Barbaralee Diamonstein-Spielvogel is an advocate for the arts, interviewer, documentarian, teacher, political organizer, and resident of New York City. The Barbaralee Diamonstein-Spielvogel Audiovisual Collection is primarily comprised of audio and video recordings of programs and interviews produced by Barbaralee Diamonstein-Spielvogel for television and print, centering on the arts, architecture, and historic preservation, particularly in New York, from the mid-1970s to the present.

Spanning 1956 to 2022, the Barbaralee Diamonstein-Spielvogel Audiovisual Collection primarily documents the programs produced by a pioneering advocate for art, architecture, historical preservation, and public policy. The collection is comprised of over 1,300 items, including analogue and digital audio and video resources, stemming from Diamonstein-Spielvogel's prolific output of books, educational programming, and interviews, as well as her work in historic preservation. Two hundred programs, including television interviews with notable artists, designers, and architects, and presentations by the Historic Landmarks Preservation Center, have been digitized by Duke University Libraries and are available on the Barbaralee Diamonstein-Spielvogel Video Archive on YouTube. Topics covered by the materials in this collection include broad categories such as art and architecture in the 20th century; historic preservation and the protection of cultural property; media and society; social conditions; and women's rights. Where resources are available on YouTube, links have been provided to the specific video. Audio resources are available through the Duke Digital Repository on request. While all master recordings are represented in this guide, the collection contains both copies of master recordings and elements that went in to creating the master recordings. For an inventory of copies and elements, contact Research Services.

Materials from (or related to) the migration by sea of Cubans, Dominicans, and Haitians, including the refugee camp for Cuban and Haitian rafters that existed in Guantanamo Bay, Cuba, largely dating from 1991-1996. Collection includes camp newspapers and artwork created by refugees held at Guantánamo Bay, Cuba; materials from the U.S. Coast Guard and other military sources, such as newspapers written in Haitian Creole, photocopies of camp rules and refugee intake procedures, and a transcript from an introductory video shown to refugees arriving at the camps; magazines and media coverage of refugee situations, including some material on Elián González; photographs and slides of refugees, Coast Guard personnel, and conditions in the camps in Cuba. Refugees arriving in Miami are included as are photographs of the work of the Guantanámo Refugee Assistance and Services Program in Miami and in the camps in Guantánamo Bay.

Materials include newspapers, artwork, clippings, U.S. military publications aimed at camp residents, camp notes, reports, and photographs from a variety of sources. Newspapers are one of the largest formats within the collection, which includes the complete run of éxodo, a newspaper with color issues printed from November 1994-September 1995 from Camps Kilo and Charlie Village in the Guantánamo Bay camps; issues of El Bravo, El Balsero, and El Futuro from 1994-1995; Sa K'pase, N'ap Boule, and Qué Pasa, newspapers printed by the U.S. military in Creole and Spanish and designed for Haitian and Cuban refugees at the camps; as well as newspaper clippings and some magazine issues covering the refugee crisis of 1994-1995 and the plight of Caribbean refugees in general.

Photographs are another significant component of the collection. U.S. Coast Guard photographs and slides of rafters and rescuers date from 1980 to the 1990s or 2000s, and are accompanied by photocopies from the U.S. Coast Guard's Historian Office detailing refugees assistance as early as 1959. The collection also includes unsorted and largely unlabeled photographs from the camps; those that are labeled date from 1994.

Other materials in the collection include some refugee artwork, publications about Cuba, a folder of Cuba information including some materials on Elián González, and other ephemera mentioning Cuban refugees. In addition, 8 CDs with photographs and other materials have been transferred to Duke's ERM server and are in the custody of the Electronic Records archivist.

Dr. Willis Edward Byrd was a chemistry professor at Lincoln University. The collection consists of an African American family's papers from the early to mid-twentith century, including correspondence and transcripts from Byrd's education at Talladega College and University of Iowa; some printed materials and writings collected by his parents, Edward D. and Annie L. Jones Byrd, documenting their connections with the Mulberry Rover Missionary Baptist Association, the Better Homes in America organization, and the American Missionary Association; letters to Byrd during his military service in World War II; letters and his employment contract as a chemistry professor at Lincoln University; photographs of Byrd and other family members, some identified, from the early 1900s; and other letters and educational ephemera, including printed materials from Spelman College and Morehouse College. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Collection consists of assorted printed materials, photographs, and some letters and correspondence relating to the education and employment of Willis Edward Byrd and other members of the Byrd and Jones family, including his parents, siblings, aunts, and uncles.

Byrd's attendance and graduation from Talladega College, and his hiring as a chemistry professor at Lincoln University, represent the bulk of his personal papers. There are some photographs of him, including one in army uniform during World War II, and there are some letters to him from his father that discuss his army service and his father's hopes that he will stay focused on his "life's work," presumably meaning his education. Byrd's series also contains correspondence with prospective employers and transcripts from Talladega, Iowa, and Illinois.

Also included in the collection are materials collected or produced by other members of the Jones and Byrd family. Assorted printed materials collected by parents Edward D. Byrd and Annie L. Jones Byrd reflect their community and church activities in Georgia. The collection also contains family photographs of Byrd's parents' generation, including images of his mother, aunts, and uncles. Correspondence and handwritten drafts and reports from Annie L. Jones Byrd document her communications with Better Homes in America regarding the state of housing and education for African Americans in their community, as well as record her and her sister's search for employment as teachers in the mid-1910s. There are also printed materials from Spelman College and Morehouse College, acquired by Willis Edward Byrd's sibling Sarah L. Byrd King and her husband, Arteria King.

The original acquisition also contains a poll tax and property tax receipt from the early 20th century for Henry Adams, in Brazoria County, Texas; as well as a 19th century tax receipt for "Robert Ballentine's heirs." The connection or relationship these individuals have to the Byrd and Jones family is unclear.

Collection comprises materials primarily related to Doris Duke and Joe Castro and to Castro's work with his jazz trio, dated 1957-2009 and undated. Includes approximately 200 2-3/4 x 2-3/4 color transparencies, 35 mm color slides, negatives, and various prints. Subjects of the images vary, but include approximately 50 casual images of Doris Duke in various locations, along with many casual and a few formal photographs of Castro, as well as some with various jazz artists. There is also a group of scores for jazz arrangements, some original, others marked by various composers, as well as a few pieces of printed sheet music. Manuscript material is limited to a few letters and cards that speak to the relationship between Castro and Duke, and to the formation of Clover Records. There is a compact disc of music by Loretta and Joe Castro, and other electronic files of images have been transferred to the server.

Mariette Pathy Allen is a documentary photographer based in New York City. Collection contains six portfolios of photographer Mariette Pathy Allen's work dating from the 1960s to 2016, totaling 208 color and black-and-white prints. There is also a papers series dating from 1981-2022. The photographs document aspects of human sexuality, gender identity, and gender expression in the U.S.; spirituality, rituals, and gender identity in Burma and Thailand; the connections between people and art; and the social life of people in the suburbs and beaches of Philadelphia and New Jersey. Two CD-Rs of digital images are also included in the papers series, along with printed materials such as exhibit and gallery publicity, book proofs, and articles. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection contains six portfolios of Mariette Pathy Allen's work, dating from the 1960s to 2016, totaling 208 color and black-and-white large-format photographs. There is also a papers series dating from 1981 to 2022.

The photographs document aspects of human sexuality and gender identity in the U.S.; the connections between people and art; spirituality, ritual, and gender identity in Burma and Thailand; and the social life of people in the suburbs and on the beaches of Philadelphia and New Jersey. Many of these works have been published in photobook format.

The first portfolio, Transformations: Crossdressers and Those Who Love Them, contains eleven 15 1/2 x 23 inch color prints that document the everyday lives of crossdressers in the U.S.

The second portfolio, The Woman Who Lives Inside: Portraits of Men as Women, houses 16 gelatin silver and 15 color portraits of men in the U.S. who identify as female.

The third project contains Allen's earliest work and is titled NJ/PA 1968. The 28 16x20 inch gelatin silver photographs feature people at beaches and in the suburbs of New Jersey and Philadelphia.

A fourth portfolio consists of 30 black-and-white, 16x20 inch gelatin silver photographs titled People and Art, taken between 1968 and 2000. Images show artists at work, people looking at art, scenes from the 1999 Venice Bienniale festival, and settings in Paris, London, and Budapest.

The fifth portfolio consists of 31 color and black-and-white prints from Allen's 2004 book, The Gender Frontier, documenting transgender and transsexual people with their partners, participating in conferences and political rallies, and undergoing corrective surgeries.

The final project is titled Transcendents: Spirit Mediums in Burma and Thailand. The 27 color inkjet prints feature portraits of mediums, chiefly men with gender-variant identities, who perform a 21st century version of ancient spiritual service originally practiced by women.

The collection is completed by a Papers series, which comprises print materials dating up to 2022 in the form of exhibit and gallery publicity, photobook proofs, a book dummy of "The Woman Within," and articles about Mariette Pathy Allen's career and work. Two CD-Roms of Allen's photographs in digital form are also included in this series.

Collection of assorted posters in Arabic commemorating revolutionary and political movements in Yemen, Oman, Palestine, Syria, and the Middle East.

50 posters in Arabic addressing a variety of political and revolutionary movements and events.

The Arabic Film Posters collection comprises more than forty color movie posters published between 1957 and 2008 in Egypt. The posters publicize popular film productions by major Egyptian film directors that were shown in Arab countries. Film genres represented are drama, comedy, adventure, historical fiction and war. The information in each entry is transcribed from the poster, and may include actors, producer, title in Arabic and in English, date released or date of poster publication, and country of origin. Title transcriptions and English translations supplied by library staff. A few of the posters are undated and some have not been positively identified. Smaller posters are housed in an oversize box and the larger sizes in two oversize folders; the smaller posters are currently undescribed but are open to access.

Assortment of domestic and international comics and graphic novels acquired by the Rubenstein Library between 1980 and 2017. A large portion of the collection was originally a gift from Alicia Korenman; several other titles were removed from other Special Collections collections, including the Dorothy Allison Papers and the Sarah Dyer Zine Collection. Items in boxes 26-31 were a gift of John Canfield in 2012. Items in boxes 33-36 are a collection of a Latino comics. Over 350 titles of domestic and international comic books and graphic novels, as well as some related items, from publishers including DC/Vertigo, Abstract Studio, Oni Press, Marvel, Dark Horse, Fantagraphics, and many more.

Over 350 titles of domestic and international comics and graphic novels, as well as some related items, from publishers including DC/Vertigo, Abstract Studio, Oni Press, Marvel, Fantagraphics, and many more. There is a wide range of content present in the collection, from early super hero comics, to girl-power comics from the 1970s, to Dr. Horrible, published in 2009.

Keyword searching is the most efficient way to find a specific title in the collection, because the materials have not been arranged beyond being grouped by title. Each title is listed along with the publisher, the format, the years of publication represented in the collection, and the specific issues held in the collection. Includes notes about particular titles, such as their country of publication. Also highlighted are the small amount of titles, dated 1950s-1980s, which feature African or African American characters.

Former English Professor at Duke University, and Vice-Provost for Interdisciplinary Affairs. Author of fiction and memoirs, and editor of The Book of Love and Oxford Companion to Women's Writing in the United States. The Cathy Davidson Papers encompass Davidson's various writings, organizational work, correspondence, and materials related to Fred Hampton.

The Cathy Davidson Papers encompass Davidson's various writings, organizational work, correspondence, and materials related to Fred Hampton. The Writings Series includes her research and assemblage of famous authors' love letters (Book of Love), as well as drafts of various books, short stories, writing workshops, and publication matters. The Organizations and Professional Activities Series includes files relating to her work with the American Studies Association, the American Literature Section of the MLA, and the American Literature Association, as well as various other professional activities. Part of Davidson's Duke career is documented in the papers as well, particularly her work with the MacArthur Foundation grant for learning institutions in a digital age, as well as some HASTAC materials. The Fred Hampton Materials pertain to the assassination of Fred Hampton in 1969 and Davidson's related photography projects. This series is closed until 2017. Additionaly, permission from Cathy Davidson is required to view any materials in accession 2012-0248 (boxes 21-23) during her lifetime.

Collection comprises materials created or collected in preparation for a 1990 exhibit held at the University of San Francisco Gleeson Library on Isak Dinesen/Karen Blixen that featured photographs taken of her by Rie Nissen. Includes a few letters, photocopies of biographical information for Nissen, a 1943 catalog of Nissen's photography, caption notes for the photographs, exhibit caption cards, as well as publicity drafts and material. There are two items written in Danish.

Norma Taylor Mitchell was an American History professor at Troy University in Alabama and a lay leader in the United Methodist Church. These materials document her research and teaching career, as well as her church leadership.

The collection contains material documenting Mitchell's dissertation research on the Virginia politician David Campbell (1779-1859). Boxes 2-5 consist entirely of information on loose index cards. These materials also document Mitchell's research on the enslaved women who lived on Campbell's estate in Abington, VA. The collection also contains materials related to Mitchell's research on the Alabama physician Louise Branscomb. There are materials documenting Mitchell's professional activities and teaching career at what was then known as Troy State University. Mitchell's extensive service work in the Methodist Church at the local, regional, and national levels is also documented.

Ann Lovett is an artist who teaches at the State University of New York at New Paltz. This collection documents her artistic and academic career with a focus on her work in the book arts.

The collection contains materials documenting Lovett's artistic and academic career, including artists' book production materials and photographs.

A collection of printed materials, some rare, that reflects the mostly secular Jewish society and culture in the Land of Israel, both before and after the founding of the State of Israel, and in some diaspora communities. Materials include partial runs of periodicals, publications of various organizations, social and ideological movements and government agencies, as well as personal publications, in Hebrew and Yiddish. The publications pertain to a variety of subjects, including the Labor movement, Kibbutz movement, Zionist education and information, history, literature and more. Dates range from 1918 to 2004.

This collection contains serial and short-run periodicals published by secular Jewish organizations and governmental agencies in Israel and around the world. The materials range in date from 1918 to 2004, and document a variety of subjects including history, literature, the Holocaust, secular Jewish education, and social-cultural issues.

Istanbul printing and publishing collection of 174 pieces. Includes primarily receipts and invoices, but also contains correspondence, requests and reports on company letterheads; 17 black and white photographs and postcards; business cards; greeting cards; envelopes; advertisements; and booklets.

Printed materials from Egypt, Palestine, Jordan, and Dubai collected by Frances Hasso regarding women's rights, political activism, and feminism in the Middle East during the 1980s and 1990s. Includes publications from the Palestinian Federation of Women's Action Committee, the Center for Egyptian Women's Legal Assistance, and the National Council of Women (Egypt).

This collection consists of printed materials collected by Hasso in the Middle East relating to gender, feminism, marriage, and women's rights in Egypt, Dubai, Palestine, and Jordan. Most of these items are printed materials from organizations such as the Palestinian Federation of Women's Action Committes, the National Council for Women (Egypt), and the Center for Egyptian Legal Assistance (CELWA). There are also reference materials relating to these topics, produced by NGOs and other academic institutions. The collection also contains a marriage box, acquired by Hasso in 2003, from the Courts Department of Dubai. This box was intended for distribution to marrying couples and includes brochures, pamphlets, and other information about relevant laws and social programs impacting women and children.

Assembled by the staff of the Duke University Medical Library, the History of Medicine Picture File holds thousands of small and large images organized into series for individuals, places, and subjects related to the history of medicine and medical practice. The great majority portray notable physicians, scientists, naturalists, philosophers, and other individuals with important links to medicine. Places featured include hospitals and other institutions of medicine, and scenes in specific locations related to events in medical history. The subject categories cover many topics, with the largest groups including advertising, anatomy, caricatures, cartoons, pediatrics, physicians, and surgery. Predominant formats are engravings, lithographs, print materials (such as posters, clippings, and postcards), and many modern photographic reproductions of older works; there are also albumen photographs, negatives, slide reproductions, and other image formats found throughout the files. Forms part of the History of Medicine Collections at Duke University.

Assembled by the staff of the Duke University Medical Library, the History of Medicine Picture File offers thousands of images of individuals, places, and subjects dating from the 1500s to 2002, with the great majority portraying physicians, scientists, nurses, and other individuals related to the history or practice of medicine. Places featured include hospitals and other institutions of medicine, and scenes related to events in medical history. Subject categories include advertising, anatomy, books, caricature, childbirth, embryology, medical instruments, pediatrics, physicians, and surgery, among many others.

Most of the images measure in size under 10x12 inches, but there are approximately 500 larger pieces. The predominant formats are engravings, lithographs, cartoons, clippings from magazines and newspapers, and modern photographic prints, but there are also albumen photographs and other image formats found throughout the files. Items were acquired by the Duke Medical Library from various sources over many decades and functioned as a vertical file for library students and researchers.

The oversize items range in size from 11x15 to 23x30 inches, and offer a varied assemblage of portraits, caricatures, posters, broadsides, and reproductions of artwork, in black-and-white and in color. Items include portraits and scenes with notable physicians; illustrations of various medical practices, procedures, and instruments; anatomical views, some possibly as early as the 17th century; medical advertisements and promotional literature; depictions of events in medical history in Europe and North America; caricatures; 20th century illustrations for book covers; and many other topics.

Images and prints are often accompanied by reproduction negatives and slides created by Medical Center Library staff. Many of the images in this collection were also scanned by Medical Library staff and are available through the Medical Center Library & Archives Duke Medicine Digital Repository database. For more information, please contact the History of Medicine Curator at the Rubenstein Library.

Acquired as part of the History of Medicine Collections at Duke University.

Faith Holsaert is a Civil Rights and LGBT community activist. The collection contains correspondence, newsletters, publications, and other materials relating to the activities of Faith Holsaert from the 1960s to the present. A large portion of the collection consists of correspondence and ephemera from her involvement in the Civil Rights movement, including SNCC, and the women's rights movement. Also includes materials from the writing and publishing of Hands on the Freedom Plow, some of which is restricted. The collection also has a large amount of personal memorabilia and materials relating to Holsaert's childhood and family. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Correspondence, newsletters, publications, and other materials relating to the activities of Faith Holsaert from the 1960s to the present. A large portion of the collection consists of correspondence and ephemera from her involvement in the Civil Rights movement, including SNCC, and the women's rights movement. Also includes materials from the writing and publishing of Hands on the Freedom Plow, some of which is restricted. The collection also has a large amount of personal memorabilia and materials relating to Holsaert's childhood and family.

Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Philip Handler was a Duke University biochemist and goverment partner based in Durham, North Carolina. Collection comprises professional files kept by Handler as president of the National Academy of Sciences, chairman of the National Science Board, and member of the Committee on Science and Public Policy, the latter two being affiliated with the National Science Foundation. Includes many subject files on scientific topics, organizations, individuals, conferences, and institutions; correspondence; memoranda; travel records; printed materials such as articles and clippings; and various writings and speeches by Handler.

Collection comprises a large set of professional files kept by biochemist Philip Handler as president of the National Academy of Sciences, chairman of the National Science Board, and member of the Committee on Science and Public Policy, the latter two being affiliated with the National Science Foundation. Includes many subject files on scientific topics, organizations, individuals, conferences, and institutions; correspondence, memoranda, travel records, printed materials such as articles and clippings, and various writings and speeches by Handler.

The files are not always contiguous, but are in loose groups arranged by topic, function, or organization. The files document not only Handler's biomedical career and leadership service to major science research foundations, but also document the history of those organizations, nationally and internationally.

Jewish Orthodoxy, the traditional section of Jewry that maintains a religiously observant way of life based on a divinely ordained Torah and its laws, is composed of many groups that differ by certain customs and ideological trends. This collection documents Jewish Orthodoxy in its various manifestations through ephemeral publications created and distributed by Orthodox Jewish groups in Israel, the United States, and around the world. The materials range in date from 1914-2004, with the bulk of the material published between 1950-1995.

The collection contains single-issue and short-run serials and ephemeral publications from various Orthodox Jewish groups around the world, including Israel and the United States. The materials range in date from 1914 to 2004, and document a variety of subjects, including social customs, variants of Jewish Orthodoxy, neighborhoods within Israel, and Orthodox education. Jewish Orthodoxy is defined here as the traditional section of Jewry that maintains a religiously observant way of life based on a divinely ordained Torah.

The Edwin and Terry Murray Papers include a range of materials related to the comic book collecting, comic conventions, and science fiction fandom of Edwin L. and Terry A. Murray.

The Edwin and Terry Murray Papers include a range of materials related to the comic book collecting, comic conventions, and science fiction fandom of Edwin L. and Terry A. Murray. Included are photos documenting over fifty comic conventions that the Murray brothers organized at their home in Durham, North Carolina. Also included is correspondence related to their comic book and science fiction collecting activities, as well as newspaper clippings about their extensive comic book collections. The collection includes published and unpublished writing by the Murray Brothers, as well as collectible comic strips and science fiction ephemera. It also includes mock-ups and production materials for two fanzines, Vertigo and Trefoil, published by Edwin.

Professional golfer and celebrity spokesperson. Arnold Palmer advertisements and memorabilia collection consists of print advertisements featuring Palmer as spokesperson, celebrity figure or providing product endorsements, as well as print advertisements for Arnold Palmer's own companies. In addition, the collection includes trading and collector cards, telephone prepaid cards and photographs bearing Palmer's likeness. Companies represented include Beaunit, Chemstrand, Ford, Glaxo (Nicorette smoking cessation products), Haggar, Heinz, Munsingwear, Rayovac, Rockwell, Sears, United Air Lines and Wilson Sporting Goods. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Arnold Palmer advertisements and memorabilia collection consists of print advertisements featuring Palmer as spokesperson, celebrity figure or providing product endorsements, as well as print advertisements for Arnold Palmer's own companies. In addition, the collection includes trading and collector cards, telephone prepaid cards and photographs bearing Palmer's likeness. Companies represented include Beaunit, Chemstrand, Ford, Glaxo (Nicorette smoking cessation products), Haggar, Heinz, Munsingwear, Rayovac, Rockwell, Sears, United Air Lines and Wilson Sporting Goods. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Richard J. Powell is the John Spencer Bassett Professor of Art and Art History at Duke University, where he has taught since 1989. The Richard Powell Papers date from 1960 to 2011 and document Powell's career as a prominent scholar of African and Afro-American art and as professor of art history at Duke University. Materials originate from Powell's student years, travels, research, and work at various cultural institutions, including Duke University, the Smithsonian Museum of American Art, and the Washington Project for the Arts. There is extensive material on Powell's books, exhibitions, and other professional activities.

The Richard J. Powell Papers document Powell's career as a prominent scholar of African and Afro-American art. Materials in the collection date from 1960 to 2011, with the bulk being from 1975 to 2011, and document most aspects of Powell's career, beginning with his student years and including his travels, research, and work at several major cultural institutions, including Duke University, the Smithsonian Museum of American Art, and the Washington Project for the Arts.

The Name Files Series contains Powell's incoming and outgoing correspondence with well-known artists, such as Adrian Piper, Martin Puryear, and Carrie Mae Weems, as well as curators, professors, and other professionals with whom Powell collaborated on exhibitions, books, and other projects. The series also contains personal letters and postcards.

The Subjects Series includes texts, newspaper articles, exhibition publicity, and notes on a range of subjects including major art museums and galleries, publications, courses taught at Duke University, and diverse research topics including the Kongo and Jazz, among others. Many of the subject files also contain Powell's notes and correspondence.

The Books Series contains materials pertaining to the research, writing, and publication of Richard J. Powell's various books: Cutting a Figure: Fashioning Black Portraiture of 2008; Homecoming: The Art and Life of William H. Johnson of 1991 along with a related exhibition at the Smithsonian National Museum of American Art; and Black Art & Culture in the 20th Century of 1997.

The Reference Images Series comprises Powell's reference photographs, photocopies, and other reproductions of works of art.

The Exhibitions Series includes information on exhibitions curated by Powell, including Back to Black: Art, Cinema, and the Racial Imaginary (2005), To Conserve a Legacy: American Art from Historically Black Colleges and Universities (1999), Circle Dance: The Art of John T. Scott (2005), Barkley L. Hendricks materials (2000-2008), Rhapsodies in Black (1995-1997), The Blues Aesthetic (1996-1998) and Conjuring Bearden (2004-2006).

The Donyale Luna Project Series contains Powell's research on African-American 1960s supermodel Donyale Luna, to whose life and portraiture he dedicated a chapter in his 2008 book, Cutting a Figure: Fashioning Black Portraiture.

The Printed Materials Series contains flyers, booklets, postcards, pamphlets, posters, periodicals, and catalogues from a variety of American and international museums and art galleries.

The Personal and Early Papers Series documents Powell's childhood, collegiate and graduate education, as well as his early years as a member of the Duke University faculty.

The Articles and Lectures by Powell Series comprises articles, graduate research papers from Yale and Howard Universities, and lectures.

The Photographs Series contains images of Powell and others arranged into subsections: Professional, Personal, Portraits, and Artists, Writers, Curators, etc. Among these photographs are images of Powell with Hillary Rodham Clinton, Jesse Jackson, and Spike Lee.

The Works of Art Series includes art made by Richard J. Powell and others, and are mostly prints. The Art Subseries is organized by artist.

Finally, the Audio Series contains cassette tapes documenting interviews with artists, such as Jacob Lawrence and Martin Puryear, and events at the National Center for the Humanities and the Museum of Modern Art.

This collection holds miscellaneous papers (192 items; dated 1649-1971) including originals and copies of letters, Bible records, pictures, and printed works relating to the history of the Pearson, Smith, and Thompson families who migrated from England to Virginia, North Carolina, Tennessee, and finally to Arkansas; letters, legal papers, historical notes, genealogy, military records, cemetery records, pictures, and maps pertaining to the history of Benton County, Tenn.; copies of the Civil War letters of Stephen W. Holliday, 55th Tennessee Regt., C.S.A.; anecdotes of Confederate General Nathan Bedford Forrest; Melton family genealogy; and Smith family albums. A later addition (283 items, dated 1774-1986) includes information pertaining to the genealogy of several related families (including the Thompson and Wyly families, as well as information on the descendants of Col. Samuel and Mary Webb Smith). Includes printed works on genealogy and other topics compiled by Emma C. C. Brown and Jonathan K. T. Smith (primarily Smith). Also includes: correspondence; legal documents; copies of church records; clippings; writings about the history of Benton County, Tenn., and some of its citizens and communities; photographs; printed and other material on Camden, Tenn.; copy of the diary of Anne William Smith; copy of a portrait of Anne William Smith by Gustavus Grunewald (1847-1848); a recording entitled The Remembrance Pilgrimage about the Smith family of Nymcock, Tenn.; A Century with St. Mark's: An Informal History by Clara L. Cape; and an extensive biographical sketch on Col. Maurice Smith.

This collection is largely genealogical in nature and holds miscellaneous papers of Jonathan Kennon Thompson Smith including originals and copies of letters, papers, Bible records, pictures, and printed works relating to the history of the Smith, Pearson, and Thompson families who migrated from England to Virginia, North Carolina, Tennessee, and finally to Arkansas. The Smith family descended through Maurice Smith (1801-1871) of Person County, North Carolina who later moved to Fayette County, Tennessee in 1831, and finally to Dallas County, Arkansas in 1843.

In addition to family correspondence of Maurice Smith (1801-1871); the collection has letters, legal papers, historical notes, genealogy, military records, cemetery records, pictures, and maps pertaining to the history of Benton County, Tennessee. Copies of the Civil War letters of Stephen W. Holliday, 55th Tennessee Regiment, C.S.A., to his parents, a history of Tulip and Tulip Ridge, Arkansas, by Smith entitled The Romance of, Tulip (Memphis: 1965), On this Rock . . . the Chronicle of a Southern Family, which is a history by Smith of the family of Colonel Samuel Smith and Mary Webb Smith of Abram's Plains, North Carolina; biographies of the Captain Nicholas Martian (1591-1657) and of Samuel Granville Smith (1794-1835); anecdotes of Confederate General Nathan Bedford Forrest; a history of the Pearson family by Smith entitled This Valued Lineage; history of the Thompson family by Smith entitled These Many Hearths; albums of the Smith family containing pictures, clippings, and copies of letters and wills dating as early as 1649; genealogy of the Melton family by Herman E. Melton entitled Sassafras Sprouts; an anthropological study of the Indians of Kentucky Lake, Tennessee, by C. H. McNutt and J. Bennett Graham; and a pamphlet, 1961, by Smith entitled A Statement of Faith.

There is a microfilm copy of 'The Remembrance Pilgrimage. The Story of a Southern Family' (1964) available.

The Russian Posters Collection is divided into three series spanning the years 1919 to 1989: 30 posters emphasizing the benefits of communism and the first "Five Year Plan" for workers, the achievements of the USSR under communism, religion as an enemy of the people, and the struggle against and decline of capitalism; 14 placards from the 22nd Congress of the Communist Party of the USSR describing and depicting the strength of the country in industrial development, consumer goods, agricultural production, electrification, and the national welfare; and the collapse of the colonial system of imperialism and the problems facing capitalism; and last, ten posters from the "perestroika" period of the 1980s, most of which were exhibited in Moscow in 1988. In addition, the collection houses nine facsimiles of Russian posters from the 1920s-1930s. The posters have been digitized and are available online.

The Russian Posters Collection spans a good part of 20th century Russian political history, and is divided into three main groupings: 30 posters emphasizing the benefits of communism and the first "Five Year Plan" for workers, the achievements of the former USSR under communism, religion as an enemy of the people, and the struggle against and decline of capitalism; 14 placards from the 22nd Congress of the Communist Party of the former USSR describing and depicting the strength of the country in industrial development, consumer goods, agricultural production, electrification, and the national welfare, and the collapse of the colonial system of imperialism and the problems facing capitalism; and last, 26 posters from the "perestroika" period of the 1980s, most of which were exhibited in Moscow in 1988. In addition, the collection houses nine facsimiles of Russian posters from the 1920s-1930s. Some posters feature anti-religious slogans. The posters have also been digitized and are available online.

The Picture File was created and maintained beginning in the 1950s by the Duke University Manuscript Department staff and its institutional successors as a vertical file of pictorial works separated from manuscript collections as well as acquired individually. The collection is large and diverse, with images dating from the 18th through the 20th centuries. Engravings feature prominently, with photographs a close second. The predominant genre is portraits of political and military leaders, authors, artists, physicians, scientists, and others. Members of the Duke family and others from Durham, N.C. are also present. In the Socialist Party Series there are numerous images of leader Eugene Debs. Topics range widely, with a focus on American history, including the Revolutionary and Civil Wars; history and culture of the southern U.S.; and U.S. and European politics. A significant number of individuals in the People Series are African Americans, ranging from individual studio portraits to groups of individuals and racist caricatures and cartoons; a smaller number are of Native Americans.

The Picture File is a large and diverse collection of visual materials ranging from the 17th through the 20th centuries. The bulk of the images in the collection date from the early 1800s through the 1950s. The dominant formats are engravings and photographs. Specific formats include: cartes de visite, cabinet cards, and other albumen prints; tintypes and daguerreotypes (cased and uncased); engravings, lithographs, and other mechanical prints; caricatures and cartoons; watercolors; sketches; postcards; stereographs; small souvenir albums; leaflets; and small broadsides. There are a few cyanotypes and negatives.

The images offer views from most of the southern United States, especially North and South Carolina and Virginia. Many images are from Europe, with a smaller number from Japan and China; a large variety of other countries and locations are represented by a few images. The history of Durham is also well-represented, in addition to other Southern cities and towns, including Raleigh N.C. Many political and military leaders and notable personages, primarily from the U.S. and Europe are present in portraits and caricatures; there are numerous images of Eugene Debs, U.S. Socialist Party leader, and members of the Duke family of Durham, N.C. A significant number of individuals in the People Series are African Americans, ranging from individual studio portraits to groups of individuals and racist caricatures and cartoons; a smaller number are of Native Americans.

The Subjects Series is eclectic, including advertising, cartoons, tobacco, ships, and images from conflicts: Civil War images are abundant, offering views of battles and devastation both rural and urban. There are also scenes from the American Revolutionary War, Spanish-American War, and both World Wars. Finally, the Picture File is home to collections of many engravings and lithographs produced by the 19th century American companies Currier and Ives, L. Prang and Co., and Kurz and Allison; many of them commemorate military leaders or events.

The United States Political Ephemera Collection contains campaign materials on both the national and state levels between the years 1856-2008. Materials are mostly related to the Democratic and Republican parties, but include materials from the American Labor party, Greenback party, League of Women Voters, Libertarian party, National Prohibitionist party, and Socialist party, as well as non-partisan materials. Materials include campaign pamphlets, flyers, form letters, newsletters, press releases, booklets, handouts, newspapers, posters, bumper stickers, and buttons.

The United States Political Ephemera Collection contains materials from assorted national and state-level campaigns and elections, except U.S. presidential campaigns. (Presidential campaign and election materials are held in the Kenneth Hubbard Collection of Presidential Campaign Ephemera.) This collection is divided into two series: National Politics and State Politics. National Politics contains materials related primarily to the Democratic and Republican parties and their campaigns for congressional and senate elections. It also includes materials from the American Labor party, Greenback party, League of Women Voters, Libertarian party, National Prohibitionist party, and Socialist party, as well as non-partisan materials. Also included are anti-war protest materials from the Vietnam Moratorium Committee. Materials include campaign pamphlets, flyers, form letters, booklets, handouts, newspapers, bumper stickers, and buttons. Filed alphabetically by political party.

State Politics includes campaign material from different states, each placed in their own subseries. The majority of the material comes from North Carolina statee and local elections, with many of the materials from Durham. Materials are mostly related to the Democratic and Republican parties, but also include the American Labor party, Socialist party, and non-partisan materials. Materials include campaign pamphlets, flyers, form letters, newsletters, press releases, booklets, handouts, newspapers, posters, bumper stickers, and buttons. Arranged alphabetically by state; within subseries arranged alphabetically by political party.

Collection comprises 176 Turkish political posters, including three duplicates. There are seven series of posters: Korean War, NATO, Historical significance, Commemoration of Ottoman historical figures, Republican-era historical figures, Leftist, and Presidency of the Turkish Republic. In the first, sixteen posters extoll the achievements of the Turkish Armed Forces command or Turkish Brigade in the Korean War between November 1950 and July 1953. In the second series, one poster represents Turkey's relationship to North Atlantic Treaty Organization (NATO), and another reflects the naval and air force maneuvers of NATO's Southern Command, Greece, and Turkey at Weld Fast in 1953. The third series includes 27 posters that celebrate events of historic national significance and depict international political figures together with Turkish leaders. The fourth series includes four posters that commemorate Ottoman historical figures, including admiral Barbaros Hayrettin, and sultans Mehmet V, Mehmed II, and Selim I. The fifth series includes 14 posters of Repulican-era historical figures, including portraits of World War II generals and political figures. The sixth series contains 63 leftist political posters with political slogans, as well as calls for meetings and demonstrations; most of them date from the second half of the 1970's. The seventh series contains 50 posters issued by the Presidency of the Turkish Republic regarding the failed coup attempt of 15 July 2016.

Collection comprises 176 Turkish political posters, including three duplicates. There are seven series of posters: Korean War, NATO, Historical significance, Commemoration of Ottoman historical figures, Republican-era historical figures, Leftist, and Presidency of the Turkish Republic (which features posters issued following the failed 2016 coup).

Miscellaneous posters collected by Westchester County, New York precinct. Posters of wanted criminals collected by an unknown police detective in Westchester County, New York. Posters are from the United States and Canada. Collection includes some well-known criminals such as Lester Gillis, alias Baby Face Nelson; Mary Evelyn Frechette, alias Mrs. John Dillinger; Arthur “Doc” Barker; mobster Roger Touhy; and bank robber Frank Nash. Radicals from 1970s include Weather Underground member Cathlyn Platt Wilkerson, Symbionese Liberation Army member Kathleen Soliah; and Black Liberation Army fugitives JoAnne Chesimard (Assata Shakur) and brother Mutulu Shakur.

This collection consists of posters of wanted criminals collected by an anonymous police detective in Westchester County, NY during the 20th century. Posters are from the United States and Canada. The bulk of the collection is from the Federal Bureau of Investigation in Washington, D.C. The collection includes some well-known criminals such as Lester Gillis, alias Baby Face Nelson; Mary Evelyn Frechette, alias Mrs. John Dillinger; Arthur "Doc" Barker; mobster Roger Touhy; and bank robber Frank Nash. Radicals from the 1970s include Weather Underground member Cathlyn Platt Wilkerson; Symbionese Liberation Army member Kathleen Soliah; and Black Liberation Army fugitives JoAnne Chesimard (Assata Shakur) and her brother, Mutulu Shakur.

The collection includes approximately 2,250 small-format wanted posters, most measuring 8 x 8 inches. Posters range in size and condition, many with manuscript markings or inked stamps, and some are trimmed and pasted onto printed mug shot cards. The collection was first arranged geographically, then further divided chronologically. Well-known criminals aforementioned are located in their indicated folders. Posters from the Federal Bureau of Investigation are included in the folders marked "District of Columbia." Folders are alphabetized in each box, with the exception of the District of Columbia, which occupies Box 2 entirely.

The Reproductive Health Ephemera Collection consists of pamphlets, flyers, brochures, booklets, bumper stickers and other items that document the work of organizations concerned with women's reproductive health and reproductive rights, largely in the United States and United Kingdom. Collections contains items from both pro-choice and pro-life organizations. Also includes advertisements and information about products related to birth control and to ideas of vaginal hygiene (such as diaphragms, suppositories, and douching products). Acquired as part of the Sallie Bingham Center for Women's History and Culture and the History of Medicine Collections at Duke University.

The Reproductive Health Ephemera Collection includes pamphlets, newsletters, flyers, booklets, bumper stickers, and other miscellany from a range of organizations and events related to abortion rights, sexual health, and reproductive health care. Collection contains items from both pro-choice and pro-life organizations. Also includes advertisements and information about products related to birth control and to ideas of vaginal hygiene (such as diaphragms, suppositories, and douching products).

Some early 20th century printed materials relate to Margaret Sanger's organizations, including the National Committee on Federal Legislation for Birth Control and the American Birth Control League. These items relate to birth control strategies and legal rights, population control, women's health, and strained economic conditions of large families.

Arthur Shostak is a sociologist whose research focused on the topic of men and abortion. The collection documents his work, including survey results, speeches, research, clippings. and printed materials.

Collection consists of materials related to work on men's experiences with abortion and abortion generally: research materials (clippings, articles, notes), writings and talks by Shostak and others, appearances by Shostak in magazines, newspapers, and other printed media, correspondence, conference files, ephemera and publications of clinics and other abortion-related organizations, A/V material (1 audiocassette and 2 VHS tapes), and 3 books. Surveys completed by male partners of women seeking abortions and "waiting room males" accompanying women receiving abortions in clinics between 1999 and 2012. Also included are numerical data reports and textual reports likely based on survey responses as well as a small number of print materials related to abortion and materials related to his 1984 book, Men and Abortion: Lessons, Losses, and Love (Praeger).

Collection contains original caricatures, original and drafts drawings, and select magazine issues that critique political decisions, parties, cultural and social issues, world affairs, economics, womens' rights, equality, foreign policies, World War II, and more in 20th century Turkey. Artists such as Ramiz Gökçe, Memduh, Olgaç, and many more are represented in this collection. There are also representative caricature journals, e.g., Mizah, Akbaba, Karikatür, and Amcabey.

Collection contains original caricatures, original and drafts drawings, and select magazine issues that critique political decisions, parties, cultural and social issues, world affairs, economics, womens' rights, equality, foreign policies, World War II, and more in 20th century Turkey. Artists including Ramiz Gökçe, Memduh, Olgaç, Surri, Sinan, Altan Erbulak, Ramiz, İsmail Gülgeç, Cafer Zorlu, Semih Balcıoğlu, Hüseyin, Zeki Beyner, Bedri Koraman, Nehar Tüblek, Şevket Yalaz, Doğruer, Ali Kılıç, Derya Sayın, Vedat Kemer, Can Barsan, Buğra, Kamil Masaracı, Dt. İlhan Şen, Çetin, İlhan İşler, Çakmak, Latif, Ramize Erer, Bilal, Özden Ögrüg, Oktay, Musa Kart, Ahmet Erkanlı, Apti, Çetin Küçük, Sedar Kıcıklar, Tekin Aral, Emre Ulaş, Zarakol, Atilla & Ergün, Kamil Yavuz, Salih Memecan, Canol, Kemalettin Atlaş, Suha, Melih Pakalın, Seçkin, Vedat Özdemiroğlu, O. Gültekin, Zeki Bikmen, Oğuz Mak, Vahdet Süpahioğlu, Metin, Seyit, Seydali Gönen, Haldun Yücesoy, Oğuz Peker, Münif Fehim, Ratip Tahir, and Salih Memecan are represented in this collection. There are also representative caricature journals, e.g., Mizah, Akbaba, Karikatür, and Amcabey.

Trade catalogs of jewelry prepared for individual local retail stores.

Collection spans 1966-1995 and includes direct-mail jewelry catalogs, print proofs, flyers and newspaper inserts that advertised jewelry sold in local stores. Companies represented include Anson, Inc. of Providence, R.I., Norvell-Marcum Co. of Tulsa, Okla. and the Jewelers of America trade organization. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

John Buettner-Janusch was a professor at Duke University in the 1960s who was convicted of manufacturing illegal drugs in his New York University laboratory in the 1970s and of sending poisoned candy to a New York judge and another Duke professor in 1987.

The John Buettner-Janusch Papers consist of letters written by Buettner-Janusch while in prison, primarily from 1987-1992, as well as clippings on his chargings and convictions. Several letters are addressed to "Annie and Will", although many letters are missing the first page or are not addressed, and many are undated. Most are handwritten. Many of the letters relate stories of Buettner-Janusch's research trips to Madagascar. Also included are clippings that detail accusations against him related to the manufacture of illegal drugs at NYU as well as the poisoned candy sent to Judge Brieant in 1987, and his obituary from the New York Times in 1992.

Judy Woodruff is a broadcast journalist covering U.S. politics whose career has spanned work at NBC, CNN, and PBS. This collection documents her professional life, consisting of extensive research and subject files, correspondence including viewer mail, speaking appearances and engagements, and service including the Duke University Board of Trustees and the Interntional Women's Media Foundation.

The collection includes files documenting Woodruff's journalism career with CBS, NBC, the MacNeil/Lehrer NewsHour, CNN and other news outlets as well as her service at Duke on the Board of Trustees, and the board of the International Women's Media Foundation. Files range from extensive research and subject files to project files, viewer correspondence, interview material, writings, speeches, and audio/visual materials.

This is a collection of pro-Libertarian literature, which includes a wide range of conservative viewpoints. Accession (2009-0196) (1000 items; 2.0 lin. ft.; dated 1919-1984) consists of pamphlets, newsletters, newspapers, brochures, and other publications and periodicals from a variety of pro-libertarian and right wing organizations, including the American Economic Foundation and the National Economic Council, Inc. Topics include free market capitalism, price stabilization, the elimination or reduction of taxes, anti-communism, the Federal Reserve, inflation and the gold standard, the Marshall Plan, and foreign aid.

Accession (2009-0196) (1000 items; 2.0 lin. ft.; dated 1919-1984) consists of pamphlets, newsletters, newspapers, brochures, and other publications and periodicals from a variety of pro-libertarian and right wing organizations, including the American Economic Foundation and the National Economic Council, Inc. There is a wide range of materials, but many are related to topics such as gold and silver, the value of money, conspiracy theories, the taxation of the American people, and inflation. Early materials idealize the work of Henry George, a political economist who proposed a land value tax. Post-World War II materials frequently discuss foreign aid and the Marshall Plan, tending to espouse anti-communist viewpoints. 1970s-era materials tend to discuss gold, inflation, and monetary reform.

Charlotte Taft is an abortion counselor and activist. Her papers contain clippings and articles documenting various aspects of the struggle for abortion rights as well as brochures from abortion clinics.

The Charlotte Taft papers contain materials documenting her history as an abortion care counselor and activist. The collection chiefly consists of collected newspaper clippings and articles documenting struggles for various aspects of reproductive justice. It also contains brochures from women's healh care and abortion providers.

The Mary Lou Williams Center for Black Culture was established in 1983 to share information about Africana and African-American culture with both the Duke and Durham communities. The collection contains materials regarding the general origins, development, and oversight of the Mary Lou Williams Center, as well as files related to programming hosted by, or sponsored by the Center. There are also a small number of files, mostly course materials, related to Leon Latimer Dunkley, Jr., who was the director of the Mary Lou Williams Center for Black Culture from 1999-2005.

The Mary Lou Williams Center for Black Culture records contain materials regarding the general origins, development, and oversight of the Mary Lou Williams Center, as well as files related to programming hosted by, or sponsored by the Center, or at other black culture centers and in higher education in general. Among the materials are articles; plans; Board of Directors meeting minutes, agendas, and draft policies; event and exhibit flyers; black-and-white photographs; mailing and contact lists; correspondence, reports, and budgets; and reservations. Many of the events involve poetry or jazz. There are also a small number of files, mostly course planning materials, related to Leon Latimer Dunkley, Jr., was the director of the Mary Lou Williams Center for Black Culture from 1999-2005.

Mel Shimm was a professor of law and Associate Dean at the Duke Law School. The Mel Shimm papers include materials from Mel Shimm's time as a faculty member at Duke Law School. Included are class materials such as exams and readings, correspondence, committee materials, and other materials.

The Mel Shimm papers include materials from Mel Shimm's time as a faculty member at Duke Law School. Included are class materials such as exams and readings, correspondence, committee materials, and other materials.

The African Americans in Film collection includes ephemeral materials, especially posters and pressbooks, promoting and advertising motion pictures featuring Black actors, directors, and production companies.

The African Americans in Film collection includes ephemeral materials promoting and advertising motion pictures featuring Black actors, directors, and production companies. Materials in this collection include press books, posters, promotional booklets, campaign books, advertising manuals, programs, lobby cards, and other formats. The films documented include silent films, Blaxploitation films, blockbuster action films, musicals, documentaries, and dramas, from smaller Black owned and operated companies to major studio productions. Actors frequently featured in films documented here include Sidney Poitier, Dorothy Dandridge, Pam Grier, Jim Brown, Brock Peters, Fred Williamson, Ruby Dee, Brenda Sykes, Sammie Davis Jr., James Earl Jones, and many others.

Description often includes the format of the material and/or one or more of the Black stars featured in the film. Some description provided by George Robert Minkoff Inc., the dealer from whom part of the collection was purchased, is provided in quotes. Some of that description may have originated from the books Blacks in American films and television: an encyclopedia. and Toms, coons, mulattoes, mammies, and bucks: an interpretive history of Blacks in American films., both by Donald Bogle. The majority of the materials are from the United States, but a few items were created by or for audiences in other countries such as Japan, Denmark, France, Germany, and the United Kingdom, and are noted as such.

Nathan Ockman was born on December 29, 1926 in New York City. As a child in the 1930s, he was brought by his parents to an event that featured pioneering choreographers in modern dance, among them Anna Sokolow and Sophie Maslow. Though he received no formal dance training himself, this childhood exposure to modern dance sparked a lifelong passion for dance spectatorship. The collection contains the dance-related memorabilia (circa 1949-2006) saved by Nathan Ockman. Materials include performance programs and newspaper clippings, which are arranged chronologically. Many of the materials are annotated by Mr. Ockman.

The collection contains the dance-related memorabilia (circa 1949-2006) saved by Nathan Ockman. Materials include performance programs and newspaper clippings, which are arranged chronologically. Many of the materials are annotated by Mr. Ockman.

Mr. Ockman collected the accompanying programs for each dance performance he was in attendance for throughout six decades. The earliest programs, dated from the late 1940s and early 1950s, are from performances at the University of Michigan during Mr. Ockman's time as a graduate student at the university. Following Mr. Ockman's subsequent move to New York City, the vast majority of the collection is comprised of performances at notable New York venues and performing arts festivals. Though there are several programs from performances by ballet companies, the collection largely reflects Mr. Ockman's personal penchant for modern dance.

Newspaper clippings of performance reviews and promotions of upcoming premieres are included within the collection. More often than not, they correspond to a performance that Mr. Ockman was in attendance for, and so they are organized alongside accordingly.

Of the programs dating from 1958 onwards, nearly all are decorated with Mr. Ockman's personal annotations, which make note of extraordinary pieces, performers, and his general perception of the performances. Though the notes were made for Mr. Ockman's own enjoyment, he was aware that they may someday hold some historical significance. It was always his hope that he might, as a dutiful and attentive audience member, discover an emerging dance talent.

Stephanie Reinhart (1944-2002) began working at the American Dance Festival in 1977 as the Director of Planning and Development and became Co-Director with Charles L. Reinhart in 1993. While on the board Stephanie traveled to many countries to view dance and lecture on American modern dance and arts administration, and in 1993 she was awarded a Fulbright research grant to study modern dance in Argentina.

The collection contains Stephanie Reinhart's personal papers, company management materials, and materials from her 1993 Fulbright research. Her personal papers include essays, poetry, calendars, correspondence, clippings, and papers related to her Durham residence. The company management materials include slides from her time as Company Manager with Crowsnest Dance Company. The Fulbright research materials include correspondence with the Fulbright program, research, notes, articles, and both audiocassettes and transcripts of the interviews she conducted in Argentina.

Earl Dotter is a documentarian, photojournalist, and labor activist based in Maryland. The 717 mounted photographs forming the core of this collection were taken by photojournalist Earl Dotter, and document hazardous occupations, conditions for workers, and labor activism in the United States. They are chiefly black-and-white gelatin silver prints with some color work. Specific occupations and topics represented by the photographs, caption texts, and publications include: working conditions in the coal mine, garment, auto, poultry, logging, and fishery industries; child labor in the U.S.; conditions for migrant and Native American workers; the labor behind hand-harvested crops; medical facilities and staff caring for workers; U.S. occupational safety standards and labor laws; and labor activism in support of people in hazardous occupations. There is also a series on the 9/11 Ground Zero site and first responders. Mount sizes range from 11x14 to 22x 28 inches; most are 11x14 and 16x20. The finished prints are accompanied by a series of 202 unmounted work prints, a group of 20 posters and illustration proofs, and a large chronological file of publications featuring his photographs (1970-2021). Acquired as part of the Archive of Documentary Arts at Duke University.

The 717 finished photographs in this collection form part of the archive of documentarian and photojournalist Earl Dotter, whose career has been dedicated to documenting hazardous labor, conditions for workers, and labor activism in the United States. Many of them were used in a large retrospective exhibit of Dotter's 50-year career. The finished prints are accompanied by a group of 202 work prints (proofs), a large chronological file of publications featuring Dotter's photographs and documenting his career (1970-2021), and a group of 20 posters and publication proofs with Dotter's images.

Dotter's commitment to documenting labor in the U.S. began in the late 1960s with his efforts to record through photography the hazards of working in the Appalachian coalfields; this was followed by projects documenting the victims of brown lung, a disease of textile and cotton production; child labor in the U.S.; conditions faced by workers in the auto, poultry, dairy logging, garment, and commercial fishery industries; health conditions for migrant farm workers; the process of hand-harvesting crops such as cranberries, blueberries, apples, and broccoli; and conditions for 9/11 first responders in New York City.

Locations range across the U.S., with a concentration in Appalachia and New England. Some photographs are of medical workers, health facilities, and workers with chronic, work-related health problems such as the diseases known as brown lung and black lung.

Throughout his career, Dotter was commissioned to create photographic documentation on labor conditions for entities such as labor unions, federal safety agencies, non-profit organizations, and news organizations; when known, this information is noted in the image entry in this collection guide. Examples of this kind of work is extensively documented in journals, newsletters, reports, and other printed materials in the Publications series, as well as in a small group of posters and printed proofs.

The finished prints are all mounted on thin board, and some are also matted; there are also a large number of matted multiple-print groups (diptychs, triptychs, and quadriptychs). Most of the mounts measure 11x14 or 16x20 inches, with some measuring 14x10, 14x17, 15x20, and 22x28 inches. The proofs are unmounted. Most of the prints are titled and signed by the photographer.

The papers of the Abbot family consist mainly of correspondence, but also include financial and legal papers, diaries, a letter-book, clippings, printed material, speeches and photographs (including cartes-de-visite, and some cyanotypes and tintypes). The materials date from 1733 to 1999, the bulk ranging from 1860-1910. A significant portion of the correspondence comprises of personal letters exchanged during the Civil War between William Richardson Abbot, headmaster of Bellevue High School, and his wife, Lucy Minor Abbot. Abbot's letters mention battles and political events of the Civil War, including his experience as an officer in the First Regiment of the Engineers Troops (Army of Virginia). Other correspondence includes exchanges between W.R. Abbot and his immediate family, both during and after the Civil War, as well as numerous letters to Abbot from parents of boys attending Bellevue High School. The collection also includes materials from the lives of the children and grandchildren of William and Lucy Abbot. Letters from the Abbot children consist of personal exchanges, accounts of travel in turn-of-the-century Europe, as well as experiences in the German university system. Also included is a brief memoir by Ann Minor, Lucy's sister, documenting childhood experiences in Virginia during the Civil War. There are also papers belonging to the Minors of Charlottesville (Va.), such as correspondence of Charles and John Minor.

While the bulk of the collection is made up of correspondence, the papers also include Abbot's addresses to schools and the Virginia Educational Society; printed bulletins detailing courses of study and formal statements of the teaching philosophy at Bellevue; and an official letter-book, receipts, financial and legal documents relating to the purchase, expansion and daily administration of the school. Other materials relating to the children of the William and Lucy Abbot include educational addresses by their son, Charles Minor Abbot, who administered Bellevue until it closed (1901-1909), as well as biographical material on Virginia Henderson's authoritative influence on professional nursing.

The Abbot Family papers provide the researcher with numerous vantage points onto public, professional and private life in nineteenth-century Virginia, most particularly through personalized accounts of men and women of the time. While the papers follow the families' colonial past from the early eighteenth century into the mid-twentieth century, the collection is noteworthy for its emphasis on military and private life in the Confederacy and in the Reconstruction South. The collection illuminates the experience of the Civil War through numerous windows onto the private lives of individuals; the professionalization of secondary education during the Reconstruction; the social and epistolary conventions of nineteenth century courtship; and the construction of an inter-generational identity, based on extended familial affections and ties to the institutions of Bellevue and the University of Virginia.

Market researcher and advertising executive who worked at several agencies; partner in a consulting practice under several names; lecturer and author of marketing textbooks. The Alvin A. Achenbaum Papers span the years 1948-2011 and document Achenbaum's career in advertising (with Grey Advertising, J. Walter Thompson and Backer Spielvogel Bates agencies) and marketing consulting (as a partner in Alvin Achenbaum Associates, Canter Achenbaum Heekin, and Achenbaum Bogda Associates). Collection includes writings and speeches, correspondence, photographs, research reports and related materials. Clients represented include 7-Eleven, American Red Cross, AT&T, Block Drug, Bristol-Myers, Campbell Soup, Chrysler, Dairy Queen, Dentsu, Franklin Mint, General Foods, GTE, Hallmark, Honda, Integrity Music, Kayser-Roth, Kia, K-Mart, Miller Brewing, MTA, Nationwide, Nestlé, Nissan/Datsun, PCA, Pfizer, Philip Morris, Quaker Oats, Revlon, Ryerson Tull, Seagram, Toyota, U.S. Dept. of Defense, and Warner-Lambert. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Alvin A. Achenbaum Papers span the years 1948-2011 and document Achenbaum's career in advertising (with Grey Advertising, J. Walter Thompson and Backer Spielvogel Bates agencies) and marketing consulting (as a partner in Alvin Achenbaum Associates, Canter Achenbaum Heekin, and Achenbaum Bogda Associates). Collection includes writings and speeches, correspondence, photographs, research reports and related materials. Clients represented include 7-Eleven, American Red Cross, AT&T, Block Drug, Bristol-Myers, Campbell Soup, Chrysler, Dairy Queen, Dentsu, Franklin Mint, General Foods, GTE, Hallmark, Honda, Integrity Music, Kayser-Roth, Kia, K-Mart, Miller Brewing, MTA, Nationwide, Nestlé, Nissan/Datsun, PCA, Pfizer, Philip Morris, Quaker Oats, Revlon, Ryerson Tull, Seagram, Toyota, U.S. Dept. of Defense, and Warner-Lambert.

The papers of Kathy Acker, 1975-1996 and undated, are comprised, for the most part, of manuscript drafts of her novels, short stories, and other miscellaneous writings ranging from early works such as The Childlike Life of the Black Tarantula (1975) to her last novel Pussy, King of the Pirates (1996). Described as a cyberpunk author and performance artist, Acker's novels question the strictures of female sexuality and the power of language.

A.C. Nielsen is a media research and information management company founded in 1923, based in New York, currently known as Nielsen. Collection consists of newsletters, serial publications, and promotional brochures produced by the A.C. Nielsen Company. Materials primarily relate to Nielsen's research into television audience research; media broadcast ratings; television ownership; broadcast stations; and retail promotional activities such as coupons and refunds/rebates. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection consists of newsletters, serial publications, and promotional brochures produced by the A.C. Nielsen Company. Materials primarily relate to Nielsen's research into television audience research; media broadcast ratings; television ownership; broadcast stations; and retail promotional activities such as coupons and refunds/rebates.

Martha Olds Adams is an American writer and poet. Her works center primarily on the areas of feminist theology, female spirituality and social justice. The Martha O. Adams papers contain her poetry collections and other writings; correspondence and ephemera related to her publications, workshops and speaking engagements, as well as documentation of her research and activist work.

The collection consists of Adams' personal writings and works, ephemera related to her publications, items associated with retreats, workshops and speaking engagements, research about influential female figures and her involvement in issues such as reproductive rights, voting rights, and feminist theology. The collection also includes personal and professional correspondence, educational materials from Adams' participation in the Hartford Seminary Leadership Institute as well as reflections on her father's struggle with Alzheimer's disease. There is also an Audio/Visual Materials series that contains interviews and documentary materials, as well as digital backups of Adams' writings, works, and correspondence.

Collection comprises letters, military service and medical records, two photograph albums, and printed items maintained by Leon S. Adler, along with a scrapbook maintained stateside by Roslyn "Posy" Adler between 1943 and 1945 to record Leon's naval service, from his training and teaching at Ft. Schuyler, N.Y., to his service as part of the fleet which occupied Hiroshima and Nagasaki, Japan, following the war. Includes two printed items, a copy of the book U.S.S. Biloxi published around 1945, and a CRAM'S WAR ATLAS, dating between 1941-1945, along with a U.S. Service flag from World War II.

The Advertising Council Records span the years from 1935 to 1999, and primarily consist of public service advertising campaigns developed by the Advertising Council. The campaigns are documented through council booklets, brochures, published articles, and sample advertisements which were distributed to Ad Council members and participating advertising agencies. Particular ad campaigns that are well represented include U.S. Savings Bonds and United Service Organizations (USO) during World War II; Religion in American Life; the Red Cross; the creation of Smokey the Bear and related fire prevention campaigns circa 1941 to 1951; and a campaign to explain the American Economic System, circa 1950 to 1957 (Cold War anti-communism). Various campaigns throughout the 1960s and 1970s are also represented to a lesser extent, including the War on Poverty, Equal Opportunity, and Child Abuse.

The collection is organized into two main series: General Files and Campaigns. The General Files Series contains Ad Council materials that are not specific to particular campaigns, such as annual reports, correspondence, and Ad Council promotional materials. The Campaigns Series, which comprises about two-thirds of the collection, contains pamphlets, brochures, posters, newspaper articles, and memos concerning the strategies of over 100 public service advertising campaigns. Large-format materials from both of these series have been relocated to the Oversize Materials.

Related collections in the David M. Rubenstein Rare Book & Manuscript Library include the J. Walter Thompson Co. Archives: Domestic Advertisements Collection, the War Effort Mobilization Campaigns Poster Collection, the Edgar Hatcher Papers, the Warwick Baker O'Neill Records, and the Outdoor Advertising Association of America (OAAA) Archives. The "official" archives of the Ad Council resides at the University of Illinois--Urbana/Champaign.

The Advertising Ephemera Collection is composed of single advertisements, product and trade catalogs, advertising pamphlets, and broadsides. The advertisements are primarily American and from the late 19th and early to mid 20th century.

The Advertising Ephemera Collection is composed of single advertisements, product and trade catalogs, advertising pamphlets, and broadsides. The advertisements are primarily American and from the late 19th and early to mid 20th century. The collection is divided into broad subject categories, based on the primary type of product or service being advertised, which are arranged in alphabetical order. Within each subject category material is divided based upon the form of the material; leaflets, letters, and sheets printed on both sides; trade cards (mechanical, metamorphic, see-thru, shape, fabric inserts, unusual feature, postcards and insert cards); booklets; special categories; and miscellaneous. A subseries of foreign advertising material consists predominately of travel related literature and is arrange alphabetically by country. The arrangement of oversize materials parallels the original arrangement.

The researcher should note that trade catalogs that are pamphlets may be found in several places in the Perkins Library: this collections; individually in the stacks as fully cataloged items; or as part of groups of old pamphlets for which the cataloging was by main entry only. Advertising broadsides may also be found in the Broadsides Collection and many collections of manuscripts also contain advertising materials.

Some useful reference sources for gathering further information on this type of material include:

Romaine, Lawrence B., "A Guide to American Trade Catalogs," 1944-1900 (New York, 1960).

Hammond, Dorothy, "Advertising Collectibles of Times Past," (Des Moines, Iowa, 1974).

Kaduck, John M., "Advertising Trade Cards," (Des Moines, Iowa, 1976).

McQuarry, Jim, "Collectors Guide to Advertising Cards," (Gas City, Indiana, 1975).

Additions to the collection have not been processed and therefore to do reflect the arrangement of the rest of the collection. Please refer to the detailed description below for more information about their content.

The LeRoy T. Walker Africa News Service Archive is an extensive resource file assembled by ANS over the course of two decades in support of its news gathering efforts about Africa-related issues and U. S. foreign policy towards Africa. The collection spans the years from approximately 1960 to 1995, with the bulk of the materials dating from 1978 through 1994. Newspaper clippings, magazine articles, press releases, newsletters, brochures, and reports comprise the collection. Much of the material is gathered from mainstream media sources and government documentation in the United States, Europe, Africa, and other parts of the world. In addition, the collection includes significant resources from alternative, minority, and special interest presses world-wide that may be difficult to locate elsewhere. The archive contains scarce and difficult-to-locate materials such as numerous publications produced by non-governmental organizations and grass-roots/community groups that are/were involved in efforts related to independence movements, economic development, and human rights issues in Africa.

The archive is arranged in several series that provide a perspective on African politics and development from almost every country in the world. The heart of the archives is comprised of files about each African country. There are also significant files on U.S. politics and foreign policy and the United Nations. As ANS is located in North Carolina, there was a specific effort to document the activities and interests of North Carolinians as related to African issues. The archive encompasses a wide range of topics including agriculture, children, economics, education, health, history, politics, peace negotiations, social conditions, war, wildlife, and women. There are files on individuals, media organizations, political and cultural groups, corporations, and lobbyists. The collection documents the movement for African independence and economic development in the latter half of the twentieth century.

The archive is named in honor of LeRoy T. Walker, long-time supporter and honorary chair of the ANS Board of Directors. Mr. Walker is president-emeritus of the U. S. Olympic Committee and chancellor-emeritus of North Carolina Central University. A past president of The Athletic Congress, he has had a multi-faceted career in sports, physical education and educational administration; he has received numerous honors and honorary degrees. He has coached U. S. Olympic teams and trained and coached many African and American athletes. In the 1960s he served as director of programming and training for Africa at the Peace Corps in Washington, D.C.

Also transferred with the archive is a large number of Africa-related books, periodicals, and other printed materials. These items are being integrated and cataloged as part of Perkins Library's holdings on Africa and are identified in the on-line catalog by the (corporate) author entry: Africa News Service (Durham, N.C.) Archives.

The addition (9450 items, dated 1952-1993 and undated, bulk 1952-ca. 1980, 18.20 linear feet) contains resource files, newspaper clippings and other media, and periodicals, books, and pamphlets on various topics pertaining to South Africa and Southern Africa (especially Rhodesia and Zimbabwe). Topics include labor, industry, the economy, and foreign trade with South Africa; social conditions in South Africa including the state of Indian South Africans; and student, Christian, and other political movements against apartheid, including the National Union of South African Students and the University Christian Movement. Also includes 3 black-and-white photographs, and 3 microfiche. Acquired as part of the John Hope Franklin Collection of African and African-American Documentation. (01-156)

This unprocessed accession is comprised primarily of published materials (magazines, newsletters, and photocopies and clippings of newspaper and magazine articles) and of a few manuscript items related to women's employment, religious, legal, and domestic issues. The papers document Rev. Alden's feminist activism during the 1970s and early 1980s while she was living in Texas. Rev. Alden's folder titles and original arrangement of items were maintained. This collection is open for use.

Maurice Allais (1911-2010) was a Nobel Prize winner and professor of economics at the École Nationale Supérieur des Mines de Paris. This collection primarily documents his professional life through writings by or about him. It was acquired as part of the Economits' Papers Archive.

This collection contains article offprints and monographs by and about Allais. The Articles by Allais and Article about Allais series contain publications and clippings from assorted journals, newspapers, and other periodicals. The Lectures series contains drafts from Allais's 1959 visit to the Thomas Jefferson Center for Studies in Political Economy.

Gay Wailson Allen (1903-1995) was a university professor, author, and Walt Whitman scholar. Collection consists of correspondence, notebooks, printed material, essays, and other writings, literary manuscripts, scrapbooks, teaching materials, pictures, books, clippings, offprints, periodicals, and sale catalogs. The focus of the collection is Allen's career as an university professor and Walt Whitman scholar. In particular Allen's activities as a professor at New York University and as a lecturer at Nagono, Japan in 1955, are documented. The history of Whitman criticism is an important theme. There is a large amount of research material on Whitman, both of Allen and other literary scholars. These include Evie Allison Allen, Clara Barrus, Charles N. Elliot, Clifton Joseph Furness, Emory Holloway, Peter Mitilineos, Hans Reisiger, and Henry Scholey Saunders. The Correspondence Series contains original correspondence acquired by Allen of Richard Watson Gilder, Alice James, and William James. This series also contains the correspondence of Roger Asselineau, Fredson Bowers, Oscar Cargill, Malcolm Cowley, Charles E. Feinberg, Milton Hindus, Emory Holloway, Sholom Kahn, and Frederik Schyberg. There are no strictly personal papers in the collection.

The Gay Wilson Allen Papers span the years 1801 to 1988, but the bulk of the collection occurs during the years 1925 to the 1970s. They consist of correspondence, notebooks, printed material, essays and other writings, literary manuscripts, scrapbooks, teaching materials, pictures, books, clippings, offprints, periodicals, and sale catalogs. The focus of the collection is Allen's career as a university professor and Walt Whitman scholar. In particular Allen's activities as a professor at New York University and as a lecturer at Nagono, Japan in 1955, are documented. The history of Whitman criticism is an important theme. There is a large amount of research material on Whitman, both of Allen and other literary scholars. These include Evie Allison Allen, Clara Barrus, Charles N. Elliot, Clifton Joseph Furness, Emory Holloway, Peter Mitilineos, Hans Reisiger, and Henry Scholey Saunders. The Correspondence Series contains original correspondence acquired by Allen of Richard Watson Gilder, Alice James, and William James. This series also contains the correspondence of Roger Asselineau, Fredson Bowers, Oscar Cargill, Malcolm Cowley, Charles E. Feinberg, Milton Hindus, Emory Holloway, Sholom Kahn, and Frederik Schyberg. There are no strictly personal papers in the collection.

Allen's career, both as a professor and Whitman scholar, is documented in several series. The Walt Whitman Materials Series and the Scrapbooks Series relate to his Whitman research. In the former series the Commemorations and Societies Subseries and the Popular Culture Subseries also document the ever increasing interest in Whitman's life and works during the twentieth century. The Correspondence Subseries and the Pictures Subseries contain copies of letters and pictures relating to Whitman and his age. The Correspondence Series also contains extensive letters concerning Allen's early teaching career, his dealings with several presses, and the marketing and reception of his The Solitary Singer, a Whitman biography.

The papers of six Whitman scholars are in the Walt Whitman Scholars Series. It suggests the international range both of Whitman scholarship and of Allen's interests. In addition to the interest in Whitman she shared with her husband, Evie Allison Allen was also a skilled translator of Germanic languages. Charles N. Elliot and Emory Holloway, as well as Canadian Henry Scholey Saunders, were Whitman collector-scholars who interacted with both Allen and Furness. The late Peter Mitilineos was one of Allen's students and was particularly interested in the writings of Italian Whitman scholar Pasquale Jannacone. Professor and Mrs. Allen both had an interest in the writings of German Whitman scholar Hans Reisiger.

The Clifton Joseph Furness Papers Series documents the history of Whitman criticism from Whitman's day to the start of Allen's biography of Whitman, The Solitary Singer. Allen used some of Furness's research materials to write the book. The Clara Barrus Papers Subseries contains her research materials on the relationship between Whitman and John Burroughs. In fact Barrus was a close friend of Whitman's friends Burroughs and Thomas Biggs Harned. The subseries includes portions of Barrus's correspondence, her research materials, and the manuscript of her study of Whitman and Burroughs, entitled Whitman and Burroughs, Comrades. The Correspondence Subseries contains correspondence with a number of Whitman friends, scholars, and collectors. The Writings Subseries chiefly reflects the results of the information Furness collected on Whitman during the 1930s and 1940s. Furness began three major Whitman projects: a definitive biography, an extensive bibliography, and a study of his reception in New England, tentatively entitled "The Bull in the China Shop." None of these works were published during Furness's lifetime.

Collections in the Duke University. David M. Rubenstein Rare Book & Manuscript Library related to the Gay Wilson Allen Papers include the American Literature Papers and the Trent Collection. Collections at other institutions related to the Gay Wilson Allen Papers include papers of Clara Barrus and Emory Holloway at the University of Virginia, papers of Henry Scholey Saunders at Brown University, and papers of Charles N. Elliot at the Library of Congress.

Provenance Note on the Clifton Joseph Furness Papers Series

Gay Wilson Allen acquired Clifton Joseph Furness's papers in 1948, but Furness had acquired some of Clara Barrus's papers shortly before her death in 1931. In turn Barrus, in her role as the literary executor of John Burroughs, had acquired some of Burroughs's papers in the years before his death in 1921. Apparently, Barrus had originally planned to write an extensive study of Whitman and his followers, based on materials found in her Research Files, but she apparently later decided to narrow its focus to a study of the relationship between Whitman and Burroughs. During Burroughs's last years she retyped some of his correspondence with Whitman and related figures, and in her own hand transcribed Burroughs's comments on each letter. With the help of Furness, Barrus published her last book, Whitman and Burroughs, Comrades in 1931. About that time, Furness acquired the materials found in the Clara Barrus Papers Subseries.

Furness was in close contact with other Whitman friends, scholars, and collectors, and spent years collecting information on Whitman. None of these projects were published during his lifetime.

In 1948, New York University professor Gay Wilson Allen was able to persuade the university to purchase for his use Furness's papers, which by now included papers from Barrus and Burroughs as well. David Goodale and Henry Scholey Saunders agreed to cooperate with Allen in the publication of Furness's Whitman bibliography. In about l951 Allen acquired Saunders's revised copy of the portion of Furness's Whitman bibliography concerned with "Biography and Criticism," Part 6 (of 11). After Furness's death Allen, with the help of some of the Furness Papers, wrote a Whitman biography, which eventually became The Solitary Singer.

The Alliance for Audited Media (AAM) is a research firm that provides data services to the advertising and publishing industries. It is headquartered in Arlington Heights, Ill. The collection consists of over 500 16mm microfilm reels of archived printed reports produced by the AAM for subscribing newspapers and publications distributed primarily in the United States and Canada. The reports depict circulation data in a variety of contexts, including coupon distribution, geographical penetration, interactive media, market coverage, trends, and Zip Code analyses. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Alliance for Audited Media mircofilmed reports collection consists of over 500 16mm microfilm reels of archived printed reports produced by the AAM for subscribing newspapers and publications distributed primarily in the United States and Canada. The reports depict circulation data in a variety of contexts, including coupon distribution, geographical penetration, interactive media, market coverage, trends, and Zip Code analyses.

Advertising executive with BBDO and Uniworld agencies, and RCA. One of the first African Americans to become an executive in the advertising industry in the United States Collection spans the years 1963-2013, with the bulk of materials spanning 1980-2006. It contains primarily of research reports focused on ethnic minority (African American, Asian, Hispanic) and youth consumer market demographics and media issues such as television viewing habits. The collection also includes clippings and a 1963 audio recording, Adventures in Negro History. Companies referenced in the materials include BBDO, RCA, Chrysler and Pepsi. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection spans the years 1963-2013, with the bulk of materials spanning 1980-2006. It contains primarily of research reports focused on ethnic minority (African American, Asian, Hispanic) and youth consumer market demographics and media issues such as television viewing habits. The collection also includes clippings and a 1963 phonograph record, Adventures in Negro History. Companies referenced in the materials include BBDO, RCA, Chrysler and Pepsi.

Collection primarily includes four sketchbooks by Allingham, but also contains four letters, a carte de visite, and two exhibit labels. The four sketchbooks date from 1868-1916, and feature sketches and drawings made in graphite, watercolor, and pen and ink. Subjects are varied, and include English cottages and buildings, architectural features, sailboats and coastal scenes, figures, landscapes, and botanical items. The letters, dated 1881-1882 and undated, include three written by Allingham. There is one to Marcus B. Huish regarding her painting, The Tea Party, which she reports is incomplete, but she plans to finish before it is exhibited. There is a letter to a friend to whom she sends autographs, then describes her country place and garden, along with her 4-month-old son. Another letter focuses on the difficulty of finding unfurnished rooms. The final letter in the collection is written by Andrew Halliday to Dr. Watkins, regarding Allingham's address. There is also a carte de visite of English women's rights activist Emily Faithfull, with her signature, along with two modern exhibit labels on Allingham.

Collection primarily includes four sketchbooks by Allingham, but also contains four letters, a carte de visite, and two exhibit labels. The four sketchbooks date from 1868-1916, and feature sketches and drawings made in graphite, watercolor, and pen and ink. Subjects are varied, and include English cottages and buildings, architectural features, sailboats and coastal scenes, figures, landscapes, and botanical items.

The letters, dated 1881-1882 and undated, include three written by Allingham. There is one to Marcus B. Huish regarding her painting, The Tea Party, which she reports is incomplete, but she plans to finish before it is exhibited. There is a letter to a friend to whom she sends autographs, then describes her country place and garden, along with her 4-month-old son. Another letter focuses on the difficulty of finding unfurnished rooms. The final letter in the collection is written by Andrew Halliday to Dr. Watkins, regarding Allingham's address. There is also a carte-de-visite of English women's rights activist Emily Faithfull, with her signature, along with two modern exhibit labels on Allingham.

Dorothy Allison is an author and feminist who has written numerous books and short stories, including Trash (1988), Bastard Out of Carolina (1992), and Cavedweller (1998). The Dorothy Allison Papers include drafts and manuscripts of her writings (including Bastard Out of Carolina, Trash, Cavedweller, and other works), personal and professional correspondence, research materials and subject files, her personal journals, and other materials. Includes some photographs, electronic files, and oversize materials. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The Dorothy Allison Papers include drafts and manuscripts of her writings (including Bastard Out of Carolina, Trash, Cavedweller, and other works). All of Allison's unpublished works are RESTRICTED and require permission from the creator prior to use. Personal and professional correspondence, including exchanges with her publishers and other authors, are held in the chronological and work files. The collection also contains Allison's research materials and subject files, covering topics on feminism, lesbianism, sexuality, pornography, writing, and other related files. Allison's journals, dating from 1985 through the 2000s, consist of both handwritten and electronic formats, with all of the electronic journals printed for the archive. All of Allison's journals are RESTRICTED and require permission from the creator prior to use. Also included are materials from her speaking engagements, workshops, and other professional activities. There are a variety of special formats within the collection, including some photographs, electronic files, audio tapes, video cassettes, DVDs, and oversize posters.

Collection was acquired as part of the Sallie Bingham Center for Women's History and Culture.

Alpha Epsilon Phi is a social sorority for undergraduate women. The Duke University chapter was established in 1934 and disbanded in the mid-1960s. The sorority was revived at Duke in 1977, with the establishment of the Alpha Epsilon chapter; it disbanded in 2004. Records include manuals, composite photographs, roll book, standards, project files, and other materials created and collected by the Alpha Epsilon Chapter of Duke University. English.

Records include manuals, composite photographs, roll book, standards, project files, and other materials created and collected by the Alpha Epsilon Chapter of Duke University.

The photographs and papers of documentarian Rob Amberg span the years 1975-2009. The gelatin silver prints and pigmented inkjet color prints in the collection represent three bodies of work: The New Road: I-26 and the Footprints of Progress; The Sodom Laurel Album; and The Vanishing Culture of Agriculture. Amberg focuses primarily on the social life and customs of the rural South, especially in the mountains of his home state of North Carolina. Images range from landscape shots taken before and during construction of an interstate highway in the N.C. mountains, to portraits of individuals and families affected by the changes in rural culture. Images also depict agricultural activies such as tobacco cultivation and dairy cattle farming, as well as work in the poultry industry. He has a special concern for documenting the way in which industrial and economic progress seems to be erasing many aspects of rural culture at the turn of the twenty-first century. Amberg's papers account for the rest of the collection and are organized into five series: Correspondence, Printed Materials, Subject Files, and Writings and Research, and Audio. Acquired as part of the Archives of Documentary Arts at Duke University.

The Rob Amberg Photographs and Papers span the years 1975-2009. The photographs consist of 8x10 and 11x14 inch gelatin silver prints and pigmented inkjet color prints. Amberg's focus as a photographer is primarily the social customs of the rural South, especially in his home state of North Carolina. He has a special concern for documenting the way in which industrial and economic progress seems to be erasing many aspects of rural culture at the turn of the twenty-first century.

The collection is arranged into three project series: The New Road: I-26 and the Footprints of Progress ; The Sodom Laurel Album; and The Vanishing Culture of Agriculture.

Images range from landscape shots taken before and during construction of an interstate highway in the N.C. mountains, to portraits of individuals and families affected by the changes in rural culture. Images also depict agricultural activies such as tobacco cultivation and dairy cattle farming, as well as work in the poultry industry. Many of Amberg's images in this last series were funded by the Rural Advancement Fund to document the rural Carolinas, and by the Mary Reynolds Babcock Foundation. Captions and numbering are taken from original notes on the back of each print. Series are arranged in alphabetical order by title of project.

Amberg's papers are organized into five series. The Correspondence Series contains incoming messages regarding exhibits and the publication of Amberg's books as well as photographic work in other published materials.

The Printed Material Series consists of publications which include or feature his images. Publications in the series are both national and local, including The New York Times and Harper's.

Amberg worked and contributed to a number of non-profit organizations dealing with farm worker's rights and other social issues. Collections of materials relating to these non-profits are housed in the Subject Files Series. Printed materials in this series include annual reports and publications by each organization. Most of the materials include photography work by Amberg.

Included in Amberg's papers is the Writings and Research Series. Content includes multiple versions of the manuscripts to The New Road: I-26 and the Footprints of Progress and Sodom Laurel Album, a publisher's draft of Quartet: Four North Carolina Photographers, a number of interview transcripts, and other writings by Amberg and others.

The final grouping in the collection is the Audio Series which includes a piece entitled Interstate 26 produced by Leda Hartman and a copy of the musical recording which accompanies Sodom Laurel Album.

The American Association of Advertising Agencies, founded in 1917, is the primary advertising industry trade organization. The American Association of Advertising Agencies (AAAA) Records span the years 1918-1998 and include correspondence, annual corporate and stockholder reports for member agencies, meeting minutes and speeches, biographical summaries, a subject file, and videotapes that document selected activities and functions of the organization. The collection has been compiled from a number of accessions received over time, and so does not represent a comprehensive archive of the AAAA. Certain aspects of AAAA activities, however, are well represented, including a set of card files that document the professional careers of AAAA members over a 50-year period, and subject files that focus on Federal Trade Commission (FTC), Federal Communications Commission (FCC) and the Food and Drug Administration (FDA) investigations into complaints lodged against advertisers and advertising claims produced in a variety of media, with a particular emphasis on the ways that products were advertised during and in conjunction with children's television programming. Other topics touched on include advertising self-regulation, antitrust issues, advertising laws, and deceptive and ethical practices in marketing and advertising.

The American Association of Advertising Agencies (AAAA) Records spans the years 1918-1998 and includes correspondence, annual corporate and stockholder reports for member agencies, meeting minutes and speeches, biographical summaries, a subject file, and videotapes that document selected activities and functions of the organization. The collection has been compiled from a number of accessions received over time, and so does not represent a comprehensive archive of the AAAA. Certain aspects of AAAA activities, however, are well represented, including the card files that document the professional careers of AAAA members over a 50-year period, and subject files that focus on Federal Trade Commission (FTC), Federal Communications Commission (FCC) and the Food and Drug Administration (FDA) investigations into complaints lodged against advertisers and advertising claims produced in a variety of media, with a particular emphasis on the ways that products were advertised during and in conjunction with children's television programming. Other topics touched on include advertising self-regulation, antitrust issues, advertising laws, and deceptive and ethical practices in marketing and advertising.

The collection is arranged into four series: Administrative Files, Member Card Files, Vertical Files, and Audiovisual Materials. The Administrative Files Series includes correspondence, member corporate annual and stockholder reports, printed materials, meeting minutes and speeches, and memorabilia. The Member Card Files Series contains approximately 46,000 index cards that briefly document the employment histories of individual members roughly between the years 1920 and 1969. The Vertical Files Series consists of an alphabetical subject file primarily focused on FTC, FCC, and FDA hearings on complaints against advertisers as well as documents and testimonies relating to advertising to children. Also included is a compiled set of writings on advertising during times of recession and war. The Audiovisual Materials Series consists primarily of taped interviews with David Ogilvy and William Bernbach. Original videotapes are closed to patron use. Use copies are currently available for some items. Technical Services staff may need to produce use copies before contents can be accessed. Please contact Research Services staff before coming to use the collection.

North Carolina affiliate of the American Civil Liberties Union, founded in 1965 and based in Raleigh. The records of the American Civil Liberties Union of North Carolina (ACLU of N.C.) date from the 1960s to the mid-2000s. The collection is organized into the following series: ACLU Historical Files, Executive Director Files, Legal Program, Audiovisual Material, and Print Material. The files primarily focus on the investigation and prosecution of cases related to civil rights, public education relating to civil liberties, and lobbying for civil liberties and human rights. Materials include correspondence files from the Excecutive Director's office and other units in the ACLU of N.C., thousands of case files; administrative files on cases, operations, and attorney's activities; lobbying and subject files; and printed matter and other records relating to outreach and public education activities. There are also some a/v materials and electronic files. Topics include: the civil rights and legal status of legally under-represented groups such as juveniles and high school students, prisoners, gays, and immigrants; education and academic freedoms; religious freedom and separation of church and state; freedom of expression (including desecration of the flag); racial inequalities and injustices; reproductive rights; women's rights; police misconduct and the legality of search procedures; drug testing and the decriminalization of drugs; voting rights, including issues surrounding reapportionment; and workers' rights, including unionization. There are also files on the Ku Klux Klan, Confederate displays, and right-wing organizations. Many of these issues span decades of ACLU involvement. Researchers consulting case files and any other materials should be aware of privacy laws that govern the publication and use of these records. Acquired as part of the Human Rights Archive at Duke University.

The records of the American Civil Liberties Union of North Carolina (ACLU of NC) span forty years, from its inception in the early 1960s to its activities in the mid-2000s. The files provide documentation on nearly all aspects of the organization's operations, primarily focusing on the investigation of cases related to civil rights and many related issues, the legal prosecution of cases, public education relating to civil liberties, and lobbying for civil liberties and human rights. Materials include correspondence files from the Excecutive Director's office and other units in the ACLU of NC, beginning from the earliest years; thousands of case files dating from 1969 through the mid-2000s; the legal assistant's files on cases, operations, and attorney's activities; lobbying and subject files; and printed matter and other records relating to the ACLU-NC's outreach and public education activities. There are also some slides related to arts cases, videocassette and audiocassette recordings, and electronic files. Commonly recurring social and legal issues to which the ACLU of NC dedicated its efforts and resources include but are not limited to: the civil rights and legal status of legally under-represented groups such as juveniles and high school students, prisoners, gays, and immigrants; education and academic freedoms; religious freedom and separation of church and state; freedom of expression (including desecration of the flag); racial inequalities and injustices; reproductive rights; women's rights; police misconduct and the legality of search procedures; drug testing and the decriminalization of drugs; voting rights, including issues surrounding reapportionment; and workers' rights, including unionization. There are also many files on the Ku Klux Klan, Confederate displays, and right-wing organizations in NC

The collection is open to use. However, researchers consulting case files and any other materials in this collection should be aware of privacy laws that govern the publication and use of these records, especially in the case of third party information. Most personal names have been removed from case file titles in this web-accessible collection guide. The full version is available only to on-site researchers.

The Legal Program Series, the largest series in the collection at 260 boxes, chiefly consists of court case and other investigations files, and were created and maintained by the branch of the ACLU of NC called the North Carolina Legal Foundation. The files were marked variously as coming from the Office of the Legal Counsel or the Legal Program. These files were kept in their original order, which was generally chronological, though there are many overlapping series and fragmented sequences, some of which are alphabetical. When possible, the nature of the case or investigation is noted in a few words for each entry; keyword searching is the best means to discover names or topics (e.g., "parental consent,""prayer,""1st Amendment,""employee,""free speech," etc.).

Files in the Executive Director Office Series (90 boxes) refer to meetings, annual ACLU national conferences, litigation and political action strategizing, fundraising, and membership, and contain many individual legislative and court case files maintained by the Executive Director's Office (who at times in the ACLU of NC's history also served as the Legal Director). Extensive research and "issues" files, as they were often called, found both in the Legal Program and Executive Office Series, were most often used to support the case and investigative work, and therefore cover topics similar to the case files. Other subject files reflect the Executive Director's efforts to learn about issues relating to other affiliates of the ACLU.

Smaller but significant components of the collection include the Audiovisual Material Series, housing videocassettes and audio recordings, and the Print Material Series, which houses publications, clippings, reports, and other print material created by the ACLU of NC as well as material from other organizations. A nearly complete run of the ACLU of NC's newsletter, Liberty, can be found here, as well as multiple issues from such publications as Prison Law Monitor, Veteran's Advocate, and Youth Law News. Other publications are filed by topic. Many press releases, clippings, and files related to media relations are found in the Executive Director Office Series, and to a lesser extent in the Legal Program Series.

Researchers interested in the earliest history of the ACLU of NC should consult the small Historical Files Series which contains a 1970 history of the organization written by Daniel Pollitt and George Scheer, as well as copies of the original founding documents of incorporation, board and legal foundation meeting minutes from the 1960s to the 1980s, and other files. More complete files of early correspondence, meetings, and legal cases dating from the 1960s and 1970s can be found in other series.

Acquired as part of the Human Rights Archive at Duke University.

The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a six and a half week summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a six and a half week summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. The collection consists of materials collected by the American Dance Festival pertaining to choreographers, dance companies, and others involved in modern dance, including printed materials, newspaper and magazine clippings, press kits, programs, and correspondence.

The collection consists of materials collected by the American Dance Festival pertaining to choreographers, dance companies, and others involved in modern dance, including printed materials, newspaper and magazine clippings, press kits, programs, and correspondence.

The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. Contains correspondence, lists, administrative materials, memoranda, contracts, legal documents, financial records, class schedules, teaching materials, student records, clippings, press releases, publicity materials, brochures, tickets, posters, and other printed materials created by or related to the American Dance Festival.

Contains correspondence, lists, administrative materials, memoranda, contracts, legal documents, financial records, class schedules, teaching materials, student records, clippings, press releases, publicity materials, brochures, tickets, posters, and other printed materials created by or related to the American Dance Festival before the decision to move to Durham, North Carolina, in the fall of 1977.

The American Economic Association (AEA) is the primary professional association for economists in the US. This collection documents the activities of the organization, especially their journals, and including the Committee on the Status of Women in the Economics Profession. It forms part of the Economists' Papers Archive.

Primarily records of the American Economic Review (AER), and to a lesser extent, the Journal of Economic Literature (JEL) and the Journal of Economic Perspectives, including correspondence, referee reports/peer reviews, accepted and rejected manuscripts, book reviews, and proposals. There are also administrative files of the AEA and its subgroups, particularly the Committee on the Status of Women in the Economics Profession (CSWEP). There are 50 black-and-white photographs of former AEA presidents, a 39x10 inch black-and-white group photograph taken at an unidentified meeting, 48 rolls of microfilm from various journals (mostly AER), 63 microfiche of JEL correspondence ([1968]-1980), seven reel-to-reel audiotapes, 16 floppy disks (most from CSWEP), and three optical discs and one logical file folder with membership directories.

The earliest documents date from 1927, the year before the first issue was published. New material will continue to arrive as the journal's office deems files inactive. The bulk of the journal's papers consists of correspondence and editorial comments on submitted articles.

Aside from a relatively few submissions which seem to have been rejected after a single reading by the chair or other in-house editor (because they were too long or clearly unsuitable for the journal), articles were sent out to at least two members of the Editorial Board. They sent back written comments and a recommendation (reject, accept, accept pending revision). These responses make up the Editorial Comments Series (1928-1983) and a portion of the Correspondence and Editorial comments Series (1984-1989). By the late 1980s, the journal was receiving several hundred submissions each year, but the editorial comments suggest that the proportion of fine articles in the pool had not been maintained as sheer numbers increased. Members of the Editorial Board take on this responsibility in addition to their normal institutional duties.

The comments in the Editorial Comments Series are sometimes brief and dismissive, sometimes quite elaborate. Even in the absence of the rejected articles themsleves, they are a rich record of individual and institutional critical predispositions. In its early years, the journal was working to establish a solid documentary foundation for the profession of American literary study. Favored topics were unpublished manuscripts, biographical work, and influence studies. The journal was slow to accept the move to New Critical interpretations of texts, reluctant to give up its tradition of more empirical scholarship. Such moments of critical change or expansion - late 1960s psychoanalytical criticism, 1970s feminist readings, 1980s post-structuralism, etc. - are vividly documented by the Editorial Board's varied members. Not infrequently, one reader will enjoy the provocative nature of an article, while the other considers it to be careless scholarship or too polemical.

Most of the correspondence is in the Alphabetical and Correspondence Series. It deals with submitted articles or reviews, but there are more substantial letters dealing with policy, critical positions, and disputes (primarily about reviews).

All other papers are contained in the Subject Files Series. Included there are correspondence preceding and relevant to the inception of the journal; Foerster Prize records; materials relating to the selection of editors and the formulation of policy; annual reports to the American Literature Section of the MLA; materials relating to Duke Press and publicity; and information gathered in the early years about who was doing what with American literature (for the purpose of mapping the field and finding reviewers).

Additionally in the Card Files Series there are three boxes sized for 3 x 5 cards which are full of information saved by the American Literature offices between (roughly) 1928 and 1950. These constitute something like a scrapbook of American literature, containing: bibliography cards; sketches of periods and genres; course descriptions; etc. These materials are typed and handwritten. Finally, there are samples of the 5 x 7 cards used to process and keep track of submissions and book reviews. These cards do not contain information (in either their content or organization) that is unavailable elsewhere, but they do illustrate the process by which articles and book reviews were handled.

The accessions (2009-0177) and (2009-0242) include editorial comments and correspondence from American Literature, beginning in 1993 and continuing through the early 2000s. Materials are organized alphabetically by each person's last name.

(by box/period divisions, including only regular contributors)

1. William B. Cairns
2. Jay B. Hubbell
3. Kenneth Murdock
4. Fred Lewis Pattee
5. Ralph Rusk

1. William B. Cairns
2. Jay B. Hubbell (minimal)
3. Kenneth Murdock
4. Ralph Rusk
5. Robert Spiller

1. Killis Campbell
2. Kenneth Murdock
3. Ralph Rusk
4. Robert Spiller

1. Norman Foerster (some)
2. Kenneth Murdock
3. Ralph Rusk
4. Robert Spiller
5. Laurance Thompson

1. Norman Foerster
2. Kenneth Murdock
3. Ralph Rusk
4. Robert Spiller

1. Norman Foerster
2. Clarence Gohdes (some)
3. Ralph Rusk
4. Robert Spiller
5. Stanley Williams

1. Norman Foerster
2. Kenneth Murdock
3. Robert Spiller
4. Stanley Williams

1. Emory Holloway
2. Kenneth Murdock
3. Austin Warren
4. Stanley Williams

1. Harry Hayden Clark
2. James D. Hart
3. Willard Thorp
4. George Whicher

1. Walter Blair
2. Harry Hayden Clark
3. Willard Thorp
4. George Whicher

1. Harry Hayden Clark
2. James D. Hart
3. Willard Thorp
4. George Whicher

1. Harry Hayden Clark
2. James D. Hart
3. Fred B. Millett
4. Willard Thorp

1. Harry Hayden Clark
2. Ernest Leisy
3. Fred B. Millett
4. Willard Thorp

1. Harry Hayden Clark
2. Ernest Leisy
3. Henry Nash Smith
4. Willard Thorp

1. Harry Hayden Clark
2. Ernest Leisy
3. Russell Nye
4. Henry Nash Smith

1. Lewis Leary
2. Norman Pearson
3. Henry Pochmann

1. Charles R. Anderson
2. Edwin Cady
3. Theodore Hornberger
4. Lewis Leary
5. Norman Pearson
6. Henry Pochmann
7. Henry Nash Smith
8. Floyd Stovall
9. George Whicher

1. Charles R. Anderson
2. Edwin Cady
3. Theodore Hornberger
4. Lewis Leary
5. Russel Nye
6. Henry Pochmann
7. Floyd Stovall
8. George Whicher

1. Charles R. Anderson
2. Edwin Cady
3. William Charvat
4. Theodore Hornberger
5. Russel Nye
6. Henry Pochmann
7. Floyd Stovall

1. Edwin Cady
2. William Charvat
3. R.H. Fogle
4. Theodore Hornberger
5. Russel Nye
6. Sherman Paul
7. Henry Pochmann
8. Floyd Stovall

1. James Beard
2. Walter Blair
3. William Charvat
4. R.H. Fogle
5. James D. Hart
6. Theodore Hornberger
7. Russel Nye
8. Sherman Paul
9. Henry Pochmann
10. Ernest Samuels

1. William Charvat
2. Richard B. Davis
3. R.H. Fogle
4. James D. Hart
5. Theodore Hornberger
6. Russel Nye
7. Ernest Samuels

1. Gay Wilson Allen
2. George Arms
3. William Charvat
4. Richard B. Davis
5. R.H. Fogle
6. James D. Hart
7. Russel Nye
8. Ernest Samuels

1. Gay Wilson Allen
2. George Arms
3. Richard B. Davis
4. R.H. Fogle
5. James D. Hart
6. Russel Nye
7. Henry Pochmann
8. Ernest Samuels
9. Floyd Stovall

1. Gay Wilson Allen
2. George Arms
3. Richard B. Davis
4. John T. Flanagan
5. Russel Nye
6. Henry Pochmann
7. Ernest Samuels

1. Richard P. Adams
2. Gay Wilson Allen
3. George Arms
4. James M. Cox
5. John T. Flanagan
6. R.H. Fogle
7. Allen Guttmann
8. David Levin
9. Russel Nye
10. Henry Pochmann
11. Ernest Samuels
12. John D. Seelye
13. Lewis P. Simpson

1. Richard P. Adams
2. James M. Cox
3. Lawrence S. Dembo
4. Warren G. French
5. Allen Guttmann
6. Annette Kolodny
7. David Levin
8. Russel Nye
9. Donald Pizer
10. Patrick F. Quinn
11. John D. Seelye
12. Walter Sutton

1. Sacvan Bercovitch
2. Lawrence S. Dembo
3. Warren G. French
4. Annette Kolodny
5. J.A. Leo Lemay
6. Jay Martin
7. Terence Martin
8. Roy Harvey Pearce
9. H. Dan Piper
10. Donald Pizer
11. Joel M. Porte
12. Patrick F. Quinn
13. Walter B. Rideout
14. John D. Seelye
15. Walter Sutton
16. G. Thomas Tanselle
17. Darwin Turner

1. Nina Baym
2. Sacvan Bercovitch
3. Panthea Broughton
4. Lawrence Buell
5. Don Cook
6. Hamlin Hill
7. Annette Kolodny
8. J.A. Leo Lemay
9. T. Martin
10. Hershel Parker
11. Roy Harvey Pearce
12. H. Dan Piper
13. Joel M. Porte
14. Walter B. Rideout
15. Charles Scruggs
16. G. Thomas Tanselle
17. Linda Wagner

1. Elizabeth Ammons
2. Martha Banta
3. Nina Baym
4. Lawrence Buell
5. Cathy Davidson
6. Scott Donaldson
7. Norman Grabo
8. Philip Gura
9. Hamlin Hill
10. Marcus N. Klein
11. J.C. Levenson
12. Horace Porter
13. Donald A. Ringe
14. Charles Scruggs
15. Kenneth Silverman
16. Werner Sollors
17. Robert Stepto
18. Linda Wagner
19. Christof A. Wegelin

The American Newspaper Repository was founded in 1999 as a 501(c)(3) non-profit corporation in order to save a unique collection of original newspapers that would otherwise have been destroyed or dispersed, and to preserve and make available these landmarks of American publishing. Nicholson Baker, author of numerous fiction and nonfiction works, including writings on libraries, founded and served as director of the Repository in conjunction with research for his 2001 release, Double Fold: Libraries and the Assault on Paper. The collection consists of approximately five thousand newspaper volumes (plus several thousand unbound newspapers), most of which came, directly or indirectly, from the British Library. There are long runs of major domestic newspapers as well as many foreign language and immigrant papers, such as the Yiddish Forward, the Irish World, and the Greek Atlantis, trade journals, Communist papers such as the Daily Worker, and other political papers. Many of these runs apparently exist nowhere else in the original format.

The American Newspaper Repository collection consists of approximately five thousand newspaper volumes (plus unbound newspapers), most of which came, directly or indirectly, from the British Library. There are long runs of major domestic newspapers as well as many foreign language and immigrant papers, such as the Yiddish Forward, the Irish World, and the Greek Atlantis, trade journals, Communist papers such as the Daily Worker, and other political papers. Many of these runs apparently exist nowhere else in the original format.

A number of newspaper titles have been separated from the collection and cataloged individually in the library catalog. To locate these titles, search for "American Newspaper Repository" in the catalog.

An organization dedicated to studying ancient Greek and Latin papyri. Collection houses archives of the American Society of Papyrologists, including the Society's constitution, financial papers, correspondence, Director's Office files, memoranda, and other administrative files, spanning the years 1977-1993.

Collection houses archives of the American Society of Papyrologists, including the Society's constitution, financial papers, correspondence, Director's Office files, memoranda, and other administrative files, spanning the years 1977-1993. Collection has been given basic processing: items are in original order as received.

Author and professor of American literature at Duke University and Johns Hopkins University. The Charles Roberts Anderson Papers span the dates 1806-1993 and document his active career as professor of American literature at Duke University and Johns Hopkins University. Included are research materials on the intellectual life of Charleston, S.C., and on American literary figures such as Paul Hamilton Hayne, Emily Dickinson, Henry James, Sidney Lanier (to whom Anderson was related), Herman Melville, Henry David Thoreau, and others. Additional material includes correspondence and files on Anderson's publications; lectures and files related to teaching; travel diaries and keepsakes; and other papers related to his family history and academic career. Copies of correspondence and other documents by Anderson's research subjects, particularly Hayne, detail elements of life in the South in the nineteenth century. In addition, material in this collection chronicles the academic life of Anderson and provides insight into the state of literary scholarship and publishing in the mid-twentieth century. Early dates usually reflect the dates of the content of original material photocopied by Anderson in the course of his research. Acquired as part of the Jay B. Hubbell Center for American Literary Historiography.

The Charles Roberts Anderson Papers span the dates 1806-1993 and document the active literary career of Anderson, who was professor of American literature at Duke University and Johns Hopkins University and a reknowned international lecturer. Included are research materials on Paul Hamilton Hayne and other Southern literary figures. Also contains writings and research files on the subjects of Anderson's books and edited volumes, especially Emily Dickinson, Henry James, Sidney Lanier (to whom Anderson was related), Herman Melville, Henry David Thoreau, and other American literary figures, including Walt Whitman, William Faulkner, and Mark Twain. Additional material includes files on his research and publications on the intellectual life of Charleston, S.C.; correspondence and files on other publications; lectures and files related to teaching, including two audiotapes of Anderson's lectures on Dickinson; travel journals, keepsakes, and two films on Charleston, S.C. and Stratford, England; and other papers related to the Anderson family history and his academic career. Copies of correspondence and other documents by Anderson's research subjects, particularly Hayne, detail social conditions and life in the South in the nineteenth century. In addition, material in this collection chronicles the academic life of Anderson and provides insights into the state of American literary scholarship and publishing in the mid-twentieth century. Early dates usually reflect original material photocopied by Anderson in the course of his research. Acquired as part of the Jay B. Hubbell Center for American Literary Historiography.

Jay Carl Anderson was a Duke University student from 1974 to 1978 and freelance photographer who photographed Duke scenes and athletic events as well as politicians and scenes around Durham and North Carolina. He also served as the editor of the 1978 Chanticleer (Duke University's yearbook). The Jay Carl Anderson Photographs and Papers include images of Anderson's time at Duke, particularly images of East and West campus, athletic events (particularly Duke men's basketball), and Duke students. The collection also includes images of United States Presidents and Presidential Campaigns (particularly Jimmy Carter and the 1976 Democratic National Convention), as well as scenes around Durham, and locations inside and outside of North Carolina.

The Jay Carl Anderson Photographs and Papers include images of Duke University, Durham, Duke athletic events, and many other subjects taken by Jay Anderson throughout the 1970s and 1980s.

The collection includes a large number of photographs taken by Jay Anderson during his time as a student at Duke University in the 1970s, particularly images of the Duke campus, Duke athletic events, and related topics for the 1978 Chanticleer. Also included are images taken in and around Durham after Anderson graduated from Duke, images of politicians and political activity at the national and state level, and locations and events outside of North Carolina. The collection also includes student materials from Anderson's time at Duke and correspondence and publications related to his work as a freelance photographer.

Topics and individuals depicted include Duke's East and West Campus, Duke Blue Devils men's basketball games, student life at Duke in the late 1970s, Duke athletic events, and scenes around Durham and North Carolina. The collection also includes images of politicians such as United States Presidents Jimmy Carter, Gerald Ford, and Ronald Reagan, the 1976 Democratic National Convention, politicians Jesse Jackson, George Wallace, and Walter Mondale, and many other subjects.

The photographs were divided by format and did not include a system to match the same image in different formats. Many negatives were grouped into folders with topical labels, while many others were individually labeled by roll or completely unlabeled. Some negatives were still rolled and uncut, and have been cut to fit into sleeves. Many unlabeled negatives were grouped into labeled folders. Many slides were in labeled containers, while others were sleeved and grouped into folders. Some negatives and slides may contain further identifying information for individual rolls or pages that are not included in folder titles. Most prints were unlabeled, and have been grouped into labeled folders. Some individual prints, likely submitted for publication to clients such as the New York Times, include descriptive captions identifying individuals, events, and/or dates. Not all negatives or slides are represented in prints, and a few prints may not have corresponding negatives or slides.

Photographs taken for the American Dance Festival during Anderson's tenure as official ADF photographer are held at the American Dance Festival Archives.

Jay C. Anderson (1956-2013) was the photographer for the American Dance Festival from 1978 to 1994. This collection contains documents, slides, negatives, and prints pertaining to ADF performances and student classes during Jay Anderson's tenure as photographer for the American Dance Festival.

This collection contains documents, slides, negatives, and prints pertaining to ADF performances and student classes during Jay Anderson's tenure as photographer for the American Dance Festival.

Jesse Pyrant Andrews is an American photographer based in rural southern Virginia. Collection comprises 291 black-and-white photographs and 46 oral history interviews by photographer Jesse Pyrant Andrews, documenting rural and small-town life in the Piedmont region of Virginia and North Carolina. Major themes center on the landscapes and people of the region; tobacco cultivation; the lives of farmers, war veterans, small business owners, and laid-off workers; local architecture and historic sites; traditional crafts and music; and new patterns of economics and society in rural Virginia. Andrews's Veterans Project has become a larger focus over the years; it now comprises over 30 portraits and associated audio interviews, chiefly with veterans of the Vietnam and Gulf Wars. Additional projects include materials related to the Carter-Wooding families of southern Virginia; views from an Amtrak train; views of an historic plantation home, Mountainview; and street scenes and portraits taken in New York City, California, and Massachusetts. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection comprises 291 black-and-white photographs and 46 oral history recordings by Jesse Pyrant Andrews documenting rural and small-town life in the Piedmont plateau of central southern Virginia and northern North Carolina. Most of the images are portraits of local people, along with scenes from homesteads, small towns, farms, and grave sites. Major themes include tobacco cultivation; the lives of farmers, migrant workers, war veterans, small business owners, and laid-off textile workers; regional architecture; historic sites; and traditional activities such as music-making, constructing handmade firearms, and working with leather. Together, the images and interviews speak to significant changes in this rural Piedmont region's cultures and economies as it has transitioned into the 20th and then the 21st centuries.

In the Veterans Project series, Andrews documents through portraits and in-depth audio interviews the experiences of U.S. military veterans, primarily in the Vietnam and Gulf Wars, but also in World War II. The series includes a Vietnam War veteran's manuscript memoir and a tribute essay to one veteran, written by Andrews. Some of these resources may contain disturbing content.

The Carter-Wooding Project, also comprising photographs and several oral histories, documents two Halifax County, Virginia families, the Carters and the Woodings, and their rural property dating back to an 18th-century Huguenot land grant. This project forms part of the Portraits series in this collection. Interior and exterior shots of a former plantation, "Mountain View," in Tightsqueeze, Virginia (sold at auction in 2020) are featured in the series Life At Large.

Photographs from the series 13-Month Crop, documenting tobacco farming, were featured in a solo exhibit of Andrews' work hosted by the Rubenstein Library at Duke University in 2002.

Portraits and oral histories in the Burlington Mills series document the experiences of former southern Virginia textile workers.

Another series documents a trip on an Amtrak train. Rounding out the collection are images of street life and people in New York City, California, and Massachusetts, and a few of patterns in plants and ice.

Most of the photographs are accompanied by captions written by the photographer, commenting on the individuals, their life experiences, and aspects of local culture and society. Captions for the Veterans series include biographies as well as historical details related to several wars in which the U.S. was involved.

A large selection of photographs from the Andrews collection has been digitized and is available on the Duke Digital Collections website; links to this content are included in this inventory for corresponding prints.

The Angier B. Duke Memorial was established in 1925 by Benjamin N. Duke to honor his son, Angier Buchanan Duke (1884-1923, Trinity, '05). The program was reworked in 1946-1947 when the Memorial Scholarship became the University's premier undergraduate award. The collection contains annual reports of various committees, correspondence and memoranda, studies, proposals, financial material, and miscellaneous material. A majority of the material pertains to loans, awards, and scholarships funded by the Angier B. Duke Memorial and ranges in date from 1923-1999.

The collection contains material pertaining to the operation of the Angier B. Duke Memorial, Inc. scholarship, award, and loan programs. The material ranges in date from 1923-1999. General files include material relating to all of the scholarship programs offered by the Angier B. Duke Memorial, Inc.: Summer Study at Oxford, Self-Determined Educational Experience, In-Class Scholar Award, and the Angier B. Duke Memorial Scholarship; reports, correspondence, and miscellaneous material. The restricted series contains bound annual reports of the scholarship and prize committees, a sampling of student loan applications, and annual Memorial Scholar student essays. Financial papers include loan amounts and balances, assorted vouchers, corporate investment material, and several oversize items: bound ledgers, cash books, and journals.

Real estate and travel company founded in 1932 by brothers Herman and Robert Anspach in Highland Park, Ill. Currently part of Valerie Wilson Travel, Inc. Collection spans 1936-2014 with the bulk of materials dating from the 1960s-1980s. Primarily brochures, leaflets and other take-away direct marketing materials advertising resorts, hotels, airlines, cruise lines, and other services and destinations comprising the travel and tourism industry. Also includes newsletters, itineraries, and some correspondence. All continents and ocean regions are represented. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection spans 1936-2014 with the bulk of materials dating from the 1960s-1980s. Primarily brochures, leaflets and other take-away direct marketing materials advertising resorts, hotels, airlines, cruise lines, and other services and destinations comprising the travel and tourism industry. Also includes newsletters, itineraries, and some correspondence. All continents and ocean regions are represented. The bulk of the collection is in English, but some of the items are multi-lingual or in the native language of country of origin. Spanish, French, German, Russian, Japanese, Chinese, and Pidgin English among other languages, are represented in the collection

Newsletters, executive meeting minutes, directories, correspondence, election information, meeting critiques, and other printed matter document the activities of the Appalachian Society of American Foresters between 1921-1994. Records found in the collection include position descriptions, committee charters, by-laws, and copies of the organization's journal, Trail Blazer. There is also a report on the recovery from Hurricane Hugo (1989).

James Applewhite is a poet and professor emeritus of English at Duke University. The collection is comprised of manuscripts, drafts, and proofs of poems, as well as notes, correspondence, clippings, and printed materials (including serials and anthologies). The collection documents Applewhite's work as a poet and professor of English at Duke University, including his research about Wordsworth. Manuscripts in the collection include Lessons in Soaring: Poems, A History of the River: Poems, and River Writing: An Eno Journal.

Collection comprises fourteen black-and-white inkjet prints of photographs taken in Ireland by Alen MacWeeney, chiefly in 1965. Locations include counties Donegal, Galway, Kerry, Limerick, and Sligo, and the city of Dublin. Portraits of individuals and families, as well as some of animals, coexist with depopulated, dramatic landscapes. The prints measure 13x18 inches. A photobook titled UNDER THE INFLUENCE (2011) which includes these images along with others, accompanied by excerpts of poetry by William B. Yeats, is also held by the Rubenstein Library. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection comprises fourteen black-and-white inkjet prints of photographs taken in Ireland by Alen MacWeeney, chiefly in 1965. Locations include counties Donegal, Galway, Kerry, Limerick, and Sligo, and the city of Dublin. Portraits of individuals, including an old man in a field, a Benedictine monk, a woman in a doorway, and a farming family, coexist with depopulated, dramatic landscapes.

The black-and-white inkjet prints are printed on uncoated textured art paper, and measure 13x18 inches. Image sizes range from 6 1/8 x 10 1/4 to 11 1/2 x 10 1/4 inches.

A photobook titled UNDER THE INFLUENCE (2011) which includes these images and others, accompanied by excerpts of poetry by William B. Yeats, is also held by the Rubenstein Library.

Acquired as part of the Archive of Documentary Arts at Duke University.

The Center for Documentary Studies was established at Duke University in Durham, N.C. for the study of the documentary process. The collection contains 51 black-and-white and color photographs, chiefly 11x14 and 16x20 inches, that were selected by CDS staff from portfolios published in DoubleTake magazine or by DoubleTake books from 1995 to 1997, and were exhibited at the CDS galleries. Many of the images were taken in the southern United States, but there are also scenes from California, Illinois, Massachusetts, and Pennsylvania, and from countries such as Mexico, Vietnam and Ireland. Some images are dated as early as 1906 and 1940. Acquired as part of the Archive of Documentary Arts at Duke University.

The collection contains 51 black-and-white and color photographs that were selected by Center for Documentary Studies staff from portfolios published in DoubleTake magazine or by DoubleTake books from 1995 to 1997; they were were exhibited at the Center for Documentary Studies, Duke University galleries.

Many of the images were taken in the southern United States, but there are also scenes from California, Illinois, Massachusetts, and Pennsylvania, and from countries such as Mexico, Vietnam and Ireland.

The prints range widely in size from 8x10 to 20x24 inches, but the most typical sizes are 11x14 and 16x20 inches. Black-and-white gelatin silver prints predominate, with some color prints present.

Acquired as part of the Archive of Documentary Arts at Duke University.

The DoubleTake magazine records contain story manuscripts with editor's markings, correspondence, photographs and slides, and production files for issue numbers 1-16, 1994-1999. Files of editors Jay Woodruff, Rob Odom, and other editors contain correspondence with writers whose work they were interested in publishing and editing. There are postcards and transparencies used in various issues; and a complete run of the magazine through spring 1999. There are two unidentified files. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection holds story manuscripts (with editor's marks), correspondence, and production files for issues 1-16, 1994-1999. Files of editors Jay Woodruff, Rob Odom, and other editors contain correspondence with writers whose work they were interested in publishing and editing. There are postcards and transparencies used in various issues; and a complete run of the magazine through spring 1999. There are two unidentified files.

Later accessions include production files and correspondence between the magazine's editors and its contributors, also covering issues 1-16.

Accession 2010-0081 includes photographer name files, dating from 1993 (pre-production) through 1998, kept by Alex Harris and other DoubleTake staff. Files were created whenever a photographer corresponded with the magazine, and include copies of correspondence between editors and photographers, slides of sample work, contracts for those who were accepted as contributors, and occasional biographies or other information about the photographer. Some files represent a particular museum's exhibit rather than a personal photographer; these are designated with exhibit titles instead of a photographer's name.

Files are organized alphabetically, and include correspondence from well before the magazine began publication, as well as materials post-dating Harris's departure from the magazine.

Acquired as part of the Archive of Documentary Arts at Duke University.

Collection of 31 black-and-white photographs by André Kertész provides a sampling of his compositional styles and topical interests. Taken from 1919 through 1984, the images chiefly feature street scenes from Paris (1920-1984), and several each from Budapest and New York City. There are also two female nude studies from his 1930s series "Distortions," two still lifes, and several landscapes. The majority of the gelatin silver prints are sized 8x10 inches, with four measuring 11x14 inches. On the backs are various markings, including dates and identifying marks by Kertész and others, with many bearing a Kertész estate stamp. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection of 31 black-and-white prints by noted photographer André Kertész provides a portfolio representing the full range of his compositional styles and topical interests. Taken from 1919 through the 1980s, the end years of his career, the images chiefly feature street scenes from Paris in the 1920s and 1930s and 1980s, with a few street scenes from Budapest (1919 and 1920), and a handful from New York City from his later years in that city, with one from 1939. There are two photographs from the 1930s series "Distortions," featuring female nudes with distortion effects. Several images include cats and dogs. There are a handful of landscapes with no known location, and two still lifes.

The majority of the prints are sized 8x10 inches, with four measuring 11x14 inches. They bear various markings on the backs, including crop marks, dates, and identifying marks by Kertész and others. All but five are marked with the Kertész estate stamp; several bear the photographer's stamp.

Acquired as part of the Archive of Documentary Arts at Duke University.

Kenneth Arrow (1921-2017) was a Nobel Prize winner and the Joan Kenney Professor of Economics and Professor of Operations Research, Emeritus at Stanford University. This collection consists of his correspondence, research, writings, and other materials documenting his political and personal interests, as well as his collaborations and professional affiliations across the fields of economics, mathematics, public policy, and international relations. It forms part of the Economists' Papers Archive.

This collection documents Arrow's career as an economist, professor, and Nobel Laureate. It provides an overview of his many professional activities, along with his research, writings, and collected notes regarding topics such as microeconomics, contingent valuation, social choice theory, general equilibrium analysis, the economics of information, climate change, and endogenous-growth theories. The collection also documents his collaboration and communications with prominent economists such as Robert Aumann, Gerard Debreu, Frank Hahn, John Harsanyi, Leonid Hurwicz, Harold Hotelling, Tjalling Koopmans, Alain Lewis, Lionel McKenzie, Roy Radner, Martin Shubik, Herbert Simon, Robert Solow, and many others.

Along with his own scholarship and writings, the collection documents Arrow's role as an expert witness during various legal cases involving anti-trust lawsuits, international trade, and public utilities; his professional consulting work for different groups and organizations; his political activism supporting different human rights organizations, including his involvement in agencies promoting peace in the Middle East, environmental regulation, arms reduction, and nuclear testing bans; his itineraries, lectures, and public engagements; administrative activities for various professional associations and conferences, including his leadership roles in the American Economic Association, the American Academy of Arts and Sciences, the Beijer Institute, the Econometric Society, the International Economic Association, the Office of Naval Research, the Institute of Medicine, the National Academy of Science, the National Bureau of Economic Research, and many more; and his departmental roles, committee work, and teaching contributions in the Economics Departments of Stanford University, Harvard University, and the Santa Fe Institute. The collection also contains personal artifacts and documents from Arrow's childhood and early education; awards and honorary degrees, including the Clark Medal, the National Medal of Science, and materials from the Nobel Prize ceremony; assorted books from his personal library; various foreign editions of his published works, in multiple languages; and born-digital records with his email and other working documents.

ARLIS/SE was founded in 1974 as a chapter within the Southern Region of the Art Libraries Society of North America. The collection includes chapter correspondence, bylaws, annual reports, membership lists, photographs, conference materials, LoPresti Awards (for excellence in art publication), and financial records. Scattered throughout are materials and correspondence related to the national organization. There are 20 electronic files on one floppy disk that have been migrated to the electronic records server. There are 20 black-and-white photographs and two transparencies.

The collection includes chapter correspondence, bylaws, annual reports, membership lists, photographs, conference materials, LoPresti Awards (for excellence in art publication), and financial records. Scattered throughout are materials and correspondence related to the national organization. There are 20 electronic files on one floppy disk that have been migrated to the electronic records server. There are 20 black-and-white photographs and two transparencies.

The Associated Students of Duke University (ASDU) was the student government at Duke from 1967 to 1993. It originated in March 1967 when the student body voted to merge the Men's Student Government Association and the Women's Student Government Association. ASDU consisted of an executive branch and a legislative branch. A student referendum in April 1993 replaced ASDU with a new organization, Duke Student Government, in which the legislative and executive branches were consolidated. ASDU records consist of minutes, correspondence, legislation, reports, printed matter, judicial decisions, charters, memoranda, speeches, receipts, vouchers, and other records. The ASDU records provide insight into student life during a time when students were becoming more active in university affairs. The records also document student organizations at Duke at this time and demonstrate some of the services provided to students by ASDU.

The records of the Associated Students of Duke University span from 1965-1991, covering the years that ASDU existed, as well as a few items prior to the establishment of ASDU in 1967. The bulk of the material focuses on the 1970s and early 1980s. The records consist of agendas and minutes, charters, correspondence and memoranda, resolutions and statutes, reports, studies, financial material, photographs, newspaper clippings and other printed matter.

The ASDU records provide insight into student life during a time when students were becoming more active in university affairs. The collection is useful in examining issues that were important to students in the 1970s and 1980s such as divestment in South Africa, financial aid and campus race relations and the actions taken on those issues; how effective student government was during this period; and also illuminates student organizations at Duke at this time -- both what they were and what they did. The records also demonstrate some of the services provided to students by ASDU: the Bail Loan Fund; Legal assistance; van/shuttle services; and the distribution of the Student Activities fee.

Additional ASDU records can be found inter-filed with Duke Student Government records. Please contact University Archives for additional information.

Association for Asian Studies is a scholarly, non-political, non-profit professional association open to all persons interested in East, South, and Southeast Asia. The Association for Asian Studies (AAS) was founded in 1941. The Southeast Regional Conference of the Association for Asian Studies (SEC/AAS) is a non-political, non-profit scholarly organization dedicated to promoting the study of Asia in the southeastern region of the United States.

The Association for Asian Studies (AAS), founded in 1941, is a scholarly, non-political, non-profit professional association open to all persons interested in East, South, and Southeast Asia. The Southeast Regional Conference of the Association for Asian Studies (SEC/AAS) is a non-political, non-profit scholarly organization dedicated to promoting the study of Asia in the southeastern region of the United States.

Collection (ca. 3300 items, dated 1964-1988) includes records pertaining to the conference's primary mandate--to promote the study of Asia in the southeastern region of the United States. Materials include correspondence, memoranda, and printed material relating to the organization's activities. Also included are programs, minutes, and letters for annual meetings (1964-1988), as well as a history of the association, membership lists, and documentation for an occasional papers project. (3-15-85?)

Addition 93-178 Series (3500 items, dated 1979-1993) contains copies of the association's ANNALS publication, volumes I-XI; correspondence, secretary and treasurer's papers; as well as papers presented at annual meetings.

Addition 97-007 Series (ca. 900 items, dated 1994-1996) includes 44 folders of materials concerning annual meetings and other activities of the organization.

Addition 01-006 Series (1000 items, dated 1994-2000) includes annual meeting documents, business and annual reports, and student prize competition papers from 1995 to 2000. At the end of the second box are included materials from 1994-1997 that are similar to those in earlier accessions.

Additions 04-136 and 07-042 Series (1025 items, 1.5 lin. ft.; dated 1991-2006) consists of files related to annual meetings, committees, membership, publications, institutional records relating to 45th annual business meeting and volume 27 of the SOUTHEAST REVIEW OF ASIAN STUDIES. Addition 07-042 has been interfiled in 04/136: Box 3.

The Association of Professional Communication Consultants (APCC) is an organization dedicated to educating new consultants and helping existing consultants expand and improve their businesses. The APCC records also include materials from the Association of Professional Writing Consultants (APWC), the Conference on College Composition and Communication (CCCC), and the Association of Business Communication (ABC). These entities often worked together on projects and workshops aimed at educating consultants and spreading knowledge about the profession. The collection comprises administrative materials, information about workshops, and documents belonging to former APCC President Barbara Shwom.

The collection is arranged into the following 2 series: Administrative/Organizational materials and former APCC President Barbara Shwom materials. The APCC administrative and organizational materials date from 1983 to 2017 and comprise membership directories, correspondence, budgetary and financial information, meeting minutes, and workshop handouts. The Barbara Shwom materials date from the 1981 to the 2000 and comprise her personal correspondence and APWC materials.

Anthony Atkinson (1944-2017) was Centennial Professor at the London School of Economics and Fellow of Nuffield College, Oxford University. This collection primarily documents his professional life through his research, writings, professional activities, correspondence, and teaching. It was acquired as part of the Economists' Papers Archive.

The materials in this collection are from Atkinson's home and complement three other collections of his office files held by British institutions.

The primary subjects are economic inequality and poverty measurements, income and wealth distribution, public and welfare economics, taxation design, top incomes, and UK and European social policy. There are records related to the founding of the Journal of Public Economics in 1972, Atkinson's tenure as Warden of Nuffield College from 1994-2005, and his hobbies of sailing and walking.

The most common types of material are research files, manuscript files for writings, and files on his professional activities as an economist and faculty member. To a lesser extent, there is university teaching material and personal material (including awards and honors), and while there are some dedicated correspondence files, there is much more correspondence interfiled in other files. There are a notable number of photographic prints, both of a professional and personal nature, and journalistic writings that mention or quote Atkinson. There are 40 floppy disks, six CDs, and three DVDs, the contents of which have been transferred to a server and are available; they primarily contain professional activities, research, and writings.

The greatest amount of professional correspondence is with François Bourguignon, Andrea Brandolini (student), Frank Hahn (teacher), Alan Harrison, Stephen Jenkins (student), Mervyn King, James Meade (teacher), John Micklewright, Salvatore Morelli, Thomas Piketty, Amartya Sen, Nicholas Stern, and Frank Vandenbroucke. There is also a notable amount of personal correspondence with Atkinson's wife Judith and their children Sarah, Charles, and Richard.

The Atlanta Lesbian Feminist Alliance (ALFA) was a grassroots lesbian feminist activist organization founded in 1972 and disbanded in 1994. The ALFA Periodicals Collection, dated 1962-1994, contains over 800 grassroots newsletter and journal titles from feminist, LGBT, and other activist groups primarily located in the Southeast but also including titles from around the U.S. and abroad. Many of the titles are now ephemeral and not found in any library. The collection was originally established and maintained as part of the Atlanta Lesbian Feminist Alliance's library and archives. Also included are non-regional women's and lesbian journals from the early women's movement as well as some long runs of gay newspapers published throughout the U.S. and Canada.

The ALFA Periodicals Collection, dated 1962-1994, contains over 800 grassroots newsletter and journal titles, many of which are now ephemeral and not in any library. The publications were collected by ALFA generally by means of exchange subscriptions with other lesbian, feminist, and activist groups from all over the U.S. and abroad. The periodicals cover a range of topics of interest and concern to socialist lesbian feminists. In addition to strictly lesbian and feminist publications, there is a wealth of publications from other leftist activist groups covering political and social causes from anti-nuclear weapons, to AIDS activism, to the beginnings of the men's movement. The collection helps document these various political movements as well as the issues facing the people whose task it was to document them.

The ALFA Archives include the organizational records of ALFA as well as other southern radical women's groups. This addition to the ALFA Archives, transferred to the Duke David M. Rubenstein Rare Book & Manuscript Library in May, 1998, documents the financial operations of ALFA as well as providing information about the fund raising endeavors of the organization. The banking records, legal papers, and minutes from finance committee meetings provide documentation of the struggles of the organization to remain financially viable and to raise money in support of various women's issues. The financial and legal records relating to the property owned by ALFA serve to document the organization's attempt to provide a physical center around which Atlanta's lesbians and feminists could congregate and develop a mutually supportive community. This addition has not been processed but is open for use.

When ALFA disbanded in 1994, the archival collections and the bulk of the periodicals collection were transferred to Duke's David M. Rubenstein Rare Book & Manuscript Library. The book collection and the remaining periodicals stayed in Atlanta, with books relating to feminist theory going to Emory University and the rest to a community library. The ALFA Archives and Periodicals Collections that have been transferred to Duke are an incredibly rich source of information about feminist and lesbian activism and communities, especially in the Southeast, from the early 1970s to the present.

The ALFA Archives includes the organizational records of ALFA as well as other southern radical women's groups such as Lucina's Music/Orchid Productions; Radio Free Georgia (WRFG) women's programming; the womonwrites conference for lesbian writers and publishers; the Southern Women's Music festival; the Atlanta Socialist-Feminist Women's Union; and Dykes for the Second American Revolution (DAR II). The extensive subject files, which are a part of ALFA's archives, document scores of other feminist, lesbian, and activist organizations and events as well as provide information on a broad range of feminist and lesbian issues. Of particular note are ALFA's "Theory/Analysis (Women)" files, as well as their collection of publications by KNOW, Inc., in the "Publishers" subseries; using these primary materials, researchers can get a good sense of the issues that gave rise to the women's liberation movement and to ALFA in the late 1960s and early 1970s.

The ALFA Periodicals Collection contains literally hundreds of grassroots newsletters and journals, many of which are now ephemeral and not in any library. This extensive library of feminist, lesbian and gay, and activist periodicals is more fully described in a separate guide.

Fine artist and author of many cookbooks and other works of nonfiction. Collection includes materials from Atlas' dual careers as a fine artist, book artist, and as the author of vegetarian/vegan cookbooks and other works of nonfiction. Includes book proposals, correspondence, proofs and dummies, reviews, and promotional pieces from many of Atlas' published works, as well as artwork, articles, and drafts from various freelance pieces. Also contains a number of slides of Atlas' early artwork, exhibit-related correspondence and files, publisher and agent materials, and other miscellaneous files relating to her works. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

This collection has been sorted into two series, reflecting the presence of materials from Atlas' dual careers as a book artist and as a vegetarian chef and cookbook author. Both series includes book proposals, correspondence, proofs and dummies, reviews, and promotional pieces from many of Atlas' published works, as well as artwork, articles, and drafts from her various freelance pieces. The collection also contains a number of slides of Atlas' early artwork, exhibit-related correspondence and files, publisher and agent materials, and other miscellaneous files relating to her works.

Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection spans 1840-1986 and includes newspaper and magazine clippings and tear sheets, catalogs, ephemera, memorabilia, and other printed material primarily from the U.S., Great Britain, and France. Advertisements represent products and services from a wide range of categories including alcoholic and non-alcoholic beverages, businesses, cosmetics and other health and beauty products, fashion (including clothing, jewelry and watches), food, hotels and other tourist and travel destinations, household products, movies and theater events, tobacco products (primarily cigarettes) and transportation (airlines, automobiles, buses, cruise lines, trains, tires and other automotive accessories). The bulk of materials are in English, but French, Greek, and Spanish-language items are also present. Companies represented include Ford, Packard, Chrysler, Chevrolet, Coca Cola, TWA, Henri Bendel, Goodyear, and DeBeers. Non-advertising related materials include sheet music from the vaudeville, ragtime, and minstrel era; World War I; and depictions of African Americans, Native American, and other ethnicities in advertisements and print media. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Anne Baker was an abortion counselor, serving as the Director of Counseling at the Hope Clinic for Women in Granite City, Illinois for the majority of her career. The Anne Baker papers consist of informational pamphlets, handouts, forms, workshop evaluations, personal writings, newspaper clippings, photographs, correspondence, VCRs, DVDs, cassettes, buttons, and sweatshirts.

The Anne Baker papers contains documentation of Baker's personal life and of her professional role as the Director of Counseling at the Hope Clinic of Granite City, Illinois. They include materials from workshops and trainings she gave, secondary literature about abortion counseling, correspondence, materials from different protests that she and other Hope Clinic staff attended, personal notes, histories of the Hope Clinic, and newspaper clippings from the kidnapping of Dr. Hector Zevallos and his wife Jean Rosalie Zevallos.

Scholar, editor, collector, and Duke University faculty member specializing in the history of English and American Methodist history, and the life and career of minister John Wesley. Collection documents the professional career and life of Frank Baker, historian of Methodism and particularly of the founder and Methodist minister John Wesley. Materials are arranged in the following series: Baker Collections Files; Correspondence; Libraries and Archives; Ministry; Personal Files; Printed Materials; Professional Service; Scrapbooks and Albums; Subject Files; Teaching Materials; and Writings and Research. Topics covered include: the history of the Baker book and manuscript collections in the Duke University libraries; the history and development of Methodism and of the Wesley family; the Church of England; the Methodist Church in England, the U.S., and other countries; the development of academic research on Methodist history; music and hymnology; and material on the Wesley Works Series, a publishing project headed by Baker. There are abundant research materials on notable individuals associated with Methodism such as Charles Wesley and many other Wesley family members, William Grimshaw, and Francis Asbury. Printed material abounds, and includes many maps, articles, clippings and newspapers, pamphlets, and religious music.

The Frank Baker Papers date from 1641 through 2002, with the majority of the materials dating from the 1800s to the 1990s. The collection houses correspondence, articles, pamphlets, extensive subject and research files, clippings, publicity, a few audio recordings and microfilm, and other materials documenting the professional career and life of Frank Baker, historian of Methodism and particularly of the life and career of minister John Wesley, considered the founder of British Methodism. The collection is arranged in the following series: Audiovisual Materials, Baker Collections Files; Correspondence; Libraries and Archives; Ministry; Personal Files; Printed Material; Professional Service; Scrapbooks and Albums; Subject Files; Teaching Materials; and Writings and Research. Many of the series are divided into subseries, and two are also followed by an Oversize Materials subseries. Note that early dates usually represent reproductions, not originals, although the collection does house some original research materials.

Topics covered by the materials in the collection include: the history and development of Methodism and of the Wesley family; the history of the Church of England, and the Methodist Church in England, the U.S., and other countries; the development of academic research on Methodism and its publications; the history of the Baker book and manuscript collections in the Duke University Libraries; music and hymnology; and the development of the Wesley Works Series, a publishing project headed by Baker. There are abundant research materials on notable individuals associated with Methodism such as John and Charles Wesley, many other Wesley family members, and others such as William Grimshaw and Francis Asbury.

The largest series is the Subject Files (122 boxes), research files assembled by Baker on approximately 1500 topics related to the Wesley family and the history of Methodism and the Methodist Church. Another large series is Writings and Research (48 boxes), containing files of research notes, correspondence, print materials, and publicity related to each of Baker's published works. There are also many student writings in the collection and other materials related to Baker's teaching. Among the Personal Files are biographical files on Frank Baker; awards and honors; travel-related items, and two portrait photographs of Baker's parents. Baker's personal hobbies are reflected in the stamp collecting materials and a group of Victorian-era monogram and crest albums and "libri amicorum," or friendship albums that round out the collection.

Consists predominantly of circuit plans from the Methodist Church (Great Britain) and the earlier churches that merged to form it in 1907 and 1932: the Wesleyan Methodist Church, the Primitive Methodist Church, the United Methodist Free Churches, and the United Methodist Church (Great Britain). These circuit plans, collected by Frank Baker, document the history, growth, and organization of the itinerancy, established by John Wesley in the early years of the church when Methodism began to spread into the rural areas of England. The plans feature detailed schedules of where the itinerant preachers, known as circuit riders, were to appear and preach each week.

The Frank Baker Collection of Methodist Circuit Plans, 1777-1984 and undated, consists predominantly of circuit plans from the Methodist Church (Great Britain) and the earlier churches that merged to form it in 1907 and 1932: the Wesleyan Methodist Church, the Primitive Methodist Church, the United Methodist Free Churches, and the United Methodist Church (Great Britain). These plans document the history, growth, and organization of the itinerancy, established by John Wesley in the early years of the church when Methodism began to spread into the rural areas of England. The circuit plans feature detailed schedules of where the itinerant preachers, known as circuit riders, were to appear and preach each week.

Items in the 19th Century and Overseas Circuits Series were donated in the 1970s and were organized at the item level and encapsulated in the early 1980s. Items were numbered in the order in which they were encapsulated, which bears no relationship to alphabetical order or circuit organization. They are currently boxed in numerical order in three boxes with the following number ranges: Box 1: items 1-240; Box 2, items 241-390; Box 3: items 391-527. Items in the 20th Century Series, numbering around 800 to 1000 items, were donated in the late 1980s and are organized to the folder level.

Frank Baker (1910-1999) was a faculty member at Duke University in history, an expert on Wesleyan Methodism, and a rare book and manuscripts collector. The Frank Baker Collection of Wesleyana and British Methodism, 1536-1996 and undated, comprises correspondence, writings, local histories, printed items, engravings, and many other manuscript materials that date from the earliest years of Methodism to its worldwide expansion up to the 20th century. The collection includes the correspondence of two of the most important founders of Methodism, John and Charles Wesley, as well as correspondence from members of the Wesley family. Collection also includes correspondence from many of the key figures in 18th and 19th century history of British Methodism: Joseph Benson, Jabez Bunting, Adam Clarke, Thomas Coke, James Everett, John Fletcher, Mary (Bosanquet) Fletcher, Selina Hastings, Countess of Huntingdon, Elizabeth (Ritchie) Mortimer, George Osborn, Hester Ann Rogers, Richard Tabraham, and Thomas Wride. Other materials include church records and registers, account books, autograph albums, broadsides (notices), circular letters, engravings, maps, sermons, scrapbooks, photographs, and memorabilia. Topics covered by the materials include the life and training of Methodist clergy; the religious life of women; biography and portraiture of Methodists; spirituality; Protestantism in art; and the debate between Arminianism and Calvinism in the early church. Organizational history in the collection covers several branches of the 18th and 19th century church, including Wesleyan Methodism, Primitive Methodism, missions, and missionary societies.

The Frank Baker Collection of Wesleyana and British Methodism, 1536-1996 and undated, comprises a vast range of original correspondence, writings, local histories, printed items, engravings, and many other manuscript materials that date from the earliest years of Methodism to its expansion throughout the British Empire during the 18th, 19th, and early 20th centuries. The collection includes the correspondence of two of the most important founders of Methodism, John and Charles Wesley, as well as correspondence from members of the Wesley family, including Samuel Wesley, Sr. (1662-1735), Sarah (Gwynne) Wesley (1726-1822) and the Gwynne family, and the children of Charles and Sarah Wesley: Charles Wesley, Junior (1757-1834), Sarah (Sally) Wesley (1759-1828), and Samuel Wesley (1766-1837).

Additionally, correspondence from many of the key figures in 18th and 19th century history of British Methodism greatly extends the collection's breadth of coverage. Among others, these groups of correspondence include Joseph Benson, Jabez Bunting, Adam Clarke, Thomas Coke, James Everett, John Fletcher, Mary (Bosanquet) Fletcher, Selina Hastings, Countess of Huntingdon, Elizabeth (Ritchie) Mortimer, George Osborn, Hester Ann Rogers, Richard Tabraham, and Thomas Wride.

The collection materials cover many topics, including: the life and training of clergy women correspondence and diaries; the religious life of women; biography; portraiture; spiritual topics; Protestantism as depicted in art; and the debate between Arminianism and Calvinism in the early church. Organizational history in the collection covers several branches of the 18th and 19th century church, including Wesleyan Methodism, Primitive Methodism, missions, and missionary societies.

Formats of materials include church records and registers, account books, autograph albums, broadsides (notices), circular letters, engravings, maps, sermons, scrapbooks, class tickets, photographs, photocopies of original manuscripts, memorabilia, and realia.

Attorney for R.J. Reynolds and other corporations. Collection includes assorted files and opinions from legal cases involving R.J. Reynolds, Kentucky Fried Chicken, and other large companies.

Collection consists of legal materials related to Balleisen's work on R. J. Reynolds acquisitions of Penick and Ford, College Inn Foods, and Patio Foods. Also includes Balleisen's draft of his investigation into R. J. Reynolds' liability for damages following tobacco users' lawsuits beginning in the 1950s; some miscellaneous legal cases from throughout Balleisen's career; and materials from the Lincoln Foundation in Louisville, Kentucky.

Katharine May Banham (1897-1995) served as a professor in the Department of Psychology at Duke University from 1946 to 1967, specializing in child psychology and development. Papers include correspondence, writings, speeches, case files and research notes, teaching materials, diaries, memorabilia, photographs, and oral history interviews of Katharine M. Banham, relating to her work in the field of psychology and her contributions to Duke University, Durham, and North Carolina. Prominent subjects include psychological experimentation, child psychology, geriatrics and gerontology, human social and emotional development, children with cerebral palsy, the Woman's College, Duke Preschool, Duke Institute for Learning in Retirement, the North Carolina Psychological Association, the Durham Child Guidance Clinic, and the Center for the Study of Aging and Human Development. Includes information about Banham's involvement in Durham, N.C. clubs and organizations related to the arts and community health.

The Katharine May Banham Papers span the years between 1910 and 1995, with the bulk occurring between 1945 and 1984. These papers include her master's theses and dissertation work, professional and academic writings, case files, and data documenting psychological experiments that culminated in the development of tests, as well as research articles and one monograph; transcripts of talks and addresses; translations of French psychological texts, teaching materials; administrative records of and records documenting her role in various civic and academic clubs and organizations; professional and personal correspondence; and personal materials including art, photographs, memorabilia, poetry and other personal writings, diaries, biographical information, legal documents, and tapes and transcripts of an oral history interview done in 1980. The main subject areas include Banham's contribution to the profession, her participation in the Duke community, and the Durham community as well as regional, national, and international communities and agencies. [Note: materials in this collection may use outdated terms such as "mentally retarded" to refer to people, especially children, with mental disabilities. These terms appear in some folder titles.]

The collection chiefly reflects Banham's career as a woman psychologist during a period when there was little support for women in professional or academic careers. The papers document Banham's research and teaching in three countries; her contributions in the areas of child psychology and geriatrics, particularly human social and emotional development; functioning and development of children with cerebral palsy and mental or physical disabilities; the history and especially the development of psychological testing of children and adults; and parapsychological phenomena. Research and teaching materials are located within the Academic and Professional Psychology series and Duke Activities series. Materials relevant to Banham's professional development are scattered throughout all five series.

The collection is also important for the perspective it offers on the Duke University Psychology Department and the Woman's College during the 1940s to the 1960s. Information related to both as well as her role in the Admissions and scholarships Committees among other faculty committees (see the folder list located in the description of Duke Activities series), the Duke Preschool, the Duke Film Society, and the Duke Institute for Learning in Retirement can be found primarily in the Duke Activities series. Material regarding the development and teaching of an infant and child psychology curriculum and a series of correspondence with graduate students are also of special interest and can be found in the Duke Activities series. Other materials relating to her contributions to the Duke Community are located in the Academic and Professional Psychology series, the Correspondence series, and the Personal Files series.

Banham's contribution to the city of Durham is reflected in the Agency and Club Participation series with the most in depth materials relating to her role in establishing the French Club, the Photographic Arts Society, the Altrusa Club, and the Committee for Successful Aging (which became the Golden Age Society and finally, the Coordinating Council for Senior Citizens), and, to a lesser degree, in the Academic and Professional Psychology series specifically in her role as one of the founding psychologists of the Durham Child Guidance Clinic. Banham co-founded the North Carolina Psychological Association in addition to being an active member and officer of other regional, national, and international organizations such as the League of Women Voters, the American Association of University Women, and the International Council of Women Psychologists.

Banham's life was defined by her professional and academic commitments and so her closest relationships were with her colleagues and the many individuals to whom she gave her time and the benefit of her professional skills. The Correspondence and personal series best reflect her tireless efforts on behalf of the people with whom she come into contact. Her papers are particularly useful as they document the period of the 1920s through the 1960s in England, Canada, and especially the United States from the perspective of a highly educated, professional woman.

James David Barber was a Political Science professor at Duke from 1972-1995. The scrapbook includes news clippings, correspondence, family photographs and childhood memories from the years roughly 1939-1996.

Entitled "My Life," the scrapbook contains nine sections: My Main Vita, My Books, Professors Blessing Me, My Early Life, My Teaching, My Work to Help Duke University, My Coming Forth for Politics, Some Things I Have Done for Humans, and Pictures. It reflects Professor Barber's work as an educator, author and activist. A substantial portion of the scrapbook contains letters from Barber's former students at Duke. In these letters, the students evaluated Barber's courses in political science. Also included are typescripts of Barber's "What Duke Can Be" and "Duke's Constitution," letters to Barber upon his retirement from Duke and family pictures.

This scrapbook is a xerox copy made by James David Barber in 1996 (includes color scans). The original remains with his family.

Hans Baron was a reknowned German-born historian and scholar of Italian Renaissance history and literature who emigrated from Germany in 1933. Collection includes research notes, writings, and drafts, primarily concerning the Italian Renaissance, humanism, medieval and renaissance politics, Petrarch, Machiavelli, and related topics. There are also materials regarding his most significant monographs, especially for In Search of Florentine Civic Humanism: Essays on the Transition from Medieval to Modern Thought. Papers include writings and correspondence to and from other scholars, including Ron Witt, William Bouwsma, Gene Brucker, and Paul Oskar Kristeller. The main collection has received basic processing. There are also later additions that have not been arranged: these include unsorted research and travel notes, writings, clippings, memorabilia, and correspondence. Some of these materials are related to his emigration from Germany to the United States as a Jewish refugee, and his subsequent teaching and research appointments.

Addition (02-265)(200 items, 0.4 lin. ft.; dated 1928-1971 and undated) contains research notes and materials relating to Francesco da Fiano, a 15th century Italian humanist. Also includes a packet of correspondence between Gene Brucker and Baron (1961-1971).

Addition (08-144)(45 items, .1 lin. ft.; dated 1971-1988) primarily contains correspondence between Baron and Ronald Witt (Duke University) regarding their publications and research, including grants for release time and negotiations with publishers; their agreements and disagreements regarding their area of specialization; and the problems associated with teaching at the college level in their specialty. Includes a few addendums to letters written by Baron's wife, Edith, as well as two letters to Witt from other sources. A few of the letters are missing pages.

Addition (2012-112) (0.8 lin. ft., 600 items) includes notes and edited drafts related to Hans Baron's work on Leonardo Bruni.

Addition (2015-0108) (2.0 lin. ft.) includes academic and personal correspondence, as well as other research and teaching materials, offficial emigration documents, travel notes, with a few memorabilia, and clippings, largely dating from the mid-1920s-1960s.

Addition (2017-0111) (1.0 lin. ft.) includes manuscript drafts, correspondence, and reproductions regarding Poggio Florentini.