When ALFA disbanded in 1994, the archival collections and the bulk of the periodicals collection were transferred to Duke's David M. Rubenstein Rare Book & Manuscript Library. The book collection and the remaining periodicals stayed in Atlanta, with books relating to feminist theory going to Emory University and the rest to a community library. The ALFA Archives and Periodicals Collections that have been transferred to Duke are an incredibly rich source of information about feminist and lesbian activism and communities, especially in the Southeast, from the early 1970s to the present.

The ALFA Archives includes the organizational records of ALFA as well as other southern radical women's groups such as Lucina's Music/Orchid Productions; Radio Free Georgia (WRFG) women's programming; the womonwrites conference for lesbian writers and publishers; the Southern Women's Music festival; the Atlanta Socialist-Feminist Women's Union; and Dykes for the Second American Revolution (DAR II). The extensive subject files, which are a part of ALFA's archives, document scores of other feminist, lesbian, and activist organizations and events as well as provide information on a broad range of feminist and lesbian issues. Of particular note are ALFA's "Theory/Analysis (Women)" files, as well as their collection of publications by KNOW, Inc., in the "Publishers" subseries; using these primary materials, researchers can get a good sense of the issues that gave rise to the women's liberation movement and to ALFA in the late 1960s and early 1970s.

The ALFA Periodicals Collection contains literally hundreds of grassroots newsletters and journals, many of which are now ephemeral and not in any library. This extensive library of feminist, lesbian and gay, and activist periodicals is more fully described in a separate guide.

Original index of iconography in early prints and illustrated books developed by Karla, Langedijk, Dept. of Art, Duke University. Collection is microfilmed.

An index of iconograpyy in early prints and illustrated books (on 5x8 index cards) developed by Karla Langedijk, Duke University Dept. of Art., and transferred from the Art department to the Rare Book department. Information about the collection is stored in an onsite Collection Control File. This file includes more details about what is indexed.

The Tom Triman Films are comprised of 132 super 8mm reels and one VHS videocassette, containing the productions of horror movie fan/historian/critic Tom Triman (1952-2010).

The Tom Triman Films are comprised of 132 super 8mm reels and one VHS videocassette, containing the productions of horror movie fan/animator/writer Tom Triman (1952-2010). The bulk of the reels are elements for larger works, which here include Butterfly Man, Gunfire and Holy Water, and Pentagram. The collection also contains several commercial films released on super 8mm film, including 2001 A Space Odyssey, Dr. Jekyll and Mr. Hyde, and Frankenstein.

The Department of Theater Studies at Duke University offers courses on the critical evaluation, writing and performance of dramatic works. The department seeks to promote an artistic culture at Duke by bringing professional theatrical performances to campus. The Department of Theater Studies records is composed of administrative materials and records related to both departmental and professional performances staged at Duke.

The Department of Theater Studies Records, 1969-2002 contains correspondence, planning documents, slides, photographs and audiovisual materials related to the administration of the department. The collection also includes materials from a diverse array of student and faculty theater productions. The Department of Theater Studies Records also contains correspondence, planning documents, clippings, promotional materials, slides, photographs, audiovisual materials and electronic records from professional productions brought to campus through the Theater Previews series.

Jim Dow (1942- ) is an American photographer and educator based in Massachusetts. The core of the collection consists of 1226 single-image photographs, 232 multi-image panoramic prints, and approximately 1905 film negatives, representing black-and-white and color images taken by Dow from 1966 to 2022. Subjects include: 20th century U.S. vernacular culture and landscapes, including roadside architecture, courthouses and jails, and small business interiors; food trucks, stadiums, and athletic fields around the world; and interiors and exteriors of private clubs, libraries, and churches and museums in cities around the world. Photographs often include cultural expressions such as advertising, murals, bar decor, and graffiti. Dow's U.S. work focuses mainly on New England, the South, and the West, with a single-state project on North Dakota. Other images are from Argentina, Canada, England, Mexico, Portugal, Scotland, and Uruguay. Also included is a series of commissioned work. The professional papers comprise teaching slides, course readers, syllabi, and digital files, as well as art gallery ephemera. Acquired as part of the Archive of Documentary Arts at Duke University.

The core of the collection consists of 1458 single-image photographs, 232 panoramic prints, and approximately 1905 film negatives of black-and-white and color images taken by Jim Dow over the course of his career from 1966 to 2022. They document his travels across much of the U.S., and in Argentina, Canada, England, Mexico, Portugal, Scotland, and Uruguay. The black-and-white images represent Dow's earliest work, after which he transitioned to shooting in color with an 8x10 inch view camera.

Dow is best known for his studies of 20th century American vernacular culture, roadside architecture, and landscapes; for his multi-panel panoramas of sports stadiums and athletic fields, chiefly in the U.S., Canada, Mexico, and England; and for his images of the architecture and interiors of courthouses, jails, private clubs, libraries, and large public buildings such as churches, museums, and civic buildings in cities around the world.

The earliest photographs in the collection were taken in almost every region of the lower 48 states, beginning around 1966 and continuing through 2022. Starting out in black-and-white then transitioning to mostly color work in the mid-1970s, Dow has documented small towns and roadside attractions, highways and back roads, well-worn business façades, and gathering places such as barbecue joints, coffee shops, bars, diners, and event halls. Images from the Northern Plains appear frequently, as do images from California, Louisiana, Massachusetts, North Carolina, Pennsylvania, Texas, Virginia, and Wyoming. Dow was also commissioned to document the state of North Dakota in the 1980s. Keeping to the theme of road trips, the collection also includes a series on barbecue, taco, and other food trucks in the U.S., Mexico, and South America. Regardless of location, many of Dow's photographs include cultural expressions such as outdoor advertising, murals, neon signs, handpainted signs, sculptures, bar decor, and graffiti; people are rarely present.

The three stadiums series feature sports venues from across the U.S., Canada, England, Mexico, Scotland, and Portugal, and comprise single-image color prints as well as multi-image compositions printed in large panoramic format ranging in size from 16x26 inches to 17x59 inches. Spectators are present in many of these images.

Also in the collection is a smaller series of photographic prints representing Dow's commissioned work (1985-2008), chiefly taken at New England universities and private schools such as MIT, Yale, Tufts, Vassar, and Phillips Academy. Additional commissioned work images are found in negative format.

The professional papers document two of Dow's spheres of activity integral to his own photography career: teaching and art gallery work. These are represented by a large vertical file of paper ephemera from New York City commercial art galleries (1990s-2019); and a large series of teaching materials, which include course readers, syllabi, a set of approximately 130,000 slides, and digital files, visual as well as textual, related to Dow's photography and art courses (1980s-2019). Among the slide sets are two groups documenting holdings in the Canadian Center for Architecture and exhibit installations at the Photography Resource Center in Boston.

These materials form multiple installments of Jim Dow's archive at Duke University. Additions of photographic prints and other professional papers are anticipated in 2023-2024.

Robert F. Durden is a professor emeritus of history at Duke University. He has written numerous articles and several books about the history of Duke University, the Duke Family and The Duke Endowment. The collection includes reprints of articles and a speech written by Durden about Duke University, the Duke Family, and The Duke Endowment as well as a bibliography of selected works by Durden and clippings. The material ranges in date from circa 1965-2001.

This collection was compiled from a variety of sources by the University Archives for use in reference and research. It includes reprints of articles and a speech written by Durden about Duke University, the Duke Family, and The Duke Endowment as well as a bibliography of selected works by Durden and clippings. The material ranges in date from circa 1965-2001.

The Duplex Advertising Company. Billboard Images and Records spans the period 1964-1993 and documents the outdoor advertising work of this company in the central Texas area, primarily through photographs, negatives and slides of billboards. Many of the images are in color. A large number of the images are of national campaigns advertised in central Texas, as well as billboards, signs and posters of local Texas business services. In addition, a handful of articles written by R. V. Miller, Jr. for a number of publications, as well as other printed material and miscellaneous items from the Duplex Advertising Company, are present. Some of these articles, along with the images themselves, provide examples of commercial art and design in the outdoor advertising arena. The collection includes outdoor advertising images from national clients such as Kentucky Fried Chicken, Chevrolet, Coca Cola, Coors, Wendy's, Hardee's, and Taco Bell, and Texas clients such as Lone Star and Pearl beers.

Related materials may be found in other outdoor advertising collections, including the Outdoor Advertising Association of America Archives, the Garrett Orr Papers, the Howard Scott Papers, the John Paver Papers, the John E. Browning Papers, the R.C. Maxwell Co. Records, and the Strobridge Collection.

William Clair Turner, Jr. earned his B.S. in Electrical Engineering from Duke University in 1971, his M.Div. from Duke Divinity School in 1974, and his Ph.D. in religion in 1984. He has held several administrative positions at Duke, including Assistant Provost and Dean of Black Affairs and Acting Director of the Afro-American Studies program. In 1982 he became a full-time faculty member in the Divinity School, directing the Office of Black Church Affairs before being appointed Professor of the Practice of Homiletics. He has pastored several churches, including his current position at Mt. Level Baptist Church and was previously ordained in the United Holy Church of America, Inc. denomination. The collection documents Turner's academic and personal activities. Materials include personal and administrative correspondence regarding Turner's roles as pastor and administrator, manuscripts of lectures and sermons, syllabi and notes for courses taught, notes from classes taken while a student, subject files, and records of the United Holy Church of America. The collection also includes VHS, CD, and DVD recordings of some of his sermons.

The collection documents the academic and personal activities of William C. Turner, Jr., Duke alumni and faculty member at Duke Divinity School. Materials include personal and administrative correspondence regarding Turner's roles as pastor and administrator, manuscripts of lectures and sermons, syllabi and notes for courses taught, notes from classes taken while a student, subject files, and records of the United Holy Church of America, Inc. denomination in which Turner was deeply involved and on which he wrote his Ph.D. dissertation. The collection also includes VHS, CD, and DVD recordings of some of his sermons. Major topics covered include black student life at Duke; Turner's involvement in the Department of Afro-American Studies, Office of Black Affairs, and Office of Black Church Studies; Turner's academic work on the Holy Spirit and black spirituality; pastoral work in African American churches in Durham; and the history of the United Holy Church of America, Inc.

The majority of images in the collection are faculty and staff portraits taken by Duke Photography staff; a few pictures of students or of other individuals not affiliated with Duke are included. The collection contains photographic prints, negatives, slides, and CDs of digital files. Most of the items are undated but appear to be from the 1980s through around 2000. Most items include a job number assigned by Duke Photography. Duke Photography is a department of the Office of Public Affairs and Government Relations. Chris Hildreth is the current director; the department also includes assistant director Les Todd and six other staff photographers.

The majority of images in the collection are faculty and staff portraits taken by Duke Photography staff; a few pictures of students or of other individuals not affiliated with Duke are included. The collection contains photographic prints of various sizes, both black-and-white and color; contact sheets; negatives, including black-and-white 35mm negatives, positive 35mm color slides, and other sizes; and seven CDs of digital files. Most of the items are undated but appear to be from the 1980s through around 2000. Most items include a job number assigned by Duke Photography, either on the back of photographs or on the plastic sheets housing the negatives.

In 1938, the School of Forestry at Duke was founded as the first graduate school of forestry in the South. In the 1970s, the school expanded its program to include a broad range of resource and environmental studies. In 1974/75, it became the School of Forestry and Environmental Studies. Collection contains memoranda, brochures, newspaper clippings, conference materials, annual reports, photographs and slides relating to the Duke School of Forestry and Environmental Studies from roughly 1960 through 1979.

Collection contains alumni newsletters, publications, technical papers, department brochures, conference programs, memoranda, annual reports, as well as documents relating to the proposed phasing out of the Forestry School in 1975 and resultant student protests. Also includes papers from the 1965 Tropical Forestry Symposium sponsored by the School of Forestry, black and white photographs of the arboretum, and color photos and slides of School's field days in 1977 and 1979. Removed photographs from albums and interleaved in folders for preservation.

Leah Fritz (1932-2020) was an American feminist poet and author born in New York. She wrote the books Thinking Like a Woman (1975) and Dreamers and Dealers (1980), focusing on the women's movement. The Leah Fritz papers contain correspondence and subject files; writings, including notebooks and diaries, drafts, published articles, and papers related to the publication of Fritz's prose writings, poetry, and book and article reviews; and audiocassettes of presentations and poetry readings by Fritz and other recordings. Materials range in date from circa 1950 to 2009. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The Leah Fritz papers are organized into three series. The Personal Papers series contains Leah Fritz's correspondence and subject files. The Writings Series contains Fritz's notebooks and diaries as well as drafts, published articles, and papers related to the publication of Fritz's prose writings, poetry, and book and article reviews. The Audiotapes series contains audiocassettes of presentations and poetry readings by Fritz and other recordings.

Ernestine Friedl served as chair of the Dept. of Anthropology and as Dean of Arts and Sciences and Trinity College at Duke University. She studied gender roles, rural life in modern Greece, and the Chippewa. The Ernestine Friedl papers include personal and professional correspondence, subject files, course materials, articles, reprints, field notes, and sound recordings related to her anthropological research and her roles as professor and administrator at Queens College and Duke University. English.

The Ernestine Friedl papers include personal and professional correspondence, subject files, course materials, articles, reprints, field notes, and sound recordings related to her anthropological research and her roles as professor and administrator at Queens College and Duke University.

Eugenia Seville joined the faculty of the Duke University Music Department in 1947 as an instructor, and was eventually promoted to Assistant and Associate Professor in 1950 and 1960, respectively. She specialized in Italian sacred music, and directed the Duke Madrigal Singers from 1947 to 1972. She died in 2006. Contains course materials, music facsimiles, performance scores, materials related to the Duke Madrigal Singers, personal correspondence, and ephemera accumulated during Saville's research trips in the U.S. and Europe.

Contains materials from Saville's various courses taught at Duke. Also includes facsimiles of musical manuscripts, and vocal parts for music used as class examples and as part of the Madrigal Singers' performance repertoire. Collection also contains a wooden box of lantern slides and negatives, primarily of scenes from historical opera performances and opera houses. Removed rubber-bands, 1 folder of receipts and photocopy requests, 1 folder of student employment records, 1 folder of salary information and peripheral "to do" lists.

Nathan Ockman was born on December 29, 1926 in New York City. As a child in the 1930s, he was brought by his parents to an event that featured pioneering choreographers in modern dance, among them Anna Sokolow and Sophie Maslow. Though he received no formal dance training himself, this childhood exposure to modern dance sparked a lifelong passion for dance spectatorship. The collection contains the dance-related memorabilia (circa 1949-2006) saved by Nathan Ockman. Materials include performance programs and newspaper clippings, which are arranged chronologically. Many of the materials are annotated by Mr. Ockman.

The collection contains the dance-related memorabilia (circa 1949-2006) saved by Nathan Ockman. Materials include performance programs and newspaper clippings, which are arranged chronologically. Many of the materials are annotated by Mr. Ockman.

Mr. Ockman collected the accompanying programs for each dance performance he was in attendance for throughout six decades. The earliest programs, dated from the late 1940s and early 1950s, are from performances at the University of Michigan during Mr. Ockman's time as a graduate student at the university. Following Mr. Ockman's subsequent move to New York City, the vast majority of the collection is comprised of performances at notable New York venues and performing arts festivals. Though there are several programs from performances by ballet companies, the collection largely reflects Mr. Ockman's personal penchant for modern dance.

Newspaper clippings of performance reviews and promotions of upcoming premieres are included within the collection. More often than not, they correspond to a performance that Mr. Ockman was in attendance for, and so they are organized alongside accordingly.

Of the programs dating from 1958 onwards, nearly all are decorated with Mr. Ockman's personal annotations, which make note of extraordinary pieces, performers, and his general perception of the performances. Though the notes were made for Mr. Ockman's own enjoyment, he was aware that they may someday hold some historical significance. It was always his hope that he might, as a dutiful and attentive audience member, discover an emerging dance talent.

Formerly known as the Material Support Department, Procurement Services manages Duke University purchasing systems. This collection contains memoranda, newsletters, catalogs and other records. Topics include Duke University administration.

This collection contains memoranda, newsletters, catalogs and other records. Topics include Duke University administration.

Abortion rights activist and the publisher of the feminist magazine ON THE ISSUES. The bulk of the collection consists of the records of Choices Women's Medical Center, a New York City women's health clinic and abortion clinic co-founded by Hoffman in 1971, and the organizational records for ON THE ISSUES, a feminist magazine owned by Choices and overseen by Hoffman. The remainder of the collection consists of Hoffman's personal papers, mostly related to her pro-choice activism. The collection also includes writings by or interviews with many activists, such as Aung San Suu Kyi, Charlotte Bunch, Phyllis Chesler, Andrea Dworkin, Kate Millett, Marge Piercy, and Elie Wiesel. The correspondence, administrative files, minutes, manuals, reports, surveys, research files, electronic records, clippings, flyers, brochures, newsletters, photographs, and audiovisual materials in the collection provide rich material for the study of the history of abortion, the pro-choice movement, women's health care, and the anti-abortion movement in the United States. The records of Choices Women's Medical Center are especially valuable for understanding the medical practice of abortion, as well as the political context of that practice. Other topics that can be explored through the materials include contraception, women's rights and feminism, and rape. The addition (04-041 and 04-062) (18,750 items, 30 linear feet; dated 1971-2003) consists primarily of administrative and financial files from Choices Women's Medical Center and predecessor clinics, including correspondence, financial reports, public relations and media files, board meeting files, policy and procedure manuals, subject files, insurance files, program files, grants files, legal files, and files related to ON THE ISSUES magazine. Also included are a small number of Hoffman's personal writings. This accession is unprocessed and closed to researchers. Addition (05-023) (5150 items, 12 lin. ft; dated 1978-2003) consists primarily of administrative and financial records from Choices Women's Medical Center, including correspondence, financial reports, public relations and media files. Also includes board meeting, subject, insurance, program, legal and grant files, as well as policy and procedure manuals; 33 videotapes, 84 slides, 54 photographs and contact sheets; 1 CD-ROM; printed materials; and promotional calendars. Accession is unprocessed and closed to researchers.

The papers of Merle Hoffman span the years from about 1944 to 2001, with most of the papers dating between 1961 and 2001. The collection is arranged in the following series: Choices, On the Issues, Personal Files, Photographic Materials, and Audiovisual Materials. The bulk of the materials consist of the records of Choices Women's Medical Center, a New York City women's health clinic and abortion clinic co-founded by Hoffman in 1971, and the organizational records for On the Issues, a feminist magazine owned by Choices and overseen by Hoffman. The remainder of the collection consists of Hoffman's personal papers, mostly related to her pro-choice activism. The collection also includes writings by or interviews with many activists such as Aung San Suu Kyi, Charlotte Bunch, Phyllis Chesler, Andrea Dworkin, Kate Millett, Marge Piercy, and Elie Wiesel. The correspondence, administrative files, minutes, manuals, reports, surveys, research files, electronic records, clippings, flyers, brochures, newsletters, photographs, and audiovisual materials in the collection provide rich material for the study of the history of abortion, the pro-choice movement, women's health care, and the anti-abortion movement in the United States. The records of Choices Women's Medical Center are especially valuable for understanding the medical practice of abortion, as well as the political context of that practice. Other topics that can be explored through the materials include contraception, women's rights and feminism, and rape.

The political context of abortion is further documented throughout the rest of the collection. Hoffman's writings, speeches, and interviews on abortion illuminate the abortion debate in the media. At the same time, the internal dynamics of the pro-choice movement are documented in files on various New York and national pro-choice organizations. The collection includes some materials on the National Association of Abortion Facilities (NAAF), the National Abortion Federation (NAF), the National Coalition of Abortion Providers (NCAP), the National Abortion Rights Action League (NARAL), and the National Organization for Women (NOW). Especially noteworthy are the detailed meeting minutes and other records for the New York Pro-Choice Coalition, an umbrella organization for New York City pro-choice organizations founded by Hoffman in the mid 1980s.

In addition to her pro-choice activities, Merle Hoffman has been a vocal proponent of patient self-empowerment; an active supporter of various political candidates in New York City; and a feminist activist. The collection reflects these interests to varying degrees. The records of On the Issues magazine are especially useful as a source of writings on a broad range of feminist and other issues.

The Choices Series documents the day-to-day operations of Choices Women's Medical Center, including the clinic's medical policies and procedures, its internal administration, and its relationship with patients and community organizations. The series is divided into the following subseries: Correspondence, Subject Files, Legal Papers, Personnel, Security, Staff Files, Marketing, Operations, and Electronic Format. Much of the series consists of files on administrative issues, dating primarily from the late 1980s to the late 1990s. A few records date from the clinic's early years in the 1970s. The files also document the clinic staff's rising concern about Operation Rescue, militant anti-abortion protests, and anti-abortion violence during the late 1980s and 1990s. At the same time, the Choices records suggest how the ideals of feminist health care and patient empowerment have translated into medical practice. The records primarily provide the perspective of health providers rather than patients; the collection does not include patient medical records. However, patient surveys and a limited amount of patient correspondence provide some evidence of patient experience at the clinic. There is substantial material on the Choices East Project, Hoffman's unsuccessful attempt to establish a women's health clinic in Moscow. Choices' treatment philosophy of patient self-empowerment and its identity as a woman-friendly health care provider are documented in the Outreach Subseries and the Marketing Subseries. Information on patient experiences and reactions to the clinic can be found primarily through patient surveys, patient satisfaction questionnaires, and statistical summaries of patient demographics, all found in the Subject Files, Marketing, and Electronic Format Subseries. Choices organizational charts and staff rosters are available for reference in the Research Room's inventory drawers; please contact Research Services.

On the Issues (1983-1999), a feminist magazine, was founded by Merle Hoffman and produced by Choices staff. The magazine covered a broad range of feminist issues and topics, including but not limited to abortion and other women's health issues. During the 1990s the magazine became increasingly professionalized, moved from annual to quarterly publication, and operated more independently of Choices. The documents in the On The Issues Series provide an extensive record of the magazine's production and distribution. They primarily date from the 1990s and are organized into the following subseries: Issues, Correspondence, Article Files, Editorial Files, Production and Distribution, Marketing, Staff Files, Administration, and Electronic Format. The series includes a nearly complete run of issues. Files include reader surveys; mailing lists; drafts and correspondence from contributors; editorials by Hoffman and other writers; and working files maintained by individual editors and production staff. Electronic files contain similar materials, and include graphics.

The Personal Files Series is arranged into the following subseries: Correspondence, Writings and Speeches, Subject Files, Politics and Activism, New York Pro-Choice Coalition, Calendars, Phone Messages, Clippings, General Personal Files, and Electronic Format. The materials extensively document Hoffman's work as a writer, public speaker, organizer, and activist for abortion rights and other feminist causes. Hoffman's personal publicity materials, including curriculum vitae and biographical sketches, can also be found in this series. There are also some records of Hoffman's childhood and personal life. The correspondence, found in both the Correspondence and Electronic Format Subseries, contains significant personal exchanges with feminists, friends, and colleagues that span many decades. Pro-choice organizations represented in the series include the New York Pro-Choice Coalition (NYPCC), the National Organization for Women (NOW), the American Civil Liberties Union (ACLU), and the National Association of Abortion Facilities (NAAF). The series also contains Hoffman's phone message books, calendars, and scrapbooks, including those related to her work at Choices and On the Issues. Electronic files contain a variety of correspondence, mailing lists, graphics, Choice and On the Issues documents mixed on the same disks, and a few writings. Overall, the series amply illustrates the porous nature of the boundary between Hoffman's personal activities and her work at Choices and On the Issues.

The Photographic Materials Series contains a variety of material related to Choices Women's Medical Center, On the Issues magazine, and Hoffman's personal activities. Especially notable are the numerous images of the Choices clinic facilities and procedures, and the detailed visual record of pro-choice rallies and other events involving Hoffman during the 1980s. Political figures pictured in this series include Bella Abzug, Hilary Clinton, Andrea Dworkin, Geraldine Ferraro, Flo (Florynce) Kennedy, Congressman John Lewis, and Gloria Steinem. Other photographs in the Personal Subseries include portraits of Hoffman and snapshots from a vacation at the feminist Camp Sister Spirit.

The bulk of the Audiovisual Materials Series consists of audio recordings on cassette tape of New York City radio talk shows featuring Merle Hoffman as an interview subject. Most interviews date from the 1970s or early 1980s. In some cases, these recordings feature Hoffman responding to listeners in call-in discussions of abortion, or conducting debates with anti-abortion representatives. Other audio recordings include interviews conducted for On the Issues stories and radio advertisements for Choices. Videotape recordings include several episodes of "On the Issues," Merle Hoffman's cable access television show, and some documentary material on Choices and its patients. Materials are not immediately accessible until use copies can be made upon request. Please consult with reference staff before coming to use the collection.

Finally, the Ephemera Series contains various memorabilia, including a box of Choices condoms, buttons, and banners with feminist and political slogans.

Later accessions (2004-0041, 2004-0062, 2005-0023, and 2012-0049) have been added to the end of the finding aid. Boxlists are included when known.

Established in 1954 as part of the Office of Information Services (now the Office of News and Communications,) Radio TV Services supervises the production of materials for radio and television, assists in the preparation of audio-visual materials needed by the university, and promotes the University's exposure to local, state, and national audiences. It makes documentary films, covers events and functions on campus, sets up news conferences in cooperation with local and national media, interviews university personnel, and provides features on students for their home-town media. Collection includes correspondence, subject files, sound recordings (audiocassettes and reel-to-reel tapes), film (16mm), and video tape (U-Matic and 2-inch quadruplex). Notable people documented on film and tape include Keith Brodie, Terry Sanford, Douglas M. Knight, Orin Pilkey, Robert Menzies, Jerry Falwell, Billy Graham, Queen Noor al Hussein, Jesse Jackson, Waylon Jennings, Juanita Kreps, Robert McNamara, Ronald Reagan, William Westmoreland, Desmond Tutu, Elie Wiesel, Reynolds Price, Martin Luther King, Jr., Hubert Humphrey, Richard Nixon, Stokely Carmichael, Kenneth Clark, Sidney Cohen, Adam Clayton Powell, Betty Friedan, B. F. Skinner, Sam Ervin, Alex Haley, Tom Wolfe, Buckminster Fuller, and Cesar Chavez. Subjects include Duke University basketball, football, commencement, convocation, homecoming, the Epoch Campaign announcement, student unrest in the 60s, the Silent Vigil held after the death of Dr. King, the Duke Marine Laboratory, the discovery of the U.S.S. Monitor, oceanographic research, the 1954 Orange Bowl, Joe College Weekend, various campus scenes, Duke Gardens, and the Richard Nixon Library controversy. Completed films include Response to Our Challenge and This is Duke. English.

Collection includes correspondence, subject files, images, sound recordings (audiocassettes, reel-to-reel tapes, and digital audio), film (16mm), video tape (U-Matic, 2-inch quadruplex, and digital video), and multimedia of events related to Duke occurring both on and off campus. There is a detailed subject file on index cards for most of the film and some of the sound recordings, as well as other indexes and notes.

Notable people documented on film and tape include Keith Brodie, Terry Sanford, Douglas M. Knight, Orin Pilkey, Robert Menzies, Jerry Falwell, Billy Graham, Queen Noor al Hussein, Jesse Jackson, Waylon Jennings, Juanita Kreps, Robert McNamara, Ronald Reagan, William Westmoreland, Desmond Tutu, Elie Wiesel, Reynolds Price, Martin Luther King, Jr., Hubert Humphrey, Richard Nixon, Stokely Carmichael, Kenneth Clark, Sidney Cohen, Adam Clayton Powell, Betty Friedan, B. F. Skinner, Sam Ervin, Alex Haley, Tom Wolfe, Buckminster Fuller, and Cesar Chavez. There are also film and recordings documenting Duke University basketball, football, commencement, convocation, homecoming, the Epoch Campaign announcement, student unrest in the 60s, the Silent Vigil held after the death of Dr. King, the Duke Marine Laboratory, the discovery of the U.S.S. Monitor, oceanographic research, the 1954 Orange Bowl, Joe College Weekend, various campus scenes, Duke Gardens, and the Richard Nixon Library controversy. Completed films include "Response to Our Challenge" and "This is Duke".

Author, and physiologist and pharmacologist at the University of Virginia Medical School. Collection comprises material relating to and examples of Herbert Silvette's writings, which include short stories, novels, and his work on the English translator Philemon Holland (1552-1637). There is also a large body of correspondence from Archibald MacLeish, which Silvette compiled in The Stiletto Letters. Acquired as part of the History of Medicine Collections at Duke University.

Collection comprises material relating to and examples of Herbert Silvette's writings, which include short stories, novels, and his work on the English translator Philemon Holland (1552-1637). There is also a large body of correspondence from Archibald MacLeish, which Silvette compiled in "The Stiletto Letters."

Acquired as part of the History of Medicine Collections at Duke University.

Radio Haïti-Inter was Haiti's first and most prominent independent radio station from the early 1970s until 2003. Under the direction of Jean Léopold Dominique and Michèle Montas, Radio Haiti was a voice of social change and democracy, speaking out against oppression and impunity while advocating for human rights and celebrating Haitian culture and heritage. The Radio Haiti papers contain mainly the station's on-air scripts and research materials covering a wide variety of subjects. The Radio Haiti audio recordings are described in a separate collection guide.

Radio Haiti was based in downtown Port-au-Prince on Rue du Quai until 28 November 1980, when Jean-Claude Duvalier's government cracked down on the independent press and human rights activists. Radio Haiti was ransacked, and the station's journalists were arrested then exiled. Many, though not all, of the paper record from the 1970s were destroyed in the 1980 crackdown. Radio Haiti reopened after Duvalier fell in 1986, in a new building on Route Delmas. The station closed again after the 30 September 1991 coup d'état that overthrew President Jean-Bertrand Aristide, and reopened in 1995 after the democratic government was restored. As a result of the repression the station and its journalists endured, most of the materials in Radio Haiti's paper archive span 1986 to 1991, and 1995 to 2003, though it also contains extensive external print materials (mainly newspapers and magazines) that Jean Dominique collected while in exile from 1980 to 1986 and from 1991 to 1994.

"Radio Haiti materials" refers to documents created by Radio Haiti's staff. These are mainly on-air scripts, but also include notes and correspondence. "External materials" refers to materials created by outside sources, which were used for research purposes by Radio Haiti's staff. These include, but are not limited to, press (Haitian, Haitian diaspora, and international news outlets), press releases, petitions and open letters from grassroots groups and civil society organizations, reports and other publications, and government communiqués and decrees.

Harry L. Levy (1906-1981) served as a professor and dean of students at Hunter College, dean and vice-chancellor of the City University of New York, professor of the humanities at Fordham University, and visiting professor of classical studies at Duke University. Levy wrote several books and numerous articles; he specialized in the Roman poet Claudian, and authored major works on Ovid and Lucian. Papers include correspondence, subject files, articles, and reprints written and collected by Harry L. Levy, relating to his research in classical studies, and his roles as a professor and administrator. English.

Papers include correspondence, subject files, articles, and reprints written and collected by Harry L. Levy, relating to his research in classical studies, and his roles as a professor and administrator.

Norma Taylor Mitchell was an American History professor at Troy University in Alabama and a lay leader in the United Methodist Church. These materials document her research and teaching career, as well as her church leadership.

The collection contains material documenting Mitchell's dissertation research on the Virginia politician David Campbell (1779-1859). Boxes 2-5 consist entirely of information on loose index cards. These materials also document Mitchell's research on the enslaved women who lived on Campbell's estate in Abington, VA. The collection also contains materials related to Mitchell's research on the Alabama physician Louise Branscomb. There are materials documenting Mitchell's professional activities and teaching career at what was then known as Troy State University. Mitchell's extensive service work in the Methodist Church at the local, regional, and national levels is also documented.

The Duke News Service informs the public and the university community about research, programs, and events at Duke. The collection consists of biographical files of Duke University faculty, staff, alumni, and others compiled by the News Service, as well as some photographic materials in separate folders. The files contain primarily clippings and also curricula vitae, photographs, and other printed materials. English.

The collection consists of biographical files of Duke University faculty, staff, alumni, and others compiled by the News Service. The files contain primarily clippings and also curricula vitae, and other printed materials; most photographic materials were separated into other folders, described below.

The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a six and a half week summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

Ethel Tison Chaffin was born on January 13, 1921 in Natchitoches, LA. From childhood on, she took dance classes with a variety of instructors and, as a college student, studied dance at Louisiana State University, New York University, the University of Maryland, and Bennington College. Instructors included John Martin (former dance critic at the New York Times), Charles Weidman (Humphrey-Weidman Technique), Ethel Butler (Martha Graham Technique), and Nina Fornoff (Hanya Holm Technique). Ms. Chaffin also participated in master classes with Martha Graham and Katherine Manning. The collection contains the personal papers and dance-related memorabilia (circa 1930-1993) of Ethel Tison Chaffin. Materials include photographic prints, newspaper clippings, programs, and correspondence, which are housed within a scrapbook and one Hollinger box. Many of the materials are annotated by Ms. Chaffin.

The collection contains the personal papers and dance-related memorabilia (circa 1930-1993) of Ethel Tison Chaffin. Materials include photographic prints, newspaper clippings, programs, and correspondence, which are housed within a scrapbook and one Hollinger box. Many of the materials are annotated by Ms. Chaffin.

Included in the scrapbook are Ms. Chaffin's personal photographs documenting her involvement in dance and theater. These photographs depict several of her earliest dance recitals, university dance performances, and her 1948 performance as Laura in Tennessee William's The Glass Menagerie. In addition, she has incorporated photos of colleagues in the dance world. Also included within the scrapbook is correspondence between Ms. Chaffin and various educational institutions regarding admission to advanced dance programs at New York University and Bennington College, as well as job enquiries. Ms. Chaffin documented her career as an instructor by incorporating programs, clippings, and advertisements from her private studio, as well as those relevant to her tenure at Louisiana State University, the University of Alabama, and the Georgia State College for Women (now Georgia College) into the pages of her scrapbook. Memorabilia, including programs from festivals and performances that she attended, is also included within her scrapbook.

Records created after the compilation of the scrapbook are housed separately in a Hollinger box. Materials incorporated into this record set include correspondence with Elizabeth Andrews, educator and dance/drama critic, as well as newspaper clippings for a variety of well-known dancers and choreographers, including George Balanchine, Martha Graham, Charles Weidman, Merce Cunningham, and José Limón.

Advertising clubs are trade organizations that connect people in the advertising, media, and marketing sectors to other professionals and resources. Collection consists of programs, letters, and a buying guide from different advertising clubs in the United States. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection consists of programs, letters, and a buying guide from different advertising clubs in the United States. Programs represent events including annual banquets, awards or competitions, and Maypole dances. Five event programs are from the Advertising Club of Baltimore, two of which feature the club's annual "Outstanding Radio and Television Personality" awards.

Collection includes photographic negatives related to sports at Duke. Sports include the following: baseball, basketball, boxing, cheerleading, cross country, fencing, field hockey, football, golf, gymnastics, lacrosse, soccer, swimming, tennis, track, wrestling, and volleyball. There are also negatives that pertain to general athletics. The subjects of the negatives include athletes, coaches, team pictures, and game action. The collection ranges in date from 1924-1992, 1995, undated.

This collection contains 20,122 negatives related to sports at Duke, and they range in date from about 1924 to 1992, 1995 and undated. The sports represented are as follows: baseball, basketball, boxing, cheerleading, cross country, fencing, field hockey, football, golf, gymnastics, lacrosse, soccer, swimming, tennis, track, wrestling, and volleyball. There is a series for general athletics, which tends to include images of physical education instructors or coaches from all sports. There is also a series called "Undetermined," which lists individuals for whom no sport or tie to athletes could be determined.

The subjects within each series include athletes, coaches, athletic staff (such as secretaries and trainers), team pictures, game shots, trophies, and athletic fields and facilities. The athletes may have been photographed in uniform, in suits, or in letterman sweaters. They may have been photographed with family and/or friends. Oftentimes, the athletes were posed in faux action shots.

There are not very many images of women athletes, but there are some available, including a small number of images of Women's Athletic Association members playing baseball (not softball), basketball, and tennis.

The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. Contains correspondence, lists, administrative materials, memoranda, contracts, legal documents, financial records, class schedules, teaching materials, student records, clippings, press releases, publicity materials, brochures, tickets, posters, and other printed materials created by or related to the American Dance Festival.

Contains correspondence, lists, administrative materials, memoranda, contracts, legal documents, financial records, class schedules, teaching materials, student records, clippings, press releases, publicity materials, brochures, tickets, posters, and other printed materials created by or related to the American Dance Festival before the decision to move to Durham, North Carolina, in the fall of 1977.

A chapter of the Young Women's Christian Association (YWCA) was established at Trinity College (Durham, N.C.) in 1917. In 1925, a new constitution was drafted and the chapter became the YWCA at Duke University. The records of the Duke University YWCA span the years 1923 to 1985, with the bulk dating between 1930 and 1970, and include reports, printed matter, correspondence, sermons, clippings, and financial records.

The records of the Duke University YWCA span the years 1923 to 1985, with the bulk dating between 1930 and 1970, and include reports, printed matter, correspondence, sermons, clippings, and financial records. Prominent subjects include race relations, annual activities of YWCA, community service, Edgemont Community and sermons preached at Duke Chapel during the 1960s.

Collection includes publications such as 1931 issue of "Opportunity: Journal of Negro Life," published by the National Urban League and 1931 issue of "Black Justice," published by the American Civil Liberties Union.

Established in 1926, the Divinity School is one of 13 seminaries founded and supported by the United Methodist Church, and attracts students from around the nation and several different countries. The Divinity School has from its beginnings been ecumenical in aspiration, teaching, and practice. This collection contains information and materials documenting the operations of the Divinity School, including the activities of its deans, faculty, students, as well as various councils, committees and organizations within and associated with the school.

This collection contains information and materials documenting the operations of the Divinity School, including the activities of its deans, faculty, students, as well as various councils, committees and organizations within and associated with the school. Types of documents include correspondence, reports, convocations, information about the expansion and renovation of the school, strategic plans, minutes of various council, committee, and faculty meetings, photographs, sermons, bulletins, records of the theological society and other organizations within the school, financial records, lectures, publications, subject files, statistics, deans' files, academic programs, information about field education, alumni affairs, information about faculty members, documents relating to the early history of the Divinity School when it was known as the School of Religion, and other administrative files and records.

Alphabetical files of miscellaneous information about hundreds of mainly U.S. corporations, some of them domestic and many multinational. The fullest documentation tends to be for companies that are or have been JWT clients (notably Kraft, Quaker Oats, Sears, Ford, Northern Telcom, Gerber, Kellogg, Philip Morris, Oscar Mayer, Kemper, S.C. Johnson, McDonnell Douglas, Jos. Schlitz, 7-Up, and others) and several that are or were major competitors of JWT clients (e.g. AT&T, McDonald's, General Motors, among others). Files contain widely diverse formats of information including internal JWT unpublished reports and memoranda; many articles clipped from magazines (especially trade press) and newspapers; articles printed from computer databases; company publications and annual reports; historical booklets and articles; three vinyl record albums; and miscellaneous items. The richest files tend to be those for major JWT Chicago office accounts, with by far the greatest amount and diversity of information on Kraft. Acquired as part of the John W. Hartman Center for Sales, Advertising, and Marketing History.

Collection comprises 176 Turkish political posters, including three duplicates. There are seven series of posters: Korean War, NATO, Historical significance, Commemoration of Ottoman historical figures, Republican-era historical figures, Leftist, and Presidency of the Turkish Republic. In the first, sixteen posters extoll the achievements of the Turkish Armed Forces command or Turkish Brigade in the Korean War between November 1950 and July 1953. In the second series, one poster represents Turkey's relationship to North Atlantic Treaty Organization (NATO), and another reflects the naval and air force maneuvers of NATO's Southern Command, Greece, and Turkey at Weld Fast in 1953. The third series includes 27 posters that celebrate events of historic national significance and depict international political figures together with Turkish leaders. The fourth series includes four posters that commemorate Ottoman historical figures, including admiral Barbaros Hayrettin, and sultans Mehmet V, Mehmed II, and Selim I. The fifth series includes 14 posters of Repulican-era historical figures, including portraits of World War II generals and political figures. The sixth series contains 63 leftist political posters with political slogans, as well as calls for meetings and demonstrations; most of them date from the second half of the 1970's. The seventh series contains 50 posters issued by the Presidency of the Turkish Republic regarding the failed coup attempt of 15 July 2016.

Collection comprises 176 Turkish political posters, including three duplicates. There are seven series of posters: Korean War, NATO, Historical significance, Commemoration of Ottoman historical figures, Republican-era historical figures, Leftist, and Presidency of the Turkish Republic (which features posters issued following the failed 2016 coup).

Collection comprises over 500 black-and-white photographic prints, along with negatives, contact sheets, photographer's notes, journals, writings, speeches, correspondence related to photography, and printed material, totaling over 9000 items. Kwilecki's photographic work documents rural and small-town life in and around Bainbridge, Decatur County, Georgia, an undertaking he began as a self-taught photographer in 1960 and continued until his death in 2009. Subjects include local landscapes, tobacco workers, county fairs, hog slaughtering, cemeteries, churches, courthouses, recreation on the Flint River, local industry, shoppers, downtowns, and house porches and interiors. The themes of race relations and religious life predominate. Many of Kwilecki's subjects come from the African American community in Decatur County. Significant correspondents in the manuscripts series include photographers Alex Harris and David Vestal; the collection includes a small set of Vestal photographs. Acquired as part of the Archive of Documentary Arts at Duke University.

The Paul Kwilecki Photographs and Papers span the whole of his career and include over 500 black-and-white photographic prints, negatives (chiefly safety but also some nitrate and glass plate), contact sheets, photographer's notes, journals, writings, speeches, correspondence related to photography, and other printed material, totaling over approximately 9000 items.

The bulk of the collection consists of Paul Kwilecki's prints and other photographic material documenting rural and small-town life in and around Bainbridge, Decatur County, Georgia, an undertaking he began as a self-taught photographer in 1960 and continued until his death in 2009. Although Kwilecki developed an interest in photography in the 1940s, only a very small portion of the images in the collection pre-date 1970.

The collection is organized into two major series: Photographic Materials, containing prints, contact sheets, and negatives, and a Manuscripts Series housing many files of correspondence, writings, and other personal papers.

While initially interested in photographing tobacco workers, Kwilecki turned his focus to other subjects, including county fairs, hog slaughtering times, cemeteries, churches, courtrooms, recreation on the Flint River, local industry, bus stations, shoppers, downtowns, house porches and interiors, and landscapes. Many of Kwilecki's subjects come from the African American community in Decatur County. Throughout the collection, the themes of race relations and religious life tend to predominate.

The Manuscripts Series (1967-2008) also provides an interpretation of life in Decatur County but also documents Kwilecki's photographic philosophy and practices. The correspondence and the journals, related to Kwilecki's work and career as a photographer, comprise the largest groupings. The series also contains Kwilecki's personal journals, dating from 1967-1969; Kwilecki's printing notes; news clippings; exhibition brochures; and a brief internet biography of Kwilecki. Many of Kwilecki's writings attempt to express in words the same topics he tried to illuminate through photography.

Additional manuscripts (14 boxes) and photographic materials were received in 2010 following Kwilecki's passing away. They include many folders of correspondence dating from 1971-2008, arranged in original order either chronologically or alphabetically by folder title. Significant correspondents include photographers Alex Harris and David Vestal; the collection also includes a small set of Vestal's photographic prints. Other files contain writings, clippings, and other items. The writings include journals from the 1970s; typed excerpts from early 20th century Georgia newspapers, some on racial incidents; drafts of Kwilecki's talks; and notes for the Decatur County photography publication (one folder). A few publications round out the last box in the collection.

The negatives are closed to use; contact sheets and prints offer alternate access to Kwilecki's images. Eleven nitrate large-format sheet negatives, dating from approximately the 1940s-1960s, are slated for digitization. Also included in the collection are several glass plate negatives by an unknown photographer dating perhaps from the 1910s.

Acquired as part of the Archive of Documentary Arts at Duke University.

The Arts at Duke Reference Collection contains files of clippings, programs, calendars and other materials concerning the arts at Duke and at Trinity College, the University's predecessor. This collection was compiled from a variety of sources by the University Archives for use in reference and research. For materials pertaining to art at Trinity College, see the Trinity College Reference Collection.

Flyers and posters, newspaper and magazine clippings, calendars, event programs and other materials pertaining to the arts at Duke and Trinity College. The bulk dates are 1972-2000. Includes a plan of the "Woodland Stage" at Trinity College along with programs and contracts for performances at Trinity by the Ben Greet Players and the Coburn Players, circa 1910-1916.

The Greater Durham Chamber of Commerce serves the needs of businesses, non-profits, and government agencies of all sizes by helping to create and sustain a healthy economic climate. The collection largely contains photographs of Durham businesses, homes, schools, places of worship, and individuals. It also includes two bound volumes of meeting minutes, by-laws, and correspondence which date from 1915-1923 as well as material sent to members, such as newsletters.

Collection contains photographic prints of buildings and persons in Durham, taken during the early to mid-twentieth century. There are also two minute books, one dated 1915-1919 and the other, 1919-1923. The first includes minutes of the Women's Classification of the Chamber and discussion of offering money to the Board of Health in an attempt to stamp out the influenza epidemic. The second volume includes discussion of gratitude to James B. and Benjamin N. Duke for money given towards the building of Lincoln Hospital. There is also material the Chamber sent to members, including newsletters and updates on Chamber activities.

The photographs have been largely identified, except where noted. Most of the images are of Durham buildings. Several photographs include the photographers stamp, the most common of which was the Halladay Studio.

Alvin T. Parnell was a commercial photographer based in Durham, N.C. Collection chiefly consists of 167 black-and-white photographs of the city and people of Durham, North Carolina. The majority, chiefly taken by Parnell from 1920 through the 1950s, are views of downtown streets, commercial and industrial buildings, churches, and infrastructure, especially transportation. Many sites are related to the tobacco manufacturing businesses based in Durham. A few are of African American tobacco workers posed in the field and female factory workers ending their shift. Other images range widely and include a Trinity College (later Duke University) reunion, war veterans at gatherings, a minstrel band, a cart advertising Bull Durham tobacco, and tobacco fields with posed workers, white and African American. In addition, there are portraits of prominent Durham individuals and families. Formats include 85 vintage and modern gelatin silver prints, chiefly 8x10 inches, 82 contact prints, and 12 safety negatives. Includes an information folder with 1986 obituary and collection information.

Collection comprises 167 early to mid-20th century black-and-white photographs of the city and people of Durham, North Carolina. The majority of the images were taken by Alvin T. Parnell, a commercial photographer with a studio in downtown Durham, from about 1920 to 1950; prints from 1898 to 1919 likely were from the Cole-Holladay studio, which Parnell took over around 1920. Formats include a few vintage mounted albumen and gelatin silver prints, unmounted vintage and modern gelatin silver prints, and small contact prints made from original nitrate negatives. There are also twelve safety film negatives present, from which some copy prints were made. Includes an information folder with Parnell's 1986 obituary and collection information.

The largest group of photographs, taken from the late 1910s through the early 1950s, features views of Durham's growing downtown, often commissioned by Parnell's business and City Hall clients. In the background of the many street scenes one can see the progression of small storefront businesses that made up life on Main Street in a 20th century Southern Piedmont city. Given Durham's role as a birthplace for the post-Civil War tobacco manufacturing industry, it is not surprising that there are numerous photographs of buildings and industrial sites belonging to American Tobacco, Blackwell Tobacco, and Liggett Myers. Parnell also photographed buses, trolleys, and other scenes for an early Durham power and transportation company, Durham Public Services.

Other images focus on people, and range widely in subject matter: men posed at a Trinity College (later Duke University) reunion, war veterans at gatherings, fraternities, children on a playground, and a minstrel band. A few are of African American tobacco workers posed in the field and female factory workers ending their shift. There are also portraits of prominent individuals and families: an elderly Bennehan Cameron with family members; John Ruffin Green (one of Durham's earliest tobacco entrepreneurs); Washington Duke and sons with associates at a barbeque; the Rosenstein family (optometrists from New York who came to Durham in 1904); William Umstead (U.S. Senator from northern Durham County); and various police chiefs and businessmen. There are also a few portraits of women, some with captions and some unidentified.

There are also twelve safety film negatives in the collection, sized 8x10 and 4x5 inches, from which a selection of copy prints were made after the collection was acquired. A few have no existing prints – these are noted in the collection guide.

In addition to photographs in this collection, some if not most of the earlier images of Durham in the Durham Chamber of Commerce collection in the Rubenstein Library are likely to have been taken by Parnell. His work is also likely to be found in other collections related to Durham residents containing photographs.

Joseph Spengler (1902-1991) was the James B. Duke Professor Emeritus of Economics at Duke University and a founding faculty member of the graduate economics program. This collection documents his professional and personal life, including with his wife Dorothy "Dot" Kress, through correspondence, writings, and visual material. It forms part of the Economists' Papers Archive.

Accession 1993-0294 primarily contains business and Spengler and Kress family correspondence, especially between Joseph and his wife Dot (circa 1919-1976). Also includes manuscripts for Dot's genealogical novel, Family Saga in America (circa 1930s); Joseph's work, Life in America; and Dot's journals and diaries (1924-1939, 1969). There are Christmas cards, postcards, and newspaper clippings; photographs of family and friends, including two tintypes, 32 cartes-de-visite, one color and 91 black-and-white prints, and 76 healthy nitrate negatives; and lace knitted by Dot's grandmother.

Also includes six photograph albums kept by Dot. Two contain photos taken by her with a brownie camera in and of Piqua, OH (1914-1919). One contains photographs and memorabilia depicting her life as a college student at Miami University (OH, 1919-1921). Three contain photos of the Spengler's homes, friends, and life in Tuscon, AZ; Tampa, FL (1930-1938); and Durham, NC and at Duke University (1932-1940). The are also records the 1938 Duke University faculty baseball team.

In 1924, Trinity College was renamed Duke University and major construction on the university began and lasted until 1932. Since then, Duke University's campuses have undergone expansions and renovations that have led to several changes to the campus. The Pictorial Works Reference Collection contains files of printed materials that depict the Trinity College and Duke University campuses. This collection was compiled from various sources by the University Archives for reference and research.

This collection consists of publications that feature photographs and drawings of the Trinity College and Duke University campuses along with descriptive text. The publications were sent to prospective students and used in publicity and fundraising.

Collection consists largely of correspondence between historian Nell Irvin Painter and her parents (1969-2003), documenting various stages of their lives, travels, and Painter's scholarly career. Also includes writings by or about Nell Painter, including reviews of her work; materials, including photographs and tintypes (circa 1890s-1910s) of African Americans in Victoria, Texas, kept by Frank and Dona Irvin, relating to their early life near Houston, and documenting aspects of African American history in that area; copies and reviews of Dona Irvin's writings; documents related to Frank and Dona's education and careers; family photographs; videos; Frank irvin's diary (2000-2003); legal papers; and other items. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Collection consists largely of correspondence between historian Nell Irvin Painter and her parents (1969-2003), documenting various stages of their lives, travels, and Painter's scholarly career. Also includes writings by or about Nell Painter, including reviews of her work; copies and reviews of Dona Irvin's writings; documents related to Frank and Dona's education and careers; Frank irvin's diary (2000-2003); legal papers; and other items.

Photographs also form an important part of the collection. Along with papers and records, Frank and Dona Irvin kept early photos and tintypes (circa 1890s-1910s) of African Americans in Victoria, Texas; together, these materials speak to their early life near Houston, and document aspects of African American history in that area. There are also family photographs from later decades (1930s-1980s).

For preservation purposes, original audiovisual media are closed to use; copies may be available on request.

Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Delouis Wilson is an African American artist, and jewelry designer, and art collector, based in Durham, North Carolina. The papers comprise her journals (1977-2008); calendars; sketchbooks, art school notebooks, and loose pieces of mixed media artwork. The journals, currently closed to use, document in detail her personal life, travels in the U.S. and abroad, including time spent in Tunisia in the Peace Corps, life in Durham, N.C., and employment as a jewelry designer. The collection also includes 30 large photographic studio portraits of African Americans, almost all hand-tinted crayon enlargements, dating from about 1890 to 1945 and collected by Wilson chiefly in the Southern U.S. Acquired as part of the Archive of Documentary Arts, the Bingham Center for Women's History and Culture, and the John Hope Franklin Research Center for African and African American History and Culture at Duke University.

The papers of Delouis Wilson, an artist and jewelry designer based in North Carolina, consist of a set of 27 journals (1977-2008, currently closed); a few calendar notebooks; sketchbooks and notebooks from her time at Atlanta College of Art; and loose pieces of artwork. An important component of Wilson's archive consists of a collection of 30 large photographic portraits of African Americans dating from the late 1880s to about 1940, collected by Wilson chiefly in the American South.

Wilson's journals (closed to use by donor request), calendars, and notebooks document in detail the personal life of the artist, life in Durham, N.C., her travels abroad and in the U.S., including time in Tunisia in the Peace Corps, and her career as a jewelry designer. They include small illustrations contain as well as laid-in items such as letters and postcards; some have handmade covers constructed of textiles and other non-paper materials.

The artwork, sketchbooks, and art notebooks present a mix of drawings, sketches, prints, textile work, and mixed-media color paintings created by Wilson during and shortly after her art school years, all 8x11 inches or less. The notebooks also include art school class notes and handouts, creative writings, and personal notes such as recipes, lists, housing notes, and addresses. There are self-portraits scattered throughout, including a larger piece from 1990 laid into a sketchbook. Also in the collection is one large color photograph of an African American woman by Wilson. The artworks range in size from 4 1/2 x 6 to 16x20 inches.

A central component of the collection are thirty historic studio portraits of individual Black men and women (1890s-1940s), with some of couples and families, collected by Wilson in thrift shops and flea markets throughout the Southern U.S. Most belong to a process called crayon enlargements. The studios developed faint enlargements of the photographic images on convex pieces of thick card stock, then outlined and filled them with ink, crayon, or pastel pigments to resemble a painting. One portrait in the collection is a fully-developed gelatin silver photograph. A few smaller portraits are sized approximately 10x8 to 13x9 inches; the majority are larger, ranging from 19x13 to to 20x16 inches. Most of the prints are hand-tinted with a variety of tecniques, but some are black-and-white, and some are on flat rather than convex mounts.

Darlene Clark Hine is an African American professor, historian, college administrator, and published author in the field of African American history.

The Darlene Clark Hine Papers span the dates from about 1879 to 1996, with the bulk of the files dating from the 1970s to 1996. Earlier dates represent reproductions of archival materials, chiefly photographs. Through professional correspondence, research and writings materials, and professional service files, the collection documents the career of Darlene Clark Hine, professor of African American history, college administrator, and published author on African American history in the United States. The collection is arranged into the following series: Correspondence, Personal Files, Professional Service, and Research and Writings. The largest file group in the collection is the Professional Service Series, which documents Hines' extensive involvement with academic organizations and civic organizations, her activities as lecturer and speaker at many conferences, symposia, and other events, and to a lesser extent, her activities at Purdue and Michigan State University as a professor, mentor, and faculty member. The second largest series in the collection, Research and Writings, contains files of research and publication materials related to Hines' major published works, articles, and media projects concerning African American slavery; the Civil Rights movement; African American suffrage, particularly in Texas; race relations in the United States; African American women in the Midwest; and black women in the nursing profession. Items in the Correspondence Series chiefly relate to Hine's academic activities at Purdue, Michigan State, Arizona State, and the University of Delaware, and her publishing activities; there is also some correspondence with foundations concerning funding for projects. Finally, the Personal Files contains such items as Hines' early student work, including her master's thesis, and some correspondence, cards, and photographs. Each series and its subdivisions are described in full in the collection description that follows. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

The Garrett Orr Papers document the artistic output and personal files of advertising executive Garrett Orr. Although the collection spans the years circa 1873 to 1994, the bulk of the materials fall within two main periods: the 1890s to 1914, comprising a photographic collection of old poster images; and 1930 to 1965, which approximates the span of Orr's professional life. The collection includes the original drawings, water colors and paintings produced by Orr as designs for the outdoor advertising campaigns of a wide variety of products such as Gillette razors, Ipana toothpaste (Bristol-Myers), Lucky Strikes and Viceroy cigarettes (Brown & Williamson), Mazola corn oil (Corn Products Refining Company), Seagram beverages, Verney fabrics, and White Rose tea. Also included are folders of photographs, slides and negatives of Orr's advertising work for approximately 550 companies (with index). In addition, a collection of almost 200 large-format negatives and photographs document images of 19th- and early 20th-century posters for plays, musicals, minstrel shows, circuses, and hotels. A large set of clippings files contain published examples of the work of over 100 graphic artists and illustrators contemporary with Orr, including Floyd Davis, Ronald McLeod, George Petty, Howard Scott, Ben Stahl, Jon Whitcomb, and J. Walter Wilkinson. The collection is organized into five series--the General Files Series; the Artists and Illustrators Series; the Product Files Series; the Other Photographic Materials Series; and the Sketches Series. Large-format items from the Artists and Illustrators Series and Sketches Series have been relocated to Oversize Materials.

Closely related collections held by the Rubenstein Library include: the Outdoor Advertising Association of America (OAAA) Archives; the Outdoor Advertising Association of America (OAAA) Poster Designs; the Outdoor Advertising Association of America (OAAA) Slide Library; the Duplex Advertising Company Billboard Images and Records; the Strobridge Lithographing Company Advertisements; the R.C. Maxwell Co. Records; the Howard Scott Papers; and the John Paver Papers.

The Behind the Veil: Documenting African-American Life in the Jim Crow South project was undertaken by Duke University's Center for Documentary Studies from 1990-2005. Its goal was to record and preserve African American experiences in the American South from the 1890s to the 1950s. Materials in the Behind the Veil project collection date from about 1864 to 2011, with the bulk dating from the 1990s; earlier dates represent original image content rather than the reproduction date. The collection comprises over 1200 oral history interviews with associated transcripts and administrative files, several thousand historic and contemporary photographs, and project records, which include paper and electronic administrative files and audiovisual recordings. Oral histories were conducted in 19 locations, chiefly in the South; topics represented in these recordings include childhood, religion, education, politics, celebrations and other events, family histories, work histories and military service, and details about segregation and the effects of racism in the South. Acquired as part of the John Hope Franklin Research Center for African American History and Culture at Duke University.

Materials in the Behind the Veil project collection date from about 1864 to 2011, with the bulk dating from the 1990s; earlier dates represent original image content rather than the reproduction date. The core component of the collection comprises over 1200 oral histories conducted by Behind the Veil interviewers with African Americans in cities, towns, and rural locations in Georgia; Arkansas; Michigan; Alabama; North Carolina; Los Angeles, California; Mississippi; Tennessee; Kentucky; Louisiana; Virginia; South Carolina, and Florida. The majority of the interviews were conducted during summers between 1993 to 1995, with additional interviews added from 1995 to 2004. These interviews, originally recorded by Behind the Veil staff and volunteers on audiocassettes, have been digitized; in addition, all other project records and images are currently being digitized and will be made available as they are ingested into the Duke Digital Repository.

A second core component consists of over 2100 historical and contemporary photographic images in the form of black-and-white and color slides, photographic prints, and negatives. These form several large groups: donated historical materials imaged at interview locations by BTV staff; contemporary photographs taken by staff as they gave interviews and explored local communities; and photographs of BTV staff at work, BTV offices, and project events and training. Historic images in slide format include many photographs of African American individuals and families dating from the 1880s to the mid-20th century; they also include images of documents such as news clippings, military papers, political ephemera, school diplomas, and brief publications. The images are described in more detail in their listings in this collection guide.

The remainder of the collection consists of project administrative records. These files - in paper and electronic format - include National Endowment for the Humanities (NEH) grant information; correspondence; staffing records; meeting notes and minutes; outreach; files on publication and exhibit projects; and information on classes, seminars, and training given for students and project staff.

The Behind the Veil collection not only focuses on the experiences of individuals, but also reflects the importance of black institutions as the backbone of black communities. The interviews, documents and photographs reflect the crucial role that black churches, fraternal societies, women's clubs, and political organizations played in African American community life. The testimony of educators and students from historically black colleges, agricultural schools and institutes enrich conventional beliefs about black agency in segregated schools.

Although the focus of the interviews was on the Jim Crow era, the life history format of most interviews led informants to comment on events after segregation. Information about civil rights struggles in the 1960s, African American participation in desegregation within local communities, and post-1965 activism and community work are also included in many Behind the Veil interviews. The interviews in this collection also raise crucial questions about the shape of memory and the creation of narratives that can inform not only research in oral history but also literature and anthropology. Research into black religion can be enriched by the voices of Behind the Veil. Studies that examine oppression and resistance could be informed by the rich documentary record of labor and social culture that the collection presents. The Behind the Veil collection illuminates innumerable topics, time periods, and research interests.

Collection contains letters, memoranda, clippings, printed materials, writings, photographs, and other materials centered primarily upon Fowler, an unpublished author. Included are manuscripts of novels and stories, printed and typed writings of others, some historical writings, and research about Charlottesville, Albemarle Co., and Lynchburg, Va. There are some photographs from Hyde Co., N.C. Clippings concern the career and writings of Lynchburg newspaperwoman Martha Rivers Adams.

A. Hollis Edens served as President of Duke University from 1949-1960. This collection includes material largely of a personal nature, including correspondence, photographs, printed material, clippings, and scrapbooks. The collection ranges in date from circa 1850s-1994.

The collection includes correspondence, speeches, Duke-related material, Emory-related material, clippings, printed material, scrapbooks, and photographs. The material relates not only to Edens' professional career, but also to his family history and to that of his wife. The majority of the collection consists of family photographs, many of which are unidentified and undated.

Ella Fountain Keesler Pratt (1914-2008) was a Duke University employee for almost thirty years. Ms. Pratt was also a patron of the arts and community organizer in Durham, North Carolina. This collection contains documents, records, photographs, and notes that document her life as a Duke employee and Durham arts organizer. Items include personal notebooks, photographs of family and events, art exhibition catalogs, and audio recordings of performances at Duke University. The collection materials range in date from circa 1850 to 2008.

The Ella Fountain Pratt Papers contain materials pertaining to Pratts's personal life and professional accomplishments. A majority of the collection is comprised of personal correspondence, records, and news clippings that document Ella's education, her participation in the Durham Arts scene, and her experiences as a longtime employee at Duke University. Newer accessions also include photographs (largely unidentified and undated) of both Ella and her husband as well as their sons and Mr. Pratt's family as well as genealogical information, Mr. Pratt's correspondence, and materials pertaining to his education and work at Duke University, in addition to his service in the U. S. Navy during World War II. Of note is a letter signed by Richard Nixon soon after he was defeated in the 1960 election. The collection also includes notable autographs of the various artists Ella Fountain Pratt encountered during her lifetime. Items in the collection range from circa 1850-2008, with the bulk from 1960-2000.

This collection holds miscellaneous papers (192 items; dated 1649-1971) including originals and copies of letters, Bible records, pictures, and printed works relating to the history of the Pearson, Smith, and Thompson families who migrated from England to Virginia, North Carolina, Tennessee, and finally to Arkansas; letters, legal papers, historical notes, genealogy, military records, cemetery records, pictures, and maps pertaining to the history of Benton County, Tenn.; copies of the Civil War letters of Stephen W. Holliday, 55th Tennessee Regt., C.S.A.; anecdotes of Confederate General Nathan Bedford Forrest; Melton family genealogy; and Smith family albums. A later addition (283 items, dated 1774-1986) includes information pertaining to the genealogy of several related families (including the Thompson and Wyly families, as well as information on the descendants of Col. Samuel and Mary Webb Smith). Includes printed works on genealogy and other topics compiled by Emma C. C. Brown and Jonathan K. T. Smith (primarily Smith). Also includes: correspondence; legal documents; copies of church records; clippings; writings about the history of Benton County, Tenn., and some of its citizens and communities; photographs; printed and other material on Camden, Tenn.; copy of the diary of Anne William Smith; copy of a portrait of Anne William Smith by Gustavus Grunewald (1847-1848); a recording entitled The Remembrance Pilgrimage about the Smith family of Nymcock, Tenn.; A Century with St. Mark's: An Informal History by Clara L. Cape; and an extensive biographical sketch on Col. Maurice Smith.

This collection is largely genealogical in nature and holds miscellaneous papers of Jonathan Kennon Thompson Smith including originals and copies of letters, papers, Bible records, pictures, and printed works relating to the history of the Smith, Pearson, and Thompson families who migrated from England to Virginia, North Carolina, Tennessee, and finally to Arkansas. The Smith family descended through Maurice Smith (1801-1871) of Person County, North Carolina who later moved to Fayette County, Tennessee in 1831, and finally to Dallas County, Arkansas in 1843.

In addition to family correspondence of Maurice Smith (1801-1871); the collection has letters, legal papers, historical notes, genealogy, military records, cemetery records, pictures, and maps pertaining to the history of Benton County, Tennessee. Copies of the Civil War letters of Stephen W. Holliday, 55th Tennessee Regiment, C.S.A., to his parents, a history of Tulip and Tulip Ridge, Arkansas, by Smith entitled The Romance of, Tulip (Memphis: 1965), On this Rock . . . the Chronicle of a Southern Family, which is a history by Smith of the family of Colonel Samuel Smith and Mary Webb Smith of Abram's Plains, North Carolina; biographies of the Captain Nicholas Martian (1591-1657) and of Samuel Granville Smith (1794-1835); anecdotes of Confederate General Nathan Bedford Forrest; a history of the Pearson family by Smith entitled This Valued Lineage; history of the Thompson family by Smith entitled These Many Hearths; albums of the Smith family containing pictures, clippings, and copies of letters and wills dating as early as 1649; genealogy of the Melton family by Herman E. Melton entitled Sassafras Sprouts; an anthropological study of the Indians of Kentucky Lake, Tennessee, by C. H. McNutt and J. Bennett Graham; and a pamphlet, 1961, by Smith entitled A Statement of Faith.

There is a microfilm copy of 'The Remembrance Pilgrimage. The Story of a Southern Family' (1964) available.

Richard Arthur Preston (b. 1910), a leading British Commonwealth scholar, was appointed the William K. Boyd Professor of History at Duke University in 1965. Major subjects of the collection include Canadian history, especially military history; the Department of History; and the Canadian Studies program at Duke. Materials include correspondence, reports, course syllabi, printed matter, manuscripts, clippings, photographs, and other papers. English.

Collection includes correspondence, reports, course syllabi, printed matter, drafts, research notes, manuscripts, lectures, photographs, clippings, maps, and other papers.

The arrangement of the collection is by accession dates. These additions follow the order given in the collection file and are not presented in chronological order.

The 1981 Additions (A81-60) include extensive correspondence, numerous drafts and published articles and reviews, photocopies of primary sources, some research notes, and administrative papers dealing with the Duke University History Dept. The chief subjects include Canadian military affairs, general military history, military education, and Canadian Studies as a historical subdiscipline. There is a folder list for this addition that is part of the collection file.

The 1980 Additions includes printed material, correspondence, studies, reports, articles, drafts, proofs, outlines, lectures, syllabi, clippings, photos, maps, and other papers. Major subjects include Canadian history, especially military history and current military and defense concerns. The first major portion of this Addition is made up of correspondence about Preston's own research and writings of other scholars. Other materials include Preston's research notes; photocopies and typed copies of historical documents; and guides to historical collections. There are also administrative files about the History Dept. at Duke, and the Canadian Studies Program. There is a small amount of material about the alumni of the Royal Military College in Canada, where Preston taught for a number of years. The second major portion of this Addition focuses on various aspects of modern Canadian defense and external security, Canada and NATO, relations with the British Commonwealth, and Canadian domestic affairs.

This collection documents the professional and creative life of writer and teacher Robert Bausch. Materials include handwritten, typed, and electronic (computerized) drafts of published and unpublished novels and essays, including The Gypsy Man, On the Way Home, Almighty Me, For God's Sake, and A Hole in the Earth; galleys and corrected proofs of his published novels; incoming andoutgoing correspondence--including copies of electronic mail--with writers, editors, readers,students, and family; a few typescripts of works by others; book and movie contracts and royalty statements; andaudiocassette tapes of Bausch's class discussions and readings by authorsGeorge Garrett, Bausch, and Bausch's twin brother Richard Bausch.

(15 tapes) (2500 manuscript items) (31 disks) (893 computer files)

The subject files, correspondence, and published materials in the James R. Hawkins Papers span from ca.1961-1980, chiefly 1971-1975, and document Hawkins' role in civic life in Durham, North Carolina and provide evidence of the issues and concerns facing the citizens of Durham in the 1970s. The subject files retain Hawkins' original folder titles and alphabetical organization and provide an overview of the programs Hawkins was involved with as mayor as well as a view of the general issues Hawkins encountered while mayor of Durham. The correspondence series is arranged alphabetically and chiefly consists of letters to Hawkins from the citizens of Durham voicing their concerns over such civic issues as development, traffic safety, taxes, and various political issues. The correspondence also contains copies of Hawkins' responses to the letters he received from the citizens of Durham. This collection would be of value for scholars studying the recent history of the south or for those wishing to gain a clearer picture of the functioning of city government in the recent past. This collection is open to researchers and has received a minimal level of processing.

Robin Chandler Lynn Duke held office or was active in a number of organizations including Population Action International, the National Abortion Rights Action League, The Packard Foundation, the Draper World Population Fund, and several major corporations. Married to Ambassador Angier B. Duke. Collection (22100 items, dated 1942-2000) contains items related to Duke's extensive involvement in abortion rights, family planning, and population studies organizations. Series within the collection include correspondence, clippings, writings, publications, miscellaneous, photographs, and subject files. A substantial amount of correspondence from Duke was written to members of the U.S. House and Senate, and was written by Duke in her capacity as National Chair of Population Action International. Books and pamphlets report on population studies, child education, family planning, violence against women, and international education. Organizations represented in the collection include Population Action International, the Draper World Population Fund, Planned Parenthood, NARAL (National Abortion Rights Action League), "The Anatomy of Hate" conference, and the National Abortion Federation.

Collection (22100 items, dated 1942-2000) contains items related to Duke's extensive involvement in abortion rights, family planning, and population studies organizations. Series within the collection include correspondence, clippings, writings, publications, miscellaneous, photographs, and subject files. A substantial amount of correspondence from Duke was written to members of the U.S. House and Senate, and was written by Duke in her capacity as National Chair of Population Action International. Books and pamphlets report on population studies, child education, family planning, violence against women, and international education. Organizations represented in the collection include Population Action International, the Draper World Population Fund, Planned Parenthood, NARAL (National Abortion Rights Action League), "The Anatomy of Hate" conference, and the National Abortion Federation.

Additional organizations represented include the National Campaign to Prevent Teen Pregnancy, Promise Keepers, Rockefeller Foundation, Center for Gender Equality, Harvard School of Public Health, Friends of Art and Preservation in Embassies, Institute of International Education, International Flavors and Fragrances, National Mother's Day Committee, and the National Park Foundation.

Other parts of the collection deal more directly with Duke personally and with her husband. Files relate to social events and awards ceremonies, the Congressional campaign of 1977, and a number of other organizations concerned with her activities or her husband's ambassadorships. There is also information concerning the National Wildflower Research Center, the Council of American Ambassadors, the United Nations and other organizations; as well as information related to a white house dinner; speeches; articles about Duke; an appointment book; and personal files.

A number of other scrapbooks contain photos and other items from the time when Duke served as a fashion editor.

The addition (7089 items, 11.10 linear feet, dated ca. 1930-2001) comprises correspondence, subject files, articles and newspaper clippings, photographs, scrapbooks, photograph albums, and printed materials that primarily describe conferences attended and trips taken by Duke, focusing on the organizations in which she was actively involved. Also includes incoming and outgoing correspondence; files on fundraising dinners and meetings; and Angier Biddle Duke's typescript journal entries, "For the Record" (1981-1985), composed while visiting a number of countries. Also includes 71 black-and-white prints, 236 color prints, 780 color negatives, and 2 fabric bags. (01-147)

The addition (3250 items, 7.3 linear feet, dated 1960-2000) contains primarily correspondence, reports, speeches, newspaper clippings, printed material, and miscellaneous items related to Robin Duke's ambassadorship to Norway and her activism in major organizations for population control, including NARAL and Planned Parenthood. There are 5 videocassette tapes, including "JFK--A Time Remembered;" as well as 37 black-and-white and 5 color photographs, including a photograph album of a visit to Marrakech. The collection also contains diplomas, awards, and several commemorative photos/drawings signed by Lady Bird Johnson. (01-155)

The addition (2000-0341) (2175 items, 3.4 linear feet; dated 1991-2000 and undated, bulk 1998-2000) contains correspondence, notes, information packets, two videocassette tapes, one CD-RW containing 15 electronic audio file and printed material from meetings Duke attended. Also includes correspondence, speech notes, two black-and-white photographs, and information packets relating to the Albert Lasker Public Service Award Duke won in 1991. There is one additional black-and-white group photograph taken at a lecture.

The addition (2002-0162) (2400 items, 4.0 linear feet; dated [ca. 1990]-2002) contains primarily reports, printed material, correspondence, and 1 black-and-white and 12 color photographs related to Duke's activism in various organizations, including Friends of Art and Preservation in Embassies and the US-Japan Foundation (1990-2001). Also includes correspondence, orientation packets, talking points, and reports received or used by Duke as ambassador to Norway (2000-2001).

The addition (2002-0311) (750 items, 1.6 linear feet) comprises miscellaneous materials relating to Duke's numerous involvements, including personal and professional correspondence, meeting and event information, organizational files, newspaper clippings, reports, and printed material. A container list was not created for this addition.

The addition (2003-0096) (1500 items, 2.2 linear feet) contains correspondence and other materials related to Duke's activism in organizations including F.A.P.E., A.S.F., I.R.C., and the U.N. Association (1983-2003); and documents related to her position as Ambassador to Norway (2000-2001). Also includes files about parties and other events, and a small amount of personal correspondence.

The addition (2003-0268) (500 items, 1.4 lin. ft.; dated 1998-2003) contains business correspondence and other materials related to Duke's activism in NARAL, UNESCO, and Population Action International. Also includes a small amount of personal correspondence and 2 VHS tapes, "Packing the Courts: The Battle over President Bush's Judicial Appointments" and "Access Denied: US Family Planning Restrictions in Zambia".

The addition (2005-0060) (3390 items, 5.4 lin. ft.; dated 2002-2005) comprises correspondence, printed material, and board meeting packets related to Duke's activism. Also includes a transcript of oral history interviews conducted by Smith College, and 3 VHS videocassettes.

The addition (2005-0120) (697 itmes, 1.8 lin. ft.; dated 1992-2005) comprises personal and professional correspondence; board meeting packets related to Duke's activism in a wide variety of organizations.

The addition (2006-0054) (576 items; 1.3 lin. ft.; dated 1969-2006 and undated) contains correspondence (1993-2006); and other materials related to Duke's activism. There are also 2 CD-ROMs, printed material, clippings, and invitations to luncheons and dinner parties.

The addition (2006-0062) (1025 items; 1.6 lin. ft.; dated 1962-2006 and undated) comprises correspondence, invitations, speeches, printed material, and ephemera related to Duke's activism in organizations (1983-2006). There are also materials that once formed a photo album/scrapbook, with 27 black-and-white photos of the Dukes as well as interior and exterior photos documenting their remodeling of Blair House, the presidential guest quarters, in Washington, DC (undated, probably 1962); invitations; and correspondence (1962-1968), including letters from Jackie Kennedy, Lady Bird Johnson, and others.

The addition (2006-0092) (1025 items; 1.6 lin. ft.; dated 1962-2006 and undated) contains clippings, periodicals and reference works, as well as meeting guides, conference materials, correspondence and other materials regarding Duke's political, charitable and ambassadorial activities. There is also one DVD and two black-and-white copies of family photos.

The addition (2007-0014) (1500 items; 2.4 lin. ft.; dated 1962-2006) contains correspondence, including letters from Jackie Kennedy and Lady Bird Johnson; menus and programs for United States Presidential luncheons and dinners; documentation, pamphlets, and files from councils and organizations; a diploma for Angier Biddle Duke from Duke University; speeches; printed materials; and newspaper clippings.

The addition (2007-0087) (675 items; 0.9 lin. ft.; dated 1964-2007) contains correspondence, photographs, speech transcripts, and conference materials from Duke's charitable and political organizations.

The addition (2007-0194) (675 items; 0.9 lin. ft; dated 2000-2007) contains correspondence, charitable committee and meeting materials, and a New York Look Book featuring Duke and her fashion sense. This collection has been interfiled with Addition (2007-0087).

The addition (2008-0116) (600 items; 0.8 lin. ft; dated 2007-2008) includes conference ephemera and other materials from Duke's involvement in charities and political activities; miscellaneous materials and correspondence; and publications from various international organizations.

Addition (2009-0168) (900 items; 1.2 lin. ft.; dated 1960s-2009) includes correspondence, board meeting publications from Duke's various charities and organizations, letters from prominent people, and miscellaneous materials such as newspaper clippings and photographs.

Studio Girl Cosmetics Records include promotional materials related to the multi-level marketing and direct sales cosmetics company. Collection includes leaflets and a pamphlet with beauty tips as well as sales team recruitment materials. Also contains an LP record with the voice of company Chairman Harry Taylor.

The Studio Girl Cosmetics Records include promotional materials related to the Glendale, California-based multi-level marketing and direct sales cosmetics company. This one-folder collection includes two promotional leaflets with beauty tips for customers: “Your Studio Girl Way to Loveliness,” and “Studio Girl: Hollywood Coiffure Blend Hair Fashions of Permalon.” There is also one pamphlet for potential Studio Girl sales representatives called “From a Man’s Point of View.” Other items are recruitment materials including a sales team member application, identification cards, stamped paper bags for products, and branded mailing envelopes. Also contains a plasticized LP record with the voice of company Chairman Harry Taylor. Acquired as part of the Sallie Bingham Center for Women’s History and Culture.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. It is headquartered in New York. Collection consists of training and policy manuals, presentations, other printed materials and videocassettes pertaining to the T-Plan, Thompson Way and Thompson Total Branding programs. Materials appear in English, Spanish and Japanese and include materials from JWT offices in The U.S., Argentina, Australia, Canada, India, Italy, Japan, Mexico and Thailand. Case study information for individual companies include DeBeers, Ford, Nabisco (Ritz crackers), Nabob Coffee, Nestle, Steppenwolf Theater and White Castle. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Consists of training and policy manuals, presentation materials, other printed materials and videocassettes pertaining to the T-Plan, Thompson Way and Thompson Total Branding programs. Materials appear in English, Spanish and Japanese and include materials from JWT offices in The U.S., Argentina, Australia, Canada, India, Italy, Japan, Mexico and Thailand. Case study information for individual companies include DeBeers, Ford, Nabisco (Ritz crackers), Nabob Coffee, Nestle, Steppenwolf Theater and White Castle. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Commercial artist and graphic designer who worked in New York and California. Collection includes mechanical drawings, sketches and other design work for magazine and technical catalog illustrations, print advertising, book covers and other areas of commercial design. Companies represented include Aztec Press, California Girl Magazine, Hervey Associates, Ray Allen Studios, Sossner Corporation, Straus Stores, and Tide Employment Agency. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection includes mechanical drawings, sketches and other design work for magazine and technical catalog illustrations, print advertising, book covers and other areas of commercial design. Companies represented include Aztec Press, California Girl Magazine, Hervey Associates, Ray Allen Studios, Sossner Corporation, Straus Stores, and Tide Employment Agency. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Anne Halley was a fiction writer and poet. Collection includes typescripts for four works (approximately 700 pages) and typesetting instructions for the opening pages of Rumors of the Turning Wheel, which was published by Lisa Unger Baskin's Aee Press in 2003.

Collection includes typescripts for four works (approximately 700 pages) and typesetting instructions for the opening pages of Rumors of the Turning Wheel, which was published by Lisa Unger Baskin's Aee Press in 2003. The four works, True Wedding: Ten Household Tales, Beatrice and the Blind Child, Change of Life, and an untitled volume of poetry, are unpublished and undated. Some of the typescripts are annotated; also present are a few pieces of undated correspondence from Halley to Baskin.

International collection of picture postcards (6500 items, ca. 1900-1982), almost all of which date from 1920 or earlier. Arranged by country and filed in 28 albums. Almost all European countries are represented, and there are many rare postcards from Russia. (96-0135) (7 lf)

The addition to this collection (18000 items, from ca. 1900-1950) also is international in scope, but focuses on the United States. The collection comprises fifty, three-ring binders that hold picture postcards in pocketed mylar sleeves. About two-thirds of the cards show scenes in the United States, including all 50 states, the District of Columbia, and Puerto Rico; state capitols; worlds fairs; and other tourist destinations. Thirteen of the fifty binders document Atlantic City, N.J., and are subdivided by the images shown, including boardwalks, beaches, and hotels. The rest of the collection comprises postcards from other countries, including Austria, France, Germany, Italy, Spain, and the Netherlands. Asia, Africa, Latin America, and North America are also represented. A small group of postcards depicts costumes from around the world. (00-422) (12 lf)

Formerly cataloged as the International Postcard Collection.

The Sports Information Office provides information about Duke athletics to the media. They also facilitate press interviews with Duke athletes and coaches. The collection includes clippings, press releases, statistics, rosters, programs and press brochures/media guides about the field hockey team at Duke University. The material ranges in date from 1977-ongoing.

The collection includes clippings, press releases, statistics, rosters, programs and press brochures/media guides about the field hockey team at Duke University. The material ranges in date from 1977-ongoing.

The Osher Lifelong Learning Institute (OLLI) at Duke is a non-degree-granting program for adults. Collection includes administrative records, publications, catalogs, photographs, oral histories, and other material related to OLLI at Duke and its history.

Collection includes administrative materials, including publications, catalogs, photographs, and other material related to OLLI at Duke and its history, as well as administrative material from Duke Continuing Studies, such as annual reports. Additionally, 29 oral histories created in 2022 with administrators and instructors detail the history of the program.

The American Dance Festival (ADF) serves the needs of dance, dancers, choreographers and professionals in dance-related fields by supporting the creation of new modern dance work; preserving modern dance heritage; building wider national and international audiences for modern dance; enhancing public understanding and appreciation of the art form; providing a sound scientific/aesthetic base for professional education and training of young dancers; and providing a forum for information on dance education. The American Dance Festival Reference Collection includes clippings, announcements, programs, and other materials pertaining to ADF performances and events held on the Duke University campus. This materials was collected from a variety of sources by the University Archives for use in reference and research. English.

The American Dance Festival Reference Collection includes clippings, announcements, programs, and other materials pertaining to ADF performances and events held on the Duke University campus. This collection was collected from a variety of sources by the University Archives for use in reference and research.

Please note that the official repository for information about ADF is the American Dance Festival Archives.

Tom Rankin is a documentary photographer, filmmaker, folklorist, professor of art and documentary studies, and former director of the Center for Documentary Studies at Duke University. Collection consists of 147 black-and-white and color photographs documenting the American South and China. Photographs from the South focus on religious sites, rituals, and communities in the Mississippi Delta region, as well as portraits of individuals, including portraits of Mississippi writer Larry Brown, and Southern landscapes. An additional documentary project from 2016 took Rankin to China, where he photographed semi-rural landscapes, often taken with high-rise buildings in the far distance or adjacent to industrial structures, as well as bridges and rivers, markets and live fish vendors, and a few street scenes. Finished prints range from 8x11 inch contact prints to 11x14, 16x20, and 20x24 large-format prints. Supporting materials include manuscripts, publications files, and two films, all deriving from Rankin's career and art practice. Includes a digital audio recording of a talk by Rankin at the exhibit opening of his work, "Near the Cross: Photographs from the Mississippi Delta." Acquired as part of the Archive of Documentary Arts at Duke University.

The photographic work of Tom Rankin in this collection consists of 147 black-and-white and color photographs documenting the American South and China. Southern photographs were taken from 1980 to 2007, and focus on religious sites, rituals, and communities in the Mississippi Delta region; these prints form the largest series, "Sacred Space." Another body of work features portraits of Mississippi writer Larry Brown. A third body of work, "Portraits from the American South," offers views of Southern people, cultures, and landscapes in both color and black-and-white.

An additional documentary project from 2016 took Rankin to China, where he photographed semi-rural landscapes, often taken with high-rise buildings in the far distance or adjacent to industrial structures, as well as bridges and rivers, markets and live fish vendors, and a few street scenes.

Print sizes range from 11x14, 13x19, 16x20, and 20x24 inches, with many housed in window mats. Along with these prints, there are also 8x11 inch black-and-white matted contact prints. All titles were created by the photographer.

Selected photographs from this collection have been exhibited at the Center for Documentary Studies at Duke and other locations. A selection of Rankin's photographs was published in a book, Sacred Space: Photographs from the Mississippi Delta (1993).

Supporting materials in this collection include a digital audio recording of a talk by Rankin at the exhibit opening of work from the Sacred Space series, "Near the Cross: Photographs from the Mississippi Delta," as well as paper records related to his career and art practice, including book publications and book layouts. Also in the collection are two motion films, Dance Like a River (1985), directed by Barry Dorfeld and Tom Rankin, and Four Women Artists (1977), directed by Bill Ferris.

Acquired as part of the Archive of Documentary Arts at Duke University.

Elizabeth Hargrave is an Episcopal lay woman and multi-issue activist who served as the Chair of the Davidson County (N.C.) Commissioners, the N.C. Council of Churches Committee for Equal Rights, and Episcopal Diocese of N.C. Collection contains religious and activist conference and workshop materials, printed materials, clippings, a campaign T-shirt, one audiocassette, photographs, Davidson County (N. C.) Commissioner campaign materials, Charlotte Women's Political Caucus materials, and files related to public education in North Carolina. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection (2007-0120)(1500 items, 3.4 lin. ft.; dated 1977-1989) contains religious and activist conference and workshop materials, printed materials, clippings, a campaign T-shirt, one audiocassette, photographs, Davidson County (N. C.) Commissioner campaign materials, Charlotte Women's Political Caucus materials, and files related to public education in North Carolina. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Addition (2011-0109)(2 items, 0.1 lin. ft.; dated 2010) comprises materials related to the celebration of the North Carolina Council of Churches' 75th anniversary. Includes a copy of Hargrave's remarks and a sheet of digital photographs.

Addition (2010-0186)(1 item, 0.1 lin. ft.; undated) T-shirt,

Addition (2013-0031) (75 items, 0.1 lin. ft.; dated 1987-1990) comprises comprises organizing documents from a feminist group in the Triad, subject files on pay equity, women's health care, reproductive rights, and an academic paper.

Group based in Southeastern United States, founded in 1977 at the first National Women's Studies Association Convention. SEWSA is committed to the promotion and support of women's studies and women's advocacy in schools, universities, and communities. Includes correspondence, minutes, newsletters, membership lists, papers presented at conferences, 12 photographs, SEWSA conference materials, and travel grant files. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection contains a variety of administrative, business, financial, and other materials relating to the operation of the Southeastern Women's Studies Association. The majority of the materials date from 1985 through the mid-1990s, with additional items from both before and after that period.

Files have been loosely arranged into series. The Administrative and Business Records series includes the organization's bylaws and its subsequent updates; correspondence; agendas and meeting minutes from committees and business meetings; financial statements and accounts; conference proposals and some conference papers; travel grant materials; membership lists and addresses; stationary and other templates; and lists of officers and committee members from various points throughout the organization's history. Conference planning is a large component of this series, resulting in some overlap with the Conferences series. Another notable portion is the files relating to SEWSA's travel grants, which include both applications, acceptances, and information about the grant program. This series has been largely sorted by date, with occassional subjects filed separately.

The Conferences series include conference planning materials, as mentioned above, as well as conference programs and calls for papers announcements. The Newsletters series includes a run of the newsletters as well as newsletter preparation files from the 1980s. Finally, there are also some conference and SEWSA buttons as well as a SEWSA 1985 t-shirt present in the Ephemera series.

Camilo J. Vergara is a documentary photographer, focusing on the evolution of urban spaces. Collection of color prints from Vergara's 2009 National Building Museum exhibit Storefront Churches, with photographs of urban churches, pasters, and murals from cities around the United States. This exhibit was part of a larger collection featured in Vergara's book, How the Other Half Worships.

Collection consists of 85 color prints, ranging in size from 11x14 inches to 20x24 inches, as well as two 30x30 color transparencies. These images were all part of the National Building Museum's 2009 Vergara exhibit, "Storefront Churches," and many are also featured in his recent book, How the Other Half Worships (2005).

Subjects include urban churches in cities throughout the United States, in particular New York City and its neighborhoods (such as Harlem, Brooklyn, and the Bronx), Detroit, Chicago, Los Angeles, Gary, and Camden. Vergara's photographs vary in what part of each church is highlighted: some are simply the church's exterior, offering a glimpse of the neighborhood and condition of the building; other images are taken inside the church, whether it be an abandoned sanctuary or an active praise service. The collection also contains, to a lesser extent, photographs of religious and spiritually-inspired murals and artwork from different urban environments; cemeteries and outdoor worship spaces; and some portraits of different pastors and preachers, including street preachers. Most of the churches represented in the collection are Pentecostal, Baptist, or some other branch of Evangelical Protestant Christianity.

The collection documents the evolution of church structures, such as the series of rephotography of a Chicago building that evolved from the Holy Raiders Revival Church in 1981 to the Mt. Zion Missionary Baptist Church in 2009. Vergara rephotographed the building six times during that period, and each time the building's facade and surroundings had changed significantly. Vergara's photographs also offer one-time glimpses of abandoned and decaying buildings, as well as documentation of reclaimed and re-used urban structures, such as the former Kentucky Fried Chicken restaurant that is now a worship center in Newark.

Collection comprises writings by Jean Gonzalez/Juana Maria Paz, 1977-2006 and undated, reflecting the breadth of her work and interests, from lesbian feminism to intential community and the lesbian land movement, with a primary focus on community building. Includes journal articles and book chapters, letters to the editor, newsletters, plays, and position statements, often in both draft and published form. Many of these works comprise her signature works in lesbian and feminist theory. Also includes architectural plans and drawings for her home in Twin Oaks.

Collection comprises writings by Jean Gonzalez/Juana Maria Paz, 1977-2006 and undated, reflecting the breadth of her work and interests, from lesbian feminism to intential community and the lesbian land movement, with a primary focus on community building. Includes journal articles and book chapters, letters to the editor, newsletters, plays, and position statements, often in both draft and published form. Many of these works comprise her signature works in lesbian and feminist theory. Also includes architectural plans and drawings for her home in Twin Oaks.

Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The Women's Theological Center, founded in 1981 and active through 2007, was a Boston-based organization that provided feminist theological and ministerial education for women. Collection consists of administrative records documenting the foundation and development of the WTC, as well as board meeting and other committee notes. Also included are grant applications and funding requests, publicity and programming materials (especially related to the Study/Action program), and writings and publications. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection consists of administrative records documenting the foundation and development of the WTC, as well as board meeting and other committee notes from Francine Cardman and Gay Harter. Budgets, membership information, and reports are also in the administrative records. Collection also includes grant applications and funding requests, publicity and programming materials, and writings and publications. The publicity and programming materials document the WTC's activities and include articles, brochures, and event programs, as well as information, readings, and other materials from the Study/Action program. Most of the Study/Action material is from Gay Harter's files. Writings and publications include WTC newsletters, drafts of an unpublished book about the Study/Action program, and other writings by WTC members.

WTC members who appear frequently in the administrative records, particularly meeting minutes, as well as Study/Action materials and WTC newsletters include Donna Bivens, Nancy Richardson, Marian (Meck) Groot, Angelica (Gay) Harter, Francine Cardman, and Joan Martin.

Human rights researcher and policy advocate at the Washington Office on Latin America. The Coletta Youngers Papers span the dates 1977-2004, and consist of reports and scholarly research, clippings, correspondence, and government documents related to socio-political conditions and human rights issues in Perú, gathered by Youngers while living in Peru during the 1980s and researching her 2003 book on political violence in Perú.

The Coletta Youngers Papers span the dates 1977-2004, and consist of reports and scholarly research, clippings, correspondence, and government documents related to socio-political conditions and human rights issues in Perú, gathered by Youngers while living in Peru during the 1980s and researching her 2003 book on political violence in Perú. The collection is divided into the Printed Material and the Subject Files Series; there is also a separate listing at the end of this finding aid of printed works transferred to the Duke University Perkins Library general collections. Beyond the research materials in these series, there are currently no additional personal papers of Youngers in the collection. The Printed Material Series contains published reports on human rights circulated by a wide variety of organizations working inside and outside Perú. Most of the Perú-based human rights organizations are connected with the Coordinadora de Derechos Humanos (CNDDHH), an umbrella human rights organization based in Lima. Youngers' research files on human rights issues and a subseries of Peruvian and Latin American serial publications complete the Printed Material Series. The Subject Files Series contains files and informal reports of the CNDDHH and associated human rights organizations, most notably the Asociación Pro Derechos Humanos (APRODEH), El Centro de Asesoría Laboral del Perú (CEDAL), and the Instituto Defensa Legal (IDL). Further documentation of human rights abuses by government and rebel factions, drug policy files, papers related to former Peruvian president Alberto Fujimori's security advisor Vladimiro Montesinos, and the Maoist guerrilla group Sendero Luminoso complete the collection. Material in this collection documents the complex links between Peruvian government policy and international pressure, and the violent tactics employed by revolutionary groups as well as agents of the Peruvian government. Further, it chronicles the consequences of those actions, especially for rural and indigenous populations and local human rights advocates. The collection also contains numerous U.S. government documents obtained through the Freedom of Information Act which give insight into U.S. diplomacy, military and drug policy. Substantial portions of the collection are in Spanish. Aquired as part of the Human Rights Archive.

The program was established in 1977 with funding from the Greater Charlotte Foundation. The program became fully operational in the 1978-1979 academic year under the directorship of Ralph Braibanti. Studies focused primarily on the Arabian Peninsula and its social, economic, and political developments, and on the resurgence of Islam, with some attention also paid to Arabic archaeology, art, language, law and literature. Collection contains primarily reports and other printed materials, along with conference programs, and a small amount of the Director's correspondence. Materials range in date from 1976-2000.

Collection contains primarily reports and other printed materials, along with conference programs, and a small amount of the Director's correspondence. Director's correspondence is closed until August 2014 by donor's request. Includes annual and triennial reports of the program, 1977-1988, covering faculty activities, curriculum development, lectures, travel reports, and other aspects of the program; a catalog of the Joseph J. Malone Collection on Arabian Affairs; reprints; newspaper clippings; and course syllabi and readings. Materials range in date from 1976-2000.

Charlotte Taft is an abortion counselor and activist. Her papers contain clippings and articles documenting various aspects of the struggle for abortion rights as well as brochures from abortion clinics.

The Charlotte Taft papers contain materials documenting her history as an abortion care counselor and activist. The collection chiefly consists of collected newspaper clippings and articles documenting struggles for various aspects of reproductive justice. It also contains brochures from women's healh care and abortion providers.

The Nicholas School of the Environment's Senior Professional Program traces its beginnings to 1979, when the School of Forestry and Environmental Studies first offered a program of short intensive courses. These courses have been offered since then as part of various named programs and centers, including the Intensive Course Program, the Continuing Education Program, and the Center for Environmental Education. As of 2013, the Senior Professional Program is the only one of these terms that remains in use as a formally named entity in the Nicholas School. The Nicholas School of the Environment's Senior Professional Program Records span the years 1977-1997 and contain correspondence with faculty, syllabi, notebooks, schedules, and other materials from intensive courses, workshops, and conferences offered as part of the Intensive Course Program, the Center for Continuing Education, the Center for Environmental Education, and the Senior Professional Program. Materials document research and teaching interests of several Nicholas School faculty, and topics covered in the courses include ecological risk assessment, environmental sciences, water supply, water resources development, forest management, and the National Environmental Policy Act. Arranged in order by accession number.

The Nicholas School of the Environment, Senior Professional Program Records contain correspondence with faculty, syllabi, notebooks, schedules, and other materials from courses, workshops, and conferences presented under the auspices of several Nicholas School programs and centers from 1977-1997, including the Intensive Course Program, the Center for Continuing Education, the Center for Environmental Education, and the Senior Professional Program. These materials document the research and teaching interests of several Nicholas School faculty during this period; topics covered in the courses include ecological risk assessment, environmental sciences, water supply, water resources development, forest management, and the National Environmental Policy Act. Some materials have been transferred to this collection from the Nicholas School of the Environment Records, 1916-2010. The collection is arranged in order by accession number.

An organization dedicated to studying ancient Greek and Latin papyri. Collection houses archives of the American Society of Papyrologists, including the Society's constitution, financial papers, correspondence, Director's Office files, memoranda, and other administrative files, spanning the years 1977-1993.

Collection houses archives of the American Society of Papyrologists, including the Society's constitution, financial papers, correspondence, Director's Office files, memoranda, and other administrative files, spanning the years 1977-1993. Collection has been given basic processing: items are in original order as received.

Collection comprises 63 exhibit-quality black-and-white photographic portraits of Durham, North Carolina citizens of all races, ages, genders, and sexual orientations, taken from 1989 to 1992 for a Center for Documentary Studies project. Subjects include activists, writers, older people, working class men, friends, couples, and families. Many of the individuals were alumni of Duke University. Also includes several prints and a brochure from an exhibit entitled "Home Ground," featuring Vaughan's family and landscapes from two family farms, 1977-1987. Formats include gelatin silver, Polaroids (some in color), and four palladium/plantinotype prints, along with a hand-pigmented, textured print. The photographs range in size from about 8 3/8 x 10 3/4 inches to 11x14 inches and are all matted, captioned, and signed. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection chiefly comprises 63 exhibit-quality black-and-white photographic portraits of Durham, North Carolina citizens of all races, ages, genders, and sexual orientations, taken by Durham photographer Caroline Vaughan from 1989 to 1992 for a Center for Documentary Studies project. Subjects include activists, writers, older people, working class men, gay and straight couples, friends, and families, Many of the individuals were alumni of Duke University who were involved in sixties activism and remained in the area.

There are several photographers featured in the portraits whose work is also in the Rubenstein Library collections: Peter Goin, Alex Harris, Jeeva Rajgopaul, and Margaret Sartor.

Also includes a smaller series of black-and-white palladium/platinotype prints and a bifold brochure from a Duke University exhibit entitled "Home Ground." These prints feature Vaughan's family members posed in the studio and at two family farms in Oxford, N.C. and News Ferry, Virginia, taken from 1977 to 1987 and printed in 1992 and 1993.

The photographs were taken with large-format cameras and an instant camera (Polaroid), and printed and toned by Vaughan chiefly from 1990 to 1993. Formats include gelatin silver, Polaroids (some in color), and palladium/plantinotype prints, along with one hand-pigmented, textured print. The prints range in size from about 8 3/8 x 10 3/4 inches to 11 x 14 inches and are printed on a variety of papers. Some of the palladium prints feature a circular image format. With a few exceptions, the prints are signed, dated, and matted. Titles were taken from original captions inscribed by the photographer on the prints or mats. Some titles for some uncaptioned prints were taken from the photographer's online gallery. Many prints have data on exposure times, shutter, speed, and other data marked on the back.

Acquired as part of the Archive of Documentary Arts at Duke University.

Collection includes materials removed from two incomplete scrapbooks Carole Powell began. Materials cover 1977-1984 but are mostly undated and relate to the founding and opening of Womankind Books, and its associated distribution activities and concerts on behalf of Olivia records. Includes flyers, newspaper articles and clippings, bookmarks, newsletter articles, advertisements, a catalog, press releases and posters for concerts, along with eight glossy black-and-white photographs of the musicians. There are also materials relating to fund raising activities undertaken by the Womankind Support Project, including on behalf of the Womankind Health Center, including mock-ups, mailers, and flyers for benefits; fund raising solicitations; and announcements. There are several items related to Powell's support of the Walter Mondale and Geraldine Ferraro campaign in 1984 and to Powell's campaign for Metropolitan County Council member at-large in 1983. There are also a few items related to Chicago's "Catch the Spirit" campaign in 1984. Includes personal greeting and other cards and messages for Powell, along with her business cards, as well as two 9.5 x 6.75-inch black-and-white photographs of the interior for Womankind Books.

The J. Walter Thompson Company, Advertising and Marketing Intelligence Database Records date from 1977 to 1983, with some undated material. The collection contains information on the development and early years of the Advertising and Marketing Intelligence (AMI) database, successor to the Issues Monitoring System (1970s) produced by the New York Times (NYT) Information Bank and the White House; a JWT/NYT advertising and marketing news database (1979) drawn from over 60 major business publications; and AD/KIT, or "Advertising Key Information Tracking System." Available by subscription and via telnet, AMI began in 1980 and tracked news items according to an advertising keyword index. The collection details the conception, announcement, and initial years of operation of AMI with financial data, marketing and management information, marketing research, and slide presentation scripts. Acquired as part of the John W. Hartman Center for Sales, Advertising, and Marketing History.

The collection documents the records of the office of the Vice Chancellor for Data Processing for the years 1977 through 1982. The bulk of the materials in the collection pertain to the Administrative System Planning Study, a project that studied the effects an automated computing system would have on the accuracy and efficiency of data processing at Duke. Materials include the final project report as well as drafts tracking the development of the project as well as notes and correspondence from members of the project team. The collection also includes interviews the committee conducted with Duke employees across a wide range of departments and external studies of information management at Duke. The Administrative System Planning Study series contains materials related to the report. They include a copy of the final report and several drafts of the report including notes and revisions. This series also contains two 1982 editions of The Chronicle announcing the institution of a new data processing system on campus. The Project Materials series contains meeting minutes from the Administrative System Planning council, papers as well as correspondence and notes from three members of the committee, Vice-Chancellor Mel Ray, Joe Kuran and Jim Prestwood as they worked to develop the project. These materials also include analyses of the research materials used in the report. The Research Materials series includes information the committee gathered while preparing the report. These materials include 15 interviews with employees from many departments about the current data processing environment at Duke. Interviewees included President Terry Sanford, Chancellor A. Kenneth Pye and Provost F. Cleaveland. Research materials also include the final copies of automation reports completed by IBM Corporation and Hay Associates on the existing systems and the potential effects of automation. Also included is a 1980 issue of IBM Corporation’s magazine, Prospectives in Computing featuring an article about the academic applications of computing at Duke.

The collection documents the records of the office of the Vice Chancellor for Data Processing for the years 1977 through 1982. The bulk of the materials in the collection pertain to the Administrative System Planning Study, a project that studies the effects an automated computing system would have on the accuracy and efficiency of data processing at Duke. Materials related to the Administrative System Planning Study include a copy of the final report, drafts of the report and notes and correspondence between members of the committee.

The collection also contains research materials the committee gathered while preparing the report. These materials include 15 interviews with employees from many departments about the current data processing environment at Duke. Interviewees included President Terry Sanford, Chancellor A. Kenneth Pye and Provost F. Cleaveland. Research materials also include the final copies of automation reports completed by IBM Corporation and Hay Associates on the existing systems and the potential effects of automation. Also included is a 1980 issue of IBM Corporation’s magazine, Prospectives in Computing featuring an article about the academic applications of computing at Duke.

The Duke University Equestrian Team (DUET) was formed in 1976 to provide a means for equestrians to represent Duke University in competitions. Records contain correspondence, programs, reports, financial materials, agendas, membership lists, minutes, a charter application, a constitution, and notebooks. Major subjects include Duke University, sports clubs, horse showing in the southeastern United States, intercollegiate sports, and the Duke University Equestrian Team. Materials range in date from 1977 to 1981.

Contains materials pertaining to the Duke University Equestrian Team. Materials range date from 1977 to 1981.

The Sports Information Office provides information about Duke athletics to the media. They also facilitate press interviews with Duke athletes and coaches. The collection includes clippings, press releases, statistics, rosters, programs and press brochures/media guides about the women's basketball team at Duke University. The material ranges in date from 1976-ongoing.

The collection includes clippings, press releases, statistics, rosters, programs and press brochures/media guides about the women's basketball team at Duke University. There are also files regarding the Ronald McDonald House Challenge and the Dial Classic. The material ranges in date from 1976-ongoing.

Joe Sitter's collection of fine printing specimens and broadsides, as well as his subject files on various presses and artists.

Broadsides, prints, and prospectuses from various fine press printers and artists; as well as subject files created by Sitter about various fine press printers and artists. Presses represented include The Whittington Press, Shanty Bay Press, Solmentes Press, and Ian Mortimer. Artists and printers represented are John Randle, Walter Bachinski, David Esselmont, Russell Maret, Howard Phipps, Miriam Macgregor, Hellmuth Weissenborn, and Judy Ling Wong.

Anne Baker was an abortion counselor, serving as the Director of Counseling at the Hope Clinic for Women in Granite City, Illinois for the majority of her career. The Anne Baker papers consist of informational pamphlets, handouts, forms, workshop evaluations, personal writings, newspaper clippings, photographs, correspondence, VCRs, DVDs, cassettes, buttons, and sweatshirts.

The Anne Baker papers contains documentation of Baker's personal life and of her professional role as the Director of Counseling at the Hope Clinic of Granite City, Illinois. They include materials from workshops and trainings she gave, secondary literature about abortion counseling, correspondence, materials from different protests that she and other Hope Clinic staff attended, personal notes, histories of the Hope Clinic, and newspaper clippings from the kidnapping of Dr. Hector Zevallos and his wife Jean Rosalie Zevallos.

Jay C. Anderson (1956-2013) was the photographer for the American Dance Festival from 1978 to 1994. This collection contains documents, slides, negatives, and prints pertaining to ADF performances and student classes during Jay Anderson's tenure as photographer for the American Dance Festival.

This collection contains documents, slides, negatives, and prints pertaining to ADF performances and student classes during Jay Anderson's tenure as photographer for the American Dance Festival.

Arthur Shostak is a sociologist whose research focused on the topic of men and abortion. The collection documents his work, including survey results, speeches, research, clippings. and printed materials.

Collection consists of materials related to work on men's experiences with abortion and abortion generally: research materials (clippings, articles, notes), writings and talks by Shostak and others, appearances by Shostak in magazines, newspapers, and other printed media, correspondence, conference files, ephemera and publications of clinics and other abortion-related organizations, A/V material (1 audiocassette and 2 VHS tapes), and 3 books. Surveys completed by male partners of women seeking abortions and "waiting room males" accompanying women receiving abortions in clinics between 1999 and 2012. Also included are numerical data reports and textual reports likely based on survey responses as well as a small number of print materials related to abortion and materials related to his 1984 book, Men and Abortion: Lessons, Losses, and Love (Praeger).

Duke Union Community Television (Cable 13), Duke's student-run television station, grew out of Freewater Films' video programming group, following the purchase of a television camera. Cable 13 was the first student-owned and student-run television station in the country. Cable 13 became an official committee of the Duke University Union in 1976. It broadcasts on the Duke campus cable system. The collection consists of videocassettes and videotapes of events recorded at and around Duke between 1976 and 2009. It includes such figures as William S. Burroughs, Allen Ginsberg, Nikki Giovanni, Juanita Kreps, Terry Sanford, Ralph Nader, and Elie Wiesel, as well as performances from Dance Black, the Duke Symphony Orchestra, the Duke Wind Symphony, the Firesign Theatre, Jerry Garcia, and Hoof'n'Horn. Other events include men's and women's basketball, women's crew, football, soccer, men's and women's volleyball, and Joe College Weekend, as well as news and talk shows.

The collection consists of videocassettes and half-inch open reel videotapes of events recorded at and around Duke, as well as student-produced content, between 1976 and 2009. Interviewees and notable figures include William S. Burroughs, Allen Ginsberg, Nikki Giovanni, Juanita Kreps, Joseph Kruzel, Henry Kyemba, Peter Orlovsky, Terry Sanford, Daniel Schorr, Ralph Nader, Elie Wiesel, and Dave Thomas. Performances include Dance Black, the Duke Symphony Orchestra, the Duke Wind Symphony, Hoof'n'Horn, the Firesign Theatre, Jerry Garcia, Lotte Goslar's Pantomime Circus, and Roger McGuinn and Thunderbyrd. Events include men's and women's basketball, women's crew, football, soccer, men's and women's volleyball, and Joe College Weekend. Also included are news, talk shows, panel discussions, and many other shows.

The collection also includes a binder of materials related to the Cable 13 Show Labeling project as well as a sheet for the Cable 13 Programming Director.

The Oscar Micheaux Society formed in the early 1990s to promote the study of the early African-American film director, writer, and producer Oscar Micheaux. Oscar Micheaux Society newsletters, production files, administrative materials, and correspondence regarding grants, restoration projects, Micheaux-related events and exhibits, and black film scholarship.

This collection contains copies of the first eleven issues of the Oscar Micheaux Society Newsletter, along with files relating to the production of those newsletters. (Beginning with the twelfth issue in 2004, the newsletter was published electronically.) There are several files of proposals, budgets, and correspondence from the many grant applications by which the organization attempted to secure funding for its book and restoration projects. The collection also contains information and programs from a variety of Micheaux-related events and exhibits; newspaper and magazine articles about Oscar Micheaux; resources and scholarship about Micheaux and black film generally; and a large number of photos, stills, and visual materials.

Susan Hill is a North Carolina native, social worker, activist for female reproductive rights, and founder of the National Women's Health Organization. Collection includes newspaper clippings related to abortion and women's health issues, records from the National Women's Health Organization, and audiovisual material. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection consists primarily of newspaper clippings (local, national, and international) pertaining to abortion, the anti-abortion movement, and other women's health issues, kept by staff of the National Women's Health Organization (NWHO) and its regional clinics (WHOs) in Raleigh, N.C.; Columbus, Ga.; Wilmington, Del.; Jackson, Miss.; Fargo, N.D.; Fort Worth, Tex.; Orlando, Fla.; and Milwaukee, Wis. Also contains NWHO legal files, largely pertaining to the NOW (National Organization of Women) v. Scheidler case (1986-2003), and to RICO (the Racketeer Influenced and Corrupt Organizations Act), which plaintiffs in the case applied to the anti-abortion movement. Regional WHO clinics were among the plaintiffs for NOW v. Scheidler, and Hill acted as a key witness. The collection also includes a small number of general office/subject files. Arranged into three categories: Clippings, General Office/Subject Files, and Legal Files. The Clippings were received in chronological groupings, and are thus described in more detail than the General Office/Subject Files and Legal Files, which are less organized.

Accessions (2008-0114 and 2009-0110) consist largely of operational and legal files from the NWHO and its regional clinics, including Raleigh, N.C.; Columbus, Ga.; Delaware; Central Florida; Fargo, N.D.; Fort Wayne, Ind.; and Summit (Milwaukee), Wis. Materials include facilities management files; leases and other real estate information; litigation records and lawsuits between NWHO and anti-abortion groups; police and case reports; statutes about abortion procedures; and NWHO board meeting files.

Accession (2010-0019) consists of audiovisual material: 24 VHS tapes plus 2 DVD copies (master and use) of each tape. Contents include news specials relating to NWHO and the abortion debate; also includes testimony footage, interviews, and other NWHO events.

Accession (2012-0252) consists of 24 DVDs related to the NWHO clinics owned and operated by Susan Hill. Footage includes television appearances by Hill and/or her clinics, clinic protests, congressional testimony, and a documentary film entitled "Abortion for Survival."

Advertising executive and former Chairman of D'Arcy Masius Benton & Bowles agency, headquartered in New York. Collection includes correspondence, corporate reports, clippings, speeches and videocassettes. Companies represented include Benton & Bowles, D'Arcy MacManus Masius, D'Arcy Masius Benton & Bowles, Burger King, Duke University, Fuqua School of Business, General Motors, Hardee's, Kal Kan and Procter & Gamble. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection includes correspondence, corporate reports, clippings, speeches and videocassettes. Companies represented include Benton & Bowles, D'Arcy MacManus Masius, D'Arcy Masius Benton & Bowles, Burger King, Duke University, Fuqua School of Business, General Motors, Hardee's, Kal Kan and Procter & Gamble. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

John G. Younger graduated from Stanford University in 1967 with a B. A. in History with Honors. At the University of Cincinnati, he earned an M. A. in Classics in 1969 and a Ph.D. in Classics in 1973. From 1973-1974, Dr. Younger taught at the Campion School in Athens Greece. From 1974-2002, he taught at Duke University, first as Assistant Professor of Classical Studies, then as Associate Professor and then Professor of Classical Archaeology. In 2002, Dr. Younger left Duke to teach at the University of Kansas as Professor in Classics and Humanities and Western Civilization. The collection contains records and papers concerning the FOCUS program, archaeology courses, gay activism and campus diversity issues. The materials include minutes and reports of the president's and other committees, correspondence, email, printed matter, financial records, photographs and drawings, archaeological reports and student course and term papers. The material ranges in date from 1976-2001.

The collection contains records and papers concerning the FOCUS program, archaeology courses, gay activism and campus diversity issues. The materials include minutes and reports of the president's and other committees, correspondence, email, printed matter, financial records, photographs and drawings, archaeological reports and student course and term papers. Major subjects include the University's diversity awareness program, benefits for same-sex spousal equivalents, and gay life on campus, the administration of the FOCUS program, and the history and archaeology of East and West campuses and Duke Forest. Some student papers are graded and the files include other student-identifiable records. Also includes scripts of plays written by Duke alum Kevin Patterson and other writers. Patterson was a member of Duke Players and died of AIDS in New York. One of his plays, Allen Turing: The Most Secret War, was produced on Broadway. The collection includes an early draft of this piece. The material ranges in date from 1976-2001.

This collection contains materials of the Alpha Phi chapter of the Kappa Alpha Order fraternity at Duke University from 1976 to 1985. The Alpha Phi chapter was established at Duke University in 1901 and remained active until 1970. In 1978, it was reactivated. Types of materials include correspondence, chapter evaluations, pledge rosters, scrapbooks, and printed materials pertaining to the Alpha Phi chapter from 1976 to 1985. Major subjects include student life at Duke University, re-establishment of a fraternity, accounting, initiation, community service activities, social activities, general governance, leadership, and public relations.

Collection contains correspondence, scrapbooks, bound volumes, and printed material relating to the Alpha Phi chapter of the Kappa Alpha fraternity at Duke University from 1976 to 1985.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. It is headquartered in New York. John J. Hamilton was an executive with the agency during the 1970s and 1980s. Collection iIncludes company policy documents and reports, research reports, new business and client presentations and other printed materials. Companies represented include JWT offices in San Francisco, India and Hong Kong; CBS; Deutsch Bank and Lufthansa. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Includes company policy documents and reports, research reports, new business and client presentations and other printed materials. Companies represented include JWT offices in San Francisco, India and Hong Kong; CBS; Deutsch Bank and Lufthansa. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The PSMSE began in the fall of 1976 as a means to foster the transition from a liberal, pre-professional education to a graduate professional education for Duke undergraduates interested in a career in medicine. The collection includes correspondence, minutes, memoranda, reports, grant proposals, and other records. The material ranges in date from 1976-1980.

The collection includes correspondence, minutes, memoranda, reports, grant proposals, and other records. The material ranges in date from 1976-1980.

Contains the records of the Student Project for University Development (SPUD), a student-run organization dedicated to raising funds for Duke University. SPUD was founded by Duke University undergraduate James Paulette in 1976. The organization's two chief projects were the Bryan University Center and the Reggie Howard Memorial Scholarship Fund. Types of materials include correspondence, memoranda, agendas, posters, clippings, fliers, lists of departmental representatives, financial materials, and proposals. Major subjects include Duke University, Alumni Affairs, University Development, Office of Institutional Advancement, the Bryan Center, the Reggie Howard Memorial Scholarship Fund, fundraising, scholarships, James Paulette, and the Student Project for University Development. Materials range in date from 1976 to 1979. English.

Contains correspondence, memoranda, agendas, posters, clippings, fliers, lists of departmental representatives, financial materials, and proposals pertaining to the activities of SPUD (Student Project for University Development). Materials range in date from 1976 to 1979.

The American Revolution Bicentennial Administrstion was created by Congress in 1974 to encourage and coordinate local events commemorating the 200th anniversary of the adoption of the Declaration of Independence. Collection includes copies of ARBA administrative materials.

Collection contains copies of ARBA administration papers including administration correspondence, advisory board files, N.C. Travelling Speakers History Courses information, and nomination forms. Originals of these are in the National Archives. Also included are the one hundred volumes chosen. The questionnaires asking for title nominations went to leading universities in each state and the U.S. territories. Then an advisory board of authorities, headed by Carlos Baker of Princeton, chose from these nominations the 100 titles to be newly printed. The books chosen span the entire period of American history; each one was individually redesigned, leather bound and tooled in gold. Many were newly illustrated by leading artists. Each work has notes from the editors such as pictures and information about the author, the work and its importance in American history. Part of the Jay B. Hubbell Center for American Literary Historiography.

The papers in this collection include Duke history professor Sydney Nathans' documentation on the Richard Nixon Presidential Library debate, including his participation in Academic Council resolutions regarding the location of the library on Duke's campus; the Greensboro Massacre (1979), when the Ku Klux Klan murdered several people during a shoot-out at an Anti-KKK demonstration planned by the Communist Workers' Party; Nathans' copies of negatives and contact sheets from the Durham bicentennial photography project (1981 and undated); and materials used in the writing of his book A Mind to Stay, including original interviews, transcripts, and other research materials.

The Nixon Library papers contain correspondence (including that of Terry Sanford, and of the creator of the collection, Sydney Nathans); newspaper and magazine clippings as well as scholarly articles; text from speeches; official statements from groups opposing the Nixon Library; and Sydney Nathan's handwritten notes from a variety of meetings. Documents also include Nathan's research on existing presidential libraries.

The Greensboro Massacre papers contain flyers and other mailings and newsletters from the Communist Workers Party and other socialist organizations; mailings from Greensboro Justice Fund and other sympathetic groups following the massacre; media and press coverage of the massacre and the subsequent trials; a police report from Greensboro's police chief; academic and other literature researching the history of violence between the Communist and Klan organizations; and other miscellaneous materials.

The Durham Bicenntenial photography project relates to a project now held in the Durham Arts Council and consists of negatives and contact sheets for a photographic history of Durham assembled in 1981.

The A Mind to Stay Interviews and Transcripts contain materials used by Sydney Nathans in writing his book A Mind to Stay: White Plantation, Black Homeland, on the descendants of enslaved families forced to migrate from North Carolina to plantations in Greensboro, Alabama, and Tunica, Mississippi, in 1844, and the communities those families formed in the following years. Materials include recordings of interviews with residents of the two towns, Nathans' transcripts and extensive notes of those interviews, photos of interviewees and local landmarks, background material and research, the text of speeches and eulogies, and Nathans' personal correspondence with historians, editors, and Greensboro, Alabama, residents.

ARLIS/SE was founded in 1974 as a chapter within the Southern Region of the Art Libraries Society of North America. The collection includes chapter correspondence, bylaws, annual reports, membership lists, photographs, conference materials, LoPresti Awards (for excellence in art publication), and financial records. Scattered throughout are materials and correspondence related to the national organization. There are 20 electronic files on one floppy disk that have been migrated to the electronic records server. There are 20 black-and-white photographs and two transparencies.

The collection includes chapter correspondence, bylaws, annual reports, membership lists, photographs, conference materials, LoPresti Awards (for excellence in art publication), and financial records. Scattered throughout are materials and correspondence related to the national organization. There are 20 electronic files on one floppy disk that have been migrated to the electronic records server. There are 20 black-and-white photographs and two transparencies.

Paul Mushak was a professor, researcher, and internationally recognized expert in toxic metals and their effect on human health.

The first series, Writings by Mushak, contains works authored or co-authored by Paul Mushak. Much of it is related to the toxicity of lead and other heavy metals.

The second series, Other Writings, contains works authored by others. This series is divided in nine subseries by subject matter. Each subseries is organized alphabetically and then chronologically. These sub-series are as follows: Arsenic, Beryllium, Bunker Hill NPL Site, Butte-Silver Bow County, Coeur d'Alene Basin, Heavy Metals (Misc.), Lead, Mercury, and General Documents.

Collection consists of 80 black-and-white photographs taken by native New Yorker Mel Rosenthal, stemming from two documentary projects. The first documents the destruction by arson of an entire South Bronx neighborhood in New York City in the 1970s, with images of burned-out buildings and inhabitants who were forced to abandon their homes. The second project depicts Arab Americans, including men, women and children of Syrian, Egyptian, Moroccan, Algerian, Jordanian and Palestinian descent, living in New York State during the last decade of the 20th century and the early 2000s. Scenes include images of children, professionals, neighborhood life, and the religious lives of Christians, Muslims, Greek Orthodox, Maronites, Jews and Coptics. The gelatin silver prints measure 11x14 and 16x20 inches. Also included are some publicity items for exhibits and a workshop on documentary photography, and an audiocassette recording of Rosenthal speaking at an exhibit opening in 2004. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection consists of 80 black-and-white photographs taken by New York City native Mel Rosenthal, stemming from two documentary projects. The first documents the destruction by arson of an entire South Bronx neighborhood in New York City in the 1970s, with images of burned-out buildings and inhabitants who were forced to abandon their homes. The neighborhood is the same one where Rosenthal grew up, and the series features a portrait of Mel Rosenthal in his old bedroom.

The second project examines the daily lives of Arab Americans, including men, women and children of Syrian, Egyptian, Moroccan, Algerian, Jordanian and Palestinian descent, in New York State in the early 2000s. Scenes include images of children, professionals, neighborhood life, and the religious lives of Christians, Muslims, Greek Orthodox, Maronites, Jews and Coptics. It was exhibited shortly after the 2001 terrorist attacks.

Selected images in the Rosenthal collection were exhibited at Duke University and these available online. The gelatin silver prints measure 11x14 and 16x20 inches. Exhibit prints in their mats measure 16x20 and 20x24 inches.

Also included are some publicity items for exhibits and workshops on documentary photography, a music CD with photography by Rosenthal, and an audiocassette recording of Rosenthal speaking at an exhibit opening in 2004.

Acquired as part of the Archive of Documentary Arts at Duke University.

The photographs and papers of documentarian Rob Amberg span the years 1975-2009. The gelatin silver prints and pigmented inkjet color prints in the collection represent three bodies of work: The New Road: I-26 and the Footprints of Progress; The Sodom Laurel Album; and The Vanishing Culture of Agriculture. Amberg focuses primarily on the social life and customs of the rural South, especially in the mountains of his home state of North Carolina. Images range from landscape shots taken before and during construction of an interstate highway in the N.C. mountains, to portraits of individuals and families affected by the changes in rural culture. Images also depict agricultural activies such as tobacco cultivation and dairy cattle farming, as well as work in the poultry industry. He has a special concern for documenting the way in which industrial and economic progress seems to be erasing many aspects of rural culture at the turn of the twenty-first century. Amberg's papers account for the rest of the collection and are organized into five series: Correspondence, Printed Materials, Subject Files, and Writings and Research, and Audio. Acquired as part of the Archives of Documentary Arts at Duke University.

The Rob Amberg Photographs and Papers span the years 1975-2009. The photographs consist of 8x10 and 11x14 inch gelatin silver prints and pigmented inkjet color prints. Amberg's focus as a photographer is primarily the social customs of the rural South, especially in his home state of North Carolina. He has a special concern for documenting the way in which industrial and economic progress seems to be erasing many aspects of rural culture at the turn of the twenty-first century.

The collection is arranged into three project series: The New Road: I-26 and the Footprints of Progress ; The Sodom Laurel Album; and The Vanishing Culture of Agriculture.

Images range from landscape shots taken before and during construction of an interstate highway in the N.C. mountains, to portraits of individuals and families affected by the changes in rural culture. Images also depict agricultural activies such as tobacco cultivation and dairy cattle farming, as well as work in the poultry industry. Many of Amberg's images in this last series were funded by the Rural Advancement Fund to document the rural Carolinas, and by the Mary Reynolds Babcock Foundation. Captions and numbering are taken from original notes on the back of each print. Series are arranged in alphabetical order by title of project.

Amberg's papers are organized into five series. The Correspondence Series contains incoming messages regarding exhibits and the publication of Amberg's books as well as photographic work in other published materials.

The Printed Material Series consists of publications which include or feature his images. Publications in the series are both national and local, including The New York Times and Harper's.

Amberg worked and contributed to a number of non-profit organizations dealing with farm worker's rights and other social issues. Collections of materials relating to these non-profits are housed in the Subject Files Series. Printed materials in this series include annual reports and publications by each organization. Most of the materials include photography work by Amberg.

Included in Amberg's papers is the Writings and Research Series. Content includes multiple versions of the manuscripts to The New Road: I-26 and the Footprints of Progress and Sodom Laurel Album, a publisher's draft of Quartet: Four North Carolina Photographers, a number of interview transcripts, and other writings by Amberg and others.

The final grouping in the collection is the Audio Series which includes a piece entitled Interstate 26 produced by Leda Hartman and a copy of the musical recording which accompanies Sodom Laurel Album.

Women Work! improved women's economic security through job training, education, lobbying policymakers, and partnering with other national organizations. It was originally known as the Displaced Homemakers Network, and operated from 1978 until 2009. Accession (2009-0163) (12,375 items; 16.5 lin. ft.; dated 1979-2009) includes board materials, training guides and reports, program materials, conference files, newsletters and publications, news clippings and photocopies, photographs, slides, electronic files and images, and videos. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Accession (2009-0163) (16.5 lin. ft.; dated 1979-2009) includes board materials, training guides and reports, program materials, conference files, newsletters and publications, news clippings and photocopies, photographs, slides, electronic files and images, and videos. CDs and other electronic data files have been removed and transferred to Duke's ERM server. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Accession (2015-0112) (0.6 lin. ft.; dated 1975-1990) is an addition that includes board materials, training guides and reports, program materials, administrative records, correspondance, and copies of the Network News, the publication for the Displaced Homemakers Network.

Collection consists of materials used in production of the newspaper, specifically a large clippings file, flyers, newsletters, press releases, book PR, incoming correspondence, a "Kill" box file, some clippings organized by subject, papers centered on Lee Mullis and Jim Duley, a reader survey, faxes, some submissions, and a large number of other gay and lesbian publications.

The addition (2003-0036) (26,300 items; 43.5 lin. ft; dated 1975-2001 and undated) consists of periodicals, directories, clippings, press releases, advertising proofs, brochures, and other materials related to production of The Front Page and/or to gay/lesbian organizations, issues, and events throughout the U.S. Also includes subject and correspondence files; numerous issues of North Carolina Anvil from the late 1970s-early 1980s; a collection of drag photographs; direct mail materials; and several The Front Page, gay/lesbian, and event-themed t-shirts.

Addition (2008-0065) (2,500 items; 6 lin. ft.; 1970s-2006) includes reader surveys (mostly dated 1992); correspondence between readers and The Front Page; printed materials; gay pride and AIDS awareness posters; and miscellaneous materials and items.

Addition (2008-0245) (1,800 items; 2.4 lin. ft.; dated 1970s-1990s) contains research files; letters to the editor, 1980-1987; internal records; mailing lists; and printed materials. Several research files relate to early research and publicity of AIDS and the gay community in the 1980s.

Addition (2008-0287) (1,350 items; 1.8 lin. ft.; dated 1980-2004) includes organizational files, publications, and clippings from gay/lesbian associations and events.

Activist, community organizer, and theater director. Executive director of Charlotte's Lesbian and Gay Community Center. He also founded One Voice, a gay, lesbian and gay-affirmative chorus in Charlotte, NC, and OutCharlotte, an annual cultural festival that celebrated LGBT culture through theater, dance, music, visual art, film and video. Collection documents the activities of Dan Kirsch and his work with various North Carolina gay and lesbian organizations. Organizations represented in the collection include One Voice, the N.C. Lesbian and Gay Pride Board, PELAG, Time Out Youth, OutCharlotte, NC Pride, and The Lesbian and Gay Community Center of Charlotte.

Accession (2005-0037) (21 boxes) documents the activities of N.C. gay and lesbian organizations. Includes correspondence, newsletters, programs, flyers, and organizational material from One Voice; organizational material, correspondence, programs, invitations, minutes, registration records, financial records (bulk 1994) from Music & Message, the Gala Choruses Leadership Conference (Sept. 2-4, 1994 in Charlotte); correspondence, newsletters, clippings, financial records (1993-1996), minutes, and administrative records for the N.C. Lesbian and Gay Pride Board; fund raising material for the AIDS fund raiser Heart Strings (June 15, 1992), and Pelag benefit Our Family Celebration (Oct. 12, 1991); and files, promotional materials, newsletters, clippings, minutes, and financial records about a N.C. Lesbian and Gay Pride event, 1994. Also included are posters, t-shirts, 14 VHS video tapes, 1 CD-Rom, 50 photographs, and 25 slides.

Accession (2007-0079) (1600 items; 3 lin. ft.; dated 1991-2002) contains organization files and correspondence for Time Out Youth, an organization for lesbian, gay, and bisexual youth; financial and organizational files for OutCharlotte (1995-1998); NC Pride files; conference materials; and clippings from local publications including the Charlotte Observer, Creative Loafing, and The Leader. Also included are 2 CD-Rs containing audio clips of interviews, 15 Hi8 video cassettes, 9 VHS tapes, 4 audio cassettes, and photographs. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Accession (2009-0173) (2500 items; 3.6 lin. ft.; dated 1999-2004) includes materials from the planning and construction of The Lesbian and Gay Community Center in Charlotte, NC. Also includes The Center program files, administrative materials, board meeting minutes, publicity, and volunteer information.

Virginia Barber became a literary agent in 1971 and opened her own agency in 1974. The Virginia Barber Literary Agency was sold to the William Morris Agency in 2001. Among the authors she represented have been Rosellen Brown, Andrew Delbanco, James Dodson, Sue Monk Kidd, Peter Mayle, Alice Munro, David Nasaw, Anita Shreve, and Anne Rivers Siddons. She has served on the Board and as President of Women's Media Group and on the Boards of Literacy Partners, Duke University Libraries, and Poets and Writers. The collection includes client files and correspondence for the VBLA's many clients during the late 1970s through the early 2000s. There are also legal and financial materials, correspondence files with other agencies and publishers, including Virago Books, and materials from Barber's work with professional organizations such as the Independent Literary Agents Association. Notable clients represented in this collection include Peter Mayle, Anita Shreve, MacDonald Harris, and Paul Ehrlich.

The collection includes client files and correspondence for the VBLA's many clients during the late 1970s through the early 2000s. There are also legal and financial materials, correspondence files with other agencies and publishers, including Virago Books, and materials from Barber's work with professional organizations such as the Independent Literary Agents Association. Notable clients represented in this collection include Peter Mayle, Anita Shreve, MacDonald Harris, and Paul Ehrlich.

Contains the records of Mirecourt House, an independent, co-educational, social, selective undergraduate residence hall at Duke University. Types of materials include constitutions, rosters, correspondence, photographs, applications, surveys, newsletters, schedules, reports, clippings, poster, and color slides. Major subjects include student life, Duke University history, Delta Tau Delta fraternity, residential living, alcohol use, and governance of residential halls. Materials date from 1975 to 2019.

Contains memos, correspondence, membership applications, clippings, evaluations, reports, minutes, photographs, social calendars, and a poster pertaining to the governance and social activities of Mirecourt House from 1975 to 2019. Also includes the Annual Reports of the Program of Coeducational Federations, Edens Federation newsletters, materials concerning a proposed takeover of the house's space by the Delta Tau Delta fraternity, common room signs from circa 2018-2019, and some color slides.

The David Paletz Student Films were created by Duke students for David Paletz's POLI 130: Politics and Media course, with topics covering politics and Duke University.

The collection includes fims on seven U-matic and nine VHS cassette tapes that cover a variety of topics related to politics and Duke University.