AMS, unsigned. Incomplete manuscript of a study on enzymes and enzyme activation.

Medical illustrator, sculptor, and exhibit designer, affiliated with the University of Illinois College of Medicine in Chicago. Collection consists of the exhibit detail book containing text and illustrations for the exhibit "Ostetrical Forceps Delivery," curated by Dr. Frederick H. Falls and illustrated by Charlotte S. Holt, as well as five large and one small exhibition panels. The exhibit consisted of five sections: Anesthesia; Technique; Management of Newborn; Pathology; and History and Indications. Within each section, Falls and Holt presented examples of situations leading to a forceps birth, correct technique for the use of forceps, the issues arising from this method, and the treatment of the newborn after this procedure. Acquired as part of the History of Medicine Collections at Duke University.

Collection consists of the exhibit detail book, probably produced in the 1950s or 1960s, containing text and illustrations for the exhibit "Ostetrical Forceps Delivery," curated by Dr. Frederick H. Falls and illustrated by Charlotte S. Holt, as well as six exhibition panels.

The exhibit consisted of five sections: Anesthesia; Technique; Management of Newborn; Pathology; and History and Indications. Within each section, Falls and Holt presented examples of situations leading to a forceps birth, correct technique for the use of forceps, the issues arising from this method, and the treatment of the newborn after this procedure. The five larger exhibition panels feature hand-drawn color illustrations, text, and photographs of models, and measure 39.5 x 26.5 inches; the smaller title panel measures 11 3/8 x 17 1/2 inches.

Acquired as part of the History of Medicine Collections at Duke University.

Leah Fritz (1932-2020) was an American feminist poet and author born in New York. She wrote the books Thinking Like a Woman (1975) and Dreamers and Dealers (1980), focusing on the women's movement. The Leah Fritz papers contain correspondence and subject files; writings, including notebooks and diaries, drafts, published articles, and papers related to the publication of Fritz's prose writings, poetry, and book and article reviews; and audiocassettes of presentations and poetry readings by Fritz and other recordings. Materials range in date from circa 1950 to 2009. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The Leah Fritz papers are organized into three series. The Personal Papers series contains Leah Fritz's correspondence and subject files. The Writings Series contains Fritz's notebooks and diaries as well as drafts, published articles, and papers related to the publication of Fritz's prose writings, poetry, and book and article reviews. The Audiotapes series contains audiocassettes of presentations and poetry readings by Fritz and other recordings.

Ernestine Friedl served as chair of the Dept. of Anthropology and as Dean of Arts and Sciences and Trinity College at Duke University. She studied gender roles, rural life in modern Greece, and the Chippewa. The Ernestine Friedl papers include personal and professional correspondence, subject files, course materials, articles, reprints, field notes, and sound recordings related to her anthropological research and her roles as professor and administrator at Queens College and Duke University. English.

The Ernestine Friedl papers include personal and professional correspondence, subject files, course materials, articles, reprints, field notes, and sound recordings related to her anthropological research and her roles as professor and administrator at Queens College and Duke University.

Eugenia Seville joined the faculty of the Duke University Music Department in 1947 as an instructor, and was eventually promoted to Assistant and Associate Professor in 1950 and 1960, respectively. She specialized in Italian sacred music, and directed the Duke Madrigal Singers from 1947 to 1972. She died in 2006. Contains course materials, music facsimiles, performance scores, materials related to the Duke Madrigal Singers, personal correspondence, and ephemera accumulated during Saville's research trips in the U.S. and Europe.

Contains materials from Saville's various courses taught at Duke. Also includes facsimiles of musical manuscripts, and vocal parts for music used as class examples and as part of the Madrigal Singers' performance repertoire. Collection also contains a wooden box of lantern slides and negatives, primarily of scenes from historical opera performances and opera houses. Removed rubber-bands, 1 folder of receipts and photocopy requests, 1 folder of student employment records, 1 folder of salary information and peripheral "to do" lists.

Album contains 106 black-and-white and color photographs mounted in a black-leaf photograph album, bound in Japanese-style lacquered covers. The photographer may be an African American soldier named Tommy, who served in the U.S. Army's 511th Operation and Maintenance Service (OM SVC) Company during the Korean War. It is unclear whether the photographs are from Japan or from Korea. The images depict soldiers at work and enjoying recreational time. Many photographs depict both white and African American soldiers together. Other subjects include local women and children; women with servicemen; the countryside and Japanese-style buildings; and family members and others back home. Collection includes an early 20th century 10 1/2 x 14 inch portrait of four African American children. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture at Duke University.

Album contains 106 black-and-white and color photographs carefully arranged and mounted in a black-leaf photograph album, bound in Japanese-style lacquered covers inlaid with mother-of-pearl. Photographer may be an African American soldier named Tommy, who served in the U.S. Army's 511th Operation and Maintenance Service (OM SVC) Company during the Korean War. It is unclear whether the photographs are from Japan or Korea, as the latter was strongly influenced by Japanese culture until the end of World War II.

The images depict soldiers in and out of uniform and often engaged in recreational pursuits. Many photographs depict both white and African American soldiers together. Other subjects include local women and children; women with servicemen; the countryside and Japanese-style buildings; and family members and others back home. Included with the album is an early 20th century 10 1/2 x 14 inch portrait of four African American children.

Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture at Duke University.

The Sonny Burke Collection (chiefly undated, but some dated between Nov., 1949 and June, 1951) has as its focal point 76 arrangements of popular music for "Big Band." These charts were used by Burke's band during the 1940's-1950's for performances in the United States and Mexico. Most of the arrangements appear to be by Sonny Burke, but other composers/arrangers include: Frank Erickson, Hal Schaefer, Stan Kenton, John Valentine Eppel, Laurindo Almeida, and Ray Conniff. Some of the arrangements were made for recordings on the Decca Records label. The most common instrumentation is for two alto saxophones/clarinets, tenor saxophone, baritone saxophone, four trumpets and four trombones, although other combinations exist. The instrumentation is noted for each title in the Container List.

DeLossie Tuttle was an undergraduate at the Woman's College at Duke University from 1948-1952. The collection includes grade reports, college papers, Duke calendars and schedule books, entertainment programs, Duke songbooks and handbook, photographs, a scrapbook, and artifacts such as a Duke pillow and wooden Duke Blue Devil statue. The collection ranges in date from circa 1948-1952.

Collection includes grade reports, receipts for charges such as tuition and room/board, Student Activities Pay Day receipts, graduation materials, Alpha Chi Omega materials, photographs, record albums, and Duke-related artifacts.

W. A. Stumpf was Professor of Education at Duke University from 1948 until his retirement in 1968. The collection contains surveys of high school seniors (circa 1955) from Durham, Guilford and Wake County high schools, in addition to a manuscript draft and mimeographed copies of papers relating to a 1950 civil rights case against Washington County (N.C.) schools. The material ranges in date from circa 1947-1955.

The collection includes 3-page survey forms completed by approximately 500 seniors in Durham, Guilford and Wake County high schools, circa 1955. The survey was titled "Plans of High School Seniors," and included questions about their families' economic status and educational background, living conditions, current activities and post-graduation plans. The forms are arranged by county, then school and sex, then numerically by an apparent score or value penciled on the form. Additionally, the collection contains a typed draft manuscript of a work, mimeographed copies of a proposal to offer the Ed.D. at Duke and mimeographed copies of papers relating to Wilmer Wilborne, et al vs. H. P. Taylor, et al, a civil rights suit against Washington County (N.C.) schools which include a copy of "A Report on a Comparison and the Program and Facilities of Instruction in the Negro and White Schools of Durham," by John W. Carr, Jr. (Professor of Education at Duke) and other material on Durham schools, along with a report on Arlington County (V.A.) high schools. The material ranges in date from circa 1947-1955.

Not all of the surveys have a penciled value or score on them. Since the purpose of the value or score is unknown, surveys with values or scores may fall under FERPA rules as protected information. As such, access to those surveys may be prohibited.

Formerly known as the Material Support Department, Procurement Services manages Duke University purchasing systems. This collection contains memoranda, newsletters, catalogs and other records. Topics include Duke University administration.

This collection contains memoranda, newsletters, catalogs and other records. Topics include Duke University administration.

Abortion rights activist and the publisher of the feminist magazine ON THE ISSUES. The bulk of the collection consists of the records of Choices Women's Medical Center, a New York City women's health clinic and abortion clinic co-founded by Hoffman in 1971, and the organizational records for ON THE ISSUES, a feminist magazine owned by Choices and overseen by Hoffman. The remainder of the collection consists of Hoffman's personal papers, mostly related to her pro-choice activism. The collection also includes writings by or interviews with many activists, such as Aung San Suu Kyi, Charlotte Bunch, Phyllis Chesler, Andrea Dworkin, Kate Millett, Marge Piercy, and Elie Wiesel. The correspondence, administrative files, minutes, manuals, reports, surveys, research files, electronic records, clippings, flyers, brochures, newsletters, photographs, and audiovisual materials in the collection provide rich material for the study of the history of abortion, the pro-choice movement, women's health care, and the anti-abortion movement in the United States. The records of Choices Women's Medical Center are especially valuable for understanding the medical practice of abortion, as well as the political context of that practice. Other topics that can be explored through the materials include contraception, women's rights and feminism, and rape. The addition (04-041 and 04-062) (18,750 items, 30 linear feet; dated 1971-2003) consists primarily of administrative and financial files from Choices Women's Medical Center and predecessor clinics, including correspondence, financial reports, public relations and media files, board meeting files, policy and procedure manuals, subject files, insurance files, program files, grants files, legal files, and files related to ON THE ISSUES magazine. Also included are a small number of Hoffman's personal writings. This accession is unprocessed and closed to researchers. Addition (05-023) (5150 items, 12 lin. ft; dated 1978-2003) consists primarily of administrative and financial records from Choices Women's Medical Center, including correspondence, financial reports, public relations and media files. Also includes board meeting, subject, insurance, program, legal and grant files, as well as policy and procedure manuals; 33 videotapes, 84 slides, 54 photographs and contact sheets; 1 CD-ROM; printed materials; and promotional calendars. Accession is unprocessed and closed to researchers.

The papers of Merle Hoffman span the years from about 1944 to 2001, with most of the papers dating between 1961 and 2001. The collection is arranged in the following series: Choices, On the Issues, Personal Files, Photographic Materials, and Audiovisual Materials. The bulk of the materials consist of the records of Choices Women's Medical Center, a New York City women's health clinic and abortion clinic co-founded by Hoffman in 1971, and the organizational records for On the Issues, a feminist magazine owned by Choices and overseen by Hoffman. The remainder of the collection consists of Hoffman's personal papers, mostly related to her pro-choice activism. The collection also includes writings by or interviews with many activists such as Aung San Suu Kyi, Charlotte Bunch, Phyllis Chesler, Andrea Dworkin, Kate Millett, Marge Piercy, and Elie Wiesel. The correspondence, administrative files, minutes, manuals, reports, surveys, research files, electronic records, clippings, flyers, brochures, newsletters, photographs, and audiovisual materials in the collection provide rich material for the study of the history of abortion, the pro-choice movement, women's health care, and the anti-abortion movement in the United States. The records of Choices Women's Medical Center are especially valuable for understanding the medical practice of abortion, as well as the political context of that practice. Other topics that can be explored through the materials include contraception, women's rights and feminism, and rape.

The political context of abortion is further documented throughout the rest of the collection. Hoffman's writings, speeches, and interviews on abortion illuminate the abortion debate in the media. At the same time, the internal dynamics of the pro-choice movement are documented in files on various New York and national pro-choice organizations. The collection includes some materials on the National Association of Abortion Facilities (NAAF), the National Abortion Federation (NAF), the National Coalition of Abortion Providers (NCAP), the National Abortion Rights Action League (NARAL), and the National Organization for Women (NOW). Especially noteworthy are the detailed meeting minutes and other records for the New York Pro-Choice Coalition, an umbrella organization for New York City pro-choice organizations founded by Hoffman in the mid 1980s.

In addition to her pro-choice activities, Merle Hoffman has been a vocal proponent of patient self-empowerment; an active supporter of various political candidates in New York City; and a feminist activist. The collection reflects these interests to varying degrees. The records of On the Issues magazine are especially useful as a source of writings on a broad range of feminist and other issues.

The Choices Series documents the day-to-day operations of Choices Women's Medical Center, including the clinic's medical policies and procedures, its internal administration, and its relationship with patients and community organizations. The series is divided into the following subseries: Correspondence, Subject Files, Legal Papers, Personnel, Security, Staff Files, Marketing, Operations, and Electronic Format. Much of the series consists of files on administrative issues, dating primarily from the late 1980s to the late 1990s. A few records date from the clinic's early years in the 1970s. The files also document the clinic staff's rising concern about Operation Rescue, militant anti-abortion protests, and anti-abortion violence during the late 1980s and 1990s. At the same time, the Choices records suggest how the ideals of feminist health care and patient empowerment have translated into medical practice. The records primarily provide the perspective of health providers rather than patients; the collection does not include patient medical records. However, patient surveys and a limited amount of patient correspondence provide some evidence of patient experience at the clinic. There is substantial material on the Choices East Project, Hoffman's unsuccessful attempt to establish a women's health clinic in Moscow. Choices' treatment philosophy of patient self-empowerment and its identity as a woman-friendly health care provider are documented in the Outreach Subseries and the Marketing Subseries. Information on patient experiences and reactions to the clinic can be found primarily through patient surveys, patient satisfaction questionnaires, and statistical summaries of patient demographics, all found in the Subject Files, Marketing, and Electronic Format Subseries. Choices organizational charts and staff rosters are available for reference in the Research Room's inventory drawers; please contact Research Services.

On the Issues (1983-1999), a feminist magazine, was founded by Merle Hoffman and produced by Choices staff. The magazine covered a broad range of feminist issues and topics, including but not limited to abortion and other women's health issues. During the 1990s the magazine became increasingly professionalized, moved from annual to quarterly publication, and operated more independently of Choices. The documents in the On The Issues Series provide an extensive record of the magazine's production and distribution. They primarily date from the 1990s and are organized into the following subseries: Issues, Correspondence, Article Files, Editorial Files, Production and Distribution, Marketing, Staff Files, Administration, and Electronic Format. The series includes a nearly complete run of issues. Files include reader surveys; mailing lists; drafts and correspondence from contributors; editorials by Hoffman and other writers; and working files maintained by individual editors and production staff. Electronic files contain similar materials, and include graphics.

The Personal Files Series is arranged into the following subseries: Correspondence, Writings and Speeches, Subject Files, Politics and Activism, New York Pro-Choice Coalition, Calendars, Phone Messages, Clippings, General Personal Files, and Electronic Format. The materials extensively document Hoffman's work as a writer, public speaker, organizer, and activist for abortion rights and other feminist causes. Hoffman's personal publicity materials, including curriculum vitae and biographical sketches, can also be found in this series. There are also some records of Hoffman's childhood and personal life. The correspondence, found in both the Correspondence and Electronic Format Subseries, contains significant personal exchanges with feminists, friends, and colleagues that span many decades. Pro-choice organizations represented in the series include the New York Pro-Choice Coalition (NYPCC), the National Organization for Women (NOW), the American Civil Liberties Union (ACLU), and the National Association of Abortion Facilities (NAAF). The series also contains Hoffman's phone message books, calendars, and scrapbooks, including those related to her work at Choices and On the Issues. Electronic files contain a variety of correspondence, mailing lists, graphics, Choice and On the Issues documents mixed on the same disks, and a few writings. Overall, the series amply illustrates the porous nature of the boundary between Hoffman's personal activities and her work at Choices and On the Issues.

The Photographic Materials Series contains a variety of material related to Choices Women's Medical Center, On the Issues magazine, and Hoffman's personal activities. Especially notable are the numerous images of the Choices clinic facilities and procedures, and the detailed visual record of pro-choice rallies and other events involving Hoffman during the 1980s. Political figures pictured in this series include Bella Abzug, Hilary Clinton, Andrea Dworkin, Geraldine Ferraro, Flo (Florynce) Kennedy, Congressman John Lewis, and Gloria Steinem. Other photographs in the Personal Subseries include portraits of Hoffman and snapshots from a vacation at the feminist Camp Sister Spirit.

The bulk of the Audiovisual Materials Series consists of audio recordings on cassette tape of New York City radio talk shows featuring Merle Hoffman as an interview subject. Most interviews date from the 1970s or early 1980s. In some cases, these recordings feature Hoffman responding to listeners in call-in discussions of abortion, or conducting debates with anti-abortion representatives. Other audio recordings include interviews conducted for On the Issues stories and radio advertisements for Choices. Videotape recordings include several episodes of "On the Issues," Merle Hoffman's cable access television show, and some documentary material on Choices and its patients. Materials are not immediately accessible until use copies can be made upon request. Please consult with reference staff before coming to use the collection.

Finally, the Ephemera Series contains various memorabilia, including a box of Choices condoms, buttons, and banners with feminist and political slogans.

Later accessions (2004-0041, 2004-0062, 2005-0023, and 2012-0049) have been added to the end of the finding aid. Boxlists are included when known.

Les Brown (1912-2001) was a 1936 graduate of Duke University, where he led the dance band the Duke Blue Devils. Under the name Les Brown and His Band of Renown, the band would achieve professional success in the 1940s and beyond, including a long tenure as Bob Hope's band. The Les Brown Scores Collection chiefly contains manuscripts of 329 jazz big band charts composed and/or arranged for Brown's band, the majority of which are undated, but with some dated between 1944 and 1953. While some charts comprise both a score and complete parts, most are either the score only or incomplete parts only. One additional folder contains a concert program and press clippings related to Brown's performance at Duke University in 1985.

The Les Brown Scores Collection (chiefly undated, but some dated between 1944 and 1953) has as its focal point manuscripts of 329 jazz big band charts composed and/or arranged for Brown's band. While some charts comprise both a score and complete parts, most are either the score only or incomplete parts only. One additional folder contains a concert program and press clippings related to Brown's performance at Duke University in 1985. The collection is arranged alphabetically by chart title.

Frederick Joerg joined Duke University in 1948 as an assistant professor of Economics. He later became a professor of Business Administration and Forest Management, and he worked in university administration as the Assistant Dean of the College of Arts and Sciences and Assistant Provost for Academic Administration starting in the 1960s. Joerg retired in 1983. Material includes lecture notes, papers concerning the Southeastern Personnel Conference, and papers related to Joerg's administrative duties at Duke.

Material includes lecture notes, papers concerning the Southeastern Personnel Conference, and papers related to Joerg's administrative duties at Duke.

Commercial artist primarily on the U.S. west coast. Consists of 19 pencil and pen-and-ink drawings primarily of women's fashions and bathing suits prepared for retail advertising.

Consists of 19 pencil and pen-and-ink drawings primarily of women's fashions and bathing suits prepared for retail advertising. Companies represented include Jantzen, Rose Marie Reid and Carr's Fashions. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Established in 1954 as part of the Office of Information Services (now the Office of News and Communications,) Radio TV Services supervises the production of materials for radio and television, assists in the preparation of audio-visual materials needed by the university, and promotes the University's exposure to local, state, and national audiences. It makes documentary films, covers events and functions on campus, sets up news conferences in cooperation with local and national media, interviews university personnel, and provides features on students for their home-town media. Collection includes correspondence, subject files, sound recordings (audiocassettes and reel-to-reel tapes), film (16mm), and video tape (U-Matic and 2-inch quadruplex). Notable people documented on film and tape include Keith Brodie, Terry Sanford, Douglas M. Knight, Orin Pilkey, Robert Menzies, Jerry Falwell, Billy Graham, Queen Noor al Hussein, Jesse Jackson, Waylon Jennings, Juanita Kreps, Robert McNamara, Ronald Reagan, William Westmoreland, Desmond Tutu, Elie Wiesel, Reynolds Price, Martin Luther King, Jr., Hubert Humphrey, Richard Nixon, Stokely Carmichael, Kenneth Clark, Sidney Cohen, Adam Clayton Powell, Betty Friedan, B. F. Skinner, Sam Ervin, Alex Haley, Tom Wolfe, Buckminster Fuller, and Cesar Chavez. Subjects include Duke University basketball, football, commencement, convocation, homecoming, the Epoch Campaign announcement, student unrest in the 60s, the Silent Vigil held after the death of Dr. King, the Duke Marine Laboratory, the discovery of the U.S.S. Monitor, oceanographic research, the 1954 Orange Bowl, Joe College Weekend, various campus scenes, Duke Gardens, and the Richard Nixon Library controversy. Completed films include Response to Our Challenge and This is Duke. English.

Collection includes correspondence, subject files, images, sound recordings (audiocassettes, reel-to-reel tapes, and digital audio), film (16mm), video tape (U-Matic, 2-inch quadruplex, and digital video), and multimedia of events related to Duke occurring both on and off campus. There is a detailed subject file on index cards for most of the film and some of the sound recordings, as well as other indexes and notes.

Notable people documented on film and tape include Keith Brodie, Terry Sanford, Douglas M. Knight, Orin Pilkey, Robert Menzies, Jerry Falwell, Billy Graham, Queen Noor al Hussein, Jesse Jackson, Waylon Jennings, Juanita Kreps, Robert McNamara, Ronald Reagan, William Westmoreland, Desmond Tutu, Elie Wiesel, Reynolds Price, Martin Luther King, Jr., Hubert Humphrey, Richard Nixon, Stokely Carmichael, Kenneth Clark, Sidney Cohen, Adam Clayton Powell, Betty Friedan, B. F. Skinner, Sam Ervin, Alex Haley, Tom Wolfe, Buckminster Fuller, and Cesar Chavez. There are also film and recordings documenting Duke University basketball, football, commencement, convocation, homecoming, the Epoch Campaign announcement, student unrest in the 60s, the Silent Vigil held after the death of Dr. King, the Duke Marine Laboratory, the discovery of the U.S.S. Monitor, oceanographic research, the 1954 Orange Bowl, Joe College Weekend, various campus scenes, Duke Gardens, and the Richard Nixon Library controversy. Completed films include "Response to Our Challenge" and "This is Duke".

Author, and physiologist and pharmacologist at the University of Virginia Medical School. Collection comprises material relating to and examples of Herbert Silvette's writings, which include short stories, novels, and his work on the English translator Philemon Holland (1552-1637). There is also a large body of correspondence from Archibald MacLeish, which Silvette compiled in The Stiletto Letters. Acquired as part of the History of Medicine Collections at Duke University.

Collection comprises material relating to and examples of Herbert Silvette's writings, which include short stories, novels, and his work on the English translator Philemon Holland (1552-1637). There is also a large body of correspondence from Archibald MacLeish, which Silvette compiled in "The Stiletto Letters."

Acquired as part of the History of Medicine Collections at Duke University.

Radio Haïti-Inter was Haiti's first and most prominent independent radio station from the early 1970s until 2003. Under the direction of Jean Léopold Dominique and Michèle Montas, Radio Haiti was a voice of social change and democracy, speaking out against oppression and impunity while advocating for human rights and celebrating Haitian culture and heritage. The Radio Haiti papers contain mainly the station's on-air scripts and research materials covering a wide variety of subjects. The Radio Haiti audio recordings are described in a separate collection guide.

Radio Haiti was based in downtown Port-au-Prince on Rue du Quai until 28 November 1980, when Jean-Claude Duvalier's government cracked down on the independent press and human rights activists. Radio Haiti was ransacked, and the station's journalists were arrested then exiled. Many, though not all, of the paper record from the 1970s were destroyed in the 1980 crackdown. Radio Haiti reopened after Duvalier fell in 1986, in a new building on Route Delmas. The station closed again after the 30 September 1991 coup d'état that overthrew President Jean-Bertrand Aristide, and reopened in 1995 after the democratic government was restored. As a result of the repression the station and its journalists endured, most of the materials in Radio Haiti's paper archive span 1986 to 1991, and 1995 to 2003, though it also contains extensive external print materials (mainly newspapers and magazines) that Jean Dominique collected while in exile from 1980 to 1986 and from 1991 to 1994.

"Radio Haiti materials" refers to documents created by Radio Haiti's staff. These are mainly on-air scripts, but also include notes and correspondence. "External materials" refers to materials created by outside sources, which were used for research purposes by Radio Haiti's staff. These include, but are not limited to, press (Haitian, Haitian diaspora, and international news outlets), press releases, petitions and open letters from grassroots groups and civil society organizations, reports and other publications, and government communiqués and decrees.

Harry L. Levy (1906-1981) served as a professor and dean of students at Hunter College, dean and vice-chancellor of the City University of New York, professor of the humanities at Fordham University, and visiting professor of classical studies at Duke University. Levy wrote several books and numerous articles; he specialized in the Roman poet Claudian, and authored major works on Ovid and Lucian. Papers include correspondence, subject files, articles, and reprints written and collected by Harry L. Levy, relating to his research in classical studies, and his roles as a professor and administrator. English.

Papers include correspondence, subject files, articles, and reprints written and collected by Harry L. Levy, relating to his research in classical studies, and his roles as a professor and administrator.

Norma Taylor Mitchell was an American History professor at Troy University in Alabama and a lay leader in the United Methodist Church. These materials document her research and teaching career, as well as her church leadership.

The collection contains material documenting Mitchell's dissertation research on the Virginia politician David Campbell (1779-1859). Boxes 2-5 consist entirely of information on loose index cards. These materials also document Mitchell's research on the enslaved women who lived on Campbell's estate in Abington, VA. The collection also contains materials related to Mitchell's research on the Alabama physician Louise Branscomb. There are materials documenting Mitchell's professional activities and teaching career at what was then known as Troy State University. Mitchell's extensive service work in the Methodist Church at the local, regional, and national levels is also documented.

The Duke News Service informs the public and the university community about research, programs, and events at Duke. The collection consists of biographical files of Duke University faculty, staff, alumni, and others compiled by the News Service, as well as some photographic materials in separate folders. The files contain primarily clippings and also curricula vitae, photographs, and other printed materials. English.

The collection consists of biographical files of Duke University faculty, staff, alumni, and others compiled by the News Service. The files contain primarily clippings and also curricula vitae, and other printed materials; most photographic materials were separated into other folders, described below.

Outdoor advertising executive, manager of family billposting company Harold Outdoor Advertising that operated in Indiana and surrounding states.

Slides, photographs and printed material related to billboards posted in and around Indianapolis, Indiana by Harold Outdoor Advertising, General Outdoor Advertising, and Naegele Outdoor during the 1930s-60s. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a six and a half week summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

Ethel Tison Chaffin was born on January 13, 1921 in Natchitoches, LA. From childhood on, she took dance classes with a variety of instructors and, as a college student, studied dance at Louisiana State University, New York University, the University of Maryland, and Bennington College. Instructors included John Martin (former dance critic at the New York Times), Charles Weidman (Humphrey-Weidman Technique), Ethel Butler (Martha Graham Technique), and Nina Fornoff (Hanya Holm Technique). Ms. Chaffin also participated in master classes with Martha Graham and Katherine Manning. The collection contains the personal papers and dance-related memorabilia (circa 1930-1993) of Ethel Tison Chaffin. Materials include photographic prints, newspaper clippings, programs, and correspondence, which are housed within a scrapbook and one Hollinger box. Many of the materials are annotated by Ms. Chaffin.

The collection contains the personal papers and dance-related memorabilia (circa 1930-1993) of Ethel Tison Chaffin. Materials include photographic prints, newspaper clippings, programs, and correspondence, which are housed within a scrapbook and one Hollinger box. Many of the materials are annotated by Ms. Chaffin.

Included in the scrapbook are Ms. Chaffin's personal photographs documenting her involvement in dance and theater. These photographs depict several of her earliest dance recitals, university dance performances, and her 1948 performance as Laura in Tennessee William's The Glass Menagerie. In addition, she has incorporated photos of colleagues in the dance world. Also included within the scrapbook is correspondence between Ms. Chaffin and various educational institutions regarding admission to advanced dance programs at New York University and Bennington College, as well as job enquiries. Ms. Chaffin documented her career as an instructor by incorporating programs, clippings, and advertisements from her private studio, as well as those relevant to her tenure at Louisiana State University, the University of Alabama, and the Georgia State College for Women (now Georgia College) into the pages of her scrapbook. Memorabilia, including programs from festivals and performances that she attended, is also included within her scrapbook.

Records created after the compilation of the scrapbook are housed separately in a Hollinger box. Materials incorporated into this record set include correspondence with Elizabeth Andrews, educator and dance/drama critic, as well as newspaper clippings for a variety of well-known dancers and choreographers, including George Balanchine, Martha Graham, Charles Weidman, Merce Cunningham, and José Limón.

E. Malcolm Carroll was a professor of History at Duke University from 1933-1959. The collection includes his writings, research notes, some course materials and a manuscript, mostly undated. The collection ranges in date from circa circa 1930-1954.

Collection includes manuscripts, clippings, course materials, and handwritten research notes relating to Carroll's publishing project on German World War I and World War II documents. There is also a book-length manuscript entitled "The Western Powers and Soviet Russia, 1917-1921," a book review for the South Atlantic Quarterly, five addresses, and a copy of the preliminary bibliography of the writings of Dr. Carroll, which was compiled by Frederic B. M. Hollyday. While most items are undated, the collection ranges in date from circa circa 1930-1954.

Advertising clubs are trade organizations that connect people in the advertising, media, and marketing sectors to other professionals and resources. Collection consists of programs, letters, and a buying guide from different advertising clubs in the United States. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection consists of programs, letters, and a buying guide from different advertising clubs in the United States. Programs represent events including annual banquets, awards or competitions, and Maypole dances. Five event programs are from the Advertising Club of Baltimore, two of which feature the club's annual "Outstanding Radio and Television Personality" awards.

Collection includes photographic negatives related to sports at Duke. Sports include the following: baseball, basketball, boxing, cheerleading, cross country, fencing, field hockey, football, golf, gymnastics, lacrosse, soccer, swimming, tennis, track, wrestling, and volleyball. There are also negatives that pertain to general athletics. The subjects of the negatives include athletes, coaches, team pictures, and game action. The collection ranges in date from 1924-1992, 1995, undated.

This collection contains 20,122 negatives related to sports at Duke, and they range in date from about 1924 to 1992, 1995 and undated. The sports represented are as follows: baseball, basketball, boxing, cheerleading, cross country, fencing, field hockey, football, golf, gymnastics, lacrosse, soccer, swimming, tennis, track, wrestling, and volleyball. There is a series for general athletics, which tends to include images of physical education instructors or coaches from all sports. There is also a series called "Undetermined," which lists individuals for whom no sport or tie to athletes could be determined.

The subjects within each series include athletes, coaches, athletic staff (such as secretaries and trainers), team pictures, game shots, trophies, and athletic fields and facilities. The athletes may have been photographed in uniform, in suits, or in letterman sweaters. They may have been photographed with family and/or friends. Oftentimes, the athletes were posed in faux action shots.

There are not very many images of women athletes, but there are some available, including a small number of images of Women's Athletic Association members playing baseball (not softball), basketball, and tennis.

The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. Contains correspondence, lists, administrative materials, memoranda, contracts, legal documents, financial records, class schedules, teaching materials, student records, clippings, press releases, publicity materials, brochures, tickets, posters, and other printed materials created by or related to the American Dance Festival.

Contains correspondence, lists, administrative materials, memoranda, contracts, legal documents, financial records, class schedules, teaching materials, student records, clippings, press releases, publicity materials, brochures, tickets, posters, and other printed materials created by or related to the American Dance Festival before the decision to move to Durham, North Carolina, in the fall of 1977.

A chapter of the Young Women's Christian Association (YWCA) was established at Trinity College (Durham, N.C.) in 1917. In 1925, a new constitution was drafted and the chapter became the YWCA at Duke University. The records of the Duke University YWCA span the years 1923 to 1985, with the bulk dating between 1930 and 1970, and include reports, printed matter, correspondence, sermons, clippings, and financial records.

The records of the Duke University YWCA span the years 1923 to 1985, with the bulk dating between 1930 and 1970, and include reports, printed matter, correspondence, sermons, clippings, and financial records. Prominent subjects include race relations, annual activities of YWCA, community service, Edgemont Community and sermons preached at Duke Chapel during the 1960s.

Collection includes publications such as 1931 issue of "Opportunity: Journal of Negro Life," published by the National Urban League and 1931 issue of "Black Justice," published by the American Civil Liberties Union.

Minutes, financial records, correspondence, memorabilia, and other materials from various Durham labor unions and their local umbrella organization, the Durham Central Labor Union. Accession 2001-0007 has been interfiled with accession 1999-0158.

The individual unions include: Tobacco Workers International Union Local 183; International Association of Bridge, Structural, and Ornamental Iron Workers Local 636; International Brotherhood of Electrical Workers Local 553; United Brotherhood of Carpenters and Joiners of America Local 522; Painters and Decorators Local 678; Plumbers and Steamfitters Local 585, Office Employees International Union Local 84; International Brotherhood of Teamsters, Chauffeurs, and Helpers Local 81; and Bricklayers, Masons, and Plasterer's International Union Local 10.

Established in 1926, the Divinity School is one of 13 seminaries founded and supported by the United Methodist Church, and attracts students from around the nation and several different countries. The Divinity School has from its beginnings been ecumenical in aspiration, teaching, and practice. This collection contains information and materials documenting the operations of the Divinity School, including the activities of its deans, faculty, students, as well as various councils, committees and organizations within and associated with the school.

This collection contains information and materials documenting the operations of the Divinity School, including the activities of its deans, faculty, students, as well as various councils, committees and organizations within and associated with the school. Types of documents include correspondence, reports, convocations, information about the expansion and renovation of the school, strategic plans, minutes of various council, committee, and faculty meetings, photographs, sermons, bulletins, records of the theological society and other organizations within the school, financial records, lectures, publications, subject files, statistics, deans' files, academic programs, information about field education, alumni affairs, information about faculty members, documents relating to the early history of the Divinity School when it was known as the School of Religion, and other administrative files and records.

Alphabetical files of miscellaneous information about hundreds of mainly U.S. corporations, some of them domestic and many multinational. The fullest documentation tends to be for companies that are or have been JWT clients (notably Kraft, Quaker Oats, Sears, Ford, Northern Telcom, Gerber, Kellogg, Philip Morris, Oscar Mayer, Kemper, S.C. Johnson, McDonnell Douglas, Jos. Schlitz, 7-Up, and others) and several that are or were major competitors of JWT clients (e.g. AT&T, McDonald's, General Motors, among others). Files contain widely diverse formats of information including internal JWT unpublished reports and memoranda; many articles clipped from magazines (especially trade press) and newspapers; articles printed from computer databases; company publications and annual reports; historical booklets and articles; three vinyl record albums; and miscellaneous items. The richest files tend to be those for major JWT Chicago office accounts, with by far the greatest amount and diversity of information on Kraft. Acquired as part of the John W. Hartman Center for Sales, Advertising, and Marketing History.

Collection comprises 176 Turkish political posters, including three duplicates. There are seven series of posters: Korean War, NATO, Historical significance, Commemoration of Ottoman historical figures, Republican-era historical figures, Leftist, and Presidency of the Turkish Republic. In the first, sixteen posters extoll the achievements of the Turkish Armed Forces command or Turkish Brigade in the Korean War between November 1950 and July 1953. In the second series, one poster represents Turkey's relationship to North Atlantic Treaty Organization (NATO), and another reflects the naval and air force maneuvers of NATO's Southern Command, Greece, and Turkey at Weld Fast in 1953. The third series includes 27 posters that celebrate events of historic national significance and depict international political figures together with Turkish leaders. The fourth series includes four posters that commemorate Ottoman historical figures, including admiral Barbaros Hayrettin, and sultans Mehmet V, Mehmed II, and Selim I. The fifth series includes 14 posters of Repulican-era historical figures, including portraits of World War II generals and political figures. The sixth series contains 63 leftist political posters with political slogans, as well as calls for meetings and demonstrations; most of them date from the second half of the 1970's. The seventh series contains 50 posters issued by the Presidency of the Turkish Republic regarding the failed coup attempt of 15 July 2016.

Collection comprises 176 Turkish political posters, including three duplicates. There are seven series of posters: Korean War, NATO, Historical significance, Commemoration of Ottoman historical figures, Republican-era historical figures, Leftist, and Presidency of the Turkish Republic (which features posters issued following the failed 2016 coup).

Collection comprises over 500 black-and-white photographic prints, along with negatives, contact sheets, photographer's notes, journals, writings, speeches, correspondence related to photography, and printed material, totaling over 9000 items. Kwilecki's photographic work documents rural and small-town life in and around Bainbridge, Decatur County, Georgia, an undertaking he began as a self-taught photographer in 1960 and continued until his death in 2009. Subjects include local landscapes, tobacco workers, county fairs, hog slaughtering, cemeteries, churches, courthouses, recreation on the Flint River, local industry, shoppers, downtowns, and house porches and interiors. The themes of race relations and religious life predominate. Many of Kwilecki's subjects come from the African American community in Decatur County. Significant correspondents in the manuscripts series include photographers Alex Harris and David Vestal; the collection includes a small set of Vestal photographs. Acquired as part of the Archive of Documentary Arts at Duke University.

The Paul Kwilecki Photographs and Papers span the whole of his career and include over 500 black-and-white photographic prints, negatives (chiefly safety but also some nitrate and glass plate), contact sheets, photographer's notes, journals, writings, speeches, correspondence related to photography, and other printed material, totaling over approximately 9000 items.

The bulk of the collection consists of Paul Kwilecki's prints and other photographic material documenting rural and small-town life in and around Bainbridge, Decatur County, Georgia, an undertaking he began as a self-taught photographer in 1960 and continued until his death in 2009. Although Kwilecki developed an interest in photography in the 1940s, only a very small portion of the images in the collection pre-date 1970.

The collection is organized into two major series: Photographic Materials, containing prints, contact sheets, and negatives, and a Manuscripts Series housing many files of correspondence, writings, and other personal papers.

While initially interested in photographing tobacco workers, Kwilecki turned his focus to other subjects, including county fairs, hog slaughtering times, cemeteries, churches, courtrooms, recreation on the Flint River, local industry, bus stations, shoppers, downtowns, house porches and interiors, and landscapes. Many of Kwilecki's subjects come from the African American community in Decatur County. Throughout the collection, the themes of race relations and religious life tend to predominate.

The Manuscripts Series (1967-2008) also provides an interpretation of life in Decatur County but also documents Kwilecki's photographic philosophy and practices. The correspondence and the journals, related to Kwilecki's work and career as a photographer, comprise the largest groupings. The series also contains Kwilecki's personal journals, dating from 1967-1969; Kwilecki's printing notes; news clippings; exhibition brochures; and a brief internet biography of Kwilecki. Many of Kwilecki's writings attempt to express in words the same topics he tried to illuminate through photography.

Additional manuscripts (14 boxes) and photographic materials were received in 2010 following Kwilecki's passing away. They include many folders of correspondence dating from 1971-2008, arranged in original order either chronologically or alphabetically by folder title. Significant correspondents include photographers Alex Harris and David Vestal; the collection also includes a small set of Vestal's photographic prints. Other files contain writings, clippings, and other items. The writings include journals from the 1970s; typed excerpts from early 20th century Georgia newspapers, some on racial incidents; drafts of Kwilecki's talks; and notes for the Decatur County photography publication (one folder). A few publications round out the last box in the collection.

The negatives are closed to use; contact sheets and prints offer alternate access to Kwilecki's images. Eleven nitrate large-format sheet negatives, dating from approximately the 1940s-1960s, are slated for digitization. Also included in the collection are several glass plate negatives by an unknown photographer dating perhaps from the 1910s.

Acquired as part of the Archive of Documentary Arts at Duke University.

The Arts at Duke Reference Collection contains files of clippings, programs, calendars and other materials concerning the arts at Duke and at Trinity College, the University's predecessor. This collection was compiled from a variety of sources by the University Archives for use in reference and research. For materials pertaining to art at Trinity College, see the Trinity College Reference Collection.

Flyers and posters, newspaper and magazine clippings, calendars, event programs and other materials pertaining to the arts at Duke and Trinity College. The bulk dates are 1972-2000. Includes a plan of the "Woodland Stage" at Trinity College along with programs and contracts for performances at Trinity by the Ben Greet Players and the Coburn Players, circa 1910-1916.

The Greater Durham Chamber of Commerce serves the needs of businesses, non-profits, and government agencies of all sizes by helping to create and sustain a healthy economic climate. The collection largely contains photographs of Durham businesses, homes, schools, places of worship, and individuals. It also includes two bound volumes of meeting minutes, by-laws, and correspondence which date from 1915-1923 as well as material sent to members, such as newsletters.

Collection contains photographic prints of buildings and persons in Durham, taken during the early to mid-twentieth century. There are also two minute books, one dated 1915-1919 and the other, 1919-1923. The first includes minutes of the Women's Classification of the Chamber and discussion of offering money to the Board of Health in an attempt to stamp out the influenza epidemic. The second volume includes discussion of gratitude to James B. and Benjamin N. Duke for money given towards the building of Lincoln Hospital. There is also material the Chamber sent to members, including newsletters and updates on Chamber activities.

The photographs have been largely identified, except where noted. Most of the images are of Durham buildings. Several photographs include the photographers stamp, the most common of which was the Halladay Studio.

Alvin T. Parnell was a commercial photographer based in Durham, N.C. Collection chiefly consists of 167 black-and-white photographs of the city and people of Durham, North Carolina. The majority, chiefly taken by Parnell from 1920 through the 1950s, are views of downtown streets, commercial and industrial buildings, churches, and infrastructure, especially transportation. Many sites are related to the tobacco manufacturing businesses based in Durham. A few are of African American tobacco workers posed in the field and female factory workers ending their shift. Other images range widely and include a Trinity College (later Duke University) reunion, war veterans at gatherings, a minstrel band, a cart advertising Bull Durham tobacco, and tobacco fields with posed workers, white and African American. In addition, there are portraits of prominent Durham individuals and families. Formats include 85 vintage and modern gelatin silver prints, chiefly 8x10 inches, 82 contact prints, and 12 safety negatives. Includes an information folder with 1986 obituary and collection information.

Collection comprises 167 early to mid-20th century black-and-white photographs of the city and people of Durham, North Carolina. The majority of the images were taken by Alvin T. Parnell, a commercial photographer with a studio in downtown Durham, from about 1920 to 1950; prints from 1898 to 1919 likely were from the Cole-Holladay studio, which Parnell took over around 1920. Formats include a few vintage mounted albumen and gelatin silver prints, unmounted vintage and modern gelatin silver prints, and small contact prints made from original nitrate negatives. There are also twelve safety film negatives present, from which some copy prints were made. Includes an information folder with Parnell's 1986 obituary and collection information.

The largest group of photographs, taken from the late 1910s through the early 1950s, features views of Durham's growing downtown, often commissioned by Parnell's business and City Hall clients. In the background of the many street scenes one can see the progression of small storefront businesses that made up life on Main Street in a 20th century Southern Piedmont city. Given Durham's role as a birthplace for the post-Civil War tobacco manufacturing industry, it is not surprising that there are numerous photographs of buildings and industrial sites belonging to American Tobacco, Blackwell Tobacco, and Liggett Myers. Parnell also photographed buses, trolleys, and other scenes for an early Durham power and transportation company, Durham Public Services.

Other images focus on people, and range widely in subject matter: men posed at a Trinity College (later Duke University) reunion, war veterans at gatherings, fraternities, children on a playground, and a minstrel band. A few are of African American tobacco workers posed in the field and female factory workers ending their shift. There are also portraits of prominent individuals and families: an elderly Bennehan Cameron with family members; John Ruffin Green (one of Durham's earliest tobacco entrepreneurs); Washington Duke and sons with associates at a barbeque; the Rosenstein family (optometrists from New York who came to Durham in 1904); William Umstead (U.S. Senator from northern Durham County); and various police chiefs and businessmen. There are also a few portraits of women, some with captions and some unidentified.

There are also twelve safety film negatives in the collection, sized 8x10 and 4x5 inches, from which a selection of copy prints were made after the collection was acquired. A few have no existing prints – these are noted in the collection guide.

In addition to photographs in this collection, some if not most of the earlier images of Durham in the Durham Chamber of Commerce collection in the Rubenstein Library are likely to have been taken by Parnell. His work is also likely to be found in other collections related to Durham residents containing photographs.

In 1924, Trinity College was renamed Duke University and major construction on the university began and lasted until 1932. Since then, Duke University's campuses have undergone expansions and renovations that have led to several changes to the campus. The Pictorial Works Reference Collection contains files of printed materials that depict the Trinity College and Duke University campuses. This collection was compiled from various sources by the University Archives for reference and research.

This collection consists of publications that feature photographs and drawings of the Trinity College and Duke University campuses along with descriptive text. The publications were sent to prospective students and used in publicity and fundraising.

Collection consists largely of correspondence between historian Nell Irvin Painter and her parents (1969-2003), documenting various stages of their lives, travels, and Painter's scholarly career. Also includes writings by or about Nell Painter, including reviews of her work; materials, including photographs and tintypes (circa 1890s-1910s) of African Americans in Victoria, Texas, kept by Frank and Dona Irvin, relating to their early life near Houston, and documenting aspects of African American history in that area; copies and reviews of Dona Irvin's writings; documents related to Frank and Dona's education and careers; family photographs; videos; Frank irvin's diary (2000-2003); legal papers; and other items. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Collection consists largely of correspondence between historian Nell Irvin Painter and her parents (1969-2003), documenting various stages of their lives, travels, and Painter's scholarly career. Also includes writings by or about Nell Painter, including reviews of her work; copies and reviews of Dona Irvin's writings; documents related to Frank and Dona's education and careers; Frank irvin's diary (2000-2003); legal papers; and other items.

Photographs also form an important part of the collection. Along with papers and records, Frank and Dona Irvin kept early photos and tintypes (circa 1890s-1910s) of African Americans in Victoria, Texas; together, these materials speak to their early life near Houston, and document aspects of African American history in that area. There are also family photographs from later decades (1930s-1980s).

For preservation purposes, original audiovisual media are closed to use; copies may be available on request.

Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Delouis Wilson is an African American artist, and jewelry designer, and art collector, based in Durham, North Carolina. The papers comprise her journals (1977-2008); calendars; sketchbooks, art school notebooks, and loose pieces of mixed media artwork. The journals, currently closed to use, document in detail her personal life, travels in the U.S. and abroad, including time spent in Tunisia in the Peace Corps, life in Durham, N.C., and employment as a jewelry designer. The collection also includes 30 large photographic studio portraits of African Americans, almost all hand-tinted crayon enlargements, dating from about 1890 to 1945 and collected by Wilson chiefly in the Southern U.S. Acquired as part of the Archive of Documentary Arts, the Bingham Center for Women's History and Culture, and the John Hope Franklin Research Center for African and African American History and Culture at Duke University.

The papers of Delouis Wilson, an artist and jewelry designer based in North Carolina, consist of a set of 27 journals (1977-2008, currently closed); a few calendar notebooks; sketchbooks and notebooks from her time at Atlanta College of Art; and loose pieces of artwork. An important component of Wilson's archive consists of a collection of 30 large photographic portraits of African Americans dating from the late 1880s to about 1940, collected by Wilson chiefly in the American South.

Wilson's journals (closed to use by donor request), calendars, and notebooks document in detail the personal life of the artist, life in Durham, N.C., her travels abroad and in the U.S., including time in Tunisia in the Peace Corps, and her career as a jewelry designer. They include small illustrations contain as well as laid-in items such as letters and postcards; some have handmade covers constructed of textiles and other non-paper materials.

The artwork, sketchbooks, and art notebooks present a mix of drawings, sketches, prints, textile work, and mixed-media color paintings created by Wilson during and shortly after her art school years, all 8x11 inches or less. The notebooks also include art school class notes and handouts, creative writings, and personal notes such as recipes, lists, housing notes, and addresses. There are self-portraits scattered throughout, including a larger piece from 1990 laid into a sketchbook. Also in the collection is one large color photograph of an African American woman by Wilson. The artworks range in size from 4 1/2 x 6 to 16x20 inches.

A central component of the collection are thirty historic studio portraits of individual Black men and women (1890s-1940s), with some of couples and families, collected by Wilson in thrift shops and flea markets throughout the Southern U.S. Most belong to a process called crayon enlargements. The studios developed faint enlargements of the photographic images on convex pieces of thick card stock, then outlined and filled them with ink, crayon, or pastel pigments to resemble a painting. Only one portrait in the collection is a true fully developed gelatin silver photograph. A few smaller portraits are sized approximately 10x8 to 13x9 inches; the majority are quite large, ranging from 19x13 to to 20x16 inches. Most of the prints are hand-tinted with a variety of tecniques, but some are black-and-white, and some are on flat rather than convex mounts. Due to their fragile condition, the portraits are currently unavailable until Conservation treatment and rehousing is completed.

Darlene Clark Hine is an African American professor, historian, college administrator, and published author in the field of African American history.

The Darlene Clark Hine Papers span the dates from about 1879 to 1996, with the bulk of the files dating from the 1970s to 1996. Earlier dates represent reproductions of archival materials, chiefly photographs. Through professional correspondence, research and writings materials, and professional service files, the collection documents the career of Darlene Clark Hine, professor of African American history, college administrator, and published author on African American history in the United States. The collection is arranged into the following series: Correspondence, Personal Files, Professional Service, and Research and Writings. The largest file group in the collection is the Professional Service Series, which documents Hines' extensive involvement with academic organizations and civic organizations, her activities as lecturer and speaker at many conferences, symposia, and other events, and to a lesser extent, her activities at Purdue and Michigan State University as a professor, mentor, and faculty member. The second largest series in the collection, Research and Writings, contains files of research and publication materials related to Hines' major published works, articles, and media projects concerning African American slavery; the Civil Rights movement; African American suffrage, particularly in Texas; race relations in the United States; African American women in the Midwest; and black women in the nursing profession. Items in the Correspondence Series chiefly relate to Hine's academic activities at Purdue, Michigan State, Arizona State, and the University of Delaware, and her publishing activities; there is also some correspondence with foundations concerning funding for projects. Finally, the Personal Files contains such items as Hines' early student work, including her master's thesis, and some correspondence, cards, and photographs. Each series and its subdivisions are described in full in the collection description that follows. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

The Garrett Orr Papers document the artistic output and personal files of advertising executive Garrett Orr. Although the collection spans the years circa 1873 to 1994, the bulk of the materials fall within two main periods: the 1890s to 1914, comprising a photographic collection of old poster images; and 1930 to 1965, which approximates the span of Orr's professional life. The collection includes the original drawings, water colors and paintings produced by Orr as designs for the outdoor advertising campaigns of a wide variety of products such as Gillette razors, Ipana toothpaste (Bristol-Myers), Lucky Strikes and Viceroy cigarettes (Brown & Williamson), Mazola corn oil (Corn Products Refining Company), Seagram beverages, Verney fabrics, and White Rose tea. Also included are folders of photographs, slides and negatives of Orr's advertising work for approximately 550 companies (with index). In addition, a collection of almost 200 large-format negatives and photographs document images of 19th- and early 20th-century posters for plays, musicals, minstrel shows, circuses, and hotels. A large set of clippings files contain published examples of the work of over 100 graphic artists and illustrators contemporary with Orr, including Floyd Davis, Ronald McLeod, George Petty, Howard Scott, Ben Stahl, Jon Whitcomb, and J. Walter Wilkinson. The collection is organized into five series--the General Files Series; the Artists and Illustrators Series; the Product Files Series; the Other Photographic Materials Series; and the Sketches Series. Large-format items from the Artists and Illustrators Series and Sketches Series have been relocated to Oversize Materials.

Closely related collections held by the Rubenstein Library include: the Outdoor Advertising Association of America (OAAA) Archives; the Outdoor Advertising Association of America (OAAA) Poster Designs; the Outdoor Advertising Association of America (OAAA) Slide Library; the Duplex Advertising Company Billboard Images and Records; the Strobridge Lithographing Company Advertisements; the R.C. Maxwell Co. Records; the Howard Scott Papers; and the John Paver Papers.

The Behind the Veil: Documenting African-American Life in the Jim Crow South project was undertaken by Duke University's Center for Documentary Studies from 1990-2005. Its goal was to record and preserve African American experiences in the American South from the 1890s to the 1950s. Materials in the Behind the Veil project collection date from about 1864 to 2011, with the bulk dating from the 1990s; earlier dates represent original image content rather than the reproduction date. The collection comprises over 1200 oral history interviews with associated transcripts and administrative files, several thousand historic and contemporary photographs, and project records, which include paper and electronic administrative files and audiovisual recordings. Oral histories were conducted in 19 locations, chiefly in the South; topics represented in these recordings include childhood, religion, education, politics, celebrations and other events, family histories, work histories and military service, and details about segregation and the effects of racism in the South. Acquired as part of the John Hope Franklin Research Center for African American History and Culture at Duke University.

Materials in the Behind the Veil project collection date from about 1864 to 2011, with the bulk dating from the 1990s; earlier dates represent original image content rather than the reproduction date. The core component of the collection comprises over 1200 oral histories conducted by Behind the Veil interviewers with African Americans in cities, towns, and rural locations in Georgia; Arkansas; Michigan; Alabama; North Carolina; Los Angeles, California; Mississippi; Tennessee; Kentucky; Louisiana; Virginia; South Carolina, and Florida. The majority of the interviews were conducted during summers between 1993 to 1995, with additional interviews added from 1995 to 2004. These interviews, originally recorded by Behind the Veil staff and volunteers on audiocassettes, have been digitized; in addition, all other project records and images are currently being digitized and will be made available as they are ingested into the Duke Digital Repository.

A second core component consists of over 2100 historical and contemporary photographic images in the form of black-and-white and color slides, photographic prints, and negatives. These form several large groups: donated historical materials imaged at interview locations by BTV staff; contemporary photographs taken by staff as they gave interviews and explored local communities; and photographs of BTV staff at work, BTV offices, and project events and training. Historic images in slide format include many photographs of African American individuals and families dating from the 1880s to the mid-20th century; they also include images of documents such as news clippings, military papers, political ephemera, school diplomas, and brief publications. The images are described in more detail in their listings in this collection guide.

The remainder of the collection consists of project administrative records. These files - in paper and electronic format - include National Endowment for the Humanities (NEH) grant information; correspondence; staffing records; meeting notes and minutes; outreach; files on publication and exhibit projects; and information on classes, seminars, and training given for students and project staff.

The Behind the Veil collection not only focuses on the experiences of individuals, but also reflects the importance of black institutions as the backbone of black communities. The interviews, documents and photographs reflect the crucial role that black churches, fraternal societies, women's clubs, and political organizations played in African American community life. The testimony of educators and students from historically black colleges, agricultural schools and institutes enrich conventional beliefs about black agency in segregated schools.

Although the focus of the interviews was on the Jim Crow era, the life history format of most interviews led informants to comment on events after segregation. Information about civil rights struggles in the 1960s, African American participation in desegregation within local communities, and post-1965 activism and community work are also included in many Behind the Veil interviews. The interviews in this collection also raise crucial questions about the shape of memory and the creation of narratives that can inform not only research in oral history but also literature and anthropology. Research into black religion can be enriched by the voices of Behind the Veil. Studies that examine oppression and resistance could be informed by the rich documentary record of labor and social culture that the collection presents. The Behind the Veil collection illuminates innumerable topics, time periods, and research interests.

Collection contains letters, memoranda, clippings, printed materials, writings, photographs, and other materials centered primarily upon Fowler, an unpublished author. Included are manuscripts of novels and stories, printed and typed writings of others, some historical writings, and research about Charlottesville, Albemarle Co., and Lynchburg, Va. There are some photographs from Hyde Co., N.C. Clippings concern the career and writings of Lynchburg newspaperwoman Martha Rivers Adams.

Correspondence, legal and financial papers, printed materials, and photographs document the personal relationships and professional activities of Rosser, a successful single African American businesswoman. Correspondence, 1920s-1940s, pertains to Rosser's business ventures in regard to the management of her rental property in Lynchburg, Virginia, and Durham, North Carolina; personal loans made to family and friends during the Depression; and her investments in government stocks and bonds. Later correspondence centers around her relationships with her foster daughter, Mattie Burton Meyers, and Rosser's niece, June. A folder of printed materials includes news clippings on both family events and local politics, church programs, and obituaries, and a 2012 publication about Fannie Rosser's foster daughter, Mattie Burton Meyers, active in the NAACP in Fresno, California. Family photographs date back to about the 1860s and include an early ambrotype, cabinet cards, and snapshots of Rosser and her friends in the 1920s and her daughter's family in Fresno, Calif., in the 1960s.

The papers of Fannie B. Rosser document the personal and professional life of a black businesswoman within a fiscally sound African American community in Durham, N.C. Correspondence, legal and financial papers, printed materials, and photographs reflect both her business activities and her relationships with close friends and family members from the turn of the century to the 1970s.

The bulk of the correspondence until the 1950s pertains to Rosser's business ventures, including maintenance of her property, personal loans made to family and friends, and her investments in government stocks and bonds. Letters from her lifelong friend and business partner, Virginia Randolf of Lynchburg, Va., document the process of maintaining Rosser's rental property over the course of thirty years. They highlight, among other things, the apparent ghettoization of the neighborhood in which her houses were situated, and Randolf's personal and financial response to that process.

Friends and family members often deferred financial matters to Rosser, a careful and respected business woman, and were often dependent on her for monetary support. The correspondence illustrates Rosser's financial acumen and demonstrates the extent to which her personal relationships and business activities overlapped. Of particular interest is an exchange with the Wilhoite's, a couple to whom she loaned $1000, during the Depression. Their correspondence illustrates the personal nature of her business dealings and the difficulties Rosser had in balancing finances and friendships.

Later correspondence centers around Rosser's relationships with her foster daughter Mattie Burton Meyers and niece June. There are scattered references to the political climate of the 1960s, and correspondence from Mattie mentions her work with the NAACP. Also, in the printed materials there is a 2012 published biography of Mattie written by her granddaughter Sharon Revis-Green.

The printed materials consist of materials such as news clippings on both family events and local politics, church programs, and obituaries. A large series of financial and legal papers, 1895-1969, provide extensive detail on Rosser's investments, insurance policies, and legal activities. Many of these documents are associated with firms such as the North Carolina Mutual Life Insurance Company, where Rosser was employed.

The photographs in the collection date back to the early 1860s and are mostly individual portraits and group photographs of African American family members and friends. An unidentified ambrotype of an African American woman dated prior to the Civil War indicates that the family might have been free.

Lisa Unger Baskin, who assembled this collection of photographs centered on women's history and culture, is a bibliophile, collector, and activist. Collection consists of 514 photographs and other graphic items in a variety of formats typical for the time, chiefly albumen, but also including gelatin silver, cased images, and mechanical prints; there are also small groups of true photographic postcards. Along with titles, dates, and content, data points may include biographies of photographers and subjects, studio addresses, and other notes. Roughly three-quarters of the images were produced by commercial women photographers in the U.S., Canada, and Europe. The great majority date from about 1860 to 1920, and the most common format is studio portraits of white men, women, children, and families. There are also many photographs of well-known women artists, entertainers, intellectuals, and activists of the time, as well as images of women in educational and a variety of work settings, on sports teams, posing with uniforms, guns, and tools, and enjoying leisure activities. Roughly 40 images are portraits of African Americans and other people of color or mixed race. Color images are chiefly limited to hand-tinted images and mechanical prints. Acquired as part of the Lisa Unger Baskin Collection at Duke University.

Collection consists of 514 photographic items, almost all single black-and-white prints, in a variety of formats typical for the 19th and early 20th centuries: largely albumen, with some gelatin silver prints, a few tintypes, daguerreotypes, glass plates, and one cyanotype. There are also some mechanical prints such as Woodburytypes and half-tone prints, and groups of commercially produced postcards, collectible cards, and stereographs. Color images are chiefly limited to hand-tinted images and mechanical prints.

Roughly three-quarters of the images were taken by women photographers operating or managing studios in all regions of the United States, with a smaller number in England, Sweden, Canada, and a few other countries; some were well-known but the majority were small business operators in smaller cities and towns. Whenever possible, a brief photographer's biography is included with the image entry.

The majority of the images are studio portraits of mostly unidentified North American men, women, children, and families, with a slight focus on New England. Roughly 40 images are portraits of African American or mixed-race individuals young and old, with a few groups of people of color. There are several ethnographic images of northern African women and a few scenes from Southeast Asia.

In addition to portraiture, the collection offers images of women artists, authors, nurses, teachers, and students who appear in early images of graduation and sports teams. Women and girls in boarding house and hotel rooms, at home, on bicycles, at work in factories, large and small offices, mines, and hospitals, wearing uniforms, brandishing guns and tools, and enjoying leisure activities. One hand-sewn booklet of photographs appears to show scenes from a training school for African American women. Also present are many portraits of female actors, entertainers, and wealthy women. There are very few musicians. Of interest are several photographs of light-skinned enslaved children distributed as abolitionist propaganda.

The cataloger transcribed titles and dates when present and indicated the source location; in the absence of a title, the cataloger devised descriptive titles. The great majority of dates are approximate and are based on the format, biographies, geneaologies, and clothing styles. Much information was derived from history of photography websites and photographer indexes, especially the website Langdon's List of 19th & Early 20th Century Photographers.

A. Hollis Edens served as President of Duke University from 1949-1960. This collection includes material largely of a personal nature, including correspondence, photographs, printed material, clippings, and scrapbooks. The collection ranges in date from circa 1850s-1994.

The collection includes correspondence, speeches, Duke-related material, Emory-related material, clippings, printed material, scrapbooks, and photographs. The material relates not only to Edens' professional career, but also to his family history and to that of his wife. The majority of the collection consists of family photographs, many of which are unidentified and undated.

Ella Fountain Keesler Pratt (1914-2008) was a Duke University employee for almost thirty years. Ms. Pratt was also a patron of the arts and community organizer in Durham, North Carolina. This collection contains documents, records, photographs, and notes that document her life as a Duke employee and Durham arts organizer. Items include personal notebooks, photographs of family and events, art exhibition catalogs, and audio recordings of performances at Duke University. The collection materials range in date from circa 1850 to 2008.

The Ella Fountain Pratt Papers contain materials pertaining to Pratts's personal life and professional accomplishments. A majority of the collection is comprised of personal correspondence, records, and news clippings that document Ella's education, her participation in the Durham Arts scene, and her experiences as a longtime employee at Duke University. Newer accessions also include photographs (largely unidentified and undated) of both Ella and her husband as well as their sons and Mr. Pratt's family as well as genealogical information, Mr. Pratt's correspondence, and materials pertaining to his education and work at Duke University, in addition to his service in the U. S. Navy during World War II. Of note is a letter signed by Richard Nixon soon after he was defeated in the 1960 election. The collection also includes notable autographs of the various artists Ella Fountain Pratt encountered during her lifetime. Items in the collection range from circa 1850-2008, with the bulk from 1960-2000.

Collection contains correspondence as well as sermon notes and outlines created by Franklin H. Wood, an itinerant preacher largely active in North Carolina during the late 19th and early 20th centuries.

The collection is primarily composed of correspondence during F.H. Wood's time as chaplain in the confederate army, as well as sermon outlines and notes encompassing his long itinerant preaching career. The correspondence is a varied mix of originals, facsimile copies, and transcriptions. Some of the facsimiles and transcriptions do not have the original present in the collection. Correspondents include his wife and children. Topics of the sermons are widely varied, but follow a standardized pattern of 1-2 readings, hymn book numbers, and 3 point sermons on a topic related to the readings.

The collection also includes secondary source material assembled posthumously by Franklin Wood's family. This includes a memoir, photographs, and an excerpt from a published work.

This collection holds miscellaneous papers (192 items; dated 1649-1971) including originals and copies of letters, Bible records, pictures, and printed works relating to the history of the Pearson, Smith, and Thompson families who migrated from England to Virginia, North Carolina, Tennessee, and finally to Arkansas; letters, legal papers, historical notes, genealogy, military records, cemetery records, pictures, and maps pertaining to the history of Benton County, Tenn.; copies of the Civil War letters of Stephen W. Holliday, 55th Tennessee Regt., C.S.A.; anecdotes of Confederate General Nathan Bedford Forrest; Melton family genealogy; and Smith family albums. A later addition (283 items, dated 1774-1986) includes information pertaining to the genealogy of several related families (including the Thompson and Wyly families, as well as information on the descendants of Col. Samuel and Mary Webb Smith). Includes printed works on genealogy and other topics compiled by Emma C. C. Brown and Jonathan K. T. Smith (primarily Smith). Also includes: correspondence; legal documents; copies of church records; clippings; writings about the history of Benton County, Tenn., and some of its citizens and communities; photographs; printed and other material on Camden, Tenn.; copy of the diary of Anne William Smith; copy of a portrait of Anne William Smith by Gustavus Grunewald (1847-1848); a recording entitled The Remembrance Pilgrimage about the Smith family of Nymcock, Tenn.; A Century with St. Mark's: An Informal History by Clara L. Cape; and an extensive biographical sketch on Col. Maurice Smith.

This collection is largely genealogical in nature and holds miscellaneous papers of Jonathan Kennon Thompson Smith including originals and copies of letters, papers, Bible records, pictures, and printed works relating to the history of the Smith, Pearson, and Thompson families who migrated from England to Virginia, North Carolina, Tennessee, and finally to Arkansas. The Smith family descended through Maurice Smith (1801-1871) of Person County, North Carolina who later moved to Fayette County, Tennessee in 1831, and finally to Dallas County, Arkansas in 1843.

In addition to family correspondence of Maurice Smith (1801-1871); the collection has letters, legal papers, historical notes, genealogy, military records, cemetery records, pictures, and maps pertaining to the history of Benton County, Tennessee. Copies of the Civil War letters of Stephen W. Holliday, 55th Tennessee Regiment, C.S.A., to his parents, a history of Tulip and Tulip Ridge, Arkansas, by Smith entitled The Romance of, Tulip (Memphis: 1965), On this Rock . . . the Chronicle of a Southern Family, which is a history by Smith of the family of Colonel Samuel Smith and Mary Webb Smith of Abram's Plains, North Carolina; biographies of the Captain Nicholas Martian (1591-1657) and of Samuel Granville Smith (1794-1835); anecdotes of Confederate General Nathan Bedford Forrest; a history of the Pearson family by Smith entitled This Valued Lineage; history of the Thompson family by Smith entitled These Many Hearths; albums of the Smith family containing pictures, clippings, and copies of letters and wills dating as early as 1649; genealogy of the Melton family by Herman E. Melton entitled Sassafras Sprouts; an anthropological study of the Indians of Kentucky Lake, Tennessee, by C. H. McNutt and J. Bennett Graham; and a pamphlet, 1961, by Smith entitled A Statement of Faith.

There is a microfilm copy of 'The Remembrance Pilgrimage. The Story of a Southern Family' (1964) available.

Richard Arthur Preston (b. 1910), a leading British Commonwealth scholar, was appointed the William K. Boyd Professor of History at Duke University in 1965. Major subjects of the collection include Canadian history, especially military history; the Department of History; and the Canadian Studies program at Duke. Materials include correspondence, reports, course syllabi, printed matter, manuscripts, clippings, photographs, and other papers. English.

Collection includes correspondence, reports, course syllabi, printed matter, drafts, research notes, manuscripts, lectures, photographs, clippings, maps, and other papers.

The arrangement of the collection is by accession dates. These additions follow the order given in the collection file and are not presented in chronological order.

The 1981 Additions (A81-60) include extensive correspondence, numerous drafts and published articles and reviews, photocopies of primary sources, some research notes, and administrative papers dealing with the Duke University History Dept. The chief subjects include Canadian military affairs, general military history, military education, and Canadian Studies as a historical subdiscipline. There is a folder list for this addition that is part of the collection file.

The 1980 Additions includes printed material, correspondence, studies, reports, articles, drafts, proofs, outlines, lectures, syllabi, clippings, photos, maps, and other papers. Major subjects include Canadian history, especially military history and current military and defense concerns. The first major portion of this Addition is made up of correspondence about Preston's own research and writings of other scholars. Other materials include Preston's research notes; photocopies and typed copies of historical documents; and guides to historical collections. There are also administrative files about the History Dept. at Duke, and the Canadian Studies Program. There is a small amount of material about the alumni of the Royal Military College in Canada, where Preston taught for a number of years. The second major portion of this Addition focuses on various aspects of modern Canadian defense and external security, Canada and NATO, relations with the British Commonwealth, and Canadian domestic affairs.

Robin Chandler Lynn Duke held office or was active in a number of organizations including Population Action International, the National Abortion Rights Action League, The Packard Foundation, the Draper World Population Fund, and several major corporations. Married to Ambassador Angier B. Duke. Collection (22100 items, dated 1942-2000) contains items related to Duke's extensive involvement in abortion rights, family planning, and population studies organizations. Series within the collection include correspondence, clippings, writings, publications, miscellaneous, photographs, and subject files. A substantial amount of correspondence from Duke was written to members of the U.S. House and Senate, and was written by Duke in her capacity as National Chair of Population Action International. Books and pamphlets report on population studies, child education, family planning, violence against women, and international education. Organizations represented in the collection include Population Action International, the Draper World Population Fund, Planned Parenthood, NARAL (National Abortion Rights Action League), "The Anatomy of Hate" conference, and the National Abortion Federation.

Collection (22100 items, dated 1942-2000) contains items related to Duke's extensive involvement in abortion rights, family planning, and population studies organizations. Series within the collection include correspondence, clippings, writings, publications, miscellaneous, photographs, and subject files. A substantial amount of correspondence from Duke was written to members of the U.S. House and Senate, and was written by Duke in her capacity as National Chair of Population Action International. Books and pamphlets report on population studies, child education, family planning, violence against women, and international education. Organizations represented in the collection include Population Action International, the Draper World Population Fund, Planned Parenthood, NARAL (National Abortion Rights Action League), "The Anatomy of Hate" conference, and the National Abortion Federation.

Additional organizations represented include the National Campaign to Prevent Teen Pregnancy, Promise Keepers, Rockefeller Foundation, Center for Gender Equality, Harvard School of Public Health, Friends of Art and Preservation in Embassies, Institute of International Education, International Flavors and Fragrances, National Mother's Day Committee, and the National Park Foundation.

Other parts of the collection deal more directly with Duke personally and with her husband. Files relate to social events and awards ceremonies, the Congressional campaign of 1977, and a number of other organizations concerned with her activities or her husband's ambassadorships. There is also information concerning the National Wildflower Research Center, the Council of American Ambassadors, the United Nations and other organizations; as well as information related to a white house dinner; speeches; articles about Duke; an appointment book; and personal files.

A number of other scrapbooks contain photos and other items from the time when Duke served as a fashion editor.

The addition (7089 items, 11.10 linear feet, dated ca. 1930-2001) comprises correspondence, subject files, articles and newspaper clippings, photographs, scrapbooks, photograph albums, and printed materials that primarily describe conferences attended and trips taken by Duke, focusing on the organizations in which she was actively involved. Also includes incoming and outgoing correspondence; files on fundraising dinners and meetings; and Angier Biddle Duke's typescript journal entries, "For the Record" (1981-1985), composed while visiting a number of countries. Also includes 71 black-and-white prints, 236 color prints, 780 color negatives, and 2 fabric bags. (01-147)

The addition (3250 items, 7.3 linear feet, dated 1960-2000) contains primarily correspondence, reports, speeches, newspaper clippings, printed material, and miscellaneous items related to Robin Duke's ambassadorship to Norway and her activism in major organizations for population control, including NARAL and Planned Parenthood. There are 5 videocassette tapes, including "JFK--A Time Remembered;" as well as 37 black-and-white and 5 color photographs, including a photograph album of a visit to Marrakech. The collection also contains diplomas, awards, and several commemorative photos/drawings signed by Lady Bird Johnson. (01-155)

The addition (2000-0341) (2175 items, 3.4 linear feet; dated 1991-2000 and undated, bulk 1998-2000) contains correspondence, notes, information packets, two videocassette tapes, one CD-RW containing 15 electronic audio file and printed material from meetings Duke attended. Also includes correspondence, speech notes, two black-and-white photographs, and information packets relating to the Albert Lasker Public Service Award Duke won in 1991. There is one additional black-and-white group photograph taken at a lecture.

The addition (2002-0162) (2400 items, 4.0 linear feet; dated [ca. 1990]-2002) contains primarily reports, printed material, correspondence, and 1 black-and-white and 12 color photographs related to Duke's activism in various organizations, including Friends of Art and Preservation in Embassies and the US-Japan Foundation (1990-2001). Also includes correspondence, orientation packets, talking points, and reports received or used by Duke as ambassador to Norway (2000-2001).

The addition (2002-0311) (750 items, 1.6 linear feet) comprises miscellaneous materials relating to Duke's numerous involvements, including personal and professional correspondence, meeting and event information, organizational files, newspaper clippings, reports, and printed material. A container list was not created for this addition.

The addition (2003-0096) (1500 items, 2.2 linear feet) contains correspondence and other materials related to Duke's activism in organizations including F.A.P.E., A.S.F., I.R.C., and the U.N. Association (1983-2003); and documents related to her position as Ambassador to Norway (2000-2001). Also includes files about parties and other events, and a small amount of personal correspondence.

The addition (2003-0268) (500 items, 1.4 lin. ft.; dated 1998-2003) contains business correspondence and other materials related to Duke's activism in NARAL, UNESCO, and Population Action International. Also includes a small amount of personal correspondence and 2 VHS tapes, "Packing the Courts: The Battle over President Bush's Judicial Appointments" and "Access Denied: US Family Planning Restrictions in Zambia".

The addition (2005-0060) (3390 items, 5.4 lin. ft.; dated 2002-2005) comprises correspondence, printed material, and board meeting packets related to Duke's activism. Also includes a transcript of oral history interviews conducted by Smith College, and 3 VHS videocassettes.

The addition (2005-0120) (697 itmes, 1.8 lin. ft.; dated 1992-2005) comprises personal and professional correspondence; board meeting packets related to Duke's activism in a wide variety of organizations.

The addition (2006-0054) (576 items; 1.3 lin. ft.; dated 1969-2006 and undated) contains correspondence (1993-2006); and other materials related to Duke's activism. There are also 2 CD-ROMs, printed material, clippings, and invitations to luncheons and dinner parties.

The addition (2006-0062) (1025 items; 1.6 lin. ft.; dated 1962-2006 and undated) comprises correspondence, invitations, speeches, printed material, and ephemera related to Duke's activism in organizations (1983-2006). There are also materials that once formed a photo album/scrapbook, with 27 black-and-white photos of the Dukes as well as interior and exterior photos documenting their remodeling of Blair House, the presidential guest quarters, in Washington, DC (undated, probably 1962); invitations; and correspondence (1962-1968), including letters from Jackie Kennedy, Lady Bird Johnson, and others.

The addition (2006-0092) (1025 items; 1.6 lin. ft.; dated 1962-2006 and undated) contains clippings, periodicals and reference works, as well as meeting guides, conference materials, correspondence and other materials regarding Duke's political, charitable and ambassadorial activities. There is also one DVD and two black-and-white copies of family photos.

The addition (2007-0014) (1500 items; 2.4 lin. ft.; dated 1962-2006) contains correspondence, including letters from Jackie Kennedy and Lady Bird Johnson; menus and programs for United States Presidential luncheons and dinners; documentation, pamphlets, and files from councils and organizations; a diploma for Angier Biddle Duke from Duke University; speeches; printed materials; and newspaper clippings.

The addition (2007-0087) (675 items; 0.9 lin. ft.; dated 1964-2007) contains correspondence, photographs, speech transcripts, and conference materials from Duke's charitable and political organizations.

The addition (2007-0194) (675 items; 0.9 lin. ft; dated 2000-2007) contains correspondence, charitable committee and meeting materials, and a New York Look Book featuring Duke and her fashion sense. This collection has been interfiled with Addition (2007-0087).

The addition (2008-0116) (600 items; 0.8 lin. ft; dated 2007-2008) includes conference ephemera and other materials from Duke's involvement in charities and political activities; miscellaneous materials and correspondence; and publications from various international organizations.

Addition (2009-0168) (900 items; 1.2 lin. ft.; dated 1960s-2009) includes correspondence, board meeting publications from Duke's various charities and organizations, letters from prominent people, and miscellaneous materials such as newspaper clippings and photographs.

Chiefly correspondence, printed material, critiques of publications, bibliographies, class notes, and other papers relating to his career, publications, and affiliation with different economics associations (26,378 items, 52.7 linear feet; dated 1928-1987). Some are photocopies of Spengler's correspondence with William Richard Allen. The collection also includes manuscripts of some of his works, information concerning Duke University's administrative policies and staff, reprints of published articles relating to his career, and a charcoal portrait. (1-9-87, 88-010, 93-180, 00-213) No container lists exist for these accessions.

Addition #93-294 (34,009 items, 59.1 linear feet; dated [ca. 1896]-[ca. 1976], bulk 1914-1960) contains primarily business and Spengler and Kress family correspondence, especially between Dot and Joe ([ca. 1919]-[ca. 1976]). Also includes manuscripts for Dot's genealogical novel, Family Saga in America ([ca. 1930s]) and Joe's work, Life in America; as well as Dot's journals and diaries (1924-1939, 1969). There are Christmas cards, postcards, and newspaper clippings; photographs of family and friends, including 2 tintypes, 32 cartes-de-visite, 1 color and 91 black-and-white prints, and 76 healthy nitrate negatives; and lace knitted by Dot's grandmother.

Also includes 6 photograph albums kept by Dot, two of which contain pictures taken by her with a brownie camera in and of Piqua, OH (1914-1919). The other albums contain photographs and memorabilia depicting Dot's life as a college student at Miami University, OH (1919-1921); and two showing views of the Spengler's homes, friends, and life in Tuscon, AZ, Tampa, FL (1930-1938), and Durham, NC and Duke University (1932-1940). The latter also records the 1938 Duke University faculty baseball team.

Studio Girl Cosmetics Records include promotional materials related to the multi-level marketing and direct sales cosmetics company. Collection includes leaflets and a pamphlet with beauty tips as well as sales team recruitment materials. Also contains an LP record with the voice of company Chairman Harry Taylor.

The Studio Girl Cosmetics Records include promotional materials related to the Glendale, California-based multi-level marketing and direct sales cosmetics company. This one-folder collection includes two promotional leaflets with beauty tips for customers: “Your Studio Girl Way to Loveliness,” and “Studio Girl: Hollywood Coiffure Blend Hair Fashions of Permalon.” There is also one pamphlet for potential Studio Girl sales representatives called “From a Man’s Point of View.” Other items are recruitment materials including a sales team member application, identification cards, stamped paper bags for products, and branded mailing envelopes. Also contains a plasticized LP record with the voice of company Chairman Harry Taylor. Acquired as part of the Sallie Bingham Center for Women’s History and Culture.

Yōko Hioki was born about 1938 and was a resident of Ōmiya-shi, Saitama, Japan, near Tokyō. Collection comprises a photograph album maintained by Yōko Hioki primarily featuring her family and school. She was a 9th grader in 1953. There are 128 albumen and gelatin silver photographs ranging in size from 0.875 x 1.375-inches to 7.75 x 5.5-inches. The majority of the photographs are captioned. The first photograph in the album is a group family photograph taken sometime during the war, before the deployment of one of her family members. In addition, besides several pictures of Yōko, there are group and individual photographs of her school teachers and classmates, including reunion photographs, and many images of class field trips, including one trip to Nikko. There are also casual and formal individual and group images of Yōko's family, including those taken at a birthday party for her sister.

Collection comprises a photograph album maintained by Yōko Hioki primarily featuring her family and school. She was a 9th grader in 1953. There are 128 albumen and gelatin silver photographs ranging in size from 0.875 x 1.375-inches to 7.75 x 5.5-inches. The majority of the photographs are captioned. The first photograph in the album is a group family photograph taken sometime during the war, before the deployment of one of her family members. In addition, besides several pictures of Yōko, there are group and individual photographs of her school teachers and classmates, including reunion photographs, and many images of class field trips, including one trip to Nikko. There are also casual and formal individual and group images of Yōko's family, including those taken at a birthday party for her sister.

Anne Halley was a fiction writer and poet. Collection includes typescripts for four works (approximately 700 pages) and typesetting instructions for the opening pages of Rumors of the Turning Wheel, which was published by Lisa Unger Baskin's Aee Press in 2003.

Collection includes typescripts for four works (approximately 700 pages) and typesetting instructions for the opening pages of Rumors of the Turning Wheel, which was published by Lisa Unger Baskin's Aee Press in 2003. The four works, True Wedding: Ten Household Tales, Beatrice and the Blind Child, Change of Life, and an untitled volume of poetry, are unpublished and undated. Some of the typescripts are annotated; also present are a few pieces of undated correspondence from Halley to Baskin.

Outdoor advertising billboard and sign company established approximately 1906 in Scranton, Pa. Smith Company photograph archive consists of approximately 78 photographs of billboards and outdoor signs produced by the company. Most are location shots of roadside signs; a few show angles of approach to the signs. Signs represent primarily local businesses from northern Pennsylvania to Wilmington, N.C. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Smith Company photograph archive consists of approximately 78 photographs of billboards and outdoor signs produced by the company. Most are location shots of roadside signs; a few show angles of approach to the signs. Signs represent primarily local businesses from northern Pennsylvania to Wilmington, N.C. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection consists of 174 postcards with photographs and mechanical prints, featuring scenes and landscapes from locations in what has historically been defined as the Balkans region of Southeastern Europe. Cities represented include: Varna, Bulgaria; Ruse/Rustchuk, Bulgaria; Sofia, Bulgaria; Bitola/Monastir, Macedonia; Negotin, Serbia; Skopje, North Macedonia; Sarajevo; Belgrade, Serbia; Oradea, Romania; Thessaloniki, Greece; Constanta, Romania; Sulina, Romania; Scutari, Albania; and Szegard, Hungary. The assorted postcards contains images of buildings, hotels, shops, government buildings, houses, monasteries, landmarks, and geographic features, as well as scenes of people walking on the street, swimming, sunbathing, shopping, and eating.

Collection consists of 174 postcards with photographs and mechanical prints, featuring scenes and landscapes from locations in what has historically been defined as the Balkans region of Southeastern Europe. Cities represented include: Varna, Bulgaria; Ruse/Rustchuk, Bulgaria; Sofia, Bulgaria; Bitola/Monastir, Macedonia; Negotin, Serbia; Skoptje, North Macedonia; Sarajevo; Belgrade, Serbia; Oradea, Romania; Thessaloniki, Greece; Constanta, Romania; Sulina, Romania; Scutari, Albania; and Szegard, Hunfary. The assorted postcards contains images of buildings, hotels, shops, government buildings, houses, monasteries, landmarks, and geographic features, as well as scenes of people walking on the street, swimming, sunbathing, shopping, and eating.

International collection of picture postcards (6500 items, ca. 1900-1982), almost all of which date from 1920 or earlier. Arranged by country and filed in 28 albums. Almost all European countries are represented, and there are many rare postcards from Russia. (96-0135) (7 lf)

The addition to this collection (18000 items, from ca. 1900-1950) also is international in scope, but focuses on the United States. The collection comprises fifty, three-ring binders that hold picture postcards in pocketed mylar sleeves. About two-thirds of the cards show scenes in the United States, including all 50 states, the District of Columbia, and Puerto Rico; state capitols; worlds fairs; and other tourist destinations. Thirteen of the fifty binders document Atlantic City, N.J., and are subdivided by the images shown, including boardwalks, beaches, and hotels. The rest of the collection comprises postcards from other countries, including Austria, France, Germany, Italy, Spain, and the Netherlands. Asia, Africa, Latin America, and North America are also represented. A small group of postcards depicts costumes from around the world. (00-422) (12 lf)

Formerly cataloged as the International Postcard Collection.

Collection is a set of postcards (including photograph postcards) from late 19th and 20th century Turkey, depicting scenes and people in İzmir (Smyrna), Turkey. The first folder of postcards have been individually numbered. The subsequent folders list the postcards by titles that are either on the postcards and/or were supplied by the dealer who sold the postcards to the library. The postcards are described in English, French, and Turkish.

Collection consists of individual postcards and photographs of İzmir (Smyrna), dating from the late 1800s through the 1960s. Some postcards are blank; others have been mailed and contain correspondence most often in French, Greek, or Ottoman-Turkish. Images depicted vary but include markets, mosques, streets and houses, harbor scenes, piers, monuments, ruins, the clock tower. A subset of images depicts the Great Fire of 1922 from the Greco-Turkish War, Greek refugees fleeing by boat, and a floating corpse. There are images of both people and methods of transportation.

Anthony Weir is a marketing communications executive with the Whitford Corporation and runs Weir Marketing Communications. He started his career as a copywriter for Batten, Barton, Durstine, and Osborn (BBDO), then worked as a specialist in starting up and managing offices in Asia and Latin America for the Ogilvy & Mather and Leo Burnett advertising agencies. The Anthony Weir Papers span the years 1954 through 2006 and include advertising copy, brochures, clippings, memoranda, correspondence, photographs, and slides representing Weir's advertising career, especially his work for BBDO and Ogilvy & Mather (O&M). Clients mentioned in the collection include the Lever Brothers, Hertz, Sears, Owens-Corning, American Express, and Schweppes. The collection also contains correspondence and clippings about Anthony's father, Walter Weir, also a marketing executive; and documents from the files of Jane Maas, Weir's colleague at Ogilvy.

The Anthony Weir Papers span the years 1954 through 2006 and include advertising copy, brochures, clippings, memoranda, correspondence, photographs, and slides representing Weir's advertising career, especially his work for Batten, Barton, Durstine & Osborn (BBDO) and Ogilvy & Mather. Clients mentioned in the collection include the Lever Brothers, Hertz, Sears, Owens-Corning, American Express, and Schweppes. The collection also contains correspondence and clippings about Anthony's father, Walter Weir, also a marketing executive; and documents from the files of Jane Maas, Weir's colleague at Ogilvy.

The collection is organized into six series: Personal, Client Files, Jane Maas, Other Professional Materials, Writings, Slides, and Oversize Materials. The Personal Series contains biographical data about Weir and his family and friends through correspondence, clippings, greeting cards, photographs, and identification documents. The Client Files Series documents Weir's advertising accounts at Ogilvy & Mather. The Jane Maas Series consists of papers from the files of Weir's colleague at Ogilvy & Mather. The Other Professional Materials Series represents advertising work not directly related to Weir's tenure at Ogilvy & Mather. The Writings Series includes Weir's published and unpublished creative and professional writings. The Slides Series consists of slide images related to the advertising campaigns that Weir worked on for his clients. Large-format print materials have been removed from their original series locations and relocated to Oversize Materials. Relocated items have been indicated in the Detailed Description of the Collection by notes enclosed in brackets.

Herbert Scarf (1930-2015) was an economist and mathematician, and worked as a professor of economics at Yale University and the Cowles Foundation for Research in Economics. This collection consists of his correspondence, research, and writings, as well as his collaborations and professional affiliations across the fields of economics, mathematics, and operations research. Includes a small group of electronic files; computations and other technical data contained in these files may be available in the form of printouts in the collection's research files. Acquired as part of the Economists' Papers Archive at Duke University.

The Herbert Scarf Papers document his career as an economist and mathematician. The collection provides an overview of his professional activities, particularly his research and writings on the computation of economic equilibrium and fixed points, stability of general equilibrium, the core of many-person games and its relation to general equilibrium, integer programming, and problems of production with indivisibilities. Much of Scarf's work serves as the basis for applied general equilibrium models, and as a precursor to modern computational and simulation approaches to economics.

The collection also documents Scarf's collaboration and communications with prominent economists and mathematicians such as Kenneth Arrow, Gerard Debreu, Ralph Gomory, Terje Hansen, Werner Hildenbrand, Tjalling Koopmans, Harold Kuhn, Lloyd Shapley, John Shoven, Martin Shubik, John Whalley, and many others.

Along with his own scholarship and writings, the collection documents Scarf's leadership roles in the American Economic Association, the American Academy of Arts and Sciences, the Econometric Society, and other organizations; and his departmental roles, committee work, and teaching contributions in the economics, operations research, and applied mathematics programs at Yale University.

Includes a small group of electronic files originally on floppy disks created in the 1980s, which have been migrated to a library server. Computations and other technical data contained in these files may be available in the form of printouts in the collection's research files.

Acquired as part of the Economists' Papers Archive at Duke University.

Roy Radner (1927- ) is an economic theorist and professor who has researched and taught at University of California at Berkeley, the Cowles Commission, AT&T Bell Lab, and New York University. His archival collection includes his published writings, drafts, collaborations, correspondence, and teaching materials spanning the length of his career.

The Roy Radner Papers contain 6 series. The series "Writings" (1951-2013) includes Radner's published and unpublished papers, with various materials related to them (e.g., correspondence with editors and colleagues, multiple drafts with hand-written notes, hand-written sheets of mathematical developments etc.). The series "Correspondence" (1954-2014) includes his correspondence sorted by individuals' names. Files include correspondence with and about, or only about, the individual named on a given file. There is also a set of personal files. Due to the large number of recommendation letters and other personnel-related content of the Correspondence series, this portion of the collection is restricted until 2050. The series "Teaching" (1967-2012) contains materials related to his teaching activity (e.g., syllabus, reading lists and packets, exercises with solutions). The bulk of it is largely from the Stern School (New York University) from the late 1990s to the early 2010s. The series "Research Activities" (1962-2014) includes materials about activities such as seminars, workshops, study groups and the like. Finally, the series "Writings by Others" (1954-2006) contains materials written by other researchers, with or (in most cases) without notes from Radner. There are no specific connections among the series to be noted, except the fact that, by virtue of their thematic organizations, one can find academic and administrative letters in all the series, i.e., not only in "Correspondence."

Collection contains electronic records that must be requested and accessed in our reading room. Contact Research Services with questions.

Nobel Prize-winning economist and economics professor emeritus at the Massachusetts Institute of Technology. The Robert M. Solow Papers span the years 1951-2011 and document the full scope of his professional, scholarly, and academic work. The majority of the collection consists of correspondence (1960-2011) with students, colleagues, and other economists, and it includes his reviews of papers by other scholars, referee reports, letters of recommendation, articles written for the public, professional correspondence as well as policy recommendations. The papers also contain lecture notes for courses Solow taught at the Massachusetts Institute of Technology (1972-1996); published papers by Solow on macroeconomics, growth theory, linear programming, and other topics (1950-2011); and files from economic, academic, and governmental organizations in which he served, including the American Economics Association and the Econometrics Society, and the Council of Economic Advisors to the White House. The collection is divided into the following series: Correspondence, Teaching Materials, Published Papers and Writings, Professional Service, and Audiovisual Materials.

The papers of Nobel Prize-winning economist Robert M. Solow span the years 1951-2011 and document his professional, scholarly, and academic work. The majority of the collection consists of voluminous files of correspondence (1960-2011) with students, colleagues, and other economists, and it includes his reviews of papers by other scholars, referee reports, letters of recommendation articles for the public, professional correspondence as well as policy recommendations. The papers also contain lecture notes for courses Solow taught at MIT (1972-1996); published papers by Solow on macroeconomics, growth theory, linear programming, and other topics (1950-2011); and files from economic, academic, and governmental organizations in which he served, including the American Economics Association, the National Bureau of Economic Research, and the Institute for Advanced Study at Princeton. The published papers series also contains notes and rough drafts on topics such as econometrics, employment (specifically the theory of unemployment) and growth policies, macroeconomics, and the theory of capital. There is also some material on the Neo-classical Growth Model, also known as the Solow-Swan Growth Model (1956).

The largest series in the collection, the Correspondence Series is subdivided into three groups: Chronological Correspondence, Alphabetical Correspondence, and Recommendations. The first two consist of correspondence from students, colleagues, and collaborators, with some responses from Solow included. The exchanges include economists such as Kenneth Arrow, Olivier Blanchard, Alan Blinder, Partha Dasgupta, Frank Hahn, Paul Samuelson, and James Tobin. The alphabetical correspondence dating from 1951-1976, is similar in content to the chronological correspondence but smaller in size; it also contains more pieces related to organizations and businesses. The Alphabetical Correspondence (Recommendations) dating from 1971-1986, is the smallest of the three and consists of requests for and the subsequent letters of recommendation from Solow for either students or professional economists.

The Teaching Materials Series houses the teaching materials generated from Solow's MIT economics courses (spanning an approximate 30 years of his 40 year MIT career) as well as the notes and materials used for lectures given at other forums and institutions. These materials consist of reading lists, syllabi, outlines, exams, problem sets and their solutions, homework, waivers, attendance rosters, assignments, spiral notebooks of economic equations, and personal preparatory notes handwritten by Solow.

Nearly all of Solow's major publications and co-publications (see bibliography for the few exceptions) are found in the Published Papers and Writings Series . These include his Ph.D. thesis, speeches, lectures, invited lectures, panel discussions, op-ed pieces, journal articles, brochures, pamphlets, reviews of his works and his responses to the reviews, Congressional testimony, and memorial tributes, as well as the rough drafts and notes for these documents.

The Professional Service Series includes varied documents associated with the groups Robert Solow was either a member of, held a position in, wrote pieces for, or supported. Files contain correspondence, meeting minutes, proposals, reports, publications, votes, elections, and financial reports. The largest organizations represented in this series are the American Economic Association and the Institute for Advanced Study at Princeton.

Four videos featuring Solow are collected in the Audio Visual Series . Materials date from 2003 to 2009. Within the series, one item is recorded on a VHS cassette and the rest are in DVD format.

Collection consists of typescripts of Rev. Kenneth Johnson's sermons, many containing handwritten notes and accompanying material on which the sermon topic was based. Sermons are numbered and are arranged by date, according to the church Johnson was serving at the time. The 2002 accession also contains card indices of sermons (ca. 3600 items), which arranges sermons by title, topic, and scriptures and texts. Johnson's sermons were delivered at United Methodist churches across North Carolina, including McKendree Chapel, New Mt. Vernon-Shady Grove, West Bend, Oak Summit, Asbury Memorial, Green Street, Saint Andrew's (Charlotte), Central (Mooresville), Leaksville (Eden), First (Newton), Burkhead (Winston-Salem), Aldersgate Methodist (Shelby), and Grace Methodist (Greensboro). Johnson also preached several sermons in Indonesia (1995, 1998).

Accompanying the sermons are Johnson's personal record books and bulletins from his appointed churches. The church bulletins are bound by date and church; the record books, designed for a pastor's personal use, record his annual sermons preached as well as his congregation's marriages, births, funerals, and other notes from his work as pastor at various churches. Also contains Johnson's lecture notes and reading lists from summer school and divinity courses at Duke University.

Charles Reinhart Management, Inc. (CRMI) was involved in dance company management, festival production, grant-funded projects, and assorted professional services. Collection includes correspondence, printed material, and business and financial records created by Charles L. Reinhart and the employees of Charles Reinhart Management, Inc., 1951-2008.

Collection includes correspondence, printed material, and business and financial records created by Charles L. Reinhart and the employees of Charles Reinhart Management, Inc., 1951-2008. Some personal papers of Charles L. Reinhart are also included.

O. Milton Gossett was an advertising executive with Compton Advertising and Saatchi & Saatchi agencies. He was also a member of the National Advertising Review Board and conducted career workshops for college students in conjunction with the American Advertising Federation. The O. Milton Gossett Papers span the years 1951-2004 and document Gossett's advertising career with the Compton Advertising (Compton) and Saatchi & Saatchi agencies, along with materials relating to the merger of Compton with Saatchi & Saatchi in 1982, including correspondence with Charles and Maurice Saatchi. The collection includes personal and professional correspondence, writings and speeches, company newsletters, and other printed materials. Also included are advertising proofs and tear sheets, television commercial scripts and storyboards, videocassettes, scrapbooks, clippings, photographs, and cutouts of company employees, as well as artifacts and memorabilia. In addition, there is information on the history of the Procter & Gamble Company and its major advertising campaigns, including a number of advertisements for Ivory Soap.

The O. Milton Gossett Papers span the years 1951-2004 and document Gossett's advertising career with the Compton Advertising (Compton) and Saatchi & Saatchi agencies, along with materials relating to the merger of Compton with Saatchi & Saatchi in 1982, including correspondence with Charles and Maurice Saatchi. The collection includes personal and professional correspondence, writings and speeches, company newsletters, and other printed materials. Also included are advertising proofs and tear sheets, television commercial scripts and storyboards, videocassettes, scrapbooks, clippings, photographs, and cutouts of company employees, as well as artifacts and memorabilia. In addition, there is information on the history of the Procter & Gamble Company and its major advertising campaigns, including a number of advertisements for Ivory Soap.

The collection is organized into four series: Personal Files, Administrative Files, Writings and Speeches, and Audiovisual Materials. The Personal Files Series includes personal correspondence, photographs of Gossett and his colleagues, and items relating to Gossett's international travels. Other materials document Gossett's professional life, including early resumes. Also included is a daily diary from 1960-1961. The Administrative Files Series includes corporate publications, photographs, print advertisements, television commercial scripts, storyboards, speeches, subject files, and correspondence that document Gossett's career at Compton Advertising and Saatchi & Saatchi. The Writings and Speeches Series chiefly includes speeches, written and delivered by Gossett, relating to various advertising topics. Many speeches were created as part of Gossett's American Advertising Federation workshops, and were delivered at a number of colleges and universities. Writings include magazine articles written by Gossett, as well as an introduction to an article in the Encyclopedia of Advertising and Marketing. The Audiovisual Materials Series features twenty-seven videocassettes, primarily of television commercials produced by Saatchi & Saatchi.

Large-format print materials have been removed from their original series locations and relocated to Oversize Materials. Restricted materials have also been removed from their original series locations and relocated to Restricted Materials. Relocated items have been replaced in the Detailed Description of the Collection by dummy folders enclosed in brackets.

Collection contains programs from 1386 operas attended around the world from 1951-2003 by Drs. Charles and Shirley Weiss.

Collection consists of 1386 opera programs collected from around the world by Charles and Shirley Weiss between 1951 and 2003. The programs are also detailed in a spreadsheet, documenting performance, date, location, performers, and other notable information about each program.

The spreadsheet is available at: https://duke.box.com/v/weissoperas-spreadsheet

The opera programs included represent a range of performances including classic, contemporary, and lesser-known operas. Venues are from around the world.

Giant Foods, established in 1936, is one of the oldest enduring chains of supermarkets in the U.S., and primarily serves the Washington, D.C. area and surrounding states. The Giant Food Stores Advertising Collection spans the years 1951 through 2001 and includes bound, unbound, and microfilmed volumes of reductions of newspaper advertisements and circulars; oversize posters and banner advertisements; Supermarket News issues from the 1990s; advertising scrapbooks from the 1970s and 1980s; and a set of videotapes of broadcast commercials, that document daily local advertising for a major regional supermarket chain.

The Giant Food Stores Advertising Collection spans the years 1951 through 2001 and includes bound, unbound, and microfilmed volumes of reductions of newspaper advertisements and circulars, along with a set of videotapes of broadcast commercials, that document daily local advertising for a major regional supermarket chain.

The collection is arranged by format into eight series: Adbank Commercials; Advertising File; Bound Advertisements; Food World Information Services (FWIS); Microfilm; Scrapbooks; Oversize Advertisements; and Printed Materials. The Adbank Commercials Series consists of videotaped commercials for Giant Foods, and some of its competitors, as compiled by the Adbank research firm. The Advertising File Series includes unbound reductions of Giant newspapers. The Bound Advertisements Series consists of bound volumes of reductions of newspaper advertisements and circulars, arranged by city. The Food World Information Services (FWIS) Series includes reductions of newspaper advertisements arranged by city, as compiled by FWIS. The Microfilm Series contains newspaper advertising archived on microfilm, arranged by city and newspaper title. The Scrapbook Series includes eight scrapbooks with fullpage newspaper advertisements, dating from 1970-1982. The Oversize Advertisements Series include posterboards and banners displayed in storefront windows. The Printed Materials Series includes an incomplete run of Supermarket News, a weekly trade magazine, dating from 1994-1998.

North Carolina woman who taught school in Europe. Letters (76 items; dated 1951-1953) to parents chiefly sent from Paris with a few from Germany, describing social life and post-war atmosphere. Includes one photograph of New Year's Eve party, and telegram. Addition (200 items; dated 1976-1997) contains 42 ledgers and two loose-leaf file folders containing Knox's journals. There are also copies of the family's newsletter, and some of Knox's correspondence.

Letters (76 items; dated 1951-1953) to parents chiefly sent from Paris with a few from Germany, describing social life and post-war atmosphere. Includes one photograph of New Year's Eve party, and telegram.

Addition (200 items; dated 1976-1997) contains 42 ledgers and two loose-leaf file folders containing Knox's journals. There are also copies of the family's newsletter, and some of Knox's correspondence.

Charles Kilgo Bradsher was a Class of 1933 Duke alum and a Duke professor in the Chemistry Department from 1939-1979. His collection includes personal and departmental materials, especially concerning the Chemistry Department, the Gross-Edens Affair.

Collection includes personal and departmental materials concerning the history and faculty of the Department of Chemistry and the teaching of chemistry, the Gross-Edens Affair, long range planning, and research. Contains correspondence with Paul Gross concerning the Gross-Edens affair and documents regarding faculty promotions which should remain confidential. Replaced folder labels and discarded packet of departmental receipts for processing.

Collection contains primarily correspondence and printed materials, including speeches, clippings, and photocopies. Two large sections of materials concern Edmonds' interests and activities as a member of the Republican Party and her work as an alternate delegate to the U.N. General Assembly, 1970. Some materials relate to her work with the National Peace Corps Advisory Council, to educational exchange, consultations in Europe and Israel, and other work experiences in an international context. Papers representing her duties as a college professor are limited.

Stuart Wright (1948-), an author, bibliographer, and publisher, attended Roxboro (N.C.) High School and Wake Forest University, where he received B.A. degrees in German and Music. He received his master's degree in Southern Studies in 1973 and a second master's degree in U.S. History in 1980, both from Wake Forest University. In the late 1970s and through much of the 1980s, Wright served as Lecturer in Education at Wake Forest. The collection consists of materials related to the Virginia writer George Garrett (1929-2008) assembled by author, bibliographer, and publisher Stuart Wright. Wright published George Garrett : a bibliography, 1947-1988 / edited by Stuart Wright. Huntsville, TX: Texas Review Press, Sam Houston State University, 1989.

A Collection of materials related to the Virginia writer George Garrett (1929-2008) assembled by author, bibliographer, and publisher Stuart Wright. Wright later published George Garrett : a bibliography, 1947-1988 / edited by Stuart Wright. Huntsville, TX: Texas Review Press, Sam Houston State University, 1989.

The collection consists chiefly of serials containing writings by Garrett, including poetry, short stories, literary criticism, reviews, editorials, screenplays, dramatic scripts, novels, and a few speeches. Many of the items are inscribed or signed by George Garrett and other authors. There are also manuscripts of Garrett's screenplays and other writings. Many of Garrett's literary criticism pieces concern the writings of William Faulkner.

Other formats include photographs including publicity photos for the movie The young lovers, screenplay by Garrett. Biographical data on Garrett is found in interviews, clippings, and biographical sketches of Garrett's career as a writer and teacher. Other periodicals containing the writings of other writers of interest to Garrett are included in this collection.

Consumer Reports is a product testing and consumer advocacy nonprofit organization based in Yonkers, N.Y., founded in 1936. Monte Florman was an engineer who spent most of his professional career with Consumers Union and served as Technical Director during the 1970s. The Monte Florman papers include correspondence, memos, meeting minutes, publications, research reports and other materials. Topics addressed include automotive safety, lawn mower standards, microwave ovens, nitrates and nitrites, radiation and office safety. Correspondents include Ralph Nader and Scott Maynes. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Monte Florman papers include correspondence, memos, meeting minutes, publications, research reports and other materials. Topics addressed include automotive safety, lawn mower standards, microwave ovens, nitrates and nitrites, radiation and office safety. Correspondents include Ralph Nader and Scott Maynes.

Consists of correspondence, office files, memoranda, notes, client files and some advertisements, reports, charts, reprints, schedules, scripts, printed material, and calendars. The collection documents advertising history, especially television and the management of client accounts; the development of television shows and other aspects of television programming, including the selection of actors and audience profiles; advertising clients' account histories; the corporate administration of the J. Walter Thompson Company; and the career of Dan Seymour. There is limited material about Seymour prior to his employment by the J. Walter Thompson Company in 1955 or after his retirement from it in 1974. Clients of the company represented in the collection include Eastman Kodak Company, Ford Motor Company, Kraft Foods Company, Lever Brothers Company, and Liggett & Myers Tobacco Company. There is considerable overlap in the content of the series in this collection.

The papers of Dan Seymour span the years 1951 to 1974, although the bulk of the material dates from 1955 to the 1960s. They consist of correspondence, office files, memoranda, notes, client files and some advertisements, reports, charts, reprints, schedules, scripts, printed material, and calendars. The collection documents advertising history, especially television and the management of client accounts; the development of television shows and other aspects of television programming, including the selection of actors and audience profiles; advertising clients' account histories; the corporate administration of the J. Walter Thompson Company; and the career of Seymour. There is limited material about Seymour prior to his employment by the J. Walter Thompson Company in 1955 or after his retirement from it in 1974. Clients of the company represented in the collection include the Eastman Kodak Company, the Ford Motor Company, the Kraft Foods Company, the Lever Brothers Company, and the Liggett and Myers Tobacco Company. There is considerable overlap in the content of the series in this collection.

The work of the J. Walter Thompson Company Radio-Television Department, primarily in television, is chiefly documented in the Radio-Television Series. When he joined the company, Seymour's first objective was to reorganize its radio and television operations into a single Radio-Television Department because television had emerged as the leading media in the United States in the 1950s. The process of reorganization and overall administration of the Radio-Television Department is documented throughout the Radio-Television Department Series (Office Files and Thompson Company Offices). Aspects of administration documented include: the roles of company unit heads, such as the group heads or domestic office heads; relationships among the various units; operations of review boards; new business development; client relationships; and budgets. The New York office and other domestic offices, especially the Hollywood, Chicago, and Detroit offices, were key corporate links in television-related advertising. The New York office's radio and television activities are documented throughout Radio-Television Department Series; the Thompson Company Offices Subseries primarily documents the radio and television work of other domestic offices, but it includes a small amount of information about the New York office's operations. There is additional documentation for the Radio-Television Department in the Corporate Administration Series (Office Files).

Specific television programs and the scheduling of client advertising are documented in the Radio-Television Department Series (Programming), but radio programming is minimally represented. Availabilities and the Show Files are bound compilations of documents which provide information about programs available for J. Walter Thompson Company clients to sponsor. There are synopses of shows, which usually include descriptions of actors, directors, and producers, and scripts of various lengths. The Talent Showcase files appear to serve a similar function to those of the Availabilities and Show Files. More information on program availabilities for specific networks is in the Radio-Television Department Series (Networks). Screening reports, which are synopses of programs viewed by company staff, are scattered throughout the Availabilities and the Show Files binders, but the majority of the screening reports are found in the Radio-Television Department Series (Thompson Company Offices), especially for the Chicago, Hollywood, and New York offices. Some files for specific programs that were sponsored by company clients are in the Clients Series.

There is much overlap between the Corporate Administration Series and the Radio-Television Department Series in that both series contain information on the J. Walter Thompson Company's role in television advertising. The Radio-Television Department Series contains material on this topic from 1955, when Seymour was the director of this department, to 1967, during which time Seymour was also involved in company-wide management. The Corporate Administration Series also includes material related to the Radio-Television Department.

Not only does the collection document television advertising, it also pertains to Seymour's account management of J. Walter Thompson Company clients. In fact the Clients Series, which documents this activity, comprises almost one-half of the collection. This series particularly concerns advertising strategies, billings, the development of new business, and negotiations with clients. It also documents the conceptualization and production of television shows and motion pictures that were sponsored by individual clients. The call reports are records of telephone or personal contacts with clients and include information on many aspects of JWT-client relationships. Programs sponsored by the Eastman Kodak, Ford Motor, Kraft Food, Lever Brothers, and Liggett and Myers Tobacco companies are especially well described. Documentation for client accounts is also in the Review Board files of the Corporate Administration Series (Office Files) and scattered throughout the Radio-Television Department Series (Programming).

In addition to client activity, the collection reflects the corporate business of the company, especially as conducted through the New York office, in the Corporate Administration Series (Correspondence). In particular the Reading Files and the Norman H. Strouse correspondence pertain to this corporate activity. The series also includes general correspondence and topical files that are peripherally related to company operations. Strouse's letters concern corporate administration and management at the level of the President, and reflect the information exchanges and cooperation among the company's executive officers. The Strouse files span the period in which Seymour was elected to the Executive Committee and continue through his election to the Presidency of the company, succeeding Strouse. As Chairman of the Executive Committee, Seymour was responsible for all of the company's domestic operations. The Executive Committee files in the Corporate Administration Series (Office Files), include monthly reports for "New Projects" and include client names, the product or services involved, the nature of the project, and costs.

The Corporate Administration Series (Thompson Company Offices) also documents organizational issues in domestic offices other than the New York office. The establishment of the Chicago Office's review boards is documented in the subseries. The reports in the Corporate Administration Series (Reports), reflect research and concerns about internal J. Walter Thompson Company operations as well as client and public relations issues.

In the late 1930s through 1950, before Seymour joined the J. Walter Thompson Company, he developed relationships with radio and television celebrities, client-sponsors of programs, network and studio personnel, and advertising executives. These relationships continued in Seymour's work as an advertising executive in Young and Rubicam and the J. Walter Thompson Company. The congratulatory correspondence, mostly responses to Seymour's promotions, in the Radio-Television Series, the Corporate Administration Series, and the Miscellaneous Series documents these relationships. The invitations to professional and social events in the Corporate Administration Series (Correspondence) reflect the business of the corporate world beyond the J. Walter Thompson Company.

The Duke Law Dames was a social and service organization composed of law student wives, women law students, and wives of the law school faculty and alumni. Collection consists of reports, meeting minutes, constitutions and by-laws, newsletters, flyers, calendars of events, various printed material and scrapbooks.

Contains material pertaining to the operations and activities of the Duke Law Dames with the inclusive dates 1951-1973. Materials present include reports, minutes of general meetings and the executive council, correspondence and memoranda, newsletters, flyers, manuals, and assorted printed material including cookbooks composed by the Dames and a welcome guide for wives of Duke Law students. Also present are material accumulated by several organization presidents including officer's reports, minutes of the executive council, newsletter drafts, officer election material, and various printed material. There are also three scrapbooks that contain clippings documenting various social events sponsored by the Dames and also letters, officer lists and member rosters, flyers, event calendars, newsletters, photographs, and other assorted ephemera.

Mildred Hendrix (1905-1985) was the Chapel Organist and University Organist at Duke University from 1944 to 1967 and Professor of Music from 1944 to 1969. The papers include correspondence, certificates, general subject files, recital materials, photographs, and other programs related to her career as an organist and organ instructor at the University. Major subjects in this collection are music for chapel services, organ instruction and performance, scholarly study of the organ, Duke University Chapel programming, and the Duke University Music Department. English.

Papers contain personal correspondence, correspondence with organ students concerning practice times and lesson arrangements, records of works played during sermons, clippings and biographical information on organists invited to perform at Duke, photographs, course syllabi, evaluation of potential students, and correspondence and conference material relating to professional organizations. Also contains bulletins and minutes for Music Department faculty meetings (ca. 1960-1967).

Marcia Drake Bennett is a cousin of author Reynolds Price and a resident of Goldsboro, N.C. Collection comprises a letter (dated 1962 March 28) from Reynolds Price to Bennett and a 1951 8x10-inch gelatin silver photograph. The letter topics include Price's A Long and Happy Life, Bennett's lecture and travel to Chicago. The photograph is of Bennett and Price at Bennett's debut.

Collection comprises a letter (dated 1962 March 28) from Reynolds Price to Bennett and a 1951 8x10-inch gelatin silver photograph. The letter topics include Price's A Long and Happy Life, Bennett's lecture and travel to Chicago. The photograph is of Bennett and Price at Bennett's debut.

The Popsicle was patented in 1923 by Frank Epperson, and sold to the Joe Lowe Company in 1925. Collection contains large and small format printed poster advertisements of Popsicle brand's line of frozen dessert products between 1951 and 1958, and documents Popsicle's marketing efforts during the last decade that the brand was owned by the Joe Lowe Company, prior to its purchase by Consolidated Foods (the brand is currently owned by Unilever). The posters depict promotional tie-ins with circuses as well as the Walt Disney Company; coupon offers; gift incentives for saving product wrappers; contests; and efforts to target children as consumers. Also includes memoranda sent to Popsicle salesmen during 1957-1958.

Collection contains large and small format printed poster advertisements of Popsicle brand's line of frozen dessert products between 1951 and 1958, and documents Popsicle's marketing efforts during the last decade that the brand was owned by the Joe Lowe Company, prior to its purchase by Consolidated Foods (the brand is currently owned by Unilever). The posters depict promotional tie-ins with circuses as well as the Walt Disney Company; coupon offers; gift incentives for saving product wrappers; contests; and efforts to target children as consumers. Also includes memoranda sent to Popsicle salesmen during 1957-1958.

Posters arrived in bound portfolios and scrapbooks. Portfolios and scrapbooks were disbound. Large format posters were grouped by type of campaign and organized alphabetically. Small format posters were grouped by year and arranged chronologically. Memoranda were boxed separately and organized by type of material and year and arranged alphabetically.

News magazine first published in 1923 in New York, N.Y. Mailing sent to college representatives promoting Time magazine. Includes sample package of Lucky Strike cigarettes (American Tobacco Company) as an example of student preferences; text of letter cites readership statistics for the magazine. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Mailing sent to college representatives promoting Time magazine. Includes sample package of Lucky Strike cigarettes (American Tobacco Company) as an example of student preferences; text of letter cites readership statistics for the magazine. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Poet, essayist, translator, publisher, activist, and performing artist; owner and editor of New Native Press in Cullowhee (Jackson Co.), N.C. Crowe's collection contains correspondence with other writers, friends, and relatives; manuscript and printed versions of works by Crowe and others; poetry notebooks; publicity materials; photographs; audio cassettes and other media; New Native Press records; and other items. Other poets represented include Wendell Berry, Robert Bly, Lawrence Ferlinghetti, Allen Ginsberg, Joy Harjo, David Meltzer, Philip Daughtry, Neeli Cherkovski, Gary Snyder, Bobi Jones (Welsh), Jack Hirschman, Ken Wainio, Dianna Henning, John Lane, and Joe Napora. There is documentation regarding Crowe's music, including collaborations with Nan Watkins. There is also material regarding San Francisco intellectual circles and the International Poetry Festival held there, as well as correspondence concerning activism regarding a wide range of political and social issues. Acquired as part of the George Washington Flowers Collection of Southern Americana.

Collection contains correspondence with other writers, friends, and relatives; manuscript and printed versions of works by Crowe and others; poetry notebooks; publicity materials; photographs; audio cassettes; New Native Press records; and other items. Figures represented include Wendell Berry, Robert Bly, Lawrence Ferlinghetti, Allen Ginsberg, Joy Harjo, David Meltzer, Philip Daughtry, Neeli Cherkovski, Gary Snyder, Bobi Jones (Welsh), Jack Hirschman, Ken Wainio, Dianna Henning, John Lane, and Joe Napora. There is also material regarding San Francisco intellectual circles and the International Poetry Festival held there, as well as correspondence concerning activism regarding a wide range of political and social issues.

Unprocessed additions (from 2006 through 2022) have been described as individual series with box lists in the collection guide. Materials include correspondence, New Native Press published books, original drafts and manuscripts, recordings, posters, book cover art and proofs, and galleys. Includes material related to the publication of Automatic Antiquity (Ken Wainio), Shaking the Grass for Dew (Richard Lewis), In the Middle Woods (Neeli Cherkovski), and rEdlipstick (Ted Pope). Also includes materials from various translations and anthologies featuring Crowe's edits and contributions; recent books by Crowe such as Zoro's Field: My Life in the Appalachian Woods, Crack Light, Rare Birds, The Watcher, A House of Girls, The End of Eden, Book of Rocks, The Brucciano Poemsarticles; interviews, appearances, and reviews by Crowe; documentation of Crowe's music with Thomas Rain Crowe and the Boatrockers; materials from Crowe's community and environmental activism in Tuckasegee, NC; color and black-and-white photographs; music, poetry, and video on audio cassettes, CDs, videocassettes, and computer diskettes or USBs.

Ann Barr Snitow was a feminist activist, writer, and professor of literature and gender studies at Eugene Lang College The New School for Liberal Arts. The collection includes teaching files, subject files, materials documenting Snitow's involvement in various feminist activist groups and organizations, Greenham Common Women's Peace Camp, her work with Ellen Willis, feminist publications in Eastern European languages, writings, speeches, correspondence, interviews, Carol Jacobsen films, and recordings of Snitow's feminist radio shows on WBAI in New York.

Collection includes Snitow's teaching files and materials with an emphasis on her work in Eastern Europe, career files, research files, speeches, correspondence, diaries, journals, notebooks, subject files, materials documenting Snitow's involvement in various activist groups and organizations, feminist publications in Eastern European languages, Snitow's writings and publications, published and unpublished materials documenting women's studies, feminist theory and feminist movements, recorded interviews, Snitow's recorded speeches, recordings of Snitow's radio shows on WBAI, and films by feminist documentarian Carol Jacobsen.

Advertising executive with Doyle Dane Bernbach and DDB Needham agencies in the New York and Los Angeles offices; marketing executive for Universal Pictures. Collection spans the 1950s-2015 and includes policy and training manuals, media campaign reports, speeches and writings and press clippings, other printed materials, print advertisements, photographs, slides, and other materials that relate to Kornblit's career in advertising at the Doyle Dane Bernbach (DDB) and DDB Needham agencies. Companies referenced include American Tourister (American Luggage), Thom McCan shoes, and Volkswagen. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection spans the 1950s-2015 and includes policy and training manuals, media campaign reports, speeches and writings and press clippings, other printed materials, print advertisements, photographs, slides, and other materials that relate to Kornblit's career in advertising at the Doyle Dane Bernbach (DDB) and DDB Needham agencies. Companies referenced include American Tourister (American Luggage), Thom McCan shoes, and Volkswagen.

Thomas Mayer was an American economist (1927-2015) known for his work in economic methodology and monetary policy. His papers include published works and drafts of his writings and research and a small amount of correspondence between him and other economists. A portion of this collection is born-digital material, which is not yet available for research.

The papers held in this collection consist largely of Mayer's writings, in both final and draft form, which span his professional career from the 1950s until the 2010s. There is a small amount of printed correspondence, including notable economists Milton Friedman, Roger Backhouse, and others. The bulk of the collection consists of born-digital materials, which contain both electronic drafts and email correspondence. As of January 2017, this material is not yet available for research. Contact Research Services with questions about accessing that portion of the collection.

Nobel-prize winning economist and professor at the University of Pennsylvania's Wharton School. Collection includes Klein's correspondence, writings and drafts, economic research and subject files, organizational papers, and dissertations from Klein's many students. Contains significant amount of material from Project LINK, particularly from the late 1960s. Audiovisual recordings of the first LINK conference in 1969 will require reformatting prior to use. Also includes files from Klein's presidency of the National Academy of Science, his professorship at the University of Pennsylvania's Wharton School, and printouts from early economic computer programs and experiments.

The collection includes Klein's correspondence, writings and drafts, economic research and subject files, organizational papers, and dissertations from Klein's many students. It contains significant amount of material from Project LINK, particularly from the late 1960s. Audiovisual recordings of the first LINK conference in 1969 will require reformatting prior to use. Also included are files from Klein's presidency of the National Academy of Science, his professorship at the University of Pennsylvania's Wharton School, and printouts from early economic computer programs and experiments.

The Dissertations series includes copies and drafts of dissertations and theses written by Klein's students and advisees during his tenure at the University of Pennsylvania. They are arranged in alphabetical order by the author's name.

The Subjects, Organizations, and Research series includes subject files and materials on various publications, research topics, projects, and organizations with which Klein worked. This series includes many materials from his career at the University of Pennsylvania, including teaching materials and committee information, as well as his presidency of the National Academy of Sciences. It has been arranged alphabetically by folder title.

The Project LINK series contains records related to that project, for which Klein served as principal investigator along with Bert Hickman, Rudolf Rhomberg, and Aaron Gordon. Included are materials from various meetings, research materials, and reports.

The Computer Printouts series contains computer printouts from an unknown project, possibly Project LINK, dating from the early 1980s.

The Correspondence series contains letters, memos, and faxes received or written by Klein. Much of the correspondence was exchanged with colleagues in the field of economics, and reflects collaborative research endeavors. Arranged loosely by correspondent within each year. Not every year has incoming correspondence.

Writings by Klein includes papers and speeches written by Lawrence Klein for journals, newspapers, editorials, and congressional testimony.

Writings by Others includes non-dissertation writings on economics collected by Klein for his own research or interest.

Audiovisual Materials contains audio recordings of the first worldwide Project LINK conference in 1969. This material will need to be reformatted prior to use.

There is also a small amount of Unsorted Miscellaneous material.

In addition, a small amount of electronic media has been removed from the collection and transferred to Duke's server. Please contact Research Services for access to this material.

Dr. Jim D. Hunt was a Professor of Ethics and Religion at Shaw University in Raleigh, NC for almost 30 years. He studied the philosophy of Mohandas K. Gandhi and published several authoritative books on Gandhi, satyagraha, civil rights and peace. The Jim Hunt Papers span the years 1950s-2000s and document Hunt's academic career as a Professor of Religion and his personal life as an activist for social changes. Items in the collection include research materials, correspondence, writings by and about Dr. Hunt, manuscripts, clippings, printed materials, notebooks, information and multimedia packets, photographs, slides, videos and sound recordings, as well as a few artifacts.

The Jim Hunt Papers span the years 1950s-2000s and document Hunt's academic career as a Professor of Religion and his personal life as an activist for social changes. Items in the collection include research materials, correspondence, writings by and about Dr. Hunt, manuscripts, clippings, printed materials, notebooks, information and multimedia packets, photographs, slides, videos and sound recordings, as well as a few artifacts.

The Research/Subject Files series contains research materials on India and South Africa, writings about Mahatma Gandhi and Martin L. King, book reviews, manuscripts, subject files, photos, and academic papers by Dr. Hunt and others.

The Correspondence series includes personal and professional correspondence received and sent by Dr. Hunt throughout his adult life.

Most of the maps in the Maps series were drawn or collected by Jim Hunt. The bulk of the series was from either India or South Africa.

Author (fiction and non-fiction) and gender equity consultant from Durham, N.C. Collection includes materials from Smith's literary career as an author of mystery novels, files from her work as a gender equity consultant, her newspaper columns on gender in the workplace, and materials from her work with youth at St. Philip's Episcopal Church in Durham. Also includes a small amount of correspondence from Smith's college years and family photographs from the early 20th century. The files relating to her fiction writing also include a set of audiocassettes related to one of her books. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection includes materials from Smith's literary career as an author of mystery novels, files from her work as a gender equity consultant, her newspaper columns on gender in the workplace, and materials from her work with youth at St. Philip's Episcopal Church in Durham. Also includes a small amount of correspondence from Smith's college years and family photographs from the early 20th century. The files relating to her fiction writing also include a set of audiocassettes related to one of her books. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The collection primarily contains materials related to Hennessee's writing career and her participation in the National Organization for Women (NOW). Most of the NOW materials concern its 1972 petition to the Federal Communications Commission (FCC) to deny renewal of WABC-TV's license due to alleged discrimination against women in programming and employment. Included are legal documents; information related to NOW's monitoring study of WABC; reports pertaining to ABC and other television networks; and materials concerning the portrayal of women in the broadcast and print media, including several issues of the Media Report to Women newsletter. Other feminist materials include clippings, reports, political buttons and stickers, publications, and printed material, including several issues of the feminist literary magazine aphra and various women's organizations' newsletters. The collection also includes interview transcripts and other research materials for, correspondence about, and both a typescript and a published copy of Hennessee's biography Betty Friedan: Her life. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Posters were used in cities and villages across China to promote health and hygiene, including for pregnancy and childbirth via the Patriotic Health Campaign from the 1950s through the 1970s, and to communicate limiting family sizes in the 1970s and the "one child" policy in the 1980s. The Chinese women's health and family planning posters include posters with images and text about childbirth, women's hygiene, and family planning.

The Chinese women's health and family planning posters include posters with images and text about childbirth, women's hygiene, and family planning. The collection includes a series depicting fetal development from conception to childbirth; posters on women's health and hygiene during pregnancy; information on nutrition for mothers and babies; and posters on planning and limiting family size.

Porter Advertising, founded in 1945, is an out-of-home advertising company based in Richmond, Indiana. Porter Advertising Billboard Sketches date between the 1950s and 1970s and document the company's poster designs for a wide range of businesses in the region around Richmond, Indiana. The collection includes rough and developed sketches; design drawings for specific businesses and campaigns; generic designs; and billboard mockups for local businesses such as car dealerships; banks and financial institutions; funeral homes; hospitals and clinics; motels; retail stores; restaurants; and others. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Porter Advertising Billboard Sketches date between the 1950s and 1970s and document the company's poster designs for a wide range of businesses in the region around Richmond, Indiana. The collection includes rough and developed sketches; design drawings for specific businesses and campaigns; generic designs; and billboard mockups for local businesses such as car dealerships; banks and financial institutions; funeral homes; hospitals and clinics; motels; retail stores; restaurants; and others.

William H. Willis was Professor and Chair of the Department of Classics at Duke University. Collection contains approximately 6000 travel slides from Europe, Asia, and the Middle East dating 1950s-1970s.

Collection contains color slides from travel in Europe, Asia, and the Middle East with notable holdings from Greece and Turkey, are arranged first geographically and then by date. Original grouping for slide shows that were housed in carousels are maintained and noted.

Collection consists of 38 black-and-white photographs taken by Leon Levinstein from the 1950s to the 1970s. The images, usually taken at close range and at unusual angles, portray children, women, and men of all races and backgrounds - many of them marginalized - on New York City streets and on the beach. Locations include Harlem, Manhattan, the Lower East Side, and Coney Island. There are also photographs of people in Haiti. and a few from India and Mexico. Most of the unmounted gelatin silver prints measure approximately 11x14 inches, with several larger prints. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection consists of 38 black-and-white photographs taken by Leon Levinstein from the 1950s to the 1970s. The images, usually taken at close range and at unusual angles, portray children, women, and men of all races and backgrounds - many of them marginalized - on New York City streets and on the beach. Locations include Harlem, Manhattan, the Lower East Side, and Coney Island. There are also photographs of people in Haiti. and a few from India and Mexico. Only one scene, a piano in a room, has no people in it.

Levinstein deliberately left his images untitled and undated, thus most prints in this inventory are accompanied by content descriptions created by a collector or dealer, or, in a few cases, by library staff. Almost all the prints bear a photographer's stamp on the back and a few are signed by Levinstein. Most of the prints measure approximately 11x14 inches, with a few larger prints; in the dimensions given, height precedes width.

Acquired as part of the Archive of Documentary Arts at Duke University.

Gaess Outdoor was a family-owned outdoor advertising company founded in the 1930s in northern New Jersey, serving the New Jersey-Metropolitan New York market. It was acquired in 1997 by Universal Outdoor, a subsidiary of Clear Channel Communications, Inc. The Gaess Outdoor Advertising Photographs collection spans the decades of the 1950s and 1960s and includes black-and-white photographs and negatives of painted and blank billboard structures, locations, proposed locations and competitors' billboards. Clients include Budweiser (Anheuser-Busch), Cities Service (Citgo), Gulf Oil, Schaefer and Schlitz. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Gaess Outdoor Advertising Photographs collection spans the decades of the 1950s and 1960s and includes black-and-white photographs and negatives of painted and blank billboard structures, locations, proposed locations and competitors' billboards. Clients include Budweiser (Anheuser-Busch), Cities Service, Gulf Oil, Schaefer and Schlitz.

The Counter Intelligence Investigations Course was held at the Counter Intelligence Corps School in Fort Holabird, Maryland, in the 1950s. Collection contains an assortment of teaching materials including courses on Interrogation, Identification of Soviet Armed Forces Insignia and Rank, Profiling, Sabotage, Raids & Searches, Study of Communism, Surveillance, a history of the Counter Intelligence Corp, maps, and Counter-Sabotage.

Collection contains numerous pamphlets, mimeograph lessons, instructions, course schedules, students' hand-written notes, etc., originally housed in four unlabelled binders. These pamphlets and lessons contain an assortment of teaching materials including courses on interrogation, identification of Soviet Armed Forces insignia and rank, profiling, sabotage, raids & searches, study of Communism, surveillance, history of the Counter Intelligence Corp, maps, counter-sabotage, etc. Most material is stamped "Restricted," and a few are stamped "Classified." No further arrangement has been attempted.

Contains memoranda, correspondence, budgets, reports, agreements, financial information, organizational records and other printed matter from the Office of the Vice President for Business and Finance. Records concern Duke University, its various academic departments, organizations, and benefactors, including the Medical Center. These records were created by Vice President for Business and Finance Gerhard Henricksen (1962-1966) and his successor Charles B. Huestis (1966-1985), and provide a detailed account of the university's financial status. Major topics include the university's relationship with the Duke Endowment and Local Unions 77 and 465, Medical Center construction;, university properties, physical plant, and facilities renovations, national professional organizations, several university committees, the Board of Trustees, the Duke University Athletic Association, WDBS campus radio station, the Duke Vigil, Duke University Marine Lab, Huestis' personal interests and affiliations, and the departments of the Business and Finance Division (including Housing, Data Processing and the Computation Center, Accounting, Dining Halls, Personnel, Materials Support, Safety and Traffic, TelCom, and Utilities), and the University Architect. Major correspondents include University Architect, University Council, Business Manager, Corporate and University Controllers, Terry Sanford, William G. Anlyan, A. Kenneth Pye, Richard L. Jackson, J. Peyton Fuller, John Adcock. English.

Contains memoranda, correspondence, budgets, reports, agreements, financial information, organizational records and other printed matter pertaining to the financial status Duke University's academic departments, organizations, benefactors, and Medical Center. Major topics include Duke University's relationship with the Duke Endowment and Local Unions 77 and 465, the Internal Audit Office, the Chancellor's Office, the Board of Trustees, Medical Center construction, university properties, parking, the physical plant, facilities renovations, the Environmental Concerns Committee, Research Triangle Park, Research Triangle Institute, highway development, the Duke University Athletic Association, WDBS campus radio station, Duke University Marine Lab, Duke Forest, Charles B. Huestis, C. G. Henricksen, the American Dance Festival, business auxiliaries, departments of the Business and Finance Division (including Housing, Data Processing and the Computation Center, Accounting, Dining Halls, Personnel, Materials Support, Safety and Traffic, Utilities, and the TelCom division), the Duke Vigil, and the University Architect. Major correspondents include University Architect, University Council, Business Manager, Corporate and University Controllers, Terry Sanford, William G. Anlyan, and A. Kenneth Pye. Subject files are arranged alphabetically.

The Office of Human Resources Reference Collection contains files of memoranda, personnel policy notices, employee handbooks and newsletters, policy manuals, news clippings, literature on training opportunities, and other materials concerning the personnel management functions of the University. Materials date from the early 1950s through the 1990s. Major subjects include benefits, wages and salaries, upward mobility programs and training, services for employees, employee awards and appreciation events, and personnel policies and work rules. This collection was compiled from a variety of sources by the University Archives for use in reference and research.

The Office of Human Resources Reference Collection contains files of memoranda, personnel policy notices, employee handbooks and newsletters; policy manuals; news clippings, brochures, and other printed materials. The collection is organized in five series: 1) Management 2) Personnel Department 3) Awards 4) Training 5) Benefits

The records of the Durham, N.C. organization Student Action with Farmworkers comprise: administrative and event files; correspondence; reports, articles, and other publications; student project files; outreach and teaching materials; photographs, artwork, and scrapbooks; audio and video recordings; and materials related to labor organizing and protests across the U.S. Hundreds of student-led projects document through interviews, essays, photographs, videos, and other materials the lives of migrant farmworkers and their working conditions, mostly in NC but also in SC. Major themes in the collection include: history, working conditions, and abuses of migrant farmworkers in the U.S.; education and outreach efforts; housing, health, and pesticide safety; leadership development for migrant youth; grassroots theater; labor organizing and boycotts; and service learning. Materials are in English and Spanish. Acquired as part of the Human Rights Archive at Duke University.

Founded in 1992 in Durham, North Carolina, Student Action with Farmworkers (SAF) is a non-profit organization whose mission is to bring students and farmworkers together to learn about each other's lives, share resources and skills, improve conditions for farmworkers, and build diverse coalitions working for social change. The SAF records comprise: correspondence; meeting agendas; student projects; reports, articles, and other publications; event files; teaching materials; photos; scrapbooks; ephemera; and other documentation of SAF's programs. Materials relate more widely to immigrant and migrant worker issues, service learning, labor organizing, and protests and boycotts across the U.S.

The largest series (63 boxes, approximately 200 gigabytes) contains hundreds of individual SAF student projects directed by college-age students and interns as well as farmworker and migrant youths. Materials also include administrative files, many of which house intern applications. Project files typically contain recorded interviews, often with transcripts; essays; notebooks; artwork; poetry; audio and video recordings; theater materials; and photographs in analaog and digital formats. Some photograph albums and collages are also found here. Most of the projects took place in North Carolina but also in South Carolina. Umbrella programs include Into the Fields (ITF), Levante, and From the Ground Up (FTGU). Major themes involve worker education, housing, health, and pesticide safety; leadership development; and grassroots theater as a tool for teaching and activism. Materials are in English and Spanish. Many other materials on SAF projects are found in the Administrative Series.

The large Administrative Files Series contains organizational records created or compiled by SAF staff and are organized in subseries for SAF projects, fundraising, general administrative files, organizations, resource files (articles, fliers, and other publications), and photographs and scrapbooks.

The Printed Material Series contains Student Action with Farmworkers publications, SAF press coverage, student papers and theses, some children's books, and farmworker-related reports, articles, newsletters, data sheets, resource directories, and alerts from around the world.

The Joan Preiss Papers Series contains records related to an activist and long-time collaborator of SAF. Comprises a variety of printed materials, primarily articles and newsletters, as well as correspondence, protest ephemera, promotional material for unions and activist organizations, meeting notes, student papers, and photographs. The materials relate to migrants and farmworkers both in North Carolina and throughout the United States.

Finally, the Ephemera and Artifacts Series contains items such as posters, t-shirts, stickers, and buttons related to Burger King, Subway, Gallo, and Mt. Olive boycotts and protests. Some materials relate to protests and boycotts in other regions such as Florida and Western states. Also contains SAF publicity ephemera, and props and other materials from the Levante activist theater group.

Joel Raphaelson was an advertising executive with Ogilvy & Mather in New York and Chicago. The Joel Raphaelson papers include correspondence, speeches and presentations, writing drafts and other printed materials as well as audiovisual materials in multiple formats (videocassettes, optical disks, audio reels). Topics include agency and account management, management philosophy and strategic direction, and theories of writing for business and advertising copy. A significant portion of the collection is devoted to correspondence with David Ogilvy, Ogilvy's memos and other writings. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Joel Raphaelson papers include correspondence, speeches and presentations, writing drafts and other printed materials as well as audiovisual materials in multiple formats (videocassettes, optical disks, audio reels). Topics include agency and account management, management philosophy and strategic direction, and theories of writing for business and advertising copy. A significant portion of the collection is devoted to correspondence with David Ogilvy, Ogilvy's memos and other writings. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Consumer Reports is a product testing and consumer advocacy nonprofit organization based in Yonkers, N.Y., founded in 1936 as Consumers Union. The International Organization of Consumers' Unions (IOCU) is a consumer protection and rights advocacy organization founded in the Hague in 1960; it renamed as Consumers International in 1995. Collection includes audiovisual materials; clippings; correspondence; financial reports; meeting minutes; membership applications; policy statements; press releases; proceedings and planning documents for conferences, seminars, and workshops; texts of speeches and articles; and other printed materials that document Consumers Union's membership and participation in the organization. Organizations and individuals represented in the collection include: Anwar Fazal; Charles Medawar; Florence Mason; Foo Gaik Sim; Health Action International; International Air Transport Association; International Baby Food Action Network; Lars Broch; Organisation for Economic Co-operation and Development; Pesticide Action Network; United Nations. Topics addressed in the collection include: Bhopal disaster; consumer product testing and safety; environmental justice; food safety, security and nutrition; founding of the organization; international businesses; medical care and pharmaceutical policies; pesticide use, environmental and health concerns; sustainable agriculture; and women's health. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection includes audiovisual materials; clippings; correspondence; financial reports; meeting minutes; membership applications; policy statements; press releases; proceedings and planning documents for conferences, seminars, and workshops; texts of speeches and articles; and other printed materials that document Consumers Union's membership and participation in the organization. Organizations and individuals represented in the collection include: Anwar Fazal; Charles Medawar; Florence Mason; Foo Gaik Sim; Health Action International; International Air Transport Association; International Baby Food Action Network; Lars Broch; Organisation for Economic Co-operation and Development; Pesticide Action Network; United Nations. Topics addressed in the collection include: Bhopal disaster; consumer product testing and safety; environmental justice; food safety, security and nutrition; founding of the organization; international businesses; medical care and pharmaceutical policies; pesticide use, environmental and health concerns; sustainable agriculture; and women's health.

John Hicks was a jazz pianist, composer, and educator professionally active in music since the 1960s. The John Hicks Papers consist of compositions composed, arranged, or performed by John Hicks; a variety of personal files documenting his history in music; and a large collection of audio and moving image materials containing concerts, rehearsals, interviews, and piano lessons with Hicks.

The John Hicks Papers span the dates of 1950 through 2015, with the bulk of the materials dating from the 1980s and 1990s. The papers consist of compositions composed, arranged, or performed by John Hicks or Elise Wood; and personal files, including business records, press materials, photographs and correspondence. Also included is a large collection of audio and moving image materials, consisting chiefly of concert recordings of Hicks from the 1980s through the 2000s, but also containing rehearsals, interviews, and piano lessons with Hicks. There are audio and moving image materials in audio cassette, LP, CD, VHS, Betamax, and DVD formats.

South African Methodist Church leader and anti-apartheid activist. The Peter Storey Papers contain correspondence, datebooks, articles, lectures, sermons, committee and subject files, clippings, scrapbooks, videotapes, and electronic records. The collection documents Peter Storey's leadership and active involvement in the Methodist Church of Southern Africa, the South African Council of Churches, the Central Methodist Mission in Johannesburg, the Truth and Reconciliation Commission, Gun Free South Africa, and other religious and anti-apartheid groups. Major subjects include Nelson Mandela, Winnie Mandela, urban ministry, crisis intervention, and political violence and elections in South Africa. Materials range in date from circa 1950 to 2006. Acquired as part of the Human Rights Archive.

The Peter Storey Papers contain correspondence, datebooks, articles, lectures, sermons, committee and subject files, clippings, scrapbooks, videotapes, and electronic records. The collection documents Peter Storey's leadership and active involvement in the Methodist Church of Southern Africa, the South African Council of Churches, the Central Methodist Mission in Johannesburg, the Truth and Reconciliation Commission, Gun Free South Africa, and other religious and anti-apartheid groups. Major subjects include Nelson Mandela, Winnie Mandela, urban ministry, crisis intervention, and political violence and elections in South Africa. Materials range in date from circa 1950 to 2014. Acquired as part of the Human Rights Archive.