends. Her writings may also be present in the collection.

The collection consists of printed materials and ephemera documenting the 2018 presidential election and 2019 municipality elections in Turkey. Represented in the collection are the major parties, including the Justice and Development Party (AKP), Peoples' Democratic Party (HDP), Republican People's Party (CHP), Nationalist Movement Party (MDP), Felicity Party (Saadet), Patriotic Party (Vatan), and Iyi Party (Iyi). Materials are in Turkish.

The collection consists of printed materials and ephemera documenting the 2018 presidential election and the 2019 municipal election in Turkey. Represented in the collection are the major parties, including the Justice and Development Party (AKP), Peoples' Democratic Party (HDP), Republican People's Party (CHP), Nationalist Movement Party (MDP), Felicity Party (Saadet), Patriotic Party (Vatan), and Iyi Party (Iyi). Materials are in Turkish.

Collection consists of approximately 400 labels taken from packages of cheese and cheese spreads. Brands represented include Aplin & Barrett, Bel, Cow & Gate, Kraft, Libby, Plumrose, St. Ivel (Unigate, later Uniq), Swift, Surrey, Tolko, Tollose and Wilts. Cheeses originated from a variety of European countries including Denmark, Finland, France, Great Britain, Ireland, Norway and Sweden. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Album contains 51 albumen silver prints taken in Ceylon (now Sri Lanka); Bellary, India; Constantinople (Istanbul), and Egypt. A few images are from Nice, France, and Monte Carlo. The album bears no owner's name, but likely belonged to an individual in the British Army. On the first leaf is pasted a large coat of arms with a motto from the Isle of Man. The Sri Lanka images date from 1894-1895 and include: images from Colombo of military barracks, the hotel Mount Lavinia, Galle Face Green, the British Governor's palace; monsoon waves on a breakwater, polo grounds, and a racetrack; views from the town of Kandy and its lake; images from Trincomalee from an Officers Mess; and race scenes from Nuwara Eliya and Colombo. Views from Egypt show the Great Sphinx, streets in Cairo, and palaces in Alexandria. Images from Constantinople include street scenes, mosques, the port, and the arsenal, while those from India include servants with racehorses, and British men and servants at private residences. There are also images of the hospital ship "Spartan"; portraits of the B and C Companies, 4th Royal Warwickshire Regiment, Dublin, 1902, and the 1st Royal Warwicks in Bellary, India, 1899; a military camp "Marachah," possibly in Afghanistan; and images of military buildings in Sri Lanka. Many of the Sri Lanka images are credited to William H.L. Skeen, a commercial photographer based in Colombo and Kandy; several prints bear his studio's imprint, while others are unattributed but are probably his. The Middle Eastern views are all prints by commercial photographers: the Zangaki brothers (one print), Schroeder & (three prints) and Sebah & Joaillier (five prints). Many of the commercial prints are captioned in the negatives. Prints range in size from 8 3/4 x 11 to 5 3/4 x 8 inches; most are full-page sizes.

Bound photograph album contains 51 albumen silver prints dating from 1894-1901, taken in Ceylon (now Sri Lanka), Bellary, India, Constantinople (Istanbul), and Egypt. A few images are from Nice, France, and Monte Carlo. The album bears no owner's name, but likely belonged to an individual in the British Army. Many of the photographs are captioned. Prints range in size from 8 3/4 x 11 to 5 3/4 x 8 inches; most are full-page sizes.

Sri Lanka images predominate, many attributed to William Henry Louis Skeen, a well-known British-born studio photographer based in Sri Lanka; several prints bear his studio's imprint, while others are unmarked but are likely from his studio.

Images from Sri Lanka date from 1894-1895. Colombo views include: Galle Face Green (Colombo); infantry barracks shown from the front and back, with lake, hospital, polo ground and club house; Mount Lavinia Hotel, with infantry barracks room and officers quarters, 1895; and waves crashing over a breakwater during monsoon. Images from other locations include: a panorama of Kandy; Trincomalee from Officers Mess, 1895; Kandy with lake view and Trincomalee street; India rubber trees, Peredinaya Gardens, Kandy; Main Street, Pettah; "A.S.T." (probably the album's owner) in Ceylon, 1894; polo group, Ceylon 1894; Stewards Stand, Colombo Races, 1894; and Nuwara Eliya Races, 1894, "Comewell wins!"

Views of Egypt are from 1898 and include the Great Sphinx; Gizeh, palace of Prince Hussein Kamil Pacha; Alexandria, Palace Mehemed Ali; Alexandria, palace Ras-el-tin; photograph of a print titled, "Birds Eye View of the Battle of El-Teb"; "Old Cairo"; and a city street in Cairo. Views from Constantinople include the interior of Mosque Sainte Sophie; a street scene; panoramic view of the city and old port; view of the Golden Horn and arsenal; Mosque Hamidiye and Yildiz palace; and an Ottoman porter (studio portrait). The Middle Eastern views date from the mid-1890s and are all by commercial studios: the Zangaki brothers (one print), Schroeder & Cie, Zurich (three prints) and Sebah & Joaillier (five prints). Many of these are captioned in the negatives.

India images are dated later and include: the 1st Royal Warwicks, Bellary India, 1899; Indian servants with race horses; and Indian servants and staff outside private residence with two English men in suits. There are six total residential images, undated and without captions.

There are several commercial views from Europe: Nice, France: "Cascade du chateau" and an image from the Promenade des Anglais, 1901; and a view of a Monte Carlo theater, 1901.

Military images include: the hospital ship "Spartan," 1900; C Company of the 4th Royal Warwickshire Reg.t Dublin, 1902; B Company 4th Royal Warwickshire Reg.t Dublin, 1902; and a loosely inserted image captioned "Officers War. R. Peshawar" with names of officers recorded in pencil on verso. The final image is labeled "Camp Marachah," possibly in Afghanistan. Two smaller glossy copies of an image of men with well-bred horses in a desert landscape are laid in the closing pages.

On the first album leaf is pasted a coat of arms with the original Latin motto crossed out, and a different one written below in period ink, "Quocunque jeceris stabit", meaning "Whichever way you throw, it will stand," the motto for the coat of arms of the Isle of Man.

Collection of published clippings and journal/magazine excerpts related to the life and works of English writer Charles Lamb (1775-1834). Includes some of Lamb's writings, as well as literary criticism and biographical clippings.

Clinton W. Toms (1868-1936) was a trustee of Duke University from 1901-1932, and was president of Liggett & Myers Tobacco Company from 1928-1936. The collection consists of a 13x15 inch scrapbook, unbound, containing 19 double-sided pages. The book includes materials from Toms' memorial service and death, such as letters of condolence (all within their original envelopes), calling cards, newspaper clippings, and obituaries; as well as containing correspondence between him and his children, and other miscellaneous materials collected and preserved over the later years of his life.

The collection consists of a 13x15 inch scrapbook, unbound, containing 19 double-sided pages. The book includes materials from Toms' memorial service and death, including letters of condolence (all within their original envelopes), calling cards, newspaper clippings, church bulletins, and obituaries. It appears to have been accumulated and assembled by Mrs. Mary Toms Erwin, one of Toms' daughters, as she is the main recipient of the condolence notes.

Also pasted in the scrapbook are letters and newspaper articles regarding the deaths of Clinton Toms' wife, Mary Newby Toms, in 1925, and his son, George, in 1926. Toms is usually acknowledging or thanking doctors or other friends for their kindness during those tragedies. The newspaper articles tend to discuss scholarships or other donations Toms has made in honor of his lost family members.

Collection contains diaries of Martha (Foster) Crawford as a young woman in Alabama, 1845-1851, and later as a Baptist missionary to China. Topics include conditions in Shanghai from 1852 to 1864 and afterwards at Tengchow, Shantung, and her reactions to the Civil War in the United States. Her diary shows the impact of the American Protestant missionary on China with a day-by-day record of her life. The Shanghai period covers the Taiping rebellion and discusses the hope that the rebellion might furnish a means for converting the Empire to Christianity. Included also are several printed pamphlets and an original manuscript history of missions in China.

Comprises 33 sketch maps of locations in Florida, Georgia, Louisiana, Mississippi, North Carolina, South Carolina, Virginia, and West Virginia. Includes a number of B. P. Baker Co. plats for a tract of land in Gates Co., N.C.; plans of subdivisions and improvements in Savannah by Percy Sugden; a map of Durham, N.C., in 1867 by Lewis Blount; a map of Mississippi representing Indian territories and missionary stations by Sarah Coffin; and a detailed plat of the Bennett & Wallace Lands in West Virginia. Maps signed by Robert Jayne, W. F. Brown, John Tebeau, and Ravenel Gignilliet are present. Primarily drawn ink on paper. Sizes of maps vary between 11x 14 cm. to 70 x 104 cm.

Collection comprises 23 color photographs (4"x6") of Bamako, Mali, sent to Helene Baumann by a friend in 2002, accompanied by a letter containing descriptive information for each photograph. Baumann was librarian for African and Western European Studies at Duke University, 1988-2006. Includes images of housing conditions; markets, public spaces, monuments, and buildings; and soccer matches.

Collection comprises two photograph albums documenting manufacturer's sales promotion contests administered by various newspapers in the U.S. northeast, primarily in Pennsylvania. The contests required participants to amass "votes" by collecting labels or wrappers from designated products to be turned in to the newspaper offices. Photographs depict newspaper advertisements announcing the contests, collections of wrapper submissions, correspondence relating to the contest and other activities. Newspapers documented include the Advocate, Cleveland News, Philadelphia Record, Pittsburgh Post-Sun, and Sunday News Leader. D.J. Wattis, at one time of the Pittsburgh Post-Sun Advertising Department is featured several times in conjunction with the contests. Designated consumer products represent regional and national brands and include Barbasol, Foulds, Keebler, Lautz Brothers (Snow Boy), Post and Postum cereals, Salada Tea and Woolson Spice Company (Golden Sun Coffee). Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection comprises a contract, dated 1865 June 8, made with 28 male and female former slaves for the growing of cotton on the "Plains" plantation in Fayette, Jefferson County, Mississippi. The laborers committed to working every day "from sun to sun," except Sunday, with other possible days off. They were to be paid one quarter of the net proceeds for the crop. The contract was witnessed by O.H. McGinty[?] and signed by executors E.G. Woods and Stephen Ireland; the last name of the deceased owner is illegible. The document was recorded by the sub-commissioner for the Freedmen's Department in Jefferson County, A.M. Brobst[?], on 1865 August 28, with notes regarding the executors, the contract's attachment to a lien, and $45 taxes paid on 15 laborers on August 21.

Collection comprises a contract, dated 1865 June 8, made with 28 male and female former slaves for the growing of cotton on the "Plains" plantation in Fayette, Jefferson County, Mississippi. The laborers committed to working every day "from sun to sun," except Sunday, with other possible days off. They were to be paid one quarter of the net proceeds for the crop. The contract was witnessed by O.H. McGinty[?] and signed by executors E.G. Woods and Stephen Ireland; the last name of the deceased owner is illegible. Surnames of the freedmen include: Wilson, Thompson, Digg, Turner, Lonsway, Hatton, Clement, Willis, Payne, West, Blair, Garner, Kelley, Arran, and Johnson. The laborers range in age from 17 to 68. Fifteen children living on the plantation are listed as dependents on the back of the contract. The document was recorded by the sub-commissioner for the Freedmen's Department in Jefferson County, A.M. Brobst[?], on 1865 August 28, with notes regarding the executors, the contract's attachment to a lien, and $45 taxes paid on 15 laborers on August 21. The contract was completed using iron gall ink; there is some associated corrosion of the paper. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Hannah Hutchinson married Samuel Mather in 1731; the couple settled in Boston, Mass. She died in 1781 (some sources have the death date 1752) and Samuel died in 1779. Collection comprises a request written by Hannah Hutchinson Matter on 3 April 1858 to Edward Hutchinson, asking him to fulfill the pecuniary bequest made to her by his father and to give the sum (4 pounds) to her son, Samuel Mather, Junior. The back of the request contains Samuel's note, dated 3 May 1858, stating that he received the money.

Collection comprises a request written by Hannah Hutchinson Matter on 3 April 1858 to Edward Hutchinson, asking him to fulfill the pecuniary bequest made to her by his father and to give the sum (4 pounds) to her son, Samuel Mather, Junior. The back of the request contains Samuel's note, dated 3 May 1858, stating that he received the money.

Collection comprises a deed of manumission for a "negro woman slave named Sophy and a negro girl named Sarah and a negro boy named Henry, children of said Sophy," former property of Sarah E. Murray of Anne Arundel County, Md., and then assigned to J. Nevett Steele of Baltimore, Maryland. The deed was signed and sealed by J. Nevett Steele and the administrator of Sarah E. Murray's personal estate, Mary Murray, then recorded in the [Howard?] District of Anne Arundel County on 1846 December 4. The deed was witnessed by Abner Neal and T.[Thomas] Hanson Belt.

Collection comprises a deed of manumission for a "negro woman slave named Sophy and a negro girl named Sarah and a negro boy named Henry, children of said Sophy," former property of Sarah E. Murray of Anne Arundel County, Md., and then assigned to J. Nevett Steele of Baltimore, Maryland. The deed was signed and sealed by J. Nevett Steele and the administrator of Sarah E. Murray's personal estate, Mary Murray, then recorded in the [Howard?] District of Anne Arundel County on 1846 December 4. The deed was witnessed by Abner Neal and T.[Thomas] Hanson Belt. Sophy was 37 years old, Sarah was 13 years old, and Henry was 10 years old at the time.

Ann Lovett is an artist who teaches at the State University of New York at New Paltz. This collection documents her artistic and academic career with a focus on her work in the book arts.

The collection contains materials documenting Lovett's artistic and academic career, including artists' book production materials and photographs.

Collection comprises a 16-page 8 1/2 x 11 inch photograph album belonging to an unidentified member of the 45th Engineer General Service Regiment, a segregated unit of African American soldiers stationed in Ledo, India beginning in 1942. Their charge was to build a portion of the Stilwell Road, a major supply route from India to China. Mounted on loose pages, the 44 black-and-white snapshots include posed and candid images of individuals and groups of African American soldiers, at work and at rest. Soldiers identified in the captions include Charley Woodard, Clarence Benson, Charles J. Greene, and Cain Walker. There are also photographs of buildings on the base, including Battalion Chapel, headquarters (labeled "The Gateway to Hell"), Harmony Church, and a large Stilwell Road sign, along with various shots of military equipment, a "Coolie Camp," the "laundry man," and the Taj Mahal. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Collection comprises a 16-page, 8 1/2 x 11 inch photograph album belonging to an unidentified member of the 45th Engineer General Service Regiment, one of at least four segregated units of African American soldiers active, stationed in Ledo, India beginning in 1942. Their charge was to build a portion of the Stilwell Road, a military supply route from Ledo in Assam, India, through Burma, to Kunming, China.

The album's original binder is no longer present. Mounted on the loose pages are 44 black-and-white snapshot photographs, most measuring 3 x 4 1/2 inches, some with brief captions in ink. The images include posed and candid snapshots of individuals and groups of African American soldiers, at work on the base and during periods of rest. Soldiers identified in the captions include Charley Woodard, Clarence Benson, Charles J. Greene, and Cain Walker. There are also photographs of buildings on the base, including Battalion Chapel, headquarters (labeled "The Gateway to Hell"), Harmony Church, a large Stilwell Road sign, along with varied shots of military equipment, a "Coolie Camp," the "laundry man," and the Taj Mahal. There are a number of blank pages, and there are some photographs missing.

Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Charlotte Taft is an abortion counselor and activist. Her papers contain clippings and articles documenting various aspects of the struggle for abortion rights as well as brochures from abortion clinics.

The Charlotte Taft papers contain materials documenting her history as an abortion care counselor and activist. The collection chiefly consists of collected newspaper clippings and articles documenting struggles for various aspects of reproductive justice. It also contains brochures from women's healh care and abortion providers.

The Arabic Film Posters collection comprises more than forty color movie posters published between 1957 and 2008 in Egypt. The posters publicize popular film productions by major Egyptian film directors that were shown in Arab countries. Film genres represented are drama, comedy, adventure, historical fiction and war. The information in each entry is transcribed from the poster, and may include actors, producer, title in Arabic and in English, date released or date of poster publication, and country of origin. Title transcriptions and English translations supplied by library staff. A few of the posters are undated and some have not been positively identified. Smaller posters are housed in an oversize box and the larger sizes in two oversize folders; the smaller posters are currently undescribed but are open to access.

Collection comprises postcards, posters, and ephemera related to the Japanese military, as well as propaganda, and patriotism in the country between 1910 and World War II. Includes a postcard with patriotic children (1910's), postcards relating to the 1933 Army anti-air raid drill in the Kanto region, a New Year's greeting card celebrating the Nagoya Pan-Peace Exposition from 1937, and an advertisement for Sin-Japanese war bonds. Items dating from the 1930s include a postcard encouraging the public to save for the war effort, a life insurance flyer, an advertising packet for a conscription insurance policy, a 1936 brochure issued by the South Manchuria Railway of the Fushun Colliery, and a drug advertising propoganda leaflet showing the battlefield and home front. Material related to World War II includes a bank account passbook, a postcard from Italy that glorifies Japan, postcards with songs from a cavalry division and the 16th Infantry division, a confectionery wrapper, a wrapper for a whiskey bottle, an anti-communist print, a brochure for the Dong Bain Dao Development Company in Manchuria, and 44 propaganda posters. Several of the postcards were used and contain messages.

Collection comprises postcards, posters, and ephemera related to the Japanese military, as well as propaganda, and patriotism in the country between 1910 and World War II. Includes a postcard with patriotic children (1910s), postcards relating to the 1933 Army anti-air raid drill in the Kanto region, a New Year's greeting card celebrating the Nagoya Pan-Peace Exposition from 1937, and an advertisement for Sin-Japanese war bonds. Items dating from the 1930s include a postcard encouraging the public to save for the war effort, a life insurance flyer, an advertising packet for a conscription insurance policy, a 1936 brochure issued by the South Manchuria Railway of the Fushun Colliery, and a drug advertising propoganda leaflet showing the battlefield and home front. Material related to World War II includes a bank account passbook, a postcard from Italy that glorifies Japan, postcards with songs from a cavalry division and the 16th Infantry division, a confectionery wrapper, a wrapper for a whiskey bottle, an anti-communist print, a brochure for the Dong Bain Dao Development Company in Manchuria, a collection of air defense posters gathered on one large rolled paper, and 44 propaganda posters. Several of the postcards were used and contain messages.

Collection includes documents written in Ottoman-Turkish covering a variety of places, including Istanbul, Thessaloniki and Crete from the late 19th to early 20th century. The documents are written in Rika and Divani scripts and include fiscal and revenue stamps. Collection also includes documents related to the Mübadele population exchange.

There are four sets of distinctive documents in this collection:

1) 5 land deeds (tapu senedi or sened-i hâkanî), dated between 1881 – 1908. 2 of the documents pertain to Selanik (Thessaloniki), 1 pertains to Konstantiniyye (Istanbul), 1 pertains to Hüdavendigar (Western Anatolia), and another with multiple geographic names.

2) 20 court and revenue documents, mostly pertaining to Girit (Crete), e.g. Resmo (Rethymno), Kandiye (Heraklion), Hanya (Chania), but also 2 pertaining to Istanbul and 2 pertaining to Dardanelles region. The documents are from the late 19th century, prior to Crete becoming an autonomous island in 1898.

3) 15 documents related to a house transfer in Bakırkoy neighbourhood in Istanbul to Fatima Hanım. These documents date between 1926 – 1929 and are related to the events of the Population Exchange (Mübadele / Ανταλλαγή) in 1923.

4) Documents related to the Mübadele population exchange, including undertakings, petitions, and material from the Gayri Mübadiller Komisyonu.

Collection comprises a large photograph album likely created by an African American soldier serving in Vietnam. There are 268 uncaptioned black-and-white and several color photographs ranging in size from 2 3/4 x 3 1/2 to 3 1/2 x 5 inches, along with 15 souvenir postcards. Images primarily feature informal shots of African American and white servicemen in camp and off base, though few show the races mingling. There is also a series of well-executed portraits of individual soldiers, white and black. The photographer took many images of U.S. Army camps and air bases, army personnel and vehicles, street scenes from Saigon and smaller villages, and took numerous snapshots of local citizens, chiefly women and children. There are a handful of shots showing bombing raids and cleared or destroyed jungle areas. Overall, the images offer a wealth of details about the Vietnam War from a variety of viewpoints. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Collection comprises a photograph album likely created by an unidentified African American soldier serving in Vietnam. There are 268 uncaptioned black-and-white and several color photographs ranging in size from 2 3/4 x 3 1/2 to 3 1/2 x 5 inches, along with 15 souvenir postcards, all carefully arranged and mounted in a large decorative travel scrapbook.

Images primarily feature off-duty African American and white servicemen in camp and off base, although few show white and black soldiers mingling. There is also a series of well-executed portraits of individual soldiers, white and black. Scenes from the streets of Saigon and perhaps other large cities abound, showing the diversity of vehicles and pedestrians; there are also some taken in smaller, unidentified towns and villages, presumably in Vietnam. The photographer took many images of markets, bars, pharmacies, and other buildings, almost always from the exteriors, as well as numerous snapshots of local citizens, chiefly women and children, often in groups, and some who appear to be frequently associated with the U.S. military base or camp.

Military locations and scenes include an air base, helicopters in flight, a crashed helicopter, military bases and personnel, Army vehicles along the roads, military police (including one African American), and what appear to be checkpoints. There are a handful of shots showing bombing raids and cleared or destroyed jungle areas.

Overall, the images in this photograph album offer a wealth of details about the Vietnam War from a variety of viewpoints.

Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

The Nazi Nuremberg Rally Newsreel, 1933, consists of one black-and-white, silent, 31-minute Agfa newsreel print documenting the Fifth Party Congress of the Nazi Party, Nuremberg, August 30-September 3, 1933.

The Newsreel of the Fifth Party Congress of the Nazi Party, 1933, consists of one 16mm, black-and-white, silent, 31-minute Agfa newsreel print documenting the 1933 Nuremberg Rally, August 30-September 3, 1933. Also known as the "Rally of Victory," the 1933 rally at Nuremberg is notable in several respects. It was the first Nazi rally following Hitler's rise to Chancellor earlier that year; it was the first featuring Albert Speer's designs for the Zeppelinfeld stadium; it was the first of the rallies filmed by Leni Riefenstahl, for Der Sieg des Glaubens (Victory of Faith); and it was the final rally before the Nazi leadership purge known as the Night of the Long Knives (June 30-July2, 1934), whose victims included Ernst Roehm. Roehm, the chief of staff of the Stormabteilung, is featured extensively, alongside Hitler, Hermann Goering, Rudolf Hess, Joseph Goebbels and other Nazi leadership, in this newsreel and in Der Sieg des Glaubens. Due to Roehm's presence in Riefenstahl's film, only one copy of Der Sieg des Glaubens has survived -- the others were destroyed on Adolf Hitler's orders following the purge. While Der Sieg des Glaubens used footage shot by Riefenstahl (who created the stylistically advanced propaganda landmark, Triumph of the Will, the next year) as well as newsreel sources similar to this Agfa newsreel, there is little if any overlap between the Agfa newsreel and Riefenstahl's 61-minute film, or between a similar 5-minute newsreel from 1933, Der Deutsche Reichstag zu Nuernberg.

The newsreel is available for viewing on YouTube: http://youtu.be/sZrk0YAAg94

M. Almina Stratton was a student in the Female Medical College of Pennsylvania, in Philadelphia. She received her M.D. in the second class the college graduated in 1859. Collection comprises manuscript notes (61 pages) maintained by M. Almina Stratton for her class in Materia Medica, entitled "Lectures on Materia Medica By Prof. Roerig, delivered in the Female Medical College In the session of 1858-9." Contains an additional 8 pages of her rules and advice for young ladies regarding gentlemen callers, proper behavior, and letter writing.

Collection comprises manuscript notes (61 pages) maintained by M. Almina Stratton for her class in Materia Medica, entitled "Lectures on Materia Medica By Prof. Roerig, delivered in the Female Medical College In the session of 1858-9." Contains an additional 8 pages of her rules and advice for young ladies regarding gentlemen callers, proper behavior, and letter writing.

Collection contains objects and ephemera relating to the women's suffrage movement in the United Kingdom and United States in the late nineteenth and early twentieth century. Various pro- and anti-suffrage perspectives are represented. The items include banners, textiles, buttons, pins, and badges, along with other related handbills and printed materials.

Collection comprises materials relating to the women's suffrage movement in the United States and United Kingdom, including pins, medallions, buttons, textiles, card sets, stamps, photographs, and printed materials and ephemera. The majority of the collection's items express pro-women's suffrage sentiments. Organizations present include the Woman's Peace Party, Catholic Women's Suffrage Society, Women's Freedom League, National Union of Women's Suffrage Societies, Cymeric Suffrage Union, Men's League for Women's Suffrage, Women's Social and Political Union (W.S.P.U.), Women's Christian Temperance Union, and the Woman's Suffrage National Aid Corps. Examples of messages conveyed include: "Votes for Women," "Vote No on Women's Suffrage," "Women's Equality. Women's Lives." Some items include portraits of women suffragists, including Susan B. Anthony and Inez Milholland. Several items reference voting to repeal the 19th amendment. Also includes three sets of "Panko or Votes for Women: The Great Card Game Suffragists v. Anti-Suffragists," published in 1909 by Peter Gurney with illustrations by E.T. Reed, from Punch magazine. Postcards and photographs include both caricatures and real-photo images of suffragists, suffragettes, and their allies, as well as items mocking or opposing the woman's suffrage movement. The collection contains some 1910s banners, scarves, and sashes in yellow and white, and others in green and purple fabric, with text reading "Votes for Women"; there are also a variety of printed handbills, handouts, fliers, and ephemeral materials circulated and distributed to the public for suffrage campaigns in different states, including Massachusetts, New York, and Maine.

Correspondence, legal papers, and financial records concerning Edmund Jennings Lee’s law practice, estate settlements, and personal family matters. Subjects include Confederate refugees in Canada, the formation of West Virginia as a state, conditions of Virginia in 1865, and bridge and turnpike construction and management. Includes family writings and diary entries from Henrietta Bedinger Lee, Edmund Jennings Lee III, and Edwin Gray Lee. Also includes bills, receipts, and financial ledgers from Edmund Jennings Lee’s law practice.

The Edmund Jennings Lee II Papers have been divided into four series: Correspondence, Personal Files, Legal Papers, and Financial Records. The majority of materials concern Lee’s legal practice and business interests in Shepherdstown, WV. Materials include letters between Lee and his brothers, Charles Henry Lee, Richard Henry Lee, and Cassius Francis Lee; letters concerning family matters; legal briefs, documents, land surveys, bill, receipts, and financial ledgers from Lee’s legal practice; and miscellaneous family papers and writings, including diaries from Henrietta Bedinger Lee, Edmund Jennings Lee III, and Edwin Gray Lee.

Collection includes 20 pieces of collected manuscript sheet music, circa 1830s-1900s. The scores, which cover multiple genres, were most likely copied by hand from other sources.

Collection contains postcards acquired at various times by the Rubenstein Library at Duke. Collection is organized into three main categories--International, United States, and Miscellaneous. The International postcards are arranged by country and include cards from France, Italy, Canada, England, Germany, Japan, Spain, and Russia. The collection includes a set of early 20th century postcards from Thessaloniki (also known as Salonica and Selanik), Greece. The United States postcards cover many states, with large numbers from North Carolina and Virginia. The Miscellaneous category contains postcards with different subjects, including modes of transportation, food, tourism, agriculture, wars and battles, heads of state, flowers and plants, advertising, love and friendship, Confederate memorials, poetry, and animals. There are cards intended to be humorous, as well as cards depicting racist stereotypes and caricatures of African American and Native American people. Also included is a series of postcards with images relating to European artists.

Journal of an unidentified young woman traveling with her father to the West Indies in 1885. The author described her voyage; entertainment and social engagements in the West Indies (where she and her family were guests of the Governor, Sir Henry Norman); her observations of the people of the West Indies; and her return voyage to Plymouth.