The Beloved Community Center is a community-based, grassroots organization dedicated to social activism, advocacy, and uplift in the Greensboro, NC area. The collection comprises printed materials, including reports, event programs, newsletters, and brochures published by the Beloved Community Center between 2002-2013. Topics include local governance, the Greensboro Truth and Reconciliation Commission, and the Greensboro Police Department. Reports include: "A Decade of Building a Spirit of Beloved Community" and "Our Democratic Mission: Transitioning the Greensboro Police Department from Double Standards and Corruption to Accountability and Professionalism." Newsletters and brochures included are: "Towards a New Democratic Conversation: Connecting Mass Movements to Building Local People Power and Governance," "Celebrating 20 Years: A New Era for Greensboro and the Nation," "The Democracy Road: Toward a More Racially Just City, A Sustainable Economy, Good Jobs for All, and Relevant, Equitable Education." Also included is the event program for the "Swearing in and Seating of the Greensboro Truth and Reconciliation Commission." Reports include: "A Decade of Building a Spirit of Beloved Community" and "Our Democratic Mission: Transitioning the Greensboro Police Department from Double Standards and Corruption to Accountability and Professionalism." Newsletters and brochures included are: "Towards a New Democratic Conversation: Connecting Mass Movements to Building Local People Power and Governance," "Celebrating 20 Years: A New Era for Greensboro and the Nation," "The Democracy Road: Toward a More racially Just City, A Sustainable Economy, Good Jobs for All, and Relevant, Equitable Education." Also included is the event program for the "Swearing in and Seating of the Greensboro Truth and Reconciliation Commission."
Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.
Bill of indictment for African-American woman named "Blender", 1808 January 0.1 Linear Feet — 1 item
The Raymond C. Battalio and John B. Van Huyck Papers document their careers as economists at Texas A & M University. The collection provides an overview of their professional activities, particularly their work as experimental economists and influential figures in developing the field of experimental economics during the 1990s. The papers of Battalio and Van Huyck are combined as one collection given their close working relationship. Their joint work focused on a series of experiments showing the likeliness of coordination failures even when incentives guide participants to attempt to coordinate, the aim being to highlight the difficulty of economic coordination. Experiments by Battalio and Van Huyck include studies of the emergence of conventions, numerous coordination games, and peasant-dictator games, among others.
The collection also includes Battlaio and Van Huyck's communications with other prominent contributors to experimental economics such as Colin Camerer, Charles Holt, John Kagel, Thomas Palfrey, Ariel Rubinstein, Alvin Roth, Larry Samuelson, and Vernon Smith, among others.
Along with their own scholarship and writings, the collection documents Battalio and Van Huyck's roles in the Economic Science Association and Van Huyck's as an editor of Experimental Economics; and Battalio and Van Huyck's department roles, committee work, and teaching contributions in economics at Texas A & M.
Extensive digital materials from Battalio and Van Huyck's experiments are also included in the collection. Original naming conventions and file structures in the digital materials are preserved where possible.
Raymond C. Battalio and John B. Van Huyck papers, 1972-2014 and undated 97.5 Linear Feet — 65 boxes — 150 Gigabytes
Collection consists of assorted printed materials, photographs, and some letters and correspondence relating to the education and employment of Willis Edward Byrd and other members of the Byrd and Jones family, including his parents, siblings, aunts, and uncles.
Byrd's attendance and graduation from Talladega College, and his hiring as a chemistry professor at Lincoln University, represent the bulk of his personal papers. There are some photographs of him, including one in army uniform during World War II, and there are some letters to him from his father that discuss his army service and his father's hopes that he will stay focused on his "life's work," presumably meaning his education. Byrd's series also contains correspondence with prospective employers and transcripts from Talladega, Iowa, and Illinois.
Also included in the collection are materials collected or produced by other members of the Jones and Byrd family. Assorted printed materials collected by parents Edward D. Byrd and Annie L. Jones Byrd reflect their community and church activities in Georgia. The collection also contains family photographs of Byrd's parents' generation, including images of his mother, aunts, and uncles. Correspondence and handwritten drafts and reports from Annie L. Jones Byrd document her communications with Better Homes in America regarding the state of housing and education for African Americans in their community, as well as record her and her sister's search for employment as teachers in the mid-1910s. There are also printed materials from Spelman College and Morehouse College, acquired by Willis Edward Byrd's sibling Sarah L. Byrd King and her husband, Arteria King.
The original acquisition also contains a poll tax and property tax receipt from the early 20th century for Henry Adams, in Brazoria County, Texas; as well as a 19th century tax receipt for "Robert Ballentine's heirs." The connection or relationship these individuals have to the Byrd and Jones family is unclear.
Materials include newspapers, artwork, clippings, U.S. military publications aimed at camp residents, camp notes, reports, and photographs from a variety of sources. Newspapers are one of the largest formats within the collection, which includes the complete run of éxodo, a newspaper with color issues printed from November 1994-September 1995 from Camps Kilo and Charlie Village in the Guantánamo Bay camps; issues of El Bravo, El Balsero, and El Futuro from 1994-1995; Sa K'pase, N'ap Boule, and Qué Pasa, newspapers printed by the U.S. military in Creole and Spanish and designed for Haitian and Cuban refugees at the camps; as well as newspaper clippings and some magazine issues covering the refugee crisis of 1994-1995 and the plight of Caribbean refugees in general.
Photographs are another significant component of the collection. U.S. Coast Guard photographs and slides of rafters and rescuers date from 1980 to the 1990s or 2000s, and are accompanied by photocopies from the U.S. Coast Guard's Historian Office detailing refugees assistance as early as 1959. The collection also includes unsorted and largely unlabeled photographs from the camps; those that are labeled date from 1994.
Other materials in the collection include some refugee artwork, publications about Cuba, a folder of Cuba information including some materials on Elián González, and other ephemera mentioning Cuban refugees. In addition, 8 CDs with photographs and other materials have been transferred to Duke's ERM server and are in the custody of the Electronic Records archivist.
Collection arranged into two series, Committees and Organizations and Assorted Printed Materials. The first series comprises assorted documents from U.S.-based committees in support of the Cuban Revolution and critical of U.S. foreign policy. The Assorted Printed Materials series is comprised of single serials related to the Cuban Revolution and U.S. foreign policy in Cuba, especially the Bay of Pigs Invasion in the early 1960s. The collection was transferred to the Rubenstein Library from the Duke University Library pamphlet collection in 2012. Their original source or sources are unknown; however it is likely that materials were collected by the library to support student research in the 1960s. Most of the material is from 1960 and 1961, with a concentration of printed materials from April and May of 1961, around the time of the Bay of Pigs Invasion. Committees represented in the collection show a pro-Cuba agenda and include The Fair Play for Cuba Committee, The Truth About Cuba Committee, Young Socialists Alliance, and the Non-Violent Committee for Cuban Independence. Materials include leaflets, event flyers, newsletters and correspondence, committee resolutions, and other printed ephemera from their grassroots efforts to educate audiences about the actions of the U.S. military in Cuba.
The Cathy Davidson Papers encompass Davidson's various writings, organizational work, correspondence, and materials related to Fred Hampton. The Writings Series includes her research and assemblage of famous authors' love letters (Book of Love), as well as drafts of various books, short stories, writing workshops, and publication matters. The Organizations and Professional Activities Series includes files relating to her work with the American Studies Association, the American Literature Section of the MLA, and the American Literature Association, as well as various other professional activities. Part of Davidson's Duke career is documented in the papers as well, particularly her work with the MacArthur Foundation grant for learning institutions in a digital age, as well as some HASTAC materials. The Fred Hampton Materials pertain to the assassination of Fred Hampton in 1969 and Davidson's related photography projects. This series is closed until 2017. Additionaly, permission from Cathy Davidson is required to view any materials in accession 2012-0248 (boxes 21-23) during her lifetime.
Titled in reference to outgoing President Eisenhower's speech regarding the dangers of military power, this collection consists of 36 16x20 inch color inkjet photographs from the documentary project "After Eisenhower" by photographer Jasmine Clark. Clark documented signs, symbols, slogans, murals and advertising that permeate the streets and outdoor spaces of an anonymous military town or towns. No locations are recorded for the photographs, but they were all or almost all taken in California. The images convey complex themes of patriotism, Christianity, masculinity and femininity, and other iconographic expressions of "Middle America" culture.
From the artist's statement: "The photographs in 'After Eisenhower' are influenced by my upbringing in a United States Marine Corps community in Twentynine Palms, California...My sister and I were exposed to the ideologies of American patriotism and nationalism. We learned the critical distinction between the two; namely, that the embedded framework of American nationalism is inseparable from and in service to the systemic cultural narrative that brown skin and other physical characteristics are negative."
"The military is intertwined in the established patriotic, national and Christian identity. How is patriotism learned and sustained without any direct military relationship and in a society that oppresses any aspect of your identity? President Dwight D. Eisenhower's farewell presidential address warned about the implications of military power and its impact on American culture. In response to my curiosities and Eisenhower's warning, my work probes how American patriotic identity manifests when its symbols, e.g., the national anthem and the American flag, are conflated with complex and polarizing issues such as racial discrimination, religion, gender identity, and nationalism. The saturation of these oversimplified messages is disconcerting. They are meant to have clear meanings. However, these places and artifacts suggest more problematic truths about American life and our relationship to our military."
For her work "After Eisenhower," Clark received the Archive of Documentary Arts Award for Emerging Documentarians in 2017.
Acquired by the Archive of Documentary Arts at Duke University.
Diaries of Jeanette Reid Healy, of Chicago, Ill., describing her two-and-a-half-year honeymoon with husband Augustine Healy touring Japan, Korea, China, the Philippines, Hong Kong, Cambodia, Malaysia, Thailand, Singapore, India, Pakistan, and Kenya, principally describing the tourist sights and places they visited. Jeanette includes her impressions of the local landmarks, temples, museums, scenery, and people, often describing native dress, hairstyles, and appearances. The Healys were passionate hunters, particularly Augustine, so the diaries include detailed descriptions of their tiger and bear hunting in India, as well as their three-month African safari with extensive big game hunting of elephants, lions, rhinosaurus, and large deer. They were guided by William Judd; a clipping of his death notice is included. Included are 169 photographs from their safari, as well as the diaries' original book sleeve, bound in zebra skin.
Diaries and photographs from Gregory's travels in China, 1905-1906, as an employee of the British-American Tobacco Company. Includes material on travels to Shanghai, Hankow, and the provinces of Honan, Hunan, Hupeh, and Kiangsi, including descriptions of the countryside and customs, and of tobacco culture in the region.
Collection consists of four volumes connected with Dr. Eugene Grissom, related to his superintendentship of the North Carolina Insane Asylum in Raleigh.
Volume 1 is a register of admissions, 1883-1887, including information about white patients admitted to the Raleigh Insane Asylum including names, NC county of residence, and occasionally the outcome of their admission (typically either their cause of death or the note that they had left the hospital, cured). This register tracked only admissions for the Eastern Division of white patients in North Carolina; patients residing in the Western Division were treated at an insane asylum in Morganton.
The other three volumes are scrapbooks, largely consisting of clippings about Grissom or the asylum. All of these scrapbooks include coverage of Grissom's medical lectures and papers on the treatment of the insane, his roles in various medical organizations, the work of the insane asylum as a progressive institution, and the political turmoil Grissom occasionally faced.
In addition to clippings relating to Grissom's medical career and his work at the Insane Asylum, Volume 2 (a scrapbook dated 1875-1877) includes clippings from various newspapers covering a controversy about whether Grissom (a Republican) should be removed from his position as superintendent during the fallout of the 1877 election in North Carolina.
Volume 3 is a scrapbook assembled by A. Watkins Verith (sp?) on Grissom's behalf, dating from circa 1877-1880. It includes clippings and notations (by Verith) about Grissom's political career, including debates about his potential run for North Carolina governor in 1879; coverage of a controversy with Dr. William A. Hammond over Grissom's treatment methods (including Grissom's proponency of mechanical restraints for violent patients, such as handcuffs and straightjackets); his expert testimony in a Danville murder case that the accused, Justin Thomas Dejarnette, was clinically insane; as well as public notices about his various lectures and appearances.
Volume 4 (1877-1880) contains clippings and some annotations about Grissom's service as superintendent for the Insane Asylum, including a published letter from Dorothea Dix praising the work of the hospital. There are additional clippings covering the Dejarnette murder case (1880), Grissom's involvement in Masonic ceremonies in 1880, and Grissom's potential runs for governor.
Collection consists of a forty-four page scrapbook belonging to an unidentified compiler, documenting the history of Fort Des Moines, Iowa, as a Women's Army Corps (WAC) training center, and the 404th Women's Army Corps band, the first African American female band in the United States military. The scrapbook contains 100 photographs, all but one black-and-white, ranging in size from 2 x 3 inches to 7 1/2 x 8 3/4 inches. The creator also included photographic postcards as well as clippings from official Fort Des Moines publications. The covers for the scrapbook are missing.
The first page contains a photograph of the front page of the Honolulu Star-Bulletin from December 8, 1941. The following early pages provide a short history of Fort Des Moines, with clippings documenting its conversion to the first Women's Army Auxiliary Corps training center. The clippings are augmented by photo postcards depicting the grounds, along with one showing a woman blowing a bugle into a oversize megaphone.
Documentation of the African American women's band begins on page 21, with a group portrait. Other photographs show the women in uniform; many of the photographs are signed or are otherwise identified in ink. Images include the practice room, women marching with instruments, and off-duty band members relaxing, riding bicycles, traveling together, preparing for sleep, or playing with pets. There are at least two photographs of Major Charity Adams Earley, the first commissioned African American WAC.
Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.
Women's Army Corps and WAC African American Band scrapbook from Fort Des Moines, 1941-1945 0.5 Linear Feet — 1 box
This collection contains serial and short-run periodicals published by secular Jewish organizations and governmental agencies in Israel and around the world. The materials range in date from 1918 to 2004, and document a variety of subjects including history, literature, the Holocaust, secular Jewish education, and social-cultural issues.
Fourteen single-sheet printed documents, issued from 1630 to 1818 by officials in northern Italian ports or inland trade centers, declaring that ships, cargo, and crews have been inspected and are free of contagion, chiefly meaning plague. Most are in Italian, but several also include some Latin.
Nine of these bills of health originated in Venice, with others from Brindisi, Guastalla, Milano, Piacenza, Ravenna, Reggio, San Giovanni in Persiceto, Segna, San Martino, and Trieste. They range in size from 6 x 8 1/4 to 12 x 16 1/2 inches. Almost all bear one or more small woodcuts such as patron saints and coats of arms; blindstamps and seals are also often present.
Typical handwritten content on the front and sometimes back of the sheet gives the name of the ship's owner and his ship, the ship's itinerary, number of containers ("Colli"), and type of cargo. A few of the documents also include lists of crew members, with names, ages, and stature. A few terms of interest that appear include "lazzeretto," indicating a place of quarantine, and "epizootico," a medical term for a non-human epidemic or agent. Forms part of the History of Medicine Collections at Duke University.
The sixty-three Japanese manuscript volumes in this collection were created from 1810 to 1849, chiefly by medical students, and document Japanese medical training and practice during the time also known as the Edo period, and the conjoining of Chinese-inspired materia medica with current Western medical practices introduced primarily by the Dutch. The notebooks range in length from 10 to 154 pages, and typically take the form of transcriptions of lectures and demonstrations; in many cases the writer recorded the place and time of the demonstration and the name of the medical school. There are also volumes which represent the collected knowledge of well-known Japanese physicians of the time, especially Hanaoka Seishū but also Takenaka Bunsuke (Nanpō). There are references in the notes to at least a dozen other contemporary or earlier physicians.
The copyists and note-takers signed their names at the end of the volumes; the name Yamanaka Shūsai Hideyuki appears most frequently; also appearing frequently are the names of editors and proofreaders, and corrections and later annotations in red ink are found in a number of the manuscripts. In addition to the contemporary dates, there are many references to the earlier manuscript versions being copied: these dates range from 1677 to 1796.
The topics covered by the volumes range widely, and include: herbal medicine and other prescriptions; treatments for diseases of the eye and other parts of the head; surgery, particularly on cancers, swellings, and fistulas; breast cancer; smallpox; scurvy; osteopathy; the treatment of wounds; hematology; gynecology and obstetrics; and pediatric medicine. There are several volumes containing illustrative drawings, some hand-colored and others are black-and-white; they include detailed images of surgical procedures and close-ups of suturing; examples of bandages and wrappings; osteopathic manipulations; and medicinal plants.
One volume in particular stands out above the rest, consisting of over ninety carefully drawn, full-page, hand-coloured illustrations, nine of which are double-page, displaying patients with dislocated limbs, skin cancer, or requiring sophisticated bandages, as well as illustrations of internal organs and one page with surgical instruments. One of the illustrations is a realistic portrait of Hanaoka Seishū, with a beard and spectacles (probably imported from Holland), showing him excising a cyst from a patient. At the end of the volume, two different explanatory texts in Kanbun (classical Chinese read in the Japanese manner) provide comments in the volume about the diseases and their treatment.
Each codex in the collection is composed of leaves of rice paper, with hand-sewn bindings and soft covers, and calligraphy in black and red ink. Some of the texts are written in Shino Japanese (Chinese reading style) using all Kanji characters, while other texts are in Shino Japanese written in 19th-century characters - the language of the educated class in Japan. At least one volume (Vol. 21) contains Dutch words for medicinal compounds. The script reads back to front; the script is laid out in vertical columns that are read from right to left across the page. In some cases, pages or sections and covers are missing, and some volumes bear traces of insect damage, but for the most part, the volumes are remarkably well-preserved.
All titles are taken when possible from the covers or from section headings; approximate translations in English provided by library staff and are in brackets. In the case of missing titles, a title was supplied from content by library staff. Titles and significant names are also given in Japanese characters, and some older calendar dates are also given in modern Western dates. Illegible or untranslatable text is indicated by blank lines.
Volumes are arranged in this collection guide in two series: sets of notebooks, and single volumes. The items in the sets are linked by common themes or bodies of knowledge, and range from two to eleven volumes. They include collections of works by one physician, as well as sets of manuals and lecture notes on topics such as obstetrics and gynecology, metallurgy, opthalmology, pox and skin diseases, and others. Single volumes are housed after the sets.
All titles are taken when possible from the covers or from section headings; approximate translations in English provided by library staff and are in brackets. Titles and significant names are also given in Japanese characters.
Each volume has been assigned a unique institutional identifier.
Acquired as part of the History of Medicine Collections at Duke University.
Collection contains an assortment of ephemera, including some audiovisual and biographical materials.
The Kenneth Hubbard Collection of Presidential Campaign Ephemera consists of printed and artifactual memorabilia from assorted presidential campaigns, dating largely from the late nineteenth century through the present. Items are chiefly relating to the Democratic and Republican political parties, with some materials from the U.S. Socialist Party and the Prohibitionist Party. The majority of the collection consists of buttons, pins, and campaign literature such as pamphlets, newsletters, flyers, and platforms. There are also speech transcripts from appearances by John F. Kennedy and Adlai Stevenson during their presidential campaigns.
This collection consists of printed materials collected by Hasso in the Middle East relating to gender, feminism, marriage, and women's rights in Egypt, Dubai, Palestine, and Jordan. Most of these items are printed materials from organizations such as the Palestinian Federation of Women's Action Committes, the National Council for Women (Egypt), and the Center for Egyptian Legal Assistance (CELWA). There are also reference materials relating to these topics, produced by NGOs and other academic institutions. The collection also contains a marriage box, acquired by Hasso in 2003, from the Courts Department of Dubai. This box was intended for distribution to marrying couples and includes brochures, pamphlets, and other information about relevant laws and social programs impacting women and children.
The collection principally comprises a large series of correspondence and legal records accumulated by North Carolina lawyer and politician Charles L. Abernethy, Sr. during his tenure as U.S. Congressman. There are papers relating to the senior Abernethy's law practice and business dealings in Beaufort and New Bern, N.C. (including legal papers concerning land development in Carteret County, Cape Lookout, and Horse Island maintained by both father and son).
Other materials include deeds and other early papers, political speeches, newspaper clippings and scrapbooks of Abernethy's political career, a diary, and the Abernethy coat-of-arms. There are also papers assembled by Abernethy's son, Charles L. Abernethy, Jr., a lawyer in his father's firm, and a volume of his poetry.
A lare group of photographs and albums includes a photograph album containing snapshots the elder Abernethy took during a congressional trip to Alaska for three months of 1923 (including photographs of President and Mrs. Harding), as well as a typescript of his diary from the trip; and an album containing postcards of Beaufort, N.C, in 1907, featuring a celebration of either the 200th anniversary of the town's founding or the opening of passenger and rail service to the town (or both).
Charles L. Abernethy Sr. papers, 1713-1972, bulk 1907-1959 85 Linear Feet — 160 boxes; 2 oversize folders — Approximately 60,855 items
African Americans in Film Collection of Press Books, Campaign Books, Advertising Manuals, and Ephemera, 1919-2000
The 197 films represented by this collection of movie promotional and advertising materials cover a variety of types of motion pictures, from obscure all-black cast silent films by the Norman Film Manufacturing Company, to movies with supporting and starring roles for African Americans and modern all-black cast films. The collection includes representative coverage of legendary film artists such as Dorothy Dandridge and Sidney Poitier, and more comprehensive coverage of the classic era of Blaxploitation films, the 1970s.
The collection contains over 250 separate press books, campaign books, advertising manuals, supplements and other ephemeral promotional booklets, broadsides or single sheet publications, and posters designed for the use of theater distributors, dating from the independent Black films of the 1920s to 2000. The collection also includes some souvenir program booklets sold at theaters, and two published hardcover books.
Press books are no longer made. They were often extremely elaborate and profusely illustrated, containing many diverse articles about the film, the stars and the filmmakers, as well as ad mattes for proposed publicity campaigns, detailed plot synopses, cast and crew credits, etc. Also featured are small versions of posters available to local theaters. The ad campaigns alone provide a great deal of information about how the actors, directors, and films were promoted in the press and in theater displays. Virtually everything contained in this collection is ephemeral in nature. Even the more recent press kits were never publicly distributed or sold, and are also scarce, possibly unique.
Unless otherwise noted, all the promotional pieces in this collection are of U.S. origin. There are a few items from Great Britain, Denmark, Japan, Germany, and France.
Additional information appears in many but not all of the inventory entries. Some entries include a designation for the type of material, e.g., press book, advertising supplement, promotional booklet, theater program, press book insert, etc. while some entries include a copyright date for the material (especially when this date differs from the film's date). Many entries include the names of one or more of the African-American actors, actresses, singers, directors, screenplay authors or producers involved with the film; however, such lists are selective, not comprehensive. A substantial number of the entries in the inventory also include descriptive comments by the dealer, George Robert Minkoff Inc., and quotes or references selected by the dealer from the following sources: Bogle = Bogle, Donald. Blacks in American films and television: an encyclopedia. Bogle II = Bogle, Donald. Toms, coons, mulattoes, mammies, and bucks: an interpretive history of Blacks in American films.
Collection comprises a 16-page, 8 1/2 x 11 inch photograph album belonging to an unidentified member of the 45th Engineer General Service Regiment, one of at least four segregated units of African American soldiers active, stationed in Ledo, India beginning in 1942. Their charge was to build a portion of the Stilwell Road, a military supply route from Ledo in Assam, India, through Burma, to Kunming, China.
The album's original binder is no longer present. Mounted on the loose pages are 44 black-and-white snapshot photographs, most measuring 3 x 4 1/2 inches, some with brief captions in ink. The images include posed and candid snapshots of individuals and groups of African American soldiers, at work on the base and during periods of rest. Soldiers identified in the captions include Charley Woodard, Clarence Benson, Charles J. Greene, and Cain Walker. There are also photographs of buildings on the base, including Battalion Chapel, headquarters (labeled "The Gateway to Hell"), Harmony Church, a large Stilwell Road sign, along with varied shots of military equipment, a "Coolie Camp," the "laundry man," and the Taj Mahal. There are a number of blank pages, and there are some photographs missing.
Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.
African American soldier's World War II photograph album of India, circa 1942-1945 0.2 Linear Feet — 1 box — 16 pages
Collection comprises a photograph album likely created by an unidentified African American soldier serving in Vietnam. There are 268 uncaptioned black-and-white and several color photographs ranging in size from 2 3/4 x 3 1/2 to 3 1/2 x 5 inches, along with 15 souvenir postcards, all carefully arranged and mounted in a large decorative travel scrapbook.
Images primarily feature off-duty African American and white servicemen in camp and off base, although few show white and black soldiers mingling. There is also a series of well-executed portraits of individual soldiers, white and black. Scenes from the streets of Saigon and perhaps other large cities abound, showing the diversity of vehicles and pedestrians; there are also some taken in smaller, unidentified towns and villages, presumably in Vietnam. The photographer took many images of markets, bars, pharmacies, and other buildings, almost always from the exteriors, as well as numerous snapshots of local citizens, chiefly women and children, often in groups, and some who appear to be frequently associated with the U.S. military base or camp.
Military locations and scenes include an air base, helicopters in flight, a crashed helicopter, military bases and personnel, Army vehicles along the roads, military police (including one African American), and what appear to be checkpoints. There are a handful of shots showing bombing raids and cleared or destroyed jungle areas.
Overall, the images in this photograph album offer a wealth of details about the Vietnam War from a variety of viewpoints.
African American soldier's Vietnam War photograph album, circa 1965-1973 1.5 Linear Feet — 1 box; 1 album
Bound photograph album contains 51 albumen silver prints dating from 1894-1901, taken in Ceylon (now Sri Lanka), Bellary, India, Constantinople (Istanbul), and Egypt. A few images are from Nice, France, and Monte Carlo. The album bears no owner's name, but likely belonged to an individual in the British Army. Many of the photographs are captioned. Prints range in size from 8 3/4 x 11 to 5 3/4 x 8 inches; most are full-page sizes.
Sri Lanka images predominate, many attributed to William Henry Louis Skeen, a well-known British-born studio photographer based in Sri Lanka; several prints bear his studio's imprint, while others are unmarked but are likely from his studio.
Images from Sri Lanka date from 1894-1895. Colombo views include: Galle Face Green (Colombo); infantry barracks shown from the front and back, with lake, hospital, polo ground and club house; Mount Lavinia Hotel, with infantry barracks room and officers quarters, 1895; and waves crashing over a breakwater during monsoon. Images from other locations include: a panorama of Kandy; Trincomalee from Officers Mess, 1895; Kandy with lake view and Trincomalee street; India rubber trees, Peredinaya Gardens, Kandy; Main Street, Pettah; "A.S.T." (probably the album's owner) in Ceylon, 1894; polo group, Ceylon 1894; Stewards Stand, Colombo Races, 1894; and Nuwara Eliya Races, 1894, "Comewell wins!"
Views of Egypt are from 1898 and include the Great Sphinx; Gizeh, palace of Prince Hussein Kamil Pacha; Alexandria, Palace Mehemed Ali; Alexandria, palace Ras-el-tin; photograph of a print titled, "Birds Eye View of the Battle of El-Teb"; "Old Cairo"; and a city street in Cairo. Views from Constantinople include the interior of Mosque Sainte Sophie; a street scene; panoramic view of the city and old port; view of the Golden Horn and arsenal; Mosque Hamidiye and Yildiz palace; and an Ottoman porter (studio portrait). The Middle Eastern views date from the mid-1890s and are all by commercial studios: the Zangaki brothers (one print), Schroeder & Cie, Zurich (three prints) and Sebah & Joaillier (five prints). Many of these are captioned in the negatives.
India images are dated later and include: the 1st Royal Warwicks, Bellary India, 1899; Indian servants with race horses; and Indian servants and staff outside private residence with two English men in suits. There are six total residential images, undated and without captions.
There are several commercial views from Europe: Nice, France: "Cascade du chateau" and an image from the Promenade des Anglais, 1901; and a view of a Monte Carlo theater, 1901.
Military images include: the hospital ship "Spartan," 1900; C Company of the 4th Royal Warwickshire Reg.t Dublin, 1902; B Company 4th Royal Warwickshire Reg.t Dublin, 1902; and a loosely inserted image captioned "Officers War. R. Peshawar" with names of officers recorded in pencil on verso. The final image is labeled "Camp Marachah," possibly in Afghanistan. Two smaller glossy copies of an image of men with well-bred horses in a desert landscape are laid in the closing pages.
On the first album leaf is pasted a coat of arms with the original Latin motto crossed out, and a different one written below in period ink, "Quocunque jeceris stabit", meaning "Whichever way you throw, it will stand," the motto for the coat of arms of the Isle of Man.
British military photograph album with views of Sri Lanka, Egypt, India, and Istanbul, 1894-1901 0.25 Linear Feet — 1 box — 1 volume, 51 print
Collection contains three volumes belonging to George Meade Bowers, Republican politician and government official from West Virginia.
The photograph album, entitled "Photographs, Congressional Party in Hawaii, George Meade Bowers," contains 58 silver gelatin photographs. The album is undated, but the image content establishes its creation from 1916-1917. The delegation's visit in 1917 coincided with the death of Queen Liliuokalani on Nov. 11, 1917 and her funeral; the album includes a photograph of the Queen lying in state. Settings include the islands of Oahu, Hawaii, and Kauai, including Honolulu, Kona, Waimea, Kaimu, Makapuu, and Hilo. Scenes include Hawaii Volcanoes National Park (created a national park in 1916), the delegation, schoolchildren, Japanese, Hawaiians, public officials, and travel.
The scrapbook, also assembled by George Bowers, contains mostly clippings but also a small number of photographs, and dates from 1898-1914. They primarily concern his work as U.S. Commissioner of Fish and Fisheries, 1898-1913. There are a variety of clippings about Bowers, the Fish Commission, the International Fisheries Congress in 1908, oyster; lobsters, various kinds of fish, and the U.S. fishing industry. There are also numerous clipping about politics and elections in West Virginia. A few clippings concern the Bowers family.
The third album contains congratulatory telegrams for Bowers' 1916 election to Congress from the Second District of West Virginia. The telegrams include two from Theodore Roosevelt, one of which is substantive. There is one photograph in the back of the leather volume, of a campaign parade for Bowers.
The Theresa El-Amin Papers have been divided into series: Organizations and Movements, Subject Files, Conferences, Personal Files and Correspondence, Printed Materials, Photographs and Audiovisual, Black Liberation Historical Documents, Realia, and Oversize Materials. The largest series, Organizations and Movements, features materials from El-Amin's long career as an activist and union organizer with groups such as Black Workers for Justice, the Service Employees International Union, Jobs with Justice, the Green Party of the United States, the NAACP, the Coalition of Labor Union Women, the Black Radical Congress, Solidarity, and the Southern Anti-Racism Network. Other highlights of the Organizations and Movements series include the Black Liberation movement and the Free Mumia Abu-Jamal movement. There are also numerous other groups and movements represented within this series. Contents typically include handouts and fliers from various events; email correspondence; reports and publications from different groups, including some newsletters; and clippings with coverage of different campaigns and activities.
The Subject Files series was largely created by El-Amin, with additional subjects added in processing to account for loose pages in the collection. Topics heavily represented include Muhammad Ahmad, community organizing and its many components, healthcare, South Africa and apartheid, North Carolina, and workplace safety. There are also subject files for several countries, as well as materials about Hurricane Katrina.
The Printed Materials series includes newsletters, magazines, journals, fliers, handouts, and other miscellaneous materials from a wide variety of sources. The first box contains runs of various periodicals, including Forward Motion, In Defense of Marxism, and Labor Notes. These runs are incomplete and represent only a sampling of the publication. The second box of printed materials relates largely to El-Amin's union involvement, and features miscellaneous union publications from the 1980s-2000s. There is a small amount of earlier material, mainly in the Historical Pamphlets folder, which includes publications on desegregation and its impact on unions. The remainder of the series is also largely miscellaneous, with one or two issues of a wide range of newsletters, magazines, or organizational reports.
The small Conferences series contains conference books, fliers, correspondence, and handouts from various conferences El-Amin attended between 1985 and 2010. There is some overlap between this series and the Organizations and Movements series. Another small series is El-Amin's Personal Files and Correspondence, which consists largely of certificates and other remnants of her professional organizing education and career. This series also includes copies of her resumes and a 1997 oral history transcript.
The Photographs and Audiovisual Materials series includes large amounts of loose photographs, labeled by El-Amin, documenting many of the organizations, activities, and events referenced in earlier portions of the collection. It also includes some personal photographs of El-Amin's family and friends. The VHS tapes in this series document a range of protests and issues important to the BWFJ and El-Amin's union organizing.
Articles and pamphlets acquired by El-Amin relating to the Black Panther Party and the Black Liberation movement of the 1960s are included in the Black Liberation Historical Documents series. Highlights include a transcript of Stokely Carmichael, Chairman of SNCC, speaking at the 1966 Berkeley conference on "Black Power and its Challenges." Includes articles on the condition of African Americans by Bayard Rustin, as well as coverage of the Watts riot and recovery of the Watts area. Also includes several issues of Commentary Reports from the 1960s.
The Realia series is largely unsorted, but includes three boxes of t-shirts and one box of buttons and other ephemera collected by El-Amin in her years as an activist.
Finally, the Oversize Materials contains objects withdrawn from their respective series due to their large size. These include Jobs with Justice foam boards and posters.
Collection comprises a diary (124 pgs.) maintained by an unidentified woman who was educated, knowledgeable about sailing, and quite religious, during her voyages and travels around the northern coast of Scotland to cities in Norway, Sweden, the Netherlands, Belgium, England, France, and Spain. The diary began with a business trip, when she accompanied her husband (who was likely captain of the unnamed ship), from Workington, Eng., to Horten, Norway, in order to deliver a cargo of rails to the Norwegian government. The rest of the travel was apparently for pleasure. The author described ocean and weather conditions, with emphasis on dangers for ships; lighthouses; shipwrecks; landscapes; architecture; historic sites and ruins; castles; cathedrals and churches; palaces; paintings, sculptures, and artists; bridges and engineers; and gardens. She also commented on the inhabitants of and various practices in individual European countries, often in comparison to England, and with a particular focus on the women in each country. She made occasional literary references. More often she interwove her Evangelical beliefs into her descriptions, with references to the resurrection of the dead, comments on Protestant denominations, and strongly worded anti-Catholic sentiments. Includes visits to William Thorburn, who was then British Consul to Sweden; Antwerp's Cathedral of Our Lady; Waterloo battlefield; the Norman Cathedral at Durham; and the Castle site at Newcastle.
Collection contains a letter Elizabeth Gaskell wrote to Ellen Nussey on  July 27 regarding her work on her biography of Charlotte Brontë, and making arrangements to meet with Nussey to review any letters "which you may think it right to entrust me with." She refers to having already reviewed letters held by Mr. Nichols, Brontë's husband, but never mentions Brontë by name.
The diary, begun on April 6, 1878, and ending on Nov. 9, 1878 in Augsburg, covers the travels of an American woman through England, France, Germany, Sweden, Norway, and Russia. Included are descriptions of visits to museums and royal palaces. While in Norway, the author met and spent time with Gen. and Mrs. Ulysses S. Grant. Formerly known as Anonymous diary, 1878.
The collection contains Stephanie Reinhart's personal papers, company management materials, and materials from her 1993 Fulbright research. Her personal papers include essays, poetry, calendars, correspondence, clippings, and papers related to her Durham residence. The company management materials include slides from her time as Company Manager with Crowsnest Dance Company. The Fulbright research materials include correspondence with the Fulbright program, research, notes, articles, and both audiocassettes and transcripts of the interviews she conducted in Argentina.
Assorted printed materials and some manuscript ephemera produced by groups, particularly States' Rights groups, intent on opposing civil rights legislation and desegregation efforts in the Southern United States. Materials date from 1945 through 1971; the bulk of the items are from the 1960s, with some materials undated. Geographically centered on Birmingham, Alabama, with some materials from Georgia and other regions in Alabama.
Items have been loosely grouped based on their origin or content. Groups represented include: National States Rights Party; United Americans for Conservative Government; Alabama Committee to Support Your Local Police; KKK; The Southerners; and the American States' Rights Association, Inc.
There are also three speeches included: "The Brotherhood of Man Racket," by W. H. Amerine; an untitled speech by Hugh Morrow delivered to the Alabama legislature; and "Civil Rights Bill Denies Trial by Jury--Our Greatest Constitutional Right," by John J. Sparkman, reprinted in the Congressional Record in 1957.
Degeto Weltspiegel 22. Entscheidung auf dem Balkan III. Sprung nach Kreta. [Decision in the Balkans III. Jump to Crete.], 1941 May 31
"Degeto Weltspiegel 22. Entscheidung auf dem Balkan III. Sprung nach Kreta" is a 16mm, black-and-white, silent film documenting the German airborne invasion of Crete in May 1941. The film was produced by German newsreel company Degeto Weltspiegel, which sold propaganda-styled newsreels for home use in Germany during World War II. While the Battle of Crete was a German victory, German paratrooper losses were far more substantial than the film indicates.
A moderately more complete version of the film, including opening titles and approximately twelve extra seconds of footage, exists on the Internet Archive (https://archive.org/details/DegetoWeltspiegelNr22).
The film is printed on Zeiss Ikon safety film stock.
Degeto Weltspiegel 22. Entscheidung auf dem Balkan III. Sprung nach Kreta. [Decision in the Balkans III. Jump to Crete.], 1941 May 31 150 film feet — One flat box containing one film can with one 16mm, b&w, silent film. — 00:03:53 minutes
This collection contains an archive of original illustrations, four sketchbooks, and erotic stories, depicting transgressive sex acts including (but not limited to) lesbian and heterosexual sex, incest, pedophilia, sadomassochistic behavior, and copulation with objects as varied as sex toys, produce, and household appliances. The stories and illustrations appear to be the work of a single individual, with nearly all narrative told from a female's point of view. Also includes some amateur pornographic photography and magazine clippings.
The stories included in the collection range in length from one page to 46 pages. Two of the four sketchbooks include drafts of multiple storylines. Most stories are handwritten in the style of a graphic novel; some are typed. All include accompanying hand-drawn illustrations. There are also loose, miscellaneous illustrations in the collection with no correlating story. The collection's photographs and magazine clippings appear to have been used as models for some of the sketches and artwork. The photographs include at least one image of a hermaphroditic woman who appears in some of the accompanying stories.
Correspondence, newsletters, publications, and other materials relating to the activities of Faith Holsaert from the 1960s to the present. A large portion of the collection consists of correspondence and ephemera from her involvement in the Civil Rights movement, including SNCC, and the women's rights movement. Also includes materials from the writing and publishing of Hands on the Freedom Plow, some of which is restricted. The collection also has a large amount of personal memorabilia and materials relating to Holsaert's childhood and family.
Acquired as part of the Sallie Bingham Center for Women's History and Culture.
Collection comprises a large set of professional files kept by biochemist Philip Handler as president of the National Academy of Sciences, chairman of the National Science Board, and member of the Committee on Science and Public Policy, the latter two being affiliated with the National Science Foundation. Includes many subject files on scientific topics, organizations, individuals, conferences, and institutions; correspondence, memoranda, travel records, printed materials such as articles and clippings, and various writings and speeches by Handler.
The files are not always contiguous, but are in loose groups arranged by topic, function, or organization. The files document not only Handler's biomedical career and leadership service to major science research foundations, but also document the history of those organizations, nationally and internationally.
Arnold Palmer advertisements and memorabilia collection consists of print advertisements featuring Palmer as spokesperson, celebrity figure or providing product endorsements, as well as print advertisements for Arnold Palmer's own companies. In addition, the collection includes trading and collector cards, telephone prepaid cards and photographs bearing Palmer's likeness. Companies represented include Beaunit, Chemstrand, Ford, Glaxo (Nicorette smoking cessation products), Haggar, Heinz, Munsingwear, Rayovac, Rockwell, Sears, United Air Lines and Wilson Sporting Goods. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
Collection of 143 stereographic images of areas in southeastern China, taken by amateur photographer and American lighting engineer Frederick B. (F.B.) Nightingale from 1920 to 1921 while he traveled on business as a representative of General Electric. Nightingale's collection is of value not only for the image content, which includes many street scenes with individuals in addition to well-known sites and landscapes, but also for his lengthy captions on the back of each card, commenting on food customs, architecture, folklore, commerce, and religious beliefs and practices, as seen from a Westerner's perspective.
The majority of the images were taken in Suzhou (referred to in captions as Soochow, 55 images), Hangzhou (Hangchow, 44), Mount Putuo Island (Pu-tu, 14), and Shanghai, China (13), but there are also a few photographs from other cities (Chang'an, Ningbo, Harinen?), and a set of 11 images taken in Japan. There is also one photograph of overgrown land on Nightingale's Pasadena, California property called "Palawoo." Several images feature Nightingale, and one shows the porter carrying his camera equipment. The majority of the images are crisp with little fading. A few are stamped with small identification numbers.
Subjects include numerous temples, pagodas, monasteries, monuments, tombs, and other historic sites, some of which no longer exist. Nightingale was able to capture some images of temple interiors, and he often noted which religious sites allowed entry to women. There are many photos of street life, river traffic, modes of transportation, and Chinese vendors and pedestrians going about their daily business.
Acquired as part of the Archive of Documentary Arts at Duke University.