Yusuf Salim (1929-2008) was a jazz musician and composer who began his career in Baltimore in the 1940s. He moved to Durham, North Carolina in the 1970s where he taught jazz workshops through the Salaam Cultural Center and hosted a series on WUNC-TV. The collection contains manuscripts of 36 lead sheets for Salim's jazz compositions, a piece of prose by Salim, and a photocopy of an article about him from the Raleigh News and Observer.

The Yusuf Salim Collection (chiefly undated, but some dated between 1982 and 1987) has as its focal point manuscripts of 36 lead sheets for Salim's jazz compositions. One additional folder contains a piece of writing by Salim and a photocopy of an article on him from the Raleigh News and Observer from 1987. Acquired as part of the Jazz Archive at Duke University.

When ALFA disbanded in 1994, the archival collections and the bulk of the periodicals collection were transferred to Duke's David M. Rubenstein Rare Book & Manuscript Library. The book collection and the remaining periodicals stayed in Atlanta, with books relating to feminist theory going to Emory University and the rest to a community library. The ALFA Archives and Periodicals Collections that have been transferred to Duke are an incredibly rich source of information about feminist and lesbian activism and communities, especially in the Southeast, from the early 1970s to the present.

The ALFA Archives includes the organizational records of ALFA as well as other southern radical women's groups such as Lucina's Music/Orchid Productions; Radio Free Georgia (WRFG) women's programming; the womonwrites conference for lesbian writers and publishers; the Southern Women's Music festival; the Atlanta Socialist-Feminist Women's Union; and Dykes for the Second American Revolution (DAR II). The extensive subject files, which are a part of ALFA's archives, document scores of other feminist, lesbian, and activist organizations and events as well as provide information on a broad range of feminist and lesbian issues. Of particular note are ALFA's "Theory/Analysis (Women)" files, as well as their collection of publications by KNOW, Inc., in the "Publishers" subseries; using these primary materials, researchers can get a good sense of the issues that gave rise to the women's liberation movement and to ALFA in the late 1960s and early 1970s.

The ALFA Periodicals Collection contains literally hundreds of grassroots newsletters and journals, many of which are now ephemeral and not in any library. This extensive library of feminist, lesbian and gay, and activist periodicals is more fully described in a separate guide.

Original index of iconography in early prints and illustrated books developed by Karla, Langedijk, Dept. of Art, Duke University. Collection is microfilmed.

An index of iconograpyy in early prints and illustrated books (on 5x8 index cards) developed by Karla Langedijk, Duke University Dept. of Art., and transferred from the Art department to the Rare Book department. Information about the collection is stored in an onsite Collection Control File. This file includes more details about what is indexed.

The Tom Triman Films are comprised of 132 super 8mm reels and one VHS videocassette, containing the productions of horror movie fan/historian/critic Tom Triman (1952-2010).

The Tom Triman Films are comprised of 132 super 8mm reels and one VHS videocassette, containing the productions of horror movie fan/animator/writer Tom Triman (1952-2010). The bulk of the reels are elements for larger works, which here include Butterfly Man, Gunfire and Holy Water, and Pentagram. The collection also contains several commercial films released on super 8mm film, including 2001 A Space Odyssey, Dr. Jekyll and Mr. Hyde, and Frankenstein.

The Department of Theater Studies at Duke University offers courses on the critical evaluation, writing and performance of dramatic works. The department seeks to promote an artistic culture at Duke by bringing professional theatrical performances to campus. The Department of Theater Studies records is composed of administrative materials and records related to both departmental and professional performances staged at Duke.

The Department of Theater Studies Records, 1969-2002 contains correspondence, planning documents, slides, photographs and audiovisual materials related to the administration of the department. The collection also includes materials from a diverse array of student and faculty theater productions. The Department of Theater Studies Records also contains correspondence, planning documents, clippings, promotional materials, slides, photographs, audiovisual materials and electronic records from professional productions brought to campus through the Theater Previews series.

Jim Dow (1942- ) is an American photographer and educator based in Massachusetts. The core of the collection consists of 1226 single-image photographs, 232 multi-image panoramic prints, and approximately 1905 film negatives, representing black-and-white and color images taken by Dow from 1966 to 2022. Subjects include: 20th century U.S. vernacular culture and landscapes, including roadside architecture, courthouses and jails, and small business interiors; food trucks, stadiums, and athletic fields around the world; and interiors and exteriors of private clubs, libraries, and churches and museums in cities around the world. Photographs often include cultural expressions such as advertising, murals, bar decor, and graffiti. Dow's U.S. work focuses mainly on New England, the South, and the West, with a single-state project on North Dakota. Other images are from Argentina, Canada, England, Mexico, Portugal, Scotland, and Uruguay. Also included is a series of commissioned work. The professional papers comprise teaching slides, course readers, syllabi, and digital files, as well as art gallery ephemera. Acquired as part of the Archive of Documentary Arts at Duke University.

The core of the collection consists of 1458 single-image photographs, 232 panoramic prints, and approximately 1905 film negatives of black-and-white and color images taken by Jim Dow over the course of his career from 1966 to 2022. They document his travels across much of the U.S., and in Argentina, Canada, England, Mexico, Portugal, Scotland, and Uruguay. The black-and-white images represent Dow's earliest work, after which he transitioned to shooting in color with an 8x10 inch view camera.

Dow is best known for his studies of 20th century American vernacular culture, roadside architecture, and landscapes; for his multi-panel panoramas of sports stadiums and athletic fields, chiefly in the U.S., Canada, Mexico, and England; and for his images of the architecture and interiors of courthouses, jails, private clubs, libraries, and large public buildings such as churches, museums, and civic buildings in cities around the world.

The earliest photographs in the collection were taken in almost every region of the lower 48 states, beginning around 1966 and continuing through 2022. Starting out in black-and-white then transitioning to mostly color work in the mid-1970s, Dow has documented small towns and roadside attractions, highways and back roads, well-worn business façades, and gathering places such as barbecue joints, coffee shops, bars, diners, and event halls. Images from the Northern Plains appear frequently, as do images from California, Louisiana, Massachusetts, North Carolina, Pennsylvania, Texas, Virginia, and Wyoming. Dow was also commissioned to document the state of North Dakota in the 1980s. Keeping to the theme of road trips, the collection also includes a series on barbecue, taco, and other food trucks in the U.S., Mexico, and South America. Regardless of location, many of Dow's photographs include cultural expressions such as outdoor advertising, murals, neon signs, handpainted signs, sculptures, bar decor, and graffiti; people are rarely present.

The three stadiums series feature sports venues from across the U.S., Canada, England, Mexico, Scotland, and Portugal, and comprise single-image color prints as well as multi-image compositions printed in large panoramic format ranging in size from 16x26 inches to 17x59 inches. Spectators are present in many of these images.

Also in the collection is a smaller series of photographic prints representing Dow's commissioned work (1985-2008), chiefly taken at New England universities and private schools such as MIT, Yale, Tufts, Vassar, and Phillips Academy. Additional commissioned work images are found in negative format.

The professional papers document two of Dow's spheres of activity integral to his own photography career: teaching and art gallery work. These are represented by a large vertical file of paper ephemera from New York City commercial art galleries (1990s-2019); and a large series of teaching materials, which include course readers, syllabi, a set of approximately 130,000 slides, and digital files, visual as well as textual, related to Dow's photography and art courses (1980s-2019). Among the slide sets are two groups documenting holdings in the Canadian Center for Architecture and exhibit installations at the Photography Resource Center in Boston.

These materials form multiple installments of Jim Dow's archive at Duke University. Additions of photographic prints and other professional papers are anticipated in 2023-2024.

Robert F. Durden is a professor emeritus of history at Duke University. He has written numerous articles and several books about the history of Duke University, the Duke Family and The Duke Endowment. The collection includes reprints of articles and a speech written by Durden about Duke University, the Duke Family, and The Duke Endowment as well as a bibliography of selected works by Durden and clippings. The material ranges in date from circa 1965-2001.

This collection was compiled from a variety of sources by the University Archives for use in reference and research. It includes reprints of articles and a speech written by Durden about Duke University, the Duke Family, and The Duke Endowment as well as a bibliography of selected works by Durden and clippings. The material ranges in date from circa 1965-2001.

The Duplex Advertising Company. Billboard Images and Records spans the period 1964-1993 and documents the outdoor advertising work of this company in the central Texas area, primarily through photographs, negatives and slides of billboards. Many of the images are in color. A large number of the images are of national campaigns advertised in central Texas, as well as billboards, signs and posters of local Texas business services. In addition, a handful of articles written by R. V. Miller, Jr. for a number of publications, as well as other printed material and miscellaneous items from the Duplex Advertising Company, are present. Some of these articles, along with the images themselves, provide examples of commercial art and design in the outdoor advertising arena. The collection includes outdoor advertising images from national clients such as Kentucky Fried Chicken, Chevrolet, Coca Cola, Coors, Wendy's, Hardee's, and Taco Bell, and Texas clients such as Lone Star and Pearl beers.

Related materials may be found in other outdoor advertising collections, including the Outdoor Advertising Association of America Archives, the Garrett Orr Papers, the Howard Scott Papers, the John Paver Papers, the John E. Browning Papers, the R.C. Maxwell Co. Records, and the Strobridge Collection.

William Clair Turner, Jr. earned his B.S. in Electrical Engineering from Duke University in 1971, his M.Div. from Duke Divinity School in 1974, and his Ph.D. in religion in 1984. He has held several administrative positions at Duke, including Assistant Provost and Dean of Black Affairs and Acting Director of the Afro-American Studies program. In 1982 he became a full-time faculty member in the Divinity School, directing the Office of Black Church Affairs before being appointed Professor of the Practice of Homiletics. He has pastored several churches, including his current position at Mt. Level Baptist Church and was previously ordained in the United Holy Church of America, Inc. denomination. The collection documents Turner's academic and personal activities. Materials include personal and administrative correspondence regarding Turner's roles as pastor and administrator, manuscripts of lectures and sermons, syllabi and notes for courses taught, notes from classes taken while a student, subject files, and records of the United Holy Church of America. The collection also includes VHS, CD, and DVD recordings of some of his sermons.

The collection documents the academic and personal activities of William C. Turner, Jr., Duke alumni and faculty member at Duke Divinity School. Materials include personal and administrative correspondence regarding Turner's roles as pastor and administrator, manuscripts of lectures and sermons, syllabi and notes for courses taught, notes from classes taken while a student, subject files, and records of the United Holy Church of America, Inc. denomination in which Turner was deeply involved and on which he wrote his Ph.D. dissertation. The collection also includes VHS, CD, and DVD recordings of some of his sermons. Major topics covered include black student life at Duke; Turner's involvement in the Department of Afro-American Studies, Office of Black Affairs, and Office of Black Church Studies; Turner's academic work on the Holy Spirit and black spirituality; pastoral work in African American churches in Durham; and the history of the United Holy Church of America, Inc.

The majority of images in the collection are faculty and staff portraits taken by Duke Photography staff; a few pictures of students or of other individuals not affiliated with Duke are included. The collection contains photographic prints, negatives, slides, and CDs of digital files. Most of the items are undated but appear to be from the 1980s through around 2000. Most items include a job number assigned by Duke Photography. Duke Photography is a department of the Office of Public Affairs and Government Relations. Chris Hildreth is the current director; the department also includes assistant director Les Todd and six other staff photographers.

The majority of images in the collection are faculty and staff portraits taken by Duke Photography staff; a few pictures of students or of other individuals not affiliated with Duke are included. The collection contains photographic prints of various sizes, both black-and-white and color; contact sheets; negatives, including black-and-white 35mm negatives, positive 35mm color slides, and other sizes; and seven CDs of digital files. Most of the items are undated but appear to be from the 1980s through around 2000. Most items include a job number assigned by Duke Photography, either on the back of photographs or on the plastic sheets housing the negatives.

Leah Fritz (1932-2020) was an American feminist poet and author born in New York. She wrote the books Thinking Like a Woman (1975) and Dreamers and Dealers (1980), focusing on the women's movement. The Leah Fritz papers contain correspondence and subject files; writings, including notebooks and diaries, drafts, published articles, and papers related to the publication of Fritz's prose writings, poetry, and book and article reviews; and audiocassettes of presentations and poetry readings by Fritz and other recordings. Materials range in date from circa 1950 to 2009. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The Leah Fritz papers are organized into three series. The Personal Papers series contains Leah Fritz's correspondence and subject files. The Writings Series contains Fritz's notebooks and diaries as well as drafts, published articles, and papers related to the publication of Fritz's prose writings, poetry, and book and article reviews. The Audiotapes series contains audiocassettes of presentations and poetry readings by Fritz and other recordings.

Ernestine Friedl served as chair of the Dept. of Anthropology and as Dean of Arts and Sciences and Trinity College at Duke University. She studied gender roles, rural life in modern Greece, and the Chippewa. The Ernestine Friedl papers include personal and professional correspondence, subject files, course materials, articles, reprints, field notes, and sound recordings related to her anthropological research and her roles as professor and administrator at Queens College and Duke University. English.

The Ernestine Friedl papers include personal and professional correspondence, subject files, course materials, articles, reprints, field notes, and sound recordings related to her anthropological research and her roles as professor and administrator at Queens College and Duke University.

Nathan Ockman was born on December 29, 1926 in New York City. As a child in the 1930s, he was brought by his parents to an event that featured pioneering choreographers in modern dance, among them Anna Sokolow and Sophie Maslow. Though he received no formal dance training himself, this childhood exposure to modern dance sparked a lifelong passion for dance spectatorship. The collection contains the dance-related memorabilia (circa 1949-2006) saved by Nathan Ockman. Materials include performance programs and newspaper clippings, which are arranged chronologically. Many of the materials are annotated by Mr. Ockman.

The collection contains the dance-related memorabilia (circa 1949-2006) saved by Nathan Ockman. Materials include performance programs and newspaper clippings, which are arranged chronologically. Many of the materials are annotated by Mr. Ockman.

Mr. Ockman collected the accompanying programs for each dance performance he was in attendance for throughout six decades. The earliest programs, dated from the late 1940s and early 1950s, are from performances at the University of Michigan during Mr. Ockman's time as a graduate student at the university. Following Mr. Ockman's subsequent move to New York City, the vast majority of the collection is comprised of performances at notable New York venues and performing arts festivals. Though there are several programs from performances by ballet companies, the collection largely reflects Mr. Ockman's personal penchant for modern dance.

Newspaper clippings of performance reviews and promotions of upcoming premieres are included within the collection. More often than not, they correspond to a performance that Mr. Ockman was in attendance for, and so they are organized alongside accordingly.

Of the programs dating from 1958 onwards, nearly all are decorated with Mr. Ockman's personal annotations, which make note of extraordinary pieces, performers, and his general perception of the performances. Though the notes were made for Mr. Ockman's own enjoyment, he was aware that they may someday hold some historical significance. It was always his hope that he might, as a dutiful and attentive audience member, discover an emerging dance talent.

Formerly known as the Material Support Department, Procurement Services manages Duke University purchasing systems. This collection contains memoranda, newsletters, catalogs and other records. Topics include Duke University administration.

This collection contains memoranda, newsletters, catalogs and other records. Topics include Duke University administration.

Abortion rights activist and the publisher of the feminist magazine ON THE ISSUES. The bulk of the collection consists of the records of Choices Women's Medical Center, a New York City women's health clinic and abortion clinic co-founded by Hoffman in 1971, and the organizational records for ON THE ISSUES, a feminist magazine owned by Choices and overseen by Hoffman. The remainder of the collection consists of Hoffman's personal papers, mostly related to her pro-choice activism. The collection also includes writings by or interviews with many activists, such as Aung San Suu Kyi, Charlotte Bunch, Phyllis Chesler, Andrea Dworkin, Kate Millett, Marge Piercy, and Elie Wiesel. The correspondence, administrative files, minutes, manuals, reports, surveys, research files, electronic records, clippings, flyers, brochures, newsletters, photographs, and audiovisual materials in the collection provide rich material for the study of the history of abortion, the pro-choice movement, women's health care, and the anti-abortion movement in the United States. The records of Choices Women's Medical Center are especially valuable for understanding the medical practice of abortion, as well as the political context of that practice. Other topics that can be explored through the materials include contraception, women's rights and feminism, and rape. The addition (04-041 and 04-062) (18,750 items, 30 linear feet; dated 1971-2003) consists primarily of administrative and financial files from Choices Women's Medical Center and predecessor clinics, including correspondence, financial reports, public relations and media files, board meeting files, policy and procedure manuals, subject files, insurance files, program files, grants files, legal files, and files related to ON THE ISSUES magazine. Also included are a small number of Hoffman's personal writings. This accession is unprocessed and closed to researchers. Addition (05-023) (5150 items, 12 lin. ft; dated 1978-2003) consists primarily of administrative and financial records from Choices Women's Medical Center, including correspondence, financial reports, public relations and media files. Also includes board meeting, subject, insurance, program, legal and grant files, as well as policy and procedure manuals; 33 videotapes, 84 slides, 54 photographs and contact sheets; 1 CD-ROM; printed materials; and promotional calendars. Accession is unprocessed and closed to researchers.

The papers of Merle Hoffman span the years from about 1944 to 2001, with most of the papers dating between 1961 and 2001. The collection is arranged in the following series: Choices, On the Issues, Personal Files, Photographic Materials, and Audiovisual Materials. The bulk of the materials consist of the records of Choices Women's Medical Center, a New York City women's health clinic and abortion clinic co-founded by Hoffman in 1971, and the organizational records for On the Issues, a feminist magazine owned by Choices and overseen by Hoffman. The remainder of the collection consists of Hoffman's personal papers, mostly related to her pro-choice activism. The collection also includes writings by or interviews with many activists such as Aung San Suu Kyi, Charlotte Bunch, Phyllis Chesler, Andrea Dworkin, Kate Millett, Marge Piercy, and Elie Wiesel. The correspondence, administrative files, minutes, manuals, reports, surveys, research files, electronic records, clippings, flyers, brochures, newsletters, photographs, and audiovisual materials in the collection provide rich material for the study of the history of abortion, the pro-choice movement, women's health care, and the anti-abortion movement in the United States. The records of Choices Women's Medical Center are especially valuable for understanding the medical practice of abortion, as well as the political context of that practice. Other topics that can be explored through the materials include contraception, women's rights and feminism, and rape.

The political context of abortion is further documented throughout the rest of the collection. Hoffman's writings, speeches, and interviews on abortion illuminate the abortion debate in the media. At the same time, the internal dynamics of the pro-choice movement are documented in files on various New York and national pro-choice organizations. The collection includes some materials on the National Association of Abortion Facilities (NAAF), the National Abortion Federation (NAF), the National Coalition of Abortion Providers (NCAP), the National Abortion Rights Action League (NARAL), and the National Organization for Women (NOW). Especially noteworthy are the detailed meeting minutes and other records for the New York Pro-Choice Coalition, an umbrella organization for New York City pro-choice organizations founded by Hoffman in the mid 1980s.

In addition to her pro-choice activities, Merle Hoffman has been a vocal proponent of patient self-empowerment; an active supporter of various political candidates in New York City; and a feminist activist. The collection reflects these interests to varying degrees. The records of On the Issues magazine are especially useful as a source of writings on a broad range of feminist and other issues.

The Choices Series documents the day-to-day operations of Choices Women's Medical Center, including the clinic's medical policies and procedures, its internal administration, and its relationship with patients and community organizations. The series is divided into the following subseries: Correspondence, Subject Files, Legal Papers, Personnel, Security, Staff Files, Marketing, Operations, and Electronic Format. Much of the series consists of files on administrative issues, dating primarily from the late 1980s to the late 1990s. A few records date from the clinic's early years in the 1970s. The files also document the clinic staff's rising concern about Operation Rescue, militant anti-abortion protests, and anti-abortion violence during the late 1980s and 1990s. At the same time, the Choices records suggest how the ideals of feminist health care and patient empowerment have translated into medical practice. The records primarily provide the perspective of health providers rather than patients; the collection does not include patient medical records. However, patient surveys and a limited amount of patient correspondence provide some evidence of patient experience at the clinic. There is substantial material on the Choices East Project, Hoffman's unsuccessful attempt to establish a women's health clinic in Moscow. Choices' treatment philosophy of patient self-empowerment and its identity as a woman-friendly health care provider are documented in the Outreach Subseries and the Marketing Subseries. Information on patient experiences and reactions to the clinic can be found primarily through patient surveys, patient satisfaction questionnaires, and statistical summaries of patient demographics, all found in the Subject Files, Marketing, and Electronic Format Subseries. Choices organizational charts and staff rosters are available for reference in the Research Room's inventory drawers; please contact Research Services.

On the Issues (1983-1999), a feminist magazine, was founded by Merle Hoffman and produced by Choices staff. The magazine covered a broad range of feminist issues and topics, including but not limited to abortion and other women's health issues. During the 1990s the magazine became increasingly professionalized, moved from annual to quarterly publication, and operated more independently of Choices. The documents in the On The Issues Series provide an extensive record of the magazine's production and distribution. They primarily date from the 1990s and are organized into the following subseries: Issues, Correspondence, Article Files, Editorial Files, Production and Distribution, Marketing, Staff Files, Administration, and Electronic Format. The series includes a nearly complete run of issues. Files include reader surveys; mailing lists; drafts and correspondence from contributors; editorials by Hoffman and other writers; and working files maintained by individual editors and production staff. Electronic files contain similar materials, and include graphics.

The Personal Files Series is arranged into the following subseries: Correspondence, Writings and Speeches, Subject Files, Politics and Activism, New York Pro-Choice Coalition, Calendars, Phone Messages, Clippings, General Personal Files, and Electronic Format. The materials extensively document Hoffman's work as a writer, public speaker, organizer, and activist for abortion rights and other feminist causes. Hoffman's personal publicity materials, including curriculum vitae and biographical sketches, can also be found in this series. There are also some records of Hoffman's childhood and personal life. The correspondence, found in both the Correspondence and Electronic Format Subseries, contains significant personal exchanges with feminists, friends, and colleagues that span many decades. Pro-choice organizations represented in the series include the New York Pro-Choice Coalition (NYPCC), the National Organization for Women (NOW), the American Civil Liberties Union (ACLU), and the National Association of Abortion Facilities (NAAF). The series also contains Hoffman's phone message books, calendars, and scrapbooks, including those related to her work at Choices and On the Issues. Electronic files contain a variety of correspondence, mailing lists, graphics, Choice and On the Issues documents mixed on the same disks, and a few writings. Overall, the series amply illustrates the porous nature of the boundary between Hoffman's personal activities and her work at Choices and On the Issues.

The Photographic Materials Series contains a variety of material related to Choices Women's Medical Center, On the Issues magazine, and Hoffman's personal activities. Especially notable are the numerous images of the Choices clinic facilities and procedures, and the detailed visual record of pro-choice rallies and other events involving Hoffman during the 1980s. Political figures pictured in this series include Bella Abzug, Hilary Clinton, Andrea Dworkin, Geraldine Ferraro, Flo (Florynce) Kennedy, Congressman John Lewis, and Gloria Steinem. Other photographs in the Personal Subseries include portraits of Hoffman and snapshots from a vacation at the feminist Camp Sister Spirit.

The bulk of the Audiovisual Materials Series consists of audio recordings on cassette tape of New York City radio talk shows featuring Merle Hoffman as an interview subject. Most interviews date from the 1970s or early 1980s. In some cases, these recordings feature Hoffman responding to listeners in call-in discussions of abortion, or conducting debates with anti-abortion representatives. Other audio recordings include interviews conducted for On the Issues stories and radio advertisements for Choices. Videotape recordings include several episodes of "On the Issues," Merle Hoffman's cable access television show, and some documentary material on Choices and its patients. Materials are not immediately accessible until use copies can be made upon request. Please consult with reference staff before coming to use the collection.

Finally, the Ephemera Series contains various memorabilia, including a box of Choices condoms, buttons, and banners with feminist and political slogans.

Later accessions (2004-0041, 2004-0062, 2005-0023, and 2012-0049) have been added to the end of the finding aid. Boxlists are included when known.

Established in 1954 as part of the Office of Information Services (now the Office of News and Communications,) Radio TV Services supervises the production of materials for radio and television, assists in the preparation of audio-visual materials needed by the university, and promotes the University's exposure to local, state, and national audiences. It makes documentary films, covers events and functions on campus, sets up news conferences in cooperation with local and national media, interviews university personnel, and provides features on students for their home-town media. Collection includes correspondence, subject files, sound recordings (audiocassettes and reel-to-reel tapes), film (16mm), and video tape (U-Matic and 2-inch quadruplex). Notable people documented on film and tape include Keith Brodie, Terry Sanford, Douglas M. Knight, Orin Pilkey, Robert Menzies, Jerry Falwell, Billy Graham, Queen Noor al Hussein, Jesse Jackson, Waylon Jennings, Juanita Kreps, Robert McNamara, Ronald Reagan, William Westmoreland, Desmond Tutu, Elie Wiesel, Reynolds Price, Martin Luther King, Jr., Hubert Humphrey, Richard Nixon, Stokely Carmichael, Kenneth Clark, Sidney Cohen, Adam Clayton Powell, Betty Friedan, B. F. Skinner, Sam Ervin, Alex Haley, Tom Wolfe, Buckminster Fuller, and Cesar Chavez. Subjects include Duke University basketball, football, commencement, convocation, homecoming, the Epoch Campaign announcement, student unrest in the 60s, the Silent Vigil held after the death of Dr. King, the Duke Marine Laboratory, the discovery of the U.S.S. Monitor, oceanographic research, the 1954 Orange Bowl, Joe College Weekend, various campus scenes, Duke Gardens, and the Richard Nixon Library controversy. Completed films include Response to Our Challenge and This is Duke. English.

Collection includes correspondence, subject files, images, sound recordings (audiocassettes, reel-to-reel tapes, and digital audio), film (16mm), video tape (U-Matic, 2-inch quadruplex, and digital video), and multimedia of events related to Duke occurring both on and off campus. There is a detailed subject file on index cards for most of the film and some of the sound recordings, as well as other indexes and notes.

Notable people documented on film and tape include Keith Brodie, Terry Sanford, Douglas M. Knight, Orin Pilkey, Robert Menzies, Jerry Falwell, Billy Graham, Queen Noor al Hussein, Jesse Jackson, Waylon Jennings, Juanita Kreps, Robert McNamara, Ronald Reagan, William Westmoreland, Desmond Tutu, Elie Wiesel, Reynolds Price, Martin Luther King, Jr., Hubert Humphrey, Richard Nixon, Stokely Carmichael, Kenneth Clark, Sidney Cohen, Adam Clayton Powell, Betty Friedan, B. F. Skinner, Sam Ervin, Alex Haley, Tom Wolfe, Buckminster Fuller, and Cesar Chavez. There are also film and recordings documenting Duke University basketball, football, commencement, convocation, homecoming, the Epoch Campaign announcement, student unrest in the 60s, the Silent Vigil held after the death of Dr. King, the Duke Marine Laboratory, the discovery of the U.S.S. Monitor, oceanographic research, the 1954 Orange Bowl, Joe College Weekend, various campus scenes, Duke Gardens, and the Richard Nixon Library controversy. Completed films include "Response to Our Challenge" and "This is Duke".

Author, and physiologist and pharmacologist at the University of Virginia Medical School. Collection comprises material relating to and examples of Herbert Silvette's writings, which include short stories, novels, and his work on the English translator Philemon Holland (1552-1637). There is also a large body of correspondence from Archibald MacLeish, which Silvette compiled in The Stiletto Letters. Acquired as part of the History of Medicine Collections at Duke University.

Collection comprises material relating to and examples of Herbert Silvette's writings, which include short stories, novels, and his work on the English translator Philemon Holland (1552-1637). There is also a large body of correspondence from Archibald MacLeish, which Silvette compiled in "The Stiletto Letters."

Acquired as part of the History of Medicine Collections at Duke University.

Radio Haïti-Inter was Haiti's first and most prominent independent radio station from the early 1970s until 2003. Under the direction of Jean Léopold Dominique and Michèle Montas, Radio Haiti was a voice of social change and democracy, speaking out against oppression and impunity while advocating for human rights and celebrating Haitian culture and heritage. The Radio Haiti papers contain mainly the station's on-air scripts and research materials covering a wide variety of subjects. The Radio Haiti audio recordings are described in a separate collection guide.

Radio Haiti was based in downtown Port-au-Prince on Rue du Quai until 28 November 1980, when Jean-Claude Duvalier's government cracked down on the independent press and human rights activists. Radio Haiti was ransacked, and the station's journalists were arrested then exiled. Many, though not all, of the paper record from the 1970s were destroyed in the 1980 crackdown. Radio Haiti reopened after Duvalier fell in 1986, in a new building on Route Delmas. The station closed again after the 30 September 1991 coup d'état that overthrew President Jean-Bertrand Aristide, and reopened in 1995 after the democratic government was restored. As a result of the repression the station and its journalists endured, most of the materials in Radio Haiti's paper archive span 1986 to 1991, and 1995 to 2003, though it also contains extensive external print materials (mainly newspapers and magazines) that Jean Dominique collected while in exile from 1980 to 1986 and from 1991 to 1994.

"Radio Haiti materials" refers to documents created by Radio Haiti's staff. These are mainly on-air scripts, but also include notes and correspondence. "External materials" refers to materials created by outside sources, which were used for research purposes by Radio Haiti's staff. These include, but are not limited to, press (Haitian, Haitian diaspora, and international news outlets), press releases, petitions and open letters from grassroots groups and civil society organizations, reports and other publications, and government communiqués and decrees.

Norma Taylor Mitchell was an American History professor at Troy University in Alabama and a lay leader in the United Methodist Church. These materials document her research and teaching career, as well as her church leadership.

The collection contains material documenting Mitchell's dissertation research on the Virginia politician David Campbell (1779-1859). Boxes 2-5 consist entirely of information on loose index cards. These materials also document Mitchell's research on the enslaved women who lived on Campbell's estate in Abington, VA. The collection also contains materials related to Mitchell's research on the Alabama physician Louise Branscomb. There are materials documenting Mitchell's professional activities and teaching career at what was then known as Troy State University. Mitchell's extensive service work in the Methodist Church at the local, regional, and national levels is also documented.

The Duke News Service informs the public and the university community about research, programs, and events at Duke. The collection consists of biographical files of Duke University faculty, staff, alumni, and others compiled by the News Service, as well as some photographic materials in separate folders. The files contain primarily clippings and also curricula vitae, photographs, and other printed materials. English.

The collection consists of biographical files of Duke University faculty, staff, alumni, and others compiled by the News Service. The files contain primarily clippings and also curricula vitae, and other printed materials; most photographic materials were separated into other folders, described below.

The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a six and a half week summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

Ethel Tison Chaffin was born on January 13, 1921 in Natchitoches, LA. From childhood on, she took dance classes with a variety of instructors and, as a college student, studied dance at Louisiana State University, New York University, the University of Maryland, and Bennington College. Instructors included John Martin (former dance critic at the New York Times), Charles Weidman (Humphrey-Weidman Technique), Ethel Butler (Martha Graham Technique), and Nina Fornoff (Hanya Holm Technique). Ms. Chaffin also participated in master classes with Martha Graham and Katherine Manning. The collection contains the personal papers and dance-related memorabilia (circa 1930-1993) of Ethel Tison Chaffin. Materials include photographic prints, newspaper clippings, programs, and correspondence, which are housed within a scrapbook and one Hollinger box. Many of the materials are annotated by Ms. Chaffin.

The collection contains the personal papers and dance-related memorabilia (circa 1930-1993) of Ethel Tison Chaffin. Materials include photographic prints, newspaper clippings, programs, and correspondence, which are housed within a scrapbook and one Hollinger box. Many of the materials are annotated by Ms. Chaffin.

Included in the scrapbook are Ms. Chaffin's personal photographs documenting her involvement in dance and theater. These photographs depict several of her earliest dance recitals, university dance performances, and her 1948 performance as Laura in Tennessee William's The Glass Menagerie. In addition, she has incorporated photos of colleagues in the dance world. Also included within the scrapbook is correspondence between Ms. Chaffin and various educational institutions regarding admission to advanced dance programs at New York University and Bennington College, as well as job enquiries. Ms. Chaffin documented her career as an instructor by incorporating programs, clippings, and advertisements from her private studio, as well as those relevant to her tenure at Louisiana State University, the University of Alabama, and the Georgia State College for Women (now Georgia College) into the pages of her scrapbook. Memorabilia, including programs from festivals and performances that she attended, is also included within her scrapbook.

Records created after the compilation of the scrapbook are housed separately in a Hollinger box. Materials incorporated into this record set include correspondence with Elizabeth Andrews, educator and dance/drama critic, as well as newspaper clippings for a variety of well-known dancers and choreographers, including George Balanchine, Martha Graham, Charles Weidman, Merce Cunningham, and José Limón.

Collection includes photographic negatives related to sports at Duke. Sports include the following: baseball, basketball, boxing, cheerleading, cross country, fencing, field hockey, football, golf, gymnastics, lacrosse, soccer, swimming, tennis, track, wrestling, and volleyball. There are also negatives that pertain to general athletics. The subjects of the negatives include athletes, coaches, team pictures, and game action. The collection ranges in date from 1924-1992, 1995, undated.

This collection contains 20,122 negatives related to sports at Duke, and they range in date from about 1924 to 1992, 1995 and undated. The sports represented are as follows: baseball, basketball, boxing, cheerleading, cross country, fencing, field hockey, football, golf, gymnastics, lacrosse, soccer, swimming, tennis, track, wrestling, and volleyball. There is a series for general athletics, which tends to include images of physical education instructors or coaches from all sports. There is also a series called "Undetermined," which lists individuals for whom no sport or tie to athletes could be determined.

The subjects within each series include athletes, coaches, athletic staff (such as secretaries and trainers), team pictures, game shots, trophies, and athletic fields and facilities. The athletes may have been photographed in uniform, in suits, or in letterman sweaters. They may have been photographed with family and/or friends. Oftentimes, the athletes were posed in faux action shots.

There are not very many images of women athletes, but there are some available, including a small number of images of Women's Athletic Association members playing baseball (not softball), basketball, and tennis.

The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. Contains correspondence, lists, administrative materials, memoranda, contracts, legal documents, financial records, class schedules, teaching materials, student records, clippings, press releases, publicity materials, brochures, tickets, posters, and other printed materials created by or related to the American Dance Festival.

Contains correspondence, lists, administrative materials, memoranda, contracts, legal documents, financial records, class schedules, teaching materials, student records, clippings, press releases, publicity materials, brochures, tickets, posters, and other printed materials created by or related to the American Dance Festival before the decision to move to Durham, North Carolina, in the fall of 1977.

Established in 1926, the Divinity School is one of 13 seminaries founded and supported by the United Methodist Church, and attracts students from around the nation and several different countries. The Divinity School has from its beginnings been ecumenical in aspiration, teaching, and practice. This collection contains information and materials documenting the operations of the Divinity School, including the activities of its deans, faculty, students, as well as various councils, committees and organizations within and associated with the school.

This collection contains information and materials documenting the operations of the Divinity School, including the activities of its deans, faculty, students, as well as various councils, committees and organizations within and associated with the school. Types of documents include correspondence, reports, convocations, information about the expansion and renovation of the school, strategic plans, minutes of various council, committee, and faculty meetings, photographs, sermons, bulletins, records of the theological society and other organizations within the school, financial records, lectures, publications, subject files, statistics, deans' files, academic programs, information about field education, alumni affairs, information about faculty members, documents relating to the early history of the Divinity School when it was known as the School of Religion, and other administrative files and records.

Alphabetical files of miscellaneous information about hundreds of mainly U.S. corporations, some of them domestic and many multinational. The fullest documentation tends to be for companies that are or have been JWT clients (notably Kraft, Quaker Oats, Sears, Ford, Northern Telcom, Gerber, Kellogg, Philip Morris, Oscar Mayer, Kemper, S.C. Johnson, McDonnell Douglas, Jos. Schlitz, 7-Up, and others) and several that are or were major competitors of JWT clients (e.g. AT&T, McDonald's, General Motors, among others). Files contain widely diverse formats of information including internal JWT unpublished reports and memoranda; many articles clipped from magazines (especially trade press) and newspapers; articles printed from computer databases; company publications and annual reports; historical booklets and articles; three vinyl record albums; and miscellaneous items. The richest files tend to be those for major JWT Chicago office accounts, with by far the greatest amount and diversity of information on Kraft. Acquired as part of the John W. Hartman Center for Sales, Advertising, and Marketing History.

Collection comprises 176 Turkish political posters, including three duplicates. There are seven series of posters: Korean War, NATO, Historical significance, Commemoration of Ottoman historical figures, Republican-era historical figures, Leftist, and Presidency of the Turkish Republic. In the first, sixteen posters extoll the achievements of the Turkish Armed Forces command or Turkish Brigade in the Korean War between November 1950 and July 1953. In the second series, one poster represents Turkey's relationship to North Atlantic Treaty Organization (NATO), and another reflects the naval and air force maneuvers of NATO's Southern Command, Greece, and Turkey at Weld Fast in 1953. The third series includes 27 posters that celebrate events of historic national significance and depict international political figures together with Turkish leaders. The fourth series includes four posters that commemorate Ottoman historical figures, including admiral Barbaros Hayrettin, and sultans Mehmet V, Mehmed II, and Selim I. The fifth series includes 14 posters of Repulican-era historical figures, including portraits of World War II generals and political figures. The sixth series contains 63 leftist political posters with political slogans, as well as calls for meetings and demonstrations; most of them date from the second half of the 1970's. The seventh series contains 50 posters issued by the Presidency of the Turkish Republic regarding the failed coup attempt of 15 July 2016.

Collection comprises 176 Turkish political posters, including three duplicates. There are seven series of posters: Korean War, NATO, Historical significance, Commemoration of Ottoman historical figures, Republican-era historical figures, Leftist, and Presidency of the Turkish Republic (which features posters issued following the failed 2016 coup).

Collection comprises over 500 black-and-white photographic prints, along with negatives, contact sheets, photographer's notes, journals, writings, speeches, correspondence related to photography, and printed material, totaling over 9000 items. Kwilecki's photographic work documents rural and small-town life in and around Bainbridge, Decatur County, Georgia, an undertaking he began as a self-taught photographer in 1960 and continued until his death in 2009. Subjects include local landscapes, tobacco workers, county fairs, hog slaughtering, cemeteries, churches, courthouses, recreation on the Flint River, local industry, shoppers, downtowns, and house porches and interiors. The themes of race relations and religious life predominate. Many of Kwilecki's subjects come from the African American community in Decatur County. Significant correspondents in the manuscripts series include photographers Alex Harris and David Vestal; the collection includes a small set of Vestal photographs. Acquired as part of the Archive of Documentary Arts at Duke University.

The Paul Kwilecki Photographs and Papers span the whole of his career and include over 500 black-and-white photographic prints, negatives (chiefly safety but also some nitrate and glass plate), contact sheets, photographer's notes, journals, writings, speeches, correspondence related to photography, and other printed material, totaling over approximately 9000 items.

The bulk of the collection consists of Paul Kwilecki's prints and other photographic material documenting rural and small-town life in and around Bainbridge, Decatur County, Georgia, an undertaking he began as a self-taught photographer in 1960 and continued until his death in 2009. Although Kwilecki developed an interest in photography in the 1940s, only a very small portion of the images in the collection pre-date 1970.

The collection is organized into two major series: Photographic Materials, containing prints, contact sheets, and negatives, and a Manuscripts Series housing many files of correspondence, writings, and other personal papers.

While initially interested in photographing tobacco workers, Kwilecki turned his focus to other subjects, including county fairs, hog slaughtering times, cemeteries, churches, courtrooms, recreation on the Flint River, local industry, bus stations, shoppers, downtowns, house porches and interiors, and landscapes. Many of Kwilecki's subjects come from the African American community in Decatur County. Throughout the collection, the themes of race relations and religious life tend to predominate.

The Manuscripts Series (1967-2008) also provides an interpretation of life in Decatur County but also documents Kwilecki's photographic philosophy and practices. The correspondence and the journals, related to Kwilecki's work and career as a photographer, comprise the largest groupings. The series also contains Kwilecki's personal journals, dating from 1967-1969; Kwilecki's printing notes; news clippings; exhibition brochures; and a brief internet biography of Kwilecki. Many of Kwilecki's writings attempt to express in words the same topics he tried to illuminate through photography.

Additional manuscripts (14 boxes) and photographic materials were received in 2010 following Kwilecki's passing away. They include many folders of correspondence dating from 1971-2008, arranged in original order either chronologically or alphabetically by folder title. Significant correspondents include photographers Alex Harris and David Vestal; the collection also includes a small set of Vestal's photographic prints. Other files contain writings, clippings, and other items. The writings include journals from the 1970s; typed excerpts from early 20th century Georgia newspapers, some on racial incidents; drafts of Kwilecki's talks; and notes for the Decatur County photography publication (one folder). A few publications round out the last box in the collection.

The negatives are closed to use; contact sheets and prints offer alternate access to Kwilecki's images. Eleven nitrate large-format sheet negatives, dating from approximately the 1940s-1960s, are slated for digitization. Also included in the collection are several glass plate negatives by an unknown photographer dating perhaps from the 1910s.

Acquired as part of the Archive of Documentary Arts at Duke University.

The Arts at Duke Reference Collection contains files of clippings, programs, calendars and other materials concerning the arts at Duke and at Trinity College, the University's predecessor. This collection was compiled from a variety of sources by the University Archives for use in reference and research. For materials pertaining to art at Trinity College, see the Trinity College Reference Collection.

Flyers and posters, newspaper and magazine clippings, calendars, event programs and other materials pertaining to the arts at Duke and Trinity College. The bulk dates are 1972-2000. Includes a plan of the "Woodland Stage" at Trinity College along with programs and contracts for performances at Trinity by the Ben Greet Players and the Coburn Players, circa 1910-1916.

Joseph Spengler (1902-1991) was the James B. Duke Professor Emeritus of Economics at Duke University and a founding faculty member of the graduate economics program. This collection documents his professional and personal life, including with his wife Dorothy "Dot" Kress, through correspondence, writings, and visual material. It forms part of the Economists' Papers Archive.

Accession 1993-0294 primarily contains business and Spengler and Kress family correspondence, especially between Joseph and his wife Dot (circa 1919-1976). Also includes manuscripts for Dot's genealogical novel, Family Saga in America (circa 1930s); Joseph's work, Life in America; and Dot's journals and diaries (1924-1939, 1969). There are Christmas cards, postcards, and newspaper clippings; photographs of family and friends, including two tintypes, 32 cartes-de-visite, one color and 91 black-and-white prints, and 76 healthy nitrate negatives; and lace knitted by Dot's grandmother.

Also includes six photograph albums kept by Dot. Two contain photos taken by her with a brownie camera in and of Piqua, OH (1914-1919). One contains photographs and memorabilia depicting her life as a college student at Miami University (OH, 1919-1921). Three contain photos of the Spengler's homes, friends, and life in Tuscon, AZ; Tampa, FL (1930-1938); and Durham, NC and at Duke University (1932-1940). The are also records the 1938 Duke University faculty baseball team.

In 1924, Trinity College was renamed Duke University and major construction on the university began and lasted until 1932. Since then, Duke University's campuses have undergone expansions and renovations that have led to several changes to the campus. The Pictorial Works Reference Collection contains files of printed materials that depict the Trinity College and Duke University campuses. This collection was compiled from various sources by the University Archives for reference and research.

This collection consists of publications that feature photographs and drawings of the Trinity College and Duke University campuses along with descriptive text. The publications were sent to prospective students and used in publicity and fundraising.

Collection consists largely of correspondence between historian Nell Irvin Painter and her parents (1969-2003), documenting various stages of their lives, travels, and Painter's scholarly career. Also includes writings by or about Nell Painter, including reviews of her work; materials, including photographs and tintypes (circa 1890s-1910s) of African Americans in Victoria, Texas, kept by Frank and Dona Irvin, relating to their early life near Houston, and documenting aspects of African American history in that area; copies and reviews of Dona Irvin's writings; documents related to Frank and Dona's education and careers; family photographs; videos; Frank irvin's diary (2000-2003); legal papers; and other items. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Collection consists largely of correspondence between historian Nell Irvin Painter and her parents (1969-2003), documenting various stages of their lives, travels, and Painter's scholarly career. Also includes writings by or about Nell Painter, including reviews of her work; copies and reviews of Dona Irvin's writings; documents related to Frank and Dona's education and careers; Frank irvin's diary (2000-2003); legal papers; and other items.

Photographs also form an important part of the collection. Along with papers and records, Frank and Dona Irvin kept early photos and tintypes (circa 1890s-1910s) of African Americans in Victoria, Texas; together, these materials speak to their early life near Houston, and document aspects of African American history in that area. There are also family photographs from later decades (1930s-1980s).

For preservation purposes, original audiovisual media are closed to use; copies may be available on request.

Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Delouis Wilson is an African American artist, and jewelry designer, and art collector, based in Durham, North Carolina. The papers comprise her journals (1977-2008); calendars; sketchbooks, art school notebooks, and loose pieces of mixed media artwork. The journals, currently closed to use, document in detail her personal life, travels in the U.S. and abroad, including time spent in Tunisia in the Peace Corps, life in Durham, N.C., and employment as a jewelry designer. The collection also includes 30 large photographic studio portraits of African Americans, almost all hand-tinted crayon enlargements, dating from about 1890 to 1945 and collected by Wilson chiefly in the Southern U.S. Acquired as part of the Archive of Documentary Arts, the Bingham Center for Women's History and Culture, and the John Hope Franklin Research Center for African and African American History and Culture at Duke University.

The papers of Delouis Wilson, an artist and jewelry designer based in North Carolina, consist of a set of 27 journals (1977-2008, currently closed); a few calendar notebooks; sketchbooks and notebooks from her time at Atlanta College of Art; and loose pieces of artwork. An important component of Wilson's archive consists of a collection of 30 large photographic portraits of African Americans dating from the late 1880s to about 1940, collected by Wilson chiefly in the American South.

Wilson's journals (closed to use by donor request), calendars, and notebooks document in detail the personal life of the artist, life in Durham, N.C., her travels abroad and in the U.S., including time in Tunisia in the Peace Corps, and her career as a jewelry designer. They include small illustrations contain as well as laid-in items such as letters and postcards; some have handmade covers constructed of textiles and other non-paper materials.

The artwork, sketchbooks, and art notebooks present a mix of drawings, sketches, prints, textile work, and mixed-media color paintings created by Wilson during and shortly after her art school years, all 8x11 inches or less. The notebooks also include art school class notes and handouts, creative writings, and personal notes such as recipes, lists, housing notes, and addresses. There are self-portraits scattered throughout, including a larger piece from 1990 laid into a sketchbook. Also in the collection is one large color photograph of an African American woman by Wilson. The artworks range in size from 4 1/2 x 6 to 16x20 inches.

A central component of the collection are thirty historic studio portraits of individual Black men and women (1890s-1940s), with some of couples and families, collected by Wilson in thrift shops and flea markets throughout the Southern U.S. Most belong to a process called crayon enlargements. The studios developed faint enlargements of the photographic images on convex pieces of thick card stock, then outlined and filled them with ink, crayon, or pastel pigments to resemble a painting. One portrait in the collection is a fully-developed gelatin silver photograph. A few smaller portraits are sized approximately 10x8 to 13x9 inches; the majority are larger, ranging from 19x13 to to 20x16 inches. Most of the prints are hand-tinted with a variety of tecniques, but some are black-and-white, and some are on flat rather than convex mounts.

Darlene Clark Hine is an African American professor, historian, college administrator, and published author in the field of African American history.

The Darlene Clark Hine Papers span the dates from about 1879 to 1996, with the bulk of the files dating from the 1970s to 1996. Earlier dates represent reproductions of archival materials, chiefly photographs. Through professional correspondence, research and writings materials, and professional service files, the collection documents the career of Darlene Clark Hine, professor of African American history, college administrator, and published author on African American history in the United States. The collection is arranged into the following series: Correspondence, Personal Files, Professional Service, and Research and Writings. The largest file group in the collection is the Professional Service Series, which documents Hines' extensive involvement with academic organizations and civic organizations, her activities as lecturer and speaker at many conferences, symposia, and other events, and to a lesser extent, her activities at Purdue and Michigan State University as a professor, mentor, and faculty member. The second largest series in the collection, Research and Writings, contains files of research and publication materials related to Hines' major published works, articles, and media projects concerning African American slavery; the Civil Rights movement; African American suffrage, particularly in Texas; race relations in the United States; African American women in the Midwest; and black women in the nursing profession. Items in the Correspondence Series chiefly relate to Hine's academic activities at Purdue, Michigan State, Arizona State, and the University of Delaware, and her publishing activities; there is also some correspondence with foundations concerning funding for projects. Finally, the Personal Files contains such items as Hines' early student work, including her master's thesis, and some correspondence, cards, and photographs. Each series and its subdivisions are described in full in the collection description that follows. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

The Garrett Orr Papers document the artistic output and personal files of advertising executive Garrett Orr. Although the collection spans the years circa 1873 to 1994, the bulk of the materials fall within two main periods: the 1890s to 1914, comprising a photographic collection of old poster images; and 1930 to 1965, which approximates the span of Orr's professional life. The collection includes the original drawings, water colors and paintings produced by Orr as designs for the outdoor advertising campaigns of a wide variety of products such as Gillette razors, Ipana toothpaste (Bristol-Myers), Lucky Strikes and Viceroy cigarettes (Brown & Williamson), Mazola corn oil (Corn Products Refining Company), Seagram beverages, Verney fabrics, and White Rose tea. Also included are folders of photographs, slides and negatives of Orr's advertising work for approximately 550 companies (with index). In addition, a collection of almost 200 large-format negatives and photographs document images of 19th- and early 20th-century posters for plays, musicals, minstrel shows, circuses, and hotels. A large set of clippings files contain published examples of the work of over 100 graphic artists and illustrators contemporary with Orr, including Floyd Davis, Ronald McLeod, George Petty, Howard Scott, Ben Stahl, Jon Whitcomb, and J. Walter Wilkinson. The collection is organized into five series--the General Files Series; the Artists and Illustrators Series; the Product Files Series; the Other Photographic Materials Series; and the Sketches Series. Large-format items from the Artists and Illustrators Series and Sketches Series have been relocated to Oversize Materials.

Closely related collections held by the Rubenstein Library include: the Outdoor Advertising Association of America (OAAA) Archives; the Outdoor Advertising Association of America (OAAA) Poster Designs; the Outdoor Advertising Association of America (OAAA) Slide Library; the Duplex Advertising Company Billboard Images and Records; the Strobridge Lithographing Company Advertisements; the R.C. Maxwell Co. Records; the Howard Scott Papers; and the John Paver Papers.

The Behind the Veil: Documenting African-American Life in the Jim Crow South project was undertaken by Duke University's Center for Documentary Studies from 1990-2005. Its goal was to record and preserve African American experiences in the American South from the 1890s to the 1950s. Materials in the Behind the Veil project collection date from about 1864 to 2011, with the bulk dating from the 1990s; earlier dates represent original image content rather than the reproduction date. The collection comprises over 1200 oral history interviews with associated transcripts and administrative files, several thousand historic and contemporary photographs, and project records, which include paper and electronic administrative files and audiovisual recordings. Oral histories were conducted in 19 locations, chiefly in the South; topics represented in these recordings include childhood, religion, education, politics, celebrations and other events, family histories, work histories and military service, and details about segregation and the effects of racism in the South. Acquired as part of the John Hope Franklin Research Center for African American History and Culture at Duke University.

Materials in the Behind the Veil project collection date from about 1864 to 2011, with the bulk dating from the 1990s; earlier dates represent original image content rather than the reproduction date. The core component of the collection comprises over 1200 oral histories conducted by Behind the Veil interviewers with African Americans in cities, towns, and rural locations in Georgia; Arkansas; Michigan; Alabama; North Carolina; Los Angeles, California; Mississippi; Tennessee; Kentucky; Louisiana; Virginia; South Carolina, and Florida. The majority of the interviews were conducted during summers between 1993 to 1995, with additional interviews added from 1995 to 2004. These interviews, originally recorded by Behind the Veil staff and volunteers on audiocassettes, have been digitized; in addition, all other project records and images are currently being digitized and will be made available as they are ingested into the Duke Digital Repository.

A second core component consists of over 2100 historical and contemporary photographic images in the form of black-and-white and color slides, photographic prints, and negatives. These form several large groups: donated historical materials imaged at interview locations by BTV staff; contemporary photographs taken by staff as they gave interviews and explored local communities; and photographs of BTV staff at work, BTV offices, and project events and training. Historic images in slide format include many photographs of African American individuals and families dating from the 1880s to the mid-20th century; they also include images of documents such as news clippings, military papers, political ephemera, school diplomas, and brief publications. The images are described in more detail in their listings in this collection guide.

The remainder of the collection consists of project administrative records. These files - in paper and electronic format - include National Endowment for the Humanities (NEH) grant information; correspondence; staffing records; meeting notes and minutes; outreach; files on publication and exhibit projects; and information on classes, seminars, and training given for students and project staff.

The Behind the Veil collection not only focuses on the experiences of individuals, but also reflects the importance of black institutions as the backbone of black communities. The interviews, documents and photographs reflect the crucial role that black churches, fraternal societies, women's clubs, and political organizations played in African American community life. The testimony of educators and students from historically black colleges, agricultural schools and institutes enrich conventional beliefs about black agency in segregated schools.

Although the focus of the interviews was on the Jim Crow era, the life history format of most interviews led informants to comment on events after segregation. Information about civil rights struggles in the 1960s, African American participation in desegregation within local communities, and post-1965 activism and community work are also included in many Behind the Veil interviews. The interviews in this collection also raise crucial questions about the shape of memory and the creation of narratives that can inform not only research in oral history but also literature and anthropology. Research into black religion can be enriched by the voices of Behind the Veil. Studies that examine oppression and resistance could be informed by the rich documentary record of labor and social culture that the collection presents. The Behind the Veil collection illuminates innumerable topics, time periods, and research interests.

A. Hollis Edens served as President of Duke University from 1949-1960. This collection includes material largely of a personal nature, including correspondence, photographs, printed material, clippings, and scrapbooks. The collection ranges in date from circa 1850s-1994.

The collection includes correspondence, speeches, Duke-related material, Emory-related material, clippings, printed material, scrapbooks, and photographs. The material relates not only to Edens' professional career, but also to his family history and to that of his wife. The majority of the collection consists of family photographs, many of which are unidentified and undated.

Ella Fountain Keesler Pratt (1914-2008) was a Duke University employee for almost thirty years. Ms. Pratt was also a patron of the arts and community organizer in Durham, North Carolina. This collection contains documents, records, photographs, and notes that document her life as a Duke employee and Durham arts organizer. Items include personal notebooks, photographs of family and events, art exhibition catalogs, and audio recordings of performances at Duke University. The collection materials range in date from circa 1850 to 2008.

The Ella Fountain Pratt Papers contain materials pertaining to Pratts's personal life and professional accomplishments. A majority of the collection is comprised of personal correspondence, records, and news clippings that document Ella's education, her participation in the Durham Arts scene, and her experiences as a longtime employee at Duke University. Newer accessions also include photographs (largely unidentified and undated) of both Ella and her husband as well as their sons and Mr. Pratt's family as well as genealogical information, Mr. Pratt's correspondence, and materials pertaining to his education and work at Duke University, in addition to his service in the U. S. Navy during World War II. Of note is a letter signed by Richard Nixon soon after he was defeated in the 1960 election. The collection also includes notable autographs of the various artists Ella Fountain Pratt encountered during her lifetime. Items in the collection range from circa 1850-2008, with the bulk from 1960-2000.

This collection holds miscellaneous papers (192 items; dated 1649-1971) including originals and copies of letters, Bible records, pictures, and printed works relating to the history of the Pearson, Smith, and Thompson families who migrated from England to Virginia, North Carolina, Tennessee, and finally to Arkansas; letters, legal papers, historical notes, genealogy, military records, cemetery records, pictures, and maps pertaining to the history of Benton County, Tenn.; copies of the Civil War letters of Stephen W. Holliday, 55th Tennessee Regt., C.S.A.; anecdotes of Confederate General Nathan Bedford Forrest; Melton family genealogy; and Smith family albums. A later addition (283 items, dated 1774-1986) includes information pertaining to the genealogy of several related families (including the Thompson and Wyly families, as well as information on the descendants of Col. Samuel and Mary Webb Smith). Includes printed works on genealogy and other topics compiled by Emma C. C. Brown and Jonathan K. T. Smith (primarily Smith). Also includes: correspondence; legal documents; copies of church records; clippings; writings about the history of Benton County, Tenn., and some of its citizens and communities; photographs; printed and other material on Camden, Tenn.; copy of the diary of Anne William Smith; copy of a portrait of Anne William Smith by Gustavus Grunewald (1847-1848); a recording entitled The Remembrance Pilgrimage about the Smith family of Nymcock, Tenn.; A Century with St. Mark's: An Informal History by Clara L. Cape; and an extensive biographical sketch on Col. Maurice Smith.

This collection is largely genealogical in nature and holds miscellaneous papers of Jonathan Kennon Thompson Smith including originals and copies of letters, papers, Bible records, pictures, and printed works relating to the history of the Smith, Pearson, and Thompson families who migrated from England to Virginia, North Carolina, Tennessee, and finally to Arkansas. The Smith family descended through Maurice Smith (1801-1871) of Person County, North Carolina who later moved to Fayette County, Tennessee in 1831, and finally to Dallas County, Arkansas in 1843.

In addition to family correspondence of Maurice Smith (1801-1871); the collection has letters, legal papers, historical notes, genealogy, military records, cemetery records, pictures, and maps pertaining to the history of Benton County, Tennessee. Copies of the Civil War letters of Stephen W. Holliday, 55th Tennessee Regiment, C.S.A., to his parents, a history of Tulip and Tulip Ridge, Arkansas, by Smith entitled The Romance of, Tulip (Memphis: 1965), On this Rock . . . the Chronicle of a Southern Family, which is a history by Smith of the family of Colonel Samuel Smith and Mary Webb Smith of Abram's Plains, North Carolina; biographies of the Captain Nicholas Martian (1591-1657) and of Samuel Granville Smith (1794-1835); anecdotes of Confederate General Nathan Bedford Forrest; a history of the Pearson family by Smith entitled This Valued Lineage; history of the Thompson family by Smith entitled These Many Hearths; albums of the Smith family containing pictures, clippings, and copies of letters and wills dating as early as 1649; genealogy of the Melton family by Herman E. Melton entitled Sassafras Sprouts; an anthropological study of the Indians of Kentucky Lake, Tennessee, by C. H. McNutt and J. Bennett Graham; and a pamphlet, 1961, by Smith entitled A Statement of Faith.

There is a microfilm copy of 'The Remembrance Pilgrimage. The Story of a Southern Family' (1964) available.

This accession continues to document Julia Penelope's life as a lesbian and feminist activist and academic. Materials include correspondence and financial records; lecture notes and writings by Penelope dealing with subjects that include linguistics, lesbian communities, lesbian separatists, and coming out; subject files; and book reviews of works by Penelope and others. Acquired as part of the Sallie Bingham Center for Women's History and Culture. For information on earlier accessions, please consult the Duke Library online catalog.

Dwayne Dixon was an employee in the Literacy Through Photography program at the Center for Documentary Studies. Collection includes 110 zines (150 items, ca. 1984-ca. 1995) produced across the United States and Central America and collected by Dixon throughout the 1990s. The majority of the zines demonstrate young men's search for life meaning, morality, and identity, especially through hardcore and punk music/lifestyle, including interviews with bands, album reviews, and criticism of the status quo. Other groups of zines were produced by children participating in various afterschool and enrichment programs in Durham, NC; by Central American women in Mexico, Nicaragua, the Dominican Republic, and El Salvador; and by American young women raging against rape and sexism and searching for a less traditional sexual identity. Many zines include erotica, drawings, copies of photographs, and cartoons.

110 zines (150 items, ca. 1984-ca. 1995) produced across the United States and Central America and collected by Dixon throughout the 1990s. The majority of the zines demonstrate young men's search for life meaning, morality, and identity, especially through hardcore and punk music/lifestyle, including interviews with bands, album reviews, and criticism of the status quo. Other groups of zines were produced by children participating in various afterschool and enrichment programs in Durham, NC; by Central American women in Mexico, Nicaragua, the Dominican Republic, and El Salvador; and by American young women raging against rape and sexism and searching for a less traditional sexual identity. Many zines include erotica, drawings, copies of photographs, and cartoons. Online searchable database includes more detailed descriptions of the first accession of this collection. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

This collection documents the professional and creative life of writer and teacher Robert Bausch. Materials include handwritten, typed, and electronic (computerized) drafts of published and unpublished novels and essays, including The Gypsy Man, On the Way Home, Almighty Me, For God's Sake, and A Hole in the Earth; galleys and corrected proofs of his published novels; incoming andoutgoing correspondence--including copies of electronic mail--with writers, editors, readers,students, and family; a few typescripts of works by others; book and movie contracts and royalty statements; andaudiocassette tapes of Bausch's class discussions and readings by authorsGeorge Garrett, Bausch, and Bausch's twin brother Richard Bausch.

(15 tapes) (2500 manuscript items) (31 disks) (893 computer files)

Robin Chandler Lynn Duke held office or was active in a number of organizations including Population Action International, the National Abortion Rights Action League, The Packard Foundation, the Draper World Population Fund, and several major corporations. Married to Ambassador Angier B. Duke. Collection (22100 items, dated 1942-2000) contains items related to Duke's extensive involvement in abortion rights, family planning, and population studies organizations. Series within the collection include correspondence, clippings, writings, publications, miscellaneous, photographs, and subject files. A substantial amount of correspondence from Duke was written to members of the U.S. House and Senate, and was written by Duke in her capacity as National Chair of Population Action International. Books and pamphlets report on population studies, child education, family planning, violence against women, and international education. Organizations represented in the collection include Population Action International, the Draper World Population Fund, Planned Parenthood, NARAL (National Abortion Rights Action League), "The Anatomy of Hate" conference, and the National Abortion Federation.

Collection (22100 items, dated 1942-2000) contains items related to Duke's extensive involvement in abortion rights, family planning, and population studies organizations. Series within the collection include correspondence, clippings, writings, publications, miscellaneous, photographs, and subject files. A substantial amount of correspondence from Duke was written to members of the U.S. House and Senate, and was written by Duke in her capacity as National Chair of Population Action International. Books and pamphlets report on population studies, child education, family planning, violence against women, and international education. Organizations represented in the collection include Population Action International, the Draper World Population Fund, Planned Parenthood, NARAL (National Abortion Rights Action League), "The Anatomy of Hate" conference, and the National Abortion Federation.

Additional organizations represented include the National Campaign to Prevent Teen Pregnancy, Promise Keepers, Rockefeller Foundation, Center for Gender Equality, Harvard School of Public Health, Friends of Art and Preservation in Embassies, Institute of International Education, International Flavors and Fragrances, National Mother's Day Committee, and the National Park Foundation.

Other parts of the collection deal more directly with Duke personally and with her husband. Files relate to social events and awards ceremonies, the Congressional campaign of 1977, and a number of other organizations concerned with her activities or her husband's ambassadorships. There is also information concerning the National Wildflower Research Center, the Council of American Ambassadors, the United Nations and other organizations; as well as information related to a white house dinner; speeches; articles about Duke; an appointment book; and personal files.

A number of other scrapbooks contain photos and other items from the time when Duke served as a fashion editor.

The addition (7089 items, 11.10 linear feet, dated ca. 1930-2001) comprises correspondence, subject files, articles and newspaper clippings, photographs, scrapbooks, photograph albums, and printed materials that primarily describe conferences attended and trips taken by Duke, focusing on the organizations in which she was actively involved. Also includes incoming and outgoing correspondence; files on fundraising dinners and meetings; and Angier Biddle Duke's typescript journal entries, "For the Record" (1981-1985), composed while visiting a number of countries. Also includes 71 black-and-white prints, 236 color prints, 780 color negatives, and 2 fabric bags. (01-147)

The addition (3250 items, 7.3 linear feet, dated 1960-2000) contains primarily correspondence, reports, speeches, newspaper clippings, printed material, and miscellaneous items related to Robin Duke's ambassadorship to Norway and her activism in major organizations for population control, including NARAL and Planned Parenthood. There are 5 videocassette tapes, including "JFK--A Time Remembered;" as well as 37 black-and-white and 5 color photographs, including a photograph album of a visit to Marrakech. The collection also contains diplomas, awards, and several commemorative photos/drawings signed by Lady Bird Johnson. (01-155)

The addition (2000-0341) (2175 items, 3.4 linear feet; dated 1991-2000 and undated, bulk 1998-2000) contains correspondence, notes, information packets, two videocassette tapes, one CD-RW containing 15 electronic audio file and printed material from meetings Duke attended. Also includes correspondence, speech notes, two black-and-white photographs, and information packets relating to the Albert Lasker Public Service Award Duke won in 1991. There is one additional black-and-white group photograph taken at a lecture.

The addition (2002-0162) (2400 items, 4.0 linear feet; dated [ca. 1990]-2002) contains primarily reports, printed material, correspondence, and 1 black-and-white and 12 color photographs related to Duke's activism in various organizations, including Friends of Art and Preservation in Embassies and the US-Japan Foundation (1990-2001). Also includes correspondence, orientation packets, talking points, and reports received or used by Duke as ambassador to Norway (2000-2001).

The addition (2002-0311) (750 items, 1.6 linear feet) comprises miscellaneous materials relating to Duke's numerous involvements, including personal and professional correspondence, meeting and event information, organizational files, newspaper clippings, reports, and printed material. A container list was not created for this addition.

The addition (2003-0096) (1500 items, 2.2 linear feet) contains correspondence and other materials related to Duke's activism in organizations including F.A.P.E., A.S.F., I.R.C., and the U.N. Association (1983-2003); and documents related to her position as Ambassador to Norway (2000-2001). Also includes files about parties and other events, and a small amount of personal correspondence.

The addition (2003-0268) (500 items, 1.4 lin. ft.; dated 1998-2003) contains business correspondence and other materials related to Duke's activism in NARAL, UNESCO, and Population Action International. Also includes a small amount of personal correspondence and 2 VHS tapes, "Packing the Courts: The Battle over President Bush's Judicial Appointments" and "Access Denied: US Family Planning Restrictions in Zambia".

The addition (2005-0060) (3390 items, 5.4 lin. ft.; dated 2002-2005) comprises correspondence, printed material, and board meeting packets related to Duke's activism. Also includes a transcript of oral history interviews conducted by Smith College, and 3 VHS videocassettes.

The addition (2005-0120) (697 itmes, 1.8 lin. ft.; dated 1992-2005) comprises personal and professional correspondence; board meeting packets related to Duke's activism in a wide variety of organizations.

The addition (2006-0054) (576 items; 1.3 lin. ft.; dated 1969-2006 and undated) contains correspondence (1993-2006); and other materials related to Duke's activism. There are also 2 CD-ROMs, printed material, clippings, and invitations to luncheons and dinner parties.

The addition (2006-0062) (1025 items; 1.6 lin. ft.; dated 1962-2006 and undated) comprises correspondence, invitations, speeches, printed material, and ephemera related to Duke's activism in organizations (1983-2006). There are also materials that once formed a photo album/scrapbook, with 27 black-and-white photos of the Dukes as well as interior and exterior photos documenting their remodeling of Blair House, the presidential guest quarters, in Washington, DC (undated, probably 1962); invitations; and correspondence (1962-1968), including letters from Jackie Kennedy, Lady Bird Johnson, and others.

The addition (2006-0092) (1025 items; 1.6 lin. ft.; dated 1962-2006 and undated) contains clippings, periodicals and reference works, as well as meeting guides, conference materials, correspondence and other materials regarding Duke's political, charitable and ambassadorial activities. There is also one DVD and two black-and-white copies of family photos.

The addition (2007-0014) (1500 items; 2.4 lin. ft.; dated 1962-2006) contains correspondence, including letters from Jackie Kennedy and Lady Bird Johnson; menus and programs for United States Presidential luncheons and dinners; documentation, pamphlets, and files from councils and organizations; a diploma for Angier Biddle Duke from Duke University; speeches; printed materials; and newspaper clippings.

The addition (2007-0087) (675 items; 0.9 lin. ft.; dated 1964-2007) contains correspondence, photographs, speech transcripts, and conference materials from Duke's charitable and political organizations.

The addition (2007-0194) (675 items; 0.9 lin. ft; dated 2000-2007) contains correspondence, charitable committee and meeting materials, and a New York Look Book featuring Duke and her fashion sense. This collection has been interfiled with Addition (2007-0087).

The addition (2008-0116) (600 items; 0.8 lin. ft; dated 2007-2008) includes conference ephemera and other materials from Duke's involvement in charities and political activities; miscellaneous materials and correspondence; and publications from various international organizations.

Addition (2009-0168) (900 items; 1.2 lin. ft.; dated 1960s-2009) includes correspondence, board meeting publications from Duke's various charities and organizations, letters from prominent people, and miscellaneous materials such as newspaper clippings and photographs.

David Fowler was an advertising executive who served as Worldwide Creative Director for the Ogilvy & Mather agency in New York. Collection includes booklets, briefing materials, presentations, texts of speeches and other materials in printed and electronic formats that document Fowler's career in advertising, brand management and marketing. Companies represented include Ammirati & Puris, British Petroleum, Coca-Cola (Fanta), DuPont, Goldman Sachs, Motel 6, and Ogilvy & Mather. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection includes booklets, briefing materials, presentations, texts of speeches and other materials in printed and electronic formats that document Fowler's career in advertising, brand management and marketing. Companies represented include Ammirati & Puris, British Petroleum, Coca-Cola (Fanta), DuPont, Goldman Sachs, Motel 6, and Ogilvy & Mather.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. It is headquartered in New York. Collection consists of training and policy manuals, presentations, other printed materials and videocassettes pertaining to the T-Plan, Thompson Way and Thompson Total Branding programs. Materials appear in English, Spanish and Japanese and include materials from JWT offices in The U.S., Argentina, Australia, Canada, India, Italy, Japan, Mexico and Thailand. Case study information for individual companies include DeBeers, Ford, Nabisco (Ritz crackers), Nabob Coffee, Nestle, Steppenwolf Theater and White Castle. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Consists of training and policy manuals, presentation materials, other printed materials and videocassettes pertaining to the T-Plan, Thompson Way and Thompson Total Branding programs. Materials appear in English, Spanish and Japanese and include materials from JWT offices in The U.S., Argentina, Australia, Canada, India, Italy, Japan, Mexico and Thailand. Case study information for individual companies include DeBeers, Ford, Nabisco (Ritz crackers), Nabob Coffee, Nestle, Steppenwolf Theater and White Castle. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Anne Halley was a fiction writer and poet. Collection includes typescripts for four works (approximately 700 pages) and typesetting instructions for the opening pages of Rumors of the Turning Wheel, which was published by Lisa Unger Baskin's Aee Press in 2003.

Collection includes typescripts for four works (approximately 700 pages) and typesetting instructions for the opening pages of Rumors of the Turning Wheel, which was published by Lisa Unger Baskin's Aee Press in 2003. The four works, True Wedding: Ten Household Tales, Beatrice and the Blind Child, Change of Life, and an untitled volume of poetry, are unpublished and undated. Some of the typescripts are annotated; also present are a few pieces of undated correspondence from Halley to Baskin.

Duke University's strategic plan emphasizes interdisciplinary studies because important teaching, learning, and research often occur across the traditional boundaries of disciplines, departments, or schools. Interdisciplinary Studies at Duke University became an office under the direction of the Provost with the appointment of the first Vice Provost for Interdisciplinary Studies in 1998. Prior to this, direction of interdisciplinary studies was a responsibility of the Dean of the Graduate School/Vice Provost for Graduate Education. Records contain subject files, correspondence, reports, and planning documents related to Interdisciplinary Studies at Duke, including the Franklin Center for Interdisciplinary and International Studies, the Franklin Humanities Institute, Information Science and Information Studies, Women's Studies, Science Technology and Human Values, the Black Faculty Initiative, the University Scholars Program, global health, arts and humanities, the arts warehouse, development and grants, and faculty involvement with interdisciplinary teaching.

Records contain subject files, correspondence, reports, and planning documents related to Interdisciplinary Studies at Duke, including the Franklin Center for Interdisciplinary and International Studies, the Franklin Humanities Institute, Information Science and Information Studies, Women's Studies, Science Technology and Human Values, the Black Faculty Initiative, the University Scholars Program, global health, arts and humanities, the arts warehouse, development and grants, and faculty involvement with interdisciplinary teaching.

NWSA Journal, an official publication of the National Women's Studies Association, publishes interdisciplinary, multi-cultural feminist scholarship linking feminist theory with teaching and activism. Accession 2003-0263 (26,100 items; 43.5 lin. ft.; dated 1990-1998 and undated) comprises administrative files, records of the site search and other editorial board policy matters, correspondence, annual and semi-annual reports, copyedited manuscripts, readers' reports, and published manuscripts; and revisions of issues from each volume. Addition (06-006) (7 items, .1 lin. ft.; dated 1990-1998) comprises 7 issues of the NWSAction newsletter, Fall 1990-Summer 1998.Addition (06-039) (375 items, .2 lin. ft.; dated 2000-2003) contains final page proofs, abstracts, advertising, research and proposals, and correspondence generated for the special issue Gender and Modernity, Fall 2003, volume 15, number 3. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Accession (2003-0263) (26,100 items; lin. ft.; dated 1990-1998 and undated) comprises administrative files, records of the site search and other editorial board policy matters, correspondence, annual and semi-annual reports, copyedited manuscripts, readers' reports, and published manuscripts; and revisions of issues from each volume.

The 2006 addition (2006-0006) (7 items, 0.1 lin. ft.; dated 1990-1998) comprises 7 issues of the NWSAction newsletter, Fall 1990-Summer 1998.

The 2006 addition (2006-0039) (375 items, 0.2 lin. ft.; dated 2000-2003) contains final page proofs, abstracts, advertising, research and proposals, and correspondence generated for the special issue Gender and Modernity, Fall 2003, volume 15, number 3.

The 2007 addition (2007-0118) (2630 items; 4.8 lin. ft.; dated 2003-2007) contains manuscripts, journal submissions, proofs, and editorial files related to 2005-2007 issues. Also included are a procedure manual, correspondence, administrative and editorial files, copies of published journals (2004-2007), and newsletters. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The 2009 addition (2009-0007) (29 items; 0.6 lin. ft.; dated 2003-2008) contains 4 published journals (2007-2008) and electronic materials used in the creation of the journal, including 19 CDs, 5 zip discs, and 1 USB key. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The 2015 addition (2009-0098) (0.3 lin. ft.; dated 1978-2011) contains 1 box of material documenting the work of the National Women's Studies Association Journal from Margaret (Maggie) McFadden. It comprises administrative files, records of the site search and other editorial board policy matters, correspondence, journal proposals and information about applicants considered for employment. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The mission of the Division of Student Affairs is to promote and enrich students' education through teaching, mentoring, advising, and counseling by way of on-going direct contact with students in their everyday lives. The division was created in the summer of 1979 and was placed in under the supervision of William J. Griffiths, Vice President for Student Affairs. This collection contains reports, department newsletters, and materials related to the Center for Sexual and Gender Diversity, student activities, student health, and career planning.

The Division of Student Life Reference Collection was compiled from a variety of sources by the University Archives for use in reference and research. It includes an administrative history of the Division of Student Affairs, East Campus enhancement reports; Lesbian, Gay, Bisexual Task Force reports; and other committee reports regarding Greek life and student affairs. Contains various department newsletters, manuals, directories, and publications. Also includes materials related to the Center for Sexual and Gender Diversity and career planning.

Manbites Dog Theater was a professional non-profit theater company founded in Durham in October 1987. Manbites Dog staged a variety of theatrical productions, with a focus on premieres of new works by working closely with playwrights, directors, actors, and artists. The theater mounted over 130 productions, many of them regional or state premieres. The theater closed in 2018. Collection includes a variety of administrative documents from these productions, including marketing materials, reviews, contracts, and box-office records. Also includes administrative documents from more general theater operations.

Collection includes a variety of administrative documents from the company's productions. Theater Seasons consists of marketing materials, reviews, contracts, and box-office records from individual productions. Common themes throughout productions include AIDS and sexual health advocacy, sex positivity, and LGBTQ acceptance and advocacy. Some productions include photographs, scripts, and DVD and VHS recordings. Arranged chronologically by season and chronologically by production within each season. Materials from multiple or unknown seasons appear in the "Assorted seasons" sub-series. Administrative Files comprises materials more broadly related to running the theater company, including receipts, contracts, fundraising materials, and financial records. Includes some videocassettes. Arranged alphabetically by folder title.

The Finance and Administration group is a part of the Office of the Provost of Duke University responsible for budgets and cost planning of all academic and administrative units under the Provost, as well as human resources, space planning, and the university's support of Duke Kunshan University. The collection includes materials related to planning and opening of Duke Kunshan University, student financial aid, and other topics.

Includes materials related to planning, construction, and opening of Duke Kunshan University; planning and reporting related to student financial aid; university strategic planning; and other topics. The collection has not yet been processed.

Consumer Reports is a product testing and consumer advocacy nonprofit organization based in Yonkers, N.Y., founded in 1936. George Arthur is Executive Design Director for the organization. The George Arthur papers include correspondence, design manuals, graphic design examples, organizational proposals and reports and other printed materials. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The George Arthur papers include correspondence, design manuals, graphic design examples, organizational proposals and reports and other printed materials.

The Freeman Center for Jewish Life opened in 1999. The center strives to create a dynamic Jewish community that expresses the full spectrum of Jewish identity. This collection contains records related to the planning, development, construction, and dedication of the Freeman Center. It also includes materials related to Mikvah, Hillel-Center for Jewish Life relations, the Chronicle Holocaust ad controversy, and events on campus.

Collection contains Board of Directors and User Committee documentation, correspondence, reports, photographic prints, negatives, brochures, newsletters, technical documents and other records concerning the planning, construction, and dedication of the Freeman Center. Other topics include Mikvah, Hillel-Center for Jewish Life relations, and the Chronicle Holocaust ad controversy (1991-1992). The collection also includes optical disks and video cassettes containing files related to events and programs.

Education and travel records from the Alumni Affairs Office including fliers, correspondence, and memoranda.

Collection consists of photographs by Peter Goin on the theme of the interactions and the connections between people and the natural world, and the way people manage, perceive, and represent "nature." The images depict altered and artificial landscapes featuring beaches, canals, farm fields, rivers, prescribed burns and reforestation sites, zoos, an abandoned town, and other places. They were shot in various locations, predominantly in North and South Carolina and Virginia, but also in Alabama, Georgia, central Florida, Arizona, California, Tennessee, and Nevada. The project resulted in a book, Humanature (1996) and an exhibit. Image formats include 16x20 inch exhibit-quality color prints, accompanied by negatives, black-and-white work prints, and book illustration prints. Research, correspondence, and other publication materials are also included in the collection. Acquired as part of the Archive of Documentary Arts, Duke University.

Collection chiefly consists of photographs by Peter Goin on the theme of the interactions and the connections between people and the natural world, and the way people manage, perceive, and represent "nature." The exhibit-quality color prints (16x20 inches) and black-and-white work prints (chiefly 8x10) feature images taken Goin from 1991-1992 while he was Artist-In-Residence at the Center for Documentary Studies at Duke University. They depict altered and artificial landscapes such as beaches, canals, farm fields, rivers and dams, managed forests, a scale model of a river, zoos, an abandoned town (Ellenton, S.C.), and other places. In these settings, people can be seen replanting trees, building ditches, hunting, or simply surveying their surroundings. Other formats include negatives, two slides, and book illustration prints. The collection also includes research, correspondence, publicity, and other materials deriving from the book Humanature.

The images were shot in various locations, predominantly in North and South Carolina and Virginia, but also in Alabama, Georgia, central Florida, Arizona, California, and Tennessee. Locations in North Carolina include Durham, the NC Zoological Park, Duke Forest, the Carnivore Preservation Trust, Outer Banks beaches, the Chatooga and Nantahala Rivers, and the Appalachian mountains near Highlands. There is also one image from Nevada. A selection was published in Goin's book, Humanature, published by University of Texas Press in 1996, and the project also generated a traveling exhibit of the same name.

A group of copy prints included in the collection were used illustrate Goin's book. These are historic images from the 1930s through the 1980s, many taken to document the work of state-run programs. As with Goin’s own work, they also show human-altered landscapes such as reforestation sites, canals, beach erosion replanting sites, and others. A few images appear to be from the 1950s and are of schoolchildren in Aiken, South Carolina. Other locations include Durham, N.C.’s Duke Forest, the Colorado River, beaches, and western deserts.

Acquired as part of the Archive of Documentary Arts, Duke University.

Durham-based community organization that provided health advice and workshops for lesbians. Successor to the North Carolina Lesbian and Gay Health Project, founded in 1982. The LHRC opened in 1996. Collection includes administrative materials, grant and funding applications, volunteer orientation agendas, and a resource library maintained by the LHRC during the 1990s. Topics include mental and physical health for lesbians, in particular HIV/AIDS prevention, breast cancer prevention and screenings, and safe sex practices. Also includes materials about the LHRC's plans for a Lesbian Health Clinic in North Carolina, its ongoing relationships with other community organizations, and workshop materials on feminism, health, and leadership. Membership and participation lists are closed until 2030. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The records of the LHRC are in many was a continuation of the records from the North Carolina Lesbian and Gay Health Project, also held by the Bingham Center. Early materials frequently reference or were created by NCLGHP members, and there are also overlapping interests with some resources for gay men, despite the fact that the majority of the materials are targeted towards the lesbian community and their activities in the Triangle.

The grant materials and other financial files that make up the first series include applications, correspondence, and general information about the budget of the LHRC and the grants that it sought for programs and operations. Also included in this series are materials from the 501(c)3 application, as well as some correspondence from the IRS regarding the organization's tax status.

The LHRC's Lesbian Health Clinic files detail the planning and fundraising by the organization in preparation for opening the LHC. This series includes correspondence, steering committee minutes, handouts from different fundraising and awareness events, and other notes and research about healthcare and the operation of a health clinic.

The collection's subject files are largely drawn from the LHRC Resource Library, which was maintained by the LHRC for use by its members. Topics include healthcare, particularly women's health and lesbian health; cancer, especially breast cancer; AIDS and the spread of HIV; safe sex; domestic violence; parenting; homophobia, especially within the medical community; and other topics like health reading materials or other resources.

Some of the LHRC's activities and events are documented in the fourth series, including information and planning materials from the NCGLHP's participation in the Breast Cancer Leadership Summit and subsequent breast cancer awareness events in the early 1990s. Other activities represented include North Carolina Pride Days, breastcasting, a lesbian sex group, and general healthcare workshops.

Finally, the administrative files relate to the running of the LHRC, including everything from document masters for letterhead and logos to the volunteer orientation materials from orientations as late as 2005. Also includes some information from partner organizations, including the Mautner Project, Lesbian Avengers, and local community organizations including Triange Community Works. Related to this series is the Oversize Materials series, which consists of two document masters for posters promoting awareness about breast cancer and AIDS in the lesbian community.

The Restricted series is actually just one box of material, mainly membership and participation lists, which is closed until 2030.

Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Advertising executive and producer for Benton & Bowles (DMB&B) and other agencies, primarily based in New York; later self-employed as a commercial producer and documdentary filmmaker based in Cary, N.C. Collection includes correspondence and television commercial production notes (including bids, casting notes, shooting sequences, storyboards, staffing lists and expense reports) and audiovisual materials in multiple formats (videocassettes, digital video, video tape reels). Companies represented include Audi, Cheerwine, HBO, Health-tex (VF Corp.), Leukemia & Lymphoma Society, New York Times, NFL, Road Runner (Time Warner) and the U.S. Postal Service. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection includes correspondence and television commercial production notes (including bids, casting notes, shooting sequences, storyboards, staffing lists and expense reports) and audiovisual materials in multiple formats (videocassettes, digital video, video tape reels). Companies represented include Audi, Cheerwine, HBO, Health-tex (VF Corp.), Leukemia & Lymphoma Society, New York Times, NFL, Road Runner (Time Warner) and the U.S. Postal Service. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Free to Dance: The African-American Presence in Modern Dance was a three-part television documentary co-produced by the American Dance Festival and the John F. Kennedy Center for the Performing Arts in association with Thirteen/WNET New York. The series aired on PBS' Great Performances: Dance in America in 2001. It chronicled the role of African-American choreographers and dancers in the development of modern dance as an American art form. The collection includes film, video, sound recordings, oral histories, interview transcripts, business records, photographs, clippings, and research materials created or collected during the production of the three-part television documentary Free to Dance.

The collection includes business records, grant proposals, correspondence, film, video, sound recordings, oral histories, interview transcripts, photographs, clippings, and research materials created or collected during the production of the three-part television documentary Free to Dance.

The bulk of the Free to Dance Collection dates from 1998 to 2001, when technical production of the series took place; however, the collection also includes grant proposals and early project development documentation dating back to 1987, as well as some correspondence and financial information created after its air date in 2001.

Collection contains video recordings of performing arts events at Duke from 1987-2001. The performances are largely Hoof'n'Horn but also include performances from the Dept. of Theater Studies, namely Duke Players.

Stephen Tell is a Duke alum hired by groups to create recordings of performing arts events. His collection includes video recordings of such events at Duke from 1987-2001, mostly of Hoof'n'Horn productions but it also includes performances by the Dept. of Theater Studies. Formats include VHS, SVHS, Umatic, and DVD.

John Moses, a professor of pediatrics at Duke University, spent eleven years documenting teenage parents in North Carolina counties, including Durham and Orange. Jocelyn Lee is a professor at the Maine College of Art and worked for six years in parts of Texas, Maine, Massachusetts, New York, and Nova Scotia, living and working with young mothers. Collection of 24 gelatin silver prints from an exhibit, The Youngest Parents: Teenage Pregnancy as it Shapes Lives, displayed at Duke University's Center for Documentary Studies in 1998.

Collection consists of 24 black-and-white gelatin silver prints, dating from 1987-1996, and sized at either 11" x 14" or 16" x 20". Most of the photographs were taken by Jocelyn Lee in Maine or Texas. A small amount of photographs were taken by John Moses in North Carolina. No additional information or text accompanies the photographs.

The Program on Preparing Minorities for Academic Careers was launched in 1989 with a grant from the Charles A. Dana Foundation to Duke University and five historically black colleges and universities: Spelman College, Xavier University, Morehouse College, Hampton University, and Tuskegee University. The program's purpose was to increase the number of minority undergraduate students preparing for careers as college and university professors.

The collection contains material pertaining to the program's operations and activities at Duke University as well as at the historically black colleges and universities that participated. Present are reports, correspondence, printed material, clippings, and financial records documenting the various facets of the five year effort to educate minority undergraduate students in preparation for careers in college teaching and research. Throughout the records attention is paid to the impact of the program, primarily measured by the students' post-graduate activities. Correspondence and proposals originating from Duke and the Dana Foundation, as well as press releases and clippings provide summary information on the creation and activities of the program.

Student identifiable information is present throughout the majority of the collection and is restricted under FERPA. However, researchers may access the material for use in research as long they agree not to release personally identifiable student information without the prior written consent of the student, and to destroy all student-identifying information at the completion of their research.

Collection consists of eight black-and-white photographic prints, most of which were taken as part of Breitenbach's work for his Florida Documentary Project, and two copies of the project's exhibit catalog. The gelatin silver prints measure 14 1/8 x 16 7/8 inches, and are almost all portraits of the many types of people living in Florida and the recreation they enjoy or the significant objects and other people in their lives. Individuals include teenagers, college students, deer hunters, Haitian families and other immigrants; and retirees. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection consists of eight black-and-white photographic prints, most of which were taken as part of Breitenbach's work for his Florida Documentary Project, and two copies of the project's exhibit catalog. The gelatin silver prints measure 14 1/8 x 16 7/8 inches, and are almost all portraits of the many types of people living in Florida and the recreation they enjoy or the significant objects and other people in their lives. Individuals include teenagers, college students, deer hunters, Haitian families and other immigrants; and retirees. The prints are all signed, with title, location, and date written on the backs. The catalog includes reproductions of project photographs, with image titles, locations, and dates; a list of planned exhibits; and a summary and timeline of the project. Acquired as part of the Archive of Documentary Arts at Duke University.

Anzia Yezierska (1880-1970) was a Polish-American author. Collection consists of materials collected by Lisa Unger Baskin about the publication of "Anzia Yezierska: A Writer's Life," a biography by Yezierska's daughter, Louise Levitas Henriksen, published in 1988. Materials include drafts of a New York Times book review by Helen Yglesias. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Galley proof, unbound book manuscript, dust jacket, and materials regarding the publication of Anzia Yezierska: A Writer's Life, written by Louise Levitas Henriksen and Jo Ann Boydston in 1988. Includes a typescript draft with manuscript corrections of a review of the book by Helen Yglesias, later published in the New York Times.

The Asian Students Association was founded at Duke University in 1981 to serve the social, political and cultural interests of Asian and Asian-American students. This collection consists of the records of the Duke University Asian Students Association from 1986 to 2022. Types of materials include a short history, meeting minutes and agendas, budgets, correspondence, constitutions, scrapbooks, and video recordings.

Contains a short history, agendas, minutes, correspondence, constitutions, election materials, clippings, scrapbooks, video recordings, administrative and financial records, and materials related to events planning and outreach. Materials range in date from 1986 to 2022.

Founded in 1971 as a manufacturer of shopping baskets; converted into a holdling company in 1985 and grew to become one of the largest advertising and communications conglomerates in the world.

Spans 1986-2015 and includes annual reports, financial statements, correspondence, artifacts, newsletters and other publications and printed materials. Includes materials pertaining to the acquisition of the Ogilvy Group (formerly Ogilvy & Mather). Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Author, translator, and teacher Norman Waddell was born in Washington, D.C. in 1940, and he moved to Japan in 1965. He is an emeritus professor at Otani University in Kyoto, from which he received the degree of Doctor of Literature (LittD) and where he taught for more than thirty years. He has translated works by notable Zen figures such as Suzuki D.T. (Daisetz Teitarō), Dōgen Kigen, Bankei Yōtaku, and Hakuin Ekaku. Waddell's papers include correspondence from: Zen teacher Robert Aitken, who was a co-founder of the Diamond Sangha in Honolulu; artist Frederick Franck; and scholar and translator Burton Watson.

Collection includes correspondence from: Zen teacher Robert Aitken, who was a co-founder of the Diamond Sangha in Honolulu; artist Frederick Franck; and scholar and translator Burton Watson. Much of the correspondence concerns writing, editing, publishing, and translating works about Zen Buddhism. Frederick Franck includes sketches on many of his letters; there are also few "Shoestring" newsletters from Pacem-in-Terris, the sculpture garden in Warwick, NY created by Frederick and Claske Franck.

The William Demby Papers contain four versions of his unpublished work of fiction, "King Comus." It also contains a lengthy interview transcript, personal documents, biographical writings, a small amount of correspondence, and various other documents.

Most notable in the William Demby Papers are his unfinished novel, "King Comus," and a lengthy interview transcript from 2008. The collection also contains miscellaneous correspondence, personal documents, and research.

Professor of law at Seton Hall University and attorney representing Guantánamo detainee Murat Kurnaz. The Baher Azmy Papers span the years 1986-2007 and document Azmy's efforts for the writ of habeas corpus and the release and repatriation of his client Murat Kurnaz, a citizen of Turkey and permanent resident of Germany who was held in extra-judicial detention by the U.S. military at Guantánamo Bay Naval Base, Cuba. The material documents Baher Azmy's legal motions and public efforts for writ of habeas corpus and the release and repatriation of his client, Mr. Kurnaz. Legal papers are composed of filings and petitions; correspondence comprises letters from and to Baher Azmy, Murat Kurnaz, his family and friends, diplomatic officials and U.S. government offices; writings include Azmy's personal notes pertaining to the case and notes of his interviews with Murat Kurnaz; press clippings consist of media coverage regarding the Murat Kurnaz case in the U.S. and German press. Also includes electronic files of legal documents, notes, media releases, and correspondence. Materials are chiefly in English, but there are German and Arabic items, some of which are translated.

The Baher Azmy Papers span the years 1986-2007, and consist of legal papers, correspondence, writings and press clippings. Materials pertain to the 2001 arrest in Pakistan of Turkish citizen and legal resident of Germany Murat Kurnaz, and his subsequent detention at the U.S. military base in Kandahar, Afghanistan and eventually at Guantánamo Bay Naval Base, Cuba. His detention was related to the Bush administration's responses to the September 11, 2001 air attacks in the U.S. He was released in 2006 and became the first former Guantánamo detainee to testify before Congress in 2008 about his experiences of detention, including military abuse and interrogation. The papers consist almost exclusively of written documents with the exception of a few printed images, and electronic files of legal documents, notes, media releases, and correspondence. The material documents Baher Azmy's legal motions and public efforts for writ of habeas corpus and the release and repatriation of his client, Mr. Kurnaz. Legal papers are composed of filings and petitions; correspondence comprises letters from and to Baher Azmy, Murat Kurnaz, his family and friends, diplomatic officials and U.S. government offices; writings include Azmy's personal notes pertaining to the case and notes of his interviews with Murat Kurnaz; press clippings consist of media coverage regarding the Murat Kurnaz case in the U.S. and German press. There are also several files concerning the religious group Jama¯at Tapli¯k (sometimes referred to as Jama'at al-Tabligh or Tablighi Jamaat). While the Baher Azmy papers contain material chiefly in English, the collection also holds German language materials, some of which are not translated into English. There is only one document written in Arabic to which an English translation is attached. Collection folders are arranged in alphabetical order by title within each box.

The non-profit agency International Monitor Institute (IMI) operated between 1993 and 2003, primarily to assist international war-crimes tribunals by collecting, indexing and organizing visual evidence of violations of international human rights law. The International Monitor Institute Records span the dates 1986-2006, and primarily comprise audiovisual materials related to IMI's documentation of contemporary conflicts and human rights violations around the world. Countries represented include: Burma (Myanmar), Bosnia and Hercegovina, Cambodia, Kuwait, Rwanda, Sierra Leone, and Thailand. Includes master and use copies of approximately 6000 videocassettes and 100 audio tapes and audiocassettes. The video and audio material is indexed by an extensive database developed by IMI which includes keywords, air dates, segment producer, segment title, and in some cases, transcripts and stills from the video. There are also many photographs and slides taken in the same regions, depicting destruction in areas of conflict, forced labor, refugees and refugee camps, and protests. The majority of the photos were taken on the Burma/Thai border, in Bosnia and Hercegovina, and refugee camps in Rwanda. Finally, there are extensive organizational records, including an extensive database of the audiovisual components. Acquired as part of the Human Rights Archive.

Note: The video and audio tape holdings of the Interntional Monitor Institute records are described in separate finding aids. A large portion of these tapes, particularly that section dealing with the Balkans, is not yet processed. Inventories are currently available for the following sections:

Burma Tapes, circa 1990-2002

Rwanda Videotapes and Audiotapes, 1992-1999

The International Monitor Institute Records span the dates 1986-2006, and primarily consist of audiovisual materials related to IMI's documentation of contemporary conflicts and human rights violations around the world. Countries represented include: Burma (Myanmar), Bosnia and Hercegovina, Cambodia, Kuwait, Iraq, Rwanda, Sierra Leone, and Thailand. Includes master and use copies of approximately 6000 videocassettes and 100 audio tapes and audiocassettes. The video and audio material is indexed by an extensive database developed by IMI which includes keywords, air dates, segment producer, segment title, and in some cases, transcripts and stills from the video. There are also six boxes of photographs and slides taken in the same regions, depicting destruction in areas of conflict, forced labor, refugees and refugee camps, and protests. The majority of the photographs, almost all color snapshots, were taken on the Burma/Thai border, in Bosnia and Hercegovina, and refugee camps in Rwanda. One set of seven folders are images taken by staff of the Women's Commission for Refugee Women and Children (now known as the Women's Refugee Commission). There are other images that come from United Nations organizations, including the International Refugee Commission. Finally, organizational records from the offices of IMI comprise a significant amount of the materail in this collection, including an extensive database of the audiovisual components and transcripts from war crimes tribunals.

Addition (2007-0070) (approx. 4000 items, 120 linear ft.; dated 1990-2002) contains master and use copies of videocassettes related to human rights violations around the world.

Acquired as part of the Human Rights Archive.

Michael Ruhlman is an American author and alumnus of Duke University. Collection includes photocopies of correspondence from Reynolds Price to Ruhlman, digitized audio of interviews conducted by Ruhlman with Price and others for a magazine profile, and transcripts of the interviews.

Copies of correspondence from Reynolds Price to Ruhlman, digitized audio of interviews conducted by Ruhlman with Price and others for a magazine profile, cassette tapes, and transcripts of the interviews.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. It is headquartered in New York. Audrey Himmelstein Del Grosso was an advertising executive with JWT Direct, a direct marketing subsidiary of JWT. Includes correspondence, VHS videotapes, optical disks, research reports, direct marketing mailers and brochures, and other printed materials. Companies represented include Bear Stearns, Bell Atlantic (now AT&T), Citibank, Ford, Heinz and IBM. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Includes correspondence, VHS videotapes, optical disks, research reports, direct marketing mailers and brochures, and other printed materials. Companies represented include Bear Stearns, Bell Atlantic (now AT&T), Citibank, Ford, Heinz and IBM. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection contains papers written by or collected by Lisa Hazirjian ranging from 1986 to 2001 and undated. Materials are related to the campaign to retire basketball player Georgia Schweitzer’s jersey (circa 2001), activism around issues of homelessness (circa 1986-1990), affordable housing in Durham (1990-1993), and benefits for same-sex partners of graduate students (circa 1997). Materials include papers from the Task Force on Lesbian, Gay and Bisexual Matters and student petitions advocating for benefits for same-sex spousal equivalents (SSSEs).

Advertising executive and media specialist with J. Walter Thompson Company's London Office and JWT Europe. Collection includes correspondence, research reports, articles, presentations and other printed materials. Companies represented include CIA Media, De Beers, Nestle, Ogilvy & Mather, Revlon and Rimmel. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection includes correspondence, research reports, articles, presentations and other printed materials. Companies represented include CIA Media, De Beers, Nestle, Ogilvy & Mather, Revlon and Rimmel. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. Charles J. Balestrino was an executive, primarily in account management, at JWT offices in New York, Detroit, San Francisco and Tokyo. The JWT Charles J. Balestrino Papers span the years 1986-1994 and include correspondence, presentations, photographs, and videocassettes that document the later years of Balestrino's career at JWT's New York Office. Correspondents include Burt Manning, John Furr and Bill Thompson. Clients represented in the collection include Esso/Exxon, Goodyear, IBM, and Northwest Airlines. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The JWT Charles J. Balestrino Papers span the years 1986-1994 and include correspondence, presentations, photographs, and videocassettes that document the later years of Balestrino's career at JWT's New York Office. Correspondents include Burt Manning, John Furr and Bill Thompson. Clients represented in the collection include Esso/Exxon, Goodyear, IBM, and Northwest Airlines.

The University Committee on Family and Child Care Issues was created by President Brodie in 1990. The collection includes minutes, correspondence, reports and printed material ranging in date from 1986-1993.

The collection includes minutes, correspondence, reports and printed material reflecting the work of the Committee and its following teams: Legislative Issues Team, Employee and Students Needs Assessment Team, Community Resources Team, and the Policy Team. Issues addressed by the Committee, as reflected in the records, include child care, quality of worklife, family sensitive policies and management practices, and family sensitive federal and state legislation. Other concerns reflected in the records are elder care as well as compensation and benefits. Included in the records are the working files of Lois Artis, former chairperson of the Committee. The material ranges in date from 1986-1993.

From 1986-1993, the Broadway Preview Series premiered new works for the American theater at Duke. The first Broadway Preview performance staged in the Reynolds Industries Theater (March 10, 1986) was Emanuel Azenberg's Broadway production of Eugene O'Neill's Long Day's Journey Into Night, starring Jack Lemmon and Kevin Spacey. Some of the other productions previewed at Duke are: Broadway Bound and Laughter on the 23rd Floor by Neil Simon; A Month of Sundays with Jason Robards; A Walk in the Woods with Sam Waterston; Metamorphosis with Mikhail Baryshnikov; The Circle with Rex Harrison; Artist Descending a Staircase by Tom Stoppard; and Lucifer's Child with Julie Harris. The work of the Broadway Preview Series is continued today by Theater Previews at Duke. Collection contains programs, clippings, photographs, some autograph notes, and other materials pertaining to productions. Also includes scripts. The material ranges in date from 1986-1993.

Collection contains programs, clippings, photographs, some autograph notes, and other materials pertaining to productions. Also includes scripts. The material ranges in date from 1986-1993.

The Duke University Program in Education provides opportunities for undergraduates to connect their liberal art studies and the academic work of their major with rigorous intellectual examination of the issues confronting schools, children, and communities. This collection contains reports, inromation regarding the Winfred Quinton Holton Prize for educational research, including prize winning papers and other records.

This collection contains reports, information regarding the Winfred Quinton Holton Prize for educational research, including prize winning papers and other records.

Sallie Bingham was the founder and first Executive Director of the Kentucky Foundation for Women and profoundly shaped its goals. The overall purpose of the Foundation is to support feminist women in the arts. The collection includes materials about grassroots feminist activism, philanthropy, not-for-profit organizations and artistic patronage, feminist art, and women's culture. Additionally, the collection includes grant applications and files, files for the publication, The American Voice, and information on the Hopscotch House and Wolf Pen Writers Colony, among other materials.

The Kentucky Foundation for Women Records span the dates 1985-2017. The collection provides a rich source of information about grassroots feminist activism, philanthropy, not-for-profit organizations and artistic patronage, feminist art and women's culture. The records of the Foundation include a range of materials, primarily a large number of grant files, including applications and supporting materials of those awarded grants. Also notable are the files for its publication, The American Voice, which include correspondence, copy-edited drafts of poetry and other writings, business records, other publications, miscellaneous ephemera, broadsides, and books of poetry. In addition, there is information on the Hopscotch House and Wolf Pen Writers Colony, miscellaneous correspondence, subject files, annual reports, newsletters, and brochures. The records consist primarily of files, but videocassettes, audiocassettes, and compact disks are also included. The collection is divided into four series: Administrative Files, Project Files, American Voice Files, and Grant Files.

The Administrative Files Series contains Foundation newsletters; administrative correspondence; minutes of Board of Directors meetings; and financial, legal and tax papers. The Project Files Series contains papers on short-term special projects, as well as long-term projects such as the Hopscotch House and the Wolf Pen Women Writers Colony. The American Voice Files Series contains information regarding the publication of the feminist literary journal The American Voice. The series contains correspondence between the editors ( Frederick Smock and Sallie Bingham) and contributors; copy-edited drafts of poetry, prose, and non-fiction essays; business records; broadsides; chapbooks (i.e. hand-bound books); miscellaneous publications; and a partially complete run of the journal. Some of the better-known authors to be published in The American Voice include: Paula Gunn Allen, Isabel Allende, Wendell Berry, Jorge Louis Borges, Kay Boyle, Jo Carson, Andrea Dworkin, Elaine Equi, Doris Grumbach, Joy Harjo, Fenton Johnson, Robin Morgan, Marge Piercy, Reynolds Price, Joyce Carol Oates, and Anne Firor Scott.

Finally, the largest series, the Grant Files Series, contains documentation on the evolution of the Foundation's grant program over the years, as well as files on those projects that received grant monies from the Foundation from 1986 to 1993. The Foundation awarded grants to both men and women, though women are in the majority. The grants supported the work of visual artists, writers, scholars, musicians, composers, documentary and fiction filmmakers, playwrights, painters, sculptors, puppeteers, quilters and other fabric artists, political activists, advocates for physically handicapped women, and those concerned with women and religion and women's employment issues. A unique concern of the grant givers was supporting the exploration and improvement of the situation of women in Appalachia, encouraging women to explore and study the wilderness, and defining and encouraging the emerging field of Ecofeminism.

The addition (Accession 2001-0012) (2208 items, 3.8 lin. ft.; dated 1986-1999) continues to document the process of publishing The American Voice. Materials include correspondence, board minutes, grant applications and evaluations, financial statements, video (3) and audio (4) cassettes and one audio compact disc, and information files for volumes 32-49. Also included are writings by Sallie Bingham. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The addition (Accession 2007-0126) (5 lin. ft.) consists primarily of files documenting the organization's grant program, and also includes project files, files related to the feminist literary journal The American Voice, publications, and files from Hopscotch House.

Rick Lang was a photographer and faculty member at the Creadlé School of Art, Winter Park, Florida. Collection comprises 229 black-and-white photographs documenting the American South, particularly Florida and Louisiana, with an emphasis on roadside advertising and signs, small businesses, and weathered buildings. There are also a few images from New Mexico and Arizona. Print sizes range from 11x14 to 20x24 inches. Accompanying the prints are 104 digital image files and one pdf, over 3000 negatives, and 258 contact sheets. In addition there are print materials chiefly associated with Lang's solo and group exhibits, including three photobooks, and condolences sent upon his passing in 2013. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection comprises 229 large-format black-and-white photographs by Rick Lang, taken from 1990 to 2013, documenting the communities and landscapes in Florida and other states of the American South, particularly Lousiana, with an emphasis on roadside advertising and signs, weathered buildings, and small businesses. There are also a few images from New Mexico and Arizona. Also includes 104 digital image files selected by the photographer, and one .pdf inventory.

Prints were created by Lang using gelatin silver or pigmented inkjet processes. Print sizes include 11x14, 13x19, 16x20, and 20x24 inches.

Accompanying the prints is a set of over 3000 negatives and 258 contact sheets, offering many additional images that are not present in the large-format prints series. Film negatives are closed to use; for more information on access, contact the Rubenstein Library.

The collection is completed by a small amount of printed materials chiefly associated with Lang's solo and group exhibits. Includes three photobooks and condolences sent upon his passing in 2013.

Lesbian feminist choral group established in the Durham-Raleigh-Chapel Hill area (N.C.) in 1983. The Common Woman Chorus records contain material dating from 1985 to 2010. The records primarily comprise sheet music, concert programs, publicity, correspondence, and administrative records. Although the records contain mostly print material, they also include some color photographs, audiocassettes, videos, electronic word documents, t-shirts, and sweatshirts. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The Common Woman Chorus records contain material dating from 1985 to 2015 relating to the group's musical and fund-raising activities. The records primarily comprise sheet music, concert programs, publicity, correspondence, and administrative records. Although the records contain mostly print material, a few color photographs, audiocassettes, videos, electronic word documents, t-shirts, and sweathirts are also included. Use copies of original audiovisual recordings will need to be created before items can be accessed by researchers. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. Essington was an executive with JWT's Detroit Office.

Collection spans 1985-2015 and includes correspondence, research and planning reports and photographs that primarily document Essington's career as a specialist in marketing and advertising planning on the Ford account for JWT's Detroit office. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Paul D. Carrington was Dean of the Law School at Duke University and is Professor Emeritus. The collection contains materials primarily from Paul Carrington's time as Professor Emeritus at the Duke Law School and include correspondence and research materials on his writings on legal and judicial reform.

The collection contains materials primarily from Paul Carrington's time as Professor Emeritus at the Duke Law School. Included is correspondence on a number of legal issues, research materials, teaching and class materials, newsclippings, and other materials. Topics covered include judicial independence, judicial and legal refrom, legal education, Paul Carrington's writings, and other subjects.

Rockett, Burkhead & Winslow (RBW) was a Raleigh-based advertising agency that operated from 1985-2009. Accession (2009-0133) includes CDs, videotapes, DVDs, samples of print advertisements, awards, and USB drives with documents from RBW. Clients include Glaxo, Cort, Dollar Tree, Volvo, and Reed's.

The collection was acquired as Rockett, Burkhead & Winslow (RBW) was closing in Spring of 2009. It consists of posterboards with sample advertisements; videotapes and DVDs of commercials; CDs with advertisements and other client-related materials; USB flash drives with RBW documents (these have been copied to Duke's Electronic Records server); and awards and trophies from various organizations for excellence in advertising.

Claire Keyes was the executive director of the Allegheny Reproductive Health Center in Pittsburgh, Pennsylvania. The collection includes Allegheny Reproductive Health Center clinic files; National Coalition of Abortion Providers materials; National Abortion Federation meeting materials; NARAL guidelines and publications; newspaper articles; clinic insurance information; anti-abortion lawsuits, correspondence, threats, and arrests; spirituality counseling and other initiatives; one DVD and one VHS on abortion; and miscellaneous administrative information about the clinic. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The collection includes: Allegheny Reproductive Health Center clinic files; National Coalition of Abortion Providers materials; National Abortion Federation meeting materials; NARAL guidelines and publications; newspaper articles; clinic insurance information; anti-abortion lawsuits, correspondence, threats, and arrests; spirituality counseling and other initiatives; and miscellaneous administrative information about the clinic. ALso included are a DVD on abortion and religion, and a VHS cassette "Abortion in Translation" listing several languages.

Collection is in original order in folders labeled by the donor.

August Wilson (born Frederick August Kittel Jr. on April 27, 1945) was a Black American playwright whose work examines the experiences of Black people in the United States. He is best known for a series of ten plays, collectively called The Pittsburgh Cycle, which chronicle the experiences and heritage of the Black community in the United States during the 20th century. The August Wilson Theater collection includes playbills from performances of Wilson's work, as well as programs and ephemera related to the Signature Theatre Company's "August Wilson Series" of productions. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Collection includes playbills for performances of Wilson's plays, as well as ticket stubs from some performances. Also included is a 2003 photograph of Wilson and programs related to the Signature Theatre Company's "August Wilson Series" of productions from 2006 to 2007.

Approximately 2000 individual zines and nearly 800 titles, most self-published by women and girls 1985-2000. Most were produced in the United States, a few come from Canada and other countries. In-house database with subject access available. Subjects include feminism, riot grrrl, body image and consciousness, sexual abuse, music, mental illness, film, poetry, rock and punk music, comics, violence against women, sexual identity, homosexuality and bisexuality, and erotica. The collection includes four audiocassette tapes and one VHS tape. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Addition #1 (2002-0319) contains approximately 150 titles.

Addition #2 (2006-0068) contains approximately 150 titles and are separated into two groups: those authored by women and those authored by men.

Addition #3 (2008-0030) contains approximately 175 titles and one VHS tape.

Mark Danner is a writer, journalist, and professor at the University of California at Berkeley. His work covers politics and foreign affairs, with a focus on war and conflict. The Mark Danner Papers date from 1970 to 2004 and focus predominately on Danner's coverage of Haiti during the period of unrest that followed President Jean-Claude ("Baby Doc") Duvalier's exile in 1986. Additional materials document Danner's interest in the Balkan Wars during the 1990's and preliminary research on the El Mozote massacre in El Salvador. These materials include research notes, travel information, newspaper clippings, and VHS tapes.

The Mark Danner Papers document Danner's career as a prominent writer and journalist. Materials in the collection date from 1970 to 2004, and primarily document Danner's work on Haiti during the years following Jean-Claude Duvalier's exile in 1986 and the rise of Jean-Bertrand Aristide in the 1990's. The notes, correspondence, travel information, and newspaper clippings constitute part of Danner's research during his work for The New Yorker, The New York Times Magazine, and the New York Review of Books.

The Newspaper Clippings series contains newspaper clippings from various newspapers and newsletters concerning the turmoil in Haiti.

The Government Documents series includes documentation of U.S. government institutions' views and actions towards Haiti, as well as documents from the Haitian government, including a copy of the 1987 constitution.

The T.V. and Radio Transcripts series comprises interviews conducted with various U.S. and Haitian officials and citizens for media outlets such as ABC News.

The Printed Materials series contains a variety of documents from human rights organizations such as Amnesty International and news organizations such as the Foreign Broadcast International Service cables, in addition to flyers and other materials from Haiti. A selection of Danner's own articles on Haiti are also included.

The Research Materials series comprises materials Danner collected on Haiti (notably, records of the U.S. District Court Front Pour l'Avancement et le Progres Haitien -FRAPH court case) as well as documents for other subjects, such as the Balkans, El Mozote, and the World Bank.

The Personal series includes documentation of Danner's travels along with notes and correspondence.

The Tapes series contains VHS tapes which Danner collected as part of his research on Haiti.

The collection also includes two 3.5" floppy disks with files created by Danner. These have been migrated to the Electronic Records server for preservation and are available by contacting Research Services in advance.

Recordings of sermons and associated papers, dating from the 1980s to the 2000s, documenting the career of Reverend Dr. J. Alfred Smith, pastor of Allen Temple Baptist Church in Oakland, California.

The J. Alfred Smith papers consist primarily of audio recordings of approximately 380 sermons -- and associated materials -- delivered by Reverend Dr. J. Alfred Smith of Allen Temple Baptist Church in Oakland, California, between 1985 and 2001.

Collection of photocopies of thousands of daily columns on advertising and closely related subjects appearing in major newspapers, primarily the Chicago Sun-Times, the Chicago Tribune, and the New York Times. The most frequently represented authors are: George Lazarus ( Tribune, 1985-1999), Nancy Millman ( Sun-Times, until 1992), and Philip H. Dougherty ( NYT, died 1988 September), as well as Randall Rothenberg, Kim Foltz, and Stuart Elliott, who succeeded Dougherty at the Times. Various guest columnists also wrote occasionally for the NYT. For the time period covered, the files appear to contain most or all of the columns that were published in the three papers. The collection also includes several folders of articles and columns from the Wall Street Journal and other business publications, especially concerning management turmoil and succession at J. Walter Thompson Company in 1987. Acquired as part of the John W. Hartman Center for Sales, Advertising, and Marketing History.

The Committee on Facilities and Environment is advisory to the President and the senior officers on "all relevant issues relating to the campus or areas contiguous to campus." Collection contains minutes, memoranda, correspondence, reports, architectural and technical drawings, plot plans, studies, Polaroid photographs, and other records relating to the activities of the Committee of Facilities and Environment. Materials range in date from 1985-1997.

Collection contains minutes, memoranda, correspondence, reports, architectural and technical drawings, plot plans, studies, Polaroid photographs, and other records relating to the activities of the Committee of Facilities and Environment. Subjects present include campus planning, Duke Forest development, the radioactive waste site, residential quad benches, parking lots, technology center (LSRC) development, building renovations, the distribution of literature on campus, signage, and a wide variety of other matters concerning the campus and adjacent areas. Materials range in date from 1985-1997.

Consumer Reports is a product testing and consumer advocacy nonprofit organization based in Yonkers, N.Y., founded in 1936. Eileen Nic was a consultant to Consumer Reports on health and environmental issues and an advocate for hazardous chemical and pesticide control. The Consumer Reports Eileen Nic papers include Correspondence, project proposals, research reports and other printed materials that relate to air pollution, chemical accidents, environmental policy, hazardous materials and pesticide use and regulation. Organizations and individuals represented in the collection include Ciba-Geigy, Esther Peterson, International Organization of Consumers' Unions (IOCU, later Consumers International) and Union Carbide (relating to the Bhopal chemical accident). Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Consumer Reports Eileen Nic papers include Correspondence, project proposals, research reports and other printed materials that relate to air pollution, chemical accidents, environmental policy, hazardous materials and pesticide use and regulation. Organizations and individuals represented in the collection include Ciba-Geigy, Esther Peterson, International Organization of Consumers' Unions (IOCU, later Consumers International) and Union Carbide (relating to the Bhopal chemical accident). Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Advertising executive based in New York; partner in several different agencies over time. Collection consists of two case studies, for ESPN and Tommy Hilfiger's Murjani campaign. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection consists of two case studies, for ESPN and Tommy Hilfiger's Murjani campaign. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The University Task Force on Child Care was appointed by President Keith Brodie in 1988 and chaired by Dr. Paula Burger, Vice Provost for Academic Services. It was dissolved in 1990. The collection includes minutes, correspondence, reports, audiocassettes, and printed material documenting the creation and organization of the task force and its study of child care issues at Duke University. It ranges in date from 1985-1990.

The collection includes minutes, correspondence, reports, audiocassettes, and printed material documenting the creation and organization of the task force and its study of child care issues at Duke University. Reflected in the records are the task force's consideration of various child care alternatives, the gathering of data and opinions from the University community, cost analyses, and its recommendations to the officers of the University. The establishment of the Children's Campus, Duke University's child care facility is documented in the records.

The Residential College Task Force was created by President H. Keith H. Brodie in 1985 for the purpose of looking at the establishment of a new living option. The collection contains minutes and other task force records, including correspondence, memoranda, financial records, brochures, application forms, floor plans, and other materials.

The collection includes minutes and other records of the task force, including correspondence, memoranda, financial records, brochures and application forms, photographs, students' applications for membership in the Bassett-Brown College, floor plans, a draft and copies of "Duke's College Try", a memoir by professor Donald Fluke, memoranda concerning the faculty-in-residence program, information regarding the "Duke's Vision" pamphlet controversy of 1989, and other records. Topics covered include the Residential College Task Force, student housing, Round Table Dormitory, and Professor Donald J. Fluke.

Fred Chappell is an author and a poet, and is a retired English professor from the University of North Carolina at Greensboro. Dabney Stuart is also an author and poet, and is a retired English professor at Washington and Lee University in Lexington, Virginia. Accession (2009-0211) (150 items; 0.6 lin. ft.; dated 1984-2009) consists of Fred Chappell's letters to Dabney Stuart, covering a wide range of topics from personal stories and updates on families to his musings on literature and poetry in general. Chappell frequently offers feedback on Stuart's latest writings, as well as seeks input from Stuart on his own work. Occassional drafts are included for Stuart to read.

Accession (2009-0211) consists of Fred Chappell's letters to Dabney Stuart between 1984 and 2009. Most are handwritten by Chappell, and discuss both men's latest writings and activities, including family trips and academic conferences. Chappell frequently offers opinions on books that he has reviewed, as well as musings on literature in general. He often mentions Shenandoah, Stuart's literary journal from Washington and Lee University, and discusses his latest contributions. Chappell also provides feedback on Stuart's poetry, including works such as Light Years, "Gospel Singer," Narcissus Dreaming, Don't Look Back, Long Gone, Sweet Lucy Wine, and Plain Talk.

Alpha Epsilon Phi is a social sorority for undergraduate women. The Duke University chapter was established in 1934 and disbanded in the mid-1960s. The sorority was revived at Duke in 1977, with the establishment of the Alpha Epsilon chapter; it disbanded in 2004. Records include manuals, composite photographs, roll book, standards, project files, and other materials created and collected by the Alpha Epsilon Chapter of Duke University. English.

Records include manuals, composite photographs, roll book, standards, project files, and other materials created and collected by the Alpha Epsilon Chapter of Duke University.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. It is headquartered in New York. The London Office first opened in 1899. Allen Thomas was an executive who served as Chairman of JWT's London Office as well as JWT Europe. Collection includes correspondence, client files, meeting minutes, research reports, presentations and other printed materials. Companies represented include De Beers, Nestle and Unilever. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection includes correspondence, client files, meeting minutes, research reports, presentations and other printed materials. Companies represented include De Beers, Nestle and Unilever. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection comprises five 4x5 inch matted black-and-white palladium contact prints, featuring abandoned or run-down manmade structures in the natural landscape. Locations include the Southwest (Texas, New Mexico, and Arizona) and the Olympic Pensinsula. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection comprises correspondence Will Inman sent to Steven Finch, an American poet and translator living in Switzerland, from 1984-1989. Letter topics include venues for poetry publication, Inman's reaction to poems Finch mailed, homosexuality and poetry, politics, poetry readings, American poets, recommended reading, retirement, gay fads and postures, and biographical details. Typescript copies of Inman's poems, writings on poetry, and short stories usually accompanied the letters.

Eula Wake was a 1929 graduate of the Woman's College of Duke University. Collection contains photographic prints taken at Class of 1929 reunions in 1984, 1986-87, and 1989.

Collection contains photographs of various members of the Class of 1929 at various reunions in 1984, 1986-87, and 1989. Individuals are identified on the back of most photographs. Notable individuals include Duke University President Terry Sanford.