Yusuf Salim (1929-2008) was a jazz musician and composer who began his career in Baltimore in the 1940s. He moved to Durham, North Carolina in the 1970s where he taught jazz workshops through the Salaam Cultural Center and hosted a series on WUNC-TV. The collection contains manuscripts of 36 lead sheets for Salim's jazz compositions, a piece of prose by Salim, and a photocopy of an article about him from the Raleigh News and Observer.

The Yusuf Salim Collection (chiefly undated, but some dated between 1982 and 1987) has as its focal point manuscripts of 36 lead sheets for Salim's jazz compositions. One additional folder contains a piece of writing by Salim and a photocopy of an article on him from the Raleigh News and Observer from 1987. Acquired as part of the Jazz Archive at Duke University.

When ALFA disbanded in 1994, the archival collections and the bulk of the periodicals collection were transferred to Duke's David M. Rubenstein Rare Book & Manuscript Library. The book collection and the remaining periodicals stayed in Atlanta, with books relating to feminist theory going to Emory University and the rest to a community library. The ALFA Archives and Periodicals Collections that have been transferred to Duke are an incredibly rich source of information about feminist and lesbian activism and communities, especially in the Southeast, from the early 1970s to the present.

The ALFA Archives includes the organizational records of ALFA as well as other southern radical women's groups such as Lucina's Music/Orchid Productions; Radio Free Georgia (WRFG) women's programming; the womonwrites conference for lesbian writers and publishers; the Southern Women's Music festival; the Atlanta Socialist-Feminist Women's Union; and Dykes for the Second American Revolution (DAR II). The extensive subject files, which are a part of ALFA's archives, document scores of other feminist, lesbian, and activist organizations and events as well as provide information on a broad range of feminist and lesbian issues. Of particular note are ALFA's "Theory/Analysis (Women)" files, as well as their collection of publications by KNOW, Inc., in the "Publishers" subseries; using these primary materials, researchers can get a good sense of the issues that gave rise to the women's liberation movement and to ALFA in the late 1960s and early 1970s.

The ALFA Periodicals Collection contains literally hundreds of grassroots newsletters and journals, many of which are now ephemeral and not in any library. This extensive library of feminist, lesbian and gay, and activist periodicals is more fully described in a separate guide.

Original index of iconography in early prints and illustrated books developed by Karla, Langedijk, Dept. of Art, Duke University. Collection is microfilmed.

An index of iconograpyy in early prints and illustrated books (on 5x8 index cards) developed by Karla Langedijk, Duke University Dept. of Art., and transferred from the Art department to the Rare Book department. Information about the collection is stored in an onsite Collection Control File. This file includes more details about what is indexed.

The Tom Triman Films are comprised of 132 super 8mm reels and one VHS videocassette, containing the productions of horror movie fan/historian/critic Tom Triman (1952-2010).

The Tom Triman Films are comprised of 132 super 8mm reels and one VHS videocassette, containing the productions of horror movie fan/animator/writer Tom Triman (1952-2010). The bulk of the reels are elements for larger works, which here include Butterfly Man, Gunfire and Holy Water, and Pentagram. The collection also contains several commercial films released on super 8mm film, including 2001 A Space Odyssey, Dr. Jekyll and Mr. Hyde, and Frankenstein.

The Department of Theater Studies at Duke University offers courses on the critical evaluation, writing and performance of dramatic works. The department seeks to promote an artistic culture at Duke by bringing professional theatrical performances to campus. The Department of Theater Studies records is composed of administrative materials and records related to both departmental and professional performances staged at Duke.

The Department of Theater Studies Records, 1969-2002 contains correspondence, planning documents, slides, photographs and audiovisual materials related to the administration of the department. The collection also includes materials from a diverse array of student and faculty theater productions. The Department of Theater Studies Records also contains correspondence, planning documents, clippings, promotional materials, slides, photographs, audiovisual materials and electronic records from professional productions brought to campus through the Theater Previews series.

Jim Dow (1942- ) is an American photographer and educator based in Massachusetts. The core of the collection consists of over 1900 single-image photographs, 232 multi-image panoramic prints, and approximately 2300 film negatives, representing black-and-white and color images taken by Dow from 1966 to 2023. Subjects include: U.S. vernacular culture and landscapes, including roadside architecture, courthouses and jails, and small business interiors; food vendors, stadiums, and athletic fields around the world; and interiors and exteriors of private clubs, libraries, and churches and museums in cities around the world. Photographs often include cultural expressions such as advertising, murals, bar decor, and graffiti. Dow's U.S. work focuses mainly on New England, the South, and the West, with a single-state project on North Dakota. Other images were taken by Dow in Argentina, Canada, England, Mexico, Portugal, Scotland, and Uruguay, with a few images from Wales. Also included is a series of commissioned work. Dow's professional papers comprise teaching slides, course readers, syllabi, and digital files, as well as art gallery ephemera. Acquired as part of the Archive of Documentary Arts at Duke University.

The core of the collection consists of 1916 single-image photographs and 232 panoramic prints, totaling 2148 prints, and approximately 2300 film negatives of black-and-white and color images taken by Jim Dow over the course of his career from about 1966 to 2023. They document his travels across much of the U.S., and his trips to Argentina, Canada, England, Mexico, Portugal, Scotland, and Uruguay. The prints in this collection offer a body of images selected by the photographer; some additional images are found in negative format.

Dow is best known for his studies of 20th century American vernacular culture, roadside architecture, and landscapes, and food culture in the Americas; for his multi-panel panoramas of sports stadiums and athletic fields, chiefly in the U.S., Canada, Mexico, and England; and for his images of the architecture and interiors of courthouses, jails, private clubs, libraries, and large public buildings such as churches, museums, and civic buildings in cities around the world.

The earliest photographs in the collection were taken in almost every region of the lower 48 states, beginning around 1966. Starting out in black-and-white then transitioning to mostly color work in the mid-1970s, Dow has documented small towns and roadside attractions, highways and back roads, well-worn business façades, and gathering places such as barbecue joints, coffee shops, bars, diners, and event halls. Images from the Northern Plains appear frequently, as do images from California, Louisiana, Massachusetts, North Carolina, Pennsylvania, Texas, Virginia, and Wyoming. In the 1980s, Dow was also commissioned to photograph the cultural and environmental landscapes of the state of North Dakota. Keeping to the theme of road trips, the collection also includes a series on barbecue, taco, and other food trucks in the U.S., Mexico, and South America. Regardless of location, many of Dow's photographs include cultural expressions such as outdoor advertising, murals, neon signs, handpainted signs, sculptures, bar decor, and graffiti; people are rarely present.

The three stadiums series feature sports venues from across the U.S., Canada, England, Mexico, Scotland, and Portugal, and comprise single-image color prints as well as multi-image compositions printed in large panoramic format ranging in size from 16x26 inches to 17x59 inches. Spectators are present in some of these images, particularly in the single-print series.

A series of Dow's commissioned work (1985-2008) rounds out the photographic prints portfolios. Many of these are images taken of facilities at New England universities and private schools such as MIT, Yale, Tufts, Vassar, and Phillips Academy.

The professional papers document two of Dow's spheres of activity integral to his own photography career: teaching and art gallery work. These are represented by a large vertical file of paper ephemera from New York City commercial art galleries (1990s-2019); and a large series of teaching materials, which include course readers, syllabi, a set of approximately 130,000 teaching slides, and digital files, visual as well as textual, all related to Dow's photography and art courses (1980s-2019). Among the slide sets are two groups documenting holdings in the Canadian Center for Architecture and exhibit installations at the Photography Resource Center in Boston.

Robert F. Durden is a professor emeritus of history at Duke University. He has written numerous articles and several books about the history of Duke University, the Duke Family and The Duke Endowment. The collection includes reprints of articles and a speech written by Durden about Duke University, the Duke Family, and The Duke Endowment as well as a bibliography of selected works by Durden and clippings. The material ranges in date from circa 1965-2001.

This collection was compiled from a variety of sources by the University Archives for use in reference and research. It includes reprints of articles and a speech written by Durden about Duke University, the Duke Family, and The Duke Endowment as well as a bibliography of selected works by Durden and clippings. The material ranges in date from circa 1965-2001.

The Duplex Advertising Company. Billboard Images and Records spans the period 1964-1993 and documents the outdoor advertising work of this company in the central Texas area, primarily through photographs, negatives and slides of billboards. Many of the images are in color. A large number of the images are of national campaigns advertised in central Texas, as well as billboards, signs and posters of local Texas business services. In addition, a handful of articles written by R. V. Miller, Jr. for a number of publications, as well as other printed material and miscellaneous items from the Duplex Advertising Company, are present. Some of these articles, along with the images themselves, provide examples of commercial art and design in the outdoor advertising arena. The collection includes outdoor advertising images from national clients such as Kentucky Fried Chicken, Chevrolet, Coca Cola, Coors, Wendy's, Hardee's, and Taco Bell, and Texas clients such as Lone Star and Pearl beers.

Related materials may be found in other outdoor advertising collections, including the Outdoor Advertising Association of America Archives, the Garrett Orr Papers, the Howard Scott Papers, the John Paver Papers, the John E. Browning Papers, the R.C. Maxwell Co. Records, and the Strobridge Collection.

William Clair Turner, Jr. earned his B.S. in Electrical Engineering from Duke University in 1971, his M.Div. from Duke Divinity School in 1974, and his Ph.D. in religion in 1984. He has held several administrative positions at Duke, including Assistant Provost and Dean of Black Affairs and Acting Director of the Afro-American Studies program. In 1982 he became a full-time faculty member in the Divinity School, directing the Office of Black Church Affairs before being appointed Professor of the Practice of Homiletics. He has pastored several churches, including his current position at Mt. Level Baptist Church and was previously ordained in the United Holy Church of America, Inc. denomination. The collection documents Turner's academic and personal activities. Materials include personal and administrative correspondence regarding Turner's roles as pastor and administrator, manuscripts of lectures and sermons, syllabi and notes for courses taught, notes from classes taken while a student, subject files, and records of the United Holy Church of America. The collection also includes VHS, CD, and DVD recordings of some of his sermons.

The collection documents the academic and personal activities of William C. Turner, Jr., Duke alumni and faculty member at Duke Divinity School. Materials include personal and administrative correspondence regarding Turner's roles as pastor and administrator, manuscripts of lectures and sermons, syllabi and notes for courses taught, notes from classes taken while a student, subject files, and records of the United Holy Church of America, Inc. denomination in which Turner was deeply involved and on which he wrote his Ph.D. dissertation. The collection also includes VHS, CD, and DVD recordings of some of his sermons. Major topics covered include black student life at Duke; Turner's involvement in the Department of Afro-American Studies, Office of Black Affairs, and Office of Black Church Studies; Turner's academic work on the Holy Spirit and black spirituality; pastoral work in African American churches in Durham; and the history of the United Holy Church of America, Inc.

The majority of images in the collection are faculty and staff portraits taken by Duke Photography staff; a few pictures of students or of other individuals not affiliated with Duke are included. The collection contains photographic prints, negatives, slides, and CDs of digital files. Most of the items are undated but appear to be from the 1980s through around 2000. Most items include a job number assigned by Duke Photography. Duke Photography is a department of the Office of Public Affairs and Government Relations. Chris Hildreth is the current director; the department also includes assistant director Les Todd and six other staff photographers.

The majority of images in the collection are faculty and staff portraits taken by Duke Photography staff; a few pictures of students or of other individuals not affiliated with Duke are included. The collection contains photographic prints of various sizes, both black-and-white and color; contact sheets; negatives, including black-and-white 35mm negatives, positive 35mm color slides, and other sizes; and seven CDs of digital files. Most of the items are undated but appear to be from the 1980s through around 2000. Most items include a job number assigned by Duke Photography, either on the back of photographs or on the plastic sheets housing the negatives.

Leah Fritz (1932-2020) was an American feminist poet and author born in New York. She wrote the books Thinking Like a Woman (1975) and Dreamers and Dealers (1980), focusing on the women's movement. The Leah Fritz papers contain correspondence and subject files; writings, including notebooks and diaries, drafts, published articles, and papers related to the publication of Fritz's prose writings, poetry, and book and article reviews; and audiocassettes of presentations and poetry readings by Fritz and other recordings. Materials range in date from circa 1950 to 2009. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The Leah Fritz papers are organized into three series. The Personal Papers series contains Leah Fritz's correspondence and subject files. The Writings Series contains Fritz's notebooks and diaries as well as drafts, published articles, and papers related to the publication of Fritz's prose writings, poetry, and book and article reviews. The Audiotapes series contains audiocassettes of presentations and poetry readings by Fritz and other recordings.

Ernestine Friedl served as chair of the Dept. of Anthropology and as Dean of Arts and Sciences and Trinity College at Duke University. She studied gender roles, rural life in modern Greece, and the Chippewa. The Ernestine Friedl papers include personal and professional correspondence, subject files, course materials, articles, reprints, field notes, and sound recordings related to her anthropological research and her roles as professor and administrator at Queens College and Duke University. English.

The Ernestine Friedl papers include personal and professional correspondence, subject files, course materials, articles, reprints, field notes, and sound recordings related to her anthropological research and her roles as professor and administrator at Queens College and Duke University.

Nathan Ockman was born on December 29, 1926 in New York City. As a child in the 1930s, he was brought by his parents to an event that featured pioneering choreographers in modern dance, among them Anna Sokolow and Sophie Maslow. Though he received no formal dance training himself, this childhood exposure to modern dance sparked a lifelong passion for dance spectatorship. The collection contains the dance-related memorabilia (circa 1949-2006) saved by Nathan Ockman. Materials include performance programs and newspaper clippings, which are arranged chronologically. Many of the materials are annotated by Mr. Ockman.

The collection contains the dance-related memorabilia (circa 1949-2006) saved by Nathan Ockman. Materials include performance programs and newspaper clippings, which are arranged chronologically. Many of the materials are annotated by Mr. Ockman.

Mr. Ockman collected the accompanying programs for each dance performance he was in attendance for throughout six decades. The earliest programs, dated from the late 1940s and early 1950s, are from performances at the University of Michigan during Mr. Ockman's time as a graduate student at the university. Following Mr. Ockman's subsequent move to New York City, the vast majority of the collection is comprised of performances at notable New York venues and performing arts festivals. Though there are several programs from performances by ballet companies, the collection largely reflects Mr. Ockman's personal penchant for modern dance.

Newspaper clippings of performance reviews and promotions of upcoming premieres are included within the collection. More often than not, they correspond to a performance that Mr. Ockman was in attendance for, and so they are organized alongside accordingly.

Of the programs dating from 1958 onwards, nearly all are decorated with Mr. Ockman's personal annotations, which make note of extraordinary pieces, performers, and his general perception of the performances. Though the notes were made for Mr. Ockman's own enjoyment, he was aware that they may someday hold some historical significance. It was always his hope that he might, as a dutiful and attentive audience member, discover an emerging dance talent.

Formerly known as the Material Support Department, Procurement Services manages Duke University purchasing systems. This collection contains memoranda, newsletters, catalogs and other records. Topics include Duke University administration.

This collection contains memoranda, newsletters, catalogs and other records. Topics include Duke University administration.

Abortion rights activist and the publisher of the feminist magazine ON THE ISSUES. The bulk of the collection consists of the records of Choices Women's Medical Center, a New York City women's health clinic and abortion clinic co-founded by Hoffman in 1971, and the organizational records for ON THE ISSUES, a feminist magazine owned by Choices and overseen by Hoffman. The remainder of the collection consists of Hoffman's personal papers, mostly related to her pro-choice activism. The collection also includes writings by or interviews with many activists, such as Aung San Suu Kyi, Charlotte Bunch, Phyllis Chesler, Andrea Dworkin, Kate Millett, Marge Piercy, and Elie Wiesel. The correspondence, administrative files, minutes, manuals, reports, surveys, research files, electronic records, clippings, flyers, brochures, newsletters, photographs, and audiovisual materials in the collection provide rich material for the study of the history of abortion, the pro-choice movement, women's health care, and the anti-abortion movement in the United States. The records of Choices Women's Medical Center are especially valuable for understanding the medical practice of abortion, as well as the political context of that practice. Other topics that can be explored through the materials include contraception, women's rights and feminism, and rape. The addition (04-041 and 04-062) (18,750 items, 30 linear feet; dated 1971-2003) consists primarily of administrative and financial files from Choices Women's Medical Center and predecessor clinics, including correspondence, financial reports, public relations and media files, board meeting files, policy and procedure manuals, subject files, insurance files, program files, grants files, legal files, and files related to ON THE ISSUES magazine. Also included are a small number of Hoffman's personal writings. This accession is unprocessed and closed to researchers. Addition (05-023) (5150 items, 12 lin. ft; dated 1978-2003) consists primarily of administrative and financial records from Choices Women's Medical Center, including correspondence, financial reports, public relations and media files. Also includes board meeting, subject, insurance, program, legal and grant files, as well as policy and procedure manuals; 33 videotapes, 84 slides, 54 photographs and contact sheets; 1 CD-ROM; printed materials; and promotional calendars. Accession is unprocessed and closed to researchers.

The papers of Merle Hoffman span the years from about 1944 to 2001, with most of the papers dating between 1961 and 2001. The collection is arranged in the following series: Choices, On the Issues, Personal Files, Photographic Materials, and Audiovisual Materials. The bulk of the materials consist of the records of Choices Women's Medical Center, a New York City women's health clinic and abortion clinic co-founded by Hoffman in 1971, and the organizational records for On the Issues, a feminist magazine owned by Choices and overseen by Hoffman. The remainder of the collection consists of Hoffman's personal papers, mostly related to her pro-choice activism. The collection also includes writings by or interviews with many activists such as Aung San Suu Kyi, Charlotte Bunch, Phyllis Chesler, Andrea Dworkin, Kate Millett, Marge Piercy, and Elie Wiesel. The correspondence, administrative files, minutes, manuals, reports, surveys, research files, electronic records, clippings, flyers, brochures, newsletters, photographs, and audiovisual materials in the collection provide rich material for the study of the history of abortion, the pro-choice movement, women's health care, and the anti-abortion movement in the United States. The records of Choices Women's Medical Center are especially valuable for understanding the medical practice of abortion, as well as the political context of that practice. Other topics that can be explored through the materials include contraception, women's rights and feminism, and rape.

The political context of abortion is further documented throughout the rest of the collection. Hoffman's writings, speeches, and interviews on abortion illuminate the abortion debate in the media. At the same time, the internal dynamics of the pro-choice movement are documented in files on various New York and national pro-choice organizations. The collection includes some materials on the National Association of Abortion Facilities (NAAF), the National Abortion Federation (NAF), the National Coalition of Abortion Providers (NCAP), the National Abortion Rights Action League (NARAL), and the National Organization for Women (NOW). Especially noteworthy are the detailed meeting minutes and other records for the New York Pro-Choice Coalition, an umbrella organization for New York City pro-choice organizations founded by Hoffman in the mid 1980s.

In addition to her pro-choice activities, Merle Hoffman has been a vocal proponent of patient self-empowerment; an active supporter of various political candidates in New York City; and a feminist activist. The collection reflects these interests to varying degrees. The records of On the Issues magazine are especially useful as a source of writings on a broad range of feminist and other issues.

The Choices Series documents the day-to-day operations of Choices Women's Medical Center, including the clinic's medical policies and procedures, its internal administration, and its relationship with patients and community organizations. The series is divided into the following subseries: Correspondence, Subject Files, Legal Papers, Personnel, Security, Staff Files, Marketing, Operations, and Electronic Format. Much of the series consists of files on administrative issues, dating primarily from the late 1980s to the late 1990s. A few records date from the clinic's early years in the 1970s. The files also document the clinic staff's rising concern about Operation Rescue, militant anti-abortion protests, and anti-abortion violence during the late 1980s and 1990s. At the same time, the Choices records suggest how the ideals of feminist health care and patient empowerment have translated into medical practice. The records primarily provide the perspective of health providers rather than patients; the collection does not include patient medical records. However, patient surveys and a limited amount of patient correspondence provide some evidence of patient experience at the clinic. There is substantial material on the Choices East Project, Hoffman's unsuccessful attempt to establish a women's health clinic in Moscow. Choices' treatment philosophy of patient self-empowerment and its identity as a woman-friendly health care provider are documented in the Outreach Subseries and the Marketing Subseries. Information on patient experiences and reactions to the clinic can be found primarily through patient surveys, patient satisfaction questionnaires, and statistical summaries of patient demographics, all found in the Subject Files, Marketing, and Electronic Format Subseries. Choices organizational charts and staff rosters are available for reference in the Research Room's inventory drawers; please contact Research Services.

On the Issues (1983-1999), a feminist magazine, was founded by Merle Hoffman and produced by Choices staff. The magazine covered a broad range of feminist issues and topics, including but not limited to abortion and other women's health issues. During the 1990s the magazine became increasingly professionalized, moved from annual to quarterly publication, and operated more independently of Choices. The documents in the On The Issues Series provide an extensive record of the magazine's production and distribution. They primarily date from the 1990s and are organized into the following subseries: Issues, Correspondence, Article Files, Editorial Files, Production and Distribution, Marketing, Staff Files, Administration, and Electronic Format. The series includes a nearly complete run of issues. Files include reader surveys; mailing lists; drafts and correspondence from contributors; editorials by Hoffman and other writers; and working files maintained by individual editors and production staff. Electronic files contain similar materials, and include graphics.

The Personal Files Series is arranged into the following subseries: Correspondence, Writings and Speeches, Subject Files, Politics and Activism, New York Pro-Choice Coalition, Calendars, Phone Messages, Clippings, General Personal Files, and Electronic Format. The materials extensively document Hoffman's work as a writer, public speaker, organizer, and activist for abortion rights and other feminist causes. Hoffman's personal publicity materials, including curriculum vitae and biographical sketches, can also be found in this series. There are also some records of Hoffman's childhood and personal life. The correspondence, found in both the Correspondence and Electronic Format Subseries, contains significant personal exchanges with feminists, friends, and colleagues that span many decades. Pro-choice organizations represented in the series include the New York Pro-Choice Coalition (NYPCC), the National Organization for Women (NOW), the American Civil Liberties Union (ACLU), and the National Association of Abortion Facilities (NAAF). The series also contains Hoffman's phone message books, calendars, and scrapbooks, including those related to her work at Choices and On the Issues. Electronic files contain a variety of correspondence, mailing lists, graphics, Choice and On the Issues documents mixed on the same disks, and a few writings. Overall, the series amply illustrates the porous nature of the boundary between Hoffman's personal activities and her work at Choices and On the Issues.

The Photographic Materials Series contains a variety of material related to Choices Women's Medical Center, On the Issues magazine, and Hoffman's personal activities. Especially notable are the numerous images of the Choices clinic facilities and procedures, and the detailed visual record of pro-choice rallies and other events involving Hoffman during the 1980s. Political figures pictured in this series include Bella Abzug, Hilary Clinton, Andrea Dworkin, Geraldine Ferraro, Flo (Florynce) Kennedy, Congressman John Lewis, and Gloria Steinem. Other photographs in the Personal Subseries include portraits of Hoffman and snapshots from a vacation at the feminist Camp Sister Spirit.

The bulk of the Audiovisual Materials Series consists of audio recordings on cassette tape of New York City radio talk shows featuring Merle Hoffman as an interview subject. Most interviews date from the 1970s or early 1980s. In some cases, these recordings feature Hoffman responding to listeners in call-in discussions of abortion, or conducting debates with anti-abortion representatives. Other audio recordings include interviews conducted for On the Issues stories and radio advertisements for Choices. Videotape recordings include several episodes of "On the Issues," Merle Hoffman's cable access television show, and some documentary material on Choices and its patients. Materials are not immediately accessible until use copies can be made upon request. Please consult with reference staff before coming to use the collection.

Finally, the Ephemera Series contains various memorabilia, including a box of Choices condoms, buttons, and banners with feminist and political slogans.

Later accessions (2004-0041, 2004-0062, 2005-0023, and 2012-0049) have been added to the end of the finding aid. Boxlists are included when known.

Established in 1954 as part of the Office of Information Services (now the Office of News and Communications,) Radio TV Services supervises the production of materials for radio and television, assists in the preparation of audio-visual materials needed by the university, and promotes the University's exposure to local, state, and national audiences. It makes documentary films, covers events and functions on campus, sets up news conferences in cooperation with local and national media, interviews university personnel, and provides features on students for their home-town media. Collection includes correspondence, subject files, sound recordings (audiocassettes and reel-to-reel tapes), film (16mm), and video tape (U-Matic and 2-inch quadruplex). Notable people documented on film and tape include Keith Brodie, Terry Sanford, Douglas M. Knight, Orin Pilkey, Robert Menzies, Jerry Falwell, Billy Graham, Queen Noor al Hussein, Jesse Jackson, Waylon Jennings, Juanita Kreps, Robert McNamara, Ronald Reagan, William Westmoreland, Desmond Tutu, Elie Wiesel, Reynolds Price, Martin Luther King, Jr., Hubert Humphrey, Richard Nixon, Stokely Carmichael, Kenneth Clark, Sidney Cohen, Adam Clayton Powell, Betty Friedan, B. F. Skinner, Sam Ervin, Alex Haley, Tom Wolfe, Buckminster Fuller, and Cesar Chavez. Subjects include Duke University basketball, football, commencement, convocation, homecoming, the Epoch Campaign announcement, student unrest in the 60s, the Silent Vigil held after the death of Dr. King, the Duke Marine Laboratory, the discovery of the U.S.S. Monitor, oceanographic research, the 1954 Orange Bowl, Joe College Weekend, various campus scenes, Duke Gardens, and the Richard Nixon Library controversy. Completed films include Response to Our Challenge and This is Duke. English.

Collection includes correspondence, subject files, images, sound recordings (audiocassettes, reel-to-reel tapes, and digital audio), film (16mm), video tape (U-Matic, 2-inch quadruplex, and digital video), and multimedia of events related to Duke occurring both on and off campus. There is a detailed subject file on index cards for most of the film and some of the sound recordings, as well as other indexes and notes.

Notable people documented on film and tape include Keith Brodie, Terry Sanford, Douglas M. Knight, Orin Pilkey, Robert Menzies, Jerry Falwell, Billy Graham, Queen Noor al Hussein, Jesse Jackson, Waylon Jennings, Juanita Kreps, Robert McNamara, Ronald Reagan, William Westmoreland, Desmond Tutu, Elie Wiesel, Reynolds Price, Martin Luther King, Jr., Hubert Humphrey, Richard Nixon, Stokely Carmichael, Kenneth Clark, Sidney Cohen, Adam Clayton Powell, Betty Friedan, B. F. Skinner, Sam Ervin, Alex Haley, Tom Wolfe, Buckminster Fuller, and Cesar Chavez. There are also film and recordings documenting Duke University basketball, football, commencement, convocation, homecoming, the Epoch Campaign announcement, student unrest in the 60s, the Silent Vigil held after the death of Dr. King, the Duke Marine Laboratory, the discovery of the U.S.S. Monitor, oceanographic research, the 1954 Orange Bowl, Joe College Weekend, various campus scenes, Duke Gardens, and the Richard Nixon Library controversy. Completed films include "Response to Our Challenge" and "This is Duke".

Author, and physiologist and pharmacologist at the University of Virginia Medical School. Collection comprises material relating to and examples of Herbert Silvette's writings, which include short stories, novels, and his work on the English translator Philemon Holland (1552-1637). There is also a large body of correspondence from Archibald MacLeish, which Silvette compiled in The Stiletto Letters. Acquired as part of the History of Medicine Collections at Duke University.

Collection comprises material relating to and examples of Herbert Silvette's writings, which include short stories, novels, and his work on the English translator Philemon Holland (1552-1637). There is also a large body of correspondence from Archibald MacLeish, which Silvette compiled in "The Stiletto Letters."

Acquired as part of the History of Medicine Collections at Duke University.

Radio Haïti-Inter was Haiti's first and most prominent independent radio station from the early 1970s until 2003. Under the direction of Jean Léopold Dominique and Michèle Montas, Radio Haiti was a voice of social change and democracy, speaking out against oppression and impunity while advocating for human rights and celebrating Haitian culture and heritage. The Radio Haiti papers contain mainly the station's on-air scripts and research materials covering a wide variety of subjects. The Radio Haiti audio recordings are described in a separate collection guide.

Radio Haiti was based in downtown Port-au-Prince on Rue du Quai until 28 November 1980, when Jean-Claude Duvalier's government cracked down on the independent press and human rights activists. Radio Haiti was ransacked, and the station's journalists were arrested then exiled. Many, though not all, of the paper record from the 1970s were destroyed in the 1980 crackdown. Radio Haiti reopened after Duvalier fell in 1986, in a new building on Route Delmas. The station closed again after the 30 September 1991 coup d'état that overthrew President Jean-Bertrand Aristide, and reopened in 1995 after the democratic government was restored. As a result of the repression the station and its journalists endured, most of the materials in Radio Haiti's paper archive span 1986 to 1991, and 1995 to 2003, though it also contains extensive external print materials (mainly newspapers and magazines) that Jean Dominique collected while in exile from 1980 to 1986 and from 1991 to 1994.

"Radio Haiti materials" refers to documents created by Radio Haiti's staff. These are mainly on-air scripts, but also include notes and correspondence. "External materials" refers to materials created by outside sources, which were used for research purposes by Radio Haiti's staff. These include, but are not limited to, press (Haitian, Haitian diaspora, and international news outlets), press releases, petitions and open letters from grassroots groups and civil society organizations, reports and other publications, and government communiqués and decrees.

Norma Taylor Mitchell was an American History professor at Troy University in Alabama and a lay leader in the United Methodist Church. These materials document her research and teaching career, as well as her church leadership.

The collection contains material documenting Mitchell's dissertation research on the Virginia politician David Campbell (1779-1859). Boxes 2-5 consist entirely of information on loose index cards. These materials also document Mitchell's research on the enslaved women who lived on Campbell's estate in Abington, VA. The collection also contains materials related to Mitchell's research on the Alabama physician Louise Branscomb. There are materials documenting Mitchell's professional activities and teaching career at what was then known as Troy State University. Mitchell's extensive service work in the Methodist Church at the local, regional, and national levels is also documented.

The Duke News Service informs the public and the university community about research, programs, and events at Duke. The collection consists of biographical files of Duke University faculty, staff, alumni, and others compiled by the News Service, as well as some photographic materials in separate folders. The files contain primarily clippings and also curricula vitae, photographs, and other printed materials. English.

The collection consists of biographical files of Duke University faculty, staff, alumni, and others compiled by the News Service. The files contain primarily clippings and also curricula vitae, and other printed materials; most photographic materials were separated into other folders, described below.

The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a six and a half week summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

Ethel Tison Chaffin was born on January 13, 1921 in Natchitoches, LA. From childhood on, she took dance classes with a variety of instructors and, as a college student, studied dance at Louisiana State University, New York University, the University of Maryland, and Bennington College. Instructors included John Martin (former dance critic at the New York Times), Charles Weidman (Humphrey-Weidman Technique), Ethel Butler (Martha Graham Technique), and Nina Fornoff (Hanya Holm Technique). Ms. Chaffin also participated in master classes with Martha Graham and Katherine Manning. The collection contains the personal papers and dance-related memorabilia (circa 1930-1993) of Ethel Tison Chaffin. Materials include photographic prints, newspaper clippings, programs, and correspondence, which are housed within a scrapbook and one Hollinger box. Many of the materials are annotated by Ms. Chaffin.

The collection contains the personal papers and dance-related memorabilia (circa 1930-1993) of Ethel Tison Chaffin. Materials include photographic prints, newspaper clippings, programs, and correspondence, which are housed within a scrapbook and one Hollinger box. Many of the materials are annotated by Ms. Chaffin.

Included in the scrapbook are Ms. Chaffin's personal photographs documenting her involvement in dance and theater. These photographs depict several of her earliest dance recitals, university dance performances, and her 1948 performance as Laura in Tennessee William's The Glass Menagerie. In addition, she has incorporated photos of colleagues in the dance world. Also included within the scrapbook is correspondence between Ms. Chaffin and various educational institutions regarding admission to advanced dance programs at New York University and Bennington College, as well as job enquiries. Ms. Chaffin documented her career as an instructor by incorporating programs, clippings, and advertisements from her private studio, as well as those relevant to her tenure at Louisiana State University, the University of Alabama, and the Georgia State College for Women (now Georgia College) into the pages of her scrapbook. Memorabilia, including programs from festivals and performances that she attended, is also included within her scrapbook.

Records created after the compilation of the scrapbook are housed separately in a Hollinger box. Materials incorporated into this record set include correspondence with Elizabeth Andrews, educator and dance/drama critic, as well as newspaper clippings for a variety of well-known dancers and choreographers, including George Balanchine, Martha Graham, Charles Weidman, Merce Cunningham, and José Limón.

Collection includes photographic negatives related to sports at Duke. Sports include the following: baseball, basketball, boxing, cheerleading, cross country, fencing, field hockey, football, golf, gymnastics, lacrosse, soccer, swimming, tennis, track, wrestling, and volleyball. There are also negatives that pertain to general athletics. The subjects of the negatives include athletes, coaches, team pictures, and game action. The collection ranges in date from 1924-1992, 1995, undated.

This collection contains 20,122 negatives related to sports at Duke, and they range in date from about 1924 to 1992, 1995 and undated. The sports represented are as follows: baseball, basketball, boxing, cheerleading, cross country, fencing, field hockey, football, golf, gymnastics, lacrosse, soccer, swimming, tennis, track, wrestling, and volleyball. There is a series for general athletics, which tends to include images of physical education instructors or coaches from all sports. There is also a series called "Undetermined," which lists individuals for whom no sport or tie to athletes could be determined.

The subjects within each series include athletes, coaches, athletic staff (such as secretaries and trainers), team pictures, game shots, trophies, and athletic fields and facilities. The athletes may have been photographed in uniform, in suits, or in letterman sweaters. They may have been photographed with family and/or friends. Oftentimes, the athletes were posed in faux action shots.

There are not very many images of women athletes, but there are some available, including a small number of images of Women's Athletic Association members playing baseball (not softball), basketball, and tennis.

The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. Contains correspondence, lists, administrative materials, memoranda, contracts, legal documents, financial records, class schedules, teaching materials, student records, clippings, press releases, publicity materials, brochures, tickets, posters, and other printed materials created by or related to the American Dance Festival.

Contains correspondence, lists, administrative materials, memoranda, contracts, legal documents, financial records, class schedules, teaching materials, student records, clippings, press releases, publicity materials, brochures, tickets, posters, and other printed materials created by or related to the American Dance Festival before the decision to move to Durham, North Carolina, in the fall of 1977.

A chapter of the Young Women's Christian Association (YWCA) was established at Trinity College (Durham, N.C.) in 1917. In 1925, a new constitution was drafted and the chapter became the YWCA at Duke University. The records of the Duke University YWCA span the years 1923 to 1985, with the bulk dating between 1930 and 1970, and include reports, printed matter, correspondence, sermons, clippings, and financial records.

The records of the Duke University YWCA span the years 1923 to 1985, with the bulk dating between 1930 and 1970, and include reports, printed matter, correspondence, sermons, clippings, and financial records. Prominent subjects include race relations, annual activities of YWCA, community service, Edgemont Community and sermons preached at Duke Chapel during the 1960s.

Collection includes publications such as 1931 issue of "Opportunity: Journal of Negro Life," published by the National Urban League and 1931 issue of "Black Justice," published by the American Civil Liberties Union.

Established in 1926, the Divinity School is one of 13 seminaries founded and supported by the United Methodist Church, and attracts students from around the nation and several different countries. The Divinity School has from its beginnings been ecumenical in aspiration, teaching, and practice. This collection contains information and materials documenting the operations of the Divinity School, including the activities of its deans, faculty, students, as well as various councils, committees and organizations within and associated with the school.

This collection contains information and materials documenting the operations of the Divinity School, including the activities of its deans, faculty, students, as well as various councils, committees and organizations within and associated with the school. Types of documents include correspondence, reports, convocations, information about the expansion and renovation of the school, strategic plans, minutes of various council, committee, and faculty meetings, photographs, sermons, bulletins, records of the theological society and other organizations within the school, financial records, lectures, publications, subject files, statistics, deans' files, academic programs, information about field education, alumni affairs, information about faculty members, documents relating to the early history of the Divinity School when it was known as the School of Religion, and other administrative files and records.

Alphabetical files of miscellaneous information about hundreds of mainly U.S. corporations, some of them domestic and many multinational. The fullest documentation tends to be for companies that are or have been JWT clients (notably Kraft, Quaker Oats, Sears, Ford, Northern Telcom, Gerber, Kellogg, Philip Morris, Oscar Mayer, Kemper, S.C. Johnson, McDonnell Douglas, Jos. Schlitz, 7-Up, and others) and several that are or were major competitors of JWT clients (e.g. AT&T, McDonald's, General Motors, among others). Files contain widely diverse formats of information including internal JWT unpublished reports and memoranda; many articles clipped from magazines (especially trade press) and newspapers; articles printed from computer databases; company publications and annual reports; historical booklets and articles; three vinyl record albums; and miscellaneous items. The richest files tend to be those for major JWT Chicago office accounts, with by far the greatest amount and diversity of information on Kraft. Acquired as part of the John W. Hartman Center for Sales, Advertising, and Marketing History.

Collection comprises 176 Turkish political posters, including three duplicates. There are seven series of posters: Korean War, NATO, Historical significance, Commemoration of Ottoman historical figures, Republican-era historical figures, Leftist, and Presidency of the Turkish Republic. In the first, sixteen posters extoll the achievements of the Turkish Armed Forces command or Turkish Brigade in the Korean War between November 1950 and July 1953. In the second series, one poster represents Turkey's relationship to North Atlantic Treaty Organization (NATO), and another reflects the naval and air force maneuvers of NATO's Southern Command, Greece, and Turkey at Weld Fast in 1953. The third series includes 27 posters that celebrate events of historic national significance and depict international political figures together with Turkish leaders. The fourth series includes four posters that commemorate Ottoman historical figures, including admiral Barbaros Hayrettin, and sultans Mehmet V, Mehmed II, and Selim I. The fifth series includes 14 posters of Repulican-era historical figures, including portraits of World War II generals and political figures. The sixth series contains 63 leftist political posters with political slogans, as well as calls for meetings and demonstrations; most of them date from the second half of the 1970's. The seventh series contains 50 posters issued by the Presidency of the Turkish Republic regarding the failed coup attempt of 15 July 2016.

Collection comprises 176 Turkish political posters, including three duplicates. There are seven series of posters: Korean War, NATO, Historical significance, Commemoration of Ottoman historical figures, Republican-era historical figures, Leftist, and Presidency of the Turkish Republic (which features posters issued following the failed 2016 coup).

Collection comprises over 500 black-and-white photographic prints, along with negatives, contact sheets, photographer's notes, journals, writings, speeches, correspondence related to photography, and printed material, totaling over 9000 items. Kwilecki's photographic work documents rural and small-town life in and around Bainbridge, Decatur County, Georgia, an undertaking he began as a self-taught photographer in 1960 and continued until his death in 2009. Subjects include local landscapes, tobacco workers, county fairs, hog slaughtering, cemeteries, churches, courthouses, recreation on the Flint River, local industry, shoppers, downtowns, and house porches and interiors. The themes of race relations and religious life predominate. Many of Kwilecki's subjects come from the African American community in Decatur County. Significant correspondents in the manuscripts series include photographers Alex Harris and David Vestal; the collection includes a small set of Vestal photographs. Acquired as part of the Archive of Documentary Arts at Duke University.

The Paul Kwilecki Photographs and Papers span the whole of his career and include over 500 black-and-white photographic prints, negatives (chiefly safety but also some nitrate and glass plate), contact sheets, photographer's notes, journals, writings, speeches, correspondence related to photography, and other printed material, totaling over approximately 9000 items.

The bulk of the collection consists of Paul Kwilecki's prints and other photographic material documenting rural and small-town life in and around Bainbridge, Decatur County, Georgia, an undertaking he began as a self-taught photographer in 1960 and continued until his death in 2009. Although Kwilecki developed an interest in photography in the 1940s, only a very small portion of the images in the collection pre-date 1970.

The collection is organized into two major series: Photographic Materials, containing prints, contact sheets, and negatives, and a Manuscripts Series housing many files of correspondence, writings, and other personal papers.

While initially interested in photographing tobacco workers, Kwilecki turned his focus to other subjects, including county fairs, hog slaughtering times, cemeteries, churches, courtrooms, recreation on the Flint River, local industry, bus stations, shoppers, downtowns, house porches and interiors, and landscapes. Many of Kwilecki's subjects come from the African American community in Decatur County. Throughout the collection, the themes of race relations and religious life tend to predominate.

The Manuscripts Series (1967-2008) also provides an interpretation of life in Decatur County but also documents Kwilecki's photographic philosophy and practices. The correspondence and the journals, related to Kwilecki's work and career as a photographer, comprise the largest groupings. The series also contains Kwilecki's personal journals, dating from 1967-1969; Kwilecki's printing notes; news clippings; exhibition brochures; and a brief internet biography of Kwilecki. Many of Kwilecki's writings attempt to express in words the same topics he tried to illuminate through photography.

Additional manuscripts (14 boxes) and photographic materials were received in 2010 following Kwilecki's passing away. They include many folders of correspondence dating from 1971-2008, arranged in original order either chronologically or alphabetically by folder title. Significant correspondents include photographers Alex Harris and David Vestal; the collection also includes a small set of Vestal's photographic prints. Other files contain writings, clippings, and other items. The writings include journals from the 1970s; typed excerpts from early 20th century Georgia newspapers, some on racial incidents; drafts of Kwilecki's talks; and notes for the Decatur County photography publication (one folder). A few publications round out the last box in the collection.

The negatives are closed to use; contact sheets and prints offer alternate access to Kwilecki's images. Eleven nitrate large-format sheet negatives, dating from approximately the 1940s-1960s, are slated for digitization. Also included in the collection are several glass plate negatives by an unknown photographer dating perhaps from the 1910s.

Acquired as part of the Archive of Documentary Arts at Duke University.

The Arts at Duke Reference Collection contains files of clippings, programs, calendars and other materials concerning the arts at Duke and at Trinity College, the University's predecessor. This collection was compiled from a variety of sources by the University Archives for use in reference and research. For materials pertaining to art at Trinity College, see the Trinity College Reference Collection.

Flyers and posters, newspaper and magazine clippings, calendars, event programs and other materials pertaining to the arts at Duke and Trinity College. The bulk dates are 1972-2000. Includes a plan of the "Woodland Stage" at Trinity College along with programs and contracts for performances at Trinity by the Ben Greet Players and the Coburn Players, circa 1910-1916.

Alvin T. Parnell was a commercial photographer based in Durham, N.C. Collection chiefly consists of 167 black-and-white photographs of the city and people of Durham, North Carolina. The majority, chiefly taken by Parnell from 1920 through the 1950s, are views of downtown streets, commercial and industrial buildings, churches, and infrastructure, especially transportation. Many sites are related to the tobacco manufacturing businesses based in Durham. A few are of African American tobacco workers posed in the field and female factory workers ending their shift. Other images range widely and include a Trinity College (later Duke University) reunion, war veterans at gatherings, a minstrel band, a cart advertising Bull Durham tobacco, and tobacco fields with posed workers, white and African American. In addition, there are portraits of prominent Durham individuals and families. Formats include 85 vintage and modern gelatin silver prints, chiefly 8x10 inches, 82 contact prints, and 12 safety negatives. Includes an information folder with 1986 obituary and collection information.

Collection comprises 167 early to mid-20th century black-and-white photographs of the city and people of Durham, North Carolina. The majority of the images were taken by Alvin T. Parnell, a commercial photographer with a studio in downtown Durham, from about 1920 to 1950; prints from 1898 to 1919 likely were from the Cole-Holladay studio, which Parnell took over around 1920. Formats include a few vintage mounted albumen and gelatin silver prints, unmounted vintage and modern gelatin silver prints, and small contact prints made from original nitrate negatives. There are also twelve safety film negatives present, from which some copy prints were made. Includes an information folder with Parnell's 1986 obituary and collection information.

The largest group of photographs, taken from the late 1910s through the early 1950s, features views of Durham's growing downtown, often commissioned by Parnell's business and City Hall clients. In the background of the many street scenes one can see the progression of small storefront businesses that made up life on Main Street in a 20th century Southern Piedmont city. Given Durham's role as a birthplace for the post-Civil War tobacco manufacturing industry, it is not surprising that there are numerous photographs of buildings and industrial sites belonging to American Tobacco, Blackwell Tobacco, and Liggett Myers. Parnell also photographed buses, trolleys, and other scenes for an early Durham power and transportation company, Durham Public Services.

Other images focus on people, and range widely in subject matter: men posed at a Trinity College (later Duke University) reunion, war veterans at gatherings, fraternities, children on a playground, and a minstrel band. A few are of African American tobacco workers posed in the field and female factory workers ending their shift. There are also portraits of prominent individuals and families: an elderly Bennehan Cameron with family members; John Ruffin Green (one of Durham's earliest tobacco entrepreneurs); Washington Duke and sons with associates at a barbeque; the Rosenstein family (optometrists from New York who came to Durham in 1904); William Umstead (U.S. Senator from northern Durham County); and various police chiefs and businessmen. There are also a few portraits of women, some with captions and some unidentified.

There are also twelve safety film negatives in the collection, sized 8x10 and 4x5 inches, from which a selection of copy prints were made after the collection was acquired. A few have no existing prints – these are noted in the collection guide.

In addition to photographs in this collection, some if not most of the earlier images of Durham in the Durham Chamber of Commerce collection in the Rubenstein Library are likely to have been taken by Parnell. His work is also likely to be found in other collections related to Durham residents containing photographs.

Joseph Spengler (1902-1991) was the James B. Duke Professor Emeritus of Economics at Duke University and a founding faculty member of the graduate economics program. This collection documents his professional and personal life, including with his wife Dorothy "Dot" Kress, through correspondence, writings, and visual material. It forms part of the Economists' Papers Archive.

Accession 1993-0294 primarily contains business and Spengler and Kress family correspondence, especially between Joseph and his wife Dot (circa 1919-1976). Also includes manuscripts for Dot's genealogical novel, Family Saga in America (circa 1930s); Joseph's work, Life in America; and Dot's journals and diaries (1924-1939, 1969). There are Christmas cards, postcards, and newspaper clippings; photographs of family and friends, including two tintypes, 32 cartes-de-visite, one color and 91 black-and-white prints, and 76 healthy nitrate negatives; and lace knitted by Dot's grandmother.

Also includes six photograph albums kept by Dot. Two contain photos taken by her with a brownie camera in and of Piqua, OH (1914-1919). One contains photographs and memorabilia depicting her life as a college student at Miami University (OH, 1919-1921). Three contain photos of the Spengler's homes, friends, and life in Tuscon, AZ; Tampa, FL (1930-1938); and Durham, NC and at Duke University (1932-1940). The are also records the 1938 Duke University faculty baseball team.

In 1924, Trinity College was renamed Duke University and major construction on the university began and lasted until 1932. Since then, Duke University's campuses have undergone expansions and renovations that have led to several changes to the campus. The Pictorial Works Reference Collection contains files of printed materials that depict the Trinity College and Duke University campuses. This collection was compiled from various sources by the University Archives for reference and research.

This collection consists of publications that feature photographs and drawings of the Trinity College and Duke University campuses along with descriptive text. The publications were sent to prospective students and used in publicity and fundraising.

Collection consists largely of correspondence between historian Nell Irvin Painter and her parents (1969-2003), documenting various stages of their lives, travels, and Painter's scholarly career. Also includes writings by or about Nell Painter, including reviews of her work; materials, including photographs and tintypes (circa 1890s-1910s) of African Americans in Victoria, Texas, kept by Frank and Dona Irvin, relating to their early life near Houston, and documenting aspects of African American history in that area; copies and reviews of Dona Irvin's writings; documents related to Frank and Dona's education and careers; family photographs; videos; Frank irvin's diary (2000-2003); legal papers; and other items. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Collection consists largely of correspondence between historian Nell Irvin Painter and her parents (1969-2003), documenting various stages of their lives, travels, and Painter's scholarly career. Also includes writings by or about Nell Painter, including reviews of her work; copies and reviews of Dona Irvin's writings; documents related to Frank and Dona's education and careers; Frank irvin's diary (2000-2003); legal papers; and other items.

Photographs also form an important part of the collection. Along with papers and records, Frank and Dona Irvin kept early photos and tintypes (circa 1890s-1910s) of African Americans in Victoria, Texas; together, these materials speak to their early life near Houston, and document aspects of African American history in that area. There are also family photographs from later decades (1930s-1980s).

For preservation purposes, original audiovisual media are closed to use; copies may be available on request.

Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Delouis Wilson is an African American artist, and jewelry designer, and art collector, based in Durham, North Carolina. The papers comprise her journals (1977-2008); calendars; sketchbooks, art school notebooks, and loose pieces of mixed media artwork. The journals, currently closed to use, document in detail her personal life, travels in the U.S. and abroad, including time spent in Tunisia in the Peace Corps, life in Durham, N.C., and employment as a jewelry designer. The collection also includes 30 large photographic studio portraits of African Americans, almost all hand-tinted crayon enlargements, dating from about 1890 to 1945 and collected by Wilson chiefly in the Southern U.S. Acquired as part of the Archive of Documentary Arts, the Bingham Center for Women's History and Culture, and the John Hope Franklin Research Center for African and African American History and Culture at Duke University.

The papers of Delouis Wilson, an artist and jewelry designer based in North Carolina, consist of a set of 27 journals (1977-2008, currently closed); a few calendar notebooks; sketchbooks and notebooks from her time at Atlanta College of Art; and loose pieces of artwork. An important component of Wilson's archive consists of a collection of 30 large photographic portraits of African Americans dating from the late 1880s to about 1940, collected by Wilson chiefly in the American South.

Wilson's journals (closed to use by donor request), calendars, and notebooks document in detail the personal life of the artist, life in Durham, N.C., her travels abroad and in the U.S., including time in Tunisia in the Peace Corps, and her career as a jewelry designer. They include small illustrations contain as well as laid-in items such as letters and postcards; some have handmade covers constructed of textiles and other non-paper materials.

The artwork, sketchbooks, and art notebooks present a mix of drawings, sketches, prints, textile work, and mixed-media color paintings created by Wilson during and shortly after her art school years, all 8x11 inches or less. The notebooks also include art school class notes and handouts, creative writings, and personal notes such as recipes, lists, housing notes, and addresses. There are self-portraits scattered throughout, including a larger piece from 1990 laid into a sketchbook. Also in the collection is one large color photograph of an African American woman by Wilson. The artworks range in size from 4 1/2 x 6 to 16x20 inches.

A central component of the collection are thirty historic studio portraits of individual Black men and women (1890s-1940s), with some of couples and families, collected by Wilson in thrift shops and flea markets throughout the Southern U.S. Most belong to a process called crayon enlargements. The studios developed faint enlargements of the photographic images on convex pieces of thick card stock, then outlined and filled them with ink, crayon, or pastel pigments to resemble a painting. One portrait in the collection is a fully-developed gelatin silver photograph. A few smaller portraits are sized approximately 10x8 to 13x9 inches; the majority are larger, ranging from 19x13 to to 20x16 inches. Most of the prints are hand-tinted with a variety of tecniques, but some are black-and-white, and some are on flat rather than convex mounts.

Darlene Clark Hine is an African American professor, historian, college administrator, and published author in the field of African American history.

The Darlene Clark Hine Papers span the dates from about 1879 to 1996, with the bulk of the files dating from the 1970s to 1996. Earlier dates represent reproductions of archival materials, chiefly photographs. Through professional correspondence, research and writings materials, and professional service files, the collection documents the career of Darlene Clark Hine, professor of African American history, college administrator, and published author on African American history in the United States. The collection is arranged into the following series: Correspondence, Personal Files, Professional Service, and Research and Writings. The largest file group in the collection is the Professional Service Series, which documents Hines' extensive involvement with academic organizations and civic organizations, her activities as lecturer and speaker at many conferences, symposia, and other events, and to a lesser extent, her activities at Purdue and Michigan State University as a professor, mentor, and faculty member. The second largest series in the collection, Research and Writings, contains files of research and publication materials related to Hines' major published works, articles, and media projects concerning African American slavery; the Civil Rights movement; African American suffrage, particularly in Texas; race relations in the United States; African American women in the Midwest; and black women in the nursing profession. Items in the Correspondence Series chiefly relate to Hine's academic activities at Purdue, Michigan State, Arizona State, and the University of Delaware, and her publishing activities; there is also some correspondence with foundations concerning funding for projects. Finally, the Personal Files contains such items as Hines' early student work, including her master's thesis, and some correspondence, cards, and photographs. Each series and its subdivisions are described in full in the collection description that follows. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

The Garrett Orr Papers document the artistic output and personal files of advertising executive Garrett Orr. Although the collection spans the years circa 1873 to 1994, the bulk of the materials fall within two main periods: the 1890s to 1914, comprising a photographic collection of old poster images; and 1930 to 1965, which approximates the span of Orr's professional life. The collection includes the original drawings, water colors and paintings produced by Orr as designs for the outdoor advertising campaigns of a wide variety of products such as Gillette razors, Ipana toothpaste (Bristol-Myers), Lucky Strikes and Viceroy cigarettes (Brown & Williamson), Mazola corn oil (Corn Products Refining Company), Seagram beverages, Verney fabrics, and White Rose tea. Also included are folders of photographs, slides and negatives of Orr's advertising work for approximately 550 companies (with index). In addition, a collection of almost 200 large-format negatives and photographs document images of 19th- and early 20th-century posters for plays, musicals, minstrel shows, circuses, and hotels. A large set of clippings files contain published examples of the work of over 100 graphic artists and illustrators contemporary with Orr, including Floyd Davis, Ronald McLeod, George Petty, Howard Scott, Ben Stahl, Jon Whitcomb, and J. Walter Wilkinson. The collection is organized into five series--the General Files Series; the Artists and Illustrators Series; the Product Files Series; the Other Photographic Materials Series; and the Sketches Series. Large-format items from the Artists and Illustrators Series and Sketches Series have been relocated to Oversize Materials.

Closely related collections held by the Rubenstein Library include: the Outdoor Advertising Association of America (OAAA) Archives; the Outdoor Advertising Association of America (OAAA) Poster Designs; the Outdoor Advertising Association of America (OAAA) Slide Library; the Duplex Advertising Company Billboard Images and Records; the Strobridge Lithographing Company Advertisements; the R.C. Maxwell Co. Records; the Howard Scott Papers; and the John Paver Papers.

The Behind the Veil: Documenting African-American Life in the Jim Crow South project was undertaken by Duke University's Center for Documentary Studies from 1990-2005. Its goal was to record and preserve African American experiences in the American South from the 1890s to the 1950s. Materials in the Behind the Veil project collection date from about 1864 to 2011, with the bulk dating from the 1990s; earlier dates represent original image content rather than the reproduction date. The collection comprises over 1200 oral history interviews with associated transcripts and administrative files, several thousand historic and contemporary photographs, and project records, which include paper and electronic administrative files and audiovisual recordings. Oral histories were conducted in 19 locations, chiefly in the South; topics represented in these recordings include childhood, religion, education, politics, celebrations and other events, family histories, work histories and military service, and details about segregation and the effects of racism in the South. Acquired as part of the John Hope Franklin Research Center for African American History and Culture at Duke University.

Materials in the Behind the Veil project collection date from about 1864 to 2011, with the bulk dating from the 1990s; earlier dates represent original image content rather than the reproduction date. The core component of the collection comprises over 1200 oral histories conducted by Behind the Veil interviewers with African Americans in cities, towns, and rural locations in Georgia; Arkansas; Michigan; Alabama; North Carolina; Los Angeles, California; Mississippi; Tennessee; Kentucky; Louisiana; Virginia; South Carolina, and Florida. The majority of the interviews were conducted during summers between 1993 to 1995, with additional interviews added from 1995 to 2004. These interviews, originally recorded by Behind the Veil staff and volunteers on audiocassettes, have been digitized; in addition, all other project records and images are currently being digitized and will be made available as they are ingested into the Duke Digital Repository.

A second core component consists of over 2100 historical and contemporary photographic images in the form of black-and-white and color slides, photographic prints, and negatives. These form several large groups: donated historical materials imaged at interview locations by BTV staff; contemporary photographs taken by staff as they gave interviews and explored local communities; and photographs of BTV staff at work, BTV offices, and project events and training. Historic images in slide format include many photographs of African American individuals and families dating from the 1880s to the mid-20th century; they also include images of documents such as news clippings, military papers, political ephemera, school diplomas, and brief publications. The images are described in more detail in their listings in this collection guide.

The remainder of the collection consists of project administrative records. These files - in paper and electronic format - include National Endowment for the Humanities (NEH) grant information; correspondence; staffing records; meeting notes and minutes; outreach; files on publication and exhibit projects; and information on classes, seminars, and training given for students and project staff.

The Behind the Veil collection not only focuses on the experiences of individuals, but also reflects the importance of black institutions as the backbone of black communities. The interviews, documents and photographs reflect the crucial role that black churches, fraternal societies, women's clubs, and political organizations played in African American community life. The testimony of educators and students from historically black colleges, agricultural schools and institutes enrich conventional beliefs about black agency in segregated schools.

Although the focus of the interviews was on the Jim Crow era, the life history format of most interviews led informants to comment on events after segregation. Information about civil rights struggles in the 1960s, African American participation in desegregation within local communities, and post-1965 activism and community work are also included in many Behind the Veil interviews. The interviews in this collection also raise crucial questions about the shape of memory and the creation of narratives that can inform not only research in oral history but also literature and anthropology. Research into black religion can be enriched by the voices of Behind the Veil. Studies that examine oppression and resistance could be informed by the rich documentary record of labor and social culture that the collection presents. The Behind the Veil collection illuminates innumerable topics, time periods, and research interests.

A. Hollis Edens served as President of Duke University from 1949-1960. This collection includes material largely of a personal nature, including correspondence, photographs, printed material, clippings, and scrapbooks. The collection ranges in date from circa 1850s-1994.

The collection includes correspondence, speeches, Duke-related material, Emory-related material, clippings, printed material, scrapbooks, and photographs. The material relates not only to Edens' professional career, but also to his family history and to that of his wife. The majority of the collection consists of family photographs, many of which are unidentified and undated.

Ella Fountain Keesler Pratt (1914-2008) was a Duke University employee for almost thirty years. Ms. Pratt was also a patron of the arts and community organizer in Durham, North Carolina. This collection contains documents, records, photographs, and notes that document her life as a Duke employee and Durham arts organizer. Items include personal notebooks, photographs of family and events, art exhibition catalogs, and audio recordings of performances at Duke University. The collection materials range in date from circa 1850 to 2008.

The Ella Fountain Pratt Papers contain materials pertaining to Pratts's personal life and professional accomplishments. A majority of the collection is comprised of personal correspondence, records, and news clippings that document Ella's education, her participation in the Durham Arts scene, and her experiences as a longtime employee at Duke University. Newer accessions also include photographs (largely unidentified and undated) of both Ella and her husband as well as their sons and Mr. Pratt's family as well as genealogical information, Mr. Pratt's correspondence, and materials pertaining to his education and work at Duke University, in addition to his service in the U. S. Navy during World War II. Of note is a letter signed by Richard Nixon soon after he was defeated in the 1960 election. The collection also includes notable autographs of the various artists Ella Fountain Pratt encountered during her lifetime. Items in the collection range from circa 1850-2008, with the bulk from 1960-2000.

This collection holds miscellaneous papers (192 items; dated 1649-1971) including originals and copies of letters, Bible records, pictures, and printed works relating to the history of the Pearson, Smith, and Thompson families who migrated from England to Virginia, North Carolina, Tennessee, and finally to Arkansas; letters, legal papers, historical notes, genealogy, military records, cemetery records, pictures, and maps pertaining to the history of Benton County, Tenn.; copies of the Civil War letters of Stephen W. Holliday, 55th Tennessee Regt., C.S.A.; anecdotes of Confederate General Nathan Bedford Forrest; Melton family genealogy; and Smith family albums. A later addition (283 items, dated 1774-1986) includes information pertaining to the genealogy of several related families (including the Thompson and Wyly families, as well as information on the descendants of Col. Samuel and Mary Webb Smith). Includes printed works on genealogy and other topics compiled by Emma C. C. Brown and Jonathan K. T. Smith (primarily Smith). Also includes: correspondence; legal documents; copies of church records; clippings; writings about the history of Benton County, Tenn., and some of its citizens and communities; photographs; printed and other material on Camden, Tenn.; copy of the diary of Anne William Smith; copy of a portrait of Anne William Smith by Gustavus Grunewald (1847-1848); a recording entitled The Remembrance Pilgrimage about the Smith family of Nymcock, Tenn.; A Century with St. Mark's: An Informal History by Clara L. Cape; and an extensive biographical sketch on Col. Maurice Smith.

This collection is largely genealogical in nature and holds miscellaneous papers of Jonathan Kennon Thompson Smith including originals and copies of letters, papers, Bible records, pictures, and printed works relating to the history of the Smith, Pearson, and Thompson families who migrated from England to Virginia, North Carolina, Tennessee, and finally to Arkansas. The Smith family descended through Maurice Smith (1801-1871) of Person County, North Carolina who later moved to Fayette County, Tennessee in 1831, and finally to Dallas County, Arkansas in 1843.

In addition to family correspondence of Maurice Smith (1801-1871); the collection has letters, legal papers, historical notes, genealogy, military records, cemetery records, pictures, and maps pertaining to the history of Benton County, Tennessee. Copies of the Civil War letters of Stephen W. Holliday, 55th Tennessee Regiment, C.S.A., to his parents, a history of Tulip and Tulip Ridge, Arkansas, by Smith entitled The Romance of, Tulip (Memphis: 1965), On this Rock . . . the Chronicle of a Southern Family, which is a history by Smith of the family of Colonel Samuel Smith and Mary Webb Smith of Abram's Plains, North Carolina; biographies of the Captain Nicholas Martian (1591-1657) and of Samuel Granville Smith (1794-1835); anecdotes of Confederate General Nathan Bedford Forrest; a history of the Pearson family by Smith entitled This Valued Lineage; history of the Thompson family by Smith entitled These Many Hearths; albums of the Smith family containing pictures, clippings, and copies of letters and wills dating as early as 1649; genealogy of the Melton family by Herman E. Melton entitled Sassafras Sprouts; an anthropological study of the Indians of Kentucky Lake, Tennessee, by C. H. McNutt and J. Bennett Graham; and a pamphlet, 1961, by Smith entitled A Statement of Faith.

There is a microfilm copy of 'The Remembrance Pilgrimage. The Story of a Southern Family' (1964) available.

Dwayne Dixon was an employee in the Literacy Through Photography program at the Center for Documentary Studies. Collection includes 110 zines (150 items, ca. 1984-ca. 1995) produced across the United States and Central America and collected by Dixon throughout the 1990s. The majority of the zines demonstrate young men's search for life meaning, morality, and identity, especially through hardcore and punk music/lifestyle, including interviews with bands, album reviews, and criticism of the status quo. Other groups of zines were produced by children participating in various afterschool and enrichment programs in Durham, NC; by Central American women in Mexico, Nicaragua, the Dominican Republic, and El Salvador; and by American young women raging against rape and sexism and searching for a less traditional sexual identity. Many zines include erotica, drawings, copies of photographs, and cartoons.

110 zines (150 items, ca. 1984-ca. 1995) produced across the United States and Central America and collected by Dixon throughout the 1990s. The majority of the zines demonstrate young men's search for life meaning, morality, and identity, especially through hardcore and punk music/lifestyle, including interviews with bands, album reviews, and criticism of the status quo. Other groups of zines were produced by children participating in various afterschool and enrichment programs in Durham, NC; by Central American women in Mexico, Nicaragua, the Dominican Republic, and El Salvador; and by American young women raging against rape and sexism and searching for a less traditional sexual identity. Many zines include erotica, drawings, copies of photographs, and cartoons. Online searchable database includes more detailed descriptions of the first accession of this collection. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

This collection documents the professional and creative life of writer and teacher Robert Bausch. Materials include handwritten, typed, and electronic (computerized) drafts of published and unpublished novels and essays, including The Gypsy Man, On the Way Home, Almighty Me, For God's Sake, and A Hole in the Earth; galleys and corrected proofs of his published novels; incoming andoutgoing correspondence--including copies of electronic mail--with writers, editors, readers,students, and family; a few typescripts of works by others; book and movie contracts and royalty statements; andaudiocassette tapes of Bausch's class discussions and readings by authorsGeorge Garrett, Bausch, and Bausch's twin brother Richard Bausch.

(15 tapes) (2500 manuscript items) (31 disks) (893 computer files)

Robin Chandler Lynn Duke held office or was active in a number of organizations including Population Action International, the National Abortion Rights Action League, The Packard Foundation, the Draper World Population Fund, and several major corporations. Married to Ambassador Angier B. Duke. Collection (22100 items, dated 1942-2000) contains items related to Duke's extensive involvement in abortion rights, family planning, and population studies organizations. Series within the collection include correspondence, clippings, writings, publications, miscellaneous, photographs, and subject files. A substantial amount of correspondence from Duke was written to members of the U.S. House and Senate, and was written by Duke in her capacity as National Chair of Population Action International. Books and pamphlets report on population studies, child education, family planning, violence against women, and international education. Organizations represented in the collection include Population Action International, the Draper World Population Fund, Planned Parenthood, NARAL (National Abortion Rights Action League), "The Anatomy of Hate" conference, and the National Abortion Federation.

Collection (22100 items, dated 1942-2000) contains items related to Duke's extensive involvement in abortion rights, family planning, and population studies organizations. Series within the collection include correspondence, clippings, writings, publications, miscellaneous, photographs, and subject files. A substantial amount of correspondence from Duke was written to members of the U.S. House and Senate, and was written by Duke in her capacity as National Chair of Population Action International. Books and pamphlets report on population studies, child education, family planning, violence against women, and international education. Organizations represented in the collection include Population Action International, the Draper World Population Fund, Planned Parenthood, NARAL (National Abortion Rights Action League), "The Anatomy of Hate" conference, and the National Abortion Federation.

Additional organizations represented include the National Campaign to Prevent Teen Pregnancy, Promise Keepers, Rockefeller Foundation, Center for Gender Equality, Harvard School of Public Health, Friends of Art and Preservation in Embassies, Institute of International Education, International Flavors and Fragrances, National Mother's Day Committee, and the National Park Foundation.

Other parts of the collection deal more directly with Duke personally and with her husband. Files relate to social events and awards ceremonies, the Congressional campaign of 1977, and a number of other organizations concerned with her activities or her husband's ambassadorships. There is also information concerning the National Wildflower Research Center, the Council of American Ambassadors, the United Nations and other organizations; as well as information related to a white house dinner; speeches; articles about Duke; an appointment book; and personal files.

A number of other scrapbooks contain photos and other items from the time when Duke served as a fashion editor.

The addition (7089 items, 11.10 linear feet, dated ca. 1930-2001) comprises correspondence, subject files, articles and newspaper clippings, photographs, scrapbooks, photograph albums, and printed materials that primarily describe conferences attended and trips taken by Duke, focusing on the organizations in which she was actively involved. Also includes incoming and outgoing correspondence; files on fundraising dinners and meetings; and Angier Biddle Duke's typescript journal entries, "For the Record" (1981-1985), composed while visiting a number of countries. Also includes 71 black-and-white prints, 236 color prints, 780 color negatives, and 2 fabric bags. (01-147)

The addition (3250 items, 7.3 linear feet, dated 1960-2000) contains primarily correspondence, reports, speeches, newspaper clippings, printed material, and miscellaneous items related to Robin Duke's ambassadorship to Norway and her activism in major organizations for population control, including NARAL and Planned Parenthood. There are 5 videocassette tapes, including "JFK--A Time Remembered;" as well as 37 black-and-white and 5 color photographs, including a photograph album of a visit to Marrakech. The collection also contains diplomas, awards, and several commemorative photos/drawings signed by Lady Bird Johnson. (01-155)

The addition (2000-0341) (2175 items, 3.4 linear feet; dated 1991-2000 and undated, bulk 1998-2000) contains correspondence, notes, information packets, two videocassette tapes, one CD-RW containing 15 electronic audio file and printed material from meetings Duke attended. Also includes correspondence, speech notes, two black-and-white photographs, and information packets relating to the Albert Lasker Public Service Award Duke won in 1991. There is one additional black-and-white group photograph taken at a lecture.

The addition (2002-0162) (2400 items, 4.0 linear feet; dated [ca. 1990]-2002) contains primarily reports, printed material, correspondence, and 1 black-and-white and 12 color photographs related to Duke's activism in various organizations, including Friends of Art and Preservation in Embassies and the US-Japan Foundation (1990-2001). Also includes correspondence, orientation packets, talking points, and reports received or used by Duke as ambassador to Norway (2000-2001).

The addition (2002-0311) (750 items, 1.6 linear feet) comprises miscellaneous materials relating to Duke's numerous involvements, including personal and professional correspondence, meeting and event information, organizational files, newspaper clippings, reports, and printed material. A container list was not created for this addition.

The addition (2003-0096) (1500 items, 2.2 linear feet) contains correspondence and other materials related to Duke's activism in organizations including F.A.P.E., A.S.F., I.R.C., and the U.N. Association (1983-2003); and documents related to her position as Ambassador to Norway (2000-2001). Also includes files about parties and other events, and a small amount of personal correspondence.

The addition (2003-0268) (500 items, 1.4 lin. ft.; dated 1998-2003) contains business correspondence and other materials related to Duke's activism in NARAL, UNESCO, and Population Action International. Also includes a small amount of personal correspondence and 2 VHS tapes, "Packing the Courts: The Battle over President Bush's Judicial Appointments" and "Access Denied: US Family Planning Restrictions in Zambia".

The addition (2005-0060) (3390 items, 5.4 lin. ft.; dated 2002-2005) comprises correspondence, printed material, and board meeting packets related to Duke's activism. Also includes a transcript of oral history interviews conducted by Smith College, and 3 VHS videocassettes.

The addition (2005-0120) (697 itmes, 1.8 lin. ft.; dated 1992-2005) comprises personal and professional correspondence; board meeting packets related to Duke's activism in a wide variety of organizations.

The addition (2006-0054) (576 items; 1.3 lin. ft.; dated 1969-2006 and undated) contains correspondence (1993-2006); and other materials related to Duke's activism. There are also 2 CD-ROMs, printed material, clippings, and invitations to luncheons and dinner parties.

The addition (2006-0062) (1025 items; 1.6 lin. ft.; dated 1962-2006 and undated) comprises correspondence, invitations, speeches, printed material, and ephemera related to Duke's activism in organizations (1983-2006). There are also materials that once formed a photo album/scrapbook, with 27 black-and-white photos of the Dukes as well as interior and exterior photos documenting their remodeling of Blair House, the presidential guest quarters, in Washington, DC (undated, probably 1962); invitations; and correspondence (1962-1968), including letters from Jackie Kennedy, Lady Bird Johnson, and others.

The addition (2006-0092) (1025 items; 1.6 lin. ft.; dated 1962-2006 and undated) contains clippings, periodicals and reference works, as well as meeting guides, conference materials, correspondence and other materials regarding Duke's political, charitable and ambassadorial activities. There is also one DVD and two black-and-white copies of family photos.

The addition (2007-0014) (1500 items; 2.4 lin. ft.; dated 1962-2006) contains correspondence, including letters from Jackie Kennedy and Lady Bird Johnson; menus and programs for United States Presidential luncheons and dinners; documentation, pamphlets, and files from councils and organizations; a diploma for Angier Biddle Duke from Duke University; speeches; printed materials; and newspaper clippings.

The addition (2007-0087) (675 items; 0.9 lin. ft.; dated 1964-2007) contains correspondence, photographs, speech transcripts, and conference materials from Duke's charitable and political organizations.

The addition (2007-0194) (675 items; 0.9 lin. ft; dated 2000-2007) contains correspondence, charitable committee and meeting materials, and a New York Look Book featuring Duke and her fashion sense. This collection has been interfiled with Addition (2007-0087).

The addition (2008-0116) (600 items; 0.8 lin. ft; dated 2007-2008) includes conference ephemera and other materials from Duke's involvement in charities and political activities; miscellaneous materials and correspondence; and publications from various international organizations.

Addition (2009-0168) (900 items; 1.2 lin. ft.; dated 1960s-2009) includes correspondence, board meeting publications from Duke's various charities and organizations, letters from prominent people, and miscellaneous materials such as newspaper clippings and photographs.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. It is headquartered in New York. Collection consists of training and policy manuals, presentations, other printed materials and videocassettes pertaining to the T-Plan, Thompson Way and Thompson Total Branding programs. Materials appear in English, Spanish and Japanese and include materials from JWT offices in The U.S., Argentina, Australia, Canada, India, Italy, Japan, Mexico and Thailand. Case study information for individual companies include DeBeers, Ford, Nabisco (Ritz crackers), Nabob Coffee, Nestle, Steppenwolf Theater and White Castle. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Consists of training and policy manuals, presentation materials, other printed materials and videocassettes pertaining to the T-Plan, Thompson Way and Thompson Total Branding programs. Materials appear in English, Spanish and Japanese and include materials from JWT offices in The U.S., Argentina, Australia, Canada, India, Italy, Japan, Mexico and Thailand. Case study information for individual companies include DeBeers, Ford, Nabisco (Ritz crackers), Nabob Coffee, Nestle, Steppenwolf Theater and White Castle. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Anne Halley was a fiction writer and poet. Collection includes typescripts for four works (approximately 700 pages) and typesetting instructions for the opening pages of Rumors of the Turning Wheel, which was published by Lisa Unger Baskin's Aee Press in 2003.

Collection includes typescripts for four works (approximately 700 pages) and typesetting instructions for the opening pages of Rumors of the Turning Wheel, which was published by Lisa Unger Baskin's Aee Press in 2003. The four works, True Wedding: Ten Household Tales, Beatrice and the Blind Child, Change of Life, and an untitled volume of poetry, are unpublished and undated. Some of the typescripts are annotated; also present are a few pieces of undated correspondence from Halley to Baskin.

NWSA Journal, an official publication of the National Women's Studies Association, publishes interdisciplinary, multi-cultural feminist scholarship linking feminist theory with teaching and activism. Accession 2003-0263 (26,100 items; 43.5 lin. ft.; dated 1990-1998 and undated) comprises administrative files, records of the site search and other editorial board policy matters, correspondence, annual and semi-annual reports, copyedited manuscripts, readers' reports, and published manuscripts; and revisions of issues from each volume. Addition (06-006) (7 items, .1 lin. ft.; dated 1990-1998) comprises 7 issues of the NWSAction newsletter, Fall 1990-Summer 1998.Addition (06-039) (375 items, .2 lin. ft.; dated 2000-2003) contains final page proofs, abstracts, advertising, research and proposals, and correspondence generated for the special issue Gender and Modernity, Fall 2003, volume 15, number 3. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Accession (2003-0263) (26,100 items; lin. ft.; dated 1990-1998 and undated) comprises administrative files, records of the site search and other editorial board policy matters, correspondence, annual and semi-annual reports, copyedited manuscripts, readers' reports, and published manuscripts; and revisions of issues from each volume.

The 2006 addition (2006-0006) (7 items, 0.1 lin. ft.; dated 1990-1998) comprises 7 issues of the NWSAction newsletter, Fall 1990-Summer 1998.

The 2006 addition (2006-0039) (375 items, 0.2 lin. ft.; dated 2000-2003) contains final page proofs, abstracts, advertising, research and proposals, and correspondence generated for the special issue Gender and Modernity, Fall 2003, volume 15, number 3.

The 2007 addition (2007-0118) (2630 items; 4.8 lin. ft.; dated 2003-2007) contains manuscripts, journal submissions, proofs, and editorial files related to 2005-2007 issues. Also included are a procedure manual, correspondence, administrative and editorial files, copies of published journals (2004-2007), and newsletters. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The 2009 addition (2009-0007) (29 items; 0.6 lin. ft.; dated 2003-2008) contains 4 published journals (2007-2008) and electronic materials used in the creation of the journal, including 19 CDs, 5 zip discs, and 1 USB key. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The 2015 addition (2009-0098) (0.3 lin. ft.; dated 1978-2011) contains 1 box of material documenting the work of the National Women's Studies Association Journal from Margaret (Maggie) McFadden. It comprises administrative files, records of the site search and other editorial board policy matters, correspondence, journal proposals and information about applicants considered for employment. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Fred Chappell is an author and a poet, and is a retired English professor from the University of North Carolina at Greensboro. Dabney Stuart is also an author and poet, and is a retired English professor at Washington and Lee University in Lexington, Virginia. Accession (2009-0211) (150 items; 0.6 lin. ft.; dated 1984-2009) consists of Fred Chappell's letters to Dabney Stuart, covering a wide range of topics from personal stories and updates on families to his musings on literature and poetry in general. Chappell frequently offers feedback on Stuart's latest writings, as well as seeks input from Stuart on his own work. Occassional drafts are included for Stuart to read.

Accession (2009-0211) consists of Fred Chappell's letters to Dabney Stuart between 1984 and 2009. Most are handwritten by Chappell, and discuss both men's latest writings and activities, including family trips and academic conferences. Chappell frequently offers opinions on books that he has reviewed, as well as musings on literature in general. He often mentions Shenandoah, Stuart's literary journal from Washington and Lee University, and discusses his latest contributions. Chappell also provides feedback on Stuart's poetry, including works such as Light Years, "Gospel Singer," Narcissus Dreaming, Don't Look Back, Long Gone, Sweet Lucy Wine, and Plain Talk.

Alpha Epsilon Phi is a social sorority for undergraduate women. The Duke University chapter was established in 1934 and disbanded in the mid-1960s. The sorority was revived at Duke in 1977, with the establishment of the Alpha Epsilon chapter; it disbanded in 2004. Records include manuals, composite photographs, roll book, standards, project files, and other materials created and collected by the Alpha Epsilon Chapter of Duke University. English.

Records include manuals, composite photographs, roll book, standards, project files, and other materials created and collected by the Alpha Epsilon Chapter of Duke University.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. It is headquartered in New York. The London Office first opened in 1899. Allen Thomas was an executive who served as Chairman of JWT's London Office as well as JWT Europe. Collection includes correspondence, client files, meeting minutes, research reports, presentations and other printed materials. Companies represented include De Beers, Nestle and Unilever. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection includes correspondence, client files, meeting minutes, research reports, presentations and other printed materials. Companies represented include De Beers, Nestle and Unilever. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection comprises five 4x5 inch matted black-and-white palladium contact prints, featuring abandoned or run-down manmade structures in the natural landscape. Locations include the Southwest (Texas, New Mexico, and Arizona) and the Olympic Pensinsula. Acquired as part of the Archive of Documentary Arts at Duke University.

Eula Wake was a 1929 graduate of the Woman's College of Duke University. Collection contains photographic prints taken at Class of 1929 reunions in 1984, 1986-87, and 1989.

Collection contains photographs of various members of the Class of 1929 at various reunions in 1984, 1986-87, and 1989. Individuals are identified on the back of most photographs. Notable individuals include Duke University President Terry Sanford.

Collection comprises correspondence Will Inman sent to Steven Finch, an American poet and translator living in Switzerland, from 1984-1989. Letter topics include venues for poetry publication, Inman's reaction to poems Finch mailed, homosexuality and poetry, politics, poetry readings, American poets, recommended reading, retirement, gay fads and postures, and biographical details. Typescript copies of Inman's poems, writings on poetry, and short stories usually accompanied the letters.

The South Africa Policy Implementation Committee was authorized by resolution of the Board of Trustees in 1986 to implement the policies recommended by the Committee on Social Implications of Duke Stock, formed in 1985. Collection contains records relating to the operations and activities of the South Africa Policy Implementation Committee and includes correspondence, memoranda, reports, minutes, printed material, and clippings concerning apartheid and Duke University's decision to divest.

Contains material pertaining to the activities of the South Africa Policy Implementation Committee. The collection contains rosters, minutes, and reports of the Committee as well as correspondence and memoranda concerning Duke's policy toward and financial relationships with corporations with operations in South Africa during apartheid. Correspondence between University President H. Keith H. Brodie and representatives of corporations such as International Business Machines, Mcgraw-Hill, Inc., Texaco, Inc., American Express Company, R.J. Reynolds/Nabisco, Inc., and Cocoa-Cola Company documents corporate reaction to Duke's decision to divest. Memoranda, minutes, reports, and rosters of the Committee on Social Implications of Duke Stock are also present.

Throughout the collection are clippings and other printed material addressing social, political, and economic conditions in South Africa, policies adopted by other universities and colleges toward South Africa, and reports and studies relating to the feasibility, appropriateness, and potential consequences of divestment.

The role of the ombudsman is to work with the Faculty Hearing Committee to facilitate prompt and equitable resolution of allegations by faculty members and instructional staff that there has been a violation of university policy. The collection includes correspondence, memoranda, notes, minutes and other records of the office.

The collection includes correspondence, memoranda, notes, minutes, and other records concerning the establishment of the position of ombudsman and the Faculty Hearing Committee, policies and specific cases, and copies of ombudsman practices and policies at other institutions. There are files that contain personnel records and are restricted for 70 years. Other files may fall under the 25 year administrative records restrictions. Please consult with Research Services staff.

Founded in 1891, the Outdoor Advertising Association of America (OAAA, now the Out of Home Advertising Association of America) is one of the oldest and largest advertising industry trade organizations in North America. It is headquartered in Washington, D.C. Nancy Fletcher is a lawyer and advertising executive who served as President and CEO of OAAA from 1991-2019. The Nancy Fletcher papers include clippings, correspondence, meeting minutes, newsletters, planning documentation, texts of speeches and presentations and other materials. Topics include highway beautification and other legislation, relations with government regulators, state issues and the transition of the organization to more broadly represent the out of home advertising industry. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History and the Kevin P. Reilly Sr. Outdoor Advertising Archives.

The Nancy Fletcher papers include clippings, correspondence, meeting minutes, newsletters, planning documentation, texts of speeches and presentations and other materials. Topics include highway beautification and other legislation, relations with government regulators, state issues and the transition of the organization to more broadly represent the out of home advertising industry.

The Duke Coffeehouse is a student-run coffee shop and performance venue located on East Campus near Wilson Dorm. The collection includes log books of accounts and shows, tally sheets for cash registers, flyers for the Brickside Music Festival, stickers, and other materials related to the business of the Coffeehouse.

The Duke Coffeehouse Records include log books of accounts and shows, tally sheets for cash registers, flyers for the Brickside Music Festival, stickers, and other materials related to the business of the Coffeehouse from the mid-1980s and the 2000s. Materials are arranged chronologically.

Printed materials from Egypt, Palestine, Jordan, and Dubai collected by Frances Hasso regarding women's rights, political activism, and feminism in the Middle East during the 1980s and 1990s. Includes publications from the Palestinian Federation of Women's Action Committee, the Center for Egyptian Women's Legal Assistance, and the National Council of Women (Egypt).

This collection consists of printed materials collected by Hasso in the Middle East relating to gender, feminism, marriage, and women's rights in Egypt, Dubai, Palestine, and Jordan. Most of these items are printed materials from organizations such as the Palestinian Federation of Women's Action Committes, the National Council for Women (Egypt), and the Center for Egyptian Legal Assistance (CELWA). There are also reference materials relating to these topics, produced by NGOs and other academic institutions. The collection also contains a marriage box, acquired by Hasso in 2003, from the Courts Department of Dubai. This box was intended for distribution to marrying couples and includes brochures, pamphlets, and other information about relevant laws and social programs impacting women and children.

The photographs of Cedric N. Chatterley span the years 1983-2013, and were created throughout his career as a documentary photographer, beginning with his MFA thesis project on religious experience in the U.S. The photographs are primarily black-and-white prints ranging in size from 8x10 to 18x24 inches. The most prominent themes in Chatterley's work are labor, community, and religious expression. He has photographed chicken slaughterhouse workers in Maine; Cambodian immigrants in North Carolina; David "Honeyboy" Edwards and other Southern blues musicians in Mississippi and on tour; a substance abusers' rehabilitation community in Durham, N.C.; tornado survivors in South Dakota; an abandoned religious theme park in Connecticut; and sheep rancher Judith Fae "Pachy" Burns in Montana. Some of his documentary work also includes oral history interviews. There are also several recordings of interviews with Chatterley, where he speaks about his work as a documentary photographer, and a book by Barbara Lau containing his photographs of Cambodian immigrants. Acquired as part of the Archive of Documentary Arts at Duke University.

The photographs of Cedric N. Chatterley span the years 1983-2013, and were created throughout his career as a documentary photographer, beginning with his Master in Fine Arts thesis project, "Ambivalent Ecstasies/Converging Energies," on American religious experience. The photographs are primarily black-and-white gelatin silver prints ranging in size from 8x10 to 18x24 inches.

The most prominent themes in Chatterley's work are labor, community, and religious expression. He has photographed chicken slaughterhouse workers in Maine; Cambodian immigrants in North Carolina, a project undertaken with Barbara Lau of the Center for Documentary Studies at Duke University; David "Honeyboy" Edwards and other Southern blues musicians in Mississippi and on tour; a substance abusers' rehabilitation community in Durham, N.C., also with Barbara Lau; tornado survivors in South Dakota who rebuilt their town over a period of ten years; Holy Land USA, an abandoned religious theme park in Connecticut; and a woman sheep rancher's work during lambing season in Montana. Some of the images were taken with Chatterley's hand-built cameras.

A final series consists of materials relating to Barbara Lau's book, From Cambodia to Greensboro, documenting Cambodian immigrants in North Carolina, that includes images taken by Chatterley, and a set of recorded interviews from 2008 in which Chatterley speaks about his career as a documentary photographer. The cassettes have been converted to digital files and use copies are available for access. Original recordings are closed to use.

Series are arranged in chronological order; prints are numbered and captioned by the photographer.

Acquired as part of the Archive of Documentary Arts at Duke University.

Vincent Cianni is a documentary photographer and educator based in New York State. The projects in this collection have varied themes: views of the city of Berlin, the destruction of the Berlin Wall and the reunification of Germany in 1990; mall culture and the social impacts of urban decay in New York State in the 1980s; wedding ceremonies and rituals of straight and transgender individuals in the mid-1980s; Hispanic American in-line skating culture in the Williamsburg neighborhood of Brooklyn, New York, mid-1990s; Cambodian kickboxing culture, 2004; and the relationship between human story-telling, memory, and landscape views, 2000-2002. An additional series offers a large set of oral histories of gays in the military (2010-2012). Acquired as part of the Archive of Documentary Arts at Duke University.

Collection comprises photographic prints and supporting materials from seven documentary projects by photographer Vincent Cianni. Subjects focus chiefly on American culture and explore wedding rituals; Hispanic American youth and in-line skating culture; urban decay; street photography; social aspects of shopping malls; men in shelters; kickboxing in Cambodia, and landscape views and how people interact with them. There is also a large set of oral history interviews with gay men and women in the U.S. military which derive from Cianni's photobook Gays in the Military: Photographs and interviews by Vincent Cianni (2014).

In addition to photographs, the series which documents in-line skating culture also contains digital video, stills, and image scans deriving from Cianni's documentary project and photobook We Skate Hardcore: Photographs from Brooklyn's Southside (2004).

Most of the prints were created by Cianni using black-and-white analog film and traditional darkroom processes; there are also some chromogenic (color) prints.

Progressive policy think-tank based in North Carolina. Spanning the years 1983 to 2008, the Common Sense Foundation (CSF) Records contain manuscript, print, audiovisual, and electronic materials related to the foundation's administration and work on various policy initiatives, which include the death penalty, taxation and economic justice, the environment, gay rights, health care, testing in public schools and other education issues, the tobacco industry, and North Carolina politics. The collection primarily contains clippings, reports, administrative documents, and correspondence, including emails, and is organized into the following series: Administrative Files, Audiovisual Materials, Board of Directors, Photographs, Printed Materials, Research Files, Staff Files, and Website. The largest group of materials relates to CSF's research on public policy. Several thousand electronic files in the collection have been migrated to a library server. Acquired as part of the Human Rights Archive at Duke University.

Spanning the years 1983 to 2008, the Common Sense Foundation Records contain manuscript, print, audiovisual, and electronic materials related to CSF's administration and work on various policy initiatives, which include the death penalty, taxation and economic justice, the environment, gay rights, health care, testing in public schools and other education issues, health care, the tobacco industry, and North Carolina politics, and many other civil rights issues. The collection primarily contains clippings, reports, administrative documents, and correspondence, including emails, and is organized into the following series: Administrative Files, Audiovisual Materials, Board of Directors, Photographs, Printed Materials, Research Files, Staff Files, and Website. The largest group of materials relates to CSF's research on public policy. Thousands of electronic files representing materials related to the series in the collection have been migrated to a library server. Files must be screened for confidential material before use can be granted.

Several series focus on the administration of the foundation. In addition to documenting the foundation's bylaws and history, the Administrative Files Series contains documents related to CSF's finances and membership, sponsorship of events, strategic planning, and personnel. Related material can also be found in the Staff Files Series. The administration and strategic plan of the foundation is also treated in the Board of Directors Series (closed until 2020), which contains minutes of board meetings and information about board members. The Photographs Series houses images of CSF events.

Other series document the foundation's policy initiatives. The Printed Materials Subseries contains copies of works published by CSF, clippings of articles written by CSF staff, and publications on related topics printed by other organizations. Organized by topic, the Research Files Series contains files related to the foundation's research and organizing work, principally on the death penalty, economic issues, fair testing in public schools, North Carolina politicians, and health care. Primarily containing clippings and reports, this series also includes letters written by incarcerated people to CSF, and includes the foundation's survey of lawyers who represented death row inmates. The Audiovisual Materials Series contains videocassettes related to CSF's policy initiatives and that document foundation-sponsored events. CSF's presence on the internet is documented in the Website Series, which contains both policy and administrative material.

Acquired as part of the Human Rights Archive at Duke University.

Primarily consists of Executive Board and Sector and Advisory Groups correspondence, memoranda, and meeting records; financial and planning documents, including grant applications; and workshop, seminar, and presentation materials that document the organization's activities to raise awareness of and promote action on the causes of poverty in N.C. Also includes correspondence, memoranda, reports, and other writings by the executive director, J. Gordon Chamberlin; telephone logs and appointment books; various printed material concerning poverty in NC; 11 audio and 15 videocassettes; 134 black-and-white and 10 color prints; 10 color negatives; and 8 data cartridge tapes. (02-234)

The 2006 addition (2006-0055)(600 items, 1.3 lin. ft.; dated 1986-2004) contains correspondence, meeting records, publications, and other documents generated by the North Carolina Poverty Project and the Poverty Coalition. Also included is an oversize 7 panel Poverty Display.

The 2007 addition (2007-0023)(3300 items, 4.4 lin. ft.; dated 1982-2003) contains documents related to the executive board including correspondence, financial documents, and planning documents; tax information; documents related to conferences and business trips; photocopies and clippings of articles related to poverty from the New York Times and other newspapers (1986-2001); and lists of library holdings of poverty books at Southeastern universities.

Students for Choice is a student organization dedicated to educating the Duke community about the status of reproductive rights nationally and locally and about available related resources, and to working to protect and uphold the freedom of choice. The Students for Choice Records contains flyers and other event materials, organizational notes, educational literature, and clippings.

The Students for Choice Records contains flyers and other event materials, organizational notes, educational literature, and clippings.

Jim Varney was an actor who played the character Ernest P. Worrell in commercials, a television series (Hey Vern! It's Ernest), and numerous movies. These materials were collected and donated by Roy Lightner. The collection (2009-0119) (100 items; 2.1 lin. ft.; dated 1983-2000) includes videotapes of Ernest films; audiocassettes of commericals; advertising kits used to pitch Ernest as a spokesman for local markets; Ernest memorabilia, including t-shirts, movie posters, buttons, a towel, and a doll; and other miscellaneous marketing tools used by the Carden and Cherry Advertising Agency. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The materials in this collection include 18 videotapes of various Ernest films; two audiotapes of Ernest pitches; five Ernest posters; t-shirts, a doll, a license plate, and other Ernest memorabilia and merchandising products; articles and other publicity materials; advertising kits from the Carden and Cherry Advertising Agency; testimonials from Ernest clients; and personal photographs from collector Roy Lightner with Jim Varney.

The North Carolina Lesbian and Gay Health Project was founded in 1982. The records in this collection contain administrative files, case files, board minutes, and newsletters that document the organization, staffing, and activities of the NCLGHP. Subject files provide general information about gay and lesbian health issues, such as AIDS, breast cancer, sexually transmitted diseases, mental health, and substance abuse. Includes some artifacts and ephemeral materials such as T-shirts, pamphlets, and fliers.

The papers of the North Carolina Lesbian and Gay Health Project (LGHP) span the dates 1983-1996. The papers consist chiefly of correspondence, meeting minutes, newspaper clippings, newsletters, training materials, publicity items such as pamphlets and fliers, programming and services records, volunteer information, financial statements, fundraising project records, grant applications, and subject resource files. The collection also includes t-shirts, banners, and photographs.

Most of the papers concern the work of the LGHP, though the Community Connections and Subject Files series both document programs and issues related to HIV/AIDS and gay/lesbian/bisexual health issues as addressed by other non-profit organizations, foundations and corporations, and government agencies from across North Carolina and the entire United States.

Groups of personnel and hiring records have been segregated and are closed for a certain time span due to sensitive or restricted content; see series restriction notes for details.

OutRight is a Triangle-area organization that was founded in 1990 and is now disbanded. OutRight provided support for gay youth and other young people with questions about their sexual orientation. The OutRight records consist of meeting minutes, correspondence, financial records, resources and programs (including clippings, flyers, and pamphlets), and literature on AIDS and sexuality. The materials also include reports on nationwide trends and LGBTQ issues.

The OutRight Records chiefly consist of minutes from meetings, correspondence, financial records, publicity (including clippings, flyers, and pamphlets), and literature on AIDS and sexuality. Also included are reports on nationwide trends and LGBTQ issues, the organization's by-laws, fundraising, correspondence, program planning, and administrative information.

The Land Resources Committee was formed by President Brodie in order to develop and recommend a long-range blueprint for the use of the University's non-campus land holdings. Collection contains the final report and recommendations of the Land Resources Committee, along with the records of the committee and its subcommittees. The collection ranges in date from 1983-1992, bulk 1986-1989.

Collection contains the final report and recommendations of the Land Resources Committee, along with the records of the committee and its subcommittees. The files include the charge to committee, agendas, minutes of meetings, files on public forums, samples of media coverage, consultants' reports and copies of interim and final reports. The subcommittee records include Academic Uses (the bulk), Non-Academic Uses, Ad Hoc, and Community Concerns. The types of material present include correspondence, maps and plats, video and audio recordings of public forums and a radio broadcast (Duke Forest Dilemma, WUNC, 22 August 1988), reports, and clippings, questionnaires, and proposals. The collection ranges in date from 1983-1992, bulk 1986-1989.

Collection contains materials primarily related to the 1984 elections. They include correspondence with public officials (among others), articles, and studies. The materials reflect Brown's interest and involvement in the Democratic Party, national legislation, and issues regarding gay rights.

Formal investigation into a study abroad program began in 1947 when Dean Alice Baldwin appointed a committee to study the status of existing opportunities for Duke students to study elsewhere and for foreign students to study at Duke. This collection contains correspondence, brochures, catalogs, clippings, photographs, a videotape, artifacts and other records. Some material in the collection focuses on the Hosei University (Tokyo) Summer Institute at Duke.

This collection contains correspondence, brochures, catalogs, clippings, photographs, a videotape, artifacts and other records. Some material in the collection focuses on the Hosei University (Tokyo) Summer Institute at Duke.

Americans for Immigrant Justice (formerly Florida Immigrant Advocacy Center [FIAC]) is a not-for-profit legal assistance organization dedicated to protecting and promoting the basic human rights of immigrants of all nationalities. The Americans for Immigrant Justice records span the years of 1980-2017. The collection contains project files and correspondence regarding immigrant detention policy and conditions in the state of Florida, particularly concerning the Haitian community; legal documents regarding the same, including restricted and confidential legal files; and audiovisual material produced by or for AIJ. The bulk of materials are organized by subject and detention facility.

The Americans for Immigrant Justice (AIJ) records, formerly the Florida Immigrant Advocacy Center (FIAC), span the years of 1980-2017. This collection contains extensive documentation of the events and crises surrounding asylum, deportation, detention and abuses that took place within Florida detention centers from the years 1980 to 2017, as well as documentation regarding issues of repatriation. It records the efforts of AIJ to advocate on behalf of immigrant and refugee populations, mainly in Florida, during this time. The majority of material in this collection deals with Haitians seeking asylum in the U.S., but also includes major material on Cuban and Central American refugees, then minor files on Chinese, Middle Eastern, and other immigrant populations. Many files focus on Cheryl Little's work with child refugees and detainees and their asylum claims, and on discrimination against female immigrants. Files also include material on interdiction at sea and related court documents, government immigration policy pre- and post-9/11, documentation on hunger strikes at various facilities, material related to the Haitian Boat crises, and documentation of raids on immigrant populations. The detention facilities of particular concern in this collection include Guantanamo, Krome, and Turner Guilford Knight correctional facilities, as well as Florida's county jails.

The collection contains legal documents related to the activity of AIJ, including affidavits of detainees held in Florida facilities, and other court documents, such as court pleadings and briefings; reports on facility conditions; correspondence, including correspondence between detainees and their families, letters from concerned citizens, and formal correspondence between AIJ and other organizations and officials; case studies and reports on immigration and refugee crises, and reports of abuses and conditions in Florida detention facilities; FBI interviews with detainees; related articles and speeches; restricted material, including medical records; and promotional and educational videos produced by or for AIJ, documentary footage of missions and events, and press conference and news footage.

The series in this collection include the Detention Series, the Immigrant and Refugees Series, the Restricted Series, the General Organizational Records Series, the Audiovisual Series and the Photographic Materials Series. The bulk of the material for this collection belongs to the Detention Series and the Immigrant and Refugees Series.

Acquired as part of the Human Rights Archive at Duke University.

The Duke Graduate Liberal Studies program was founded in 1984, under director Bonnie E. Erickson. The program grants a Master of Arts in Liberal studies (MALS) and is sometimes referred to as the MALS program. The materials include programs, curriculum development, faculty folders, photographs, slides, and correspondence.

Contains records from Graduate Liberal Studies program, including records of previous director Diane Sasson and outgoing director Donna Zapf. Some records were left in GLS by Craufurd Goodwin. The materials include programs, curriculum development, faculty folders, photographs, slides, and correspondence.

International Comparative Studies (ICS) is an undergraduate interdisciplinary academic program affiliated with Duke University in Durham, North Carolina. The collection's files document the program's academic mission and operations, chiefly dating from the 1980s to 2011, and comprise course files, correspondence and memos, budget and grant files, alumni information, newsletter files, student work, questionnaires, materials on programming and conferences, and files about related Duke offices such as Trinity Arts and Sciences and Comparative Area Studies.

The collection's files document Duke University's International Comparative Studies (ICS) program's academic mission and operations, chiefly dating from the 1980s to 2011. The mateials comprise course files, correspondence and memos, budgets, grant files, awards, ICS programming and conferences, alumni information, newsletter files, student work, questionnaires, and files about related organizations on campus. The latter include Duke administrative offices as well as Comparative Area Studies (CAS).

The Perkins Library Suggestion/Answer book was a loose-leaf binder set up in the lobby of Perkins Library from 1982 until about 2006 in which people could write comments, suggestions, or questions, which were answered in the book by the Answer Person, a librarian. The collection consists of the original pages of the Perkins Library Suggestion/Answer book ranging from 1982 to approximately 2006. These pages have handwritten questions and typed responses as well as some items or materials attached to the original pages.

The collection consists of the original pages of the Perkins Library Suggestion/Answer book ranging from 1982 to approximately 2006. These pages have handwritten questions and typed responses as well as some items or materials attached to the original pages. A number of single pages are missing throughout the collection, and may have been removed or lost by individuals while pages moved around in the answering process. The collection also includes loose photocopies of some runs of pages as well as a bound photocopy version of the first 1,000 pages and a copy of the undated selected excerpts compiled by Library staff in the 1990s.

Duke Magazine is the Duke-focused alumni magazine of Duke University. Robert Bliwise is the founding editor, with the magazine since 1983. The collection includes his files related to Presidents of the University, magazine policies and feedback, and the history of the publication.

The collection includes files from Duke Magazine founding editor Robert Bliwise, particularly related to presidents of the University, as well as policy documents, feedback on the magazine, and some historical materials. Files include correspondence, article drafts, clippings, research materials, and other materials.

The FOCUS Program is an interdisciplinary living/learning community for first and second year students to expand the boundaries of their knowledge and work closely with distinguished faculty. The collection contains material pertaining to the day to day operations of the FOCUS program, and is divided into eight series: brochures and flyers; budget; clippings; newsletter; student writing; surveys; yearly files; and oversize. The materials in the collection date from 1982-2004.

The collection contains material pertaining to the day to day operations of the FOCUS program, and is divided into nine series: brochures and flyers; budget; clippings; newsletter; student writing; surveys; yearly files; oversize; and visual materials. The yearly files contain general information regarding the operation of the program including participant lists, synopsis of the programs offered for that year, memoranda, some budget information, and details concerning faculty recruitment. The oversize series contains a photograph album of the 1997 FOCUS trip to St. Petersburg, Russia. The visual materials include photographs and negatives of FOCUS events. They are largely unidentified but are dated by year. The materials in the collection date from 1982-2004.

Freelance journalist and writer in the United States. Galley proofs, typescripts, drafts, and notes for Shreve's work. Also includes files from her literary agent.

Collection (Accession 2002-0120) (21 items, 2.4 lin. ft.; dated 1987-2001) comprises primarily page and galley proofs, as well as typescripts for six of Shreve's novels and nonfiction books (1987-2001). The books include The Last Time They Met, Fortune's Rocks, Strange Fits of Passion, The Weight of Water, Remaking Motherhood, and Resistance.

Addition (Accession 2002-0136) (300 items; 10.80 lin. ft.; dated [ca. 1989]-2002) consists primarily of typescript and hand-written drafts, proofs, hand-written notes, and research for novels by Shreve ([ca. 1989]-2002), including Fortune's Rocks, The Pilot's Wife, Sea Glass, and The Weight of Water. Addition also includes editor and publisher correspondence, contracts, and royalty statements (1992-1993).

Addition (Accession 2003-0222) (3 items; 0.6 lin. ft.; dated 2002-2003) consists of the typescript (with editing marks) and master proof of Shreve's novel All He Ever Wanted (2003), along with a piece of correspondence from the publisher.

Addition (Accession 2011-0059) (400 items; 0.6 lin. ft.; dated 1982-1995) contains files about Shreve kept by Virginia Barber, her literary agent. Includes correspondence between them as well as Barber's correspondence and other materials promoting Shreve's work.

The Tim Valentine papers span the years 1982 to 1994. The collection consists of correspondence, press releases, speeches, legislation, committee files, and video and cassette tapes. Materials pertain to the political life and career of former Congressman Tim Valentine of North Carolina's second district.

Congressional committees Valentine served on and which are represented in this collection are: Agriculture Committee; Appropriations Committee; Armed Services; Banking, Finance, and Urban Affairs; Budget Committee; D.C. Committee ; Education and Labor; Governmental Operations; House Administration; Interior and Insular Affairs; Energy and Commerce; Foreign Affairs; Judiciary; Merchant Marine and Fisheries; Post Office and Civil Service; Public Works and Transportation; Rules Committee ; Standards of Conduct; Small Business; Veterans Committee ; and the Ways and Means Committee. The Correspondence series covers constituents' opinions and concerns about issues that relate to these committees. Subjects include abortion, pesticides, labor, defense, education, taxes, prayer in public schools, and gun control. This series also includes personal correspondence from Valentine's friends and colleagues. The Legislative series allows one to track Valentine's stand on legislative issues through the voting records and legislative profiles. Other legislation files comprise health, welfare, education, transportation, and the Lake Gaston pipeline issue information. The Press series provides information on Valentine's campaign, his political and legislative beliefs, and events relevant to the time.

The Private Adjudication Center is an independent corporation founded by the Board of Trustees of Duke University and was attached to the School of Law. School of Law Professor Paul Carrington served on the Executive Committee, Board of Directors, from 1983-2003, as Executive Director in 1988, President from 1989-1994, and Chair of Board, 1995-2002. The materials include correspondence between PAC representatives throughout the United States and in various foreign countries as well as minutes, reports, proposals, and other materials. There are a few case files within this collection.

Collection contains the charter and by-laws of PAC, correspondence, memoranda, annual reports, responses to requests for proposals for dispute resolution, informational books and brochures, grant applications, minutes of the PAC Board and other records concerning the establishment, promotion, funding, and operation of the Center. Also included is material concerning other dispute resolution centers, the National Institute for Dispute Resolution, the legal status of arbitration, and the relation of resolution centers to the courts. Material ranges in date from 1982-1992.

The Duke-UNC Center for Research on Women was founded in 1982 as a collaborative endeavor between Duke University and the University of North Carolina at Chapel Hill to promote Women's Studies scholarship, research, and curriculum development in the South. The project was originally named the Duke-UNC Women's Studies Research Center, but changed its name to the Duke-UNC Center for Research on Women in 1987. The Center operated with support from the Ford Foundation and the Rockefeller Foundation, smaller grants from local foundations, and institutional backing from Duke and UNC. The records contain correspondence, reports, grant documents, audiotapes, a videotape, and other materials relating to the Center for Research on Women. Major subjects include women's studies curriculum development and research, pay equity, and the relationships between race, class, and gender. Materials range in date from 1982 to 1992. English.

The records of the Duke University/University of North Carolina Center for Research on Women contain correspondence, reports, grant documents, audiotapes, a videotape, and other materials relating to the Center for Research on Women. Major subjects include women's studies curriculum development and research, pay equity, and the relationships between race, class, and gender. Materials range in date from 1982 to 1992.

Some of the materials in this collection are not immediately accessible because they require further processing before use. Please contact the University Archives before visiting to use this collection.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States.

Collection includes research and planning reports, clippings and other printed materials, and artifacts. Companies represented include Burger King, Kraft, and Ford. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The President's Committee to Address Discrimination in the Classroom (PCADC) was created in April 1988 to address allegations of discrimination at Duke and offer recommendations on how to reduce or eliminate this discrimination. PCADC issued their final report in February 1989. The President's Committee to Address Discrimination in the Classroom records include the results of a student survey to assess discrimination, descriptive statistics, PCADC's final report, and other materials.

The collection includes materials related to the work of the President's Commission to Address Discrimination in the Classroom (PCADC), particularly the results of the student survey conducted by the Commission. Included are completed surveys, compiled survey descriptive statistics, correspondence among PCADC, research materials, responses from other universities on discrimination policies, and copies of the final report. Survey responses and data do not include personally identifying information.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. It is headquartered in New York. The London Office first opened in 1899. Charles Friend was an executive in the JWT London Office and Area Director with JWT's European Division. Collection consists of correspondence, periodical reports and other printed materials documenting the management of various JWT offices in Europe. The bulk of correspondence pertains to JWT offices in Denmark, Portugal and Sweden. Topics of correspondence include coordination of client relations and advertising campaigns, relocation of staff, agency performance. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection consists of correspondence, periodical reports and other printed materials documenting the management of various JWT offices in Europe. The bulk of correspondence pertains to JWT offices in Denmark, Portugal and Sweden. Topics of correspondence include coordination of client relations and advertising campaigns, relocation of staff, agency performance. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Background materials relating to Well's book about the Iran hostage crisis (1979-1981), 444 Days: the Hostages Remember, and a typed manuscript of the work. Includes 546 audiocassette tapes, 83 tape transcripts, and signed release waivers and consent forms of hostages. Wells interviewed 36 of the 53 hostages and included 27 in the book. (1-12-87)

The University Center Activities and Events (UCAE) creates opportunities for students to expand their knowledge outside of the classroom, and the UCAE Center for Leadership Development and Social Action (LDSA) provides students with opportunities to learn about and practice effective leadership. The collection includes programs, materials related to nomination and giving of awards, booklets, publications, and media.

This collection consists of materials related to events, workshops, seminars, and activities. This includes items related to Student Leadership and Service Awards and In the Spotlight Awards such as table displays, records for nominations, video recordings, and materials from awards ceremonies. The collection contains materials for student leadership retreats, conferences, student organizations, the Connection Project, the Duke Authenticity Project, Next Level Leadership, and Penny Pilgram George Women's Leadership Initiative. Contents of the collection also includes programs, event promotional materials, photographs, t-shirts, presentations, and reports.

Mark Dendy (b. 1961) is a New York-based choreographer, writer, dancer, and actor. His career spans experimental dance theater, grand scale site specific work, pure movement dance pieces, opera, improvisation, Broadway, off-Broadway, and regional theater. Dendy also founded and served as Artistic Director of two dance companies: Mark Dendy Dance and Theater and Dendy Dancetheater. His work often responds to societal issues, examining diverse themes such as fame, gender, religion, heritage, violence, politics, the media, and values in society. The collection includes newspaper clippings and photocopies, magazines, programs, flyers, large-scale posters, publicity materials, project files, notes and notebooks, financial documentation, and correspondence. Other materials include photographs, negatives, 35 mm slides, DVDs, and VHS, U-matic, Betacam, Betacam-SP, and DVCPRO tapes.

The collection contains the papers of Mark Dendy, generated through his individual work as a performer and choreographer as well as his work as Artistic Director of both Mark Dendy Dance and Theater and Dendy Dancetheater. It contains printed, photographic, and audio-visual materials that document his performances, press appearances, and public relations activities. The collection also holds materials related to Dendy's creative projects in dance and theater, including scripts, rehearsal schedules, casting notes, and costume and set designs. There are a number of notebooks and handwritten notes on loose paper pertaining to creative projects, choreography, his dance companies, and his personal life. A small amount of correspondence and financial documentation is also contained in the collection.

Materials in the collection include paper-based records, notebooks, newspaper clippings and photocopies, magazines, programs, flyers, press kits, and large-scale posters. Other formats include photographs, negatives, 35 mm slides, DVDs, and VHS, U-matic, Betacam, Betacam-SP, and DVCPRO tapes.

miriam cooke is a professor in the Department of Asian and Middle Eastern Studies at Duke University. The miriam cooke Papers include materials documenting a faculty exchange program between Duke and Cadi Ayaad University in Morocco, as well as other projects related to Islam and the Middle East, such as the Duke Islamic Center (DISC) and a draft of the book Mediterranean Passages: Readings from Dido to Derrida (2008). The papers also include materials about Duke faculty operations, particularly within the Department of Asian and African Languages and Literature (AALL).

This collection documents the professional and administrative activities of miriam cooke, professor in the department of Asian and Middle Eastern Studies at Duke University (formerly AALL, Asian and African Languages and Literature).

Professional activities documented include the development of a faculty exchange program between Duke and Cadi Ayaad University in Marrakesh, Morocco, beginning with a festival of Moroccan culture held at Duke in 1985. Several files contain correspondence with the United States Information Agency (USIA), which provided grant funding for the program, and journals from faculty members in the United States and Morocco detailing their exchange experiences. Other files in this series contain information relating the Center for Study of Muslim Networks, which formally developed into the Duke Islamic Center (DISC) in 2006; and a project on War and Gender conducted in the early 1990s with Duke University History professor Alex Roland. Also includes materials related to events like the MESA conference and the faculty and student exchange program between Duke University and Universite de Tunis I.

Administrative activities documented focus on cooke's role as a Duke professor. Files include records about faculty and courses in the AALL Department; correspondence with three deans of Arts and Sciences at Duke: Richard White, Hans Hillerbrand, and Malcolm Gillis; and correspondence with other Duke administrators such as Richard Brodhead, Nannerl Keohane. Also includes general correspondence from faculty, students, and colleagues. Some materials relate to cooke's time on committees monitoring the interests of women faculty and non-regular faculty at Duke. Publications files include correspondence with members of the Mediterranean Study Committee, information about the Oceans Connect project between Duke and Middle Eastern faculty, and draft chapters for the book Mediterranean Passages: Readings from Dido to Derrida.

Materials are largely textual, comprising correspondence, minutes and agendas, faculty travel journals, clippings, publications, and related printed matter. VHS tapes, a few photographs, and optical disks are also contained within the collection.

The oral history video recordings, audio recordings, and transcripts in this collection were produced or collected by the Jewish Heritage Foundation of North Carolina (JHFNC) and historian Leonard Rogoff as source material for various projects related to the history of Jews in North Carolina. The collection consists of individual and group interviews of Jewish residents of urban and rural North Carolina, including rabbis. Topics discussed by interviewees include family and community history, religious education, participation in Jewish congregations, anti-Semitism and race relations the civil rights movement in North Carolina, World War II military service and the Holocaust, family businesses, and philanthropy. Interviewers include Rogoff, Robin Gruber, and Steven Channing.

The oral history video recordings, audio recordings, and transcripts in this collection were created or collected by the Jewish Heritage Foundation of North Carolina (JHFNC) and historian Leonard Rogoff as source material for various projects related to the history of Jews in North Carolina. The collection consists of individual and group interviews of Jewish residents of urban and rural North Carolina, including rabbis and elected public officials. Families represented include the Brenner, Cone, Evans, Kittner, and Samet families. Topics discussed by interviewees include family and community history, religious education, participation in Jewish congregations, anti-Semitism and race relations in North Carolina, World War II military service and the Holocaust, family businesses, and philanthropy.

The JHFNC projects for which the oral histories were created include the museum exhibit "Migrations: Jewish settlers of eastern North Carolina" (2000-2002), the book "A history of Temple Emanu-El: an extended family, Weldon, North Carolina" (2007), and the museum exhibit, documentary film, and book "Down Home: Jewish life in North Carolina" (2007-2012). Unaffiliated projects from which the JHFNC collected oral histories include the Duke University undergraduate honors thesis "From Pine Street to Watts Street: an oral history of the Jews of Durham, North Carolina" by Robin Gruber (1986), the oral history project of the 1986 Beth El Synagogue (Durham) Confirmation class, Rogoff's book "Homelands: southern Jewish identity in Durham and Chapel Hill, North Carolina" (2001), and the Steven Channing documentary film "Durham: a self-portrait," which shares video interview footage with "Down Home." Some of the media on which the oral histories were recorded contain additional video footage used for "Down Home" or "Durham: a self-portrait."

The majority of the interviews were performed by Leonard Rogoff and volunteers from the profiled Jewish communities. Other interviewers include Robin Gruber, Steven Sager, Steven Channing, Sharon Fahrer, and Jan Schochet.

Bill Brown is a filmmaker, photographer, and zinester from Lubbock, Texas. His films explore the landscapes of North America, including the United States–Mexico border, North Dakota missile silos, and the Trans-Canada Highway, and have been exhibited at film festivals and museums around the world. He received a BFA from Harvard in 1992 and a MFA from CalArts in 1997. Brown is the author of a zine called Dream Whip as well as a novel on the underground in L.A., Saugus to the Sea. In January 2013, Bill Brown donated his personal collection of zines, comprising 186 titles and almost 250 issues in total. Although Brown never actively collected zines, he was always eager to barter and trade with other zine makers. The resulting collection includes zines spanning from the mid-1990s to the early 2000s. The zines are arranged alphabetically by title.

In January 2013, Bill Brown donated his personal collection of zines, comprising 186 titles and almost 250 issues in total. Although Brown never actively collected zines, he was always eager to barter and trade with other zine makers. The resulting collection includes zines spanning from the mid-1990s to the early 2000s. The zines are arranged alphabetically by title.

Libby Gilbert is a zine collector and publisher. Gilbert's zines include The Ten Condiments (1988-1989) and Ancient Grandma Secrets (1990-1997). Collection includes Gilbert's zines, acquired through trade, purchase, or self-publishing. Most zines focus on music or culture. Collection is arranged alphabetically by zine title.

In February 2012, Libby Gilbert donated her personal collection of music zines and magazines, comprising 47 different titles and over 100 issues in total. Originally obtained through trade, purchase, or self-publishing, the titles in her collection span the years 1981-1996, and the common thread is the underground rock music scene in the United States and abroad, with particular focus on the Pacific Northwest, where she lived during much of that time. In 1988 and 1989, she published music and poetry zine The Ten Condiments with Kaija Campos (then Kaija Berleman), and later published her own music zine, Ancient Grandma Secrets, from 1990-1997. A 2022 addition to this collection expanded the title list and includes includes zine originals (layouts, art, etc.) from Ancient Grandma Secrets and Ten Condiments.

The Women's Studies Program at Duke University started in 1983 and grew rapidly into one of the largest interdisciplinary programs at the University, now called Gender, Sexuality, and Feminist Studies. The Women's Studies Program Records contain materials related to the foundation, growth, activities, and alumni of the Women's Studies Program.

The Women's Studies Program Records contain materials related to the foundation, growth, activities, and alumni of the Women's Studies Program. Included are correspondence, minutes, reports, newsletters, flyers, budgets, programs, surveys, and many other materials. Topics include the development of the Women's Studies Program from a certificate program to an undergraduate major and minor as well as the growth of graduate scholarship; the curriculum of the Program and the inclusion of women's studies and women's topics in other areas of the University; outreach to and fundraising with Duke alumni women and others; programs and events organized by Women's Studies, especially the Graduate Research Conference and other large conferences hosted by Women's Studies; the work of the Council on Women's Studies; and a survey given to all women alumni of Duke from the 1920s through the 1980s including questions related to their Duke experience, activities since graduation, and perspective on women's issues, among many other subjects. The majority of the materials date from Jean O'Barr's tenure as director of Women's Studies.

James A. Schiff is associate professor in the Department of English and Comparative Literature at the University of Cincinnati. Collection comprises thirteen letters and one postcard Reynolds Price wrote to James Schiff, 1981-2006. Topics include the plays, poems, novels and other writing projects in which Reynolds is engaged, as well as projects completed by Schiff, particularly those related to Price. Other topics include opinions of various writers, especially John Updike, teaching, and the authors' plans to meet. Includes envelopes.

Collection comprises thirteen letters and one postcard Reynolds Price wrote to James Schiff, 1981-2006. Topics include the plays, poems, novels and other writing projects in which Reynolds is engaged, as well as projects completed by Schiff, particularly those related to Price. Other topics include opinions of various writers, especially John Updike, teaching, and the authors' plans to meet. Includes envelopes.

This collection was compiled from a variety of sources by the University Archives for use in reference and research. Contains materials pertaining to the controversy surrounding Duke University President Terry Sanford's proposal to locate the presidential library of Richard Nixon (Duke Law '37) at Duke University. Types of materials include clippings, student papers, correspondence, minutes, reports, audiotapes, and a manual. Major subjects include Duke University, the Academic Council, the Board of Trustees, Richard M. Nixon, Terry Sanford, presidential libraries, and libraries on campus. Materials range in date from 1981-2001.

This collection contains clippings, student papers, correspondence, minutes, reports, audiotapes, and a manual concerning the proposed Nixon presidential library at Duke University. Contains personal correspondence of Terry Sanford and various Academic Council and Board of Trustees members, as well as correspondence to and from the Council and Board as a whole. Also included are minutes and tape recordings from Academic Council meetings, reports made to the Political Science Department and the Environmental Concerns Committee, and a chronology of events from July through September 1981. Clippings from local and national publications are arranged chronologically. Two student papers are included (1982 and 1985). General presidential library information includes a briefing book, handbook, and period publications from other presidential libraries. Also contains an inventory and processing manual for the Richard M. Nixon Presidential Materials, provided by the National Archives and Records Service. Materials range in date from 1981-2001.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. It is headquartered in New York. Miles Colebrook was an account executive and manager at JWT London, Europe and Asia-Pacific regional offices. Collection includes correspondence, speeches, account reports and other printed materials. Companies represented include Allied Breweries, Ansells, British Rail, Canary Wharf, Findus, Harris Queensway, Kellogg's, Mattesson Wall's, Muscular Dystrophy Association, Nestle, Pepsi, Rowntree Mackintosh, Sancella and Thomson Holidays. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection includes correspondence, speeches, account reports and other printed materials. Companies represented include Allied Breweries, Ansells, British Rail, Canary Wharf, Findus, Harris Queensway, Kellogg's, Mattesson Wall's, Muscular Dystrophy Association, Nestle, Pepsi, Rowntree Mackintosh, Sancella and Thomson Holidays. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The TCAS Academic Advising Center, formerly the TCAS Pre-Major Advising Center, located on East Campus provides academic advising resources to students before they declare a major. This collection contains memoranda, monthly newsletters, committee papers ranging in date from 1981-1994; freshman guidebooks ranging in date from 1985-1996; and basic documents regarding in-school scholarships.

This collection contains memoranda, monthly newsletters, committee papers ranging in date from 1981-1994; freshman guidebooks ranging in date from 1985-1996; and basic documents regarding in-school scholarships. Materials in the collection range in date from 1981-1996.

Renee Chelian founded the Northland Family Planning Center, a women's healthcare and abortion clinic in the Detroit area. The Renee Chelian papers include professional papers related to the Northland Family Planning Center, including materials related to anti-abortion groups picketing the clinic, as well as materials related to Chelian's involvement with national women's healthcare organizations.

The Renee Chelian papers include professional papers related to Chelian's clinic, Northland Family Planning in Detroit, Michigan, and her work with national organizations including the American Civil Liberties Union and the National Organization for Women. Materials relate mostly to her work at the Northland Family Planning clinic during the 1990s and include newspaper clippings, photographs, pro-choice and anti-abortion materials, completed surveys from patients, family, and friends who visited the clincs, and administrative documents related to escort training, office supplies, and staff information.

The collection also contains materials, such as hate mail and pamphlets, related to anti-abortion groups and their picketing of the Northland Family clinic. Folders titled Saturday contain photographs of the picketors and picketing information of the anti-abortion protesting at the clinic. Materials also relate to other anti-abortion materials, including papers related to the harassment of other abortion providers and the murder of Dr. David Gunn, and anti-clinic organizations such as Operation Rescue, Life Dynamics, Prolife Action League, Feminists for Life, crisis pregnancy centers and leaders such as Randall Terry and Joe Scheidler.

Also included are materials from other women's health organizations and campaigns, including Stand Up For Women, Project Choice, and Operation Rescue. Some of the anti-abortion materials contain explicit images.

Peter H. Wood is Professor Emeritus in the Dept. of History at Duke University. The collection consists of documentation related to the Nixon Library Controversy at Duke during 1981.

This collection contains correspondence, flyers, clippings, and other documents regarding the Nixon Library Controversy at Duke during 1981. The documentation was created and/or collected by Dept. of History Professor, Peter H. Wood, and demonstrates the divisiveness of this controversy as well as the opinions of Duke faculty members regarding the Nixon library.

Collection of 848 color inkjet photographs taken by Rebecca Matlock while traveling and living in countries around the world, with a special focus on landscapes, churches and other buildings, people, and culture. Over half of the collection features images from the former Soviet Union during the Gorbachev administration (1980s-1990s), including Central Asia, the Republic of Buryatia, the Ukraine, and Moscow. Notable individuals include the Gorbachevs, Reagans, Bushes, and the Shevardnadzes, secretaries of state, politicians, and military officials. Other subjects include artists, writers, religious leaders, with one series given to dissident and scientist Andrei Sakharov. Other series include: the Republic of Georgia and Tbilisi during and after the civil war; the Czech Republic; the Middle East; the wall dividing Jerusalem; the fall of the Berlin Wall; and Peru. There are smaller groups from the Baltic States, France, Alaska, Hawaii, Japan, Hong Kong, and other places. An additional series has as its subject conductor and opera director Sarah Caldwell. There is also a series of abstract images titled Black and White in Color. Most of the prints in the collection were exhibited; thus there are roughly 100 printed items such as caption and title cards and fliers.

Collection of 848 color inkjet photographs taken by Rebecca Matlock while traveling and living in countries around the world, with a special focus on landscapes, churches and other buildings, and all aspects of society and culture. There are also approximately 100 printed items. Over half of the collection features images from the former Soviet Union during the Gorbachev administration (1980s-1990s), including Central Asia, the Republic of Buryatia, the Ukraine, and Moscow. Many notable individuals appear, including the Gorbachevs, Reagans, Bushes, Shevardnadzes, secretaries of state, and military officials. Other subjects of portraits include artists, writers, and religious leaders in the Soviet Union; one small series is given to dissident and scientist Andrei Sakharov. Other places and events include: the Republic of Georgia and Tbilisi during and after the civil war; the Czech Republic; the Middle East; the wall dividing Jerusalem; the fall of the Berlin Wall; and Peru. There are smaller series from the Baltic States, France, Alaska, Hawaii, Japan, Hong Kong, and other places. An additional series offers portraits of conductor and opera director Sarah Caldwell. There is also a series of abstract images. Most of the prints in the collection were exhibited in the U.S. and other places abroad; thus there are some printed materials related to exhibits and lectures.

Matlock was especially interesteed in documenting the people she encountered in her travels, on the street as well as in restaurants, shopping districts, and at home. Following from her interest in architecture, the arts, and literature, many images have as their subjects artists, writers, editors, and dancers, as well as architecture, modern artwork and traditional crafts.

The Russia and Other Regions series is significant for its often informal and intimate depictions of notable individuals associated with the Matlocks' activities as American ambassadors in Russia: these include Mikhail and Raisa Gorbachev, Ronald and Nancy Reagan, George H. W. and Barbara Bush, Eduard Sheverdnadze, along with several secretaries of state, career politicians, military officials, and religious leaders. Other subjects include artists, editors, writers, and scientists, with one small series devoted entirely to dissident and scientist Andrei Sakharov.

Other notable foreign leaders appear in the Middle East series group entitled "Middle East Leaders," while they attended various meetings and conferences at which the Matlocks were present.

The color prints fall into two size groups: 11x14 and 8x10 inches, with some variability. Almost all the larger prints are housed in thin white window mats and are typically inkjet or laser printed, some at a later date than when they were originally taken.

Most of the prints in the collection were exhibited in the U.S. and abroad; thus, there is a small amount of print materials in the Papers Series related to exhibits and lectures, such as caption cards, title panels, and fliers as well as a Russian magazine, OGONET (1989), with an article about her photography, in Russian.

Collection comprises a photograph album featuring 405 color photographs (ranging in size from 2.5" x 3.5" to 4" x 6", primarily 3.5" x 5") and black-and-white publicity stills documenting members of Mama Galore and their friends while at home, backstage, and on tour. Images capture performances, make-up and other performance prep, performer's pets, and general gatherings. Also includes many ephemeral items, including obituaries, news clippings, clippings of performers mentioned in Etcetera Magazine, flyers, greeting cards, and several inscribed publicity stills.

Collection comprises a photograph album featuring 405 color photographs (ranging in size from 2.5" x 3.5" to 4" x 6", primarily 3.5" x 5") and black-and-white publicity stills documenting members of Mama Galore and their friends while at home, backstage, and on tour. Images capture performances, make-up and other performance prep, performer's pets, and general gatherings. Also includes many ephemeral items, including obituaries, news clippings, clippings of performers mentioned in Etcetera Magazine, flyers, greeting cards, and several inscribed publicity stills. Digital scans have been made of the individual pages; the electronic files have been transferred to the server.

McCann-Erickson, founded in 1930 from the merger of Alfred Erickson's and Harry McCann's agencies, is one of the largest advertising agencies in the United States. It is part of the Interpublic Group. The McCann-Erickson Audiovisual Collection spans the 1980s and 1990s and consists of over 700 videocassette tapes of commercials for domestic, international and global advertising campaigns. Also included are tapes of competitor commercials; interviews with agency and industry leaders and marketing specialists; and presentations. Advertisers include: Apple computer; Bayer; Benson & Hedges; Buick; Calvin Klein; Camel (R.J. Reynolds); Coca-Cola; Del Monte; Exxon; Heineken; Kodak; Levi Strauss; Nestlé; Oxo; and Suntory. The bulk of materials consist of advertisements for campaigns in the United States, but Brazil, Japan and Germany are also heavily represented, as are commercials for Europe-wide campaigns. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The McCann-Erickson Audiovisual Collection spans the 1980s and 1990s and consists of over 700 videocassette tapes of commercials for domestic, international and global advertising campaigns. Also included are tapes of competitor commercials; interviews with agency and industry leaders and marketing specialists; and presentations. Advertisers include: Apple computer; Bayer; Benson & Hedges; Buick; Calvin Klein; Camel (R.J. Reynolds); Coca-Cola; Del Monte; Exxon; Heineken; Kodak; Levi Strauss; Nestlé; Oxo; and Suntory The bulk of materials consist of advertisements for campaigns in the United States, but Brazil, Japan and Germany are also heavily represented, as are commercials for Europe-wide campaigns.

Assorted zines, monographs, and other printed materials related to science fiction and fantasy collected by John Betancourt, science fiction author and former editor of Weird Tales.

Assorted fanzines and other science fiction literature collected and assembly by John Betancourt. Also includes assorted World Science Fiction Convention programs and some publications and drawings by Richard Levesque.