Poet and book store owner in Charleston, SC. Collection predominantly contains World War II-era correspondence between lovers/partners John Zeigler and Edwin Peacock and their close friend George Scheirer, along with Zeigler's correspondence with his family. After the war, Zeigler and Peacock co-founded of a bookstore in Charleston, S.C., while Scheirer lived most of his adult life in Washington, DC. Recipients of Zeigler's correspondence and names mentioned in letters throughout the collection include family members of all three men, as well as friends, including Carson McCullers. Other materials include some documentation of Scheirer's work as a bookbinder; selected copies of Zeigler's writing and publications; photographs of all three individuals; and official military documents relating to Zeigler's and Peacock's service during WWII.

The John Ziegler correspondence spans the dates 1927-2013, with the bulk of the material consisting of World War II-era correspondence between lovers/partners John Zeigler and Edwin Peacock and their close friend George Scheirer, although there is also extensive correspondence between Zeigler and his family present. After the war, Zeigler and Peacock co-founded of a bookstore in Charleston, S.C., while Scheirer lived most of his adult life in Washington, DC. Recipients and names mentioned in letters throughout the collection include family members of all three men, as well as friends, including Carson McCullers. Other materials include documentation of Scheirer's work as a bookbinder; selected copies of Zeigler's writings and publications; photographs of all three individuals; and official military documents relating to Zeigler's and Peacock's service during WWII.

The Young Women's Christian Association (YWCA) of Durham was founded in 1920 and served the larger Durham community from the 1920s until the 1970s. The Harriet Tubman branch of the Durham YWCA served the African-American community in particular and, through collaboration with the Central branch, fostered integration in a racically segregated Durham. In the 1970s, the YWCA became the home of the Durham Women's Health Co-op and the Durham Rape Crisis Center, which operated out of the YWCA Women's Center. These organizations were central to reform movements throughout Durham, from women's health and childcare to fair wages and civil rights. The YWCA of Durham records reflect both the administrative history of the YWCA, as well as the programs, projects, social events, and community outreach that formed the backbone of the organization. For example, a series of scrapbooks, put together by Y Teen groups, program participants, and residents of the YWCA's boarding houses captures the strength of the YWCA community. The broader impact of the YWCA is evident in their range of programming, especially the clubs they hosted, from PMS and Single Mothers groups to a "Matrons Club." The YWCA's impact is also reflected in administrative and financial materials that tell the story of the Y's work to serve the people of Durham that needed a safe place to build community for themselves and their families.

The Young Women's Christian Association (YWCA) of Durham was founded in 1920 and served the larger Durham community from the 1920s until the 1970s. The Harriet Tubman branch of the Durham YWCA served the AfricanAmerican community in particular and, through collaboration with the Central branch, fostered integration in a radically segregated Durham. In the 1970s, the YWCA became the home of the Durham Women's Health Co-op and the Durham Rape Crisis Center, which operated out of the YWCA Women's Center. These organizations were central to reform movements throughout Durham, from women's health and childcare to fair wages and civil rights. The YWCA of Durham records reflect both the administrative history of the YWCA, as well as the programs, projects, social events, and community outreach that formed the backbone of the organization. For example, a series of scrapbooks, put together by Y Teen groups, program participants, and residents of the YWCA's boarding houses captures the strength of the YWCA community. The broader impact of the YWCA is evident in their range of programming, especially the clubs they hosted, from PMS and Single Mothers groups to a "Matrons Club." The YWCA's impact is also reflected in administrative and financial materials that tell the story of the Y's work to serve the people of Durham that needed a safe place to build community for themselves and their families.

Human rights researcher and policy advocate at the Washington Office on Latin America. The Coletta Youngers Papers span the dates 1977-2004, and consist of reports and scholarly research, clippings, correspondence, and government documents related to socio-political conditions and human rights issues in Perú, gathered by Youngers while living in Peru during the 1980s and researching her 2003 book on political violence in Perú.

The Coletta Youngers Papers span the dates 1977-2004, and consist of reports and scholarly research, clippings, correspondence, and government documents related to socio-political conditions and human rights issues in Perú, gathered by Youngers while living in Peru during the 1980s and researching her 2003 book on political violence in Perú. The collection is divided into the Printed Material and the Subject Files Series; there is also a separate listing at the end of this finding aid of printed works transferred to the Duke University Perkins Library general collections. Beyond the research materials in these series, there are currently no additional personal papers of Youngers in the collection. The Printed Material Series contains published reports on human rights circulated by a wide variety of organizations working inside and outside Perú. Most of the Perú-based human rights organizations are connected with the Coordinadora de Derechos Humanos (CNDDHH), an umbrella human rights organization based in Lima. Youngers' research files on human rights issues and a subseries of Peruvian and Latin American serial publications complete the Printed Material Series. The Subject Files Series contains files and informal reports of the CNDDHH and associated human rights organizations, most notably the Asociación Pro Derechos Humanos (APRODEH), El Centro de Asesoría Laboral del Perú (CEDAL), and the Instituto Defensa Legal (IDL). Further documentation of human rights abuses by government and rebel factions, drug policy files, papers related to former Peruvian president Alberto Fujimori's security advisor Vladimiro Montesinos, and the Maoist guerrilla group Sendero Luminoso complete the collection. Material in this collection documents the complex links between Peruvian government policy and international pressure, and the violent tactics employed by revolutionary groups as well as agents of the Peruvian government. Further, it chronicles the consequences of those actions, especially for rural and indigenous populations and local human rights advocates. The collection also contains numerous U.S. government documents obtained through the Freedom of Information Act which give insight into U.S. diplomacy, military and drug policy. Substantial portions of the collection are in Spanish. Aquired as part of the Human Rights Archive.

John G. Younger graduated from Stanford University in 1967 with a B. A. in History with Honors. At the University of Cincinnati, he earned an M. A. in Classics in 1969 and a Ph.D. in Classics in 1973. From 1973-1974, Dr. Younger taught at the Campion School in Athens Greece. From 1974-2002, he taught at Duke University, first as Assistant Professor of Classical Studies, then as Associate Professor and then Professor of Classical Archaeology. In 2002, Dr. Younger left Duke to teach at the University of Kansas as Professor in Classics and Humanities and Western Civilization. The collection contains records and papers concerning the FOCUS program, archaeology courses, gay activism and campus diversity issues. The materials include minutes and reports of the president's and other committees, correspondence, email, printed matter, financial records, photographs and drawings, archaeological reports and student course and term papers. The material ranges in date from 1976-2001.

The collection contains records and papers concerning the FOCUS program, archaeology courses, gay activism and campus diversity issues. The materials include minutes and reports of the president's and other committees, correspondence, email, printed matter, financial records, photographs and drawings, archaeological reports and student course and term papers. Major subjects include the University's diversity awareness program, benefits for same-sex spousal equivalents, and gay life on campus, the administration of the FOCUS program, and the history and archaeology of East and West campuses and Duke Forest. Some student papers are graded and the files include other student-identifiable records. Also includes scripts of plays written by Duke alum Kevin Patterson and other writers. Patterson was a member of Duke Players and died of AIDS in New York. One of his plays, Allen Turing: The Most Secret War, was produced on Broadway. The collection includes an early draft of this piece. The material ranges in date from 1976-2001.

Collection consists of 8mm and 16mm films, videocassettes, compact discs, and audiocassettes, deriving from artist David X. Young's work in New York City, Cape Cod, and Haiti. His New York work includes films of W. Eugene Smith working in his loft studio in 1971, as well as experimental films dating from the 1950s to the 1980s. Homemade audiocassette mix tapes document Young's interest in jazz as well as his piano playing. Videocassettes consist of reference copies of several films and television programs on W. Eugene Smith. This collection is part of the Archive of Documentary Arts. Original recordings are closed to research access pending reformatting.

The David X. Young Films, 1955-2007, includes film reels, videocassettes, and audiocassettes produced primarily by artist David X. Young between 1955 and 1996, in New York City, Cape Cod, and Haiti. Although transferred to the Archive of Documentary Arts at the Rubenstein Library in 2012, the collection was originally acquired from Young’s estate by the Center for Documentary Studies, for use by Sam Stephenson in his research on W. Eugene Smith for the book The Jazz Loft Project (2010). As a consequence, nearly half the collection is comprised of materials relating to Young’s involvement in the production of "Let Truth Be The Prejudice," a half-hour documentary on Smith produced by CBS in 1971, as part of its Lamp Unto My Feet series. These materials include a composite print of the final 28-minute program, un-synced picture and soundtrack reels not used in the final program, and videocassette and disc copies of the reels created by the Center for Documentary Studies in 2007.

The balance of the collection consists primarily of elements related to film projects created by Young between 1955 and 1986, including Klaximo, Seven Haitian Moods, Duck Season. Many of the elements in the collection, representing these and other projects, were spooled--put together on one reel--to facilitate video transfer previous to the films being acquired by the Center for Documentary Studies.

In addition to these films, the collection contains nine audiocassette tapes, including radio broadcasts of music and spoken-word material, as well as one recording of David X. Young playing piano, and four VHS videocassette tapes, from television broadcasts of programs on W. Eugene Smith.

Musician and academic music therapist. Collection includes manuscripts, sound recordings, and photographs from York's music career, with materials from her participation at the 1986 International Music Festival; press kits with photographs and reviews of her music; contracts and agreements from Ladyslipper Inc.; and materials relating to her album Transformations, released in 1985. Also includes materials documenting academic career including research, teaching, publishing, and grant administration.

Collection includes manuscripts, sound recordings, and photographs from York's music career, with materials from her participation at the 1986 International Music Festival; press kits with photographs and reviews of her music; contracts and agreements from Ladyslipper Inc.; and materials relating to her album Transformations, released in 1985.

Accession 2018-0113 consists of materials documenting York's academic career as a music therapist, including her M.A. thesis, university evaluations and a tenure portfolio, teaching materials, research materials, conference materials, presentations, correspondence, workshop materials, a performance piece called Finding Voice, grant materials, and music therapy workshop materials.

York also co-edited a number of issues of the lesbian feminist quarterly Sinister Wisdom, which are included in the collection, as are production materials, drafts, and correspondence related to those issues. Also included are issues of the women's periodicals Hotwire and Paid My Dues.

Anzia Yezierska (1880-1970) was a Polish-American author. Collection consists of materials collected by Lisa Unger Baskin about the publication of "Anzia Yezierska: A Writer's Life," a biography by Yezierska's daughter, Louise Levitas Henriksen, published in 1988. Materials include drafts of a New York Times book review by Helen Yglesias. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Galley proof, unbound book manuscript, dust jacket, and materials regarding the publication of Anzia Yezierska: A Writer's Life, written by Louise Levitas Henriksen and Jo Ann Boydston in 1988. Includes a typescript draft with manuscript corrections of a review of the book by Helen Yglesias, later published in the New York Times.

Helen Yglesias (1915-2008) was an American novelist. Collection comprises photocopies of research material, along with an edited and final manuscript related to Yglesias' book, ISABEL BISHOP.

Collection comprises photocopies of research material, along with an edited and final manuscript related to Yglesias' book, ISABEL BISHOP, published by Rizzoli, 1989, New York.

Advertising copy writer and artist who managed his own agency, Jean W. Yeager, Inc. based in Dallas, Tex. Later taught at several Waldorf Method institutions; director of the Anthroposophical Society in America. Collection spans the years 1959-2012 and includes correspondence, direct marketing printed materials, print advertisements and recordings of radio and television broadcast commercials and public service messages that document Yeager's career producing advertising primarily for companies based in Texas. Examples of Yeager's original art are also included. Formats include audio- and videocassettes, audio reels and 16mm films. Companies represented include 7-Eleven, Coca-Cola, Frito-Lay, Radio Shack, Republic Health Corporation, Schenley, Southland Corporation, and Sterling Optical. The collection also touches on Yeager's involvement with the Anthroposophical Society and related enterprises, including Waldorf Method schools such as the Kimberton Waldorf School in Detroit. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection spans the years 1959-2012 and includes correspondence, direct marketing printed materials, print advertisements and recordings of radio and television broadcast commercials and public service messages that document Yeager's career producing advertising primarily for companies based in Texas. Examples of Yeager's original art are also included. Formats include audio- and videocassettes, audio reels and 16mm films. Companies represented include 7-Eleven, Coca-Cola, Frito-Lay, Radio Shack, Republic Health Corporation, Schenley, Southland Corporation, and Sterling Optical. The collection also touches on Yeager's involvement with the Anthroposophical Society and related enterprises, including Waldorf Method schools such as the Kimberton Waldorf School in Detroit.

WXDU, as a member of the Duke University Union, exists to inform, educate, and entertain both the students of Duke University and the surrounding community of Durham through quality progressive alternative radio programming. WXDU was founded in 1983 when former station WDUK-1600AM switched to a FM signal. Collection contains public records files, including correspondence and other materials related to FCC matters, program guides, clippings, a DJ handbook, and other materials. Materials range in date from 1977-2001.

Collection contains materials pertaining to FCC matters including correspondence, playlists, Music Forums notebooks containing comments by DJs and staff on station happenings, DJ manuals, event flyers and publicity, employment reports, insurance policies, license applications and renewal, public service announcements, program guides, board member and staff lists, clippings, and other materials concerning the operation of the station.

Lester Wunderman is an advertising executive primarily in the direct marketing industry, founder of an agency in his name now a subsidiary of Young & Rubicam, and a noted collector of Dogon (Mali) art works. The Lester Wunderman Papers span the years 1946-2010 and include writings, speeches, correspondence, reports, photographs, audiocassettes, videocassettes, 16mm films, and other materials relating to Wunderman's career in direct marketing and direct-mail advertising, his work on Boards of Directors and Trustees, and as a consultant. Included are drafts, proofs and correspondence relating to Wunderman's 1996 book Being Direct: Making Advertising Pay. Advertising agencies represented in the collection include Caspar Pinsker, Maxwell Sackheim, Wunderman Cato Johnson, Wunderman Ricotta & Kline and Young & Rubicam. Also included are correspondence, photographs, negatives and other materials relating to Wunderman's collection of Dogon (Mali) art works, carvings and sculptures, and their use in museum exhibits, catalogs and books on African art. Firms and institutions represented in the collection include American Express, Children's Television Workshop (Sesame Street, Electric Company), Columbia House record club, Ford (including Lincoln-Mercury and Merkur), IBM, Jackson & Perkins mail order nursery, Mitchell Madison Group, Metropolitan Museum of Art (New York, N.Y.), National Observer Correspondence Schools (Famous Artists School, Famous Writers School) and Time, Inc. magazines. Languages present include Spanish, French, Danish, German and Japanese, and have not been translated into English. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Lester Wunderman Papers span the years 1946-2010 and include writings, speeches, correspondence, reports, photographs, audiocassettes, videocassettes, 16mm films, and other materials relating to Wunderman's career in direct marketing and direct-mail advertising, his work on Boards of Directors and Trustees, and as a consultant. Included are drafts, proofs and correspondence relating to Wunderman's 1996 book Being Direct: Making Advertising Pay. Advertising agencies represented in the collection include Caspar Pinsker, Maxwell Sackheim, Wunderman Cato Johnson, Wunderman Ricotta & Kline and Young & Rubicam. Also included are correspondence, photographs, negatives and other materials relating to Wunderman's collection of Dogon (Mali) art works, carvings and sculptures, and their use in museum exhibits, catalogs and books on African art. Firms and institutions represented in the collection include American Express, Children's Television Workshop (Sesame Street, Electric Company), Columbia House record club, Ford (including Lincoln-Mercury and Merkur), IBM, Jackson & Perkins mail order nursery, Mitchell Madison Group, Metropolitan Museum of Art (New York, N.Y.), National Observer Correspondence Schools (Famous Artists School, Famous Writers School) and Time, Inc. magazines. Languages present include Spanish, French, Danish, German and Japanese, and have not been translated into English.

Wunderman is a direct marketing and behavior-oriented marketing communications firm founded in 1958 as Wunderman Ricotta & Kline. It is currently a subsidiary of the Young & Rubicam agency. The Wunderman Archives span the years 1946-2010 and comprise the administrative records of direct-mail and direct marketing agency Wunderman and its predecessor entities Wunderman Ricotta & Kline, Wunderman Worldwide, Wunderman Cato Johnson, and Impiric, as well as its subsidiary offices in the U.S. and abroad, associated firms such as Stone & Adler and Chapman Direct, and its relations with parent company Young & Rubicam. It includes general office files, policy and procedure manuals, training materials, awards, account files, new business records, professional papers of founder Lester Wunderman and other key executives, samples of client campaigns, photographs, slides and audio cassettes and videocassettes. Clients include American Express, Apple, Army/ROTC, AT&T, Britannica Press, CBS, CIT Financial, Citibank, Columbia House, Ford, Gevalia Kaffe (Kraft), the Grolier Society, IBM, Jackson & Perkins, Johnson & Johnson, Lincoln-Mercury, Manufacturers Hanover Trust, Microsoft, Miller beer, National Rifle Association, New York Telephone/NYNEX, Time (Fortune, Money and Sports Illustrated magazines), Time-Life Books, United States Postal Service (USPS), and Xerox. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Wunderman Archives span the years 1946-2010 and comprise the administrative records of direct-mail and direct marketing agency Wunderman and its predecessor entities Wunderman Ricotta & Kline, Wunderman Worldwide, Wunderman Cato Johnson, and Impiric, as well as its subsidiary offices in the U.S. and abroad, associated firms such as Stone & Adler and Chapman Direct, and its relations with parent company Young & Rubicam. It includes general office files, policy and procedure manuals, training materials, awards, account files, new business records, professional papers of founder Lester Wunderman and other key executives, samples of client campaigns, photographs, slides and audio cassettes and videocassettes. Clients include American Express, Apple, Army/ROTC, AT&T, Britannica Press, CBS, CIT Financial, Citibank, Columbia House, Ford, Gevalia Kaffe (Kraft), the Grolier Society, IBM, Jackson & Perkins, Johnson & Johnson, Lincoln-Mercury, Manufacturers Hanover Trust, Microsoft, Miller beer, National Rifle Association, New York Telephone/NYNEX, Time (Fortune, Money and Sports Illustrated magazines), Time-Life Books, United States Postal Service (USPS), and Xerox.

Stuart Wright (1948-), an author, bibliographer, and publisher, attended Roxboro (N.C.) High School and Wake Forest University, where he received B.A. degrees in German and Music. He received his master's degree in Southern Studies in 1973 and a second master's degree in U.S. History in 1980, both from Wake Forest University. In the late 1970s and through much of the 1980s, Wright served as Lecturer in Education at Wake Forest. The collection consists of materials related to the Virginia writer George Garrett (1929-2008) assembled by author, bibliographer, and publisher Stuart Wright. Wright published George Garrett : a bibliography, 1947-1988 / edited by Stuart Wright. Huntsville, TX: Texas Review Press, Sam Houston State University, 1989.

A Collection of materials related to the Virginia writer George Garrett (1929-2008) assembled by author, bibliographer, and publisher Stuart Wright. Wright later published George Garrett : a bibliography, 1947-1988 / edited by Stuart Wright. Huntsville, TX: Texas Review Press, Sam Houston State University, 1989.

The collection consists chiefly of serials containing writings by Garrett, including poetry, short stories, literary criticism, reviews, editorials, screenplays, dramatic scripts, novels, and a few speeches. Many of the items are inscribed or signed by George Garrett and other authors. There are also manuscripts of Garrett's screenplays and other writings. Many of Garrett's literary criticism pieces concern the writings of William Faulkner.

Other formats include photographs including publicity photos for the movie The young lovers, screenplay by Garrett. Biographical data on Garrett is found in interviews, clippings, and biographical sketches of Garrett's career as a writer and teacher. Other periodicals containing the writings of other writers of interest to Garrett are included in this collection.

Manufacturing firm founded in 1893 in Durham, N.C. that produced machinery for the packaging industry. Collection includes articles, brochures, clippings, correspondence, memorabilia, newsletters, photographs and other materials. Materials touch on business acquisition, company events, employee policies, retirements, staff promotions, stock and other issues. Individuals and companies represented in the collection include ACMA, Emhart, John Thomas Dalton, John L. Moorhead, Rexham, Richard Harvey Wright, Richard Harvey Wright II, and Sperry Rand.

Collection includes articles, brochures, clippings, correspondence, memorabilia, newsletters, photographs and other materials. Materials touch on business acquisition, company events, employee policies, retirements, staff promotions, stock and other issues. Individuals and companies represented in the collection include ACMA, Emhart, John Thomas Dalton, John L. Moorhead, Rexham, Richard Harvey Wright, Richard Harvey Wright II, and Sperry Rand.

Dean Wright played football for the Duke University Blue Devils from 1958 to 1961. During this time, the Duke football team earned two consecutive ACC Championships (1960 and 1961) and won the Cotton Bowl (1961). Dean Wright received many honors as an outstanding player, including the Team MVP Award and invitations to play in the honorary North-South Game (1961) and in the All-America Game (1962). The Dean S. Wright Collection consists of clippings, correspondence, awards, memorabilia, photographs, game programs, and a textbook, which document Dean Wright's student life and football career, Head Football Coach Bill Murray, and the Duke University football team from 1958 to 1962. English.

The Dean S. Wright Collection features awards, correspondence, memorabilia, photographs, game programs, and a textbook, but the bulk of the collection is made up of clippings. These clippings consist of newspaper and magazine articles collected by Dean Wright, his family, and friends from a variety of sources. These include local papers, such as the Duke Chronicle, the Durham Morning Herald, the Raleigh News and Observer, and the Charlotte Times, as well as regional and national press, such as the New York Times, the Miami Herald, the Dallas Morning News, and the Buffalo Evening News. These clippings and other materials document Dean Wright's student life and football career, Head Football Coach Bill Murray, and the Duke University football team from 1958 to 1962.

Founded in 1971 as a manufacturer of shopping baskets; converted into a holdling company in 1985 and grew to become one of the largest advertising and communications conglomerates in the world.

Spans 1986-2015 and includes annual reports, financial statements, correspondence, artifacts, newsletters and other publications and printed materials. Includes materials pertaining to the acquisition of the Ogilvy Group (formerly Ogilvy & Mather). Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Advertising and business executive. President of Dictaphone Corporation (1922-1927, 1948-1960), based in New York. President of Associated Advertising Clubs of the World and International Advertising Association (precursor to American Advertising Federation). C.K. Woodbridge papers include correspondence, text and notes for speeches and writings, clippings, scrapbooks, black-and-white photographs, audio belt recordings and other printed materials. Topics addressed include the management, training and compensation of sales personnel; women in the advertising business; corporate management and public relations; internationalization of advertising and marketing and the role of professional organizations; and product development (importation of margarine from the Netherlands to the U.S. and Canada; popularization of dictating equipment in office spaces). Companies and organizations represented include Advertising Club of New York, American Machine and Metals (parent company of Trout Mining), Anton Jurgens Margarine Works (precursor of Unilever), Associated Advertising Clubs of the World, Dictaphone, Incorporated Sales Managers' Association (UK), International Advertising Association (later renamed Advertising Federation of America merged to become the present American Advertising Federation), Kelvinator, League of Advertising Women, Philadelphia Club of Advertising Women, Remington Rand, and Spencer Kellogg & Sons. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

C.K. Woodbridge papers include correspondence, text and notes for speeches and writings, clippings, scrapbooks, black-and-white photographs, audio belt recordings and other printed materials. Topics addressed include the management, training and compensation of sales personnel; women in the advertising business; corporate management and public relations; internationalization of advertising and marketing and the role of professional organizations; and product development (importation of margarine from the Netherlands to the U.S. and Canada; popularization of dictating equipment in office spaces). Companies and organizations represented include Advertising Club of New York, American Machine and Metals (parent company of Trout Mining), Anton Jurgens Margarine Works (precursor of Unilever), Associated Advertising Clubs of the World, Dictaphone, Incorporated Sales Managers' Association (UK), International Advertising Association (later renamed Advertising Federation of America merged to become the present American Advertising Federation), Kelvinator, League of Advertising Women, Philadelphia Club of Advertising Women, Remington Rand, and Spencer Kellogg & Sons. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Womonwrites is an annual conference of lesbian writers. Collection includes anthologies of writings by Womonwriters (conference attendees), conference chronological files, meeting notes, meeting evaluations, and membership lists. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection includes anthologies of writings by Womonwriters (conference attendees), conference chronological files, meeting notes, and membership lists. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

RESTRICTIONS: Membership mailings lists, in Box 3, are CLOSED until 2020.

Women Work! improved women's economic security through job training, education, lobbying policymakers, and partnering with other national organizations. It was originally known as the Displaced Homemakers Network, and operated from 1978 until 2009. Accession (2009-0163) (12,375 items; 16.5 lin. ft.; dated 1979-2009) includes board materials, training guides and reports, program materials, conference files, newsletters and publications, news clippings and photocopies, photographs, slides, electronic files and images, and videos. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Accession (2009-0163) (16.5 lin. ft.; dated 1979-2009) includes board materials, training guides and reports, program materials, conference files, newsletters and publications, news clippings and photocopies, photographs, slides, electronic files and images, and videos. CDs and other electronic data files have been removed and transferred to Duke's ERM server. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Accession (2015-0112) (0.6 lin. ft.; dated 1975-1990) is an addition that includes board materials, training guides and reports, program materials, administrative records, correspondance, and copies of the Network News, the publication for the Displaced Homemakers Network.

The Women's Theological Center, founded in 1981 and active through 2007, was a Boston-based organization that provided feminist theological and ministerial education for women. Collection consists of administrative records documenting the foundation and development of the WTC, as well as board meeting and other committee notes. Also included are grant applications and funding requests, publicity and programming materials (especially related to the Study/Action program), and writings and publications. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection consists of administrative records documenting the foundation and development of the WTC, as well as board meeting and other committee notes from Francine Cardman and Gay Harter. Budgets, membership information, and reports are also in the administrative records. Collection also includes grant applications and funding requests, publicity and programming materials, and writings and publications. The publicity and programming materials document the WTC's activities and include articles, brochures, and event programs, as well as information, readings, and other materials from the Study/Action program. Most of the Study/Action material is from Gay Harter's files. Writings and publications include WTC newsletters, drafts of an unpublished book about the Study/Action program, and other writings by WTC members.

WTC members who appear frequently in the administrative records, particularly meeting minutes, as well as Study/Action materials and WTC newsletters include Donna Bivens, Nancy Richardson, Marian (Meck) Groot, Angelica (Gay) Harter, Francine Cardman, and Joan Martin.

The Women's Refugee Commission was established in 1989 as part of the International Rescue Committee. It advocates for laws, policies, and programs to improve the lives and protect the rights of refugee and internally displaced women, children, and adolescents. Collection includes audiovisual materials (interviews, Voices of Courage luncheons, and footage and photographs from trips to refugee camps); field and research reports; children, education, and youth program materials; foundation files; former board and commission member files; Reproductive Health program materials and reports; Livelihoods program materials and reports; files from executive directors; subject files; board of directors files; and media binders for the Women's Refugee Commission. Countries represented include Cambodia, Afghanistan, Uganda, Sudan, Ethiopia, Kenya, Thailand, Myanmar, Israel, Guatemala, the Democratic Republic of the Congo, Pakistan, Liberia, Kosovo, Iraq, Zambia, Tanzania, the United States, and others. Material predating the founding of the Commission primarily includes photographs from UNHCR and other organizations. Acquired as part of the Human Rights Archive.

The collection is organized into several series, each representing different operations within the Women's Refugee Commission.

The Audiovisual Materials series includes tapes in a variety of formats documenting speaking engagements, luncheons, and interviews with WRC staff; raw footage of trips to refugee camps and field visits with refugees around the world; and recordings of testimony and other projects highlighting the experiences of refugee women and children. This series also includes over 5,000 photographs, slides, and negatives documenting trips to refugee camps and the activities of refugees around the world. Access is RESTRICTED: use copies are required for access.

The Printed Materials and Publications series consists largely of the publications and documentation produced by the Women's Refugee Commission staff about refugee conditions in crisis situations around the world. Trip reports constitute a large portion within the series, covering visits to refugee camps in Africa, Asia, Europe, South America, and United States prisons (where asylum seekers are detained). Also included are public reports and guidelines on issues like domestic and gender-based violence; reproductive health and the Minimum Initial Service Package (MISP); armed conflict and its effects on children; and fuel alternatives and strategies. Drafts of publications, newsletters from the WRC, and a small amount of drawings by refugee children make up the rest of this series.

The Children, Youth, and Education series includes a variety of materials from that WRC program, including additional reports and guidelines. A large component consists of reports, meetings, and other files from the Education in Emergencies initiative.

The Foundations series includes name files for various foundations, trusts, and charities who support the operations of the Women's Refugee Commission. Also included are name files for former board members and commissioners.

Protection Program is a small series with materials from the Women, Peace, and Security (WPS) group and meeting files from the Commission on the Status of Women (CSW).

The Reproductive Health series is a large series with several subseries, all relating to the activities of the Reproductive Health program. One such subseries is the Reproductive Health Response in Conflict (RHRC) Consortium's historical documents, which includes meeting files, conference and event materials, annual reports, and some photographs. Another subseries is United States government-funded projects, covering HIV/AIDS and gender-based violence. Emergency Obstetric Care (EmOC) projects, Thai-Burma border trafficking research, donor files, and subgrantee files make up the remainder of the series. The majority of the Reproductive Health series is restricted.

The Media series consists of newspaper clippings and printouts regarding refugee sitations and the Women's Refugee Commission's coverage in the media.

The Social Protection and Livelihoods series includes program materials and evaluations, with heavy documentation for the Age, Gender and Diversity Mainstreaming (AGDM) Initiative project and its various implementations around the world. Also included in this series are reports and research relating to the Livelihoods program, WRC general information and materials, strategic planning for the group, and board and delegation visits, meetings, and agendas.

The Subject Files series includes topical files primarily related to refugee women and their organizations; issues, such internal displacement, habitat, literacy, and resettlement; the Commission's participation and protection project; and education, especially in emergencies and for girls and adolescents. Other files are related to the Commission's partners in refugee work.

The Executive Director Files series includes materials from Executive Directors Mary Diaz, Carolyn Makinson, and Sarah Costa, such as summary reports and correspondence from all of the WRC programs, UN Security Council Resolutions and other WRC-related initiatives, Board of Director meeting packets, and files for individual board members, commissioners, experts, and fundraisers.

The Board of Directors (BOD) Files series contains primarily board member packets and planning documents for Commission board meetings between 1997-2014. Some board member packets also contain Advocacy Day materials. There are also items related to the Excecutive and Nominating Committee meetings, as well as packets on specialized topics, such as peace initiatives and the Bureau of Public Affairs in the U.S. Department of State. There are a few files related to Board mailings, donors, and potential commissioners.

D.C. Office Files are CLOSED for 20 years (until 2031) unless prior permission is received from the donor. The series includes files on Haiti, Gender, Detention and Asylum, and other programs run through the D.C. office.

The New York Office Files includes material related to the rebranding of the Commission's logo and general design issues, planning anniversary celebrations, launches for reports and book publications, and general files on communications and accountability working groups.

Acronyms frequently used in the collection:

• AGDM: Age Gender Diversity Mainstreaming
• CSW: Commission on the Status of Women
• EmOC: Emergency Obstetric Care
• GBV: Gender-based Violence
• INS: Immigration and Naturalization Service (US)
• IRC: International Rescue Committee
• MISP: Minimum Initial Service Package
• RH: Reproductive Health
• RHC: Reproductive Health in Crises
• RHRC: Reproductive Health Response in Conflict Consortium
• SIPA: School of International and Public Affairs, Columbia University
• UNFPA: United Nations Population Fund
• UNHCR: United Nations High Commissioner for Refugees
• WPS: Women, Peace, and Security
• WRC: Women's Refugee Commission

Branch of an international peace advocacy organization founded in 1915; formerly known as the Chapel Hill Branch (N.C.). Contains meeting agendas and minutes, directories, conference reports, group organizing information, correspondence including some with Senators Jesse Helms,John Edwards and David Price, Peace and Freedom, the magazine of the WILPF, legislative bulletins, clippings, an oral history interview with founding member Charlotte Adams, song lyrics, newsletters, videos, photographs, and other material documenting their efforts. A few of the newsletters document the activities of the Triangle Branch of WILPF. The collection also includes information files on activism for nuclear arms control, nuclear disarmament, and bans on nuclear testing that continue to document WILPF's activities to promote world peace. Also includes correspondence among WILPF members; meeting agendas and minutes for both WILFP and the Orange County North Carolina Peace Coalition; national petitions against nuclear weapons; and issues of Peace and Freedom, and the branch's newsletter. The collection also includes comprises newsletters, clippings, committee minutes, fundraising files, publicity materials for WILPF events and other groups' events, and incoming and outgoing correspondence with politicians and groups similar to the WILPF. Also includes videocassette tapes, photographs, and scrapbooks and a journal compiled by Charlotte Adams and documenting earlier years of the organization (1938-1964). Some of the audiovisual materials have use copies, but others do not; please speak to a reference archivist before use. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Contains meeting agendas and minutes, directories, conference reports, group organizing information, correspondence including some with Senators Jesse Helms,John Edwards and David Price, Peace and Freedom, the magazine of the WILPF, legislative bulletins, clippings, an oral history interview with founding member Charlotte Adams, song lyrics, newsletters, videos, photographs, and other material documenting their efforts. A few of the newsletters document the activities of the Triangle Branch of WILPF. The collection also includes information files on activism for nuclear arms control, nuclear disarmament, and bans on nuclear testing that continue to document WILPF's activities to promote world peace. Also includes correspondence among WILPF members; meeting agendas and minutes for both WILFP and the Orange County North Carolina Peace Coalition; national petitions against nuclear weapons; and issues of Peace and Freedom, and the branch's newsletter. The collection also includes comprises newsletters, clippings, committee minutes, fundraising files, publicity materials for WILPF events and other groups' events, and incoming and outgoing correspondence with politicians and groups similar to the WILPF. Also includes videocassette tapes, photographs, and scrapbooks and a journal compiled by Charlotte Adams and documenting earlier years of the organization (1938-1964). Some of the audiovisual materials have use copies, but others do not; please speak to a reference archivist before use. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Non-profit, inter-racial organization founded in Durham, N.C. in September 1968; Elna Spaulding was founder and first president. Collection comprises correspondence, by-laws, meeting agendas and minutes, budgets, articles of incorporation, as well as information about the organization's relationship to the Women In Action Foundation of Durham, N.C. Documents the organization's involvement in the Durham community on a variety of issues, including easing racial tensions; smoothing the way for court ordered school integration in 1970; providing for the recreational and cultural needs of disadvantaged youth; and establishing a clearinghouse to offer information and referral services to Durham citizens for a variety of social problems.

The records of Women-In-Action for the Prevention of Violence and Its Causes, Inc. (WIAPVC), an interracial community service non-profit organization based in Durham, North Carolina, span the years 1968 to 1998. Materials document the organization's history beginning with its foundation in 1968, and include correspondence, by-laws, meeting agendas and minutes, budgets, articles of incorporation, clippings, photographs, a scrapbook, awards, and other documentation of its activities and milestones. The records contain information about the organization's various projects and workshops, and its relationship with the Women In Action Foundation of Durham, N.C., Inc. Persons associated with the organization included business, political, and community leaders and activists, among them Ann Atwater, Mrs. William A. Clement, Mrs. James E. Davis, Dr. Juanita Kreps, Mrs. H.M. Michaux, Mrs. Kenneth C. Royall, Margaret Rose Sanford, Mary Duke Biddle Trent Semans, and Mrs. Albert Whiting. There are also letters of support from Senators B. Everett Jordan and Sam Erwin.

The bulk of the early items in the Correspondence Series, dating from 1968 to 1969, reflects the tenacity and persistence on the part of Spaulding, the first president, in seeking money for the organization's activities. She sought funding from national and North Carolina foundations and local businesses. Among the contributors were the Mary Duke Biddle Foundation, the Grant Foundation, and the City of Durham. Money was also raised by dues paid by its members, which became a point of controversy for the organization.

The Administrative Files include agendas and minutes for WIAPVC's general, board, executive, and advisory committees. Agendas and programs for general meetings indicate that the leaders in the organization attempted to maintain a balance between focusing on some aspect of the group itself (such as its by-laws and self-evaluation) and programs of community-wide importance. The advisory committee evolved from the steering committee and was made up of subcommittee chairs.

Folders in the Subcommittees Series generally contain correspondence, reports, and guidelines. Records show that the number of subcommittees waxed and waned depending on the need for them. Subcommittees for which records exist include Civic Improvement, Education, Human Relations, and Police-Community Relations. The subcommittees undertook outreach and programs that were significant to Durham's community.

The organization's outreach activities are also documented in the Conferences, Workshops, and Projects series. Conferences and workshops sponsored by the organization reflect the group's efforts to improve itself, support other organizations, and reach out to provide service to the community. In the same series, WIAPVC projects indicate the wide range of interests and responsibilities which the organization sought to undertake. Among those represented in the files are the Center for School Support; the Clearinghouse, which offered information and referral services to Durham citizens for a variety of concerns; Cornwallis Housing Project, which helped provide recreational needs for youth residing in the project; the Cultural Experience Pilot Project, which allowed for 37 Durham junior high school students from low income families to spend three days in Washington; the Durham Emergency Energy Committee, which helped provide fuel to needy families in the Durham community; and various intern projects, in which students from the Duke Divinity School Field Education Program participated.

The bulk of the processed collection consists of the early records of the WIAPVC. Later years (1980s-1990s) are represented in Accession 1996-0164 and Accession 2008-0104, which include financial activities, projects, administrative files, reports, event planning information, newsletters, and awards ceremonies.

During her career in women's public policy, Leslie R. Wolfe served as both the director of the Women's Educational Equity Act Program (WEEAP), and as the longtime director of the Center for Women Policy Studies. This collection documents her professional life and contains materials generated by her work with WEEAP, her speeches, women's health policy materials focusing on HIV/AIDS and human trafficking, and publications from the Center for Women Policy Studies.

The collection consists of materials documenting Leslie R. Wolfe's career in women's public policy, particularly her work as the director of the Women's Educational Equity Act Program from 1979-1987. These include lobbying materials, publications, speeches, grant administration, and correspondence. The collection also contains materials documenting Wolfe's work on women's health care policy from her time with the Center for Women Policy Studies, with an emphasis on HIV/AIDS and human trafficking. These materials include publications, conference proceedings, research reports, and correspondence.

Eula Wake was a 1929 graduate of the Woman's College of Duke University. Collection contains photographic prints taken at Class of 1929 reunions in 1984, 1986-87, and 1989.

Collection contains photographs of various members of the Class of 1929 at various reunions in 1984, 1986-87, and 1989. Individuals are identified on the back of most photographs. Notable individuals include Duke University President Terry Sanford.

Delouis Wilson is an African American artist, and jewelry designer, and art collector, based in Durham, North Carolina. The papers comprise her journals (1977-2008); calendars; sketchbooks, art school notebooks, and loose pieces of mixed media artwork. The journals, currently closed to use, document in detail her personal life, travels in the U.S. and abroad, including time spent in Tunisia in the Peace Corps, life in Durham, N.C., and employment as a jewelry designer. The collection also includes 30 large photographic studio portraits of African Americans, almost all hand-tinted crayon enlargements, dating from about 1890 to 1945 and collected by Wilson chiefly in the Southern U.S. Acquired as part of the Archive of Documentary Arts, the Bingham Center for Women's History and Culture, and the John Hope Franklin Research Center for African and African American History and Culture at Duke University.

The papers of Delouis Wilson, an artist and jewelry designer based in North Carolina, consist of a set of 27 journals (1977-2008, currently closed); a few calendar notebooks; sketchbooks and notebooks from her time at Atlanta College of Art; and loose pieces of artwork. An important component of Wilson's archive consists of a collection of 30 large photographic portraits of African Americans dating from the late 1880s to about 1940, collected by Wilson chiefly in the American South.

Wilson's journals (closed to use by donor request), calendars, and notebooks document in detail the personal life of the artist, life in Durham, N.C., her travels abroad and in the U.S., including time in Tunisia in the Peace Corps, and her career as a jewelry designer. They include small illustrations contain as well as laid-in items such as letters and postcards; some have handmade covers constructed of textiles and other non-paper materials.

The artwork, sketchbooks, and art notebooks present a mix of drawings, sketches, prints, textile work, and mixed-media color paintings created by Wilson during and shortly after her art school years, all 8x11 inches or less. The notebooks also include art school class notes and handouts, creative writings, and personal notes such as recipes, lists, housing notes, and addresses. There are self-portraits scattered throughout, including a larger piece from 1990 laid into a sketchbook. Also in the collection is one large color photograph of an African American woman by Wilson. The artworks range in size from 4 1/2 x 6 to 16x20 inches.

A central component of the collection are thirty historic studio portraits of individual Black men and women (1890s-1940s), with some of couples and families, collected by Wilson in thrift shops and flea markets throughout the Southern U.S. Most belong to a process called crayon enlargements. The studios developed faint enlargements of the photographic images on convex pieces of thick card stock, then outlined and filled them with ink, crayon, or pastel pigments to resemble a painting. One portrait in the collection is a fully-developed gelatin silver photograph. A few smaller portraits are sized approximately 10x8 to 13x9 inches; the majority are larger, ranging from 19x13 to to 20x16 inches. Most of the prints are hand-tinted with a variety of tecniques, but some are black-and-white, and some are on flat rather than convex mounts.

The Patricia Rowe Willrich Papers, 1948-1996, are comprised of published and unpublished autobiographical writings; essays and lectures on contemporary American authors; correspondence with contemporary American authors; and miscellaneous other papers related to 20th century American literature. The writers featured in the correspondence include Maxine Hong Kingston, Larry McMurtry, John McPhee, Reynolds Price, Wallace Stegner, Peter Taylor, and Anne Tyler. The most extensive correspondence is with Anne Tyler and is arranged in the Anne Tyler Papers Series.

Dr. William J. Williams and his wife, Irene Leslie Sands Williams, a nurse, were Southern Baptist medical missionaries stationed at Ogbomosho Baptist Hospital, Nigeria from 1944 through 1984. The couple also worked in Gaza and Kurdistan, and were active in several Baptist churches in the United States. This collection contains their diaries, photographs, correspondence, and other items documenting their work and family life as Christians, medical personnel, and educators.

The collection consists of personal diaries, correspondence, and photographs largely dating from the couple's service in Nigeria from the 1940s-1980s.

The Diaries series contains diaries from both Bill and Leslie; each reflects their personal style of journaling. The William J. Williams subseries contains small datebooks, usually featuring regular entries about his and Leslie's daily movements or activities. Leslie Williams' subseries contains diaries that vary in length and size; for a period of time in the 1940s and 1950s, she used her diary as a sort of scrapbook, which meant volumes arrived with all kinds of letters, clippings, and ephemera tucked in the pages. Because these presented preservation challenges to the volume, and likely difficulty for use in the reading room, archivists separately foldered the inlaid items but attempted to record where in the volume they originated. Thus researchers looking to reconstruct Leslie's correspondence should also check the Diaries series, which includes letters along with other items that she saved in her diaries.

The Correspondence series arrangement largely reflects how the materials were transferred to Rubenstein. The bulk of the letters are from Leslie to friends and family, including Jereen Rugis (her college roommate), May Bernhart, and other stateside friends and family. There are also pockets of correspondence from Bill to Leslie, both dating from the 1930s while each was in school, and from 1976, during a furlough. Other correspondence is more formal, including administrative letters from the Foreign Missions Board regarding their appointments and salaries.

The Photographs series contains albums, slides, prints, and negatives, some captioned but largely uncaptioned. Images date from the 1940s through the 1980s. The bulk of the iamges are from Nigeria, including photographs of Bill, Leslie, and their children; medical care for patients in Ogbomosho, Eku, and various villages and leper colonies; education of student nurses and church services in Nigeria; and photographs of plants and other Nigeria street scenes. Other photographs document their travels to Gaza, El Salvador, Honduras, Gaza, and Kurdistan, as well as their visits to the United States (including images in Texas, Oklahoma, and Detroit).

The Medical Missionary series contains assorted items from Bill and Leslie's theological and medical education in the United States, as well as materials from their appointment as missionaries in Nigeria. The series contains assorted newsletters and administrative materials from the Baptist Mission and other churches that supported their work; travel documents such as passports and shipping logs; their personal banking and cash accounts from the operation of the hospital; two Bibles used by Bill and Leslie; and other ephemeral materials from their missionary careers.

Kenny Williams was a professor of English at Duke University. Her collection includes memorabilia, correspondence, department memoranda and manuscripts.

Contains greeting cards, brochures, correspondence, departmental memoranda, course materials, committee minutes, and manuscripts of Williams' article "The Masking of the Novelist" and her book In the City of Men: Another Story of Chicago. Also includes documents relating to the President's Council on Black Affairs, the Nixon Library controversy, and the Phi Beta Kappa selection committees. Minutes, private correspondence and reports of the English Department and the University should be restricted. Receipts, recommendation letters, grade disputes and ephemeral correspondence were discarded for processing. Correspondence was removed from envelopes and foldered.

George Williams taught in the English Department at Duke University. His collection includes lecture materials, correspondence, department and University correspondence, memoranda, and conference memorabilia.

Contains personal correspondence, Graduate School and English Department memoranda, campus committee minutes and correspondence, conference programs and organizational materials, materials relating to Duke's program in Continuing Education for College Faculty.

Removed rubber bands for preservation, discarded 7 folders of student grades and employment records.

Wilkins Media Company is an outdoor advertising company based in Atlanta, Georgia. Founded in 1965 as Southern Outdoor Markets, the company changed its name in 1974 to Associates of the Bell Company. In 1987 Bill Wilkins purchased the company, changing the name to Wilkins Outdoor Network. The name changed again in 1999 to Wilkins Media Company. The Wilkins Media Company Records span the years 1967-1998 and include slides, photographs, presentation scripts, audio and video cassettes, brochures, pamphlets and publications related to Wilkins Media Company's activities as well as to the outdoor advertising industry in general. Represented are materials from the Institute of Outdoor Advertising, Outdoor Advertising Association of America, Patrick Media Group, Traffic Audit Bureau, Metromedia Technologies and Naegele Advertising Companies. Companies represented include Dole, Ford, Pacific Gas and Electric (PG&E) and Toyota. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Wilkins Media Company Records span the years 1967-1998 and include slides, photographs, presentation scripts, audio and video cassettes, brochures, pamphlets and publications related to the company's activities as well as to the outdoor advertising industry in general. Represented are materials from the Institute of Outdoor Advertising, Outdoor Advertising Association of America, Patrick Media Group, Traffic Audit Bureau, Metromedia Technologies and Naegele Advertising Companies. Companies represented include Dole, Ford, Pacific Gas and Electric (PG&E) and Toyota.

Dr. Susan Wicklund is a former abortion provider from Wisconsin. The papers chiefly document her professional career, centering on her work in the Midwest, where she operated abortion clinics in Minnesota, Montana, North Dakota, and Wisconsin from the 1990s to 2013. Materials include many items of correspondence from patients, supporters, and opponents; files on national and local abortion rights and women's movement groups; articles and newspaper clippings; conference papers; materials related to anti-abortion groups; legal documents, including court case records; a recording of her 1992 "60 Minutes" television interview, and drafts of her book, This Common Secret: My Journey as an Abortion Doctor (2007). A few clinic documents also exist in the form of leasing records, sample charts, manuals, and anonymized guestbooks. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The Susan Wicklund papers include personal correspondence and professional papers regarding her work as an abortion provider in Minnesota, Montana, North Dakota, and Wisconsin. Materials relate mostly to her work at Mountain Country Women's Clinic in Livingston, Montana in the 1990s, and include newspaper clippings, letters of support, patient reviews, donations, and administrative documents relating to the clinic in the form of sample charts, manuals, and anonymized guestbooks.

Materials relating to Wicklund's 1992 television interview on the "60 Minutes" program include a VHS tape of the interview, clippings, and many letters of support as well as hate mail.

The collection also contains materials related to anti-abortion groups and their harassment of Wicklund; these records also include legal documents referring to a related court case.

Also present in the collection are materials about various women's health organizations, support groups, conferences, and other clinics and centers, including Planned Parenthood, National Women's Organization, and the National Abortion Rights Action League. Drafts of Wicklund's book, This Common Secret: My Journey as an Abortion Doctor (2007) are also in this collection.

Mary Jane Whorton (1927-2018) was a Southern Baptist missionary who served in Nigeria from 1953 to 1990. The collection includes correspondence, photographs, slides, printed materials, videos and audio recordings related to Whorton's missionary work.

The Mary Jane Whorton Papers includes correspondence, photographs, slides, printed materials, videos, and audio recordings related to Whorton's missionary work. Included is a range of correspondence to and from Whorton, some of which pertains to Nigeria and the Republic of Biagra. Also included are photos and slides largely from Nigeria, including photos related to Whorton's years at Newton Memorial School, Oshogbo, Nigeria and slides from the Southern Baptist Foreign Mission Board.

The printed materials deal with all aspects of Whorton's missionary work, including an autobiography of Mary Jane Whorton, her biography for the Foreign Mission Board, her class exercise book and gradebook from her teaching, clippings about her life, convention ribbons and nametags, and her diaries. Also included are meeting minutes, programs, brochures, maps, pamphlets about Nigeria, newspaper clippings related to missionary work in Nigeria, a directory of missionaries, and materials related to the Promised Land, a village whose residents had Hansen's disease, or leprosy. The video recordings in the collection include videos of Mary Jane Whorton accepting a donation of a grinder at Promised Land, and a videorecording for "Mama Whorton" on her birthday. Lastly, the audio recordings include recordings of Yoruba Choral Music and a missionary recording entitled "The Challenge of Africa."

Occupational therapist and medical illustrator active in Utah and North Carolina. The Dorothy Whitlock Papers span the dates 1948-1989 and derive from Whitlock's work as an occupational therapist and medical illustrator. The collection contains visual materials which include image files and loose images of medical illustrations in a variety of media, including but not limited to watercolor, graphite pencil, brushed graphite paint, pen and ink drawings, photographs of etchings, and photographs. The images include but are not limited to portrayals of various medical procedures, conditions, techniques, and tools. The collection also contains papers related to Whitlock's time as an occupational therapist at the Veterans' Administration Hospital in Oteen, North Carolina, and papers related to her interest in and work on tuberculosis. Acquired as part of the History of Medicine Collections at Duke University.

The Dorothy Whitlock Papers span the dates 1948-1989 and derive from Whitlock's work as an occupational therapist and medical illustrator. The collection contains visual materials which include image files and loose images of medical illustrations in a variety of media, including but not limited to watercolor, graphite pencil, brushed graphite paint, pen and ink drawings, photographs of etchings, and photographs. The images include but are not limited to portrayals of various medical procedures, conditions, techniques, and tools. The collection also contains notebooks created during Whitlock's time at the Veterans' Administration Hospital in Oteen, North Carolina, where she practiced as an occupational therapist.

Additional items include professional materials, including professional files and loose professional materials containing undated in-service notes on tuberculosis, notes and papers from the National Tuberculosis Association's conferences in 1948, 1950, 1951, and 1952 in Salt Lake City, Utah, planning materials for an occupational therapy convention in Glenwood Spring, Colorado in 1950, including correspondence and papers, and additional loose notes relating to Whitlock's work.

Acquired as part of the History of Medicine Collections at Duke University.

Robert White is an Appalachian State University professor who studied and taught in China during the 1980s and 1990s. The collection contains pins, posters, objects, textiles, and printed material, largely produced for a Chinese audience, promoting the ideals and persona of Mao Zedong, the establishment of the People's Republic of China, and the Chinese Cultural Revolution (1966-1976).

Collection consists of posters, pins, buttons, flags, printed materials and publications (including Little Red Books), objects and ephemera, most featuring representations of Mao, acquired by White in the 1980s while he participated in academic exchanges with China during his research at Appalachian State University and Duke University. Most of the materials were created and printed in China and intended for the Chinese public. A small number of printed items were intended for an American or global audience, printed in English by the government's Foreign Languages Press. The majority of items were produced during the Cultural Revolution period, and celebrate or promote the ideals and persona of Mao Zedong. Other themes or events idealized in this collection include the creation of political collectives around the country; the establishment of the Red Guard; army service; atomic power; traditional farming; the Down to the Countryside Movement; the Foolish Old Man fable; and other political events and personas within the Chinese Communist Party during the mid-twentieth century. Other noteable references include the Three Red Banners; the Sixteen Points program; the Red Guards' eight mass rallies in Tiananmen Square in Beijing during 1966; Quotations from Chairman Mao Tse-tung (also known as the Little Red Book); and community performances, particularly the 8 Model Plays. Mao is prominently featured on the majority of the posters; another notable figure is Lin Biao. Other figures represented include Mao's wife Jiang Qing, exiled Cambodian king Norodom Sihanouk, as well as pre-Cultural Revolution leaders Liu Shaoqi, Zhou Enlai, and Hua Guofeng.

This collection contains the medical documents of Jane White. It includes her medical record, insurance documents, and other miscellaneous documents.

The medical records of Jane White span the time period of 1952-2013. They detail a number of medical issues, including miscarriages, infertility, and gynecological care. Also included are a number of insurance documents, letters of recommendation for adoption, and miscellaneous medical documents.

Carl and Enid Whirley were Southern Baptist missionaries in Nigeria from 1947 to 1980. The Whirley Family Papers includes material from throughout their lives, beginning with Carl's studies at Howard College, now Samford University, in the 1940s and ending with his and Enid's retirement into the 1990s. Their papers include correspondence, documents and photographs from the Whirleys' time in multiple regions of Nigeria, as well as Carl's sermon notes and teaching materials. Also includes printed materials from their time as missionaries, including Nigerian newspapers and clippings, church bulletins, and other articles, books, serials, pamphlets, and newsletters.

The Whirley Family Papers collection is divided into seven series: Teaching Materials, Speeches and Sermons, Correspondence, Nigerian Mission, Printed Materials, Personal Materials, and Audiovisual Materials. Teaching Materials is divided into four subseries: subject files, specific course materials, Samford University administration, and Carl Whirley's personal coursework and notes. Speeches and Sermons contains three subseries: Carl Whirley's sermon notes, sermons by himself and others, and speeches by himself and others. Correspondence contains contact between Carl and Enid with personal friends as well as American churches and official organizations. Nigerian Mission includes both administrative documents from various Nigerian missionary organizations as well as some uncaptioned photographs. Printed Materials consists of eight subseries: articles, newsletters, newspapers, pamphlets, serials, books, programs, and church bulletins, mostly from their time in Nigeria. Personal Materials largely relates to the lives both before and after their missionary work in Nigeria.

Annabel Jane Wharton is the William B. Hamilton Professor of Art and Art History in Trinity College of Arts and Sciences at Duke University. Her initial area of research was Late Ancient and Byzantine art and culture. The collection contains photographs, notes, and travel ephemera from research trips she took to sites in Greece, Italy, Spain, Turkey, Syria, Jordan and other countries in West Asia. More recent research interests include the effects of modernity on ancient landscapes. Included in the collection are contains diaries kept by Wharton beginning in the late 1960s until 2008.

The Annabel Jane Wharton Papers document the professional life of Annabel Jane Wharton, the William B. Hamilton Professor of Art and Art History in Trinity College of Arts and Sciences at Duke University. Her initial area of research was Late Ancient and Byzantine art, architecture, and culture. Later research interests include modern architecture and new technologies for visualizing historical materials. The collection contains photographs, notes, and travel ephemera from research trips she took to sites in Greece, Italy, Spain, Turkey, Syria, Jordan, and other proximal countries. The Travel Binders series contains research files created by Wharton on international and domestic trips. They are composed of photographs, negatives, handwritten and typed notes, and ephemera from sites visited. The Diaries series contains appointment books kept by Wharton beginning in the late 1960s until 2008. The diaries track Wharton's travels, administrative and professorial duties at Duke, and her personal engagements. Included among the appointments and notes are drawings in Wharton's precise, narrow hand. The Photographs and Negatives series contain black-and-white and color photographs and negatives taken by Wharton. Some of them reflect more research trips, while others are family snapshots. The photographs are arranged by location names provided by Wharton.

The Wesley Works Editorial Project, founded in 1960, is an international and inter denominational consortium of scholars that is producing a complete critical edition of the works of John Wesley, the 18th century Church of England clergyman who was a primary founder of Methodism. The Wesley Works Archive, dating from 1676 to 1996, with the bulk ranging from 1724-1791 and 1960-1996, forms part of the working papers of the Wesley Works Editorial Project (WWEP). The collection consists of that portion of the project's documents gathered by Frank Baker during almost four decades of service as the WWEP's editor and main bibliographer, and consists of the correspondence, writings, research, printed materials, photocopied manuscripts, proofs, and other materials produced by Baker and the many other historians, theologians, and clergy, who have participated in the Project. There is much information not only about the founding and early history of the Methodist and Wesleyan Methodist Churches, but also about the history of religious thought and dissent in 18th century England, the Evangelical Revival, and the history of publishing; materials in the collection also throw light on such topics as scholarly publishing and textual criticism.

The Wesley Works Archive, 1676-1996 and undated, bulk 1724-1791, 1960-1996, forms part of the working papers of the Wesley Works Editorial Project (WWEP). Formed in 1960, this international and inter denominational consortium of scholars is producing a complete critical edition of the works of John Wesley, the 18th century Church of England clergyman who was a primary founder of Methodism. The collection consists of that portion of the Project's documents gathered by Frank Baker during almost four decades of service as the WWEP's General Editor, Textual Editor, and main bibliographer, and consists of the correspondence, writings, research, printed materials, photocopied manuscripts, proofs, and other materials produced by Baker and the many other historians, theologians, and clergy who have participated in the Project. Because John Wesley preached, wrote, and published so widely, the content of the research materials required for a full edition of his writings necessarily contains much information not only about the founding and early history of the Methodist and Wesleyan Methodist Churches, but also much information about the history of religious thought and dissent in 18th century England, the Evangelical Revival, and the history of publishing. Beyond the ostensible purpose of the WWEP, however, the modern correspondence and scholarly debate contained in these papers also throws light on such topics as scholarly publishing and textual criticism.

The collection also sheds light on the history and mechanics of the transmission of texts. That is, while the reproduced printed materials here document the complex publishing and textual history of the thousands of editions of Wesley's writings to appear in his lifetime alone, at the same time the original writings of modern scholars involved in the WWEP document how older texts are researched and recovered from the past, all for the purpose of establishing a present authoritative text to be passed on to the future.

Series in the Wesley Works Archive are arranged to correspond to the unit structure of the thirty-five volume Bicentennial Edition. Described more fully below, the initial sixteen series of the archive and the sixteen units and thirty-five volumes of the Bicentennial Edition are as follows: Sermons (1-4); Explanatory Notes upon the New Testament (5-6); A Collection of Hymns for the Use of the People called Methodists (7); Worship (8); The Methodist Societies (9-10); The Appeals to Men of Reason and Religion and Certain Related Open Letters (11); Doctrinal and Controversial Treatises (12-13); Social/Political Tracts (14); Catechetical/Educational Works (15); Editorial Works (16); Medical Writings (17); Journals and Diaries (18-24); Letters (25-31); Oxford Diaries (32); Bibliography (33-34); and Index and Miscellanea (35). A concluding seventeenth series, General Files, gathers materials about the overall history and organization of the WWEP.

The history of the Wesley Works Editorial Project already extends more than fifty years, from its inception in 1960 to the 2011 publication of The Methodist Societies: The Minutes of Conference. This volume, as the seventeenth to be published, marks the halfway point of the entire Bicentennial Edition, which will comprise thirty-four volumes plus a concluding general index volume. Although the General Files are placed as the final series in order to avoid interrupting the parallel structure of series and volumes, they actually mark the best place to begin an overview of the collection, since their various folder groups document much of the administrative history of the Project. Overviews and details of the Project's inception, history, institutional support, and editorial guidelines are best found in the folder groups for the Board of Directors and the Editorial Board. The history of the actual content, intellectual structure, and presentation of volumes can be found in such groups as grouped under such categories as Editorial Procedures and Bulletins of the WWP. Most of the latter were issued by Frank Baker in the 1970s and contain much detail about the content and style choices that were being made for various volumes. The General Files also contain materials that may relate to more than one unit of the Bicentennial Edition, as well as some Wesley publications not selected for inclusion, especially his Explanatory Notes Upon the Old Testament.

The Wells Rich Greene, Inc. (WRG) advertising agency was founded in 1966 by Mary Wells, Richard Rich, and Stewart Greene, who were associates at Jack Tinker and Partners agency. Until its demise in 1998, WRG was ranked as one of the top 15 advertising agencies in the United States. The Wells Rich Greene, Inc. (WRG) Records contain primarily print advertisements and broadcast commercials and advertising spots for clients of WRG. Materials span 1966-1998 and include magazine and newspaper advertisements, proof sheets, audiocassettes, videocassettes, analog and digital audio tape. Corporate documentation includes press releases, clipping files, and staff photographs and slides. Clients represented in the collection include: American Motors; Bristol-Myers (Boost, Clairol, Herbal Essence, Vagistat); Cadbury (Canada Dry, Schweppes); Continental Airlines; Ford; IBM; ITT (Technology Institute, Sheraton); Liberty Mutual; MCI; Miles Laboratories (Alka-Seltzer); New York Department of Commerce; Pan Am; Philip Morris (Benson & Hedges, Player, Dunhill); Procter & Gamble (Gain, Oil of Olay, Pringles, Folder's, Sure); Ralston Purina (Chex, Dog Chow, Tender Vittles); Seagram; TWA; and Warnaco (Warner's lingerie). Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Wells Rich Greene, Inc. (WRG) Records contain primarily print advertisements and broadcast commercials and advertising spots for clients of WRG. Materials span 1966-1998 and include magazine and newspaper advertisements, proof sheets, audiocassettes, videocassettes, analog and digital audio tape. Corporate documentation includes press releases, clipping files, and staff photographs and slides. Clients represented in the collection include: American Motors; Bristol-Myers (Boost, Clairol, Herbal Essence, Vagistat); Cadbury (Canada Dry, Schweppes); Continental Airlines; Ford; IBM; ITT (Technology Institute, Sheraton); Liberty Mutual; MCI; Miles Laboratories (Alka-Seltzer); New York Department of Commerce; Pan Am; Philip Morris (Benson & Hedges, Player, Dunhill); Procter & Gamble (Gain, Oil of Olay, Pringles, Folder's, Sure); Ralston Purina (Chex, Dog Chow, Tender Vittles); Seagram; TWA; and Warnaco (Warner's lingerie).

NOTE: Throughout this finding aid, "TRT" refers to "Total Running Time," the total duration of content contained on a tape or film.

Collection contains programs from 1386 operas attended around the world from 1951-2003 by Drs. Charles and Shirley Weiss.

Collection consists of 1386 opera programs collected from around the world by Charles and Shirley Weiss between 1951 and 2003. The programs are also detailed in a spreadsheet, documenting performance, date, location, performers, and other notable information about each program.

The spreadsheet is available at: https://duke.box.com/v/weissoperas-spreadsheet

The opera programs included represent a range of performances including classic, contemporary, and lesser-known operas. Venues are from around the world.

Walter Weir was an advertising executive, marketing and communications consultant, and professor of advertising. He worked for a number of agencies, including N.W. Ayer & Sons, J. M. Mathes, Lord & Thomas, and Kenyon & Eckhardt. He founded Walter Weir, Inc., which merged into larger firms over the years, was co-owner of Switzerland-based La Borie/Weir S.A., and headed Walter Weir Communications, Inc. Weir also taught advertising at the University of Tennessee and Temple University, wrote three books on advertising, annonymously authored the Creative Man's Corner column in Advertising Age magazine for 25 years, and composed numerous speeches, articles, short stories, poems, songs, and musicals. The Walter Weir Papers span the years 1909 through 1996, the bulk of which cover the 1950s through the early 1990s. The collection consists of audiocassettes, audiotapes, correspondence, course materials, clippings, musical scores, photographs, presentations, proofs, print advertising copy, radio advertisement scripts, songs, speeches, writings, and voiceovers documenting Weir's career in advertising, marketing, consulting, and teaching. The collection also documents Weir's prose, poems, and musicals, as well as his relationship with son Anthony Weir. Agencies and clients represented include the Alexander Proudfoot Company, Green Thumb Corporation, Interhydro AG, Jackson & Perkins Co., La Borie/Weir SA, Ralston Purina, Stratford of Texas, Inc., Walter Weir, Inc., and Walter Weir Communications, Inc. The collection also includes materials relating to Crain Communications Inc., which published Advertising Age, as well as the University of Tennessee and Temple University, and Weir's correspondence with Oscar Hammerstein II.

The Walter Weir Papers span the years 1909 through 1996, the bulk of which cover the 1950s through the early 1990s. The collection consists of audiocassettes, audiotapes, correspondence, course materials, clippings, musical scores, photographs, presentations, proofs, print advertising copy, radio advertisement scripts, songs, speeches, writings, and voiceovers documenting Weir's career in advertising, marketing, consulting, and teaching. The collection also documents Weir's prose, poems, and musicals, as well as his relationship with son Anthony Weir. Agencies and clients represented include the Alexander Proudfoot Company, Green Thumb Corporation, Interhydro AG, Jackson & Perkins Co., La Borie/Weir SA, Ralston Purina, Stratford of Texas, Inc., Walter Weir, Inc., and Walter Weir Communications, Inc. The collection also includes materials relating to Crain Communications Inc., which published Advertising Age, as well as the University of Tennessee and Temple University, and Weir's correspondence with Oscar Hammerstein II.

This collection is organized into six series: Musical, Personal, Professional, Teaching, Writings and Speeches, and Audiovisual Materials.

The Musical Series documents Weir's work on scores and scripts for musical theatre. Much of the correspondence in this series narrates Weir's efforts to produce a musical based on the Frederic Wakeman novel The Hucksters. Includes correspondence with Oscar Hammerstein II.

The Personal Series contains biographical data about Weir and his involvement with family and friends through correspondence, clippings, greeting cards, photographs, and handwritten notes. The bulk of the correspondence documents Weir's personal and professional relationship with his son, Anthony.

The Professional Series documents Weir's career in advertising, marketing, and communications. Advertising copy, clippings, correspondence, proposals, presentations, and legal and financial papers represent Weir's work from the beginning of his career at N.W. Ayer through the evolution of his company, Walter Weir, Inc., as well as through subsequent business ventures, including La Borie/Weir SA, Walter Weir Communications, Inc., and freelance consulting work.

The Teaching Series represents Weir's work, following his official retirement from the advertising industry, as a professor of advertising, marketing and communications at the University of Tennessee and Temple University. Correspondence, course materials, and clippings document this extension of Weir's career from his introduction to and retirement from the academy.

The Writings and Speeches Series includes fiction, poetry, and non-fiction written by Weir on subjects both related and unrelated to advertising. Among these are articles published in Printer's Ink and Advertising Age; unpublished manuscripts of autobiographies, bound copies of Weir's book How to Create Interest-Evoking, Sales-Inducing, Non-Irritating Advertising; transcripts of talks and addresses Weir gave about advertising throught his career, including an address for the James Webb Young Foundation; and correspondence with Rance Crain of Crain Communications, Inc., publisher of Advertising Age.

The Audiovisual Series includes auiotapes and audiocassettes of advertising-related talks and addresses, notably for the Million Dollar Round Table Tape Cassette Program. In addition, there are radio spots for clients including Mountain Dew, E.F. Hutton, and Merril, Lynch, Pierce, Fenner & Beane, as well as samples of voiceovers and radio commercial productions.

Large-format print materials have been removed from their original series locations and relocated to Oversize Materials. Relocated items have been indicated in the Detailed Description of the Collection by notes enclosed in brackets.

Anthony Weir is a marketing communications executive with the Whitford Corporation and runs Weir Marketing Communications. He started his career as a copywriter for Batten, Barton, Durstine, and Osborn (BBDO), then worked as a specialist in starting up and managing offices in Asia and Latin America for the Ogilvy & Mather and Leo Burnett advertising agencies. The Anthony Weir Papers span the years 1954 through 2006 and include advertising copy, brochures, clippings, memoranda, correspondence, photographs, and slides representing Weir's advertising career, especially his work for BBDO and Ogilvy & Mather (O&M). Clients mentioned in the collection include the Lever Brothers, Hertz, Sears, Owens-Corning, American Express, and Schweppes. The collection also contains correspondence and clippings about Anthony's father, Walter Weir, also a marketing executive; and documents from the files of Jane Maas, Weir's colleague at Ogilvy.

The Anthony Weir Papers span the years 1954 through 2006 and include advertising copy, brochures, clippings, memoranda, correspondence, photographs, and slides representing Weir's advertising career, especially his work for Batten, Barton, Durstine & Osborn (BBDO) and Ogilvy & Mather. Clients mentioned in the collection include the Lever Brothers, Hertz, Sears, Owens-Corning, American Express, and Schweppes. The collection also contains correspondence and clippings about Anthony's father, Walter Weir, also a marketing executive; and documents from the files of Jane Maas, Weir's colleague at Ogilvy.

The collection is organized into six series: Personal, Client Files, Jane Maas, Other Professional Materials, Writings, Slides, and Oversize Materials. The Personal Series contains biographical data about Weir and his family and friends through correspondence, clippings, greeting cards, photographs, and identification documents. The Client Files Series documents Weir's advertising accounts at Ogilvy & Mather. The Jane Maas Series consists of papers from the files of Weir's colleague at Ogilvy & Mather. The Other Professional Materials Series represents advertising work not directly related to Weir's tenure at Ogilvy & Mather. The Writings Series includes Weir's published and unpublished creative and professional writings. The Slides Series consists of slide images related to the advertising campaigns that Weir worked on for his clients. Large-format print materials have been removed from their original series locations and relocated to Oversize Materials. Relocated items have been indicated in the Detailed Description of the Collection by notes enclosed in brackets.

E. Roy Weintraub (born 1943) is Professor Emeritus of Economics and a Fellow at the Center for the History of Political Economy at Duke University. This collection primarily documents his professional life through his correspondence, writings, research, and professional service. It forms part of the Economists' Papers Archive.

This collection documents Weintraub's career as a historian of economics and mathematics and professor and administrator at Duke University. It provides an overview of his professional activities, particularly his research and writings on the history of economics and his roles in the history of economics scholarly community and at Duke (including his involvement with the History of Economics Society and the journal History of Political Economy).

The collection also documents his communications with prominent economists as research subjects such as Kenneth Arrow, Gerard Debreu, and Lionel McKenzie. Included in Weintraub's communications are exchanges with prominent figures in the history of economics and related scholarly communities such as Roger Backhouse, Bradley Bateman, Anthony Brewer, Arjo Klamer, Mary Morgan, Deirdre McCloskey, and Philip Mirowski.

Besides paper records, the collection also includes three audio cassettes (Weintraub's interview with Debreu) and hundreds of born digital electronic records, which are the contents of one email account and one other file transfer. These files are mostly correspondence and writings.

South African born documentary photographer. Collection contains over 400 black-and-white and color prints from several of Weinberg's exhibits and books on Southern Africa and other regions. Titles of projects include: Travelling Light; The Moving Spirit; In Search of the San; Going Home; Once We Were Hunters; Kosi Bay; Working the Land & Back to the Land; and Durban: Impressions of an African City. The photographs document rural indigenous communities and urban culture in several African countries; events photographed include religious celebrations and rituals, a poetry festival, and South Africa's first democratic elections (1994). Also included high-resolution scans of photographs in the collection. Acquired as part of the Archive of Documentary Arts at Duke University.

South African-born documentary photographer. Collection contains over 400 black-and-white and color prints, printed in both darkroom and digital formats, from several of Weinberg's exhibits and books on Southern Africa and other regions. Titles of projects include: Travelling Light; The Moving Spirit; In Search of the San; Going Home; Once We Were Hunters; Kosi Bay; Working the Land & Back to the Land; and Durban: Impressions of an African City.

The photographs document rural indigenous communities and urban culture in several African countries; events photographed include religious celebrations and rituals, a poetry festival and South Africa's first democratic elections (1994).

Also included is an oversize publicity poster for the "Moving Spirit" project, and high-resolution scans of the photographs in the collection; the CD-ROMs have been separated from teh collection and their contents mounted on the library server.

Acquired as part of the Archive of Documentary Arts at Duke University.

Diane Weddington worked as a journalist and religion editor at the Contra Costa Times in the 1980s-1990s. She has also taught courses in journalism, public policy, new media, and ethics. Collection includes Weddington's published articles, research clippings, reporter notes, and other publications and materials from her journalism career, divinity school studies, background material for arts journalism, and materials documenting Weddington's educational and teaching careers. Topics represented include the gay and lesbian community in San Francisco, the ordination of women and gay clergy, the women's rights movement, domestic violence and child abuse, Alzheimer's Disease, and other miscellaneous subjects.

The collection includes a variety of materials, ranging from Weddington's published articles to clippings of other articles used in her research. The coverage of the homosexual community in and around San Francisco is represented in two series; the first being Coverage of Gay Clergy in the Church. This series includes legal proceedings by the Lutheran Church against gay clergy, as well as Weddington's own reporter notebooks from her time covering the subject. A second series, Coverage of Gay, Lesbian, and Bisexual Communities, includes materials from Weddington's involvement in the National Lesbian and Gay Journalist Association and the Frameline film festival. Also included in this series are coverage of the blackballing of gay and lesbian news by the Contra Costa Times, business directories from San Francisco, local gay pride events, and mainstream coverage of gays and lesbians in America.

The series on Weddington's Research, Clippings, and Reporting from Various Projects includes materials from her religion beat at the Contra Costa Times, as well as other internal correspondence and clippings from her work at the newspaper. Subjects include general women's news, as well as articles on domestic violence and rape, child abuse, Satanism, recovered memory phenomena, and women's rights. Also included in this series are materials from Weddington's many projects, including the War Tax Resistance campaign, Diablo Valley study groups and clubs, Journalists Exchange on Aging, and gardening. Finally, this series includes materials from Weddington's coverage of the visit of Pope John Paul II to San Francisco in 1987.

Women in the Church includes materials from Weddington's own involvement in the women's ordination movement in the Episcopal Church, as well as her clippings of coverage regarding women and religion during the 1970s-1980s. Also related and included in this series are Weddington's materials from her time as a student at the Divinity School at Duke University in the 1970s.

Weddington's Published Articles and Reporter's Notes appear to date largely from 1986-1992, although many articles and most of her notes are undated. These clippings from the Contra Costa Times along with news wires reveal the breadth of Weddington's journalism, with topics ranging from the religion section to breaking news about traffic accidents. The materials are not sorted or arranged in any way. Along with clippings and reporter's notebook pages, the series also includes some correspondence from readers, internal Contra Costa Times photography requests, press releases, and other miscellaneous pages used by Weddington in her work.

Finally, the Correspondence series includes both electronic (print-outs) and postal correspondence. One part of the series consists of dot matrix printer printouts of internal communications between the staff and management of the Contra Costa Times. Weddington writes that this material documents the bias against gays and lesbians, as well as the regular workflow of the newspaper in terms of scheduling reporters, meeting deadlines, internal gossip, and so on. Another portion of the series contains letters, greeting cards, and other personal and professional correspondence. These have been arranged by year but not sorted further.

Accession (2014-0169) contains materials documenting Weddington's education and teaching careers, personal and professional correspondence, as well as materials relating to her work as a reporter, material related to her book on Alzheimer's disease, and work on the arts for the National Parks Service.

Included are materials from her grade school studies, undergraduate career at Duke University, work at Duke Divinity School, journalism coursework at the University of Missouri, and graduate studies at Berkeley in journalism and law. Teaching materials include courses taught at Contra Costa Community college on journalism and ethics. She has also taught couses on media and public policy. Also included are clippings and extensive research materials from her arts journalism in California, including work done for the Contra Costa Times.

Early female graduate of Duke University School of Medicine (M.D., 1946) and pediatrician in private practice in Durham Co., N.C., 1949-1987. The bulk of the papers of Bailey Daniel Webb consist of histories and geneaologies of the Webb and Daniel families of North Carolina, going back to the 18th century. Materials include drafts of historical research, memoirs, clippings, pamphlets, programs, 20th century photographs, and many folders of Webb family correspondence dating from the 20th century. Family history material comprises primarily incoming and outgoing family correspondence and geneaological records (1845-2001) for the Webb, Daniel, Smith, and Stinson families and others. Some of this material was gathered by Bailey Webb's father, J. W. Webb, for his book, Our Webb Kin of Dixie. Also includes Webb's 1941 doctoral thesis and other school records (1925-1933); as well as binders and scrapbooks compiled by Webb detailing her youth and schooling, private practice and hospital career, international trips, Durham history, chiefly in community medicine and governance, and various ancestors and relatives, including N.C. judge Susie Marshall Sharp, James E. Webb, and Stephen Moore. Records containing personally-identifiable medical information, chiefly pediatric case histories, have been separated and are closed to use.

The bulk of the collection consists of histories and geneaologies of the Webb and Daniel families of North Carolina, going back to the 18th century. Materials include drafts of historical research, memoirs, clippings, pamphlets, programs, 20th century photographs, and many folders of Webb family correspondence dating from the 20th century. Family history material comprises primarily incoming and outgoing family correspondence and geneaological records (1845-2001) for the Webb, Daniel, Smith, and Stinson families and others. Some of this material was gathered by Webb's father, J. W. Webb, for his book, Our Webb Kin of Dixie. Also includes Webb's 1941 doctoral thesis and other school records (1925-1933); as well as binders and scrapbooks compiled by Webb detailing her youth and schooling, private practice and hospital career, international trips, Durham history, and various ancestors and relatives, including N.C. judge Susie Marshall Sharp, James E. Webb, and Stephen Moore.

Papers also include memoirs, largely in verse and written by Webb's grandmother, about slaves on her father's plantation; and an album of sayings related to "Poplar Forest," a home built by Thomas Jefferson, where a relative lived in 1970. The album's cover has an early photograph of the house pasted on. There is also a small amount of information on the histories of Wilson and Wright high schools in North Carolina and a few church histories as well.

Other folders making up approximately a quarter of the collection contain Bailey Webb's professional correspondence and papers relating to her career as a pediatrician and medical community leader in various towns and cities of North Carolina. Correspondents include members of the Trent and Semans families. Includes Webb's diplomas, typewritten memoirs of her career, begining with her medical school training at Duke in the 1940s. A few of these volumes contain patient information and photos - these are currently closed to use.

Pioneering African American surgeon who was chief of surgery at Lincoln Hospital, clinical professor of surgery at Duke University, founder of Lincoln Community Health Center, director of student health at North Carolina Central University, and vice president and medical director for North Carolina Mutual Life Insurance Company, all in Durham, N.C. Spanning the period of 1917 to 2004, the Charles DeWitt Watts Papers contain files related to Watts's education, family, community activities, centered in Durham, N.C., and his career as a surgeon, administrator, and trustee on several boards. There is material on the formation in 1901 of Lincoln Hospital, a medical care facility for African Americans in Durham, N.C.. and other items on the early 20th century history of Durham, but the bulk of the papers relate to the later half of the 20th century. Formats primarily consist of correspondence, reports, notes, speeches, photographs, and print materials. It is organized into the following series: Community Relations, Personal Files, Photographic Materials, and Professional Files. Material in the Medical Records Series have been separated and are currently closed to use. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Spanning the dates 1917 to 2004, the Charles DeWitt Watts Papers contain files related to Watts's education, family, community activities, centered in Durham, N.C., and his career as a surgeon, administrator, and trustee on several boards. The bulk of the material dates from 1970 to 2000. The collection primarily consists of correspondence, reports, notes, speeches, photographs, and print materials, and is organized into the following series: Community Relations, Personal Files, Photographic Materials, and Professional Files. Material containing personally-identifiable medical information in the Medical Records Series has been separated from the other professional files and is currently closed to use.

Largest in the collection is the Professional Files Series, which primarily contains administrative documents related to Watts's career as a doctor, surgeon, and medical administrator for various private practices, hospitals, boards, and professional societies. Of particular note are files related to Watt's mentor, Dr. Charles Drew, the history of Lincoln Hospital, and the establishment of the Lincoln Community Health Center in 1970. The folders in the Medical Records Series have been separated and are currently closed to use. The Community Relations Series concerns Watts's professional life outside of medicine, containing files related to his membership in churches and fraternal organizations, non-medically-related boards on which he served, his work with Durham, N.C. organizations, his interest in race relations, and honors awarded him. Also included are the papers of Constance Watts (wife), Lyda Merrick (mother-in-law), and Margaret Smith (a nurse in his office). Of special interest is a scrapbook about the Negro Braille Magazine (now the Merrick-Washington Magazine for the Blind), founded by Mrs. Merrick.

Some professional correspondence is also intermixed in the Personal Files Series, which contains papers related to Watts's family, friends, finances, education, and alumni activities. Of particular note is a transcript of Watts's oral history. Containing both professional and personal content, the Photographic Materials Series contains photographs, slides, and negatives. The bulk consists of portraits and snapshots of the Watts family. Of particular note are early photographs of Lincoln Hospital nursing students and staff members.

Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Richard L. Watson, Jr. served as Professor of History at Duke University (1939-1984), Chair of the Department of History (1960-1967), Chair of the Academic Council (1964-1966, 1975-1977), and associate editor of the South Atlantic Quarterly (1974-1987). Papers include correspondence, notes, committee minutes and reports, course evaluations, research files, and manuscript drafts of chapters, and involve Watson's work with the Army Air Force Historical Office, the History Department, Duke University, professional organizations, research and writings in American history and historiography, and personal materials. English.

The materials in this collection consist of the papers of Richard L. Watson, Jr. accrued between 1941 and 1989. The majority of the collection pertains to his work at Duke University, both in the department of history and in service to university faculty and administration. There are also papers relating to his writings and research, his work in the Army Air Force Historical Office, professional organizations, and personal life. Types of materials include correspondence, notes, committee minutes and reports, teacher course evaluations, chapter files and draft chapters.

Louanne K. Watley is a photographer and artist based in Chapel Hill, North Carolina. The core of the collection consists of portraits of aging Catholic nuns in convents and abbeys in Indiana, Kentucky, North Carolina, and Virginia, taken by Watley chiefly from 2002-2003. There are also a few images of Buddhist and Trappist monks and their communities. Watley's images, almost all black-and-white contact prints, often feature close-ups of the nuns' faces, hands, and feet; some are further enhanced using a variety of artistic techniques. Collection also includes digital versions of Watley's photographs, audio recordings of interviews with nuns, exhibit image panels, and professional papers, chiefly drafts of artist's statements, informational material, and correspondence related to the religious communities Watley visited and to exhibits of Watley's work. Acquired as part of the Archive of Documentary Arts at Duke University.

The materials in photographer Louanne Watley's collection span the years 1961-2010, with the bulk dating from 2000-2010, and chiefly consist of portraits of aging nuns in Catholic religious communities in Indiana, Kentucky, North Carolina, and Virginia. There are also a few images of Buddhist and Trappist monks and their communities. Watley's photographs often feature close-ups of faces, hands, and feet, often enhanced through various artistic techniques. There are also materials related to exhibits of this work, including two large hangings made of many image panels, and written documentation by Watley on the evolution of the project.

Photographic formats consist primarily of black-and-white traditional darkroom process gelatin silver photographs, chiefly contact prints, ranging in size from 4x5 to 16x20 inches; Polaroids (diffusion transfer process); color inkjet prints ranging from 24x30 to 24x37 inches; and negatives. Large exhibit hangings were created partly through a silkscreen process. There are also contact sheets and proof prints. A few slides are also present that document an exhibit installation.

The collection includes one CD with a selection of Watley's images in digital form, and two CDs and two audiocassettes of oral histories conducted by Watley with the Catholic nuns and one Buddhist nun. There is also a series of associated papers, including many drafts of Watley's artist statements and exhibit essays from 1991-2005; informational material about the convents, abbeys, and monasteries; correspondence, chiefly regarding exhibits and grant funding; and personal notes and letters sent to Watley from nuns.

Born in Caroleen, North Carolina in 1902, studio photographer Herbert Lee Waters supplemented his income from 1936 to 1942 by traveling across North Carolina and parts of Virginia, Tennessee, and South Carolina to film the people of small communities. He collaborated with local movie theaters to screen his films, which he called Movies of Local People. It is estimated that Waters produced films across 118 communities, visiting some of them multiple times. The H. Lee Waters Film Collection dates from 1936 to 2005 and is comprised primarily of 16mm black-and-white and color reversal original motion picture films created by Waters during the filming of the Movies of Local People series. The collection, arranged alphabetically by town name, also includes various preservation and access elements created over the years from the original footage: 16mm internegatives, 16mm screening prints, 3/4-inch Umatic videotape, Betacam SP videotape, Digital Betacam videotape, VHS videotape, DVD discs, and high resolution digital files including 2K preservation video copies. The collection contains a small number of papers and physical objects related to Waters' film making, including: a photocopy of two log books (encompassed in one volume) maintained by Waters to record financial and business information during the filming of Movies of Local People; photocopied and original advertisements for screenings of Waters' films; photocopies of Waters' notes, receipts, and correspondence concerning film sales; related ephemera; copy of a 2005 master's thesis written on the films of H. Lee Waters; home movies made by Waters from the 1930s to the 1950s; and oral histories with Mary Waters Spaulding and Tom Waters, the children of H. Lee Waters.

The H. Lee Waters Film Collection dates from 1936 to 2005 and comprises primarily 16mm black-and-white and color reversal original motion picture films created by Waters between 1936 and 1942 as he traveled across North Carolina, South Carolina, and Virginia filming the residents of small towns. Waters aimed to film as many residents in each community as possible, often setting up his camera at the main intersection in town to capture community members walking downtown. Waters also typically filmed school children entering or leaving school and workers arriving to or departing from mills, plants, and factories. Waters often included trick shots to engage his audience, such as trains moving backwards or children jumping in reverse. Although the films are dominated by shots of crowds and individual faces, Waters also captured a wide variety of activities, like school recitals, sports, mechanics at work, and manufacturing processes in factories. Waters also regularly filmed in Black communities within the towns he visited, and in the case of Chapel Hill, filmed exclusively in the Black community.

The H. Lee Waters Film Collection dates from 1936 to 2005 and is comprised primarily of 16mm black-and-white and color reversal original motion picture films created by Waters during the filming of the Movies of Local People series. The collection, arranged alphabetically by town name, also includes various preservation and access elements created over the years from the original footage: 16mm internegatives, 16mm screening prints, 3/4-inch Umatic videotape, Betacam SP videotape, Digital Betacam videotape, VHS videotape, DVD discs, and high resolution digital files including 2K preservation video copies. The majority of films represented in the collection are silent, black and white, and were filmed in North Carolina. The collection includes a small number of color films and one film with sound. Where reels containing mixed black-and-white and color footage were preserved to 16mm film, they were separated into two reels based on picture characteristic during the preservation process.

The collection also contains a small number of papers and physical objects related to Waters, including: photocopied and original advertisements for screenings of Waters' films; photocopies of Waters' notes, receipts, and correspondence concerning film sales; related ephemera; VHS copies of a news report and a film on Waters; a copy of the master's thesis written on the films of H. Lee Waters by University of North Carolina at Chapel Hill student Martin Johnson in 2005; home movies created by Waters from the 1930s to the 1950s; and oral histories with Mary Waters Spaulding and Tom Waters, the children of H. Lee Waters.

In addition, the collection contains a photocopy of two log books (encompassed in one volume) maintained by Waters between the years of 1936 and 1942 to document his earnings from the Movies of Local People films. The logs provide information about film screenings in the towns that he visited, including the dates of the screenings, the theaters where the films played, admission prices, the number of tickets sold, and advertising revenues. See the digital collection to view the logbooks.

The Washington Office on Latin America is an international human rights advocacy organization headquartered in Washington D.C. The Washington Office on Latin America Records span the dates 1962 to 2008 and consist of research and project files on nearly every country in Latin America, administrative records, clippings, correspondence, and printed material, all relating to the work of the Washington Office on Latin America (WOLA), a human rights advocacy organization based in Washington D.C. WOLA partners with local organizations in Latin America and the Caribbean to raise awareness of human rights abuses in the region and to influence the foreign policy agenda of the United States government. Materials in this collection provide a rich resource for the study of politically motivated violence and other human rights abuses throughout Latin America and also document the changing political climate towards the region in Washington D.C. over nearly four decades.

The Washington Office on Latin America Records span the dates 1962 to 2008 and consist of research and project files on nearly every country in Latin America, administrative files, clippings, correspondence, and printed material, all related to the work of the Washington Office on Latin America (WOLA), a human rights advocacy organization based in Washington D.C. WOLA partners with local organizations in Latin America and the Caribbean to raise awareness of human rights abuses in the region and to influence the foreign policy agenda of the United States government. Materials in this collection provide a rich resource for the study of politically motivated violence and other human rights abuses throughout Latin America, and document the changing political attitudes towards the region on the part of the U.S. government over nearly four decades. Numerous files of individual human rights abuse cases, including torture, forced disappearances, and executions can be found in this collection. In addition, WOLA's efforts to lobby for legislative change are chronicled throughout the collection. Material includes some ephemeral or hard-to-find printed material produced by leftist or guerilla groups in Chile, Colombia, Guatemala, and Mexico, as well as some audiovisual recordings housed within country files.

The collection is arranged in the following series: Administrative Files, Geographic, Initiatives and Activities, Sound Recordings, and Oversize Material. The Administrative Files Series contains records kept by WOLA directors and staff, many funding-related files, some overviews of WOLA's activities, and other files of an administrative nature such as meeting minutes and planning, and staff retreats. The largest in the collection, the Geographic Series is divided into subseries for most countries in the region, documenting the major political and human rights issues associated with each country. These files typically include large sub-groupings on the following broad topics: human rights cases specific to that country; economic development; drug policy and related issues, especially in Colombia and Mexico; elections; police and military; U.S. policy; international relations; files related to WOLA visits to or activities in that country; and in some cases, files of printed materials assembled by WOLA staff. The human rights files cover such issues as labor rights, peasants' rights and land reforms, indigenous people's rights, politically motivated abuses, killings, and discrimination, civil rights cases of all kinds, reconciliation and truth commissions, and the activities of human rights organizations in each country and in the U.S. The Initiatives and Activities Series, divided into topical categories as arranged by WOLA staff, covers the organization's issue-based work in areas such as U.S. drug policy, trade and banking, democratic and peace processes, economic development, issues related to the deployment of military and police forces, and more. A large group of records documents the extensive legislative work performed by WOLA on behalf of human rights issues. There is considerable overlap between this series and the Geographic Series. The Sound Recordings Series contains recordings of conferences, speeches, and events sponsored by WOLA and other groups. Finally, the six boxes in the Oversize Material section at the end of this collection guide contain large items such as posters and newspapers separated from the main collection and rehoused for preservation purposes. Materials are chiefly in English and Spanish, with a smaller percentage in French and Portuguese. All of the series and each subseries are described in more detail in the description of the collection that follows. Unprocessed additions to the collection have been added at the end of the finding aid. Collection was acquired as part of the Duke University's Archive for Human Rights.

The Washington Committee for Human Rights in Argentina operated in the late 1970s and early 1980s to advocate for the human rights of Argentines targeted during the Dirty War/El Proceso. The committee was formed by prominent Argentines who had resettled in the United States, especially in the Washington, D.C. area. The committee frequently partnered with other human rights organizations, including the Washington Office on Latin America, to sponsor programming and mailings to raise awareness of the situation in Argentina. The Washington Committee for Human Rights in Argentina records consist of correspondence, mailers, flyers, reports, notes, programming information, petitions, lists, pamphlets, newspaper clippings, poetry, photographs, posters, and journal articles.

The Washington Committee for Human Rights in Argentina records document its members' advocacy for the rights of Argentines and their efforts to document human rights abuses during the Dirty War/El Proceso. The collection comprises three series: the Administrative Files series, 1964-1984; the Publications series, 1965-1986; and the Subject Files series, 1973-2016. The Administrative Files series consists of the materials that directly document the work of committee members to do outreach and lobby government officials to support changes in U.S. foreign policy towards Argentina. The Publications series consists of full-length publications. The Subjects Files series consists of newspaper clippings, photographs, flyers from other organizations, posters, and wires. Materials are primarily in English and Spanish with some materials in French, Italian, and Portuguese.

Advertising agency founded in 1939 as Warwick and Legler; closed in 2001. The Warwick Baker O'Neill Records span the years 1939-2001 and include correspondence, proofs, clippings, research reports, financial records and other materials that document the agency's activities, particularly during the 1980s and 1990s. Formats include as-produced radio and television commercial scripts, 16mm films, audio cassettes and video cassettes. Clients represented include Bacardi, Bausch & Lomb (Curèl and other eye drops), Benjamin Moore paints, Burlington Industries, Coty (Emeraude, Stetson), Crafted with Pride (Made in the USA), Driver's Mart, East Coast Energy Council, Fruit of the Loom, Glenbrook (Midol), Heineken (including Amstel and Buckler), Lehn & Fink (Lysol, Resolve), Prodigy internet services, Reckitt & Colman (Easy Off oven cleaner, Rid-X), Schering-Plough (Lotrimin, Coricidin, Drixoral, Coppertone, St. Joseph's, Di-Gel), Seagram, U.S. Tobacco (Skoal, House of Windsor), and West Point Pepperell. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Warwick Baker O'Neill Records span the years 1939-2001 and include correspondence, proofs, clippings, research reports, financial records and other materials that document the agency's activities, particularly during the 1980s and 1990s. Formats include as-produced radio and television commercial scripts, 16mm films, audiocassettes and videocassettes. Clients represented include Bacardi, Bausch & Lomb (Curèl and other eye drops), Benjamin Moore paints, Burlington Industries, Coty (Emeraude, Stetson), Crafted with Pride (Made in the USA), Driver's Mart, East Coast Energy Council, Fruit of the Loom, Glenbrook (Midol), Heineken (including Amstel and Buckler), Lehn & Fink (Lysol, Resolve), Prodigy internet services, Reckitt & Colman (Easy Off oven cleaner, Rid-X), Schering-Plough (Lotrimin, Coricidin, Drixoral, Coppertone, St. Joseph's, Di-Gel), Seagram, U.S. Tobacco (Skoal, House of Windsor), and West Point Pepperell.

Restrictions on Access: Unpublished corporate records are closed to researchers for 15 years from the date of creation. Personnel records are closed until 2041. Original audiovisual materials are closed until use copies can be produced. Restricted documentation is designated by an "R" in the container numbering (for example, Box R1).

Anne and Frank Warner were folklorists and folk song musicians. The Anne and Frank Warner Collection, with materials from as early as 1899 to as late as 2000, documents the Warners' active life of collecting, recording, and producing music and publications associated with traditional American folk song culture, primarily from along the eastern seaboard areas, in the Appalachian Mountains of western North Carolina, and as far as New Hampshire to the north.

The Anne and Frank Warner Collection, with materials dating from 1899 to 2000, is a record of the Warners' active life of collecting, recording, and producing music and publications associated with traditional American folk song culture and African-American music traditions, primarily from along the eastern seaboard areas, in the Appalachian Mountains of western North Carolina, and as far as New Hampshire to the north. The bulk of the materials date from the 1930s through the 1980s, and are organized into six series: Correspondence; Subject Files; Folk Materials; Writings; Audiovisual Materials; and Prints and Negatives. Through handwritten correspondence with a wide variety of folk singers and musicians, subject files, printed materials, film, video, photographs, and the Warners' own studio albums of folk songs, these materials document early methods for recording and collecting songs - the 20th century development of American ethnomusicology. Moreover, as an invaluable resource for studies in traditional American folk life, the collection also includes field audio recordings and photographs of folk singers, songwriters, and musicians in their element, at home with their families, singing and playing their instruments. Notable individuals referred to in the Warner Collection include: William Rose Benet, Carl Carmer, Bill Doerflinger, Lena Bourne Fish, ("Yankee") John Galusha, David Grimes (of the Philco Corporation), Wayland Hand, Rena and Nathan Hicks, Buna Vista and Roby Monroe Hicks, Ray Hicks, Peter and Beryl Kennedy, Alan Lomax, Bessie and Frank Proffitt, Carolyn Rabson, Carl Sandburg, Pete Seeger, Charles K. ("Tink") Tillett and family, and Charles L. Todd. The Warners were actively involved with a number of organizations, among them: the American Folklore Society, the Country Dance and Song Society of America, Duke University, the Library of Congress, the Newport Folk Foundation, the New York State Historical Association, and the YMCA. The Warners published a number of essays concerning traditional American folk culture and music in Think Weekly, the Appalachian Journal, Country Dance and Song, the Long Island Forum, A Celebration of American Family Folklore, and Come for to Sing. In addition to these, Ann Warner's book, Traditional American Folk Songs in the Frank and Anne Warner Collection, 1984, remains the authoritative compendium of the Warners' research in and collection of traditional American folk music.

The Warners' personal and professional relationships with various people and organizations can be traced through materials in the Correspondence Series, 1934-1985. Significant exchanges with the American Folklore Society, the Library of Congress, with William Rose Benet, Carl Carmer, Wayland Hand, Alan Lomax, Carl Sandburg, and Pete Seeger are extensively documented in the files. More correspondence can be found elsewhere in the collection - organized topically in the Subject Series, and according to correspondents' names in the Folk Materials Series.

The Subject Files Series, 1899-1984, houses documentary materials that give a wider context to the Warners' life and work. This series includes information about the Warners' genealogies, Frank Warner's work with youth and his career in the YMCA, material germane to the lawsuit that developed over the song "Tom Dooley," information on and clips about various performances and recordings, and other materials.

The Folk Materials Series, 1938-1982, contains correspondence between the Warners and many of the traditional American folk singers and musicians that they visited; for some of the individuals there is more information than correspondence alone. This series is organized by state, city or region, and then individual or family, for example: North Carolina, Appalachia, Rena and Nathan Hicks. The states represented are: North Carolina, New Hampshire, New York, Virginia, and West Virginia. The Warners' correspondence with both Rena and Nathan Hicks and Bessie and Frank Proffitt comprise the most extensive files. The series materials provide essential documentation for understanding the communities and the world views of the musicians.

The Writings Series, 1938-1985, contains a variety of materials, including documents that the Warners published in journals dedicated to folk life; grant applications; materials germane to the production and publication of Anne Warner's book, Traditional American Folk Songs; words to recorded and unrecorded folk songs in the collection, including some songs by Frank Warner; and Anne Warner's hand-written field research journals and notebooks.

An extensive collection of field and commercial recordings on audio tape reels, cassette tapes, phonograph albums, and compact discs are housed in the Audiovisual Materials Series, 1940-2000. Several motion picture films and video tape recordings also document the Warners' work and performances. Many of the items in the Audiovisual Materials Series are documented in written form in the Writings Series, including the sound recordings of folk songs and interviews collected in the Library of Congress master tapes, and which are not included in Anne Warner's book, Traditional American Folk Songs.

The Prints and Negatives Series, 1933-1969, extends the Warner collection's scope to include photographic images as well. There are 239 black and white prints, which are arranged alpha-numerically into lots from Lot 1 through Lot 9E. Within the lots, the prints are identified by number. In the pictures, the Warners have captured images of many traditional American folk musicians and singers. The Warners themselves appear frequently throughout the collection. The photographic documentation of the Warners' travels contains pictures of folk singers and their homes and families, including: Nathan, Roby Monroe, Buna Vista, Ray and Linzy Hicks; Lena Bourne Fish; Bessie and Frank Proffitt; the Tillett family; Louis Solomon; and Carl Sandburg.

Robert Ward was a composer primarily of operas, instrumental works, and symphonic choral works. He won the 1962 Pulitzer Prize in Music for his opera, The Crucible, which remains his best-known work. Ward served as Chancellor of the North Carolina School of the Arts and as a faculty member at Columbia and Duke Universities. His papers span from his time as a student at the Eastman School of Music in the 1930s to his final years composing in 2012. They include scores, music sketches, recordings, libretto drafts, correspondence, scrapbooks, research and information files, writings and speeches by and about Ward, as well as concert programs, newspaper clippings, photographs, awards, and other materials that document his professional life and work as a composer.

The Robert Ward Papers have been divided into eight series: Biographical Materials, Correspondence, Operas, Instrumental Works, Vocal Works, Music Sketchbooks and Student Works, Music by Others, and Untitled Recordings. Biographical Materials consists of documents pertaining to Ward's work as a composer, including newspaper clippings, profiles, the composer's published writings and interviews, documents from the organizations with which he affiliated, events held in his honor, and certificates and awards he received. The Correspondence series primarily consists of professional communications between Robert Ward and several organizations. Ward's music has been divided into three series based on genre and arranged alphabetically by title of piece within each series: Operas, Instrumental Works, and Vocal Works. Materials for each composition may include scores, recordings, and publicity materials such as newspaper clippings, programs, and reviews. Music Sketchbooks and Student Works contains assorted untitled music sketches and sketchbooks by Ward, as well as manuscripts for some of his student works. Music by Others includes a variety of scores and recordings by other composers included in Ward's papers, the majority of which are recordings. Untitled Recordings comprises assorted media that contain no composition titles, although some recordings are labeled and dated as specific performances.

The "Asians in America" house course was the first course pertaining to the Asian diaspora and Asian American studies to be taught at Duke University. Undergraduate student, Caroline Wang, organized and instructed the class in the Fall and Spring of 1982. The collection contains syllabi, course proposals, readings, and materials related to Wang's senior thesis about Japanese American internment during World War II.

Collection contains materials related to preparation and instruction for the 1982 house course, "Asians in America." This includes articles and course readings, course syllabi and proposals, subject files, correspondence, and student assignments. Also includes a script for Caroline Wang's senior honors thesis and a video recording on the internment of Japanese Americans during World War II, written and narrated by Caroline Wang.

Ken Wainio (1952-2006) was an American surrealist author and poet based in San Francisco, California. Collection includes manuscripts and drafts of many of Wainio's poems and writings, including his novel, Starfuck. Also includes his journals and diaries, published poetry and printed materials, some correspondence, snapshots, and other biographical information.

The majority of the collection consists of drafts or manuscripts of Wainio's writings, which ranged from poetry to short stories to novels to plays. The condition of the drafts is fairly good, although many are incomplete or only excerpts of the text. There are many draft versions of Amorfos, Letters from Al-Kemi, and The Spiral Canyon, which was later published by New Native Press as Starfuck, Wainio's first novel. Small amounts of material exist for several poems, short stories, and plays.

The remainder of the Writings, Manuscripts, and Drafts series includes some of Wainio's published works, present in both broadside form as well as in journals or other serials. Of note are the several issues of Beatitude, edited by Wainio at one point, as well as two issues of Vanishing Cab, his own publication. Also in the series is a small amount of Wainio's artwork.

There are over 30 journals present in the Journals series and they include diary entries, travel plans and notes, drafts of writings and poems, as well as sketches and artwork. They offer insight into Wainio's thought process as an author, as well as his methods of writing.

The remainder of the collection contains correspondence, including a series of correspondence between Wainio and Thomas Rain Crowe; personal materials, including obituary information, some of Wainio's college papers, and other miscellaneous materials; and photographs, which are largely undated snapshots taken by Wainio during his travels through Greece and the United States.

Artist, writer, and arts educator. Collection contains personal correspondence, photographs, writings and drawings, subject files, ephemera, and clippings. The photographs document Wade's personal life, her art exhibits, and trips to Cuba, Alaska, and Costa Rica. The drawings and writings primarily consist of published versions and drafts of cartoons, as well as some manuscripts of writings and drawings for texts, including the artwork for Have You Ever Seen an Ugly Bride?, an unpublished book by Wade and Elizabeth Lide. The subject files include a file for the Resource Center for Women and Ministry in the South, an abortion rights petition signed by Norma McCorvey, and typescripts documenting the Kilbuck family, who were ancestors of Wade's that were missionaries in Alaska. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection contains personal correspondence, photographs, writings and drawings, subject files, ephemera, and clippings. The photographs document Wade's personal life, her art exhibits, and trips to Cuba, Alaska, and Costa Rica. The drawings and writings primarily consist of published versions and drafts of cartoons, as well as some manuscripts of writings and drawings for texts, including the artwork for Have You Ever Seen an Ugly Bride?, an unpublished book by Wade and Elizabeth Lide. The subject files include a file for the Resource Center for Women and Ministry in the South, an abortion rights petition signed by Norma McCorvey, and typescripts documenting the Kilbuck family, who were ancestors of Wade's and Moravian missionaries in Alaska in the late 1800s and early 1900s. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Author, translator, and teacher Norman Waddell was born in Washington, D.C. in 1940, and he moved to Japan in 1965. He is an emeritus professor at Otani University in Kyoto, from which he received the degree of Doctor of Literature (LittD) and where he taught for more than thirty years. He has translated works by notable Zen figures such as Suzuki D.T. (Daisetz Teitarō), Dōgen Kigen, Bankei Yōtaku, and Hakuin Ekaku. Waddell's papers include correspondence from: Zen teacher Robert Aitken, who was a co-founder of the Diamond Sangha in Honolulu; artist Frederick Franck; and scholar and translator Burton Watson.

Collection includes correspondence from: Zen teacher Robert Aitken, who was a co-founder of the Diamond Sangha in Honolulu; artist Frederick Franck; and scholar and translator Burton Watson. Much of the correspondence concerns writing, editing, publishing, and translating works about Zen Buddhism. Frederick Franck includes sketches on many of his letters; there are also few "Shoestring" newsletters from Pacem-in-Terris, the sculpture garden in Warwick, NY created by Frederick and Claske Franck.

Virginia Barber became a literary agent in 1971 and opened her own agency in 1974. The Virginia Barber Literary Agency was sold to the William Morris Agency in 2001. Among the authors she represented have been Rosellen Brown, Andrew Delbanco, James Dodson, Sue Monk Kidd, Peter Mayle, Alice Munro, David Nasaw, Anita Shreve, and Anne Rivers Siddons. She has served on the Board and as President of Women's Media Group and on the Boards of Literacy Partners, Duke University Libraries, and Poets and Writers. The collection includes client files and correspondence for the VBLA's many clients during the late 1970s through the early 2000s. There are also legal and financial materials, correspondence files with other agencies and publishers, including Virago Books, and materials from Barber's work with professional organizations such as the Independent Literary Agents Association. Notable clients represented in this collection include Peter Mayle, Anita Shreve, MacDonald Harris, and Paul Ehrlich.

The collection includes client files and correspondence for the VBLA's many clients during the late 1970s through the early 2000s. There are also legal and financial materials, correspondence files with other agencies and publishers, including Virago Books, and materials from Barber's work with professional organizations such as the Independent Literary Agents Association. Notable clients represented in this collection include Peter Mayle, Anita Shreve, MacDonald Harris, and Paul Ehrlich.

Veteran Feminists of America (VFA) is a nonprofit organization for veterans of the Second Wave of the feminist movement. It was founded by Jacqueline Ceballos and held its first feminist reunion in 1993. The organization sponsors reunions, programs, and publications honoring feminists throughout the United States. The collection includes administrative files, board minutes, program and reunion materials, obituaries, correspondence, financial information, newsletters, and photographs. Acquired by the Sallie Bingham Center for Women's History and Culture.

The collection (2008-0286) includes administrative files, program and reunion materials, obituaries, correspondence, financial information, newsletters, periodicals, and photographs relating to the activities and programs of the Veteran Feminists of America. Special media formats include DVDs, floppy disks, and CDs, some of which have been withdrawn for electronic preservation. There are also medals and other ephemera. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The addition (2008-0254) (64 items; 1.2 lin. ft.) consists of DVDs of VFA events and interviews.

The addition (2009-0131) (900 items; 1.8 lin. ft., dated 2001-2008) consists of board minutes, administrative materials, program files, some correspondence, and publicity. Program files include reunions, special presentations, conferences on feminist history and issues, and other educational and commemorative events. In particular, the accession includes materials from the Salute to Feminist Lawyers event put on in June 2008 at the Harvard Club in New York.

The addition (2010-0097) (300 items; 0.6 lin. ft., dated 2005-2010) includes miscellaneous newsletters, dated 2005-2008; board meeting minutes from 2007; event and program files from a 2009 Pompano Beach, FL awards gala and a Dallas conference entitled The Gender Agenda: Beyond Borders, held March 2010. The Dallas event files include copies of materials on 22 honorees, as well as the program text and other promotional materials. Other topics in this accession include website initiatives and the Feminists Who Changed America book launch.

The addition (2010-0128) (150 items; 0.6 lin. ft., dated 2009-2010) includes materials submitted by honorees at the "The Gender Agenda: Beyond Borders" conference held by the VFA in Dallas. Materials include information forms, resumes, essays, and other miscellaneous biographies.

The addition (2012-0083) (4 items; 0.1 lin. ft., dated 2006, 2009) includes a program from the Tribute to Helen Reddy event (2006) and two copies of an associated commerically-available music compact disc by Sandy Rapp; along with the souvenir program from the VFA salute to feminist lawyers (2009).

The addition (2015-0069) (1800 items; 3.0 lin. ft., dated 2011-2014) consists of event information, program and administrative files relating to the activities of the Veteran Feminists of America. Special media formats include DVDs of event programming, including the Kate Millett festival (2012), and Labor and the Women's Movement (2014).

The addition (2017-0058) (.2 lin. ft., dated 2002-2017) consists of program and administrative files related to the operation of the Veteran Feminists of America. Special media includes two DVDs; one is of the Harvard Club Luncheon (2014) and the other is of the Veteran Feminist Association South Florida Luncheon (2009).

The addition (2017-0139) (.2 lin. ft., dated 2007-2017 consists of administrative and program files related to the activities of the Veteran Feminists of America.

Accessions 2023-0071 and 2023-0185 include materials related to the Equal Pay and Job Opportunities conference, Unfinished Business of the Women's Movement conference, Empowering Women/A Tale of Two Generations conference, and VFA board materials and correspondence. It also includes several DVDs of conference programs and other topics.

Camilo J. Vergara is a documentary photographer, focusing on the evolution of urban spaces. Collection of color prints from Vergara's 2009 National Building Museum exhibit Storefront Churches, with photographs of urban churches, pasters, and murals from cities around the United States. This exhibit was part of a larger collection featured in Vergara's book, How the Other Half Worships.

Collection consists of 85 color prints, ranging in size from 11x14 inches to 20x24 inches, as well as two 30x30 color transparencies. These images were all part of the National Building Museum's 2009 Vergara exhibit, "Storefront Churches," and many are also featured in his recent book, How the Other Half Worships (2005).

Subjects include urban churches in cities throughout the United States, in particular New York City and its neighborhoods (such as Harlem, Brooklyn, and the Bronx), Detroit, Chicago, Los Angeles, Gary, and Camden. Vergara's photographs vary in what part of each church is highlighted: some are simply the church's exterior, offering a glimpse of the neighborhood and condition of the building; other images are taken inside the church, whether it be an abandoned sanctuary or an active praise service. The collection also contains, to a lesser extent, photographs of religious and spiritually-inspired murals and artwork from different urban environments; cemeteries and outdoor worship spaces; and some portraits of different pastors and preachers, including street preachers. Most of the churches represented in the collection are Pentecostal, Baptist, or some other branch of Evangelical Protestant Christianity.

The collection documents the evolution of church structures, such as the series of rephotography of a Chicago building that evolved from the Holy Raiders Revival Church in 1981 to the Mt. Zion Missionary Baptist Church in 2009. Vergara rephotographed the building six times during that period, and each time the building's facade and surroundings had changed significantly. Vergara's photographs also offer one-time glimpses of abandoned and decaying buildings, as well as documentation of reclaimed and re-used urban structures, such as the former Kentucky Fried Chicken restaurant that is now a worship center in Newark.

Collection comprises 63 exhibit-quality black-and-white photographic portraits of Durham, North Carolina citizens of all races, ages, genders, and sexual orientations, taken from 1989 to 1992 for a Center for Documentary Studies project. Subjects include activists, writers, older people, working class men, friends, couples, and families. Many of the individuals were alumni of Duke University. Also includes several prints and a brochure from an exhibit entitled "Home Ground," featuring Vaughan's family and landscapes from two family farms, 1977-1987. Formats include gelatin silver, Polaroids (some in color), and four palladium/plantinotype prints, along with a hand-pigmented, textured print. The photographs range in size from about 8 3/8 x 10 3/4 inches to 11x14 inches and are all matted, captioned, and signed. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection chiefly comprises 63 exhibit-quality black-and-white photographic portraits of Durham, North Carolina citizens of all races, ages, genders, and sexual orientations, taken by Durham photographer Caroline Vaughan from 1989 to 1992 for a Center for Documentary Studies project. Subjects include activists, writers, older people, working class men, gay and straight couples, friends, and families, Many of the individuals were alumni of Duke University who were involved in sixties activism and remained in the area.

There are several photographers featured in the portraits whose work is also in the Rubenstein Library collections: Peter Goin, Alex Harris, Jeeva Rajgopaul, and Margaret Sartor.

Also includes a smaller series of black-and-white palladium/platinotype prints and a bifold brochure from a Duke University exhibit entitled "Home Ground." These prints feature Vaughan's family members posed in the studio and at two family farms in Oxford, N.C. and News Ferry, Virginia, taken from 1977 to 1987 and printed in 1992 and 1993.

The photographs were taken with large-format cameras and an instant camera (Polaroid), and printed and toned by Vaughan chiefly from 1990 to 1993. Formats include gelatin silver, Polaroids (some in color), and palladium/plantinotype prints, along with one hand-pigmented, textured print. The prints range in size from about 8 3/8 x 10 3/4 inches to 11 x 14 inches and are printed on a variety of papers. Some of the palladium prints feature a circular image format. With a few exceptions, the prints are signed, dated, and matted. Titles were taken from original captions inscribed by the photographer on the prints or mats. Some titles for some uncaptioned prints were taken from the photographer's online gallery. Many prints have data on exposure times, shutter, speed, and other data marked on the back.

Acquired as part of the Archive of Documentary Arts at Duke University.

The Tim Valentine papers span the years 1982 to 1994. The collection consists of correspondence, press releases, speeches, legislation, committee files, and video and cassette tapes. Materials pertain to the political life and career of former Congressman Tim Valentine of North Carolina's second district.

Congressional committees Valentine served on and which are represented in this collection are: Agriculture Committee; Appropriations Committee; Armed Services; Banking, Finance, and Urban Affairs; Budget Committee; D.C. Committee ; Education and Labor; Governmental Operations; House Administration; Interior and Insular Affairs; Energy and Commerce; Foreign Affairs; Judiciary; Merchant Marine and Fisheries; Post Office and Civil Service; Public Works and Transportation; Rules Committee ; Standards of Conduct; Small Business; Veterans Committee ; and the Ways and Means Committee. The Correspondence series covers constituents' opinions and concerns about issues that relate to these committees. Subjects include abortion, pesticides, labor, defense, education, taxes, prayer in public schools, and gun control. This series also includes personal correspondence from Valentine's friends and colleagues. The Legislative series allows one to track Valentine's stand on legislative issues through the voting records and legislative profiles. Other legislation files comprise health, welfare, education, transportation, and the Lake Gaston pipeline issue information. The Press series provides information on Valentine's campaign, his political and legislative beliefs, and events relevant to the time.

Collection houses records regarding the history of the Urodynamics Society, currently known as the Society of Urodynamics, Female Pelvic Medicine, and Urogenital Reconstruction (SUFU), whose first president and founder (1978-1979) was Dr. Saul Boyarsky, physician and faculty member at Duke University, and donor of the collection. File contents include correspondence relating to the Society's activities and development, chiefly during the 1980s, and the transfer of the collection to the Duke Medical Center Library; several booklets with the Society's membership lists, constitution and by-laws, from 1978 to 1982 and 1993; printed articles and abstracts concerning the history of urodynamics; a bibliography of literature in the field (1990-1991); Dr. Boyarsky's notes and a long published article on the history of the Society (1999); Dr. Luis Perez's published article on the history of urodynamics (1992), with comments and a draft; and other small items. Acquired as part of the History of Medicine Collections at Duke University.

File contents include correspondence relating to the Society's activities and development, chiefly during the 1980s, and the transfer of the collection to the Duke Medical Center Library; several booklets with the Society's membership lists, constitution and by-laws, from 1978 to 1982 and 1993; printed articles and abstracts concerning the history of urodynamics; a bibliography of literature in the field (1990-1991); Dr. Boyarsky's notes and a long published article on the history of the Society (1999); Dr. Luis Perez's published article on the history of urodynamics (1992), with comments and a draft; and other small items. Acquired as part of the History of Medicine Collections at Duke University.

Professor of anthropology, sociology, and social work, who founded StoriesWork, a non-profit organization in Durham, N.C. that advocates Therapeutic Storytelling, or the use of folk story analysis for empowering abused women. Collection consists of several separate accessions and includes Ucko's travel diaries; teaching and course materials; transcripts of Ucko's publications, including her book, Endangered Spouses; correspondence; Russian genalogy; materials from the Henry Zvi Ucko Memorial Exhibit, "What We Brought with Us," which featured personal items taken by German Jews who fled Nazi Germany in the 1930s; and other materials from Ucko's position at the Museum of the Jewish Family in the late 1990s. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Accession (2006-0015) consists primarily of files, lectures, and papers for classes taught by Ucko; files pertaining to cross-cultural communications prepared for the U.S. Army JFK Special Warfare Center; 20 labeled color slides; and travel diaries from Sierra Leone, Cuba, the Dominican Republic, Egypt, Senegal, Pakistan, and Holland.

Addition (2007-0015) (750 items, 1.2 lin. ft.; dated 1973-1994) contains typescripts and promotional material for articles and books including Endangered Spouses; course materials including files, papers, and class rosters; correspondence; and one audiocassette. Also included are materials from a study of Russian genealogy by students at Aldephi University directed by Ucko.

Addition (2007-0066) (200 items, 0.6 lin. ft.; dated 1996-1998) contains slides, photographs, oral histories on audiocassettes, 1 VHS videocassettes, printed and other materials all concerning a 1996 exhibit Lenora Ucko curated in honor of her late husband, Henry Zvi Ucko. The exhibit was entitled "What We Brought with Us", an exhibit about the personal items taken by German Jews who fled Nazi Germany in the 1930s. The exhibit was first at Duke University and then moved to the NC Museum of History in Raleigh.

Addition (2011-0063) (900 items, 1.5 lin. ft.; dated 1994-2002) largely consists of materials from Ucko's involvement in the Museum of the Jewish Family. Museum materials include programming pamphlets and advertising, exhibitions, budget materials, grant applications, Board of Directors correspondence and meeting minutes, newsletters, mission and by-laws, and other materials from the operation of the organization, primarily dated 1997-1998. Other items in this addition include some of Ucko's correspondence, her research on museums and memory, and some StoriesWork materials.

Addition (2013-0052) (75 items; .1 lin. ft.; dated 1975, 1981-1982, 2004, 2006, 2008-2009, 2013) includes a research paper and notes on Israeli absorption centers as well as newsletters and pamphlets for StoriesWork. Other items in this addition include pamphlets and flyers advertising Ucko's research consulting business, a program for a 1975 production of All in the Family at the University of Maryland Munich campus (Ucko served as faculty advisor), and a 2013 resume.

The Lenora Greenbaum Ucko Papers were acquired as part of the Sallie Bingham Center for Women's History and Culture.

Pulitzer Prize winning author of The Accidental Tourist, Breathing Lessons, Celestial Navigation, Ladder of Years, and other popular novels. Collection includes manuscript drafts, printed material, holograph manuscripts and typescripts of Tyler's novels and short stories, including Dinner at the Homesick Restaurant; clippings of articles about Tyler and her writings; serials containing articles by or about Tyler and her work; correspondence between Tyler and her publishers; and materials regarding adaptations of her novels, including the movie The Accidental Tourist. Later additions include holograph manuscripts of A Patchwork Planet and Noah's Compass; an advance uncorrected proof of Back When We Were Grownups (2001); drafts for Digging to America, The Amateur Marriage, Back When We Were Grownups, The Beginner's Goodbye, A Blue Spool of Thread, Vinegar Girl, and Clock Dance; correspondence between Tyler and her editors and agents; publicity materials; some Tyler family correspondence; book reviews; and book covers.

The collection includes manuscript drafts, printed material, holograph manuscripts and typescripts of Tyler's novels and short stories; clippings of articles about Tyler and her writings; serials containing articles by or about Tyler and her work; Tyler's work-related and personal correspondence; and clipping and other materials regarding adaptations of her works, including the movie The Accidental Tourist. Later additions include holograph manuscripts of A Patchwork Planet and Noah's Compass; an advance uncorrected proof of Back When We Were Grownups (2001); drafts for Digging to America, The Amateur Marriage, Back When We Were Grownups, The Beginner's Goodbye, A Blue Spool of Thread, Vinegar Girl, Clock Dance, Redhead by the Side of the Road, and French Braid; correspondence between Tyler and her editors and agents; publicity materials; some Tyler family correspondence; book reviews; and book covers.

The Writings series contains novels, short stories, essays, and book reviews written by Tyler. The novels are all in draft form, with the exception of one advance uncorrected proof. Arranged in folders by date of publication, the Novels subseries includes drafts of all novels Tyler wrote between 1961 and 2016. Most of Tyler's initial drafts are handwritten, as are all of the editing marks. She also made notes for herself regarding the characters and locations in her novels. Her notes include character details and hand-drawn house floorplans. This subseries gives insight into Tyler's writing and editing process. The Short Stories & Other Writings subseries includes published and unpublished short stories, clippings, and a booklet of student essays from Tyler's time at Duke University. Oversize writings can be found in the Miscellaneous & Oversize Materials series.

The Correspondence series contains letters received or written by Anne Tyler, though the majority of the correspondence was written to Tyler. She received mail from a wide range of people, including reporters, fans, friends, publishers, editors, and event coordinators. The majority of series is arranged chronologically and provides insight into the relationships that Tyler built due to her writing, and the friendships forged through continued correspondence. One folder in this series is restricted.

The Printed Materials series contains a wide variety of materials related to Tyler and her writings. A substantial portion of this series is comprised of clippings from newspapers and magazines. Either Tyler herself or a friend or colleague subscribed to a clipping service; many book review and publicity clippings were clipped by Durrant's, an international clipping service. This series also contains materials from Eudora Welty and Tyler's speaking engagement at Duke University in 1982. This was one of the few public appearances that Tyler has made. She does not generally give interviews or go on book tours. Oversize jacket art and publicity materials can be found in the Miscellaneous & Oversize Materials series.

Collection consists primarily of manuscripts and research materials related to Turnipseed's writings (1902-1960s), in particular his multivolume, unpublished autobiography I Tried: An Autobiography of Andrew Spencer Turnipseed. The collection documents Turnipseed's ancestry, early life, and roles as a theologian and activist. Includes many folders of personal and professional correspondence (1929-1980s); lectures and sermons (including 13 audio cassettes); course materials; and travel files. In addition, there are subject files on topics such as Methodism; civil rights; race relations and Southern politics; and public education, including higher education for African-Americans in Alabama. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

William Clair Turner, Jr. earned his B.S. in Electrical Engineering from Duke University in 1971, his M.Div. from Duke Divinity School in 1974, and his Ph.D. in religion in 1984. He has held several administrative positions at Duke, including Assistant Provost and Dean of Black Affairs and Acting Director of the Afro-American Studies program. In 1982 he became a full-time faculty member in the Divinity School, directing the Office of Black Church Affairs before being appointed Professor of the Practice of Homiletics. He has pastored several churches, including his current position at Mt. Level Baptist Church and was previously ordained in the United Holy Church of America, Inc. denomination. The collection documents Turner's academic and personal activities. Materials include personal and administrative correspondence regarding Turner's roles as pastor and administrator, manuscripts of lectures and sermons, syllabi and notes for courses taught, notes from classes taken while a student, subject files, and records of the United Holy Church of America. The collection also includes VHS, CD, and DVD recordings of some of his sermons.

The collection documents the academic and personal activities of William C. Turner, Jr., Duke alumni and faculty member at Duke Divinity School. Materials include personal and administrative correspondence regarding Turner's roles as pastor and administrator, manuscripts of lectures and sermons, syllabi and notes for courses taught, notes from classes taken while a student, subject files, and records of the United Holy Church of America, Inc. denomination in which Turner was deeply involved and on which he wrote his Ph.D. dissertation. The collection also includes VHS, CD, and DVD recordings of some of his sermons. Major topics covered include black student life at Duke; Turner's involvement in the Department of Afro-American Studies, Office of Black Affairs, and Office of Black Church Studies; Turner's academic work on the Holy Spirit and black spirituality; pastoral work in African American churches in Durham; and the history of the United Holy Church of America, Inc.

The Duke University Board of Trustees has existed since 1924, and grew out of the Trinity College Board of Trustees that existed from 1859 to 1924. The Board is responsible for making major steering decisions in the administration of the school. The Board of Trustees records contain minutes, agendas, correspondence, reports, subject files, trustee handbooks, and other records of the Board and Executive, standing, and ad hoc committees. The minutes include reports, correspondence, resolutions, recommendations for the conferring of degrees, for employment and renewal of employment, and other material. Reports include those made by University officers, Board committees, and outside consultants. The Board's records also include statements of funds and scholarships, investment reports, correspondence, audits, bylaws, petitions from students, and other material. English.

The Board of Trustees records contain minutes, agendas, correspondence, reports, subject files, trustee handbooks, and other records of the Board and Executive, standing, and ad hoc committees. The minutes include reports, correspondence, resolutions, recommendations for the conferring of degrees, for employment and renewal of employment, and other material. Reports include those made by University officers, Board committees, and outside consultants. The Board's records also include statements of funds and scholarships, investment reports, correspondence, audits, bylaws, petitions from students, and other material. The minute book covering June 1901-June 1910 was destroyed by fire in 1911, but some handwritten minutes for the period were preserved and have been typed out. There are gaps in the minutes for the period 1925-1930.

The collection is divided into three main sections: Trinity College, Duke University, and Duke University Unprocessed Materials. The Trinity College series begins in 1860 and ends in 1924, the year Trinity College became Duke University. There are minute books, topical files, and yearly files. Because a fire destroyed the minute book covering June 1901-June 1910, some handwritten minutes have been transcribed; these can be found in the yearly files.

The second series, Duke University, covers 1924 to the present. It includes minutes of the Board and the Executive Committee, general records of the Board and the Executive Committee, reports, financial records, committees, and unprocessed materials. All materials less than 50 years old are closed except by special permission, in writing, from the Board of Trustees.

The third series, Duke University Unprocessed Materials, consists primarily of materials less than fifty years old, and so are restricted except by permission from the Board of Trustees.

The Tom Triman Films are comprised of 132 super 8mm reels and one VHS videocassette, containing the productions of horror movie fan/historian/critic Tom Triman (1952-2010).

The Tom Triman Films are comprised of 132 super 8mm reels and one VHS videocassette, containing the productions of horror movie fan/animator/writer Tom Triman (1952-2010). The bulk of the reels are elements for larger works, which here include Butterfly Man, Gunfire and Holy Water, and Pentagram. The collection also contains several commercial films released on super 8mm film, including 2001 A Space Odyssey, Dr. Jekyll and Mr. Hyde, and Frankenstein.

The Triangle Universities Computation Center (TUCC) was incorporated in 1965 as a cooperative venture between Duke University, North Carolina State University and the University of North Carolina at Chapel Hill, with the goal of providing main-frame computing services, such as electronic data and batch processing, to the universities, RTI International and others. It dissolved in 1990 due to financial difficulties, the increased use of personal computers, and disagreements among the partners. Materials in the collection include administrative records, correspondence, meeting minutes, financial and statistical reports, memoranda, proposals, newsletters, photographs, slides, a scrapbook, and other materials from the Triangle Universities Computation Center.

The TUCC records spans the years 1954-1990. The collection is arranged into two series: Administrative Records, 1954-1990 and Visual Materials, 1966-1989 and undated.

Materials in the collection include administrative records, correspondence, meeting minutes, financial and statistical reports, memoranda, proposals, newsletters, photographs, slides, a scrapbook, and other materials from the Triangle Universities Computation Center.

Triangle Community Works! was formed in 1994 and consists of a coalition of groups, including ASPYN (A Safer Place Youth Network), The Gay and Lesbian Helpline, P-FLAG (Parents, Families, and Friends of Lesbians and Gays), and RRNGLE (Raleigh Religious Network for Gay and Lesbian Equality). Collection includes historical documents from several groups in Triangle Community Works!, including ASPYN, RRNGLE, and the Gay and Lesbian Helpline. Materials date from the 1970s to 2008.

This collection (Accession 2009-0276) includes historical documents from several groups in Triangle Community Works!, including ASPYN, RRNGLE, and the Gay and Lesbian Helpline. Materials date from the 1970s to 2008 and include news clippings, newsletters, publicity materials, meeting minutes, organizational records, and administrative files.

According to the Triangle Business and Professional Guild bylaws, the TBPG aims to establish a network of business and professional resources, to encourage fellowship and support among businesses, professionals, and charitable pursuits, and to provide and promote positive role models in the gay and lesbian community, particularly in the Triangle (Raleigh, Chapel Hill, and Durham) area of North Carolina. This organization was founded in the early 1990s and is based in Raleigh. Accession (2008-0168) (900 items; 1.5 lin. ft.; dated 1970-2006) includes TBPG newsletters from 1993-2006, news clippings highlighting the lesbian and gay communities, and some administrative material. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Accession (2008-0168) (900 items; 1.5 lin. ft.; dated 1970-2006) includes TBPG newsletters from 1993-2006, news clippings highlighting the lesbian and gay communities, and some administrative material. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The Traffic Audit Bureau for Media Measurement Inc. (TAB) is a nonprofit organization focused on out-of-home media circulation research, founded in 1933. TAB rebranded as Geopath in 2016 and is headquartered in New York. The collection includes annual reports; financial data; instructional manuals; meeting records; newsletters; traffic survey and statistical research reports; and other printed materials that document ongoing developments and changing priorities at TAB especially for the years 1983-1996. Topics addressed include business relationships with plant operators; construction standards; education and training; outdoor poster design and visibility standards; public relations and outreach; research and reporting methodology; strategic planning and institutional reorganization. Individuals and organizations represented include A.C. Nielsen, Ad Council, American Association of Advertising Agencies, Anna Fountas, Association of National Advertisers, Byron Chandler, John Miller, Ken Sammon, Larry Hennessy, Market Information Services of America, Outdoor Advertising Association of America, and Wilbur Smith and Associates. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History and the Kevin P. Reilly Sr. Outdoor Advertising Archives.

The collection includes annual reports; financial data; instructional manuals; meeting records; newsletters; traffic survey and statistical research reports; and other printed materials that document ongoing developments and changing priorities at TAB especially for the years 1983-1996. Topics addressed include business relationships with plant operators; construction standards; education and training; outdoor poster design and visibility standards; public relations and outreach; research and reporting methodology; strategic planning and institutional reorganization. Individuals and organizations represented include A.C. Nielsen, Ad Council, American Association of Advertising Agencies, Anna Fountas, Association of National Advertisers, Byron Chandler, John Miller, Ken Sammon, Larry Hennessy, Market Information Services of America, Outdoor Advertising Association of America, and Wilbur Smith and Associates.

Posters and some brochures and pamphlets acquired by Bill Tracy during his time at the American University of Beirut. The majority of the collection consists of political posters from Palestine and tourism posters from Lebanon. Also included are some travel brochures and pamphlets about various sites in Jordan, Syria, Yemen, Egypt, and Lebanon. Materials largely date from the 1960s to the 1970s.

The Palestinian and Lebanese Poster Collection is at Duke University on deposit by a faculty member. The majority of the collection consists of political posters from Palestine and tourism posters from Lebanon. Also included are some travel brochures and pamphlets about various sites in Jordan, Syria, Yemen, Egypt, and Lebanon. Materials largely date from the 1960s to the 1970s.

The posters from Lebanon are largely aimed at promoting tourism to the country and to Beirut in particular. Common themes are Lebanese art and history, including posters highlighing music concerts, art exhibits, temples, and mosques. Other posters focus on Lebanon's natural beauty, advertising its ski slopes, crops, and beaches.

The Palestinian posters attempt to raise awareness of the plight of the Palestinian people while simultaneously incriminating Israeli and American politics and violence. The majority encourage people to unite and take up arms to defend Palestine. Several posters insinuate and accuse the United States and Israel of murder and genocide. Many are from the Palestinian National Liberation Movement organization, also known as FATEH or FATAH, showing Palestinian freedom fighters, injured children, paintings of guns raised, and other images encouraging Palestinian resistance. Another organization represented is the Popular Front for the Liberation of Palestine (PFLP), which has similar themes of militantism against Israel and unity among Palestinians. The Arab Women's Information Committee posters are part of a set called "The Facts About the Palestine Problem," which have images of injured Palestinian children, bombed cities, and destroyed schools. About half of the Palestine posters do not appear to promote any particular organization or group, but instead convey more general pro-Palestine themes.

The rest of the collection consists of a few more posters, including three that are mounted on wood, as well as brochures and pamphlets from other Middle Eastern countries. There are a small number of pro-Israel posters encouraging tourism to Jerusalem or fundraising for Friends of Jerusalem. These are vastly outnumbered by the pro-Palestine posters and the Lebanon tourism posters.

Eckard Toy was an American history professor and scholar who studied the history of race, the Ku Klux Klan, and neo-Nazis in the United States, particularly in the Pacific Northwest. Collection includes Toy's research files and related materials on various extremist groups in the United States, particularly right-wing Christian extremists, the Ku Klux Klan, and Holocaust revisionists. Files are arranged by group or topic and at times include Toy's correspondence with various representatives. Notable groups include the Church of Jesus Christ Christian, various factions of the Ku Klux Klan, the German American National Political Action Committee (GANPAC), the Institute for Historical Review, and Christian Biblical America. Collection also contains Toy's research on Francis Yockey and Gordon Kahl. Materials from the IHR include two VHS tapes and one audiocassette on Holocaust revisionism.

Collection includes Toy's research files and related materials on various extremist groups in the United States, particularly right-wing Christian extremists, the Ku Klux Klan, and Holocaust revisionists. Files are arranged by group or topic and at times include Toy's correspondence with various representatives. Predominant groups include the Church of Jesus Christ Christian, various factions of the Ku Klux Klan, the German American National Political Action Committee (GANPAC), the Institute for Historical Review (IHR), and Christian Biblical America. Collection also contains Toy's research on Francis Yockey and Gordon Kahl. Materials from the IHR include two VHS tapes and one audiocassette on Holocaust revisionism. Most folders were originally grouped with their titles assigned by Toy.

The Town and Campus Club is an woman's organization in Durham, North Carolina. It was founded in 1938 with the purpose "to follow the literary interests of the members and to promote friendship and social activity." The records of the Town and Campus Club primarily feature administrative and program records for the organization, including the constitution and by-laws, minutes, and treasurer's reports, as well other occasional records maintained by the secretary, along with program booklets, club histories, and member biographies and sketches. In addition, there is correspondence as well as color photographs, including two group photographs.

The records of the Town and Campus Club primarily feature administrative and program records for the organization, including the constitution and by-laws, minutes, and treasurer's reports, as well other occasional records maintained by the secretary, along with program booklets, club histories, and member biographies and sketches. In addition, there is correspondence as well as color photographs, including two group photographs.

C. Dayton Bud Titsworth was an executive at Lord, Geller, Federico, Einstein, a subsidiary of the J. Walter Thompson Company (JWT) advertising agency, in the 1970s and 1980s, before starting his own agency. The Bud Titsworth Commercials collection span the years 1968-1991 and consist of audio tapes, videocassettes and 16mm films of radio spots and television commercials on which Titsworth worked. Clients represented include Canada Dry, IBM, STP and Warner-Lambert. Announcers for radio spots include sportscaster Howard Cosell. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Bud Titsworth Commercials collection span the years 1968-1991 and consist of audio tapes, videocassettes and 16mm films of radio spots and television commercials on which Titsworth worked. Clients represented include Canada Dry, IBM, STP and Warner-Lambert. Announcers for radio spots include sportscaster Howard Cosell.

Dr. Edward Tiryakian taught in the Department of Sociology from 1965 until his retirement in 2004. He served as Chair of the Department in addition to positions as Visiting Professor abroad. He was appointed Director for the Center of International Studies in 1988 and served until 1991. The collection contains correspondence and materials related to the Dept. of Sociology, and the Center for International Studies as well as memoranda, clippings and correspondence regarding general University business but also the Nixon Presidential Library controversy and the Allen Building Takeover.

Contains correspondence and materials related to the Dept. of Sociology and the Center for International Studies as well as memoranda, clippings and correspondence regarding general University business and committees but also the Nixon Presidential Library controversy and the Allen Building Takeover.

Robert Cowin served as Circulation Director of Sports Illustrated, later Editor of Golf Magazine. Time Life Alumni Society certificate to Robert Cowin includes a Certificate of Historical Authenticity documenting the veracity of two memos copied from the Time Inc. Archives. One memo dated November 1950 from Cowin to Editor in Chief Daniel Longwell outlines Cowin's ideas for a new magazine that would become Sports Illustrated. The other memo, dated October 1969 from Garry Valk to Sports Illustrated staff, notes the departure of Cowin from Sports Illustrated and summarizes Cowin's role in the creation of the magazine. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Time Life Alumni Society certificate to Robert Cowin includes a Certificate of Historical Authenticity documenting the veracity of two memos copied from the Time Inc. Archives. One memo dated November 1950 from Cowin to Editor in Chief Daniel Longwell outlines Cowin's ideas for a new magazine that would become Sports Illustrated. The other memo, dated October 1969 from Garry Valk to Sports Illustrated staff, notes the departure of Cowin from Sports Illustrated and summarizes Cowin's role in the creation of the magazine. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Historian, professor, clergyman, and activist; resident of Durham, N.C. The papers of Earl E. Thorpe span the years 1942-1990, the bulk of the materials having been generated during the years 1965 to 1982. Primarily, materials in the collection address Thorpe's work at North Carolina Central University (formerly North Carolina College), and his tenure as visiting professor at Harvard and Duke universities. Topics include student activism, teaching, racial and departmental politics on campus, and the development of viable African American Studies programs. Thorpe's service as chair of the program committee for the 1979 meeting of the Association for the Study of Afro-American Life and History (ASALH), and his term as president of the ASALH in 1980 are also well represented. Personal correspondence with family and students, and material reflective of Thorpe's life in the ministry are scattered throughout. Some materials also touch on North Carolina and Durham politics and race relations.

The papers of Earl E. Thorpe - historian, clergyman, and activist - span the years 1942 to 1990, the bulk of the materials having been generated during the years 1965-1982. The collection consists of six series: Correspondence, Writings and Speeches, Pictures, Printed Material, Clippings, and Genealogical Papers. Primarily, materials in the collection address Thorpe's work at North Carolina Central University (formerly North Carolina College), and his tenure as visiting professor at Harvard and Duke universities. Thorpe's service as chair of the program committee for the 1979 meeting of the Association for the Study of Afro-American Life and History (ASALH), and his term as president of the ASALH in 1980 are also well represented. Personal correspondence with family and students, and material reflective of Thorpe's life in the ministry are scattered throughout.

The bulk of the collection consists of the personal and professional correspondence of Thorpe. To 1970, material in the Correspondence Series centers on departmental politics at North Carolina College - specifically confusion and dissension over Thorpe's promotion to the chair of the history department. Letters from Thorpe's daughter at Spellman College in Atlanta, missives from friends and former students, a World War II era note from Thorpe to Martha V. Branch - Thorpe's future wife - and a small amount of professional correspondence are also represented.

Beginning in 1971, correspondence turns to Thorpe's appointment as a visiting professor of Afro-American Studies at Harvard University. The letters reveal the substance of Thorpe's classes, and the intellectual environment at Harvard - especially as it concerns the Afro-American studies department. The challenges fading the organization and the development of a viable Afro-American Studies program emerge in correspondence between Thorpe and Ewart Gunier - chair of the Harvard black studies program - letters copied to Thorpe from others, and internal memoranda from Harvard's Afro-American Studies program.

From 1972 through 1978, correspondence focuses again on Thorpe's duties at North Carolina Central University: tenure proceedings, student activism, class organization, personnel searches, and race politics on campus. Of particular interest are letters concerning the appointment of a white instructor to teach NCCU's Afro-American history survey, and the organization of the Helen G. Edmonds history colloquium. Matters unrelated to the history department or the workings of the campus are touched upon - planning for family reunions, and correspondence concerning Thorpe's health, for example.

Beginning in 1978, correspondence turns to Thorpe's duties as chair of the program committee for the 1979 meeting of the Association for the Study of Afro-American Life and History (ASALH). In some detail, the letters recount the organization of the ASALH conference program - especially the politics and compromise involved in such a labor. Principal correspondents are ASALH officials, but included are notes from prominent African American historians. Panel and papers abstracts submitted for the committee's consideration are filed in the Writings and Speeches Series. A number of letters and abstracts represent efforts by the Association of Black Women Historians to organize panels at the meeting.

In 1980, correspondence shifts to matters concerning Professor Thorpe's tenure as president of the ASALH. The organization of the 1981 conference in New Orleans is prominent. Correspondence pondering the future of the ASALH in light of recent mismanagement is also present. Of material not related to ASALH in this period, correspondence between Thorpe and Lerone Bennet, Jr. is especially interesting. In 1981, Thorpe charged Bennet with plagiarizing Thorpe's work in preparing a piece for Ebony magazine. As if preparing for a trial, Professor Thorpe went so far as to collect evidence and build a case. The matter, however, was never fully resolved.

Paul Zwillenberg has written a history honors thesis probing Professor Thorpe's thoughts and writings. "I Dream a World: An Intellectual Biography of Earl Endris Thorpe" may be examined in the reading room of the Rubenstein Library.

The papers of tobacco industrialist and philanthropist James Augustus Thomas (1862-1940) primarily concern his commercial and diplomatic dealings in East Asia, and the opening of the tobacco market in China and other countries in the early 20th century. Materials include many boxes of correspondence, print and ephemeral materials, and photographs. Correspondents include Herbert Hoover, Robert Lansing, Theodore Roosevelt, William Howard Taft, and Sun Yat-sen. Includes materials relating to U.S.-China foreign and economic relations; the marketing of U.S. cigarettes in Asia; the British-American Tobacco Company; domestic policies and financial development in China; political events in East Asia and Europe; and philanthropy in China, including Thomas' efforts to bring Chinese students to Duke University. There are also some personal letters and three audiocassettes of an oral interview with Dorothy Read Thomas, Thomas's widow, with a typed transcript; interview topics include her life in China and St. Petersburg, Russia in the 1920s.

The papers of James Augustus Thomas comprise many folders of correspondence, printed material, and other papers (chiefly 1914-1940), related to his commercial and diplomatic dealings in East Asia and the opening of the tobacco market in China and other countries. Correspondents include Herbert Hoover, Robert Lansing, Theodore Roosevelt, William Howard Taft, and Sun Yat-sen. There are also some personal letters.

The materials document U.S.-China foreign and economic relations; the marketing of U.S. cigarettes in Asia; the British-American Tobacco Company; U.S.-Chinese trade; domestic policies and financial development in China; political events in East Asia and Europe; American foreign policy in East Asia (1920s-1930s); and philanthropy in China, including Thomas' efforts to bring Chinese students to Duke University and other North Carolina institutions.

Printed materials in the collection include reports, economic summaries, essays, conference programs, memos, and ephemera such as admission cards, tickets, and pamphlets. Some materials relate to the World's Fair in New York, and a visit by a Chinese delegation to New York in 1915, illustrated with photographs.

Additions to the collection include three letters pertaining or written to son, Jimmy, by his parents, gelatin silver photographs and a few negatives, and three audiocassettes of an oral interview (by Duke Professor Emeritus Richard Watson) with Dorothy Read Thomas, widow of James A. Thomas, which include a typed transcript. Interview topics include her life in China and Petrograd (now St. Petersburg, Russia) where she taught school briefly; and the social life and customs in Bejing and Shanghai after she married Thomas in 1922.

There are also negative microfilm reels of the series "China Through Western Eyes: Part 3, The Papers of J.A. Thomas c.1905-1923." Positive reels have been sent to the microfilm department.

The Theta Chi Records are a collection of photographs and papers created by the Duke University chapter of the fraternal organization Theta Chi.

The collection includes pledge paddlebooks, notebooks, rush materials, and composite photographs of members of the fraternity.

The following overview was compiled almost completely from the 1999 accession of the TePaske Papers, although the 1993 accession contains more of the same types of materials.

This collection consists of summaries of the fiscal records of the royal treasuries of key regions in colonial Spanish America. Represented in these records are present-day Mexico (New Spain), Peru, Upper Peru (Bolivia), Rio de la Plata (Argentina, Paraguay, and Uruguay), Chile, Ecuador, and Cuba. The scope of the records is broad and comprehensive, offering in most cases virtually complete series of fiscal data for the colonial era, from the sixteenth century through the early decades of the nineteenth century.

Variously known as sumarios, cartas cuentas, tanteos or relaciones juradas, the account summaries list all the revenues and expenditures in the account period for each particular treasury district. The royal treasuries (cajas) collected taxes and made disbursements. Tax receipts (cargo) included levies on silver production, sales and port taxes, Indian tribute, and royal monopolies on commodities, (tobacco, mercury, stamped legal paper) and legal transactions. Expenditures (data) included the salaries and upkeep of the district's royal bureaucracy, defense expenses, and support for the missionary activities of the church. Surplus revenue generally found its way into the viceroyalty's coffers to help defray costs related to governmental activities. Each summary synthesizes an account period's worth of transactions in each particular caja or treasury. As such, these documents provide a window into both the fiscal organization of the Spanish empire and the fiscal state of each district, and also help elucidate the diversity of economic life in the various treasury districts.

Most of these records come from the Archivo General de Indias in Sevilla, Spain. Originally organized into bundles or legajos, the account summaries were scattered in various sections of the Sevilla repository. The Contaduría section holds most of the accounts related to the period prior to the mid-eighteenth century. After that, the records are dispersed within the various Audiencia sections for each jurisdiction. For example, the records for the Lima treasury appear in the Audiencia of Lima section of the archive, and so on. The following list offers a broad overview of the location of the holdings in the Archivo General de Indias:

Peru: Up to 1760: Contaduría (legajos 1679-1873); After 1760: Audiencia of Lima (legajos 38-50); Audiencia of Cuzco

Upper Peru: Up to 1760: Contaduría (legajos 1795-1850); After 1760: Audiencia of Charcas (legajos 627-671); Audiencia of Lima (legajos 1301 and 1415)

Chile: Up to 1750: Contaduría (legajos 1854-1858, and 1860); After 1750: Audiencia of Chile (legajos 339-351, 395-415)

Rio de la Plata: Contaduría (legajos 1845, 1846, 1884, 1886A, 1887A, 1894A, 1894B); Audiencia of Buenos Aires (legajos 393-399, 401-409, 442, 445-446, 448, 450-451, 453-455, 457-458, 460-462, 464-466, 484, 619-620, 701-703); Audiencia of Lima (legajo 1416)

Ecuador: Contaduría (legajos 1377, 1539-1540, 1576-1577); Audiencia of Quito (legajos 140-141, 173, 165, 407, 413, 415-429, 469-475, 477, and 497)

Mexico: Up to 1760: Contaduría (legajos 677-940); After 1760: Audiencia of Mexico (legajos 2027-3198); Audiencia of Guadalajara (legajos 436-496)

These archival materials were originally collected for a collaborative research project designed to compile comprehensive fiscal data on the former Spanish American colonies. Except for the Cuban accounts, the majority of these sources have already been published in book format as the list below attests:

A. Mexico (New Spain) and Mexico City:

John J. TePaske and Herbert S. Klein. Ingresos y egresos de la Real Hacienda de Nueva España. 2 vols. México, D.F.: Instituto Nacional de Antropología e Historia, 1986-1988.

John J. TePaske and José y Mari Luz Hernández Palomo. La Real Hacienda de Nueva España: la Real Caja de México, 1576-1816. México: Instituto Nacional de Antropología e Historia, SEP, Departamento de Investigaciones Históricas, Seminario de Historia Económica, 1976.

B. Peru, Upper Peru (Bolivia), Rio de la Plata (Argentina, Paraguay, and Uruguay), Chile, and eighteenth-century Ecuador:

John J. TePaske and Herbert S. Klein. The Royal Treasuries of the Spanish Empire in America. 4 vols. Durham: Duke University Press, 1982-1990.

(Note: The fourth volume in the series on Ecuador was compiled by professors Alvaro Jara and John J. TePaske.)

We strongly encourage researchers to first read the introductions to the published accounts before consulting these records. In the introduction to each volume, researchers will find useful background information about the development of the royal treasury system in the districts for which there is fiscal data. The introductions also concisely explain the organization and operation of the treasuries, the structure of the account summaries and the terminology used in them, the use of multiple units of currency, and other important details about bookkeeping in colonial times.

Although the published account summaries faithfully replicate the originals, there are slight variations. The authors made minor changes to make the data more manageable. Monetary units were rounded off and the entries on both the income and expenditure sides of the accounts were standardized and arranged in alphabetical order. For more information on these and other methodological issues, please see the introduction to the volumes.

The TePaske collection consists of colonial Spanish American fiscal records in both microfilm and print. The printed materials are duplicates of the originals in microform.

Glossary:

caja real = royal treasury

cargo = income, revenue

data = expenditure, disbursement

legajo = bundle of documents

ramo = income/expenditure category

sumario = accounts, account summary (also carta cuenta, tanteo, relación jurada)

tesorero = treasury official (also contador)

Collection contains video recordings of performing arts events at Duke from 1987-2001. The performances are largely Hoof'n'Horn but also include performances from the Dept. of Theater Studies, namely Duke Players.

Stephen Tell is a Duke alum hired by groups to create recordings of performing arts events. His collection includes video recordings of such events at Duke from 1987-2001, mostly of Hoof'n'Horn productions but it also includes performances by the Dept. of Theater Studies. Formats include VHS, SVHS, Umatic, and DVD.

Dorothy "Cookie" Foster Teer was born on August 15, 1941 to Dorothy and Nello Teer, Jr. of Durham, N.C. After a stint in New York, she returned to Durham in the 1970s. After taking some courses at Duke Divinity School, she joined the committee that founded Triangle Hospice. In the early 1980s, Teer became an overnight radical feminist, activist, and speaker, giving over 400 slide shows around the United States on pornography, sex role stereotyping, and child pornography. A 1987 conversation led to her co-founding of Southern Sisters Bookstore, a Durham, N.C. bookstore "by, for, and about women." By the late 1980s and 1990s, Teer was heavily involved in advocacy efforts around child custody, divorce, and domestic abuse, and frequently had "mothers on the run" living in her home. With a group of other women activists and radicals, Teer founded a writing collective called Women Against Sex. Married and divorced twice, Teer had three children. After Southern Sisters Bookstore closed, Teer took a step back from activism and began working as a real estate agent. The collection dates primarily between 1983-1997, providing thorough documentation of the social, cultural, and political debates over pornography in the United States in the 1980s and 1990s, with materials from both proponents and opponents of anti-pornography legislation, as well as detailed documentation of the pornography industry, and transcripts from hearings organized by the Attorney General's Commission on Pornography. The collection contains some materials related to particular feminist activists and theorists, including Nikki Craft, Catherine MacKinnon, and Andrea Dworkin. Teer's extensive subject files also contain clippings, correspondence, and printed materials pertaining to women's rights, feminists, feminist organizations and events, and social issues related to women and children such as rape, pornography, incest, prostitution, domestic violence, child custody, and child abuse. Other materials relate to her ownership of the Southern Sisters bookstore (Durham, N.C.), such as promotional materials, newsletters, events fliers, and calendars.

The materials in the Dorothy "Cookie" Teer Papers date from 1971 to 2000, with the bulk of the collection dating between 1983 and 1997. These materials include: newspaper clippings, magazines, correspondence, photographs, meeting minutes, manuscripts, notes, published books, audio and videotapes, organizational records, and court transcripts. The collection documents Teer's activism during this period, the feminist issues with which she was concerned, feminist and anti-pornography activism in and around Chapel Hill and Durham, N.C., and the activities of the organizations of which Teer was a member, including the National Organization for Women (N.O.W.) and Pornography Awareness.

This collection provides thorough documentation of the social, cultural, and political debates over pornography in the United States in the 1980s and 1990s, with materials from both proponents and opponents of anti-pornography legislation, as well as detailed documentation of the pornography industry, with a focus on publications such as Playboy and Hustler. Transcripts from hearings organized by the Attorney General's Commission on Pornography supplement these materials, with testimony from all sides of the pornography debate. The collection contains some materials related to particular feminist activists and theorists, including Nikki Craft, Catherine MacKinnon, and Andrea Dworkin. Teer's extensive subject files also contain newspaper and magazine clippings, correspondence, and printed items pertaining to women's rights, feminists, feminist organizations and events, and social issues related to women and children such as rape, pornography, incest, prostitution, domestic violence, child custody, and child abuse. Other materials relate to her ownership of the Southern Sisters bookstore (Durham, N.C.), such as promotional materials, newsletters, events fliers, several rolodex files, rubber stamps, and calendars.

The collection is organized into four series: Subject Files, Orange County Human Relations Commission, Attorney General's Commission on Pornography, and Southern Sisters Bookstore.

The Subject Files series contains clippings and academic articles related to violence against women and children. Other materials include extensive documentation of the anti-pornography movement, the work of the Orange County Human Relations Commission, the National Organization for Women (N.O.W.), and various feminist or anti-pornography symposia. Includes files on feminist artist and activist Nikki Craft and feminist scholar and lawyer Catherine MacKinnon. Several files relate to the women's/feminist Southern Sisters Bookstore in Durham, N.C., of which Teer was a proprietor.

The Orange County Human Relations Commission series contains materials related to the Orange County Human Relations Commission and the Committee for Justice for Women of Orange County. Some materials consist of pamphlets or news clippings related to the HRC's focus areas, especially the status of women and children within the county and the state; series also contains planning for and documentation of the public hearings on the status of women and children in Orange County, N.C., organized by the Human Relations Commission and held in 1989.

The Attorney General's Commission on Pornography series contains materials related to the commission's 1985-1986 investigation into pornography. Consisting almost entirely of transcripts from public hearings on pornography, some with annotations, this series details many aspects of the U.S. pornography industry. This series also contains some materials from the 1983 Minneapolis hearings on pornography.

The Southern Sisters Bookstore series contains materials related to the feminist/women's Southern Sisters Bookstore, of which Teer was co-owner, President, and CEO. Materials include financial records, flyers, mailing lists, mission statement, bibliographies of materials related to feminist issues, as well as materials such as cards from the bookstore's Rolodex, signs, and rubber stamps. Contains some correspondence from patrons, donors, and supporters of the store.

Walter J. Taylor was incarcerated at San Quentin and Folsom prisons from 1968 to 1973. While in jail, he founded the Sisters of Motivation and the Community Concern for Prisoners organizations to help African American convicts. He was also arrested, but never charged, as a suspect in the "Stinky Rapist" crimes in Berkeley, California, from 1973 to 1978. Collection consists largely of materials from Taylor's time in prison and as a community activist, post-prison, in Berkeley, California, during the 1970s. The majority of the materials comprises Taylor's incoming correspondence during his incarceration, which includes letters from a variety of people, especially women participating as pen pals in the Sisters of Motivation organization. Other frequent writers are Taylor's girlfriends, family members, and community organizations that he had contacted regarding his imprisonment and the general condition of black male prisoners. Post-prison materials consist largely of letters of recommendation and thanks relating to his job as a youth counselor; creative writings and poems about black culture and beauty; business flyers for his music store; and Community Concern for Prisoners materials. Collection also includes several folders of news clippings, most of which relate to Taylor being the prime suspect for the "Stinky Rapist" crimes in Berkeley from 1973 to 1978. Acquired as part of the Human Rights Archive at Duke University.

This collection consists of personal papers; prison and legal materials; post-prison materials; organizational papers; business flyers; community and campaign ephemera; creative works and writings by Taylor; correspondence; and news clippings.

Taylor's Personal Papers consist of items like his birth certificate, school diplomas, and certificates. These are the only materials in the collection that date from his childhood and youth. The Prison and Legal Materials Series includes items such as police reports and accounts of Taylor's burglary in 1967, San Quentin Inmate Advisory Council certificates, and grades from his classes at the prison's school. Though this is a small series, it offers insight into Taylor's activities while at the San Quentin and Folsom prisons from 1968-1973.

Post-Prison Materials include information about Taylor's activities following parole in 1973. His work for the Thresholds program is documented through letters of thanks from Oakland officials and school districts, as well as booklets about the program itself. Other materials include items from Taylor's post-prison job search, such as his work for KDIA radio. Later materials offer insight into Taylor's passions following his parole. There are several flyers and other promotional material for Taylor's record store, Oldies But Goodies, as well as documentation of a business loan. The series also documents the political scene of San Francisco in the 1970s, including rosters and candidate lists, materials from the Black Book business directory, and flyers from Taylor's run for the Oakland Community Action Agency's administrative board. This series also has the only portion of the collection dealing with Taylor's life post-1981; travel documents suggest that he was at least visiting the Caribbean in 1999-2000. Finally, there are some miscellaneous materials in this series, including flyers, leaflets, and other general materials that document life in the San Francisco area but do not relate specifically to Taylor's activities.

Materials in the Organizational Papers derive from the Sisters of Motivation, started by Taylor while in prison, and Community Concern for Prisoners, which he appears to have founded after his release from jail. This series includes sign-up sheets, letters of support from public officials and community members, and general information about the organizations. It also contains flyers and bulletins from the CCP's various events, including one with Maya Angelou and other prominent San Francisco artists and writers.

Taylor's Writings and Creative Works include a wide range of materials, beginning with poems and songs and ending with political reflections and essays on black culture. Common themes are the oppression that he faced in prison, the beauty of black women, and the struggle of African Americans for justice. Some of these materials were published as letters to the editor or as poems in black newspapers; others were simply compiled by Taylor into booklets.

The Correspondence Series comprises the largest part of the collection. The original order, based on the writer and recipient of the letter, has been retained. Most of the correspondence dates from Taylor's time in prison from 1968-1973, but there are letters from both before and after. The outgoing correspondence from his time in prison is divided into four parts. The first is Taylor's general correspondence with family, friends, community organizations, politicians, and potential employers. The other three groups consist of Taylor's letters to three girlfriends: Barbara Cheatem, Carolyn Kitson, and Alice/Betty Jo (her full name is not clear).

The incoming correspondence makes up the majority of the Correspondence series. Incoming letters are divided into: general correspondence; the Black Scholar organization; Bill and Ella Carter; Barbara Cheatem; Patricia Dickens; family members (including his parents and his children); Doris Johnson; Carlyn Kitson; his lawyers; public officials; Verdia Rhone; Allyna Robinson; Dorothy Rodgers; Jesse and Dottie Taylor (Taylor's sister and brother-in-law); Marie Taylor (Taylor's wife); and Joni Wetzcher. The "General" incoming file includes materials about Taylor's job search, his parole hearings, requests for help in getting divorced, and other materials about his health and well-being in prison. Topics of note in the letters from his lawyers and public officials include references to Taylor's protest against censorship of black newspapers and the invasion of prisoner privacy in the mail screening procedures, especially at Folsom Prison. The majority of women writing to Taylor pen pals from the Sisters of Motivation program.

The collection is rounded out by the News Clippings Series, most of which dates from Taylor's post-prison life. Some of the clippings are of Taylor's published letters to the editor or his poems; several are general black culture and society articles that do not appear to relate specifically to Taylor. The remainder of the clippings are coverage of the Stinky Rapist case, both from mainstream and black newspapers.

Acquired as part of the Human Rights Archive at Duke University.

Meredith Tax is a feminist writer and organizer who has been active since the 1960s. This large collection of her papers includes many files of records documenting her activism in feminism and her role in founding feminist organizations; drafts and manuscripts of her writings, music, and art; personal and professional correspondence; research materials; and subject files. Organizations well represented include Bread and Roses; Women's WORLD; CARASA (Committee for Abortion Rights and Against Sterilization Abuse); PEN American Center Women's Committee; and the International PEN Women's Writers Committee, as well as many other materials on other organizations. There are also 89 audio cassettes and a few VHS tapes and optical media containing Tax's research interviews as well as interviews with Tax. Acquired as part of the Sallie Bingham Center for Women's History and Culture at Duke University.

The Meredith Tax papers include materials from the activist organizations she was involved with, as well as drafts and manuscripts of her written work, some personal correspondence, teaching materials, and audio/visual materials.

The largest group of materials at over 130 boxes documents Tax's long career as an activist, beginning with her involvement in Boston's Bread and Roses, a socialist-feminist collective through her continued work with Women's WORLD, a global free speech network Tax cofounded in 1994 to fight gender-based censorship. Other organizations Tax was involved in are also well documented in the collection, including CARASA (Committee for Abortion Rights and Against Sterilization Abuse); PEN American Center Women's Committee; and International PEN Women's Writers Committee. Smaller amounts of material come from Tax's work with the October League, Chicago Women's Liberation Union, National Writers' Union, and the West Side Community School, as well as other organizations. These materials include committee and board materials, events files, conferences, and many files of organizational notes and records.

Tax's work as a writer, including books, both fiction and nonfiction, articles, essays, and speeches as well as songs, is represented in the Writings, Speeches, and Songs series. The Correspondence series includes both personal and professional correspondence. The Subject Files were created by Tax for research related to her activism and her writing.

Finally, there are 89 audiocassettes, 53 of which contain Tax's research interviews and 36 of which contain interviews with Tax, readings by Tax and board meetings. Other interviews are on several VHS videocassettes and optical discs.

Acquired as part of the Sallie Bingham Center for Women's History and Culture at Duke University.

Sally Tatnall is a self-described radical feminist and community and political activist from Cleveland Heights, Ohio. Her work centers on lesbian rights, feminism, women's spirituality, reproductive health, anti-racism, and back-to-the-land projects. The collection includes personal materials such as journals, correspondence and photographs, as well as documentation of Tatnall's activism, and printed materials including 1970s sex education pamphlets.

The collection consists of journals, correspondence, meeting minutes, clippings, workshop materials, conference materials, research, and printed materials. Materials document lesbian feminist activism in Cleveland, Ohio, including marches, demonstrations, a feminist Land Project, Restore Cleveland Hope, an art project based on Judy Chicago's The Dinner Party, and the Radical Thought Conference. Printed materials include What She Wants: Cleveland's Monthly Feminist and Lesbian newspaper, 1970s sex education pamphlets, and a group of zines made by high school students in response to Tatnall's work.

Florence Tate (1931-2014) was a civil rights and pan-African activist based in Washington, DC. Involved in activism in support of Angolan independence, she later worked in support of the UNITA faction in the Angolan Civil War. In the United States, she worked as a press secretary for the first mayoral administration of Marion Barry and subsequently for the 1984 presidential campaign of Jesse Jackson.

The largest series, African Politics, contains material from Tate's activism in support of the Southwestern African nation of Angola. As an organizer of several groups which sought to connect Angolans with African Americans, this series features correspondence, official communiques with the UNITA leadership, government documents, and clippings from African newspapers and journals.

The U.S. Politics series highlights Tate's role as a press secretary for both Mayor Marion Barry and Senator Jesse Jackson, during the latter's 1984 presidential campaign. Of particular importance is her role in organizing and documenting Jackson's 1984 mission to Syria to free downed Navy pilot Robert O. Goodman, shot down by Syrian forces over Lebanon during the height of the Lebanese Civil War.

The Name and Subject series is based on material related to organizations that Tate created and lead. She collected materials related to Kwame Ture (Stokely Carmichael) and Jamil Abdullah Al-Amin (H. Rap Brown), among others. There is also information collected related to Southern African nations of Zambia and Zimbabwe.

The Personal Materials series features correspondence, photographs, and articles written by Florence Tate. It highlights her career as a journalist in Dayton, Ohio during the mid-1960s, when she was active with local CORE and SNCC organizations.

Vincent Tarascio (1930-2020) was a professor emeritus of economics at the University of North Carolina, Chapel Hill. This collection documents his professional life through his writings and professional and faculty activities. It was acquired as part of the Economists' Papers Archive.

The most common types of material are handwritten and typed manuscripts, reprints and offprints, and correspondence. There is a program from the first meeting of the History of Economics Society in Chapel Hill, a syllabus for a course on the history of economic thought, and a bound copy of Tarascio's first book. The oversize folder contains eleven reproductions of portraits of mostly 19th century economists.

The main subject is the history of economic thought, with a focus on neoclassical economics and Vilfredo Pareto. There are also files with correspondence on the Southern Economic Association and the Southern Economic Journal.

Benjamin Sussman (1921-2003) was an advertising executive and founder of the Sussman, Jordan and Pollacheck advertising agency. He also worked for Petersen Publishing and as a freelance writer. Accession (2009-0238) consists of Sussman's original library of clippings on a wide variety of subjects, including a large section of vintage publications, that he used as inspiration and information in his work. The clippings include advertisements as well as articles, and are sorted by subject or topic using Sussman's own filing system. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Beginning in the 1940s, Sussman maintained an extensive library of clippings on a wide array of subjects, as well as a collection of vintage publications, which he drew upon in his research. This collection includes the majority of that library, as well as excerpts and clippings of Sussman's own writings. The collection includes advertisements as well as articles, and is sorted by subject or topic using Sussman's own filing system. Major themes include marketing, media, communications, production, design, merchandising and sales, publicity, industries and occupations, transportation, humans, animals, warfare, entertainment, holidays, and production sources.

Anite Arrow Summers (born 1925) is a Senior Research Fellow at the Sell-Lurie Real Estate Center and Professor Emerita of Public Policy and Management at the University of Pennsylvania. This collection primarily documents her professional life and family connections to other notable economists. It was acquired as part of the Economists' Papers Archive.

This collection documents Summers' career as an economist. It provides a sample of her professional activities, particularly her research on urban economics, education and economics, and the local economy in Philadelphia.

The collection also documents her familial ties to other prominent economists, such as her husband Robert Summers, her brother Kenneth J. Arrow, and her brother-in-law (via Robert) Paul A. Samuelson.

American author and Duke University alumnus. The William Styron Papers span the years 1855-2019, with the bulk of the papers being dated between 1943 and 1996. The collection consists of correspondence; writings by Styron and other authors; printed materials (including serials containing articles by and about Styron and his work as well as newspaper and magazine clippings); audiotapes, videotapes, and photographs; legal and financial papers; speeches and addresses; interviews; scrapbooks; and other material relating to Styron's personal life and his career as a writer. Extensive personal and professional correspondence between his family, friends, and fellow authors provides insight into his education at Duke University (particularly his studies with Professor William Blackburn of the Department of English) as well as his literary career and personal life.

The William Styron Papers span the years 1855-2019 with the bulk of the papers being dated between 1943 and 1996. The collection is arranged into the following series: Correspondence, Writings by Styron (which includes Separate Publications, Contributions to Books and Periodicals, Speeches, Unfinished Work, and Miscellaneous Writings), Writings by Others, Printed Material, Audiovisual Material, Scrapbooks, and Miscellaneous Material. Extensive personal and professional correspondence between Styron and his family, friends, editors, and fellow authors provides insight into his education at Duke University (particularly his studies with Professor William Blackburn of the Department of English) as well as his literary career and personal life. The Writings by Styron Series includes numerous drafts, notes, manuscripts, and proofs of his novels, essays, speeches, and articles. Critical and analytical works concerning Styron's writing can be found in both the Printed Material Series and the Writings by Others Series. Interviews with Styron are to be found in both the Interviews section of the Writings by Others Series and in the Audiovisual Material Series.

Numerous American authors are represented in the collection in the Correspondence Series as well as in the Writings by Others Series. Among the major correspondents are Robert Penn Warren, Carlos Fuentes, Norman Mailer, and Reynolds Price. Letters from Eudora Welty, Truman Capote, Art Buchwald, Richard Wilbur, Kurt Vonnegut, William Kennedy, and James Dickey are also included. A separate index to some of the letters by well-known authors and celebrities accompanies the collection. The Writings by Others Series also includes limited edition copies of poems by Reynolds Price and Allen Tate.

Styron's close relationship with his family is documented in the early letters of the Correspondence Series as well as in the scrapbooks kept by his father. The latter include much juvenilia and childhood memorabilia as well as clippings documenting his early literary accomplishments. A diary kept by Styron during the year following his mother's death appears in the Writings by Styron Series: Miscellaneous Writings Subseries. The Audiovisual Material Series includes several family photographs. Videotapes in this series also provide much information about his life and work.

Among the Writings by Styron are numerous holograph notes, manuscripts written in pencil, and printed texts and typescripts with revisions. These provide detailed insight into Styron's creative process and enable the researcher to document the evolution of much of Styron's work. Research material used by Styron for some of his work, particularly The Confessions of Nat Turner, appears among the volumes in the Printed Material Series.

Styron's experience with having his work filmed for both television and the cinema is documented by screenplays of The Long March and Sophie's Choice. Several photographs of the latter production appear in the Audiovisual Material Series. A screenplay of Set This House on Fire, a first draft of a screenplay of Lie Down in Darkness, and a step outline of The Confessions of Nat Turner, none of which were produced, also appear in the Writings by Others Series

Unprocessed addition (06-105) (0.4 lin. ft) contains Styron's copy of The Confessions of Nat Turner and a binder of letters from Styron to Bertha Krantz, Robert D. Loomis, and others, 1967-1993.

Unprocessed addition (07-145) (6 items, 0.1 lin. ft.; dated 2007) contains copies of material from Styron's memorial service, including the program, book of reminiscences, and transcript. This material is boxed in box 1 of 08-142.

Unprocessed addition (08-012) (0.8 lin. ft.; 600 items; dated 1943-2006 and undated) includes published and unpublished essays, drafts, speeches, and writings by Styron, as well as copies of letters to his father (1943-1952) and correspondence from his wife, Rose, from around the time of his death in 2006. Also includes a leather portfolio with drafts of his work, photographs, clippings, and a photograph album from his daughter's film, Shadrach.

Unprocessed addition (08-072) (180 items, .6 lin. ft.; dated 1990-2003 and undated) comprises mainly letters to Styron regarding his works, especially DARKNESS VISIBLE. Also includes letters regarding appearances requested or planned.

Unprocessed addition (08-142) (388 items, .8 lin. ft; dated 1966-2007 and undated) mainly comprises incoming correspondence, which occasionally contains clippings, photographs, and other incidental materials. In addition, includes original manuscripts for several short works by the author, many annotated, as well as some handwritten manuscript pages for SOPHIE'S CHOICE. There are also two dvds of Styron's memorial service. Box 1 of this material includes Acc. 07-145.

Unprocessed addition (08-294) (0.4 lin. ft.; 300 items) was acquired and donated by James West III, and includes manuscripts, essays, edited drafts, and speeches by Styron. Each manuscript includes a cover page by West describing the condition of the materials. This material is boxed with Acc. 08/012.

Addition (11-142) (0.6 lin. ft.; 500 items) was donated by Styron's editor, Robert Loomis. It includes drafts and clippings, as well as photographs used in Styron publications.

Additions (12-017 and 12-131) (1.2 lin. ft.; 500 items) includes various writings and research.

Addition (13-017) contains original blocks used to create advertisements for William Styron's novel The Confessions of Nat Turner.

Addition (15-030) contains correspondence with Thomas P. Peyton and Peyton's family, 1944-2002.

Addition (16-025) comprises 27 items, mainly letters and notes from Styron to Carl Mahakian. There is also an autographed photograph, and three letters to Mahakian from Jim West, who requests help with his biography of Styron. In addition, there is an invitation to Mahakian to attend Styron's private memorial service and several published obituaries, along with a Spanish translation of Darkness Visible and a Book-of-the-Month Club flyer for The Confessions of Nat Turner. Material is dated 1969-2007.

Addition (19-0014) contains 35mm documentary slides donated by Joel Foreman.

Students for Choice is a student organization dedicated to educating the Duke community about the status of reproductive rights nationally and locally and about available related resources, and to working to protect and uphold the freedom of choice. The Students for Choice Records contains flyers and other event materials, organizational notes, educational literature, and clippings.

The Students for Choice Records contains flyers and other event materials, organizational notes, educational literature, and clippings.

The records of the Durham, N.C. organization Student Action with Farmworkers comprise: administrative and event files; correspondence; reports, articles, and other publications; student project files; outreach and teaching materials; photographs, artwork, and scrapbooks; audio and video recordings; and materials related to labor organizing and protests across the U.S. Hundreds of student-led projects document through interviews, essays, photographs, videos, and other materials the lives of migrant farmworkers and their working conditions, mostly in NC but also in SC. Major themes in the collection include: history, working conditions, and abuses of migrant farmworkers in the U.S.; education and outreach efforts; housing, health, and pesticide safety; leadership development for migrant youth; grassroots theater; labor organizing and boycotts; and service learning. Materials are in English and Spanish. Acquired as part of the Human Rights Archive at Duke University.

Founded in 1992 in Durham, North Carolina, Student Action with Farmworkers (SAF) is a non-profit organization whose mission is to bring students and farmworkers together to learn about each other's lives, share resources and skills, improve conditions for farmworkers, and build diverse coalitions working for social change. The SAF records comprise: correspondence; meeting agendas; student projects; reports, articles, and other publications; event files; teaching materials; photos; scrapbooks; ephemera; and other documentation of SAF's programs. Materials relate more widely to immigrant and migrant worker issues, service learning, labor organizing, and protests and boycotts across the U.S.

The largest series (63 boxes, approximately 200 gigabytes) contains hundreds of individual SAF student projects directed by college-age students and interns as well as farmworker and migrant youths. Materials also include administrative files, many of which house intern applications. Project files typically contain recorded interviews, often with transcripts; essays; notebooks; artwork; poetry; audio and video recordings; theater materials; and photographs in analaog and digital formats. Some photograph albums and collages are also found here. Most of the projects took place in North Carolina but also in South Carolina. Umbrella programs include Into the Fields (ITF), Levante, and From the Ground Up (FTGU). Major themes involve worker education, housing, health, and pesticide safety; leadership development; and grassroots theater as a tool for teaching and activism. Materials are in English and Spanish. Many other materials on SAF projects are found in the Administrative Series.

The large Administrative Files Series contains organizational records created or compiled by SAF staff and are organized in subseries for SAF projects, fundraising, general administrative files, organizations, resource files (articles, fliers, and other publications), and photographs and scrapbooks.

The Printed Material Series contains Student Action with Farmworkers publications, SAF press coverage, student papers and theses, some children's books, and farmworker-related reports, articles, newsletters, data sheets, resource directories, and alerts from around the world.

The Joan Preiss Papers Series contains records related to an activist and long-time collaborator of SAF. Comprises a variety of printed materials, primarily articles and newsletters, as well as correspondence, protest ephemera, promotional material for unions and activist organizations, meeting notes, student papers, and photographs. The materials relate to migrants and farmworkers both in North Carolina and throughout the United States.

Finally, the Ephemera and Artifacts Series contains items such as posters, t-shirts, stickers, and buttons related to Burger King, Subway, Gallo, and Mt. Olive boycotts and protests. Some materials relate to protests and boycotts in other regions such as Florida and Western states. Also contains SAF publicity ephemera, and props and other materials from the Levante activist theater group.

Stephanie Strickland is a poet and born-digital writer whose works range from paper to interactive websites. She also teaches and serves on the board of the Electronic Literature Organization. Her papers include journals and anthologies featuring Strickland's poetry; TechnoPoetry Festival materials; schoolwork, college, and graduate papers; posters and programs from events; proofs and drafts of her writings; and audio recordings.

The Stephanie Strickland Papers include printed journals and anthologies featuring Strickland's poetry, programs and posters from Strickland's publications and performances; school materials from high school to graduate school; articles and anthologies; electronic media (removed); videotapes; and other miscellaneous materials. There are source materials from works such as Zone : Zero, True North, Sand Soot, and Vniverse; conference programs; journals; and gallery catalogs and other sources used in her work, as well as files, proofs, and drafts from Strickland's V : Vniverse, True North, Zone : Zero, Red Virgin, Give the Body Back, V : WaveSon.nets / Losing L'una, Dragon Logic and other Strickland poems, essays, and compilations. There is a small amount of print correspondence and event material. There is a larger amount of electronic correspondence. Electronic media has been separated from the accession and housed on Duke's electronic records server but has been described in this collection guide. There are several VHS and cassette recordings of interviews with Stephanie Strickland and related to her work.

St. Philip's Episcopal Church was founded in 1878 in Durham, N.C. This collections contains vestry minutes, correspondence, minutes from various organizations within the church, rector's notes, church bulletins and programs, slides, photographs, financial records, appointment books, scrapbooks, clippings, canvass reports, auditor's reports, sermons, and printed materials. Also included are the records, notes, and correspondence related to parish historian Harold Parker's history of the church (published in 1997), as well as a complete file of the church's extant sermons (1912-1994) Parker compiled for another book. There are also five reels of microfilm containing copies of vestry minutes, marriage records, a church register, etc., organized by Mr. Parker into roughly chronological order and divided into sections by rectorship.

This collections contains vestry minutes, correspondence, minutes from various organizations within the church, rector's notes, church bulletins and programs, slides, photographs, financial records, appointment books, scrapbooks, clippings, canvass reports, auditor's reports, sermons, and printed materials. Also included are the records, notes, and correspondence related to parish historian Harold Parker's history of the church (published in 1997), as well as a complete file of the church's extant sermons (1912-1994) Parker compiled for another book. There are also five reels of microfilm containing copies of vestry minutes, marriage records, a church register, etc., organized by Mr. Parker into roughly chronological order and divided into sections by rectorship.