The non-profit agency International Monitor Institute (IMI) operated between 1993 and 2003, primarily to assist international war-crimes tribunals by collecting, indexing and organizing visual evidence of violations of international human rights law. The International Monitor Institute Records, Burma Videotapes span the dates 1992-2002, and comprise audiovisual materials related to IMI's documentation of contemporary conflicts and human rights violations in Burma (Myanmar). These audiovisual records largely document the activities, interviews, speeches, press conferences and ceremonies of political figures, especially Aung San Suu Kyi, and document the activities of political and military institutions such figures represent, including the All Burma Students Democratic Front (ABSDF), the National League for Democracy (NLD) and the State Law and Order Restoration Council (SLORC). Records also include extensive network and independent story packages of Burma and footage of human rights conflicts. Topics and footage cover life in Burma under military regime, refugees and refugee camps (especially Karen refugees), political prisoners, survivor stories, forced labor, Japan's role in the refugee situation, and Los Angeles protests against the SLORC and Unocal. These records include copies of approximately 268 video cassettes. The video and audio material is indexed by an extensive database developed by IMI which includes keywords, air dates, segment producer, and segment title. Acquired as part of the Human Rights Archive. Further organizational material on Burma can be found in the International Monitor Institute Records, also at the Rubenstein Library.

The Burma Videotapes section of the International Monitoring Institute records contains descriptions of 286 tapes collected by IMI that depict human rights issues and themes in Burma. Material includes amateur footage, news coverage, commercial productions, as well as material from independent production companies. The format of materials include network documentaries; first-hand footage; interviews with both political figures and unidentified Burmese, particularly Burmese survivors, migrant workers, and refugees; recordings of award ceremonies and speeches; news coverage of street protests in Burma as well as protests in Los Angeles, especially those of the Burma Forum LA. Topics range from military activities and movements; the refugee situation and refugee camps; forced and migrant labor; minefield survivors; the political activities of the National League for Democracy (NLD), the State Law and Order Restoration Council (SLORC), the All Burmese Student Army and other prominent organizations, including other student organization, operating in Burma; everday life under the military regime; the Japanese role in the refugee situation; the problem of widespread rape; rescued girls and children; methods of torture; testimony of massacres and other abuses; as well as documentation of Burmese cultural events, including tribal dances and Burmese song. The majority of videotapes are in NTSC VHS format. Other formats include PAL Betacam SP, NTSC Betacam SP and PAL VHS. Please note that the descriptions of the tapes in this collection are based on IMI's data and were not originally drafted by Rubenstein Library Staff. Tape numbers BU092-BU119 were not transferred to the Rubenstein Library and descriptions of these tapes have been omitted from this finding aid. Further organizational material on Burma can be found in the International Monitor Institute Records, also at the Rubenstein Library.

When ALFA disbanded in 1994, the archival collections and the bulk of the periodicals collection were transferred to Duke's David M. Rubenstein Rare Book & Manuscript Library. The book collection and the remaining periodicals stayed in Atlanta, with books relating to feminist theory going to Emory University and the rest to a community library. The ALFA Archives and Periodicals Collections that have been transferred to Duke are an incredibly rich source of information about feminist and lesbian activism and communities, especially in the Southeast, from the early 1970s to the present.

The ALFA Archives includes the organizational records of ALFA as well as other southern radical women's groups such as Lucina's Music/Orchid Productions; Radio Free Georgia (WRFG) women's programming; the womonwrites conference for lesbian writers and publishers; the Southern Women's Music festival; the Atlanta Socialist-Feminist Women's Union; and Dykes for the Second American Revolution (DAR II). The extensive subject files, which are a part of ALFA's archives, document scores of other feminist, lesbian, and activist organizations and events as well as provide information on a broad range of feminist and lesbian issues. Of particular note are ALFA's "Theory/Analysis (Women)" files, as well as their collection of publications by KNOW, Inc., in the "Publishers" subseries; using these primary materials, researchers can get a good sense of the issues that gave rise to the women's liberation movement and to ALFA in the late 1960s and early 1970s.

The ALFA Periodicals Collection contains literally hundreds of grassroots newsletters and journals, many of which are now ephemeral and not in any library. This extensive library of feminist, lesbian and gay, and activist periodicals is more fully described in a separate guide.

The Tom Triman Films are comprised of 132 super 8mm reels and one VHS videocassette, containing the productions of horror movie fan/historian/critic Tom Triman (1952-2010).

The Tom Triman Films are comprised of 132 super 8mm reels and one VHS videocassette, containing the productions of horror movie fan/animator/writer Tom Triman (1952-2010). The bulk of the reels are elements for larger works, which here include Butterfly Man, Gunfire and Holy Water, and Pentagram. The collection also contains several commercial films released on super 8mm film, including 2001 A Space Odyssey, Dr. Jekyll and Mr. Hyde, and Frankenstein.

The Department of Theater Studies at Duke University offers courses on the critical evaluation, writing and performance of dramatic works. The department seeks to promote an artistic culture at Duke by bringing professional theatrical performances to campus. The Department of Theater Studies records is composed of administrative materials and records related to both departmental and professional performances staged at Duke.

The Department of Theater Studies Records, 1969-2002 contains correspondence, planning documents, slides, photographs and audiovisual materials related to the administration of the department. The collection also includes materials from a diverse array of student and faculty theater productions. The Department of Theater Studies Records also contains correspondence, planning documents, clippings, promotional materials, slides, photographs, audiovisual materials and electronic records from professional productions brought to campus through the Theater Previews series.

Jim Dow (1942- ) is an American photographer and educator based in Massachusetts. The core of the collection consists of over 1900 single-image photographs, 232 multi-image panoramic prints, and approximately 2300 film negatives, representing black-and-white and color images taken by Dow from 1966 to 2023. Subjects include: U.S. vernacular culture and landscapes, including roadside architecture, courthouses and jails, and small business interiors; food vendors, stadiums, and athletic fields around the world; and interiors and exteriors of private clubs, libraries, and churches and museums in cities around the world. Photographs often include cultural expressions such as advertising, murals, bar decor, and graffiti. Dow's U.S. work focuses mainly on New England, the South, and the West, with a single-state project on North Dakota. Other images were taken by Dow in Argentina, Canada, England, Mexico, Portugal, Scotland, and Uruguay, with a few images from Wales. Also included is a series of commissioned work. Dow's professional papers comprise teaching slides, course readers, syllabi, and digital files, as well as art gallery ephemera. Acquired as part of the Archive of Documentary Arts at Duke University.

The core of the collection consists of 1916 single-image photographs and 232 panoramic prints, totaling 2148 prints, and approximately 2300 film negatives of black-and-white and color images taken by Jim Dow over the course of his career from about 1966 to 2023. They document his travels across much of the U.S., and his trips to Argentina, Canada, England, Mexico, Portugal, Scotland, and Uruguay. The prints in this collection offer a body of images selected by the photographer; some additional images are found in negative format.

Dow is best known for his studies of 20th century American vernacular culture, roadside architecture, and landscapes, and food culture in the Americas; for his multi-panel panoramas of sports stadiums and athletic fields, chiefly in the U.S., Canada, Mexico, and England; and for his images of the architecture and interiors of courthouses, jails, private clubs, libraries, and large public buildings such as churches, museums, and civic buildings in cities around the world.

The earliest photographs in the collection were taken in almost every region of the lower 48 states, beginning around 1966. Starting out in black-and-white then transitioning to mostly color work in the mid-1970s, Dow has documented small towns and roadside attractions, highways and back roads, well-worn business façades, and gathering places such as barbecue joints, coffee shops, bars, diners, and event halls. Images from the Northern Plains appear frequently, as do images from California, Louisiana, Massachusetts, North Carolina, Pennsylvania, Texas, Virginia, and Wyoming. In the 1980s, Dow was also commissioned to photograph the cultural and environmental landscapes of the state of North Dakota. Keeping to the theme of road trips, the collection also includes a series on barbecue, taco, and other food trucks in the U.S., Mexico, and South America. Regardless of location, many of Dow's photographs include cultural expressions such as outdoor advertising, murals, neon signs, handpainted signs, sculptures, bar decor, and graffiti; people are rarely present.

The three stadiums series feature sports venues from across the U.S., Canada, England, Mexico, Scotland, and Portugal, and comprise single-image color prints as well as multi-image compositions printed in large panoramic format ranging in size from 16x26 inches to 17x59 inches. Spectators are present in some of these images, particularly in the single-print series.

A series of Dow's commissioned work (1985-2008) rounds out the photographic prints portfolios. Many of these are images taken of facilities at New England universities and private schools such as MIT, Yale, Tufts, Vassar, and Phillips Academy.

The professional papers document two of Dow's spheres of activity integral to his own photography career: teaching and art gallery work. These are represented by a large vertical file of paper ephemera from New York City commercial art galleries (1990s-2019); and a large series of teaching materials, which include course readers, syllabi, a set of approximately 130,000 teaching slides, and digital files, visual as well as textual, all related to Dow's photography and art courses (1980s-2019). Among the slide sets are two groups documenting holdings in the Canadian Center for Architecture and exhibit installations at the Photography Resource Center in Boston.

Robert F. Durden is a professor emeritus of history at Duke University. He has written numerous articles and several books about the history of Duke University, the Duke Family and The Duke Endowment. The collection includes reprints of articles and a speech written by Durden about Duke University, the Duke Family, and The Duke Endowment as well as a bibliography of selected works by Durden and clippings. The material ranges in date from circa 1965-2001.

This collection was compiled from a variety of sources by the University Archives for use in reference and research. It includes reprints of articles and a speech written by Durden about Duke University, the Duke Family, and The Duke Endowment as well as a bibliography of selected works by Durden and clippings. The material ranges in date from circa 1965-2001.

The Duplex Advertising Company. Billboard Images and Records spans the period 1964-1993 and documents the outdoor advertising work of this company in the central Texas area, primarily through photographs, negatives and slides of billboards. Many of the images are in color. A large number of the images are of national campaigns advertised in central Texas, as well as billboards, signs and posters of local Texas business services. In addition, a handful of articles written by R. V. Miller, Jr. for a number of publications, as well as other printed material and miscellaneous items from the Duplex Advertising Company, are present. Some of these articles, along with the images themselves, provide examples of commercial art and design in the outdoor advertising arena. The collection includes outdoor advertising images from national clients such as Kentucky Fried Chicken, Chevrolet, Coca Cola, Coors, Wendy's, Hardee's, and Taco Bell, and Texas clients such as Lone Star and Pearl beers.

Related materials may be found in other outdoor advertising collections, including the Outdoor Advertising Association of America Archives, the Garrett Orr Papers, the Howard Scott Papers, the John Paver Papers, the John E. Browning Papers, the R.C. Maxwell Co. Records, and the Strobridge Collection.

William Clair Turner, Jr. earned his B.S. in Electrical Engineering from Duke University in 1971, his M.Div. from Duke Divinity School in 1974, and his Ph.D. in religion in 1984. He has held several administrative positions at Duke, including Assistant Provost and Dean of Black Affairs and Acting Director of the Afro-American Studies program. In 1982 he became a full-time faculty member in the Divinity School, directing the Office of Black Church Affairs before being appointed Professor of the Practice of Homiletics. He has pastored several churches, including his current position at Mt. Level Baptist Church and was previously ordained in the United Holy Church of America, Inc. denomination. The collection documents Turner's academic and personal activities. Materials include personal and administrative correspondence regarding Turner's roles as pastor and administrator, manuscripts of lectures and sermons, syllabi and notes for courses taught, notes from classes taken while a student, subject files, and records of the United Holy Church of America. The collection also includes VHS, CD, and DVD recordings of some of his sermons.

The collection documents the academic and personal activities of William C. Turner, Jr., Duke alumni and faculty member at Duke Divinity School. Materials include personal and administrative correspondence regarding Turner's roles as pastor and administrator, manuscripts of lectures and sermons, syllabi and notes for courses taught, notes from classes taken while a student, subject files, and records of the United Holy Church of America, Inc. denomination in which Turner was deeply involved and on which he wrote his Ph.D. dissertation. The collection also includes VHS, CD, and DVD recordings of some of his sermons. Major topics covered include black student life at Duke; Turner's involvement in the Department of Afro-American Studies, Office of Black Affairs, and Office of Black Church Studies; Turner's academic work on the Holy Spirit and black spirituality; pastoral work in African American churches in Durham; and the history of the United Holy Church of America, Inc.

The majority of images in the collection are faculty and staff portraits taken by Duke Photography staff; a few pictures of students or of other individuals not affiliated with Duke are included. The collection contains photographic prints, negatives, slides, and CDs of digital files. Most of the items are undated but appear to be from the 1980s through around 2000. Most items include a job number assigned by Duke Photography. Duke Photography is a department of the Office of Public Affairs and Government Relations. Chris Hildreth is the current director; the department also includes assistant director Les Todd and six other staff photographers.

The majority of images in the collection are faculty and staff portraits taken by Duke Photography staff; a few pictures of students or of other individuals not affiliated with Duke are included. The collection contains photographic prints of various sizes, both black-and-white and color; contact sheets; negatives, including black-and-white 35mm negatives, positive 35mm color slides, and other sizes; and seven CDs of digital files. Most of the items are undated but appear to be from the 1980s through around 2000. Most items include a job number assigned by Duke Photography, either on the back of photographs or on the plastic sheets housing the negatives.

Leah Fritz (1932-2020) was an American feminist poet and author born in New York. She wrote the books Thinking Like a Woman (1975) and Dreamers and Dealers (1980), focusing on the women's movement. The Leah Fritz papers contain correspondence and subject files; writings, including notebooks and diaries, drafts, published articles, and papers related to the publication of Fritz's prose writings, poetry, and book and article reviews; and audiocassettes of presentations and poetry readings by Fritz and other recordings. Materials range in date from circa 1950 to 2009. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The Leah Fritz papers are organized into three series. The Personal Papers series contains Leah Fritz's correspondence and subject files. The Writings Series contains Fritz's notebooks and diaries as well as drafts, published articles, and papers related to the publication of Fritz's prose writings, poetry, and book and article reviews. The Audiotapes series contains audiocassettes of presentations and poetry readings by Fritz and other recordings.

Ernestine Friedl served as chair of the Dept. of Anthropology and as Dean of Arts and Sciences and Trinity College at Duke University. She studied gender roles, rural life in modern Greece, and the Chippewa. The Ernestine Friedl papers include personal and professional correspondence, subject files, course materials, articles, reprints, field notes, and sound recordings related to her anthropological research and her roles as professor and administrator at Queens College and Duke University. English.

The Ernestine Friedl papers include personal and professional correspondence, subject files, course materials, articles, reprints, field notes, and sound recordings related to her anthropological research and her roles as professor and administrator at Queens College and Duke University.

Nathan Ockman was born on December 29, 1926 in New York City. As a child in the 1930s, he was brought by his parents to an event that featured pioneering choreographers in modern dance, among them Anna Sokolow and Sophie Maslow. Though he received no formal dance training himself, this childhood exposure to modern dance sparked a lifelong passion for dance spectatorship. The collection contains the dance-related memorabilia (circa 1949-2006) saved by Nathan Ockman. Materials include performance programs and newspaper clippings, which are arranged chronologically. Many of the materials are annotated by Mr. Ockman.

The collection contains the dance-related memorabilia (circa 1949-2006) saved by Nathan Ockman. Materials include performance programs and newspaper clippings, which are arranged chronologically. Many of the materials are annotated by Mr. Ockman.

Mr. Ockman collected the accompanying programs for each dance performance he was in attendance for throughout six decades. The earliest programs, dated from the late 1940s and early 1950s, are from performances at the University of Michigan during Mr. Ockman's time as a graduate student at the university. Following Mr. Ockman's subsequent move to New York City, the vast majority of the collection is comprised of performances at notable New York venues and performing arts festivals. Though there are several programs from performances by ballet companies, the collection largely reflects Mr. Ockman's personal penchant for modern dance.

Newspaper clippings of performance reviews and promotions of upcoming premieres are included within the collection. More often than not, they correspond to a performance that Mr. Ockman was in attendance for, and so they are organized alongside accordingly.

Of the programs dating from 1958 onwards, nearly all are decorated with Mr. Ockman's personal annotations, which make note of extraordinary pieces, performers, and his general perception of the performances. Though the notes were made for Mr. Ockman's own enjoyment, he was aware that they may someday hold some historical significance. It was always his hope that he might, as a dutiful and attentive audience member, discover an emerging dance talent.

Formerly known as the Material Support Department, Procurement Services manages Duke University purchasing systems. This collection contains memoranda, newsletters, catalogs and other records. Topics include Duke University administration.

This collection contains memoranda, newsletters, catalogs and other records. Topics include Duke University administration.

Abortion rights activist and the publisher of the feminist magazine ON THE ISSUES. The bulk of the collection consists of the records of Choices Women's Medical Center, a New York City women's health clinic and abortion clinic co-founded by Hoffman in 1971, and the organizational records for ON THE ISSUES, a feminist magazine owned by Choices and overseen by Hoffman. The remainder of the collection consists of Hoffman's personal papers, mostly related to her pro-choice activism. The collection also includes writings by or interviews with many activists, such as Aung San Suu Kyi, Charlotte Bunch, Phyllis Chesler, Andrea Dworkin, Kate Millett, Marge Piercy, and Elie Wiesel. The correspondence, administrative files, minutes, manuals, reports, surveys, research files, electronic records, clippings, flyers, brochures, newsletters, photographs, and audiovisual materials in the collection provide rich material for the study of the history of abortion, the pro-choice movement, women's health care, and the anti-abortion movement in the United States. The records of Choices Women's Medical Center are especially valuable for understanding the medical practice of abortion, as well as the political context of that practice. Other topics that can be explored through the materials include contraception, women's rights and feminism, and rape. The addition (04-041 and 04-062) (18,750 items, 30 linear feet; dated 1971-2003) consists primarily of administrative and financial files from Choices Women's Medical Center and predecessor clinics, including correspondence, financial reports, public relations and media files, board meeting files, policy and procedure manuals, subject files, insurance files, program files, grants files, legal files, and files related to ON THE ISSUES magazine. Also included are a small number of Hoffman's personal writings. This accession is unprocessed and closed to researchers. Addition (05-023) (5150 items, 12 lin. ft; dated 1978-2003) consists primarily of administrative and financial records from Choices Women's Medical Center, including correspondence, financial reports, public relations and media files. Also includes board meeting, subject, insurance, program, legal and grant files, as well as policy and procedure manuals; 33 videotapes, 84 slides, 54 photographs and contact sheets; 1 CD-ROM; printed materials; and promotional calendars. Accession is unprocessed and closed to researchers.

The papers of Merle Hoffman span the years from about 1944 to 2001, with most of the papers dating between 1961 and 2001. The collection is arranged in the following series: Choices, On the Issues, Personal Files, Photographic Materials, and Audiovisual Materials. The bulk of the materials consist of the records of Choices Women's Medical Center, a New York City women's health clinic and abortion clinic co-founded by Hoffman in 1971, and the organizational records for On the Issues, a feminist magazine owned by Choices and overseen by Hoffman. The remainder of the collection consists of Hoffman's personal papers, mostly related to her pro-choice activism. The collection also includes writings by or interviews with many activists such as Aung San Suu Kyi, Charlotte Bunch, Phyllis Chesler, Andrea Dworkin, Kate Millett, Marge Piercy, and Elie Wiesel. The correspondence, administrative files, minutes, manuals, reports, surveys, research files, electronic records, clippings, flyers, brochures, newsletters, photographs, and audiovisual materials in the collection provide rich material for the study of the history of abortion, the pro-choice movement, women's health care, and the anti-abortion movement in the United States. The records of Choices Women's Medical Center are especially valuable for understanding the medical practice of abortion, as well as the political context of that practice. Other topics that can be explored through the materials include contraception, women's rights and feminism, and rape.

The political context of abortion is further documented throughout the rest of the collection. Hoffman's writings, speeches, and interviews on abortion illuminate the abortion debate in the media. At the same time, the internal dynamics of the pro-choice movement are documented in files on various New York and national pro-choice organizations. The collection includes some materials on the National Association of Abortion Facilities (NAAF), the National Abortion Federation (NAF), the National Coalition of Abortion Providers (NCAP), the National Abortion Rights Action League (NARAL), and the National Organization for Women (NOW). Especially noteworthy are the detailed meeting minutes and other records for the New York Pro-Choice Coalition, an umbrella organization for New York City pro-choice organizations founded by Hoffman in the mid 1980s.

In addition to her pro-choice activities, Merle Hoffman has been a vocal proponent of patient self-empowerment; an active supporter of various political candidates in New York City; and a feminist activist. The collection reflects these interests to varying degrees. The records of On the Issues magazine are especially useful as a source of writings on a broad range of feminist and other issues.

The Choices Series documents the day-to-day operations of Choices Women's Medical Center, including the clinic's medical policies and procedures, its internal administration, and its relationship with patients and community organizations. The series is divided into the following subseries: Correspondence, Subject Files, Legal Papers, Personnel, Security, Staff Files, Marketing, Operations, and Electronic Format. Much of the series consists of files on administrative issues, dating primarily from the late 1980s to the late 1990s. A few records date from the clinic's early years in the 1970s. The files also document the clinic staff's rising concern about Operation Rescue, militant anti-abortion protests, and anti-abortion violence during the late 1980s and 1990s. At the same time, the Choices records suggest how the ideals of feminist health care and patient empowerment have translated into medical practice. The records primarily provide the perspective of health providers rather than patients; the collection does not include patient medical records. However, patient surveys and a limited amount of patient correspondence provide some evidence of patient experience at the clinic. There is substantial material on the Choices East Project, Hoffman's unsuccessful attempt to establish a women's health clinic in Moscow. Choices' treatment philosophy of patient self-empowerment and its identity as a woman-friendly health care provider are documented in the Outreach Subseries and the Marketing Subseries. Information on patient experiences and reactions to the clinic can be found primarily through patient surveys, patient satisfaction questionnaires, and statistical summaries of patient demographics, all found in the Subject Files, Marketing, and Electronic Format Subseries. Choices organizational charts and staff rosters are available for reference in the Research Room's inventory drawers; please contact Research Services.

On the Issues (1983-1999), a feminist magazine, was founded by Merle Hoffman and produced by Choices staff. The magazine covered a broad range of feminist issues and topics, including but not limited to abortion and other women's health issues. During the 1990s the magazine became increasingly professionalized, moved from annual to quarterly publication, and operated more independently of Choices. The documents in the On The Issues Series provide an extensive record of the magazine's production and distribution. They primarily date from the 1990s and are organized into the following subseries: Issues, Correspondence, Article Files, Editorial Files, Production and Distribution, Marketing, Staff Files, Administration, and Electronic Format. The series includes a nearly complete run of issues. Files include reader surveys; mailing lists; drafts and correspondence from contributors; editorials by Hoffman and other writers; and working files maintained by individual editors and production staff. Electronic files contain similar materials, and include graphics.

The Personal Files Series is arranged into the following subseries: Correspondence, Writings and Speeches, Subject Files, Politics and Activism, New York Pro-Choice Coalition, Calendars, Phone Messages, Clippings, General Personal Files, and Electronic Format. The materials extensively document Hoffman's work as a writer, public speaker, organizer, and activist for abortion rights and other feminist causes. Hoffman's personal publicity materials, including curriculum vitae and biographical sketches, can also be found in this series. There are also some records of Hoffman's childhood and personal life. The correspondence, found in both the Correspondence and Electronic Format Subseries, contains significant personal exchanges with feminists, friends, and colleagues that span many decades. Pro-choice organizations represented in the series include the New York Pro-Choice Coalition (NYPCC), the National Organization for Women (NOW), the American Civil Liberties Union (ACLU), and the National Association of Abortion Facilities (NAAF). The series also contains Hoffman's phone message books, calendars, and scrapbooks, including those related to her work at Choices and On the Issues. Electronic files contain a variety of correspondence, mailing lists, graphics, Choice and On the Issues documents mixed on the same disks, and a few writings. Overall, the series amply illustrates the porous nature of the boundary between Hoffman's personal activities and her work at Choices and On the Issues.

The Photographic Materials Series contains a variety of material related to Choices Women's Medical Center, On the Issues magazine, and Hoffman's personal activities. Especially notable are the numerous images of the Choices clinic facilities and procedures, and the detailed visual record of pro-choice rallies and other events involving Hoffman during the 1980s. Political figures pictured in this series include Bella Abzug, Hilary Clinton, Andrea Dworkin, Geraldine Ferraro, Flo (Florynce) Kennedy, Congressman John Lewis, and Gloria Steinem. Other photographs in the Personal Subseries include portraits of Hoffman and snapshots from a vacation at the feminist Camp Sister Spirit.

The bulk of the Audiovisual Materials Series consists of audio recordings on cassette tape of New York City radio talk shows featuring Merle Hoffman as an interview subject. Most interviews date from the 1970s or early 1980s. In some cases, these recordings feature Hoffman responding to listeners in call-in discussions of abortion, or conducting debates with anti-abortion representatives. Other audio recordings include interviews conducted for On the Issues stories and radio advertisements for Choices. Videotape recordings include several episodes of "On the Issues," Merle Hoffman's cable access television show, and some documentary material on Choices and its patients. Materials are not immediately accessible until use copies can be made upon request. Please consult with reference staff before coming to use the collection.

Finally, the Ephemera Series contains various memorabilia, including a box of Choices condoms, buttons, and banners with feminist and political slogans.

Later accessions (2004-0041, 2004-0062, 2005-0023, and 2012-0049) have been added to the end of the finding aid. Boxlists are included when known.

Established in 1954 as part of the Office of Information Services (now the Office of News and Communications,) Radio TV Services supervises the production of materials for radio and television, assists in the preparation of audio-visual materials needed by the university, and promotes the University's exposure to local, state, and national audiences. It makes documentary films, covers events and functions on campus, sets up news conferences in cooperation with local and national media, interviews university personnel, and provides features on students for their home-town media. Collection includes correspondence, subject files, sound recordings (audiocassettes and reel-to-reel tapes), film (16mm), and video tape (U-Matic and 2-inch quadruplex). Notable people documented on film and tape include Keith Brodie, Terry Sanford, Douglas M. Knight, Orin Pilkey, Robert Menzies, Jerry Falwell, Billy Graham, Queen Noor al Hussein, Jesse Jackson, Waylon Jennings, Juanita Kreps, Robert McNamara, Ronald Reagan, William Westmoreland, Desmond Tutu, Elie Wiesel, Reynolds Price, Martin Luther King, Jr., Hubert Humphrey, Richard Nixon, Stokely Carmichael, Kenneth Clark, Sidney Cohen, Adam Clayton Powell, Betty Friedan, B. F. Skinner, Sam Ervin, Alex Haley, Tom Wolfe, Buckminster Fuller, and Cesar Chavez. Subjects include Duke University basketball, football, commencement, convocation, homecoming, the Epoch Campaign announcement, student unrest in the 60s, the Silent Vigil held after the death of Dr. King, the Duke Marine Laboratory, the discovery of the U.S.S. Monitor, oceanographic research, the 1954 Orange Bowl, Joe College Weekend, various campus scenes, Duke Gardens, and the Richard Nixon Library controversy. Completed films include Response to Our Challenge and This is Duke. English.

Collection includes correspondence, subject files, images, sound recordings (audiocassettes, reel-to-reel tapes, and digital audio), film (16mm), video tape (U-Matic, 2-inch quadruplex, and digital video), and multimedia of events related to Duke occurring both on and off campus. There is a detailed subject file on index cards for most of the film and some of the sound recordings, as well as other indexes and notes.

Notable people documented on film and tape include Keith Brodie, Terry Sanford, Douglas M. Knight, Orin Pilkey, Robert Menzies, Jerry Falwell, Billy Graham, Queen Noor al Hussein, Jesse Jackson, Waylon Jennings, Juanita Kreps, Robert McNamara, Ronald Reagan, William Westmoreland, Desmond Tutu, Elie Wiesel, Reynolds Price, Martin Luther King, Jr., Hubert Humphrey, Richard Nixon, Stokely Carmichael, Kenneth Clark, Sidney Cohen, Adam Clayton Powell, Betty Friedan, B. F. Skinner, Sam Ervin, Alex Haley, Tom Wolfe, Buckminster Fuller, and Cesar Chavez. There are also film and recordings documenting Duke University basketball, football, commencement, convocation, homecoming, the Epoch Campaign announcement, student unrest in the 60s, the Silent Vigil held after the death of Dr. King, the Duke Marine Laboratory, the discovery of the U.S.S. Monitor, oceanographic research, the 1954 Orange Bowl, Joe College Weekend, various campus scenes, Duke Gardens, and the Richard Nixon Library controversy. Completed films include "Response to Our Challenge" and "This is Duke".

Radio Haïti-Inter was Haiti's first and most prominent independent radio station from the early 1970s until 2003. Under the direction of Jean Léopold Dominique and Michèle Montas, Radio Haiti was a voice of social change and democracy, speaking out against oppression and impunity while advocating for human rights and celebrating Haitian culture and heritage. The Radio Haiti papers contain mainly the station's on-air scripts and research materials covering a wide variety of subjects. The Radio Haiti audio recordings are described in a separate collection guide.

Radio Haiti was based in downtown Port-au-Prince on Rue du Quai until 28 November 1980, when Jean-Claude Duvalier's government cracked down on the independent press and human rights activists. Radio Haiti was ransacked, and the station's journalists were arrested then exiled. Many, though not all, of the paper record from the 1970s were destroyed in the 1980 crackdown. Radio Haiti reopened after Duvalier fell in 1986, in a new building on Route Delmas. The station closed again after the 30 September 1991 coup d'état that overthrew President Jean-Bertrand Aristide, and reopened in 1995 after the democratic government was restored. As a result of the repression the station and its journalists endured, most of the materials in Radio Haiti's paper archive span 1986 to 1991, and 1995 to 2003, though it also contains extensive external print materials (mainly newspapers and magazines) that Jean Dominique collected while in exile from 1980 to 1986 and from 1991 to 1994.

"Radio Haiti materials" refers to documents created by Radio Haiti's staff. These are mainly on-air scripts, but also include notes and correspondence. "External materials" refers to materials created by outside sources, which were used for research purposes by Radio Haiti's staff. These include, but are not limited to, press (Haitian, Haitian diaspora, and international news outlets), press releases, petitions and open letters from grassroots groups and civil society organizations, reports and other publications, and government communiqués and decrees.

Norma Taylor Mitchell was an American History professor at Troy University in Alabama and a lay leader in the United Methodist Church. These materials document her research and teaching career, as well as her church leadership.

The collection contains material documenting Mitchell's dissertation research on the Virginia politician David Campbell (1779-1859). Boxes 2-5 consist entirely of information on loose index cards. These materials also document Mitchell's research on the enslaved women who lived on Campbell's estate in Abington, VA. The collection also contains materials related to Mitchell's research on the Alabama physician Louise Branscomb. There are materials documenting Mitchell's professional activities and teaching career at what was then known as Troy State University. Mitchell's extensive service work in the Methodist Church at the local, regional, and national levels is also documented.

The Duke News Service informs the public and the university community about research, programs, and events at Duke. The collection consists of biographical files of Duke University faculty, staff, alumni, and others compiled by the News Service, as well as some photographic materials in separate folders. The files contain primarily clippings and also curricula vitae, photographs, and other printed materials. English.

The collection consists of biographical files of Duke University faculty, staff, alumni, and others compiled by the News Service. The files contain primarily clippings and also curricula vitae, and other printed materials; most photographic materials were separated into other folders, described below.

The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a six and a half week summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

Ethel Tison Chaffin was born on January 13, 1921 in Natchitoches, LA. From childhood on, she took dance classes with a variety of instructors and, as a college student, studied dance at Louisiana State University, New York University, the University of Maryland, and Bennington College. Instructors included John Martin (former dance critic at the New York Times), Charles Weidman (Humphrey-Weidman Technique), Ethel Butler (Martha Graham Technique), and Nina Fornoff (Hanya Holm Technique). Ms. Chaffin also participated in master classes with Martha Graham and Katherine Manning. The collection contains the personal papers and dance-related memorabilia (circa 1930-1993) of Ethel Tison Chaffin. Materials include photographic prints, newspaper clippings, programs, and correspondence, which are housed within a scrapbook and one Hollinger box. Many of the materials are annotated by Ms. Chaffin.

The collection contains the personal papers and dance-related memorabilia (circa 1930-1993) of Ethel Tison Chaffin. Materials include photographic prints, newspaper clippings, programs, and correspondence, which are housed within a scrapbook and one Hollinger box. Many of the materials are annotated by Ms. Chaffin.

Included in the scrapbook are Ms. Chaffin's personal photographs documenting her involvement in dance and theater. These photographs depict several of her earliest dance recitals, university dance performances, and her 1948 performance as Laura in Tennessee William's The Glass Menagerie. In addition, she has incorporated photos of colleagues in the dance world. Also included within the scrapbook is correspondence between Ms. Chaffin and various educational institutions regarding admission to advanced dance programs at New York University and Bennington College, as well as job enquiries. Ms. Chaffin documented her career as an instructor by incorporating programs, clippings, and advertisements from her private studio, as well as those relevant to her tenure at Louisiana State University, the University of Alabama, and the Georgia State College for Women (now Georgia College) into the pages of her scrapbook. Memorabilia, including programs from festivals and performances that she attended, is also included within her scrapbook.

Records created after the compilation of the scrapbook are housed separately in a Hollinger box. Materials incorporated into this record set include correspondence with Elizabeth Andrews, educator and dance/drama critic, as well as newspaper clippings for a variety of well-known dancers and choreographers, including George Balanchine, Martha Graham, Charles Weidman, Merce Cunningham, and José Limón.

Collection includes photographic negatives related to sports at Duke. Sports include the following: baseball, basketball, boxing, cheerleading, cross country, fencing, field hockey, football, golf, gymnastics, lacrosse, soccer, swimming, tennis, track, wrestling, and volleyball. There are also negatives that pertain to general athletics. The subjects of the negatives include athletes, coaches, team pictures, and game action. The collection ranges in date from 1924-1992, 1995, undated.

This collection contains 20,122 negatives related to sports at Duke, and they range in date from about 1924 to 1992, 1995 and undated. The sports represented are as follows: baseball, basketball, boxing, cheerleading, cross country, fencing, field hockey, football, golf, gymnastics, lacrosse, soccer, swimming, tennis, track, wrestling, and volleyball. There is a series for general athletics, which tends to include images of physical education instructors or coaches from all sports. There is also a series called "Undetermined," which lists individuals for whom no sport or tie to athletes could be determined.

The subjects within each series include athletes, coaches, athletic staff (such as secretaries and trainers), team pictures, game shots, trophies, and athletic fields and facilities. The athletes may have been photographed in uniform, in suits, or in letterman sweaters. They may have been photographed with family and/or friends. Oftentimes, the athletes were posed in faux action shots.

There are not very many images of women athletes, but there are some available, including a small number of images of Women's Athletic Association members playing baseball (not softball), basketball, and tennis.

Established in 1926, the Divinity School is one of 13 seminaries founded and supported by the United Methodist Church, and attracts students from around the nation and several different countries. The Divinity School has from its beginnings been ecumenical in aspiration, teaching, and practice. This collection contains information and materials documenting the operations of the Divinity School, including the activities of its deans, faculty, students, as well as various councils, committees and organizations within and associated with the school.

This collection contains information and materials documenting the operations of the Divinity School, including the activities of its deans, faculty, students, as well as various councils, committees and organizations within and associated with the school. Types of documents include correspondence, reports, convocations, information about the expansion and renovation of the school, strategic plans, minutes of various council, committee, and faculty meetings, photographs, sermons, bulletins, records of the theological society and other organizations within the school, financial records, lectures, publications, subject files, statistics, deans' files, academic programs, information about field education, alumni affairs, information about faculty members, documents relating to the early history of the Divinity School when it was known as the School of Religion, and other administrative files and records.

Alphabetical files of miscellaneous information about hundreds of mainly U.S. corporations, some of them domestic and many multinational. The fullest documentation tends to be for companies that are or have been JWT clients (notably Kraft, Quaker Oats, Sears, Ford, Northern Telcom, Gerber, Kellogg, Philip Morris, Oscar Mayer, Kemper, S.C. Johnson, McDonnell Douglas, Jos. Schlitz, 7-Up, and others) and several that are or were major competitors of JWT clients (e.g. AT&T, McDonald's, General Motors, among others). Files contain widely diverse formats of information including internal JWT unpublished reports and memoranda; many articles clipped from magazines (especially trade press) and newspapers; articles printed from computer databases; company publications and annual reports; historical booklets and articles; three vinyl record albums; and miscellaneous items. The richest files tend to be those for major JWT Chicago office accounts, with by far the greatest amount and diversity of information on Kraft. Acquired as part of the John W. Hartman Center for Sales, Advertising, and Marketing History.

Collection comprises 176 Turkish political posters, including three duplicates. There are seven series of posters: Korean War, NATO, Historical significance, Commemoration of Ottoman historical figures, Republican-era historical figures, Leftist, and Presidency of the Turkish Republic. In the first, sixteen posters extoll the achievements of the Turkish Armed Forces command or Turkish Brigade in the Korean War between November 1950 and July 1953. In the second series, one poster represents Turkey's relationship to North Atlantic Treaty Organization (NATO), and another reflects the naval and air force maneuvers of NATO's Southern Command, Greece, and Turkey at Weld Fast in 1953. The third series includes 27 posters that celebrate events of historic national significance and depict international political figures together with Turkish leaders. The fourth series includes four posters that commemorate Ottoman historical figures, including admiral Barbaros Hayrettin, and sultans Mehmet V, Mehmed II, and Selim I. The fifth series includes 14 posters of Repulican-era historical figures, including portraits of World War II generals and political figures. The sixth series contains 63 leftist political posters with political slogans, as well as calls for meetings and demonstrations; most of them date from the second half of the 1970's. The seventh series contains 50 posters issued by the Presidency of the Turkish Republic regarding the failed coup attempt of 15 July 2016.

Collection comprises 176 Turkish political posters, including three duplicates. There are seven series of posters: Korean War, NATO, Historical significance, Commemoration of Ottoman historical figures, Republican-era historical figures, Leftist, and Presidency of the Turkish Republic (which features posters issued following the failed 2016 coup).

Collection comprises over 500 black-and-white photographic prints, along with negatives, contact sheets, photographer's notes, journals, writings, speeches, correspondence related to photography, and printed material, totaling over 9000 items. Kwilecki's photographic work documents rural and small-town life in and around Bainbridge, Decatur County, Georgia, an undertaking he began as a self-taught photographer in 1960 and continued until his death in 2009. Subjects include local landscapes, tobacco workers, county fairs, hog slaughtering, cemeteries, churches, courthouses, recreation on the Flint River, local industry, shoppers, downtowns, and house porches and interiors. The themes of race relations and religious life predominate. Many of Kwilecki's subjects come from the African American community in Decatur County. Significant correspondents in the manuscripts series include photographers Alex Harris and David Vestal; the collection includes a small set of Vestal photographs. Acquired as part of the Archive of Documentary Arts at Duke University.

The Paul Kwilecki Photographs and Papers span the whole of his career and include over 500 black-and-white photographic prints, negatives (chiefly safety but also some nitrate and glass plate), contact sheets, photographer's notes, journals, writings, speeches, correspondence related to photography, and other printed material, totaling over approximately 9000 items.

The bulk of the collection consists of Paul Kwilecki's prints and other photographic material documenting rural and small-town life in and around Bainbridge, Decatur County, Georgia, an undertaking he began as a self-taught photographer in 1960 and continued until his death in 2009. Although Kwilecki developed an interest in photography in the 1940s, only a very small portion of the images in the collection pre-date 1970.

The collection is organized into two major series: Photographic Materials, containing prints, contact sheets, and negatives, and a Manuscripts Series housing many files of correspondence, writings, and other personal papers.

While initially interested in photographing tobacco workers, Kwilecki turned his focus to other subjects, including county fairs, hog slaughtering times, cemeteries, churches, courtrooms, recreation on the Flint River, local industry, bus stations, shoppers, downtowns, house porches and interiors, and landscapes. Many of Kwilecki's subjects come from the African American community in Decatur County. Throughout the collection, the themes of race relations and religious life tend to predominate.

The Manuscripts Series (1967-2008) also provides an interpretation of life in Decatur County but also documents Kwilecki's photographic philosophy and practices. The correspondence and the journals, related to Kwilecki's work and career as a photographer, comprise the largest groupings. The series also contains Kwilecki's personal journals, dating from 1967-1969; Kwilecki's printing notes; news clippings; exhibition brochures; and a brief internet biography of Kwilecki. Many of Kwilecki's writings attempt to express in words the same topics he tried to illuminate through photography.

Additional manuscripts (14 boxes) and photographic materials were received in 2010 following Kwilecki's passing away. They include many folders of correspondence dating from 1971-2008, arranged in original order either chronologically or alphabetically by folder title. Significant correspondents include photographers Alex Harris and David Vestal; the collection also includes a small set of Vestal's photographic prints. Other files contain writings, clippings, and other items. The writings include journals from the 1970s; typed excerpts from early 20th century Georgia newspapers, some on racial incidents; drafts of Kwilecki's talks; and notes for the Decatur County photography publication (one folder). A few publications round out the last box in the collection.

The negatives are closed to use; contact sheets and prints offer alternate access to Kwilecki's images. Eleven nitrate large-format sheet negatives, dating from approximately the 1940s-1960s, are slated for digitization. Also included in the collection are several glass plate negatives by an unknown photographer dating perhaps from the 1910s.

Acquired as part of the Archive of Documentary Arts at Duke University.

The Arts at Duke Reference Collection contains files of clippings, programs, calendars and other materials concerning the arts at Duke and at Trinity College, the University's predecessor. This collection was compiled from a variety of sources by the University Archives for use in reference and research. For materials pertaining to art at Trinity College, see the Trinity College Reference Collection.

Flyers and posters, newspaper and magazine clippings, calendars, event programs and other materials pertaining to the arts at Duke and Trinity College. The bulk dates are 1972-2000. Includes a plan of the "Woodland Stage" at Trinity College along with programs and contracts for performances at Trinity by the Ben Greet Players and the Coburn Players, circa 1910-1916.

In 1924, Trinity College was renamed Duke University and major construction on the university began and lasted until 1932. Since then, Duke University's campuses have undergone expansions and renovations that have led to several changes to the campus. The Pictorial Works Reference Collection contains files of printed materials that depict the Trinity College and Duke University campuses. This collection was compiled from various sources by the University Archives for reference and research.

This collection consists of publications that feature photographs and drawings of the Trinity College and Duke University campuses along with descriptive text. The publications were sent to prospective students and used in publicity and fundraising.

Collection consists largely of correspondence between historian Nell Irvin Painter and her parents (1969-2003), documenting various stages of their lives, travels, and Painter's scholarly career. Also includes writings by or about Nell Painter, including reviews of her work; materials, including photographs and tintypes (circa 1890s-1910s) of African Americans in Victoria, Texas, kept by Frank and Dona Irvin, relating to their early life near Houston, and documenting aspects of African American history in that area; copies and reviews of Dona Irvin's writings; documents related to Frank and Dona's education and careers; family photographs; videos; Frank irvin's diary (2000-2003); legal papers; and other items. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Collection consists largely of correspondence between historian Nell Irvin Painter and her parents (1969-2003), documenting various stages of their lives, travels, and Painter's scholarly career. Also includes writings by or about Nell Painter, including reviews of her work; copies and reviews of Dona Irvin's writings; documents related to Frank and Dona's education and careers; Frank irvin's diary (2000-2003); legal papers; and other items.

Photographs also form an important part of the collection. Along with papers and records, Frank and Dona Irvin kept early photos and tintypes (circa 1890s-1910s) of African Americans in Victoria, Texas; together, these materials speak to their early life near Houston, and document aspects of African American history in that area. There are also family photographs from later decades (1930s-1980s).

For preservation purposes, original audiovisual media are closed to use; copies may be available on request.

Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Delouis Wilson is an African American artist, and jewelry designer, and art collector, based in Durham, North Carolina. The papers comprise her journals (1977-2008); calendars; sketchbooks, art school notebooks, and loose pieces of mixed media artwork. The journals, currently closed to use, document in detail her personal life, travels in the U.S. and abroad, including time spent in Tunisia in the Peace Corps, life in Durham, N.C., and employment as a jewelry designer. The collection also includes 30 large photographic studio portraits of African Americans, almost all hand-tinted crayon enlargements, dating from about 1890 to 1945 and collected by Wilson chiefly in the Southern U.S. Acquired as part of the Archive of Documentary Arts, the Bingham Center for Women's History and Culture, and the John Hope Franklin Research Center for African and African American History and Culture at Duke University.

The papers of Delouis Wilson, an artist and jewelry designer based in North Carolina, consist of a set of 27 journals (1977-2008, currently closed); a few calendar notebooks; sketchbooks and notebooks from her time at Atlanta College of Art; and loose pieces of artwork. An important component of Wilson's archive consists of a collection of 30 large photographic portraits of African Americans dating from the late 1880s to about 1940, collected by Wilson chiefly in the American South.

Wilson's journals (closed to use by donor request), calendars, and notebooks document in detail the personal life of the artist, life in Durham, N.C., her travels abroad and in the U.S., including time in Tunisia in the Peace Corps, and her career as a jewelry designer. They include small illustrations contain as well as laid-in items such as letters and postcards; some have handmade covers constructed of textiles and other non-paper materials.

The artwork, sketchbooks, and art notebooks present a mix of drawings, sketches, prints, textile work, and mixed-media color paintings created by Wilson during and shortly after her art school years, all 8x11 inches or less. The notebooks also include art school class notes and handouts, creative writings, and personal notes such as recipes, lists, housing notes, and addresses. There are self-portraits scattered throughout, including a larger piece from 1990 laid into a sketchbook. Also in the collection is one large color photograph of an African American woman by Wilson. The artworks range in size from 4 1/2 x 6 to 16x20 inches.

A central component of the collection are thirty historic studio portraits of individual Black men and women (1890s-1940s), with some of couples and families, collected by Wilson in thrift shops and flea markets throughout the Southern U.S. Most belong to a process called crayon enlargements. The studios developed faint enlargements of the photographic images on convex pieces of thick card stock, then outlined and filled them with ink, crayon, or pastel pigments to resemble a painting. One portrait in the collection is a fully-developed gelatin silver photograph. A few smaller portraits are sized approximately 10x8 to 13x9 inches; the majority are larger, ranging from 19x13 to to 20x16 inches. Most of the prints are hand-tinted with a variety of tecniques, but some are black-and-white, and some are on flat rather than convex mounts.

Darlene Clark Hine is an African American professor, historian, college administrator, and published author in the field of African American history.

The Darlene Clark Hine Papers span the dates from about 1879 to 1996, with the bulk of the files dating from the 1970s to 1996. Earlier dates represent reproductions of archival materials, chiefly photographs. Through professional correspondence, research and writings materials, and professional service files, the collection documents the career of Darlene Clark Hine, professor of African American history, college administrator, and published author on African American history in the United States. The collection is arranged into the following series: Correspondence, Personal Files, Professional Service, and Research and Writings. The largest file group in the collection is the Professional Service Series, which documents Hines' extensive involvement with academic organizations and civic organizations, her activities as lecturer and speaker at many conferences, symposia, and other events, and to a lesser extent, her activities at Purdue and Michigan State University as a professor, mentor, and faculty member. The second largest series in the collection, Research and Writings, contains files of research and publication materials related to Hines' major published works, articles, and media projects concerning African American slavery; the Civil Rights movement; African American suffrage, particularly in Texas; race relations in the United States; African American women in the Midwest; and black women in the nursing profession. Items in the Correspondence Series chiefly relate to Hine's academic activities at Purdue, Michigan State, Arizona State, and the University of Delaware, and her publishing activities; there is also some correspondence with foundations concerning funding for projects. Finally, the Personal Files contains such items as Hines' early student work, including her master's thesis, and some correspondence, cards, and photographs. Each series and its subdivisions are described in full in the collection description that follows. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

The Garrett Orr Papers document the artistic output and personal files of advertising executive Garrett Orr. Although the collection spans the years circa 1873 to 1994, the bulk of the materials fall within two main periods: the 1890s to 1914, comprising a photographic collection of old poster images; and 1930 to 1965, which approximates the span of Orr's professional life. The collection includes the original drawings, water colors and paintings produced by Orr as designs for the outdoor advertising campaigns of a wide variety of products such as Gillette razors, Ipana toothpaste (Bristol-Myers), Lucky Strikes and Viceroy cigarettes (Brown & Williamson), Mazola corn oil (Corn Products Refining Company), Seagram beverages, Verney fabrics, and White Rose tea. Also included are folders of photographs, slides and negatives of Orr's advertising work for approximately 550 companies (with index). In addition, a collection of almost 200 large-format negatives and photographs document images of 19th- and early 20th-century posters for plays, musicals, minstrel shows, circuses, and hotels. A large set of clippings files contain published examples of the work of over 100 graphic artists and illustrators contemporary with Orr, including Floyd Davis, Ronald McLeod, George Petty, Howard Scott, Ben Stahl, Jon Whitcomb, and J. Walter Wilkinson. The collection is organized into five series--the General Files Series; the Artists and Illustrators Series; the Product Files Series; the Other Photographic Materials Series; and the Sketches Series. Large-format items from the Artists and Illustrators Series and Sketches Series have been relocated to Oversize Materials.

Closely related collections held by the Rubenstein Library include: the Outdoor Advertising Association of America (OAAA) Archives; the Outdoor Advertising Association of America (OAAA) Poster Designs; the Outdoor Advertising Association of America (OAAA) Slide Library; the Duplex Advertising Company Billboard Images and Records; the Strobridge Lithographing Company Advertisements; the R.C. Maxwell Co. Records; the Howard Scott Papers; and the John Paver Papers.

The Behind the Veil: Documenting African-American Life in the Jim Crow South project was undertaken by Duke University's Center for Documentary Studies from 1990-2005. Its goal was to record and preserve African American experiences in the American South from the 1890s to the 1950s. Materials in the Behind the Veil project collection date from about 1864 to 2011, with the bulk dating from the 1990s; earlier dates represent original image content rather than the reproduction date. The collection comprises over 1200 oral history interviews with associated transcripts and administrative files, several thousand historic and contemporary photographs, and project records, which include paper and electronic administrative files and audiovisual recordings. Oral histories were conducted in 19 locations, chiefly in the South; topics represented in these recordings include childhood, religion, education, politics, celebrations and other events, family histories, work histories and military service, and details about segregation and the effects of racism in the South. Acquired as part of the John Hope Franklin Research Center for African American History and Culture at Duke University.

Materials in the Behind the Veil project collection date from about 1864 to 2011, with the bulk dating from the 1990s; earlier dates represent original image content rather than the reproduction date. The core component of the collection comprises over 1200 oral histories conducted by Behind the Veil interviewers with African Americans in cities, towns, and rural locations in Georgia; Arkansas; Michigan; Alabama; North Carolina; Los Angeles, California; Mississippi; Tennessee; Kentucky; Louisiana; Virginia; South Carolina, and Florida. The majority of the interviews were conducted during summers between 1993 to 1995, with additional interviews added from 1995 to 2004. These interviews, originally recorded by Behind the Veil staff and volunteers on audiocassettes, have been digitized; in addition, all other project records and images are currently being digitized and will be made available as they are ingested into the Duke Digital Repository.

A second core component consists of over 2100 historical and contemporary photographic images in the form of black-and-white and color slides, photographic prints, and negatives. These form several large groups: donated historical materials imaged at interview locations by BTV staff; contemporary photographs taken by staff as they gave interviews and explored local communities; and photographs of BTV staff at work, BTV offices, and project events and training. Historic images in slide format include many photographs of African American individuals and families dating from the 1880s to the mid-20th century; they also include images of documents such as news clippings, military papers, political ephemera, school diplomas, and brief publications. The images are described in more detail in their listings in this collection guide.

The remainder of the collection consists of project administrative records. These files - in paper and electronic format - include National Endowment for the Humanities (NEH) grant information; correspondence; staffing records; meeting notes and minutes; outreach; files on publication and exhibit projects; and information on classes, seminars, and training given for students and project staff.

The Behind the Veil collection not only focuses on the experiences of individuals, but also reflects the importance of black institutions as the backbone of black communities. The interviews, documents and photographs reflect the crucial role that black churches, fraternal societies, women's clubs, and political organizations played in African American community life. The testimony of educators and students from historically black colleges, agricultural schools and institutes enrich conventional beliefs about black agency in segregated schools.

Although the focus of the interviews was on the Jim Crow era, the life history format of most interviews led informants to comment on events after segregation. Information about civil rights struggles in the 1960s, African American participation in desegregation within local communities, and post-1965 activism and community work are also included in many Behind the Veil interviews. The interviews in this collection also raise crucial questions about the shape of memory and the creation of narratives that can inform not only research in oral history but also literature and anthropology. Research into black religion can be enriched by the voices of Behind the Veil. Studies that examine oppression and resistance could be informed by the rich documentary record of labor and social culture that the collection presents. The Behind the Veil collection illuminates innumerable topics, time periods, and research interests.

A. Hollis Edens served as President of Duke University from 1949-1960. This collection includes material largely of a personal nature, including correspondence, photographs, printed material, clippings, and scrapbooks. The collection ranges in date from circa 1850s-1994.

The collection includes correspondence, speeches, Duke-related material, Emory-related material, clippings, printed material, scrapbooks, and photographs. The material relates not only to Edens' professional career, but also to his family history and to that of his wife. The majority of the collection consists of family photographs, many of which are unidentified and undated.

Ella Fountain Keesler Pratt (1914-2008) was a Duke University employee for almost thirty years. Ms. Pratt was also a patron of the arts and community organizer in Durham, North Carolina. This collection contains documents, records, photographs, and notes that document her life as a Duke employee and Durham arts organizer. Items include personal notebooks, photographs of family and events, art exhibition catalogs, and audio recordings of performances at Duke University. The collection materials range in date from circa 1850 to 2008.

The Ella Fountain Pratt Papers contain materials pertaining to Pratts's personal life and professional accomplishments. A majority of the collection is comprised of personal correspondence, records, and news clippings that document Ella's education, her participation in the Durham Arts scene, and her experiences as a longtime employee at Duke University. Newer accessions also include photographs (largely unidentified and undated) of both Ella and her husband as well as their sons and Mr. Pratt's family as well as genealogical information, Mr. Pratt's correspondence, and materials pertaining to his education and work at Duke University, in addition to his service in the U. S. Navy during World War II. Of note is a letter signed by Richard Nixon soon after he was defeated in the 1960 election. The collection also includes notable autographs of the various artists Ella Fountain Pratt encountered during her lifetime. Items in the collection range from circa 1850-2008, with the bulk from 1960-2000.

This collection holds miscellaneous papers (192 items; dated 1649-1971) including originals and copies of letters, Bible records, pictures, and printed works relating to the history of the Pearson, Smith, and Thompson families who migrated from England to Virginia, North Carolina, Tennessee, and finally to Arkansas; letters, legal papers, historical notes, genealogy, military records, cemetery records, pictures, and maps pertaining to the history of Benton County, Tenn.; copies of the Civil War letters of Stephen W. Holliday, 55th Tennessee Regt., C.S.A.; anecdotes of Confederate General Nathan Bedford Forrest; Melton family genealogy; and Smith family albums. A later addition (283 items, dated 1774-1986) includes information pertaining to the genealogy of several related families (including the Thompson and Wyly families, as well as information on the descendants of Col. Samuel and Mary Webb Smith). Includes printed works on genealogy and other topics compiled by Emma C. C. Brown and Jonathan K. T. Smith (primarily Smith). Also includes: correspondence; legal documents; copies of church records; clippings; writings about the history of Benton County, Tenn., and some of its citizens and communities; photographs; printed and other material on Camden, Tenn.; copy of the diary of Anne William Smith; copy of a portrait of Anne William Smith by Gustavus Grunewald (1847-1848); a recording entitled The Remembrance Pilgrimage about the Smith family of Nymcock, Tenn.; A Century with St. Mark's: An Informal History by Clara L. Cape; and an extensive biographical sketch on Col. Maurice Smith.

This collection is largely genealogical in nature and holds miscellaneous papers of Jonathan Kennon Thompson Smith including originals and copies of letters, papers, Bible records, pictures, and printed works relating to the history of the Smith, Pearson, and Thompson families who migrated from England to Virginia, North Carolina, Tennessee, and finally to Arkansas. The Smith family descended through Maurice Smith (1801-1871) of Person County, North Carolina who later moved to Fayette County, Tennessee in 1831, and finally to Dallas County, Arkansas in 1843.

In addition to family correspondence of Maurice Smith (1801-1871); the collection has letters, legal papers, historical notes, genealogy, military records, cemetery records, pictures, and maps pertaining to the history of Benton County, Tennessee. Copies of the Civil War letters of Stephen W. Holliday, 55th Tennessee Regiment, C.S.A., to his parents, a history of Tulip and Tulip Ridge, Arkansas, by Smith entitled The Romance of, Tulip (Memphis: 1965), On this Rock . . . the Chronicle of a Southern Family, which is a history by Smith of the family of Colonel Samuel Smith and Mary Webb Smith of Abram's Plains, North Carolina; biographies of the Captain Nicholas Martian (1591-1657) and of Samuel Granville Smith (1794-1835); anecdotes of Confederate General Nathan Bedford Forrest; a history of the Pearson family by Smith entitled This Valued Lineage; history of the Thompson family by Smith entitled These Many Hearths; albums of the Smith family containing pictures, clippings, and copies of letters and wills dating as early as 1649; genealogy of the Melton family by Herman E. Melton entitled Sassafras Sprouts; an anthropological study of the Indians of Kentucky Lake, Tennessee, by C. H. McNutt and J. Bennett Graham; and a pamphlet, 1961, by Smith entitled A Statement of Faith.

There is a microfilm copy of 'The Remembrance Pilgrimage. The Story of a Southern Family' (1964) available.

This accession continues to document Julia Penelope's life as a lesbian and feminist activist and academic. Materials include correspondence and financial records; lecture notes and writings by Penelope dealing with subjects that include linguistics, lesbian communities, lesbian separatists, and coming out; subject files; and book reviews of works by Penelope and others. Acquired as part of the Sallie Bingham Center for Women's History and Culture. For information on earlier accessions, please consult the Duke Library online catalog.

Dwayne Dixon was an employee in the Literacy Through Photography program at the Center for Documentary Studies. Collection includes 110 zines (150 items, ca. 1984-ca. 1995) produced across the United States and Central America and collected by Dixon throughout the 1990s. The majority of the zines demonstrate young men's search for life meaning, morality, and identity, especially through hardcore and punk music/lifestyle, including interviews with bands, album reviews, and criticism of the status quo. Other groups of zines were produced by children participating in various afterschool and enrichment programs in Durham, NC; by Central American women in Mexico, Nicaragua, the Dominican Republic, and El Salvador; and by American young women raging against rape and sexism and searching for a less traditional sexual identity. Many zines include erotica, drawings, copies of photographs, and cartoons.

110 zines (150 items, ca. 1984-ca. 1995) produced across the United States and Central America and collected by Dixon throughout the 1990s. The majority of the zines demonstrate young men's search for life meaning, morality, and identity, especially through hardcore and punk music/lifestyle, including interviews with bands, album reviews, and criticism of the status quo. Other groups of zines were produced by children participating in various afterschool and enrichment programs in Durham, NC; by Central American women in Mexico, Nicaragua, the Dominican Republic, and El Salvador; and by American young women raging against rape and sexism and searching for a less traditional sexual identity. Many zines include erotica, drawings, copies of photographs, and cartoons. Online searchable database includes more detailed descriptions of the first accession of this collection. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

This collection documents the professional and creative life of writer and teacher Robert Bausch. Materials include handwritten, typed, and electronic (computerized) drafts of published and unpublished novels and essays, including The Gypsy Man, On the Way Home, Almighty Me, For God's Sake, and A Hole in the Earth; galleys and corrected proofs of his published novels; incoming andoutgoing correspondence--including copies of electronic mail--with writers, editors, readers,students, and family; a few typescripts of works by others; book and movie contracts and royalty statements; andaudiocassette tapes of Bausch's class discussions and readings by authorsGeorge Garrett, Bausch, and Bausch's twin brother Richard Bausch.

(15 tapes) (2500 manuscript items) (31 disks) (893 computer files)

Robin Chandler Lynn Duke held office or was active in a number of organizations including Population Action International, the National Abortion Rights Action League, The Packard Foundation, the Draper World Population Fund, and several major corporations. Married to Ambassador Angier B. Duke. Collection (22100 items, dated 1942-2000) contains items related to Duke's extensive involvement in abortion rights, family planning, and population studies organizations. Series within the collection include correspondence, clippings, writings, publications, miscellaneous, photographs, and subject files. A substantial amount of correspondence from Duke was written to members of the U.S. House and Senate, and was written by Duke in her capacity as National Chair of Population Action International. Books and pamphlets report on population studies, child education, family planning, violence against women, and international education. Organizations represented in the collection include Population Action International, the Draper World Population Fund, Planned Parenthood, NARAL (National Abortion Rights Action League), "The Anatomy of Hate" conference, and the National Abortion Federation.

Collection (22100 items, dated 1942-2000) contains items related to Duke's extensive involvement in abortion rights, family planning, and population studies organizations. Series within the collection include correspondence, clippings, writings, publications, miscellaneous, photographs, and subject files. A substantial amount of correspondence from Duke was written to members of the U.S. House and Senate, and was written by Duke in her capacity as National Chair of Population Action International. Books and pamphlets report on population studies, child education, family planning, violence against women, and international education. Organizations represented in the collection include Population Action International, the Draper World Population Fund, Planned Parenthood, NARAL (National Abortion Rights Action League), "The Anatomy of Hate" conference, and the National Abortion Federation.

Additional organizations represented include the National Campaign to Prevent Teen Pregnancy, Promise Keepers, Rockefeller Foundation, Center for Gender Equality, Harvard School of Public Health, Friends of Art and Preservation in Embassies, Institute of International Education, International Flavors and Fragrances, National Mother's Day Committee, and the National Park Foundation.

Other parts of the collection deal more directly with Duke personally and with her husband. Files relate to social events and awards ceremonies, the Congressional campaign of 1977, and a number of other organizations concerned with her activities or her husband's ambassadorships. There is also information concerning the National Wildflower Research Center, the Council of American Ambassadors, the United Nations and other organizations; as well as information related to a white house dinner; speeches; articles about Duke; an appointment book; and personal files.

A number of other scrapbooks contain photos and other items from the time when Duke served as a fashion editor.

The addition (7089 items, 11.10 linear feet, dated ca. 1930-2001) comprises correspondence, subject files, articles and newspaper clippings, photographs, scrapbooks, photograph albums, and printed materials that primarily describe conferences attended and trips taken by Duke, focusing on the organizations in which she was actively involved. Also includes incoming and outgoing correspondence; files on fundraising dinners and meetings; and Angier Biddle Duke's typescript journal entries, "For the Record" (1981-1985), composed while visiting a number of countries. Also includes 71 black-and-white prints, 236 color prints, 780 color negatives, and 2 fabric bags. (01-147)

The addition (3250 items, 7.3 linear feet, dated 1960-2000) contains primarily correspondence, reports, speeches, newspaper clippings, printed material, and miscellaneous items related to Robin Duke's ambassadorship to Norway and her activism in major organizations for population control, including NARAL and Planned Parenthood. There are 5 videocassette tapes, including "JFK--A Time Remembered;" as well as 37 black-and-white and 5 color photographs, including a photograph album of a visit to Marrakech. The collection also contains diplomas, awards, and several commemorative photos/drawings signed by Lady Bird Johnson. (01-155)

The addition (2000-0341) (2175 items, 3.4 linear feet; dated 1991-2000 and undated, bulk 1998-2000) contains correspondence, notes, information packets, two videocassette tapes, one CD-RW containing 15 electronic audio file and printed material from meetings Duke attended. Also includes correspondence, speech notes, two black-and-white photographs, and information packets relating to the Albert Lasker Public Service Award Duke won in 1991. There is one additional black-and-white group photograph taken at a lecture.

The addition (2002-0162) (2400 items, 4.0 linear feet; dated [ca. 1990]-2002) contains primarily reports, printed material, correspondence, and 1 black-and-white and 12 color photographs related to Duke's activism in various organizations, including Friends of Art and Preservation in Embassies and the US-Japan Foundation (1990-2001). Also includes correspondence, orientation packets, talking points, and reports received or used by Duke as ambassador to Norway (2000-2001).

The addition (2002-0311) (750 items, 1.6 linear feet) comprises miscellaneous materials relating to Duke's numerous involvements, including personal and professional correspondence, meeting and event information, organizational files, newspaper clippings, reports, and printed material. A container list was not created for this addition.

The addition (2003-0096) (1500 items, 2.2 linear feet) contains correspondence and other materials related to Duke's activism in organizations including F.A.P.E., A.S.F., I.R.C., and the U.N. Association (1983-2003); and documents related to her position as Ambassador to Norway (2000-2001). Also includes files about parties and other events, and a small amount of personal correspondence.

The addition (2003-0268) (500 items, 1.4 lin. ft.; dated 1998-2003) contains business correspondence and other materials related to Duke's activism in NARAL, UNESCO, and Population Action International. Also includes a small amount of personal correspondence and 2 VHS tapes, "Packing the Courts: The Battle over President Bush's Judicial Appointments" and "Access Denied: US Family Planning Restrictions in Zambia".

The addition (2005-0060) (3390 items, 5.4 lin. ft.; dated 2002-2005) comprises correspondence, printed material, and board meeting packets related to Duke's activism. Also includes a transcript of oral history interviews conducted by Smith College, and 3 VHS videocassettes.

The addition (2005-0120) (697 itmes, 1.8 lin. ft.; dated 1992-2005) comprises personal and professional correspondence; board meeting packets related to Duke's activism in a wide variety of organizations.

The addition (2006-0054) (576 items; 1.3 lin. ft.; dated 1969-2006 and undated) contains correspondence (1993-2006); and other materials related to Duke's activism. There are also 2 CD-ROMs, printed material, clippings, and invitations to luncheons and dinner parties.

The addition (2006-0062) (1025 items; 1.6 lin. ft.; dated 1962-2006 and undated) comprises correspondence, invitations, speeches, printed material, and ephemera related to Duke's activism in organizations (1983-2006). There are also materials that once formed a photo album/scrapbook, with 27 black-and-white photos of the Dukes as well as interior and exterior photos documenting their remodeling of Blair House, the presidential guest quarters, in Washington, DC (undated, probably 1962); invitations; and correspondence (1962-1968), including letters from Jackie Kennedy, Lady Bird Johnson, and others.

The addition (2006-0092) (1025 items; 1.6 lin. ft.; dated 1962-2006 and undated) contains clippings, periodicals and reference works, as well as meeting guides, conference materials, correspondence and other materials regarding Duke's political, charitable and ambassadorial activities. There is also one DVD and two black-and-white copies of family photos.

The addition (2007-0014) (1500 items; 2.4 lin. ft.; dated 1962-2006) contains correspondence, including letters from Jackie Kennedy and Lady Bird Johnson; menus and programs for United States Presidential luncheons and dinners; documentation, pamphlets, and files from councils and organizations; a diploma for Angier Biddle Duke from Duke University; speeches; printed materials; and newspaper clippings.

The addition (2007-0087) (675 items; 0.9 lin. ft.; dated 1964-2007) contains correspondence, photographs, speech transcripts, and conference materials from Duke's charitable and political organizations.

The addition (2007-0194) (675 items; 0.9 lin. ft; dated 2000-2007) contains correspondence, charitable committee and meeting materials, and a New York Look Book featuring Duke and her fashion sense. This collection has been interfiled with Addition (2007-0087).

The addition (2008-0116) (600 items; 0.8 lin. ft; dated 2007-2008) includes conference ephemera and other materials from Duke's involvement in charities and political activities; miscellaneous materials and correspondence; and publications from various international organizations.

Addition (2009-0168) (900 items; 1.2 lin. ft.; dated 1960s-2009) includes correspondence, board meeting publications from Duke's various charities and organizations, letters from prominent people, and miscellaneous materials such as newspaper clippings and photographs.

David Fowler was an advertising executive who served as Worldwide Creative Director for the Ogilvy & Mather agency in New York. Collection includes booklets, briefing materials, presentations, texts of speeches and other materials in printed and electronic formats that document Fowler's career in advertising, brand management and marketing. Companies represented include Ammirati & Puris, British Petroleum, Coca-Cola (Fanta), DuPont, Goldman Sachs, Motel 6, and Ogilvy & Mather. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection includes booklets, briefing materials, presentations, texts of speeches and other materials in printed and electronic formats that document Fowler's career in advertising, brand management and marketing. Companies represented include Ammirati & Puris, British Petroleum, Coca-Cola (Fanta), DuPont, Goldman Sachs, Motel 6, and Ogilvy & Mather.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. It is headquartered in New York. Collection consists of training and policy manuals, presentations, other printed materials and videocassettes pertaining to the T-Plan, Thompson Way and Thompson Total Branding programs. Materials appear in English, Spanish and Japanese and include materials from JWT offices in The U.S., Argentina, Australia, Canada, India, Italy, Japan, Mexico and Thailand. Case study information for individual companies include DeBeers, Ford, Nabisco (Ritz crackers), Nabob Coffee, Nestle, Steppenwolf Theater and White Castle. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Consists of training and policy manuals, presentation materials, other printed materials and videocassettes pertaining to the T-Plan, Thompson Way and Thompson Total Branding programs. Materials appear in English, Spanish and Japanese and include materials from JWT offices in The U.S., Argentina, Australia, Canada, India, Italy, Japan, Mexico and Thailand. Case study information for individual companies include DeBeers, Ford, Nabisco (Ritz crackers), Nabob Coffee, Nestle, Steppenwolf Theater and White Castle. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Anne Halley was a fiction writer and poet. Collection includes typescripts for four works (approximately 700 pages) and typesetting instructions for the opening pages of Rumors of the Turning Wheel, which was published by Lisa Unger Baskin's Aee Press in 2003.

Collection includes typescripts for four works (approximately 700 pages) and typesetting instructions for the opening pages of Rumors of the Turning Wheel, which was published by Lisa Unger Baskin's Aee Press in 2003. The four works, True Wedding: Ten Household Tales, Beatrice and the Blind Child, Change of Life, and an untitled volume of poetry, are unpublished and undated. Some of the typescripts are annotated; also present are a few pieces of undated correspondence from Halley to Baskin.

Duke University's strategic plan emphasizes interdisciplinary studies because important teaching, learning, and research often occur across the traditional boundaries of disciplines, departments, or schools. Interdisciplinary Studies at Duke University became an office under the direction of the Provost with the appointment of the first Vice Provost for Interdisciplinary Studies in 1998. Prior to this, direction of interdisciplinary studies was a responsibility of the Dean of the Graduate School/Vice Provost for Graduate Education. Records contain subject files, correspondence, reports, and planning documents related to Interdisciplinary Studies at Duke, including the Franklin Center for Interdisciplinary and International Studies, the Franklin Humanities Institute, Information Science and Information Studies, Women's Studies, Science Technology and Human Values, the Black Faculty Initiative, the University Scholars Program, global health, arts and humanities, the arts warehouse, development and grants, and faculty involvement with interdisciplinary teaching.

Records contain subject files, correspondence, reports, and planning documents related to Interdisciplinary Studies at Duke, including the Franklin Center for Interdisciplinary and International Studies, the Franklin Humanities Institute, Information Science and Information Studies, Women's Studies, Science Technology and Human Values, the Black Faculty Initiative, the University Scholars Program, global health, arts and humanities, the arts warehouse, development and grants, and faculty involvement with interdisciplinary teaching.

Jenny Zervakis was part of a wave of underground, do-it-yourself cartoonists who came of age during the Zine Revolution of the 1990s. Collection consists largely of issues of her "Strange Growths" autobiographical comic zine and "Urban Hiker," a Durham magazine to which Zervakis regularly contributed. Also included in the collection are other comics and writings by Zervakis, as well as an artist's statement. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection consists largely of issues of "Strange Growths" and "Urban Hiker." "Strange Growths" is an autobiographical comic zine that Zervakis began in 1991, featuring artwork and writing that address her life experiences. The "Urban Hiker" was a community-based magazine produced in Durham that provided entertainment and education through people's stories. Also included in the collection are other comics and writings by Zervakis, as well as an artist's statement.

The Vice President of Administration role was established after the Vice President of Human Resources' responsibilities expanded to include such areas as disability management, Duke police and security, emergency management, and parking and transportation. Collection contains a strategic plan, human resource manual, landscape plans, and maps.

Collection contains handbooks, annual strategic plans, human recources manuals, landscape plans, and maps. Also includes material related to hiring and recrutiment, salary equity, internal audits, and the International HR committee.

The LGBT Task Force makes ongoing assessments of attitudes and conditions throughout the University regarding gay, lesbian, bisexual, and transgender persons and issues. Records include minutes, agenda, correspondence, reports, printed email, clippings, printed matter, and other records of the Task Force.

Records include minutes, agenda, correspondence, reports, printed email, clippings, printed matter, and other records of the Task Force. Topics covered by the materials include University policies on same-sex marriages and benefits, surveys administered to students on sexuality and transgender issues, the creation and funding of the Center for LGBT Life (now the Center for Gender and Sexual Diversity), and many other subjects.

The Arts and Sciences Council was established at Duke University in July 1991, when the Undergraduate Faculty Council of Arts and Sciences disbanded and reconstituted itself to include some aspects of graduate studies and research initiatives. The Arts and Sciences Council is elected by the Arts and Sciences faculty and serves as this faculty's primary institution for faculty governance. The Council also determines and implements the broad objectives of undergraduate education and considers all matters affecting the academic and residential environments of students, making recommendations and adopting regulations where appropriate. Records include correspondence, reports, minutes, memoranda, questionnaires, and other materials documenting the activities of the A & S Council. The bulk of the materials were generated by the Curriculum Review Committee, circa 1992-1999. The collection also features records created by several other committees, including Academic Affairs, Academic Standards, Financial Aid, Residential Life, and Senior Year. English.

Arts and Sciences Council records include correspondence, reports, minutes, memoranda, questionnaires, and other materials documenting the activities of the A&S Council. The bulk of the materials were generated by the Curriculum Review Committee, circa 1992-1999. In 1992 Dean Richard White appointed the Curriculum Review Committee to evaluate the undergraduate curriculum. The records of the committee document its processes of studying the curriculum as well as its evaluation and recommendations. Surveys concerning the curriculum, which were completed by faculty as well as juniors and seniors are included. Curriculum issues reflected in the records include the Undergraduate Writing Course, requirements for academic majors, the division of the curriculum into six areas of knowledge, and academic advising. Copies of earlier curriculum studies, "Structure and Choice in Liberal Education" (1986) and "A Climate for Liberal Learning" (1980), are included.

The collection also features records created by several other committees, including Academic Affairs, Academic Standards, Financial Aid, Residential Life, and Senior Year.

The non-profit agency International Monitor Institute (IMI) operated between 1993 and 2003, primarily to assist international war-crimes tribunals by collecting, indexing and organizing visual evidence of violations of international human rights law. The International Monitor Institute Records, Middle East Videotapes span the dates 1991-2008, and comprise audiovisual materials related to IMI's documentation of contemporary conflicts and human rights violations in the Middle East, including Iran, Iraq, Afghanistan, Kuwait, Israel, Palestine, and Lebanon. The collection includes footage regarding the Iranian revolution, the Kurdish genocide in Iraq and refugee populations in Lebanon, chemical warfare, the September 11, 2011 terrorist attacks on the World Trade Center, the war on terror, and the Israeli-Palestinian conflict. Also included is a Department of Air Force Series covering Operation Provide Comfort. Documentaries and news segments make up the bulk of material in this collection; news segments are predominantly from CNN, Frontline, Fox News, and Al Jazeera.

The International Monitor Institute Records, Middle East Videotapes span the dates 1991-2008, and comprise audiovisual materials related to IMI's documentation of contemporary conflicts and human rights violations in the Middle East, including Iran, Iraq, Afghanistan, Kuwait, Israel, Palestine, and Lebanon. The bulk of these audiovisual materials are comprised of documentaries and news reports that cover the political climates, histories, and governmental structures of Middle-Eastern states, especially Iraq and Iran. Much of this material documents Saddam Hussein's Kurdish Genocide (al-Anfal) and his campaign against the Marsh Arabs, activities of the Iraqi secret police, and the experience of Kurdish refugees in camps such as Azerbaijani. Material also documents humanitarian relief for Kurdish refugees, including the activities of the United States military in Operation Provide Comfort. Other documentary material explores state torture and state-sponsored terrorism in Iraq, including chemical attacks and the genetic effects of chemical weapons on the population. Records further document various political and military institutions, including the Kurdistan Workers' Party (KPP), Kurdistan Democratic Party (KDP), and the Patriotic Union of Kurdistan (PUK), as well as the activity of various international organizations such as the United Nations and Amnesty International. Several documentaries examine events leading up to the Gulf War and its aftermath, the war in Beirut, the lives of Palestinian refugees in Lebanon, and rights conflicts regarding Palestinians living in Israel. Videotapes further document the Iranian revolution and post-revolution, and the fall of the Shah. The bulk of news reports were produced by CNN, Fox, Frontline, and Al-Jazeera. Coverage focuses on the September 11, 2011 attacks on the World Trade Center, as well as material on the war on terror, Osama bin Laden and Al Queda training camps. The following tapes were not transferred to the Rubenstein Library and descriptions of these tapes has been omitted from this finding aid: ME048, ME054-ME057, ME059-ME067, ME070-ME071, ME073-ME074, ME102-ME103, ME112, ME204-ME206, ME291, ME350, ME417, ME1074.Further organizational material on the Middle East can be found in the International Monitor Institute Records, also at the Rubenstein Library.

Acquired as part of the Human Rights Archive.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. Brouillard Communications, a division of JWT, was established in 1973 and specialized in business-to-business advertising and corporate communications. Brouillard closed in 2009. Collection spans the years 1995-2005 and contains primarily proofs of print advertising campaigns, along with some tear sheets and printouts of PDF files. Some brochures, printed materials and direct mailing items are also present in the collection. Companies represented include American Gas Association, American Physical Therapy Association, Barclays, Bell Atlantic, CITCO, Dassault, Dow Jones, Johns Manville, Maserati, Morgan Stanley and United Technologies. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection spans the years 1995-2005 and contains primarily proofs of print advertising campaigns, along with some tear sheets and printouts of PDF files. Some brochures, printed materials and direct mailing items are also present in the collection. Companies represented include American Gas Association, American Physical Therapy Association, Barclays, Bell Atlantic, CITCO, Dassault, Dow Jones, Johns Manville, Maserati, Morgan Stanley and United Technologies. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Third Side Press, a feminist publisher of women's health and lesbian fiction books, was founded in 1991 and ceased active publication in 1998. It was dissolved as a corporation in 2003. During the years of active publication, Third Side Press produced between 20 and 25 titles, mostly in paperback, including top sellers such as CANCER AS A WOMEN'S ISSUE and THE WOMAN-CENTERED ECONOMY. Midge Stocker is the founder and publisher of Third Side Press. Materials include correspondence, financial records, book proofs and files, book reviews, and other records relating to the operation of Third Side Press publishing house. Also includes copies of several Third Side Press publications. Floppy disks and other electronic materials have been removed for preservation. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Materials include correspondence, financial records, book proofs and files, book reviews, and other records relating to the operation of Third Side Press publishing house. Also includes copies of several Third Side Press publications. Floppy disks and other electronic materials have been removed for preservation. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The collection consists of film footage (sync reels, workprint reels, stock footage, research tapes, etc.) created in the making of the film Clear Pictures, a documentary on Reynolds Price by Charles Guggenheim. Interviews of friends and colleagues were recorded, as well as of Price himself, documenting his range of activity and long literary career. A few paper files and electronic data are also included. See the Reynolds Price Papers also in this repository. The addition (2 items; dated January 23, 1990) contains two 3/4" U-matic videocassette tapes.

Special arrangements will be necessary to gain access to some items in this collection. Please inquire.

Papers related to the publication of the Duke Faculty Newsletter in Duke Dialogue, 1991-1994.

The collection contains news clippings from local publications covering the newsletter, proposed articles, correspondence, and a readership survey.

The Chanticleer is Duke's annual student-produced yearbook. Focus is placed on high- quality photographs. The collection includes photographs, slides, negatives and contact sheets. Duplicates exist throughout the collection. The Collection also includes editing notes from Chanticleer staff. Most of the photographs are in black and white, although there are some in color. They range in date from circa 1998-ongoing.

The Chanticleer Photograph Collection includes photographs, slides, negatives and contact sheets. Duplicates exist throughout the collection. The collection also includes editing notes from Chanticleer staff. Most of the photographs are in black and white, although there are some in color, and the majority of them are unidentified. They range in date from circa 1990s-ongoing.

Collection comprises 76 color photographic prints, measuring from 11x14 to 20x24 inches, depicting the annual prairie fires that sweep across east-central Kansas. These images were taken during the 1990s; the artist has continued taking images of prairie fires up to the present (2015). For the 1990s project, published in a book entitled "On fire," Schwarm was awarded the 2002 Honigman First Book Prize in Photography by the Center for Documentary Studies in Durham, North Carolina. The photographs were displayed in an exhibit entitled "On fire: Larry Schwarm," at Duke University's Rubenstein Library. Also included in the collection is an audio cassette recording of the artist's talk Schwarm gave on November 6, 2003, at the exhibit's opening reception. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection comprises 76 color photographic prints, measuring from 11x14 to 20x24 inches, depicting the annual prairie fires that sweep across east-central Kansas. With the exception of one box of unmatted 11x14 prints, the photographs are in hinged window mats measuring 16x20, 20x24, and 24x32 inches. The images were published in a photobook entitled "On fire," for which Schwarm was awarded the 2002 Honigman First Book Prize in Photography by the Center for Documentary Studies in Durham, North Carolina. The photographs were displayed in an exhibit at Duke University Libraries. Also included in the collection is an audio cassette recording of the exhibition talk Schwarm gave on November 6, 2003. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection comprises 124 black-and-white digital photographic prints taken by North Carolina photographer Chris Johnson, portraying North Carolina farmworkers and migrant laborers in work settings as well as in their field camps and homes, many of which are revealed as dilapidated and unsanitary. Several series document labor organization and protests, including a five-year strike protesting working conditions for Mount Olive Pickle company workers. Other subjects in the images include the children and families of the farmworkers; volunteer teachers and organizers, some of whom are from the organization Student Action with Farmworkers; tobacco and Christmas tree growing in North Carolina; and street scenes from the border crossing areas of Brownsville, Texas and Matamoros, Mexico. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection comprises 124 black-and-white photographic prints taken by North Carolina photographer Chris Johnson, portraying North Carolina farmworkers and migrant laborers in work settings as well as in their field camps and homes, many of which are revealed as dilapidated and unsanitary. Several series document labor organization and protests, including a five-year strike protesting working conditions for Mount Olive Pickle company workers. Other subjects in the images include the children and families of the farmworkers; volunteer teachers and organizers, some of whom are from the organization Student Action with Farmworkers; tobacco and Christmas tree growing in North Carolina; and street scenes from the border crossing areas of Brownsville, Texas and Matamoros, Mexico.

The prints measure 13x19 inches and are unmatted.

Acquired as part of the Archive of Documentary Arts at Duke University.

Sarah Wood was the co-owner of GERLL Press, a zine distro based in Chicago, Ill., in the early to mid-1990s. The collection consists of about 150 zines self-published by women and girls, largely in the United States. Subjects include feminism, the riot grrrl movement, body image and consciousness, women's health, women athletes, sexual abuse, television and film, poetry and short stories, rock music and punk music, violence against women, sexual identity, homosexuality, and bisexuality. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The collection consists of about 150 zines self-published by women and girls, largely in the United States. Many of these zines come directly from the GERLL Press inventory, or were submitted to Wood and Curry by their authors to be considered for sale through the distro. Subjects include feminism, the riot grrrl movement, body image and consciousness, women's health, women athletes, sexual abuse, television and film, poetry and short stories, rock music and punk music, violence against women, sexual identity, homosexuality, and bisexuality. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The Center for Documentary Studies opened in January 1990 and is an outgrowth of and replacement for the Center for Documentary Photography (1980-1990). The Center combines traditions of documentary photography and film, writing, oral history, and scholarly analysis in seeking to capture life experiences. Collection contains publications, calendars, announcement, brochures, newspaper and magazine clippings, a videocassette, and other materials such as administrative files and electronic files. The materials date from 1990 and the collection is ongoing.

Collection contains publications, calendars, announcement, brochures, newspaper and magazine clippings, a videocassette, and other materials. Publications include Up for Grabs (1996-). Also included is a videocassette of the opening of the CDS, 23 January 1990, features remarks by Center director Iris Hill, and Dean R. A. White, Robert Coles, and Reynolds Price. Accessions UA2010-0024 and UA2011-0003 contain promotion materials including exhibit postcards and administrative records. The administrative records are restricted for 25 years from date of origin.

Sarabande Books is a non-profit literary press publishing poetry and fiction. The Sarabande Books records include materials documenting the founding of the company as well as yearly publishing materials.

This collection (accession #2000-0306) (4150 items, dated 1992-1996) documents the founding of the company. Many files mention editor and president Sarah Gorham and include start-up files, correspondence and author files, marketing materials, financial records, and other materials generated by the press. Also includes Gorham's memoir written during the first days of the press; files on prizes offered by the press (the Mary McCarthy Prize for short fiction and the Kathryn A. Morthon Prize for poetry); correspondence with authors Jane Mead, Lee Martin, Richard Frost, Sharon Bryan, Laura Jenson, Medbh McGuckian, and Liliana Ursu; and correspondence with Sallie Bingham about the formation of the press. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Addition (2001-0022) (2911 items, 4.4 linear feet; dated 1996-1997) continues to document the company's activities. Materials include correspondence files; author files; sales and marketing files; 24 color and 4 black-and-white photographs; 11 electronic (computer) files; and material relating to Sarabande's non-profit operations from 1996 to 1997. Much of the correspondence tracks letters to and from Sallie Bingham and Sarah Gorham. Authors represented include Dick Allen, Brian Griffin, Sharon Solwitz, Belle Waring, and Baron Wormser.

Addition (2002-0062) (2260 items, 6.3 linear feet; dated 1996-1998) comprises primarily author binders, files, and correspondence (1996-1998); and marketing and sales records, including examples of advertisements and reviews (1998). Also includes correspondence between Sallie Bingham and Sarah Gorham (1998); poetry and fiction galleys; documents related to the press' nonprofit activities, including 2 audio cassette tapes and paper records documenting board meetings (1998); 2 color and 10 black-and-white photographs and 1 black-and-white negative; and 18 electronic (computer) files originally received on one 3.5" diskette. Authors represented include Cathleen Hagenston, James Kimbrell, Stefanie Marlis, Shara McCallum, Jean Valentine, and Kate Walbert.

Addition (2003-0021) (2,300 items, 5.30 linear feet; dated 1995-2002) consists largely of author files (1997-2000) and printed material comprising journals and review publications (1998-1999). Also includes office correspondence (1995-2002); sales analyses, grant proposals, and marketing files (1996-2001); and documents related to conferences and events, special projects, board meetings, and nonprofit activities.

Addition (2004-0018) (4000 items, 6.6 lin. ft.; dated 1999-2001) includes author binders and files, correspondence, financial and marketing archives, and manuscript galleys. This accession is closed to researchers.

Addition (2005-0019) (3695 items, 6.0 lin. ft.; dated 2000-2001) primarily comprises authors' binders, including incoming and outgoing correspondence, as well as typescript drafts and galleys. Also includes reviews, press releases, and advertisements; notes from sales conferences and board meetings; consortium sales analyses; a non-profit activity file; and organizational materials for Sarabande-in-Education, a website program for college students and teachers. This accession is closed to researchers.

Addition (2006-0025) (3,750 items, 6.0 lin. ft.; dated 2001-2002) comprises correspondence, drafts, galleys, marketing and biographical files, contracts, press releases, and book reviews. This accession is closed to researchers.

Addition (2007-0041) (6,000 items, 9.2 lin. ft.; dated 1996-2003) contains autographed books, authors' files, manuscripts, the contents of author binders, marketing files, board meeting files, nonprofit activitiy files, Lila Wallace materials, sales kits, a Writer's Almanac CD, and a Sallie Bingham rehearsal tape for Short Fiction Series.

Addition (2008-0028) (4,500 items; 6.0 lin. ft.; dated 2004-2005) contains author files, correspondence, marketing files and galleys for books published in 2004-2005. Also included are 2 CDR's of the Writer's Almanac.

Addition (2009-0092) (8325 items; 11.1 lin. ft.; dated 1998-2009) includes administrative files, book reviews, press releases, author files and correspondence, and manuscripts and drafts from authors published by Sarabande.

Addition (2010-0028) (9000 items; 12.0 lin. ft.; dated 2001-2010) includes administrative files, Sarabande correspondence with authors, author files, poetry and fiction finalists, and various book reviews and advertisements.

Addition (2011-0076) (6750 items; 9.0 lin. ft.; dated 1994-2011) includes materials from conferences, non-profit activities, grants, correspondence, marketing, staffing, finances, and author files.

Addition (2012-0046) (3188 items; 4.5 lin. ft.; dated 2006-2011) includes correspondence, publicity files, author files, and manuscripts.

Addition (2013-0158) (5625 items; 7.5 lin. ft.; dated 2006-2012) includes author files, reviews, manuscripts, author correspondence and administrative materials.

Addition (2015-0150) (900 items; 1.2 lin. ft.; dated 2008-2014) includes administrative materials and author correspondence, foundation research and correspondence, and author files.

Addition (2015-0151) (2250 items; 4.5 lin. ft.; dated 2009-2015) includes administrative files, author files and author binders.

Addition (2016-0311) (3.0 lin. ft; dated 2011-2016) consists chiefly of author files. Also contains files related to prizes and awards.

Addition (2018-0011) (4.0 lin. ft.; dated 2016-2018) consists of publicity and author files that contain drafts of recently published works.

Addition (2019-0093) (1.5 lin. ft.; dated 2015-2017) consists of author files, including Sallie Bingham's publishing agreement and drafts of works.

Addition 2021-0075 (1.5 lin. ft.; dated 2019-2020) includes author files for books published in 2019 and 2020, Sarabande Writing Labs brochure, 2019 and 2020 catalogs, press releases and reviews for 2019 and 2020 books, and annual reports.

Addition 2022-0084 (3.0 lin. ft.; dated 1990 and 2010-2022) includes author files, Sarabande Writing Labs anthologies, catalogs, promotional ephemera, a poetry broadsides.

Ayun Halliday is an American writer and actress. Her works center primarily on the areas of motherhood, travel, and women's social issues. The Ayun Halliday Papers contain her writings including books, plays, and the zine East Village Inky; as well as correspondence and ephemera related to her publications; zines by others and artwork.

The Ayun Halliday Papers are arranged into the following nine series: Correspondence, Grants and Awards, Workshops and speaking engagements, Writings-Books, Writings-Plays, Writings-Zines, Writings-Other Publications, Mail Art Publications (by others), and Zines by Others.

The first seven of these series comprise Halliday's personal writings and works including books, plays, artwork and the zine East Village Inky. The collection also includes correspondence and ephemera related to her publications, as well as items associated with workshops and speaking engagements given by Halliday about underground press publications, female travel, autobiographical writing and other topics.

The final two series represent more than 200 zines and works Halliday collected from others artists obtained primarily through trade with other creators. These publications span a wide range of subjects intended for both adults and children including feminism, motherhood, child rearing, New York City, zines, art, music, travel, food and cooking, body image and consciousness, sexual education, and more.

Janie Long was Vice Provost for Undergraduate Education at Duke and the former Director of the Center for Sexual and Gender Diversity. This collection documents the professional and administrative activities of Janie Long, including the development of the Duke Center for LGBT life, programs and resources for the Center for Sexual & Gender Diversity (CSGD), CSGD Student Groups including Athlete Ally and Duke's student body LGBT history.

This collection documents the professional and administrative activities of Janie Long, director of Duke's Center for Sexual & Gender Diversity, and the Associate Dean and Vice Provost in the Office of Undergraduate Education. Professional activities documented include the development of the Duke Center for LGBT life, programs and resources for the Center for Sexual & Gender Diversity (CSGD), CSGD Student Groups including Athlete Ally and Duke's student body LGBT history. Other files include information about Christianity and LGBT life at Duke, including the event details of hosting a conversation in 2008 with Gene Robinson, the first openly gay priest in a major Christian denomination to be consecrated a bishop in the United States.

Materials are largely textual and administrative in nature, comprising CSGD notes, reports, student group surveys, newspaper clippings, and other printed matter regarding LGBTQ student life. Electronic Records, Duke Athlete ally pins, a Duke Athlete Ally Trophy, Hawthorne Press Therapy Journals, a signed and inscribed copy of Kate Bornstein's book, Gender Outlaw, and a personally annotated copy of Jay Hayley's book, Problem-Solving Therapy are also contained in the collection.

The collection also includes some digital records that are unprocessed. Contact Research Services for more information.

The Community Service Center (CSC) was established at Duke University in 1990 to promote community service on campus and to coordinate activities between campus service groups and similar organizations in Durham, NC. The collection contains administrative records and materials related to events and programs hosted by the Community Service Center. This includes correspondence, proposals, reports, newsletters, marketing materials, clippings, and photographs.

The collection contains administrative records and materials related to events and programs hosted by the Community Service Center. Includes emails and correspondence, proposals, reports, flyers, clippings, photographs as well as newsletters with information on events, volunteer opportunities, relevant courses, on and off-campus service organizations and related topics. Consists of materials related to CSC programs like Dive Into Durham, the DARA Fellows Project, DukeEngage-Durham, and Project Share. Also contains a proposal and correspondence regarding the establishment of physical space for volunteer services operations on campus.

The Chamber Arts Society was created in 1945 and is dedicated to the performance of classical music by small chamber ensembles. This collection includes programs for many performances from 1990-2016.

The Chamber Arts Society Collection includes programs from many Chamber Arts Society performances from 1990-2016.

The Dance Program Performance Films are a video record of the performances put on by the Duke Dance Program from 1990-2012.

The Dance Program Performance Films were recorded across three different formats: VHS cassettes, mini-DV cassettes, and DVDs. Most of the Dance Program's performances from 1990-2012 are represented. Recurring dance performances include Choreolab performances, November and December dances, Composition Class final examinations, and Ark dances.

Hypertext poet and author; member of the Electronic Literature Organization. Collection includes Kendall's electronic equipment, manuscript drafts of his poetry, and electronic media of published and unpublished poems by Kendall and other hypertext authors. The majority of this collection is closed to research until use copies of electronic media can be made.

Collection includes Kendall's early computers, hard drives, and electronic media, as well as drafts and versions of his writings in paper and electronic formats. Manuscript portion of the collection includes paper drafts of his electronic and print poems and short stories. Also includes software and hardware manuals used to create e-poetry, and electronic publications by other authors, collected by Kendall. The majority of this collection is closed to research until use copies of electronic media can be made.

The Duke University Center for Documentary Studies Literacy Through Photography Records comprise negatives, contact sheets, and written work (generally handwritten or printed observations, comments, stories, poems, drawings) documenting school children’s views of their community, Durham, NC. The materials would be useful to those interested in visual culture, the psychogeography of children, and Durham history, society and living environment, as well as those interested in pedagogy and developing an arts-based curriculum in public schools. The units collected and organized in the Records are LTP class projects, sorted first by format, then chronologically.

Along with the physical negatives, contact sheets, and writings transferred to the Rubenstein Library in 2002, LTP coordinators provided detailed supplementary information about the compilation, organization, and selection process of the collection, as well as a finding aid in the form of an Excel database. The Excel file is a master database of individual student projects organized by year, and sortable by other variables; the database is accessible electronically at the Rubenstein Library. A print copy of the database and other supporting documentation is also available in the RMBSCL inventory file, and should be consulted by patrons using this collection.

The collection also includes 56 exhibit-quality color prints of LTP in Tanzania include images of children learning to use digital cameras, demonstrating their literacy skills, and exhibiting their projects. Also includes images of some volunteers, LTP staff, and Tanzanian teachers.

The National Coalition of Abortion Providers (NCAP) was founded in 1990 as a pro-choice organization that represented the political interests of over 200 independent abortion providers throughout the United States. Collection includes NCAP newsletters; pro-life organization files with news clippings and other materials; partial birth abortion legislation and debate information; training documents, and other administration materials. Also includes printed and audiovisual materials from other pro-choice groups. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Accession (2009-0210) (4.8 lin. ft.; 3200 items; dated 1990-2008) includes NCAP newsletters; pro-life organization files with news clippings and other materials; partial birth abortion legislation and debate information; and other administration materials.

Accession (2010-0156) (0.6 lin. ft.; 50 items; dated 1990-2009) includes pro-choice audiovisual and printed materials from a variety of pro-choice women's health organizations, including NARAL, the Center for Reproductive Rights, and the Feminist Majority Foundation.

Accession (2011-0049) (1.2 lin. ft.; 900 items; dated 1989-2009 and undated) includes general administrative and financial files; conference files; files documenting the transition from NCAP to the Abortion Care Network; membership files; outreach and promotional material; print material; and media (some of which has been removed to Duke's Electronic Records Server for preservation).

Accession (2012-0170) (0.2 lin. ft.; 200 items; dated 1994-2008) includes legislative files, along with training documents and projects.

NWSA Journal, an official publication of the National Women's Studies Association, publishes interdisciplinary, multi-cultural feminist scholarship linking feminist theory with teaching and activism. Accession 2003-0263 (26,100 items; 43.5 lin. ft.; dated 1990-1998 and undated) comprises administrative files, records of the site search and other editorial board policy matters, correspondence, annual and semi-annual reports, copyedited manuscripts, readers' reports, and published manuscripts; and revisions of issues from each volume. Addition (06-006) (7 items, .1 lin. ft.; dated 1990-1998) comprises 7 issues of the NWSAction newsletter, Fall 1990-Summer 1998.Addition (06-039) (375 items, .2 lin. ft.; dated 2000-2003) contains final page proofs, abstracts, advertising, research and proposals, and correspondence generated for the special issue Gender and Modernity, Fall 2003, volume 15, number 3. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Accession (2003-0263) (26,100 items; lin. ft.; dated 1990-1998 and undated) comprises administrative files, records of the site search and other editorial board policy matters, correspondence, annual and semi-annual reports, copyedited manuscripts, readers' reports, and published manuscripts; and revisions of issues from each volume.

The 2006 addition (2006-0006) (7 items, 0.1 lin. ft.; dated 1990-1998) comprises 7 issues of the NWSAction newsletter, Fall 1990-Summer 1998.

The 2006 addition (2006-0039) (375 items, 0.2 lin. ft.; dated 2000-2003) contains final page proofs, abstracts, advertising, research and proposals, and correspondence generated for the special issue Gender and Modernity, Fall 2003, volume 15, number 3.

The 2007 addition (2007-0118) (2630 items; 4.8 lin. ft.; dated 2003-2007) contains manuscripts, journal submissions, proofs, and editorial files related to 2005-2007 issues. Also included are a procedure manual, correspondence, administrative and editorial files, copies of published journals (2004-2007), and newsletters. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The 2009 addition (2009-0007) (29 items; 0.6 lin. ft.; dated 2003-2008) contains 4 published journals (2007-2008) and electronic materials used in the creation of the journal, including 19 CDs, 5 zip discs, and 1 USB key. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The 2015 addition (2009-0098) (0.3 lin. ft.; dated 1978-2011) contains 1 box of material documenting the work of the National Women's Studies Association Journal from Margaret (Maggie) McFadden. It comprises administrative files, records of the site search and other editorial board policy matters, correspondence, journal proposals and information about applicants considered for employment. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Broadcast service company that records, transcribes and monitors radio and television programming. Collection spans the years 1990-1996 and consists of over 800 as-broadcast televised infomercials and public service programs recorded on VHS. Topics include direct marketing for health and beauty aids, kitchen appliances, exercise equipment, wealth management and collectible items. Celebrities featured as spokespersons include Cher, Joe Theisman, Richard Simmons and Victoria Jackson. Services represented include health and insurance providers and nonprofit organizations such as the New Jersey Education Association. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection spans the years 1990-1996 and consists of over 800 as-broadcast televised infomercials and public service programs recorded on VHS. Topics include direct marketing for health and beauty aids, kitchen appliances, exercise equipment, wealth management and collectible items. Celebrities featured as spokespersons include Cher, Joe Theisman, Richard Simmons and Victoria Jackson. Services represented include health and insurance providers and nonprofit organizations such as the New Jersey Education Association.

The Duke Parliamentarians were a student group dedicated to the study and practice of parliamentary law. The collection includes minutes, reports, bylaws, publications, and correspondence by the Duke Parliamentarians from 1990-1996.

The collection includes minutes, reports, bylaws, publications, and correspondence by the Duke Parliamentarians from 1990-1996. Minutes and reports include resolutions, discussions, and motions of the group, as well as some correspondence related to activities. Also included are copied of the Parliamentary Primer by Stan Brown and Handbook for Members created by the group.

Rachel Hoff is an American author and librarian. Her papers contain the original copies of her zine Intelligence Lull that she wrote when she was 15 years old; as well as writings, drawings and correspondence related to this publication.

The Rachel Hoff papers consist primarily of original copies of her zine Intelligence Lull. The collection also includes writings, drawings and correspondence related to the publication.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. The Commodore Club was a network of honorably retired directors and executives of the agency. The collection spans 1990-1995 and includes reunion planning documents, texts of speeches and presentations, photographs and biographical sketches of retired JWT executives. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The collection spans 1990-1995 and includes reunion planning documents, texts of speeches and presentations, photographs and biographical sketches of retired JWT executives. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

In 1994, J. Walter Thompson Co. used its archives at Duke University and information from many offices to create three audiovisual modules on JWT history. Kodak account director Ernie Emerling managed the project. Accession (2009-0185) (50 items; 0.6 lin. ft.; dated 1990-1995) consists of miscellaneous items used in creating the Traveling Archives. Includes submissions on innovations and milestones in JWT advertising by several international offices, including Japan, India, Brazil, and Spain. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

This collection is grouped by country and includes submissions on innovation and milestones as determined by JWT executives. These materials were submitted as part of a larger JWT Traveling Archives project in 1994. Countries represented include Japan, South Africa, India, Brazil, Spain, and Australia. Also includes a brief history of the JWT Company.

Anne Noggle (1922-2005), aviator, photographer, author, and educator, traveled to Moscow from 1990-1992 to conduct more than seventy interviews and to photograph former Soviet airwomen who served during World War II as pilots, gunners, bombardiers, navigators, and flight crews. The 36 black-and-white portraits in this collection show the women seated and standing, most in a studio setting; they are in civilian clothing and many are wearing their wartime medals and military insignia. The gelatin silver photographs were printed by Noggle and measure 20x24 (8), 16x20 (6), and 11x14 (22) inches. Almost all appear in her book A Dance with Death: Soviet Airwomen in World War II, published in 1994, also held by the library. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection consists of 36 black-and-white photographic portraits taken by photographer Anne Noggle of former Soviet airwomen who served during World War II as combat pilots, gunners, bombardiers, navigators, and flight crews. The women are seated and standing, most in a studio setting; they are dressed in civilian clothing and many are wearing their wartime medals and military insignia. The gelatin silver photographs were printed by Noggle and are sized 20x24 (8), 16x20 (6), and 11x14 (22) inches. Almost all the images appear in her book A Dance with Death: Soviet Airwomen in World War II, published in 1994, and also held by the library.

From the Texas A&M Press website for the book: "The women who tell their stories here began the war mostly as inexperienced girls — many of them teenagers. In support of their homeland, they volunteered to serve as bomber and fighter pilots, navigator-bombardiers, gunners, and support crews. Flying against the Luftwaffe, they saw many of their friends — as well as many of their foes — fall to earth in flames. Their three combat Air Force regiments fought as many as one thousand missions during the war... equally courageous were the women's efforts to show the Red Army that they were entirely adequate to the great role they sought. For even though Stalin had decreed equality for both sexes, the women had to grapple initially with deep distrust from male pilots and Red Army officers, against whom they eventually prevailed."

The collection is a spiral-bound volume of newsletters produced between 1990-1992.

The Roland Alston family was an African American family residing in Durham, North Carolina. William Roland Alston, known as "Roland," became the head gardener for Mary Duke Biddle at Pinecrest and later for the Semans family at Les Terraces, both properties located in Durham. This collection contains transcripts of oral history interviews with Roland and ten photographs.

This collection contains transcripts, some edited and some final, of eight oral history interviews Judy Hogan completed with Roland Alston. The original audio tapes or cassettes for the interviews are not included. Topics include his work for Mary Duke Biddle and the Semans family; growing up on a farm in Chatham County; Durham and regional businesses, especially those for gardeners; his family life; and his views on relationships between people, including employers and employees, men and women, and parent and child. Also includes five black-and-white and five color (one hand-colored) uncaptioned photographs, including individual and group portraits, presumably of members of the Alston family. The photographs range in size from 4x5-inches to 8x10-inches.

Man Bites Dog Films is the creator of the podcast Leonard: Political Prisoner, which received the Rubenstein Library's first Human Rights Audio Documentary Award. The podcast details the case of Leonard Peltier, an Indigenous activist and artist who is serving a life sentence in prison for allegedly killing two FBI agents in 1975. Collection includes episodes and transcripts from season one of the podcast, as well as bonus interviews and transcripts, photographs, art, and supporting documents. Acquired as part of the Human Rights Archive and Archive of Documentary Arts at Duke University.

Collection consists of eight episodes and accompanying transcripts, comprising season one of Leonard: Political Prisoner. Also included are bonus interviews and transcripts with Leonard Peltier; several Lakota people, including Chase Iron Eyes, Edgar Bear Runner, and Milo Yellow Hair; as well as filmmaker Michael Apted, reporter Kevin McTiernan, Dr. Tria Blu Wakpa, Indigenous activist Lenny Foster, and others. The bonus material featuring Lenny Foster has a short standalone profile of him entitled "Behind Iron Doors."

Supporting documentation for Leonard: Political Prisoner consists of documents and interviews from the International Leonard Peltier Defense Committee, an advocacy group working to secure Peltier's release, transcripts of interviews that Michael Apted conducted while creating the films "Incident at Oglala" and "Thunderheart" (both about Peltier), and artwork created by Leonard Peltier. Also included are photographs of Peltier, Indigenous Peoples Day (2019), and a 2019 visit to Pine Ridge Reservation.

General office files including correspondence, website exports, articles, conference materials, clippings, bound publications, t-shirts, and other materials.

General office files including correspondence, articles, conference materials, clippings, bound publications, t-shirts, and other materials. Also included are exports from several HASTAC email listservs and website exports from https://hastac.org/ created before major content revisions.

This collection includes a number of periodicals produced by different organizations interested in enabling and protecting a women's right to reproductive healthcare. The organizations are: the Mayo Clinic, the American Civil Liberties Union's Reproductive Freedom Project, the Center for Reproductive Rights, and HealthyWomen. Accession (2009-0236) (300 items; 0.6 lin. ft.; dated 1989-2009) includes the following publications: Mayo Clinic Women's Health Resource (Mayo Clinic); Reproductive Freedom News (Center for Reproductive Law and Policy, now known as the Center for Reproductive Rights); Reproductive Rights Update (Reproductive Freedom Project); and the National Women's Health Report (National Women's Health Resource Center). Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The collection includes periodicals from the above organizations, each discussing various aspects of reproductive health. The periodicals are: the Mayo Clinic Women's Health Resource (May 2007); the Reproductive Freedom News (July 1992-December 1997); the Reproductive Rights Update (December 1989-July 1998) and the National Women's Health Report (Fall 1990-March 2009).

Pamela Gann served as the Dean of the Duke University Law School from 1988 to 1999. The Pamela B. Gann Papers include materials from Pamela Gann's time as Dean of the Duke University Law School.

The Pamela B. Gann Papers include materials from Pamela Gann's time as Dean of the Duke University Law School. Included are files related to international travel, administration and operations of the Law School, the 1990s addition to the Law School building, correspondence, and other materials. Materials have not been screened or processed beyond a folder-level inventory.

Lynnsy Logue is a sculptor and founder of the Wonderful Women organization. She worked with Rachel Watkins to create The Homecoming Queens project in the mid-1990s. The collection includes a scrapbook and a videotape from The Homecoming Queens public arts project, as well as some research materials about women around the world and some materials on a vigil for the Montreal 14 held in Charlotte in 1989. The Homecoming Queens was a traveling exhibit of life-size mannequins and papier-mache dolls that represented women suffering from various social and political issues around the world, including female genital mutilation, rape, abuse, war, aging, and sexism. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The collection includes a scrapbook and a videotape from The Homecoming Queens public arts project, as well as some research materials about women around the world and some materials on a vigil for the Montreal 14 held in Charlotte in 1989.

Chi Omega is a women's fraternity founded in 1895, and is the largest women's fraternal organization in the world. The Mu Kappa chapter was founded at Duke University on November 6, 1976. The Chi Omega Fraternity. Mu Kappa Chapter (Duke University) records include several packets of information issued by the Chi Omega national headquarters as well as limited materials specifically related to the Mu Kappa Chapter and the Durham Chi Omega Alumnae Chapter.

The Chi Omega Fraternity. Mu Kappa Chapter (Duke University) records include several packets of information issued by the Chi Omega national headquarters as well as limited materials specifically related to the Mu Kappa Chapter and the Durham Chi Omega Alumnae Chapter. Information from the national headquarters include an advisor's handbook, a guide to academic success, and information on the financial management of the local chapter. Included with the financial handbooks are brief summary annual reports of the Mu Kappa Chapter's finances; other Mu Kappa and Durham materials include an alumnae newsletter and programs from Eleusinian banquets.

Collection comprises correspondence and poetry shared between Will Inman and Karen J. Maj, a student and collaborator of Inman while they were both living in Tucson, Arizona. The collection includes signed chapbooks by Inman, three issues of the poetry journal Laughing Dog Press, and information about the literary community in Tucson.

Collection comprises correspondence and poetry shared between Will Inman and Karen J. Maj, a student and collaborator of Inman while they were both living in Tucson, Arizona. The collection includes signed chapbooks by Inman, three issues of the poetry journal Laughing Dog Press, and information about the literary community in Tucson.

Robert Wolf was a forester with the Bureau of Land Management, the U.S. Forest Service, the Bureau of the Budget, and the Office of Investigations for the Comptroller General. He is credited with drafting the National Forest Management Act of 1976. Collection includes transcripts of over 50 interviews for the Bob Wolf oral history project. Subjects include the Aztec Land and Cattle Company, 1945; below-cost timber sales and Forest Service management goals, 1980s; termination of the Klamath Reservation, 1950s; the 1976 payment in lieu of taxes bill, HR 9719; the Multiple Use Act of 1960; the National Wilderness Preservation Act; grazing fees and the 1961 Vale, Oregon, grazing disupte; the Youth Conservation Corps, 1950-1964; the Forest Road and Trail Act of 1964; the 1974 Resource Planning Act; the National Forest Management Act of 1976; the timber industry; log exports; Oregon's "Sweet Swap" of private and federal lands; public land law; construction of the Lolo Pass Road, 1957; the 1959 controversy over the Kern Plateau in the Sequoia National Forest; timber sales and the Quinalt Indian Reservation; the federal government bail-out of the timber industry, 1982-1988; the change in the Siskiyou National Forest Boundary, 1950s; national forests; the Trade Act of 1962 and US timber interests; public land management, 1950s-1980s; and the impact of the Nixon and Carter administrations on the Forest Service. Also includes a biographical sketch and an index to the transcripts.

Chiefly transcripts of over 50 interviews for the Bob Wolf oral history project. Subjects include the Aztec Land and Cattle Company, 1945; below-cost timber sales and Forest Service management goals, 1980s; termination of the Klamath Reservation, 1950s; the 1976 payment in lieu of taxes bill, HR 9719; the Multiple Use Act of 1960; the National Wilderness Preservation Act; grazing fees and the 1961 Vale, Oregon, grazing disupte; the Youth Conservation Corps, 1950-1964; the Forest Road and Trail Act of 1964; the 1974 Resource Planning Act; the National Forest Management Act of 1976; the timber industry; log exports; Oregon's "Sweet Swap" of private and federal lands; public land law; construction of the Lolo Pass Road, 1957; the 1959 controversy over the Kern Plateau in the Sequoia National Forest; timber sales and the Quinalt Indian Reservation; the federal government bail-out of the timber industry, 1982-1988; the change in the Siskiyou National Forest Boundary, 1950s; national forests; the Trade Act of 1962 and US timber interests; public land management, 1950s-1980s; and the impact of the Nixon and Carter administrations on the Forest Service. Also includes a biographical sketch and an index to the transcripts.

Complete group of ten trading card sets on social and political topics created by California company Eclipse Enterprises, dating 1989-1993.

Collection contains the complete run of non-sports, non-fiction boxed trading card sets produced by Eclipse Enterprises between 1989 and 1993. Titles include: Rotten to the Core: The Best and Worst of New York City's Politics; Bush League Trading Cards; Friendly Dictators Trading Cards, Featuring 36 of America's Most Embarrassing Allies; The Rock Bottom Awards: The Best and Worst in Bad Taste; Coup D'Etat: The Assassination of John F. Kennedy; Foul Ball Trading Cards: Baseball's Greatest Scandals, Scoundrels, and Screw-Ups; Savings and Loan Scandal Trading Cards; Drug Wars Trading Cards: The Straight Dope on America's Dirtiest Deals; Iran-Contra Scandal Trading Cards, Featuring the Secret Team; and AIDS Awareness Trading Cards.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. It is headquartered in New York. The London Office first opened in 1899. Harry MacAuslan was an executive with JWT London and later with Leo Burnett. Collection is comprised of a day file of correspondence that covers the years 1989-1992 when MacAuslan was a Director in the London Office. Topics include general management issues, pension plans, office renovations, new business prospects, and account management. Companies represented include ITV, Rowntree Mackintosh and TSB Bank. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection is comprised of a day file of correspondence that cover the years 1989-1992 when MacAuslan was a Director in the London Office. Topics include general management issues, pension plans, office renovations, new business prospects, and account management. Companies represented include ITV, Rowntree Mackintosh and TSB Bank. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Program in Women's Studies at Duke University is dedicated to exploring gender identities, relations, practices, theories and institutions. The collection includes clippings, flyers, newsletters, conference material, and program information.

The Middlesworth Awards have been established to encourage and recognize excellence of research, analysis, and writing by Duke University students in the use of primary sources and rare materials held by the David M. Rubenstein Rare Book & Manuscript Library of Duke University. This collection contains prize winning papers, information about the prize, nomination forms, correspondence and other records.

This collection contains prize winning papers, information about the prize, nomination forms, correspondence and other records.

The Office of Durham and Community Affairs (DCA) was established to build partnerships and develop programs that support affordable housing and health, community development, food security, and public education in Durham, North Carolina. DCA connects Durham and community members to resources at Duke University and Duke Health. Materials in the collection consist of records about programs and projects. Collection includes correspondence, annual reports, strategy documents, and events planning materials. Contents span 1988 to 2022.

Collection consists of records about DCA and DARA programs and projects. The collection includes agendas and meeting notes, materials relating to project and events planning, promotional materials, photographs, and research materials. Contains administrative records and correspondence of Phail Wynn and Sam Miglarese. The collection also includes materials for programs like Doing Good Employee Giving, the Duke Durham Neighborhood Partnership, Summer Reading, and projects related to neighborhood revitalization.

Cordel literature are popular and inexpensively printed booklets or pamphlets in Brazil containing folk novels, poems, and songs. They are a grassroots form of communication and serve as a conduit for popular opinion. This collection contains 35 booklets of cordel literature written by various authors. These booklets primarily address political topics such as elections, contemporary Brazilian presidents, and high-profile corruption.

Collection contains 35 booklets of cordel literature written by various authors. These booklets primarily address political topics such as elections, contemporary Brazilian presidents, and high-profile corruption, including the Mensalão vote-buying scandal and Operação Lava Jato (Operation Car Wash) criminal investigation.

Ruth Zalph is a Chapel Hill-based activist for peace, founding member of the Triangle Raging Grannies, and Women's International League for Peace and Freedom (WILPF) Triangle Chapter. This collection documents Ruth Zalph's activist engagements including public appearances and relations, letters to the editor, protests, arrests and court records, and documentation of her national and international travels for peace activism.

This collection documents the activist engagements of Ruth Zalph. Activist engagements documented include public appearances and relations, letters to the editor, protests, arrests and court records, and documentation of her national and international travels. Other files include information on her engagements with Habitat for Humanity, NAACP, the Poor People's Campaign, and North Carolina residents' protests of the closing of the Belhaven, NC Hospital. There are also extensive materials providing information and resources on the Israeli-Palestinian conflict, corporate power, nuclear weapons, Kazakhstan, and the Soviet Union. Materials are largely textual and personal in nature with handwritten annotations, comprising newspaper clippings, campaign and instructional manuals for peace walks, letters to representatives and editors, pamphlets and other printed matter regarding Jewish identity and the Quaker faith. "Buttons by Ruth" pin and unprocessed electronic files are also contained in the collection.

Collection contains personal and professional papers of Claudia Horwitz, a Chapel Hill spiritual activist, author, and founder of Stone Circles.

Collection includes, but is not limited to writings, research and subject files, project files, talks/speeches, and files documenting group work.

Maria de Bruyn is a medical anthropologist who worked for non-profit organizations in The Netherlands and United States, as well as international non-governmental and United Nations agencies, in the field of sexual and reproductive health and rights (SRHR) with a special focus on HIV and AIDS and health-related human rights. She served on the Global Programme on AIDS Global Management Committee Task Force on HIV/AIDS Coordination as one of three nongovernmental organization (NGO) representatives; this Task Force contributed to establishing NGO participation in the governance of UNAIDS. She was also a co-founder of the ATHENA Network to advance gender equity and human rights in the global response to HIV and AIDS and worked with groups of women living with HIV on sexual and reproductive rights and advocacy. This collection includes de Bruyn's writings, work from her consultancies and other trainings and workshops, and her subject files on topics such as HIV/AIDS, sexual and reproductive health, human rights, condoms, discrimination, youth, sex work, and women's health issues. Subject files include brochures, ephemera, and artifacts such as condoms, buttons, and objects de Bruyn collected from her travels around the world. Acquired as part of the History of Medicine Collections at Duke University.

Collection documents de Bruyn's scholarly writings, consulting work, collaboration with various global health and international policy organizations (including Ipas), and other contributions to the field of public and global health. Topics include sexual and reproductive rights, HIV/AIDS, sexually transmitted infections, youth and adult sexual health education, human rights to healthcare, healthcare law and discrimination, condoms and contraception, and global health policies and advocacy. The collection also contains de Bruyn's extensive subject files, including artifacts and ephemera from her travels and career. The subject files are loosely arranged by geographic region, including samples of brochures, literature, flyers, and other items from the United States, Europe, Africa, Asia, and Latin American countries. De Bruyn's files also include public health resources, research articles, published accounts and testimonies, and examples of condoms, lubricant, sexual health artifacts, buttons, and other collected ephemera and objects.

The Center for Sexual and Gender Diversity, originally the University Center for Lesbian, Gay, and Bisexual Life, was founded in October 1994. The CSGD works to create an environment of inclusivity, support, and advocacy for the Duke LGBTQ community. The collection contains records related to the establishment of the Center, records for the LGBT Task Force, materials related to policies on same sex unions at Duke Chapel and harassment, strategic plans, reports, subject files, and events planning materials.

Contains strategic plans, campus climate assessments, petitions, mission statements, subject files, and correspondence. Includes administrative records related to the work of the LGBT Task Force such as reports, minutes, agenda, and memoranda. The collection also contains materials related to policies on same sex unions at Duke Chapel and harassment, the SAFE on Campus Advisory Board, event programs and promotional materials.

Advertising trade association local chapter. Materials from the ADDY awards, organization bylaws and treasury reports, public service campaign materials, and other ephemera.

The activities of the AAF-RDU chapter are represented by two main series, with some inevitable overlap between each group. Administrative records, ADDY competition events and entries, annual reports, and general correspondence are included in the Administrative Materials series. This series includes Accession (2007-0183) and Accession (2008-0125). Accession (2007-0183) includes three binders that detail the activities of the AAF-RDU from 2006-2007. It contains the organization's 2007 annual report, as well as materials from the chapter's public service campaign for the Interfaith Food Shuttle. Accession (2008-0125) includes a broad range of materials from the chapter's ADDY competition, beginning with ADDY event and preparation materials from 2003 and ending with ADDY programs and pamphlets from 2009. Also included are treasurer reports, board meetings, and by-law revisions from 2008-2009. There are also entry forms for the chapter's public service and advertising education ADDY entries from 2008, and some miscellaneous Silver Medal materials, dating 2004-2009. This accession includes several audiovisual materials, including Betacam SPs and DVDs, covering ADDY and Silver Medal awards shows. Also contained in this accession are ephemera from various AAF-RDU events, including two miniature billboards, one oversized ADDY poster, Club Achievement Awards plaques (dating from 1988-1993), crystal awards, and two trophies.

The second series in this collection deals exclusively with the club's public service campaigns, an annual project sponsored by AAF-RDU that involves local advertising students in creating a PSA for a local organization or charity. The Public Service Campaigns series includes Accession (2010-0105), which has records dating from 2004-2008 detailing the application process for both the organizations and the students interested in participating; the development of the campaign; and the final deliverables for each year's project.

The records of the documentary project Indivisible: Stories of American Community span the dates 1988-2002. Through documentary photographs and oral histories, project records, videos, and other materials, the collection documents the social conditions in twelve American communities as well as the history of the project, which explored civil activism, struggle, and change in the following locations: the North Pacific Coast of Alaska; Ithaca, N.Y.; San Francisco, California; Navajo Nation, Arizona and New Mexico; Eau Claire, South Carolina; Delray Beach, Florida; Western North Carolina; Stony Brook, N.Y.; San Juan, Texas; Chicago, Illinois; Philadelphia, Pennsylvania; and the Yaak Valley, Montana. The photographers are Dawoud Bey, Bill Burke, Debbie Fleming Caffery, Lucy Capehart, Lynn Davis, Terry Evans, Lauren Greenfield, Joan Liftin, Reagan Louie, Danny Lyon, Sylvia Plachy, and Eli Reed. The project was sponsored by the Center for Documentary Studies of Duke University and the Center for Creative Photography at the University of Arizona, and co-directed by Tom Rankin and Trudi Stack. Acquired as part of the Archive of Documentary Arts at Duke University.

The records of the documentary project "Indivisible: Stories of American Community" span the dates 1988-2002, with the bulk of the collection dating from 1999 to 2002, the primary timeframe for the project. Through documentary photographs and oral histories, project records, videos, and other materials, the collection documents the social conditions in twelve American communities as well as the history of the project, which explored civil activism, struggle, and change in the following locations: the North Pacific Coast of Alaska; Ithaca, N.Y.; San Francisco, California; Navajo Nation, Arizona and New Mexico; Eau Claire, South Carolina; Delray Beach, Florida; Western North Carolina; Stony Brook, N.Y.; San Juan, Texas; Chicago, Illinois; Philadelphia, Pennsylvania; and the Yaak Valley, Montana. Each project is fully described in its entry in this collection guide. The project co-directors were Tom Rankin of the Center for Documentary Studies and Trudy Wilner Stack of the Center for Creative Photography. The project was also supported by the Pew Charitable Trusts, the NEA, and other agencies.

The photographs in this collection, most of which formed part of a traveling exhibit, were taken chiefly during 1999 by twelve well-known documentary and landscape photographers working in partnership with project oral history interviewers. The photographers are Dawoud Bey, Bill Burke, Debbie Fleming Caffery, Lucy Capehart, Lynn Davis, Terry Evans, Lauren Greenfield, Joan Liftin, Reagan Louie, Danny Lyon, Sylvia Plachy, and Eli Reed. Their images capture the experiences of individuals participating in grassroots initiatives addressing American social issues such as housing, immigration (in particular, Haitians in Florida), the natural environment, race relations, youth empowerment, and economic and cultural development, and others.

Also preserved in this collection are detailed oral histories recorded in each community, with audio recordings and transcriptions; information on the traveling exhibit; and materials on other project outcomes, including a hardbound large-format book of the images, a postcard exhibit, a guide for educators, booklets and other publications on community organizing, and radio and television programs. Other files document the establishment of research archives based on the documentary project's output, at Duke, in Arizona, and in each of the twelve communities.

The collection is arranged into three series: Audiovisual Resources, Photographs, and Project Files. Audiovisual Resources houses the interview tapes as well as other media associated with the project; Photographs includes photographic prints, most of which accompanied the project book and exhibition; Project Files houses the interview records as well as tape lists, logs, and transcripts in both paper and digital formats. Additional supporting materials found in the Project Files Series include postcards and videocassette tapes from exhibits; a CD-ROM of the 2001 website; field notes in paper and digital format; and other office files generated by the project and its staff, including Tom Rankin, one of the project co-directors.

Acquired as part of the Archives for Documentary Arts at Duke University.

The Black Graduate and Professional Student Association (BGPSA) exists to "address the needs and concerns of minority graduate and professional students and to promote diversity within the Duke University community." It received its charter around 2003. Collection contains material pertaining to the planning and execution of the First Annual Julian Abele Awards and Recognition Banquet, held 21 April 1989, which was established by the BGPSA.

Collection contains material pertaining to the planning and execution of the First Annual Julian Abele Awards and Recognition Banquet, held 21 April 1989. These materials include correspondence, financial records, programs, newspapers and newspaper clippings, memoranda, and other printed materials. The materials in the collection date from 1988-1989.

The Program in Film/Video/Digital, formerly the Program in Film and Video, is an interdisciplinary course of study that introduces students to the critical analysis of film, photography, and television in the context of cultural studies. This collection includes correspondence, production information, publicity materials, and video recordings created or collected by the Film/Video/Digital program.

Records of the Program in Film/Video/Digital at Duke University include correspondence, subject files, schedules, publicity materials, production information, photographs, video recordings, and other items created or collected by the Film/Video/Digital program.

The first Student Rural Health Coalition began at Vanderbilt University in 1968. In 1978, the Lyndhurst Foundation began funding similar work in North Carolina with the goal of improving the health conditions of eastern North Carolina, the state's most impoverished and medically underserved region. Collection contains records pertaining to the operations and activities of the Duke University Chapter of the North Carolina Student Rural Health Coalition with the inclusive dates 1988-2001. Material includes correspondence and memoranda, material relating to internships and cooperative programs with North Carolina Central University, staff work plans and evaluations, reports and surveys, and various printed material.

Contains material pertaining to the operation and activities of the Duke University Chapter of the North Carolina Student Rural Health Coalition, 1988-2001. Material present includes correspondence and memoranda, reports, student surveys, material pertaining to internships and cooperative programs with North Carolina Central University, staff program evaluations and plans of work, and assorted printed material. Printed material includes publicity flyers and mailings advertising Health Fairs and People's Clinics; local, regional, and national newsletters, journals, and clippings concerning health care, community health, race, and economic conditions. Prominent subjects include grant organizations such as the Kathleen Price Bryan Family Fund and MacArthur Foundation, Concerned Citizens of Tillery, Shiloh, North Carolina, and Community Health Collective.

Collection consists of incoming correspondence (1988-1998) to Julia Nunnally Duncan from North Carolina poet and author Fred Chappell.

Collection consists largely of incoming typescript correspondence from Fred Chappell to Julia Nunnally Duncan, beginning with their initial introduction and evolving to a mentor/mentee relationship and friendship between two North Carolina writers. The letters demonstrate that Chappell took a personal interest in encouraging Duncan's writing and career, promoting her work to various publishers, agents, and other literary contacts. Chappell offers his opinions, comments, and edits about Duncan's work, and also writes about his own projects and travels, personal life and activities, and his thoughts on various authors, movies, concerts, and other miscellaneous topics. Only a few return letters from Duncan to Chappell are included.

The President's Advisory Committee on Resources was established by President H. Keith H. Brodie in the summer of 1989 following a recommendation of the Academic Council's Task Force on University Governance. Its predecessor was the University Committee on Resources (1988-1989). PACOR was a broad-based committee, chaired by a faculty member, which advised the President on the allocation of the University's financial, human and physical resources. Material includes minutes, reports, handouts, correspondence, memoranda, spiral-bound publications, diskettes, microcassettes and standard cassettes. Materials range in date from 1988-1995.

Material includes minutes, reports, handouts, correspondence, memoranda, spiral-bound publications, diskettes (floppy disks), microcassettes and standard cassettes. Materials range in date from 1988-1995.