Titled "After Eisenhower" in reference to the outgoing President's speech about military power, this body of work by photographer Jasmine Clark consists of 36 16x20 inch color inkjet photographs of signs, symbols, slogans, and advertising that permeate the streets and outdoor spaces of military-based towns. The images convey complex themes of patriotism, Christianity, masculinity and feminity, and other iconographic expressions of "Middle America" culture. Acquired by the Archive of Documentary Arts at Duke University.

Titled in reference to outgoing President Eisenhower's speech regarding the dangers of military power, this collection consists of 36 16x20 inch color inkjet photographs from the documentary project "After Eisenhower" by photographer Jasmine Clark. Clark documented signs, symbols, slogans, murals and advertising that permeate the streets and outdoor spaces of an anonymous military town or towns. No locations are recorded for the photographs, but they were all or almost all taken in California. The images convey complex themes of patriotism, Christianity, masculinity and femininity, and other iconographic expressions of "Middle America" culture.

From the artist's statement: "The photographs in 'After Eisenhower' are influenced by my upbringing in a United States Marine Corps community in Twentynine Palms, California...My sister and I were exposed to the ideologies of American patriotism and nationalism. We learned the critical distinction between the two; namely, that the embedded framework of American nationalism is inseparable from and in service to the systemic cultural narrative that brown skin and other physical characteristics are negative."

"The military is intertwined in the established patriotic, national and Christian identity. How is patriotism learned and sustained without any direct military relationship and in a society that oppresses any aspect of your identity? President Dwight D. Eisenhower's farewell presidential address warned about the implications of military power and its impact on American culture. In response to my curiosities and Eisenhower's warning, my work probes how American patriotic identity manifests when its symbols, e.g., the national anthem and the American flag, are conflated with complex and polarizing issues such as racial discrimination, religion, gender identity, and nationalism. The saturation of these oversimplified messages is disconcerting. They are meant to have clear meanings. However, these places and artifacts suggest more problematic truths about American life and our relationship to our military."

For her work "After Eisenhower," Clark received the Archive of Documentary Arts Award for Emerging Documentarians in 2017.

Acquired by the Archive of Documentary Arts at Duke University.

Posters were used in cities and villages across China to promote health and hygiene, including for pregnancy and childbirth via the Patriotic Health Campaign from the 1950s through the 1970s, and to communicate limiting family sizes in the 1970s and the "one child" policy in the 1980s. The Chinese women's health and family planning posters include posters with images and text about childbirth, women's hygiene, and family planning.

The Chinese women's health and family planning posters include posters with images and text about childbirth, women's hygiene, and family planning. The collection includes a series depicting fetal development from conception to childbirth; posters on women's health and hygiene during pregnancy; information on nutrition for mothers and babies; and posters on planning and limiting family size.

Collection consists of approximately 400 labels taken from packages of cheese and cheese spreads. Brands represented include Aplin & Barrett, Bel, Cow & Gate, Kraft, Libby, Plumrose, St. Ivel (Unigate, later Uniq), Swift, Surrey, Tolko, Tollose and Wilts. Cheeses originated from a variety of European countries including Denmark, Finland, France, Great Britain, Ireland, Norway and Sweden. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Barbaralee Diamonstein-Spielvogel is an advocate for the arts, interviewer, documentarian, teacher, political organizer, and resident of New York City. The Barbaralee Diamonstein-Spielvogel Audiovisual Collection is primarily comprised of audio and video recordings of programs and interviews produced by Barbaralee Diamonstein-Spielvogel for television and print, centering on the arts, architecture, and historic preservation, particularly in New York, from the mid-1970s to the present.

Spanning 1956 to 2022, the Barbaralee Diamonstein-Spielvogel Audiovisual Collection primarily documents the programs produced by a pioneering advocate for art, architecture, historical preservation, and public policy. The collection is comprised of over 1,300 items, including analogue and digital audio and video resources, stemming from Diamonstein-Spielvogel's prolific output of books, educational programming, and interviews, as well as her work in historic preservation. Two hundred programs, including television interviews with notable artists, designers, and architects, and presentations by the Historic Landmarks Preservation Center, have been digitized by Duke University Libraries and are available on the Barbaralee Diamonstein-Spielvogel Video Archive on YouTube. Topics covered by the materials in this collection include broad categories such as art and architecture in the 20th century; historic preservation and the protection of cultural property; media and society; social conditions; and women's rights. Where resources are available on YouTube, links have been provided to the specific video. Audio resources are available through the Duke Digital Repository on request. While all master recordings are represented in this guide, the collection contains both copies of master recordings and elements that went in to creating the master recordings. For an inventory of copies and elements, contact Research Services.

Album contains 51 albumen silver prints taken in Ceylon (now Sri Lanka); Bellary, India; Constantinople (Istanbul), and Egypt. A few images are from Nice, France, and Monte Carlo. The album bears no owner's name, but likely belonged to an individual in the British Army. On the first leaf is pasted a large coat of arms with a motto from the Isle of Man. The Sri Lanka images date from 1894-1895 and include: images from Colombo of military barracks, the hotel Mount Lavinia, Galle Face Green, the British Governor's palace; monsoon waves on a breakwater, polo grounds, and a racetrack; views from the town of Kandy and its lake; images from Trincomalee from an Officers Mess; and race scenes from Nuwara Eliya and Colombo. Views from Egypt show the Great Sphinx, streets in Cairo, and palaces in Alexandria. Images from Constantinople include street scenes, mosques, the port, and the arsenal, while those from India include servants with racehorses, and British men and servants at private residences. There are also images of the hospital ship "Spartan"; portraits of the B and C Companies, 4th Royal Warwickshire Regiment, Dublin, 1902, and the 1st Royal Warwicks in Bellary, India, 1899; a military camp "Marachah," possibly in Afghanistan; and images of military buildings in Sri Lanka. Many of the Sri Lanka images are credited to William H.L. Skeen, a commercial photographer based in Colombo and Kandy; several prints bear his studio's imprint, while others are unattributed but are probably his. The Middle Eastern views are all prints by commercial photographers: the Zangaki brothers (one print), Schroeder & (three prints) and Sebah & Joaillier (five prints). Many of the commercial prints are captioned in the negatives. Prints range in size from 8 3/4 x 11 to 5 3/4 x 8 inches; most are full-page sizes.

Bound photograph album contains 51 albumen silver prints dating from 1894-1901, taken in Ceylon (now Sri Lanka), Bellary, India, Constantinople (Istanbul), and Egypt. A few images are from Nice, France, and Monte Carlo. The album bears no owner's name, but likely belonged to an individual in the British Army. Many of the photographs are captioned. Prints range in size from 8 3/4 x 11 to 5 3/4 x 8 inches; most are full-page sizes.

Sri Lanka images predominate, many attributed to William Henry Louis Skeen, a well-known British-born studio photographer based in Sri Lanka; several prints bear his studio's imprint, while others are unmarked but are likely from his studio.

Images from Sri Lanka date from 1894-1895. Colombo views include: Galle Face Green (Colombo); infantry barracks shown from the front and back, with lake, hospital, polo ground and club house; Mount Lavinia Hotel, with infantry barracks room and officers quarters, 1895; and waves crashing over a breakwater during monsoon. Images from other locations include: a panorama of Kandy; Trincomalee from Officers Mess, 1895; Kandy with lake view and Trincomalee street; India rubber trees, Peredinaya Gardens, Kandy; Main Street, Pettah; "A.S.T." (probably the album's owner) in Ceylon, 1894; polo group, Ceylon 1894; Stewards Stand, Colombo Races, 1894; and Nuwara Eliya Races, 1894, "Comewell wins!"

Views of Egypt are from 1898 and include the Great Sphinx; Gizeh, palace of Prince Hussein Kamil Pacha; Alexandria, Palace Mehemed Ali; Alexandria, palace Ras-el-tin; photograph of a print titled, "Birds Eye View of the Battle of El-Teb"; "Old Cairo"; and a city street in Cairo. Views from Constantinople include the interior of Mosque Sainte Sophie; a street scene; panoramic view of the city and old port; view of the Golden Horn and arsenal; Mosque Hamidiye and Yildiz palace; and an Ottoman porter (studio portrait). The Middle Eastern views date from the mid-1890s and are all by commercial studios: the Zangaki brothers (one print), Schroeder & Cie, Zurich (three prints) and Sebah & Joaillier (five prints). Many of these are captioned in the negatives.

India images are dated later and include: the 1st Royal Warwicks, Bellary India, 1899; Indian servants with race horses; and Indian servants and staff outside private residence with two English men in suits. There are six total residential images, undated and without captions.

There are several commercial views from Europe: Nice, France: "Cascade du chateau" and an image from the Promenade des Anglais, 1901; and a view of a Monte Carlo theater, 1901.

Military images include: the hospital ship "Spartan," 1900; C Company of the 4th Royal Warwickshire Reg.t Dublin, 1902; B Company 4th Royal Warwickshire Reg.t Dublin, 1902; and a loosely inserted image captioned "Officers War. R. Peshawar" with names of officers recorded in pencil on verso. The final image is labeled "Camp Marachah," possibly in Afghanistan. Two smaller glossy copies of an image of men with well-bred horses in a desert landscape are laid in the closing pages.

On the first album leaf is pasted a coat of arms with the original Latin motto crossed out, and a different one written below in period ink, "Quocunque jeceris stabit", meaning "Whichever way you throw, it will stand," the motto for the coat of arms of the Isle of Man.

Materials from (or related to) the migration by sea of Cubans, Dominicans, and Haitians, including the refugee camp for Cuban and Haitian rafters that existed in Guantanamo Bay, Cuba, largely dating from 1991-1996. Collection includes camp newspapers and artwork created by refugees held at Guantánamo Bay, Cuba; materials from the U.S. Coast Guard and other military sources, such as newspapers written in Haitian Creole, photocopies of camp rules and refugee intake procedures, and a transcript from an introductory video shown to refugees arriving at the camps; magazines and media coverage of refugee situations, including some material on Elián González; photographs and slides of refugees, Coast Guard personnel, and conditions in the camps in Cuba. Refugees arriving in Miami are included as are photographs of the work of the Guantanámo Refugee Assistance and Services Program in Miami and in the camps in Guantánamo Bay.

Materials include newspapers, artwork, clippings, U.S. military publications aimed at camp residents, camp notes, reports, and photographs from a variety of sources. Newspapers are one of the largest formats within the collection, which includes the complete run of éxodo, a newspaper with color issues printed from November 1994-September 1995 from Camps Kilo and Charlie Village in the Guantánamo Bay camps; issues of El Bravo, El Balsero, and El Futuro from 1994-1995; Sa K'pase, N'ap Boule, and Qué Pasa, newspapers printed by the U.S. military in Creole and Spanish and designed for Haitian and Cuban refugees at the camps; as well as newspaper clippings and some magazine issues covering the refugee crisis of 1994-1995 and the plight of Caribbean refugees in general.

Photographs are another significant component of the collection. U.S. Coast Guard photographs and slides of rafters and rescuers date from 1980 to the 1990s or 2000s, and are accompanied by photocopies from the U.S. Coast Guard's Historian Office detailing refugees assistance as early as 1959. The collection also includes unsorted and largely unlabeled photographs from the camps; those that are labeled date from 1994.

Other materials in the collection include some refugee artwork, publications about Cuba, a folder of Cuba information including some materials on Elián González, and other ephemera mentioning Cuban refugees. In addition, 8 CDs with photographs and other materials have been transferred to Duke's ERM server and are in the custody of the Electronic Records archivist.

Dr. Willis Edward Byrd was a chemistry professor at Lincoln University. The collection consists of an African American family's papers from the early to mid-twentith century, including correspondence and transcripts from Byrd's education at Talladega College and University of Iowa; some printed materials and writings collected by his parents, Edward D. and Annie L. Jones Byrd, documenting their connections with the Mulberry Rover Missionary Baptist Association, the Better Homes in America organization, and the American Missionary Association; letters to Byrd during his military service in World War II; letters and his employment contract as a chemistry professor at Lincoln University; photographs of Byrd and other family members, some identified, from the early 1900s; and other letters and educational ephemera, including printed materials from Spelman College and Morehouse College. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Collection consists of assorted printed materials, photographs, and some letters and correspondence relating to the education and employment of Willis Edward Byrd and other members of the Byrd and Jones family, including his parents, siblings, aunts, and uncles.

Byrd's attendance and graduation from Talladega College, and his hiring as a chemistry professor at Lincoln University, represent the bulk of his personal papers. There are some photographs of him, including one in army uniform during World War II, and there are some letters to him from his father that discuss his army service and his father's hopes that he will stay focused on his "life's work," presumably meaning his education. Byrd's series also contains correspondence with prospective employers and transcripts from Talladega, Iowa, and Illinois.

Also included in the collection are materials collected or produced by other members of the Jones and Byrd family. Assorted printed materials collected by parents Edward D. Byrd and Annie L. Jones Byrd reflect their community and church activities in Georgia. The collection also contains family photographs of Byrd's parents' generation, including images of his mother, aunts, and uncles. Correspondence and handwritten drafts and reports from Annie L. Jones Byrd document her communications with Better Homes in America regarding the state of housing and education for African Americans in their community, as well as record her and her sister's search for employment as teachers in the mid-1910s. There are also printed materials from Spelman College and Morehouse College, acquired by Willis Edward Byrd's sibling Sarah L. Byrd King and her husband, Arteria King.

The original acquisition also contains a poll tax and property tax receipt from the early 20th century for Henry Adams, in Brazoria County, Texas; as well as a 19th century tax receipt for "Robert Ballentine's heirs." The connection or relationship these individuals have to the Byrd and Jones family is unclear.

Collection comprises materials primarily related to Doris Duke and Joe Castro and to Castro's work with his jazz trio, dated 1957-2009 and undated. Includes approximately 200 2-3/4 x 2-3/4 color transparencies, 35 mm color slides, negatives, and various prints. Subjects of the images vary, but include approximately 50 casual images of Doris Duke in various locations, along with many casual and a few formal photographs of Castro, as well as some with various jazz artists. There is also a group of scores for jazz arrangements, some original, others marked by various composers, as well as a few pieces of printed sheet music. Manuscript material is limited to a few letters and cards that speak to the relationship between Castro and Duke, and to the formation of Clover Records. There is a compact disc of music by Loretta and Joe Castro, and other electronic files of images have been transferred to the server.

Collection comprises a letter from "C.H.H" to a colleague, regarding an ongoing Conn. trial in an abortion case involving "Mrs. Green," "Gen. Walker," and "Mr. Mitchell." Abortion was legal in Conn. until 1821, when it became the first state to explicitly outlaw the practice. The text includes: "Mrs. Green began to testify on Friday night--but was taken sick & had to be sent home. That she was really sick, there can be no doubt. But whether it was the journey &c. or agitation & excitement as to what she was required to testify--is still a mystery. I want you to send me her history & that of her family ... so as to shape our cross examination.... She is expected to testify that the abortion matter was all gotten up by Genl W--without there being any truth in it--She began by saying that Genl W. called on her at Naugatuck [Conn.].... Then [abbr. "said"?] that Gen Walker had been speaking ill of his daughter & also one of hers. That he Walker had [abbr. "said"?] that he had given medicine to produce abortion....They are going to destroy Genl W's testimony--by all kinds of evidence contradicting him--if they possibly can."

Assortment of domestic and international comics and graphic novels acquired by the Rubenstein Library between 1980 and 2017. A large portion of the collection was originally a gift from Alicia Korenman; several other titles were removed from other Special Collections collections, including the Dorothy Allison Papers and the Sarah Dyer Zine Collection. Items in boxes 26-31 were a gift of John Canfield in 2012. Items in boxes 33-36 are a collection of a Latino comics. Over 350 titles of domestic and international comic books and graphic novels, as well as some related items, from publishers including DC/Vertigo, Abstract Studio, Oni Press, Marvel, Dark Horse, Fantagraphics, and many more.

Over 350 titles of domestic and international comics and graphic novels, as well as some related items, from publishers including DC/Vertigo, Abstract Studio, Oni Press, Marvel, Fantagraphics, and many more. There is a wide range of content present in the collection, from early super hero comics, to girl-power comics from the 1970s, to Dr. Horrible, published in 2009.

Keyword searching is the most efficient way to find a specific title in the collection, because the materials have not been arranged beyond being grouped by title. Each title is listed along with the publisher, the format, the years of publication represented in the collection, and the specific issues held in the collection. Includes notes about particular titles, such as their country of publication. Also highlighted are the small amount of titles, dated 1950s-1980s, which feature African or African American characters.

Cordel literature are popular and inexpensively printed booklets or pamphlets in Brazil containing folk novels, poems, and songs. They are a grassroots form of communication and serve as a conduit for popular opinion. This collection contains 35 booklets of cordel literature written by various authors. These booklets primarily address political topics such as elections, contemporary Brazilian presidents, and high-profile corruption.

Collection contains 35 booklets of cordel literature written by various authors. These booklets primarily address political topics such as elections, contemporary Brazilian presidents, and high-profile corruption, including the Mensalão vote-buying scandal and Operação Lava Jato (Operation Car Wash) criminal investigation.

Collection contains diaries of Martha (Foster) Crawford as a young woman in Alabama, 1845-1851, and later as a Baptist missionary to China. Topics include conditions in Shanghai from 1852 to 1864 and afterwards at Tengchow, Shantung, and her reactions to the Civil War in the United States. Her diary shows the impact of the American Protestant missionary on China with a day-by-day record of her life. The Shanghai period covers the Taiping rebellion and discusses the hope that the rebellion might furnish a means for converting the Empire to Christianity. Included also are several printed pamphlets and an original manuscript history of missions in China.

The Cuban Revolution Materials collection comprises assorted printed materials and serials publications regarding the Cuban Revolution of 1959, Fidel Castro's governance, and U.S. foreign policy in Cuba in the 1960s, especially the Bay of Pigs Invasion of April 1961. Committees and Organizations series contains assorted documents including leaflets, position statements, generated by pro-Cuba organizations based in major metropolitan areas, primarily New York City, in 1960 and 1961. Original sources are unknown; the collection was received as a transfer from the Duke University Library pamphlet collection.

Collection arranged into two series, Committees and Organizations and Assorted Printed Materials. The first series comprises assorted documents from U.S.-based committees in support of the Cuban Revolution and critical of U.S. foreign policy. The Assorted Printed Materials series is comprised of single serials related to the Cuban Revolution and U.S. foreign policy in Cuba, especially the Bay of Pigs Invasion in the early 1960s. The collection was transferred to the Rubenstein Library from the Duke University Library pamphlet collection in 2012. Their original source or sources are unknown; however it is likely that materials were collected by the library to support student research in the 1960s. Most of the material is from 1960 and 1961, with a concentration of printed materials from April and May of 1961, around the time of the Bay of Pigs Invasion. Committees represented in the collection show a pro-Cuba agenda and include The Fair Play for Cuba Committee, The Truth About Cuba Committee, Young Socialists Alliance, and the Non-Violent Committee for Cuban Independence. Materials include leaflets, event flyers, newsletters and correspondence, committee resolutions, and other printed ephemera from their grassroots efforts to educate audiences about the actions of the U.S. military in Cuba.

Former English Professor at Duke University, and Vice-Provost for Interdisciplinary Affairs. Author of fiction and memoirs, and editor of The Book of Love and Oxford Companion to Women's Writing in the United States. The Cathy Davidson Papers encompass Davidson's various writings, organizational work, correspondence, and materials related to Fred Hampton.

The Cathy Davidson Papers encompass Davidson's various writings, organizational work, correspondence, and materials related to Fred Hampton. The Writings Series includes her research and assemblage of famous authors' love letters (Book of Love), as well as drafts of various books, short stories, writing workshops, and publication matters. The Organizations and Professional Activities Series includes files relating to her work with the American Studies Association, the American Literature Section of the MLA, and the American Literature Association, as well as various other professional activities. Part of Davidson's Duke career is documented in the papers as well, particularly her work with the MacArthur Foundation grant for learning institutions in a digital age, as well as some HASTAC materials. The Fred Hampton Materials pertain to the assassination of Fred Hampton in 1969 and Davidson's related photography projects. This series is closed until 2017. Additionaly, permission from Cathy Davidson is required to view any materials in accession 2012-0248 (boxes 21-23) during her lifetime.

The Picture File was created and maintained beginning in the 1950s by the Duke University Manuscript Department staff and its institutional successors as a vertical file of pictorial works separated from manuscript collections as well as acquired individually. The collection is large and diverse, with images dating from the 18th through the 20th centuries. Engravings feature prominently, with photographs a close second. The predominant genre is portraits of political and military leaders, authors, artists, physicians, scientists, and others. Members of the Duke family and others from Durham, N.C. are also present. In the Socialist Party Series there are numerous images of leader Eugene Debs. Topics range widely, with a focus on American history, including the Revolutionary and Civil Wars; history and culture of the southern U.S.; and U.S. and European politics. A significant number of individuals in the People Series are African Americans, ranging from individual studio portraits to groups of individuals and racist caricatures and cartoons; a smaller number are of Native Americans.

The Picture File is a large and diverse collection of visual materials ranging from the 17th through the 20th centuries. The bulk of the images in the collection date from the early 1800s through the 1950s. The dominant formats are engravings and photographs. Specific formats include: cartes de visite, cabinet cards, and other albumen prints; tintypes and daguerreotypes (cased and uncased); engravings, lithographs, and other mechanical prints; caricatures and cartoons; watercolors; sketches; postcards; stereographs; small souvenir albums; leaflets; and small broadsides. There are a few cyanotypes and negatives.

The images offer views from most of the southern United States, especially North and South Carolina and Virginia. Many images are from Europe, with a smaller number from Japan and China; a large variety of other countries and locations are represented by a few images. The history of Durham is also well-represented, in addition to other Southern cities and towns, including Raleigh N.C. Many political and military leaders and notable personages, primarily from the U.S. and Europe are present in portraits and caricatures; there are numerous images of Eugene Debs, U.S. Socialist Party leader, and members of the Duke family of Durham, N.C. A significant number of individuals in the People Series are African Americans, ranging from individual studio portraits to groups of individuals and racist caricatures and cartoons; a smaller number are of Native Americans.

The Subjects Series is eclectic, including advertising, cartoons, tobacco, ships, and images from conflicts: Civil War images are abundant, offering views of battles and devastation both rural and urban. There are also scenes from the American Revolutionary War, Spanish-American War, and both World Wars. Finally, the Picture File is home to collections of many engravings and lithographs produced by the 19th century American companies Currier and Ives, L. Prang and Co., and Kurz and Allison; many of them commemorate military leaders or events.

The Mary Lou Williams Center for Black Culture was established in 1983 to share information about Africana and African-American culture with both the Duke and Durham communities. The collection contains materials regarding the general origins, development, and oversight of the Mary Lou Williams Center, as well as files related to programming hosted by, or sponsored by the Center. There are also a small number of files, mostly course materials, related to Leon Latimer Dunkley, Jr., who was the director of the Mary Lou Williams Center for Black Culture from 1999-2005.

The Mary Lou Williams Center for Black Culture records contain materials regarding the general origins, development, and oversight of the Mary Lou Williams Center, as well as files related to programming hosted by, or sponsored by the Center, or at other black culture centers and in higher education in general. Among the materials are articles; plans; Board of Directors meeting minutes, agendas, and draft policies; event and exhibit flyers; black-and-white photographs; mailing and contact lists; correspondence, reports, and budgets; and reservations. Many of the events involve poetry or jazz. There are also a small number of files, mostly course planning materials, related to Leon Latimer Dunkley, Jr., was the director of the Mary Lou Williams Center for Black Culture from 1999-2005.

Mel Shimm was a professor of law and Associate Dean at the Duke Law School. The Mel Shimm papers include materials from Mel Shimm's time as a faculty member at Duke Law School. Included are class materials such as exams and readings, correspondence, committee materials, and other materials.

The Mel Shimm papers include materials from Mel Shimm's time as a faculty member at Duke Law School. Included are class materials such as exams and readings, correspondence, committee materials, and other materials.

In March 2001, students formed the group, Duke Student Movement, to protest racism and exclusion on Duke's campus. Student protests were sparked by the publication of a paid advertisement that argued against slavery reparations in the Chronicle. This scrapbook contains clippings, photographs, and Duke Student Movement papers documenting student activism and responses from alumni, faculty, and administration to these events.

This scrapbook was moved from the Black History at Duke Reference Collection where it was titled Black Student Movement scrapbook. It contains materials documenting the student protests that took place at Duke in March 2001. Items include a timeline of events, Duke Student Movement's statement of goals and demands, clippings and articles, photographs, and faculty statements on student protests. Also includes clippings on responses from the surrounding community, and other institutions, such as the University of North Carolina at Chapel Hill.

The Student Photograph Album is a scrapbook of 100 black and white photographs, by an unidentified photographer, of students and scenes at Duke University and in North Carolina as well as images of Virginia, Niagara Falls, and unidentified locations. Many images have captions and identifying information and appear to all date between 1934-1936.

The student photograph is one scrapbook consisting of 22 pages with a total of 100 black and white photographs. The photographs include images of students and buildings at Duke University, especially the Duke Chapel; groups and families, including groups of children; crop fields in North Carolina; beaches and monuments in Virginia including Virginia Beach; Niagara Falls; and several men sunbathing in underwear or posing nude. Many of the photographs have captions identifying people or groups by name, sometimes with first and last names, and/or giving locations. The photographer or creator of the scrapbook is depicted in several photographs but not identified by name; his identity is unknown.

The Students of the Caribbean Association (SOCA) began in 1991 and was reorganized after a two-year break in 2003. The mission of the group is to provide a space for the Duke community to celebrate and learn about Caribbean culture. This collection contains photographs of the events hosted by the Students of the Caribbean Association.

This collection contains photographs of various events hosted by SOCA from 2013-2017. These events include Caribana, Caribbean Awareness Week, J'ouvert, and Tie-Dye events. Other events reflected in this collection are Cooking with SOCA, the More than Just Reggae Event, Blurred Lines: Redefining the Borders of Caribbean Identities, and Black History Month. This collection also contains photographs of SOCA members and the executive board.

The Radical and Labor Pamphlets Collection (1896-1967) includes approximately 720 pamphlets and other ephemeral publications relating to communism, socialism and other left-wing movements as well as to labor organizations and trade unions. There are some additional pamphlets related to anti-communist movements and some examples of Soviet propaganda.

The Radical and Labor Pamphlets Collection spans the years from 1896 to 1967, with the bulk of the dates falling between 1911 and 1954, and is made up of publications relating to communism, socialism and other left-wing movements as well as to labor parties and trade unions. Subjects represented are: the Communist Party in the U.S. and Great Britain; socialism in the U.S. and other countries; radical youth organizations; political trials and persecutions of radical activists; labor organizations; anti-fascist and pacifist movements; anarchist organizations; anti-Communist propaganda; Soviet propaganda; and Soviet-Western relations. Other significant topics include economic justice, electoral campaigns, human rights issues, the role of women and youth in activist movements, unemployment, housing, fascism in Spain and other contemporary war issues.

There are many important individual authors represented in this collection, including Israel Amter, Arthur Clegg, Georgi Dimitrov, Emma Goldman, Gilbert Green, Grace Hutchins, Mikhail Ivanovich Kalinin, Corliss Lamont, Clare Booth Luce, Philip Murray, Harry Pollitt, Karl Radek, Iosif Stalin, Lev Trotskii, and many others. Many pamphlets were produced anonymously under the aegis of institutions: these include the Communist Party, USA, Socialist Labor Party, Young Communist League, International Labor Defense, Civil Rights Congress, Communist International, Congress of Industrial Organizations, Farmer's Labor Unions, American Federation of Labor, Friends of the Soviet Union, and many more.

The pamphlets are arranged by subject categories, with the largest groups relating to the activities and membership of the Communist and Socialist parties. There is a small group of pamphlets chiefly made up of radical and labor song collections from 1912 to 1950. The majority of the pamphlets were produced in the United States and Great Britain, but there are also smaller groups of materials from Russia, India, Australia, Canada, China, Ireland, Italy, Brazil, the Philippines, and Mexico.

Many of these publications are ephemeral, that is, focused on urgent contemporary issues and generally intended for immediate consumption or short-term use. For this and for other reasons, they were often printed on poor quality paper which now shows signs of severe deterioration. The results are that few of these publications remain in circulation, and researchers may find many of them difficult to locate in library collections.

Printed form in German language for proof of smallpox vaccination, filled out in manuscript hand with the name of the patient, a P[?] Maurer, 49 years of age, and the date of vaccination, August 12, 1872, and the date when the vaccination was declared successful and the certificate signed by the physician, a Professor Zelinder, August 20, 1872. The entry for the location may be Balaton, Hungary. In 1872 there was a very severe smallpox outbreak in England; in 1874, a compulsory vaccination law went into effect in Germany. The certificate bears a decorative border and a small shield. Acquired as part of the History of Medicine Collections at Duke University.

Printed form in German language for proof of smallpox vaccination, filled out in manuscript hand with the name of the patient, a P[?] Maurer, 49 years of age, and the date of vaccination, August 12, 1872, and the date when the vaccination was declared successful and the certificate signed by the physician, a Professor Zelinder, August 20, 1872. The entry for the location may be Balaton, Hungary. In 1872 there was a very severe smallpox outbreak in England; in 1874, a compulsory vaccination law went into effect in Germany. The certificate bears a decorative border and a small shield.

Acquired as part of the History of Medicine Collections at Duke University.

Manuscript volume includes thirty-two articles of varying lengths relating mostly to the political, economic, social, and ecclesiastical history of the French province of Dauphiné during the eighteenth century. No authors are given for any of the writings. The volume probably dates from the decade before the outbreak of the revolutions. Topics of the articles include: the boundary between Dauphiné and Sardinia; the government of Geneva in 1733; extracts from the registers of the Council of State about certain ecclesiastical matters; the boundaries of Dauphiné; methods of teaching at the University of Paris; population, emigration, and the Huguenots; the condition and productivity of Valence, Montélimar, Crest, and Die; commerce, silk and textile production; meat production; a history of fiefs; a petition from the nobles to the King, 1770; Princess Charlotte of Brunswick-Wolfenbüttel, wife of the Russian Tsarevich Alexius Petrovich; affairs concerning the parliament of Dauphiné; and other matters.

Collection includes 20 pieces of collected manuscript sheet music, circa 1830s-1900s. The scores, which cover multiple genres, were most likely copied by hand from other sources.

The Mississippi Freedom Summer 50th Anniversary conference was held June 25-29, 2014 at Tougaloo College in Jackson, Mississippi, to commemorate the Freedom Summer of 1964. Collection contains 9 DVDs of conference sessions. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Collection contains 9 DVDs of conference sessions. The Executive Producer of the DVDs is Veterans of the Mississippi Civil Rights Movement, Inc. The producer is Natalie Bullock Brown/Ascension Productions, LLC.

The Edwin and Terry Murray Papers include a range of materials related to the comic book collecting, comic conventions, and science fiction fandom of Edwin L. and Terry A. Murray.

The Edwin and Terry Murray Papers include a range of materials related to the comic book collecting, comic conventions, and science fiction fandom of Edwin L. and Terry A. Murray. Included are photos documenting over fifty comic conventions that the Murray brothers organized at their home in Durham, North Carolina. Also included is correspondence related to their comic book and science fiction collecting activities, as well as newspaper clippings about their extensive comic book collections. The collection includes published and unpublished writing by the Murray Brothers, as well as collectible comic strips and science fiction ephemera. It also includes mock-ups and production materials for two fanzines, Vertigo and Trefoil, published by Edwin.

The Nation of Islam (NOI) is a religious and political Black nationalist organization that was founded in Detroit in July 1930 by Wallace D. Fard (Farad Muhammad). Collection inclues sermons, training materials, Muslim-American newspapers, and a photograph of Fruit of Islam members.

Collection comprises primarily typescript or photocopied materials prepared for in-house use in the period before Elijah Muhammad's death. Many were stored in three-ring binders. There are sermons written by Elijah Muhammad and Louis Farrakhan, a list of Elijah Muhammad's sayings, copies of a semi-regular monthly Temple newsletter, "The Great Message," and a single issue of the "Black Nation Information Bulletin" (April 1973). Also present is an orientation packet containing teachings and guidelines for new converts or members, especially intended for their first thirty days as Muslims. The packet holds answers to general questions, lists of dietary restrictions, guidelines for dress and appearance, as well as other directives for behavior, along with study guides, prayers, Arabic phrases to be learned, laws, instructions on authority and obedience, and suggestions for how to deal with non-believers as well as the dangers of addictions. Some items were prepared for use in prison systems.

The collection also holds a set of weekly ongoing training messages for the Fruit of Islam (F.O.I.), the organization's all-male paramilitary wing. Topics include military discipline, chain of command, and general security roles, obedience, submission, cigarettes, food and eating, even Christmas. There is a black-and-white group photograph of about 45 F.O.I. members, all dressed in a uniform of white, button-down shirt and bow tie. In addition, there are ten single issues of Muslim newspapers (mostly incomplete, dated 1975-2003), along with newspaper clippings. Acquired as part of the John Hope Franklin Research Center for African and African American History.

Collection contains two single issues of New York City newspapers printed as hoaxes. Includes a New York Times issue from July 4 whose lead story is "Iraq War Ends." There is also a New York Post issue with lead stories "We're Screwed," on climate catastrophes and public health disasters, and "World Leaders Slip on UN Summit Slope."

Professional golfer and celebrity spokesperson. Arnold Palmer advertisements and memorabilia collection consists of print advertisements featuring Palmer as spokesperson, celebrity figure or providing product endorsements, as well as print advertisements for Arnold Palmer's own companies. In addition, the collection includes trading and collector cards, telephone prepaid cards and photographs bearing Palmer's likeness. Companies represented include Beaunit, Chemstrand, Ford, Glaxo (Nicorette smoking cessation products), Haggar, Heinz, Munsingwear, Rayovac, Rockwell, Sears, United Air Lines and Wilson Sporting Goods. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Arnold Palmer advertisements and memorabilia collection consists of print advertisements featuring Palmer as spokesperson, celebrity figure or providing product endorsements, as well as print advertisements for Arnold Palmer's own companies. In addition, the collection includes trading and collector cards, telephone prepaid cards and photographs bearing Palmer's likeness. Companies represented include Beaunit, Chemstrand, Ford, Glaxo (Nicorette smoking cessation products), Haggar, Heinz, Munsingwear, Rayovac, Rockwell, Sears, United Air Lines and Wilson Sporting Goods. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Account of life in camp and traveling while stationed in North India and modern-day Pakistan by an unidentified wife of a British Army officer. The first entry begins in Meean Meer (or Mian Mir), a former large British cantonment in Pakistan. Officers and families traveled to locations including Islamabad, Kashmir, Aliabad, and Pindi Gheb. Illustrated with sketches.

Collection of 143 stereographic images of areas in southeastern China, taken by an amateur photographer and American lighting engineer Frederick B. Nightingale from 1920 to 1921, while he traveled on business as a representative of General Electric. Nightingale's photographs are of value not only for the image content, which includes street scenes, vendors, modes of transportation, shrines, temples, pagodas, monasteries, towers, and landscapes, but also for his lengthy contextual commentary written on the back of each card. The majority of the images were taken in Hangzhou (referred to as Hangchow), Suzhou (Soochow), Mount Putuo island (Pu-tu), and Shanghai, China, but there are also a few images from other cities (Ningbo, Chang'an, and Harinen?), and a set of 11 images were taken in Japan. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection of 143 stereographic images of areas in southeastern China, taken by amateur photographer and American lighting engineer Frederick B. (F.B.) Nightingale from 1920 to 1921 while he traveled on business as a representative of General Electric. Nightingale's collection is of value not only for the image content, which includes many street scenes with individuals in addition to well-known sites and landscapes, but also for his lengthy captions on the back of each card, commenting on food customs, architecture, folklore, commerce, and religious beliefs and practices, as seen from a Westerner's perspective.

The majority of the images were taken in Suzhou (referred to in captions as Soochow, 55 images), Hangzhou (Hangchow, 44), Mount Putuo Island (Pu-tu, 14), and Shanghai, China (13), but there are also a few photographs from other cities (Chang'an, Ningbo, Harinen?), and a set of 11 images taken in Japan. There is also one photograph of overgrown land on Nightingale's Pasadena, California property called "Palawoo." Several images feature Nightingale, and one shows the porter carrying his camera equipment. The majority of the images are crisp with little fading. A few are stamped with small identification numbers.

Subjects include numerous temples, pagodas, monasteries, monuments, tombs, and other historic sites, some of which no longer exist. Nightingale was able to capture some images of temple interiors, and he often noted which religious sites allowed entry to women. There are many photos of street life, river traffic, modes of transportation, and Chinese vendors and pedestrians going about their daily business.

Acquired as part of the Archive of Documentary Arts at Duke University.

Re-Imagining is an ecumenical, radical, Christian movement focused on creating ways of understanding Womanist, Feminist, Mujerista, and Asian Feminist theologies, and opening spaces for dialogue with the church, diverse religious communities, and the world. Eighty-two audio files comprise an oral history project by Sherry E. Jordon with 73 participants in the Re-Imagining conferences, including the first gathering in 1993, Re-Imagining: A Global Theological Conference By Women: For Men and Women. Additionally, 127 mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from gatherings in 1993, 1994, 1995, 1996, 1998, and 2000, as well as three linear feet of papers documenting Jordon's work with Re-Imagining.

Re-Imagining is an ecumenical, radical, Christian movement focused on creating ways of understanding Womanist, Feminist, Mujerista, and Asian Feminist theologies, and opening spaces for dialogue with the church, diverse religious communities, and the world. Eighty-two audio files comprise an oral history project by Sherry E. Jordon with 72 participants in the Re-Imagining conferences, including the first gathering in 1993, Re-Imagining: A Global Theological Conference By Women: For Men and Women. Additionally, 127 mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from gatherings in 1993, 1994, 1995, 1996, 1998, and 2000, as well as papers documenting Jordon's work with Re-Imagining. Interviewees and speakers include Martha O. Adams, Jann Aldredge-Clanton, Gail Allan, Elizabeth Andrew, Diana Butler Bass, Mary Farrell Bednarowski, Elizabeth Bettenhausen, Nadean Bishop, Kathy Black, Donna Blackstock, Steven Blons, Robert Brinkley, Rita Nakashima Brock, John M. Buchanan, Nancy Chinn, Faye Christensen, Hyun Kyung Chung, Susan Cole, J. Ann Craig, Susan Halcomb Craig, Kathy Deacon-Weber, Sister Holy Spirit DeSouza, Heather Murray Elkins, Sara M. Evans, Marylee Fithian, Mary Gates, Marchelle Hallman, Susan Hames, Robin Henry, Maren Hinderlie, José Hobday, Mary E. Hunt, Pamela Carter Joern, Sally Howell Johnson, Katie Johnson, Barbara Anne Keely, Betty Kersting, Judith Allen Kim, Annie Wu King, Rebecca Lynn Kiser, Mary Kuhns, Pui-lan Kwok, Barbara Lund, Barbara K. Lundblad, Mary Ann Weese Lundy, Katherine Austin Mahle, Eily Marlow, Joan M. Martin, Mary Kaye Medinger, Joyce Ann Mercer, Virginia R. Mollenkott, Melanie S. Morrison, Susan Morrison, Mary Clark Moschella, Vivian Jenkins Nelsen, Randy Nelson, Christie Neuger, John Niles, Manley Olson, Ofelia Ortega, Doris Pagelkopf, Rebecca Todd Peters, Virginia Pharr, Joy Mincey Powell, Mary Preus, Anne Primavesi, Bernice Johnson Reagon, Jo Ringgenberg, Mary Kay Sauter, Jeanyne B. Slettom, Jerie Smith, Joyce D. Sohl, Hilda Spann, Allison Stokes, John Strausz-Clement, Judith Strausz-Clement, Sue Swanson, Hal Taussig, Margaret Thomas, Rebecca Tollefson, Carmen Valenzuela, Johanna W.H. Van Wijk-Bos, Emily Wigger, Delores S. Williams, Eugenia Williams, Lois Wilson, and Miriam Therese Winter.

Duke KAjok, or KAjok, is a Korean American student group founded in September 2022. Students created the organization with the goal of bringing together Korean American members of the university to create a sense of community and a welcoming environment. The collection contains certificates awarded to KAjok from the Center for Multicultural Affairs and a KAjok baseball cap.

Contains certificates awarded to KAjok from the Center for Multicultural Affairs and a KAjok baseball cap.

The Office of New Student Programs provides programs and resources to new student populations at Duke University. Collection includes files relating to the First-Year Advisory Counselor (FAC) program.

Collection includes files relating to the First-Year Advisory Counselor (FAC) program, covering the following topics: Board recruitment, selection, and accountability; orientation week (called "O-Week"); meeting slides and notes; training; and rosters. There are also photographs of students at events and videos created by FAC board members.

Project Child provides first-year students with an experience of extended orientation to both Duke University and the greater Durham Community. The collection contains miscellaneous presentations, committee meeting minutes, xeroxed copies of photographs of Duke and Durham Public School students, and a Project Child t-shirt, documenting the activities of Project Child.

The collection contains organizational records, such as project participant lists, meeting minutes, budgets, plans, letters, programs, forms, surveys, and presentation slides, as well as xeroxed copies of photographs of Duke and Durham Public School students, and a Project Child t-shirt, documenting the activities of Project Child.

Collection contains objects and ephemera relating to the women's suffrage movement in the United Kingdom and United States in the late nineteenth and early twentieth century. Various pro- and anti-suffrage perspectives are represented. The items include banners, textiles, buttons, pins, and badges, along with other related handbills and printed materials.

Collection comprises materials relating to the women's suffrage movement in the United States and United Kingdom, including pins, medallions, buttons, textiles, card sets, stamps, photographs, and printed materials and ephemera. The majority of the collection's items express pro-women's suffrage sentiments. Organizations present include the Woman's Peace Party, Catholic Women's Suffrage Society, Women's Freedom League, National Union of Women's Suffrage Societies, Cymeric Suffrage Union, Men's League for Women's Suffrage, Women's Social and Political Union (W.S.P.U.), Women's Christian Temperance Union, and the Woman's Suffrage National Aid Corps. Examples of messages conveyed include: "Votes for Women," "Vote No on Women's Suffrage," "Women's Equality. Women's Lives." Some items include portraits of women suffragists, including Susan B. Anthony and Inez Milholland. Several items reference voting to repeal the 19th amendment. Also includes three sets of "Panko or Votes for Women: The Great Card Game Suffragists v. Anti-Suffragists," published in 1909 by Peter Gurney with illustrations by E.T. Reed, from Punch magazine. Postcards and photographs include both caricatures and real-photo images of suffragists, suffragettes, and their allies, as well as items mocking or opposing the woman's suffrage movement. The collection contains some 1910s banners, scarves, and sashes in yellow and white, and others in green and purple fabric, with text reading "Votes for Women"; there are also a variety of printed handbills, handouts, fliers, and ephemeral materials circulated and distributed to the public for suffrage campaigns in different states, including Massachusetts, New York, and Maine.

Collection contains a wide variety of material documenting different medical topics, specialties, institutions, education, and people throughout history, and it is largely but not entirely focused on Western, Euro-centric medicine as practiced by white men. Women, people with physical and mental disabilities, and non-Western medical practices are represented in select materials. The collection consists mostly of publications (article reprints, theses, dissertations, and journal issues), speeches, histories, and profiles of medical professionals and organizations. Acquired as part of the History of Medicine Collection at Duke University.

Collection contains a wide variety of material documenting different medical topics, specialties, institutions, education, and people throughout history, and it is largely but not entirely focused on Western, Euro-centric medicine as practiced by white men. The collection includes publications (article reprints, theses, dissertations, and journal issues), speeches, histories, and profiles and memorials of medical professionals and documents the history of different medical fields, as well as the contributions of particular doctors to the advancement of medical knowledge and treatment. Also included are materials that partially document the history of select medical institutions and libraries, such as Massachusetts General Hospital and the Transylvania Library's medical collection. Other items address or endorse the use of particular technologies (e.g., electricity), medications and chemical products, or supplements (e.g., evaporated milk), to enhance procedures, provide nutrition, and/or cure illness. Materials focus on adult and pediatric medicine.

Some materials document the role of women in medicine, both as patients and as medical professionals. These materials focus mostly on women as nurses, or on the care and treatment of conditions specific to women, such as pregnancy and menopause. An illustration accompanying a profile of Dr. Francois Prevost depicts a white woman enslaver allowing him to perform a C-section on a Black enslaved woman.

Materials that focus on non-Western or alternative medicine include articles about folk medicine in North Carolina, surgeries performed by the Mayans, Indigenous medicine in Oklahoma and Georgia, and the three founding figures of Ayurvedic medicine in India (Sushruta, Charaka, and Vāgbhaṭa).

Materials that address physical and mental disabilities may use outdated language and include articles about tuberculosis sanatoriums and organizations, the impact of glands upon "mental deficiency," and delirium in people classified as "insane."

The Dance Program Performance Films are a video record of the performances put on by the Duke Dance Program from 1990-2012.

The Dance Program Performance Films were recorded across three different formats: VHS cassettes, mini-DV cassettes, and DVDs. Most of the Dance Program's performances from 1990-2012 are represented. Recurring dance performances include Choreolab performances, November and December dances, Composition Class final examinations, and Ark dances.

Nathan Ockman was born on December 29, 1926 in New York City. As a child in the 1930s, he was brought by his parents to an event that featured pioneering choreographers in modern dance, among them Anna Sokolow and Sophie Maslow. Though he received no formal dance training himself, this childhood exposure to modern dance sparked a lifelong passion for dance spectatorship. The collection contains the dance-related memorabilia (circa 1949-2006) saved by Nathan Ockman. Materials include performance programs and newspaper clippings, which are arranged chronologically. Many of the materials are annotated by Mr. Ockman.

The collection contains the dance-related memorabilia (circa 1949-2006) saved by Nathan Ockman. Materials include performance programs and newspaper clippings, which are arranged chronologically. Many of the materials are annotated by Mr. Ockman.

Mr. Ockman collected the accompanying programs for each dance performance he was in attendance for throughout six decades. The earliest programs, dated from the late 1940s and early 1950s, are from performances at the University of Michigan during Mr. Ockman's time as a graduate student at the university. Following Mr. Ockman's subsequent move to New York City, the vast majority of the collection is comprised of performances at notable New York venues and performing arts festivals. Though there are several programs from performances by ballet companies, the collection largely reflects Mr. Ockman's personal penchant for modern dance.

Newspaper clippings of performance reviews and promotions of upcoming premieres are included within the collection. More often than not, they correspond to a performance that Mr. Ockman was in attendance for, and so they are organized alongside accordingly.

Of the programs dating from 1958 onwards, nearly all are decorated with Mr. Ockman's personal annotations, which make note of extraordinary pieces, performers, and his general perception of the performances. Though the notes were made for Mr. Ockman's own enjoyment, he was aware that they may someday hold some historical significance. It was always his hope that he might, as a dutiful and attentive audience member, discover an emerging dance talent.

Stephanie Reinhart (1944-2002) began working at the American Dance Festival in 1977 as the Director of Planning and Development and became Co-Director with Charles L. Reinhart in 1993. While on the board Stephanie traveled to many countries to view dance and lecture on American modern dance and arts administration, and in 1993 she was awarded a Fulbright research grant to study modern dance in Argentina.

The collection contains Stephanie Reinhart's personal papers, company management materials, and materials from her 1993 Fulbright research. Her personal papers include essays, poetry, calendars, correspondence, clippings, and papers related to her Durham residence. The company management materials include slides from her time as Company Manager with Crowsnest Dance Company. The Fulbright research materials include correspondence with the Fulbright program, research, notes, articles, and both audiocassettes and transcripts of the interviews she conducted in Argentina.

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This collection contains 33 sketch maps of locations in Florida, Georgia, Louisiana, Mississippi, North Carolina, South Carolina, Virginia, and West Virginia. It includes a number of B. P. Baker Co. plats for a tract of land in Gates County, N.C.; plans of subdivisions and improvements in Savannah by Percy Sugden; a map of Durham, N.C., in 1867 by Lewis Blount; a map of Mississippi representing Choctaw and Chickasaw territories and missionary stations by Sarah Coffin; and a detailed plat of the Bennett & Wallace Lands in West Virginia. Maps signed by Robert Jayne, W. F. Brown, John Tebeau, and Ravenel Gignilliet are present.

This collection contains 33 sketch maps of locations in Florida, Georgia, Louisiana, Mississippi, North Carolina, South Carolina, Virginia, and West Virginia. It includes a number of B. P. Baker Co. plats for a tract of land in Gates Co., N.C.; plans of subdivisions and improvements in Savannah by Percy Sugden; a map of Durham, N.C., in 1867 by Lewis Blount; a map of Mississippi representing Choctaw and Chickasaw territories and missionary stations by Sarah Coffin; and a detailed plat of the Bennett & Wallace Lands in West Virginia. Maps signed by Robert Jayne, W. F. Brown, John Tebeau, and Ravenel Gignilliet are present.

Collection comprises the 16-point Know-Nothing party platform, "copied from the Know-Nothing newspaper for the special benefit of my honorable colleague, Miss R. In haste, S."

Creator of this archive is unknown. An archive of original illustrations, sketchbooks, and erotic stories, depicting transgressive sex acts including (but not limited to) lesbian and heterosexual sex, incest, pedophilia, sadomassochistic behavior, and copulation with objects as varied as sex toys, produce, and household appliances. The stories and illustrations appear to be the work of a single individual, with nearly all narrative told from a female's point of view. Also includes some amateur pornographic photography and magazine clippings.

This collection contains an archive of original illustrations, four sketchbooks, and erotic stories, depicting transgressive sex acts including (but not limited to) lesbian and heterosexual sex, incest, pedophilia, sadomassochistic behavior, and copulation with objects as varied as sex toys, produce, and household appliances. The stories and illustrations appear to be the work of a single individual, with nearly all narrative told from a female's point of view. Also includes some amateur pornographic photography and magazine clippings.

The stories included in the collection range in length from one page to 46 pages. Two of the four sketchbooks include drafts of multiple storylines. Most stories are handwritten in the style of a graphic novel; some are typed. All include accompanying hand-drawn illustrations. There are also loose, miscellaneous illustrations in the collection with no correlating story. The collection's photographs and magazine clippings appear to have been used as models for some of the sketches and artwork. The photographs include at least one image of a hermaphroditic woman who appears in some of the accompanying stories.

Cataloged from item. Collection comprises a diary (124 pgs.) maintained by an unidentified woman who was educated, knowledgeable about sailing, and quite religious, during her voyages and travels around the northern coast of Scotland to cities in Norway, Sweden, the Netherlands, Belgium, England, France, and Spain.

Collection comprises a diary (124 pgs.) maintained by an unidentified woman who was educated, knowledgeable about sailing, and quite religious, during her voyages and travels around the northern coast of Scotland to cities in Norway, Sweden, the Netherlands, Belgium, England, France, and Spain. The diary began with a business trip, when she accompanied her husband (who was likely captain of the unnamed ship), from Workington, Eng., to Horten, Norway, in order to deliver a cargo of rails to the Norwegian government. The rest of the travel was apparently for pleasure. The author described ocean and weather conditions, with emphasis on dangers for ships; lighthouses; shipwrecks; landscapes; architecture; historic sites and ruins; castles; cathedrals and churches; palaces; paintings, sculptures, and artists; bridges and engineers; and gardens. She also commented on the inhabitants of and various practices in individual European countries, often in comparison to England, and with a particular focus on the women in each country. She made occasional literary references. More often she interwove her Evangelical beliefs into her descriptions, with references to the resurrection of the dead, comments on Protestant denominations, and strongly worded anti-Catholic sentiments. Includes visits to William Thorburn, who was then British Consul to Sweden; Antwerp's Cathedral of Our Lady; Waterloo battlefield; the Norman Cathedral at Durham; and the Castle site at Newcastle.

This collection contains 163 assorted postcards with photographs and mechanically printed images of Egypt, dating from the 1880s through the 1930s.

This collection contains 163 assorted postcards with photographs and mechanically printed images of Egypt, dating from the 1880s through the 1930s. There are both black-and-white and color printed postcards. The postcards include landscapes and scenes of Egyptian life during British colonial occupation, with images featuring temples, tombs, pyramids, mosques, harbors, monuments, street stalls, bazaars, markets, hotels, cafes, boats, camels, and carts. There are a range of portraits of anonymous individuals, including vendors, shopkeepers, dancers, nomadic travelers, and musicians. Sites represented in the collection include: Cairo, Giza, Alexandria, Suez, Port-Said, Luxor (Thebes), Aswan, the Sahara desert, and the Nile River. Some of the postcards have been used, and include correspondence, postage, or postmarks. Most are blank.

Collection includes campaign case study and strategy summaries, clippings, photographs and other printed materials that document retail department store holiday campaigns featuring the Easter Bunny in the late 1940s. Sponsoring companies include Davison-Paxon (Atlanta, Ga.), G. Fox & Co. (Hartford, Conn.), Genung's (Yonkers, N.Y.), Golden Rule (St. Paul, Minn.), Porteus Mitchell (Portland, Me.), and Whitney's (Albany, N.Y.). Photographs depict the Easter Bunny in portrait poses, sitting with children, arriving at events, and depictions in store show windows and displays. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection includes campaign case study and strategy summaries, clippings, photographs and other printed materials that document retail department store holiday campaigns featuring the Easter Bunny in the late 1940s. Sponsoring companies include Davison-Paxon (Atlanta, Ga.), G. Fox & Co. (Hartford, Conn.), Genung's (Yonkers, N.Y.), Golden Rule (St. Paul, Minn.), Porteus Mitchell (Portland, Me.), and Whitney's (Albany, N.Y.). Photographs depict the Easter Bunny in portrait poses, sitting with children, arriving at events, and depictions in store show windows and displays.

Collection of programs of music, songs and speeches as well as the text of speeches, recitations, poetry and quotations from books apparently prepared for the Albert Forster School in Berlin during the Nazi period. Topics include soldiers, workers and peasants, Adolf Hitler, World War I, and the struggle for victory.

Collection comprises materials created or collected in preparation for a 1990 exhibit held at the University of San Francisco Gleeson Library on Isak Dinesen/Karen Blixen that featured photographs taken of her by Rie Nissen. Includes a few letters, photocopies of biographical information for Nissen, a 1943 catalog of Nissen's photography, caption notes for the photographs, exhibit caption cards, as well as publicity drafts and material. There are two items written in Danish.

Collection comprises 43 3.5 x 2.5 black-and-white photographs of Dese, Ethiopia, primarily featuring groups of people and local infrastructure. The photographer is unknown. Images include native tribunals and prisoners, the nobility, Coptic priests, water bearers, processions, a local calvary unit, a slave, roads, houses, fountains, wells, a Coptic school, and the local market, among others. There are handwritten captions and dates (including Roman numerals for the Fascist year) in Italian on the backs of the majority of the photographs; a one-page English translation for the captions is provided.

Printed materials including reports, event programs, newsletters, and brochures published by the Beloved Community Center between 2002-2013. Topics include local governance, the Greensboro Truth and Reconciliation Commission, and the Greensboro Police Department. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

The Beloved Community Center is a community-based, grassroots organization dedicated to social activism, advocacy, and uplift in the Greensboro, NC area. The collection comprises printed materials, including reports, event programs, newsletters, and brochures published by the Beloved Community Center between 2002-2013. Topics include local governance, the Greensboro Truth and Reconciliation Commission, and the Greensboro Police Department. Reports include: "A Decade of Building a Spirit of Beloved Community" and "Our Democratic Mission: Transitioning the Greensboro Police Department from Double Standards and Corruption to Accountability and Professionalism." Newsletters and brochures included are: "Towards a New Democratic Conversation: Connecting Mass Movements to Building Local People Power and Governance," "Celebrating 20 Years: A New Era for Greensboro and the Nation," "The Democracy Road: Toward a More Racially Just City, A Sustainable Economy, Good Jobs for All, and Relevant, Equitable Education." Also included is the event program for the "Swearing in and Seating of the Greensboro Truth and Reconciliation Commission." Reports include: "A Decade of Building a Spirit of Beloved Community" and "Our Democratic Mission: Transitioning the Greensboro Police Department from Double Standards and Corruption to Accountability and Professionalism." Newsletters and brochures included are: "Towards a New Democratic Conversation: Connecting Mass Movements to Building Local People Power and Governance," "Celebrating 20 Years: A New Era for Greensboro and the Nation," "The Democracy Road: Toward a More racially Just City, A Sustainable Economy, Good Jobs for All, and Relevant, Equitable Education." Also included is the event program for the "Swearing in and Seating of the Greensboro Truth and Reconciliation Commission."

Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Collection comprises a bill of indictment for perjury against "Blender," an African-American woman who allegedly falsely accused a man of rape. Contains a list of 10 witnesses in the case, including seven women. In 1807 Blender accused Jonas Fairlamb of raping her, resulting in pregnancy. The indictment also mentions the alleged crime of "bastardy," but those words have been crossed out. Blender appeared before the justice of the peace for Delaware County, Pennsylvania, but now, some months later, it appears that she perjured herself. The indictment contains a description of the alleged sexual assault, and lists the contradictions in Blender's account of the rape and the timeline of events. Blender is charged with committing "wilfull & corrupt perjury to the great displeasure of Almighty God." The docketing on the bill lists the foreman of the jury as Thomas Smith, and notes that the defendant, having been arraigned, pleads "non cul[pabilis]," or not guilty. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Collection contains three volumes relating to the life and political career of George Meade Bowers, Congressional member for West Virginia, 1916-1923: a scrapbook (1898-1914) of clippings and a few other items concerning the United States Fish Commission, fish culture, the fishing industry, and politics and elections in West Virginia, with a few items relating to the Bowers family; a scrapbook of congratulatory telegrams sent after Bowers's 1916 election to Congress; and a photograph album from a 1917 visit to Hawaii by a congressional delegation, which included Bowers, containing gelatin silver photographs with views from the islands of Hawaii, Oahu, and Kauai, photographs of officials and Japanese and Hawaiian inhabitants, and an image of Queen Liliuokalani lying in state following her death November 11, 1917.

Collection contains three volumes belonging to George Meade Bowers, Republican politician and government official from West Virginia.

The photograph album, entitled "Photographs, Congressional Party in Hawaii, George Meade Bowers," contains 58 silver gelatin photographs. The album is undated, but the image content establishes its creation from 1916-1917. The delegation's visit in 1917 coincided with the death of Queen Liliuokalani on Nov. 11, 1917 and her funeral; the album includes a photograph of the Queen lying in state. Settings include the islands of Oahu, Hawaii, and Kauai, including Honolulu, Kona, Waimea, Kaimu, Makapuu, and Hilo. Scenes include Hawaii Volcanoes National Park (created a national park in 1916), the delegation, schoolchildren, Japanese, Hawaiians, public officials, and travel.

The scrapbook, also assembled by George Bowers, contains mostly clippings but also a small number of photographs, and dates from 1898-1914. They primarily concern his work as U.S. Commissioner of Fish and Fisheries, 1898-1913. There are a variety of clippings about Bowers, the Fish Commission, the International Fisheries Congress in 1908, oyster; lobsters, various kinds of fish, and the U.S. fishing industry. There are also numerous clipping about politics and elections in West Virginia. A few clippings concern the Bowers family.

The third album contains congratulatory telegrams for Bowers' 1916 election to Congress from the Second District of West Virginia. The telegrams include two from Theodore Roosevelt, one of which is substantive. There is one photograph in the back of the leather volume, of a campaign parade for Bowers.

The Memory Project Oral History collection comprises digital video recordings and written supporting documentation of interviews spanning 2009 to 2016. The interviews were conducted by filmmakers associated with the Work Station, a film studio run by Wu Wenguang in Caochangdi, Beijing, China. Memory Project interviews were conducted with Chinese people about mid-20th century rural life, primarily experiences during the Great Famine (1958-1961), but also the Land Reform and Collectivization (1949-1953), the Great Leap Forward (1958-1960), the Four Cleanups Movement (1964), and the Cultural Revolution (1966-1976). Wu's studio in suburban Beijing, known as the Work Station, is the home for this project. More than 150 young filmmakers have joined the project, and since 2010 they have visited 246 villages in 20 provinces and interviewed more than 1,100 elderly villagers. These filmmakers, many of whom returned to their families' rural hometowns, developed new intergenerational relationships with elderly relatives. During the process of interviewing the villagers, they reconciled the official history taught in schools with each family's experiences.

The Memory Project Oral History collection comprises digital video recordings and written supporting documentation of interviews spanning 2009 to 2016. The interviews were conducted by filmmakers associated with the Work Station, a film studio run by Wu Wenguang in Caochangdi, Beijing, China. Memory Project interviews were conducted with Chinese people about mid-20th century rural life, primarily experiences during the Great Famine (1958-1961), but also the Land Reform and Collectivization (1949-1953), the Great Leap Forward (1958-1960), the Four Cleanups Movement (1964), and the Cultural Revolution (1966-1976). The interviews show regional variations in famine experiences and rural culture. They add intimate detail and humanity to the story of the deaths and starvation of millions of Chinese, providing a unique perspective on the unofficial history of the Great Famine.

Due to the geographic scope and rural focus of the Memory Project, the interviews are frequently conducted in regional dialects. In many cases, the filmmakers provided Chinese language transcripts. Many recordings are also accompanied by prose reflections written by the filmmakers, the text of which originally came from the Work Station blog or email communication between filmmakers. The notes and blogs written by the filmmakers and the interview footage preserve the fading memories of people who lived through the Great Famine, ensuring that their stories are not forgotten.

The interviews described in this collection guide are arranged geographically by Province and Village. While multiple filmmakers may have worked in a single province, in most cases, only a single filmmaker traveled to each village represented. Approximately 500, nearly one half, of the interviews and supporting documentation are described as of January 2021. These interviews include those conducted by Wu Wenguang 吴文光, Zhang Mengqi 章梦奇, Zou Xueping 邹雪平, Li Xinmin 李新民, Jia Nannan 贾楠楠, Luo Bing 罗兵, Lin Tao 林涛, Zhang Ping 张苹, Li Yushan 李雨珊, Guo Zhihua 郭志华, Qu Yufeng 屈玉凤, Gao Runxiang 高润香, Guo Rui 郭睿, Hu Tao 胡涛, Jia Zhitan 贾之坦, Shao Yuzhen 邵玉珍, Shu Qiao 舒侨, Wen Hui 文慧, Wu Haizhu 吴海珠, Ye Zuyi 叶祖艺, Yi Yangmin 易旸敏, and Zhang Haishen 张海深. Other interviews will be published incrementally as each filmmaker's material is arranged and described.

Most materials are available in Chinese. A smaller number of interview transcripts have been translated into English. Those interviews that have English translations are noted in the individual interview descriptions below. All digital files are available online. Videos may be played directly through this collection guide while additional text documents and transcripts can be accessed clicking links next to the embedded videos in this collection guide, or directly via Duke Digital Collections at https://repository.duke.edu/dc/memoryproject/.

Collection consists of 12 metamorphic tobacco and cigarette cards. Most of the cards were printed by Donaldson Brothers of New York or Calvert Lithography of Detroit. Cards were produced by a number of American tobacco companies, including C.A. Jackson, E.H. Pogue, Duke, and W.T. Blackwell. Images on the cards include advertisements for the tobacco companies and local retailers; caricatures of politicians including Benjamin Butler, Bismarck, George Washington, Samuel Tilden, and U.S. Grant. Cards also feature jingles and poems along with depictions of racial and ethnic stereotypes. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection consists of 12 metamorphic tobacco and cigarette cards. Most of the cards were printed by Donaldson Brothers of New York or Calvert Lithography of Detroit. Cards were produced by a number of American tobacco companies, including C.A. Jackson, E.H. Pogue, Duke, and W.T. Blackwell. Images on the cards include advertisements for the tobacco companies and local retailers; caricatures of politicians including Benjamin Butler, Bismarck, George Washington, Samuel Tilden, and U.S. Grant. Cards also feature jingles and poems along with depictions of racial and ethnic stereotypes.

This collection documents the case of Joan Little, an African-American woman from Eastern North Carolina who was tried for the capital offense of first-degree murder when she killed a jailer who had sexually assaulted her. She was aquitted of this charge, and her story became a flash point for women's rights, prisoner's rights, and the issue of racism in the criminal justice system. The collection contains of materials used by Southern Poverty Law Center counsel and documentary filmmaker Morris Dees, including exhibits for the defense and official court documents. Also included is original poetry written by Little while incarcerated, print media clippings, and an original screenplay, "Free Joann Little."

This collection documents the trial and controversy surrounding the case of Joan Little. It consists of poetry written by Joan Little while incarcerated, including "I Am Somebody", correspondence from Southern Poverty Law Center counsel Morris Dees to Little's Durham, NC defense attorney Jerry Paul, letters of support and publicity for the Joan Little Defense Fund, trial materials prepared by the defense, official court records from the Beaufort County Superior Court, print media clippings, a North Carolina State publication on prison standards, and an unpublished screenplay, "Free Joann Little" by the screenwriter Joel Olansky.

Collection consists of postcards, with photographs or printed images of tombs, worship places, and cemetery monuments from locations across the Middle East region, including Egypt, Libya, Morocco, Iran, Palestine, Iraq, and India. Some images of Christian, Judaic, and Muslim holy and religious sites.

Collection contains fourteen French documents written between the 18th century and the 20th century. The contents of these documents are broad in scope from sales accounts to personal letters to official government documents. Of note are several documents that refer to American cities such as Augusta, Baltimore, Philadelphia, and Savannah. Several of the documents are written by or are addressed to fairly prominent historical figures: British Ambassador Charles Stuart, Minister of the Interior Alexandre-Auguste Ledru Rollin, General Joseph Léopold Sigisbert (Hugo), and Cardinal Jean-Sifrein Maury.

Norma Taylor Mitchell was an American History professor at Troy University in Alabama and a lay leader in the United Methodist Church. These materials document her research and teaching career, as well as her church leadership.

The collection contains material documenting Mitchell's dissertation research on the Virginia politician David Campbell (1779-1859). Boxes 2-5 consist entirely of information on loose index cards. These materials also document Mitchell's research on the enslaved women who lived on Campbell's estate in Abington, VA. The collection also contains materials related to Mitchell's research on the Alabama physician Louise Branscomb. There are materials documenting Mitchell's professional activities and teaching career at what was then known as Troy State University. Mitchell's extensive service work in the Methodist Church at the local, regional, and national levels is also documented.

The Nazi Nuremberg Rally Newsreel, 1933, consists of one black-and-white, silent, 31-minute Agfa newsreel print documenting the Fifth Party Congress of the Nazi Party, Nuremberg, August 30-September 3, 1933.

The Newsreel of the Fifth Party Congress of the Nazi Party, 1933, consists of one 16mm, black-and-white, silent, 31-minute Agfa newsreel print documenting the 1933 Nuremberg Rally, August 30-September 3, 1933. Also known as the "Rally of Victory," the 1933 rally at Nuremberg is notable in several respects. It was the first Nazi rally following Hitler's rise to Chancellor earlier that year; it was the first featuring Albert Speer's designs for the Zeppelinfeld stadium; it was the first of the rallies filmed by Leni Riefenstahl, for Der Sieg des Glaubens (Victory of Faith); and it was the final rally before the Nazi leadership purge known as the Night of the Long Knives (June 30-July2, 1934), whose victims included Ernst Roehm. Roehm, the chief of staff of the Stormabteilung, is featured extensively, alongside Hitler, Hermann Goering, Rudolf Hess, Joseph Goebbels and other Nazi leadership, in this newsreel and in Der Sieg des Glaubens. Due to Roehm's presence in Riefenstahl's film, only one copy of Der Sieg des Glaubens has survived -- the others were destroyed on Adolf Hitler's orders following the purge. While Der Sieg des Glaubens used footage shot by Riefenstahl (who created the stylistically advanced propaganda landmark, Triumph of the Will, the next year) as well as newsreel sources similar to this Agfa newsreel, there is little if any overlap between the Agfa newsreel and Riefenstahl's 61-minute film, or between a similar 5-minute newsreel from 1933, Der Deutsche Reichstag zu Nuernberg.

The newsreel is available for viewing on YouTube: http://youtu.be/sZrk0YAAg94

Collection comprises an original, 7 x 9-inch, black-and-white New York City press photograph, showing judges of the National Fashion Promotion Contest accepting entries from Irene Fogel, national president of Gamma Alpha Chi, the National Professional Advertising Fraternity for Women and sponsor of the contest. Judges pictured include Jack Mintz, treasurer of the New York Dress Institute; Bernice Fitz-Gibbon, advertising director of Gimbel Brothers; and Abbott Kimball, president of Abbott Kimball Advertising Agency. Photographer unknown. The following stamps are on the back of the photo: "NEA;ACME.”

Life Savers are a brand of hard and soft candies first produced in 1912, currently owned by Mars. Collection consists of approximately 150 items: matted advertising, display and promotional designs; black and white photographs; and negatives that depict a variety of campaigns to market Life Savers in early and mid-century United States. Included are photographs of models in various poses; candy displays (including displays of competitors such as Curtiss's Baby Ruth/Butterfinger and Pine Bros. Glycerin Tablets); celebrities posing with the candy in endorsement or other promotional campaign; street vendors (Life Savers Sampler Girls); and images of placements of the candy in film productions. Celebrities include Ann Rutherford, Edgar Bergen, George McManus, George Raft, Jack Benny, Lou Costello, Maggie Jiggs and Virginia Mayo. Images produced by a number of prominent photographers and agencies, including Acme Newspictures, Ewing Galloway, General Outdoor, Guy Gillette, Hyman Fink, Keystone View, McArthur Advertising, Shigeta-Wright, and the Vacuum Candy Machinery Company. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection consists of approximately 150 items: matted advertising, display and promotional designs; black and white photographs; and negatives that depict a variety of campaigns to market Life Savers in early and mid-century United States. Included are photographs of models in various poses; candy displays (including displays of competitors such as Curtiss's Baby Ruth/Butterfinger and Pine Bros. Glycerin Tablets); celebrities posing with the candy in endorsement or other promotional campaign; street vendors (Life Savers Sampler Girls); and images of placements of the candy in film productions. Celebrities include Ann Rutherford, Edgar Bergen, George McManus, George Raft, Jack Benny, Lou Costello, Maggie Jiggs and Virginia Mayo. Images produced by a number of prominent photographers and agencies, including Acme Newspictures, Ewing Galloway, General Outdoor, Guy Gillette, Hyman Fink, Keystone View, McArthur Advertising, Shigeta-Wright, and the Vacuum Candy Machinery Company. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection comprises 36 black-and-white photographs, varying in size from about 4x6 to 9.5x11, some with card-stock backing. The images mainly portray women at work, as textile and other industry workers; as scientists, medical professionals, and academics; and as participants in Communist Party education. There are also images that pertain to improvements in women's status, whether for minorities or workers in general. The majority of the photographs bear captions in both Chinese and English. Several have Hsinhua News Agency markings; beyond such markings, the photographer is unidentified. A few have sizing information for reproduction, and many were likely used in an exhibition on the status of women in modern China. Loosely organized according to amount within the following topics, based on the caption provided for the photograph: factory workers, professional women, Communist Party workers, commune and other workers, and minorities.

Correspondence, legal papers, and financial records concerning Edmund Jennings Lee’s law practice, estate settlements, and personal family matters. Subjects include Confederate refugees in Canada, the formation of West Virginia as a state, conditions of Virginia in 1865, and bridge and turnpike construction and management. Includes family writings and diary entries from Henrietta Bedinger Lee, Edmund Jennings Lee III, and Edwin Gray Lee. Also includes bills, receipts, and financial ledgers from Edmund Jennings Lee’s law practice.

The Edmund Jennings Lee II Papers have been divided into four series: Correspondence, Personal Files, Legal Papers, and Financial Records. The majority of materials concern Lee’s legal practice and business interests in Shepherdstown, WV. Materials include letters between Lee and his brothers, Charles Henry Lee, Richard Henry Lee, and Cassius Francis Lee; letters concerning family matters; legal briefs, documents, land surveys, bill, receipts, and financial ledgers from Lee’s legal practice; and miscellaneous family papers and writings, including diaries from Henrietta Bedinger Lee, Edmund Jennings Lee III, and Edwin Gray Lee.

Privately bound compilations, published by Press of Fremont Payne, of conference proceedings, court documents, legislative motions and amendments, pamphlets, reports and other printed materials that relate to activities opposing or regulating billboards and outdoor advertising in New York. Topics addressed include building codes; highway beautification and construction; licensing, permit fees and taxes; railroad crossings; sign design, placement and removal; slum clearance and low-rent housing areas; women's role in anti-billboard activism; World War II wartime planning and activities; and zoning laws. Individuals and organizations represented include Albert S. Bard; American Automobile Association; American Planning and Civic Association; Archibald MacLeish; Henry Hudson Parkway Authority; New York City Planning Commission; New York State government (Assembly, Senate, Supreme Court); and Triborough Bridge Authority. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History and the Kevin P. Reilly Sr. Outdoor Advertising Archives.

Privately bound compilations, published by Press of Fremont Payne, of conference proceedings, court documents, legislative motions and amendments, pamphlets, reports and other printed materials that relate to activities opposing or regulating billboards and outdoor advertising in New York. Topics addressed include building codes; highway beautification and construction; licensing, permit fees and taxes; railroad crossings; sign design, placement and removal; slum clearance and low-rent housing areas; women's role in anti-billboard activism; World War II wartime planning and activities; and zoning laws. Individuals and organizations represented include Albert S. Bard; American Automobile Association; American Planning and Civic Association; Archibald MacLeish; Henry Hudson Parkway Authority; New York City Planning Commission; New York State government (Assembly, Senate, Supreme Court); and Triborough Bridge Authority.

Robert Lawson (1748-1805) was an officer in the Revolutionary War who served as Brigadier General of the Virginia Militia. The collection primarily consists of letters to Lawson regarding the raising, reinforcement, and movement of troops in Virginia and North Carolina during the Revolutionary War in 1781.

The Robert Lawson Papers primarily consist of letters to Lawson, Brigadier General in the Virginia Militia, regarding the raising, reinforcement, and movement of troops in Virginia and North Carolina, during the Revolutionary War in 1781. Some letters concern military promotions and family affairs. Later letters indicate that Lawson moved to Kentucky, having considered South Carolina. Several concern Lawson's possible reinforcement of Nathanael Greene's troops. Included also are a letter of America Lawson Lewis to Lafayette in 1825 sending him some of her father's papers for brief examination, and routine letters of Thomas Jefferson while governor of Virginia. Correspondents include Thomas Jefferson, Jonathan Beckley, A. L. Lewis, S. Hardy, Baron Von Steuben, John P. Muhlenberg, and Richard Henry Lee. Also included is an account book (1776 September-December) relating to Lawson's service with the 4th Virginia Battalion, military commissions, letters of introduction (1787) for Lawson from George Mason and Henry Lee to Pierce Butler, Charles Pinckney, and William Few, an 1801 receipt from Washington Tavern, Alexandria, and other miscellany.

Ann Lovett is an artist who teaches at the State University of New York at New Paltz. This collection documents her artistic and academic career with a focus on her work in the book arts.

The collection contains materials documenting Lovett's artistic and academic career, including artists' book production materials and photographs.

Hannah Hutchinson married Samuel Mather in 1731; the couple settled in Boston, Mass. She died in 1781 (some sources have the death date 1752) and Samuel died in 1779. Collection comprises a request written by Hannah Hutchinson Matter on 3 April 1858 to Edward Hutchinson, asking him to fulfill the pecuniary bequest made to her by his father and to give the sum (4 pounds) to her son, Samuel Mather, Junior. The back of the request contains Samuel's note, dated 3 May 1858, stating that he received the money.

Collection comprises a request written by Hannah Hutchinson Matter on 3 April 1858 to Edward Hutchinson, asking him to fulfill the pecuniary bequest made to her by his father and to give the sum (4 pounds) to her son, Samuel Mather, Junior. The back of the request contains Samuel's note, dated 3 May 1858, stating that he received the money.

Collection of published clippings and journal/magazine excerpts related to the life and works of English writer Charles Lamb (1775-1834). Includes some of Lamb's writings, as well as literary criticism and biographical clippings.

Collection comprises 80 volumes, including account books, balance sheets, trial balances, ledgers, journals, cashbooks, voucher registers, operating ledgers, cost ledgers, sales journals, sales summaries, incomplete stock books, and other records of a Burlington, N.C., manufacturer of rayon, cotton, nylon, and silk hosiery. There are records of the Daisy Hosiery Mills and the May Hosiery Mills, which consolidated under the name May McEwen Kaiser, as well as a chart of accounts that was prepared in 1948.

Collection comprises 80 volumes, including account books, balance sheets, trial balances, ledgers, journals, cashbooks, voucher registers, operating ledgers, cost ledgers, sales journals, sales summaries, incomplete stock books, and other records of a Burlington, N.C., manufacturer of rayon, cotton, nylon, and silk hosiery.There are records of the Daisy Hosiery Mills and the May Hosiery Mills, which consolidated under the name May McEwen Kaiser, as well as a chart of accounts that was prepared in 1948.

Collection comprises 48 stereographic photographs, 5 cartes-de-visite photographs and a clipping regarding Martha Maxwell. The cartes-de-visite photographs feature full-length portraits of Maxwell, two seated at her taxidermy work and three standing while holding a gun. Several of the stereographic photographs are also portraits, most often showing Maxwell positioned within displays of her taxidermy birds and mammals; however, the majority of the stereographs depict her displays at the Centennial Exhibition and at the Rocky Mountain Museum in Boulder. The clipping describes the birds and mammals represented at her Centennial Exhibition display and provides a review of her work.

Collection consists of forty 17x24 inch color inkjet prints from a body of work titled "Color Falls Down" by artist Priya Kambli, who emigrated from India to the U.S. at the age of eighteen. Sometimes resembling diptychs, the images juxtapose and recontextualize family photographs, personal objects such as clothing, spoons, and earrings, and contemporary self-portraits, exploring themes of migration, cross-cultural understanding, women and family, identity, and memory. This work received the 2018 ADA Collection Award for Women Documentarians. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection consists of forty 17x24 inch color inkjet prints from a body of work titled "Color Falls Down" by artist Priya Kambli, who emigrated from India to the U.S. Sometimes resembling diptychs, the images juxtapose and recontextualize family photographs, personal objects such as clothing, spoons, and earrings, and contemporary self-portraits, exploring themes of migration, cross-cultural understanding, women and family, identity, and memory.

From the artist's statement: "At age 18, a couple of years after the death of my parents, I moved from India to the United States with all my belongings in one suitcase. My photographs, which are rooted in my fascination with my parents, visually express the notion of transience and split cultural identity caused by the act of migration. In Color Falls Down these issues are seen through the lens of my own personal history and cultural identity. I re-contextualize and alter my family snapshots and personal artifacts to reveal the correlations between generations, cultures and memory."

This work received the 2018 ADA Collection Award for Women Documentarians. Acquired as part of the Archive of Documentary Arts at Duke University.

Materials from the aftermath of the earthquake that struck the Japanese region of Kantō on September 1, 1923. Includes a map of Tokyo and the disaster area; another map of the fire in Tokyo, with text in English and Japanese; a copy of the special issue International Graphic Magazine from September/October 1923; a photo-illustrated pamphlet; 18 postcards with color-tinted photographs; and a scrapbook of photographs and newsprint about the event. An additional 120 postcards, largely black-and-white photographs (some with captions), were added in 2016.

Materials in this collection include a mixture of formats documenting the aftermath of the Kanto earthquake. A set of 18 postcards, tinted with color in some cases, contain photographs of wrangled railroad systems, destroyed buildings, evacuees, and mass casualties from the earthquake. And additional 120 postcards with similar content, some with Japanese captions, were added in 2016. There is a photo-illustrated pamphlet, which includes black and white images of the devestated areas. Also included is a copy of International Graphic Magazine, which includes reporting in Japanese as well as images from the disaster. This magazine appears to be missing its back cover. Two special issues of Daishinsai Shashin Gaho, from September and October 1923, include photo illustrations of destruction along with early attempts at rescue and recovery. Finally, the collection includes two folded color maps of Tokyo and the affected area, and a scrapbook of newsprint and printed images from after the earthquake. The scrapbook has been bound as a folio, and its news articles are also in Japanese.

Ledger of an unknown merchant in New Bern, N.C. Transactions appear chronologically by account holder, and reflect the sale of general merchandise, such as cloth and clothing, food, rum, seed, pitch, tar, and turpentine. Accounts were settled with either cash or goods. Formerly known as Anonymous ledger C, 1767-1776.

Ledger of an unknown merchant in New Bern, N.C. Transactions appear chronologically by account holder, and reflect the sale of general merchandise, such as cloth and clothing, food, rum, seed, pitch, tar, and turpentine. Accounts were settled with either cash or goods.

Formerly known as Anonymous ledger C, 1767-1776.

North Carolina family active in education, law enforcement, farming, and slavery. The bulk of the papers relate to Nathan Carter Newbold and his relatives, including his father William A. Newbold and grandfather William Newbold (Sheriff of Pasquotank County, North Carolina), his first wife Mabel Wooten, and his second wife Eugenia Bradsher. Nathan Carter Newbold was the Director of the Division of Negro Education for the North Carolina State Department of Public Instruction from 1913-1950. The collection includes personal and professional correspondence, photographs, financial and property records dating from the 1840s, and recorded speeches given at Nathan Carter Newbold's retirement dinner. Some photographs have been identified as being of South Carolina during the late 19th century-early 20th century, which include portraits, street scenes (in Charleston), sail boats, as well as a few photographs of people of color, including photographs of "Lascar Sailors."Some photographs are of the U.S. Military Academy at West Point during the 1890s. Many of the legal and financial papers were generated by Nathan Carter Newbold's father and grandfather. The bulk of the correspondence relates to Nathan Carter Newbold's role as an administrator for North Carolina public schools and to his tenure as the Director of the Division of Negro Education during segregation and Jim Crow.

Personal and professional papers of Nathan Carter Newbold and his relatives, including his father William A. Newbold and grandfather William Newbold (Sheriff of Pasquotank County, North Carolina), his first wife Mabel Wooten, and his second wife Eugenia Bradsher. The collection includes personal and professional correspondence, photographs, financial and property records dating from the 1840s, and recorded speeches given at Nathan Carter Newbold's retirement dinner. Some photographs have been identified as being of South Carolina during the late 19th century-early 20th century, which include portraits, street scenes (in Charleston), sail boats, as well as a few photographs of people of color, including photographs of "Lascar Sailors."Some photographs are of the U.S. Military Academy at West Point during the 1890s. Many of the legal and financial papers were generated by Nathan Carter Newbold's father and grandfather. The bulk of the correspondence relates to Nathan Carter Newbold's role as an administrator for North Carolina public schools and to his tenure as the Director of the Division of Negro Education during segregation and Jim Crow.

Collection comprises a photograph album in two sections, containing a total of 261 black-and-white prints that feature the athletic and social activities of young female campers. The photographs were taken by an unidentified teenage girl. The first section of the album comprises 51 photographs (with captions) taken during the summer of 1916, twenty-six of them at Camp Mascoma, in Enfield, N.H., including shots of the Shaker Bridge and scenes of campers canoeing and swimming, among other activities. There are also 8 photos taken at Lost River, near North Woodstock, N.H.; 6 photos of girls with other family members at Wollaston Beach in Quincy, Mass.; and 11 photos of Boston's Franklin Park, a children's May Party, and other activities. The second section of the album contains 210 photographs (of which only 35 have captions and 10 are loose) taken during the summer of 1917 at Camp Teconnet on China Lake in China, Me. These photographs picture campers swimming, canoeing, playing basketball, doing calisthenics, posing singly and in small groups, etc. There are also many photographs of campers dressed in elaborate costumes (of dowagers, gypsies, clowns, Native Americans, etc.), including several featuring campers in male attire, impersonating Charlie Chaplin, WWI soldiers, playboys, waiters, etc.

Collection comprises a photograph album in two sections, containing a total of 261 black-and-white prints that feature the athletic and social activities of young female campers. The photographs were taken by an unidentified teenage girl. The first section of the album comprises 51 photographs (with captions) taken during the summer of 1916, twenty-six of them at Camp Mascoma, in Enfield, N.H., including shots of the Shaker Bridge and scenes of campers canoeing and swimming, among other activities. There are also 8 photos taken at Lost River, near North Woodstock, N.H.; 6 photos of girls with other family members at Wollaston Beach in Quincy, Mass.; and 11 photos of Boston's Franklin Park, a children's May Party, and other activities. The second section of the album contains 210 photographs (of which only 35 have captions and 10 are loose) taken during the summer of 1917 at Camp Teconnet on China Lake in China, Me. These photographs depict campers swimming, canoeing, playing basketball, doing calisthenics, posing singly and in small groups, etc. There are also many photographs of campers dressed in elaborate costumes (of dowagers, gypsies, clowns, Native Americans, etc.), including several featuring campers in male attire, impersonating Charlie Chaplin, WWI soldiers, playboys, waiters, etc.

This assembled collection of 47 documents, largely manuscript letters, covers nearly the entire span of British rule in India and is arranged in rough chronological order. The collection includes governmental reports, personal correspondence, and a printed map. Most of the documents are quite short though there are a few longer pieces and collections including a plan for opium sales, a series of reports on Indo-American trade, and a long letter on army discipline prior to the Vellore Revolution.

Miscellaneous items relating to the history of India, especially during the period of British rule, including a manuscript (12 pp.), 1798, by John Baird discussing a plan for increasing the opium trade in India; letters, 1799-1800, from Sir James Henry Craig, commander of a British division in Bengal, concerning the military situation in India; letters, 1801-1802, from John Chamier, chief secretary to the Madras government, pertaining to his desire for a seat on the Madras Council and future reforms; manuscripts, 1796-1805, discussing various aspects of the import and export trade between India and America, recording statistics and noting products involved; a map, 1820, of portions of Nagpur and Rewa provinces; and a letter, 1849, from Tomas Boaz requesting funds for a college to train Indian clergymen.

Other materials include a list, 1849, of goods purchased from Boston, Mass., merchants; letter, 1866, from Henry R. E. Wellesley, Madras 1st Light Cavalry, describing his duties and the climate in India, hunting trips, British politics, and the Sepoy army; letter, 1867, from Francis Napier, Tenth Baron Napier, governor of Madras, concerning the structure of the Indian government and his desire for a strong central government; letter, 1879, from General Frederick Sleigh Roberts, First Earl Roberts, discussing parts of his campaign in Afghanistan; letter, 1880, from Sir William Milbourne James criticizing British military ventures into Afghanistan; and a letter, 1882, from General Frederick Sleigh Roberts objecting to British policy of abandoning Kandahar and expressing fear of a Russian advance.

Additional items include a letter, 1883, from John Wodehouse, First Earl of Kimberley, secretary of state for India, concerning the Rajputana railway and the Egyptian telegraph; letters, 1886, from Sir Herbert Hope Risley discussing his work on a census glossary and on marriage customs in Bengal; letter, 1893, from Sir Henry Mortimer Durand, foreign secretary in India, discussing his book, Helen Trevelyan; letter, 1902, from Sir Evelyn Baring, First Earl of Cromer, pertaining to plans for the Indian railway; letter, 1915, from Sir Stephen George Sale reviewing the legal basis for viceroyalty in India; letter, 1930, from Sir William Malcolm Hailey criticizing English newspapers for using India as an issue against the Labour Party and discussing the Indian Congress Party; and a letter, 1947, of West Bengal, discussing some of the changes in India since Independence.

Collection of incarceration and anarchist publications produced by South Chicago ABC Zine Distro. Collection consists of 103 zines and drawings which include works most notably by Mumia Abu-Jamal, Sundiata Acoli, Ashanti Alston Omowali, David Gilbert and his son, Chesa Boudin, Kevin "Rashid" Johnson, Dennis Kyne, Anthony Rayson, Bobby Sands, Sean Swain, and Harold H. Thompson.

The Incarceration Zine Collection covers 1995 to 2007. Contents are almost exclusively produced by the South Chicago ABC Zine Distro publishing group, led by Anthony Rayson. A significant portion of this collection include essays by Rayson. The collection is predominately zines, most of which are written by Anarchists. Additional items are ABC Zine Distro catalogues and a few pieces of inmate art.

Most zines are original creations, though some pieces are reproduced texts by other authors. These works include Anarchist Morality by Peter Kroptokin, chapter 1 of Black Panther Party (Reconsidered) edited by Charles E. Jones, and The Diary of Bobby Sands.

Zines include republished pieces of famous inmates, including poetry and writings by Weather Underground member David Gilbert and political prisoners Mumia Abu-Jamal and Harold H. Thompson. Some pieces have an international focus, covering topics such as Vietnam, the Russian Revolution, and the El Mozote massacre. Domestic issues covered include race in the prison system, the resurgence of the Black Panther Party, revolutionary organizing in prison, Native American rights, and growth of the prison-industrial system.

Noted authors in this collection in Mumia Abu-Jamal, Sundiata Acoli, David Gilbert, Kevin "Rashid" Johnson, Dennis Kyne, Ashanti Alston Omowali, Anthony Rayson, Bobby Sands, Sean Swain, and Harold H. Thompson.

Acquired as part of the Human Rights Archive (Duke University).

A collection of printed materials, some rare, that reflects the mostly secular Jewish society and culture in the Land of Israel, both before and after the founding of the State of Israel, and in some diaspora communities. Materials include partial runs of periodicals, publications of various organizations, social and ideological movements and government agencies, as well as personal publications, in Hebrew and Yiddish. The publications pertain to a variety of subjects, including the Labor movement, Kibbutz movement, Zionist education and information, history, literature and more. Dates range from 1918 to 2004.

This collection contains serial and short-run periodicals published by secular Jewish organizations and governmental agencies in Israel and around the world. The materials range in date from 1918 to 2004, and document a variety of subjects including history, literature, the Holocaust, secular Jewish education, and social-cultural issues.

Collection is a set of postcards and photographs from late 19th and early 20th century Turkey, depicting scenes and people in the Üsküdar neighborhood of Istanbul, Turkey, and in other unidentified areas of Istanbul. Materials in the Üsküdar series have been individually numbered and described in English and Turkish. Materials in the Ottoman period postcard series have been translated from French and described in English.

Collection consists of individual postcards and photographs of Istanbul, may in the Üsküdar area of the city, dating from the late 1800s through the 1930s. Some postcards are blank; others have been mailed and contain correspondence. Images depicted vary but include markets, mosques, streets and houses, schools, palaces, harbor scenes, piers, and other geographic landmarks. There are images of both people and methods of transportation. Most people are anonymous, but there are some depictions (illustrations) of Florence Nightingale. Photographs are silver gelatin or photomechanical prints. Some postcards are illustrations, at times hand-colored. Items are described individually.

Fourteen single-sheet printed documents issued by officials in northern Italian ports or inland trade centers, declaring that ships, cargoes, and crews have been inspected and are free of contagion, chiefly meaning bubonic plague. Cities include Venice, Brindisi, Milano, Piacenza, Ravenna, Reggio, San Giovanni in Persiceto, and Trieste. Almost all bear small woodcuts chiefly of patron saints and coats of arms, and official seals and stamps. Handwritten annotations include dates, itineraries, and, in the case of maritime shipping, the names of ships and owners. Some note the type of cargo and a few list the names of crew members, with age, stature, and other details. Most are in Italian but several also include some Latin. Forms part of the History of Medicine Collections at Duke University.

Fourteen single-sheet printed documents, issued from 1630 to 1818 by officials in northern Italian ports or inland trade centers, declaring that ships, cargo, and crews have been inspected and are free of contagion, chiefly meaning plague. Most are in Italian, but several also include some Latin.

Nine of these bills of health originated in Venice, with others from Brindisi, Guastalla, Milano, Piacenza, Ravenna, Reggio, San Giovanni in Persiceto, Segna, San Martino, and Trieste. They range in size from 6 x 8 1/4 to 12 x 16 1/2 inches. Almost all bear one or more small woodcuts such as patron saints and coats of arms; blindstamps and seals are also often present.

Typical handwritten content on the front and sometimes back of the sheet gives the name of the ship's owner and his ship, the ship's itinerary, number of containers ("Colli"), and type of cargo. A few of the documents also include lists of crew members, with names, ages, and stature. A few terms of interest that appear include "lazzeretto," indicating a place of quarantine, and "epizootico," a medical term for a non-human epidemic or agent. Forms part of the History of Medicine Collections at Duke University.

Istanbul printing and publishing collection of 174 pieces. Includes primarily receipts and invoices, but also contains correspondence, requests and reports on company letterheads; 17 black and white photographs and postcards; business cards; greeting cards; envelopes; advertisements; and booklets.

Collection comprises a photograph album maintained by an Italian soldier stationed in Ethiopia during the Second Italo-Ethiopian War and the subsequent Italian occupation of the region. The soldier is unidentified, but his name may be the one that is embossed on the lower right-hand corner of the album's leather cover. On the first page of the album is a postcard announcing the Italian troop's victorious entry into Addis Ababa. Comprises 133 black-and-white photographs, ranging in size from 2"x1" to 4.75"x6", of the A.O.I. (Africa Orientale Italiana). The photographs are divided into groups by city, and many have captions written in Italian. Cities and other locations mentioned include Axum, Scire, Gondar, Cheren, Asmara, Lake Tana, Adua, and Addis Ababa, among others. In addition to images of military maneuvers, there are photographs of social customs and conditions (markets, native buildings, hairdos, priests, pilgrims, ceremonies, families, etc.), wildlife, and landscapes.

Collection comprises postcards, posters, and ephemera related to the Japanese military, as well as propaganda, and patriotism in the country between 1910 and World War II. Includes a postcard with patriotic children (1910's), postcards relating to the 1933 Army anti-air raid drill in the Kanto region, a New Year's greeting card celebrating the Nagoya Pan-Peace Exposition from 1937, and an advertisement for Sin-Japanese war bonds. Items dating from the 1930s include a postcard encouraging the public to save for the war effort, a life insurance flyer, an advertising packet for a conscription insurance policy, a 1936 brochure issued by the South Manchuria Railway of the Fushun Colliery, and a drug advertising propoganda leaflet showing the battlefield and home front. Material related to World War II includes a bank account passbook, a postcard from Italy that glorifies Japan, postcards with songs from a cavalry division and the 16th Infantry division, a confectionery wrapper, a wrapper for a whiskey bottle, an anti-communist print, a brochure for the Dong Bain Dao Development Company in Manchuria, and 44 propaganda posters. Several of the postcards were used and contain messages.

Collection comprises postcards, posters, and ephemera related to the Japanese military, as well as propaganda, and patriotism in the country between 1910 and World War II. Includes a postcard with patriotic children (1910s), postcards relating to the 1933 Army anti-air raid drill in the Kanto region, a New Year's greeting card celebrating the Nagoya Pan-Peace Exposition from 1937, and an advertisement for Sin-Japanese war bonds. Items dating from the 1930s include a postcard encouraging the public to save for the war effort, a life insurance flyer, an advertising packet for a conscription insurance policy, a 1936 brochure issued by the South Manchuria Railway of the Fushun Colliery, and a drug advertising propoganda leaflet showing the battlefield and home front. Material related to World War II includes a bank account passbook, a postcard from Italy that glorifies Japan, postcards with songs from a cavalry division and the 16th Infantry division, a confectionery wrapper, a wrapper for a whiskey bottle, an anti-communist print, a brochure for the Dong Bain Dao Development Company in Manchuria, a collection of air defense posters gathered on one large rolled paper, and 44 propaganda posters. Several of the postcards were used and contain messages.

Collection is a set of postcards (including photograph postcards) from late 19th and 20th century Turkey, depicting scenes and people in İzmir (Smyrna), Turkey. The first folder of postcards have been individually numbered. The subsequent folders list the postcards by titles that are either on the postcards and/or were supplied by the dealer who sold the postcards to the library. The postcards are described in English, French, and Turkish.

Collection consists of individual postcards and photographs of İzmir (Smyrna), dating from the late 1800s through the 1960s. Some postcards are blank; others have been mailed and contain correspondence most often in French, Greek, or Ottoman-Turkish. Images depicted vary but include markets, mosques, streets and houses, harbor scenes, piers, monuments, ruins, the clock tower. A subset of images depicts the Great Fire of 1922 from the Greco-Turkish War, Greek refugees fleeing by boat, and a floating corpse. There are images of both people and methods of transportation.

Newspapers for French prisoners of war held throughout Europe during World War I. Newspapers were intended for French prisoners of war during World War I, and were collected from a variety of different POW camps in Europe. This collection contains examples of 11 single issues, each from a different camp. Locations include the Camp D'Ohrdruf, Camps du Hanovre, Allemagne, Camp de Zossen, and others.

Newspapers intended for French prisoners of war during World War I, collected from a variety of different POW camps in Europe. This collection contains examples of 11 single issues, each from a different camp. Locations include the Camp D'Ohrdruf, Camps du Hanovre, Allemagne, Camp de Zossen, and others.

Printed materials from Egypt, Palestine, Jordan, and Dubai collected by Frances Hasso regarding women's rights, political activism, and feminism in the Middle East during the 1980s and 1990s. Includes publications from the Palestinian Federation of Women's Action Committee, the Center for Egyptian Women's Legal Assistance, and the National Council of Women (Egypt).

This collection consists of printed materials collected by Hasso in the Middle East relating to gender, feminism, marriage, and women's rights in Egypt, Dubai, Palestine, and Jordan. Most of these items are printed materials from organizations such as the Palestinian Federation of Women's Action Committes, the National Council for Women (Egypt), and the Center for Egyptian Legal Assistance (CELWA). There are also reference materials relating to these topics, produced by NGOs and other academic institutions. The collection also contains a marriage box, acquired by Hasso in 2003, from the Courts Department of Dubai. This box was intended for distribution to marrying couples and includes brochures, pamphlets, and other information about relevant laws and social programs impacting women and children.

Diaries from Jeanette Reid Healy's honeymoon, 1920-1922, kept as she and her husband Augustine Healy traveled around the world. Countries visited include Japan, China, Vietnam, Cambodia, Singapore, India, Pakistan, and Kenya. Includes 169 photographs of the couple's safari in Kenya, including images of William Judd, their guide.

Diaries of Jeanette Reid Healy, of Chicago, Ill., describing her two-and-a-half-year honeymoon with husband Augustine Healy touring Japan, Korea, China, the Philippines, Hong Kong, Cambodia, Malaysia, Thailand, Singapore, India, Pakistan, and Kenya, principally describing the tourist sights and places they visited. Jeanette includes her impressions of the local landmarks, temples, museums, scenery, and people, often describing native dress, hairstyles, and appearances. The Healys were passionate hunters, particularly Augustine, so the diaries include detailed descriptions of their tiger and bear hunting in India, as well as their three-month African safari with extensive big game hunting of elephants, lions, rhinosaurus, and large deer. They were guided by William Judd; a clipping of his death notice is included. Included are 169 photographs from their safari, as well as the diaries' original book sleeve, bound in zebra skin.

Collection consists of seventeen glossy 8x10 inch black-and-white photographs of tourist destinations and activities in Haiti, marked on the versos with the associated name of the Haiti Tourist Bureau in New York City, established sometime around 1950. These images served as visual components for the island's 1950s tourism campaigns, and show white tourists in various posed scenes, visiting handicraft shops and outdoor markets, riding donkeys, enjoying the beach, and watching folkloric dances. There are also several views of the capital, Port-au-Prince, and smaller towns such as Cap-Haïtien, as well as resorts, beaches, town streets, and mountainsides. Noted Haitian photographer Edouard Peloux's name appears on a print signed "Ed. Peloux, 19-7-53." The rest are unsigned and undated. Several of the photographs appear in a 1955 publication, "A Guide to Haiti, Star of the Caribbean," also by the Haiti Tourist Bureau.

Assembled by the staff of the Duke University Medical Library, the History of Medicine Picture File holds thousands of small and large images organized into series for individuals, places, and subjects related to the history of medicine and medical practice. The great majority portray notable physicians, scientists, naturalists, philosophers, and other individuals with important links to medicine. Places featured include hospitals and other institutions of medicine, and scenes in specific locations related to events in medical history. The subject categories cover many topics, with the largest groups including advertising, anatomy, caricatures, cartoons, pediatrics, physicians, and surgery. Predominant formats are engravings, lithographs, print materials (such as posters, clippings, and postcards), and many modern photographic reproductions of older works; there are also albumen photographs, negatives, slide reproductions, and other image formats found throughout the files. Forms part of the History of Medicine Collections at Duke University.

Assembled by the staff of the Duke University Medical Library, the History of Medicine Picture File offers thousands of images of individuals, places, and subjects dating from the 1500s to 2002, with the great majority portraying physicians, scientists, nurses, and other individuals related to the history or practice of medicine. Places featured include hospitals and other institutions of medicine, and scenes related to events in medical history. Subject categories include advertising, anatomy, books, caricature, childbirth, embryology, medical instruments, pediatrics, physicians, and surgery, among many others.

Most of the images measure in size under 10x12 inches, but there are approximately 500 larger pieces. The predominant formats are engravings, lithographs, cartoons, clippings from magazines and newspapers, and modern photographic prints, but there are also albumen photographs and other image formats found throughout the files. Items were acquired by the Duke Medical Library from various sources over many decades and functioned as a vertical file for library students and researchers.

The oversize items range in size from 11x15 to 23x30 inches, and offer a varied assemblage of portraits, caricatures, posters, broadsides, and reproductions of artwork, in black-and-white and in color. Items include portraits and scenes with notable physicians; illustrations of various medical practices, procedures, and instruments; anatomical views, some possibly as early as the 17th century; medical advertisements and promotional literature; depictions of events in medical history in Europe and North America; caricatures; 20th century illustrations for book covers; and many other topics.

Images and prints are often accompanied by reproduction negatives and slides created by Medical Center Library staff. Many of the images in this collection were also scanned by Medical Library staff and are available through the Medical Center Library & Archives Duke Medicine Digital Repository database. For more information, please contact the History of Medicine Curator at the Rubenstein Library.

Acquired as part of the History of Medicine Collections at Duke University.

Faith Holsaert is a Civil Rights and LGBT community activist. The collection contains correspondence, newsletters, publications, and other materials relating to the activities of Faith Holsaert from the 1960s to the present. A large portion of the collection consists of correspondence and ephemera from her involvement in the Civil Rights movement, including SNCC, and the women's rights movement. Also includes materials from the writing and publishing of Hands on the Freedom Plow, some of which is restricted. The collection also has a large amount of personal memorabilia and materials relating to Holsaert's childhood and family. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Correspondence, newsletters, publications, and other materials relating to the activities of Faith Holsaert from the 1960s to the present. A large portion of the collection consists of correspondence and ephemera from her involvement in the Civil Rights movement, including SNCC, and the women's rights movement. Also includes materials from the writing and publishing of Hands on the Freedom Plow, some of which is restricted. The collection also has a large amount of personal memorabilia and materials relating to Holsaert's childhood and family.

Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Elizabeth Cleghorn Gaskell was a novelist and short-story writer. Collection contains a letter Elizabeth Gaskell wrote to Ellen Nussey on [1855] July 27 regarding her work on her biography of Charlotte Brontë, and making arrangements to meet with Nussey to review any letters "which you may think it right to entrust me with." She refers to having already reviewed letters held by Mr. Nichols, Brontë's husband, but never mentions Brontë by name.

Collection contains a letter Elizabeth Gaskell wrote to Ellen Nussey on [1855] July 27 regarding her work on her biography of Charlotte Brontë, and making arrangements to meet with Nussey to review any letters "which you may think it right to entrust me with." She refers to having already reviewed letters held by Mr. Nichols, Brontë's husband, but never mentions Brontë by name.

Register of admissions and scrapbooks of the North Carolina State Hospital for the Insane, Raleigh, N.C., of which Grissom was superintendent.

Collection consists of four volumes connected with Dr. Eugene Grissom, related to his superintendentship of the North Carolina Insane Asylum in Raleigh.

Volume 1 is a register of admissions, 1883-1887, including information about white patients admitted to the Raleigh Insane Asylum including names, NC county of residence, and occasionally the outcome of their admission (typically either their cause of death or the note that they had left the hospital, cured). This register tracked only admissions for the Eastern Division of white patients in North Carolina; patients residing in the Western Division were treated at an insane asylum in Morganton.

The other three volumes are scrapbooks, largely consisting of clippings about Grissom or the asylum. All of these scrapbooks include coverage of Grissom's medical lectures and papers on the treatment of the insane, his roles in various medical organizations, the work of the insane asylum as a progressive institution, and the political turmoil Grissom occasionally faced.

In addition to clippings relating to Grissom's medical career and his work at the Insane Asylum, Volume 2 (a scrapbook dated 1875-1877) includes clippings from various newspapers covering a controversy about whether Grissom (a Republican) should be removed from his position as superintendent during the fallout of the 1877 election in North Carolina.

Volume 3 is a scrapbook assembled by A. Watkins Verith (sp?) on Grissom's behalf, dating from circa 1877-1880. It includes clippings and notations (by Verith) about Grissom's political career, including debates about his potential run for North Carolina governor in 1879; coverage of a controversy with Dr. William A. Hammond over Grissom's treatment methods (including Grissom's proponency of mechanical restraints for violent patients, such as handcuffs and straightjackets); his expert testimony in a Danville murder case that the accused, Justin Thomas Dejarnette, was clinically insane; as well as public notices about his various lectures and appearances.

Volume 4 (1877-1880) contains clippings and some annotations about Grissom's service as superintendent for the Insane Asylum, including a published letter from Dorothea Dix praising the work of the hospital. There are additional clippings covering the Dejarnette murder case (1880), Grissom's involvement in Masonic ceremonies in 1880, and Grissom's potential runs for governor.

Collection consists of a 44-page scrapbook belonging to an unidentified compiler, that documents the history of Fort Des Moines as a Women's Army Corps training center, and more specifically the 404th Women's Army Corps (WAC) band, the first African American female band in the United States military. In addition to the approximately 100 photographs, there are photographic postcards, and clippings from official Fort Des Moines publications. The scrapbook begins with a photograph of the front page of the Honolulu Star-Bulletin from 8 December 1941, followed by a short history of Fort Des Moines, with clippings and photo postcards documenting its conversion to the first Women's Army Auxiliary Corps training center. The second half of the scrapbook documents the African American women's band, with photographs showing the women in and out of uniform; many of the photographs are signed or are otherwise identified in ink. Scenes include the practice room, women marching with instruments, and band members enjoying off-duty pastimes. There are at least two photographs of Major Charity Adams Earley, the first commissioned African American WAC. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Collection consists of a forty-four page scrapbook belonging to an unidentified compiler, documenting the history of Fort Des Moines, Iowa, as a Women's Army Corps (WAC) training center, and the 404th Women's Army Corps band, the first African American female band in the United States military. The scrapbook contains 100 photographs, all but one black-and-white, ranging in size from 2 x 3 inches to 7 1/2 x 8 3/4 inches. The creator also included photographic postcards as well as clippings from official Fort Des Moines publications. The covers for the scrapbook are missing.

The first page contains a photograph of the front page of the Honolulu Star-Bulletin from December 8, 1941. The following early pages provide a short history of Fort Des Moines, with clippings documenting its conversion to the first Women's Army Auxiliary Corps training center. The clippings are augmented by photo postcards depicting the grounds, along with one showing a woman blowing a bugle into a oversize megaphone.

Documentation of the African American women's band begins on page 21, with a group portrait. Other photographs show the women in uniform; many of the photographs are signed or are otherwise identified in ink. Images include the practice room, women marching with instruments, and off-duty band members relaxing, riding bicycles, traveling together, preparing for sleep, or playing with pets. There are at least two photographs of Major Charity Adams Earley, the first commissioned African American WAC.

Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Tobacconist, of Tarboro, N.C., and employee of the British-American Tobacco Company in China, 1905-1935. Diaries and photographs from Gregory's travels in China, 1905-1906, as an employee of the British-American Tobacco Company. Includes material on travels to Shanghai, Hankow, and the provinces of Honan, Hunan, Hupeh, and Kiangsi, including descriptions of the countryside and customs, and of tobacco culture in the region.

Diaries and photographs from Gregory's travels in China, 1905-1906, as an employee of the British-American Tobacco Company. Includes material on travels to Shanghai, Hankow, and the provinces of Honan, Hunan, Hupeh, and Kiangsi, including descriptions of the countryside and customs, and of tobacco culture in the region.

"Degeto Weltspiegel 22. Entscheidung auf dem Balkan III. Sprung nach Kreta" is a 16mm, black-and-white, silent film documenting the German airborne invasion of Crete in May 1941.

"Degeto Weltspiegel 22. Entscheidung auf dem Balkan III. Sprung nach Kreta" is a 16mm, black-and-white, silent film documenting the German airborne invasion of Crete in May 1941. The film was produced by German newsreel company Degeto Weltspiegel, which sold propaganda-styled newsreels for home use in Germany during World War II. While the Battle of Crete was a German victory, German paratrooper losses were far more substantial than the film indicates.

A moderately more complete version of the film, including opening titles and approximately twelve extra seconds of footage, exists on the Internet Archive (https://archive.org/details/DegetoWeltspiegelNr22).

The film is printed on Zeiss Ikon safety film stock.

The sixty-three manuscript volumes in this collection range from 10 to 154 pages, and were created in Japan from about 1810 to 1849, chiefly by medical students. The notebooks usually take one of two forms: transcriptions of lectures and demonstrations, and bodies of knowledge written up as manuals by well-known Japanese physicians of the time, especially Hanaoka Seishū and Takenaka Bunpō. Topics covered include herbal medicines and other prescriptions; treatments for diseases of the eyes and other parts of the head; surgery, particularly for cancers, tumors, and fistulas; breast cancer; smallpox; scurvy; osteopathy; treatment of wounds; suturing; hematology; gynecology and obstetrics; and pediatric medicine. Some notebooks contain black-and-white and color hand-drawn illustrations - many full-page - of surgeries, close-ups of suturing, bandages and wrappings, osteopathic manipulations, and medicinal plants. In most cases, the author or copyist recorded details such the place and time of the lecture and the name of the medical school. There are references in the notes to at least a dozen other contemporary or earlier physicians, and to earlier dates for the work being copied - these range from 1677 to 1796. Acquired as part of the History of Medicine Collections at Duke University.

The sixty-three Japanese manuscript volumes in this collection were created from 1810 to 1849, chiefly by medical students, and document Japanese medical training and practice during the time also known as the Edo period, and the conjoining of Chinese-inspired materia medica with current Western medical practices introduced primarily by the Dutch. The notebooks range in length from 10 to 154 pages, and typically take the form of transcriptions of lectures and demonstrations; in many cases the writer recorded the place and time of the demonstration and the name of the medical school. There are also volumes which represent the collected knowledge of well-known Japanese physicians of the time, especially Hanaoka Seishū but also Takenaka Bunsuke (Nanpō). There are references in the notes to at least a dozen other contemporary or earlier physicians.

The copyists and note-takers signed their names at the end of the volumes; the name Yamanaka Shūsai Hideyuki appears most frequently; also appearing frequently are the names of editors and proofreaders, and corrections and later annotations in red ink are found in a number of the manuscripts. In addition to the contemporary dates, there are many references to the earlier manuscript versions being copied: these dates range from 1677 to 1796.

The topics covered by the volumes range widely, and include: herbal medicine and other prescriptions; treatments for diseases of the eye and other parts of the head; surgery, particularly on cancers, swellings, and fistulas; breast cancer; smallpox; scurvy; osteopathy; the treatment of wounds; hematology; gynecology and obstetrics; and pediatric medicine. There are several volumes containing illustrative drawings, some hand-colored and others are black-and-white; they include detailed images of surgical procedures and close-ups of suturing; examples of bandages and wrappings; osteopathic manipulations; and medicinal plants.

One volume in particular stands out above the rest, consisting of over ninety carefully drawn, full-page, hand-coloured illustrations, nine of which are double-page, displaying patients with dislocated limbs, skin cancer, or requiring sophisticated bandages, as well as illustrations of internal organs and one page with surgical instruments. One of the illustrations is a realistic portrait of Hanaoka Seishū, with a beard and spectacles (probably imported from Holland), showing him excising a cyst from a patient. At the end of the volume, two different explanatory texts in Kanbun (classical Chinese read in the Japanese manner) provide comments in the volume about the diseases and their treatment.

Each codex in the collection is composed of leaves of rice paper, with hand-sewn bindings and soft covers, and calligraphy in black and red ink. Some of the texts are written in Shino Japanese (Chinese reading style) using all Kanji characters, while other texts are in Shino Japanese written in 19th-century characters - the language of the educated class in Japan. At least one volume (Vol. 21) contains Dutch words for medicinal compounds. The script reads back to front; the script is laid out in vertical columns that are read from right to left across the page. In some cases, pages or sections and covers are missing, and some volumes bear traces of insect damage, but for the most part, the volumes are remarkably well-preserved.

All titles are taken when possible from the covers or from section headings; approximate translations in English provided by library staff and are in brackets. In the case of missing titles, a title was supplied from content by library staff. Titles and significant names are also given in Japanese characters, and some older calendar dates are also given in modern Western dates. Illegible or untranslatable text is indicated by blank lines.

Volumes are arranged in this collection guide in two series: sets of notebooks, and single volumes. The items in the sets are linked by common themes or bodies of knowledge, and range from two to eleven volumes. They include collections of works by one physician, as well as sets of manuals and lecture notes on topics such as obstetrics and gynecology, metallurgy, opthalmology, pox and skin diseases, and others. Single volumes are housed after the sets.

All titles are taken when possible from the covers or from section headings; approximate translations in English provided by library staff and are in brackets. Titles and significant names are also given in Japanese characters.

Each volume has been assigned a unique institutional identifier.

Acquired as part of the History of Medicine Collections at Duke University.

Collection comprises 400 Japanese matchbox labels, each approximately 3.5 x 5.5 cm., mounted ten to a page in a contemporary paper album and housed in a custom-made cloth box. The collector of the material is not identified.

Artificial collection of ephemera related to the life and career of Dr. John Hope Franklin. Materials were not authored by John Hope Franklin.

Collection contains an assortment of ephemera, including some audiovisual and biographical materials.

Alabama family whose members were instrumental in founding the Alabama School for the Deaf in Talladega. The Johnson family's papers chiefly contain letters (1927-1930) from Nellie Hall Johnson (wife of Joseph Henry Johnson Jr.), of Talladega, Alabama, to her son, Seaborn Johnson, while he was a student at Alabama Polytechnic Institute and elsewhere. Other papers represent three generations of the Johnson family in Alabama and Georgia, and include correspondence, some legal and financial papers, student papers from the University of Alabama, and printed material. Of particular interest is the 1861 muster roll of the Alabama Rifles, and items referring to the sale of slaves. Other topics in the family papers include life in Cave Spring, Georgia and the history of Hollins College. Persons represented include Abner Darden, Joseph Henry Johnson Jr., and the Asbury and Darden families.

The Johnson family's papers chiefly contain letters (1927-1930) from Nellie Hall Johnson (wife of Joseph Henry Johnson Jr.), of Talladega, Alabama, to her son, Seaborn Johnson, while he was a student at Alabama Polytechnic Institute and elsewhere. Other papers represent three generations of the Johnson family in Alabama and Georgia, and include correspondence, some legal and financial papers, student papers and writings from the University of Alabama, and miscellaneous printed material.

The legal papers contain several early land deeds and plats for Georgia and Alabama. Some of the deeds and bonds were Abner Darden's. Darden was the father-in-law of Joseph Henry Johnson. Other legal records are those of Mary E. Latimer as guardian of the minor heirs of Richard V. Asbury, will of Joseph H. Johnson, undated constitution and by-laws for the formation of the Cave Spring (Ga.) Mechanic's Aid Association or Joint-Stock Company to sell family groceries, and interrogations taken by Abner Darden for a lawsuit in Polk Co., Ga., relative to the financial condition of Woodland Female College. Among the financial records are those of Abner Darden, Richard V. Asbury, Mary E. Latimer, inventories of the sale of personal property of the late William Darden of Taliaferro Co., Georgia, on Nov. 10, 1842, and of the sale on Dec. 22, 1842, of his slaves, which includes prices.

Among the miscellaneous papers are a copy of the original muster roll of the Alabama Rifles (Alabama 1st Infantry Regiment, Company "D") Apr. 3, 1861, of which Joseph H. Johnson was captain, and a commission of Johnson as a representative of the Grand Commandery of Knights Templar of Kentucky to the Grand Commandery of Alabama, May 28, 1870. Printed items include a list of Georgia officials, circa 1857, that shows that the state senators and representatives were either of the Democratic or American Party; a memorial article on Abner Darden by his lifelong friend Alexander H. Stephens, July 30, 1877; and the June 8, 1893, issue of The Messenger of Talladega printed on silk and devoted solely to the life, career, and death of Dr. Joseph H. Johnson.