When ALFA disbanded in 1994, the archival collections and the bulk of the periodicals collection were transferred to Duke's David M. Rubenstein Rare Book & Manuscript Library. The book collection and the remaining periodicals stayed in Atlanta, with books relating to feminist theory going to Emory University and the rest to a community library. The ALFA Archives and Periodicals Collections that have been transferred to Duke are an incredibly rich source of information about feminist and lesbian activism and communities, especially in the Southeast, from the early 1970s to the present.

The ALFA Archives includes the organizational records of ALFA as well as other southern radical women's groups such as Lucina's Music/Orchid Productions; Radio Free Georgia (WRFG) women's programming; the womonwrites conference for lesbian writers and publishers; the Southern Women's Music festival; the Atlanta Socialist-Feminist Women's Union; and Dykes for the Second American Revolution (DAR II). The extensive subject files, which are a part of ALFA's archives, document scores of other feminist, lesbian, and activist organizations and events as well as provide information on a broad range of feminist and lesbian issues. Of particular note are ALFA's "Theory/Analysis (Women)" files, as well as their collection of publications by KNOW, Inc., in the "Publishers" subseries; using these primary materials, researchers can get a good sense of the issues that gave rise to the women's liberation movement and to ALFA in the late 1960s and early 1970s.

The ALFA Periodicals Collection contains literally hundreds of grassroots newsletters and journals, many of which are now ephemeral and not in any library. This extensive library of feminist, lesbian and gay, and activist periodicals is more fully described in a separate guide.

Original index of iconography in early prints and illustrated books developed by Karla, Langedijk, Dept. of Art, Duke University. Collection is microfilmed.

An index of iconograpyy in early prints and illustrated books (on 5x8 index cards) developed by Karla Langedijk, Duke University Dept. of Art., and transferred from the Art department to the Rare Book department. Information about the collection is stored in an onsite Collection Control File. This file includes more details about what is indexed.

The Tom Triman Films are comprised of 132 super 8mm reels and one VHS videocassette, containing the productions of horror movie fan/historian/critic Tom Triman (1952-2010).

The Tom Triman Films are comprised of 132 super 8mm reels and one VHS videocassette, containing the productions of horror movie fan/animator/writer Tom Triman (1952-2010). The bulk of the reels are elements for larger works, which here include Butterfly Man, Gunfire and Holy Water, and Pentagram. The collection also contains several commercial films released on super 8mm film, including 2001 A Space Odyssey, Dr. Jekyll and Mr. Hyde, and Frankenstein.

The Department of Theater Studies at Duke University offers courses on the critical evaluation, writing and performance of dramatic works. The department seeks to promote an artistic culture at Duke by bringing professional theatrical performances to campus. The Department of Theater Studies records is composed of administrative materials and records related to both departmental and professional performances staged at Duke.

The Department of Theater Studies Records, 1969-2002 contains correspondence, planning documents, slides, photographs and audiovisual materials related to the administration of the department. The collection also includes materials from a diverse array of student and faculty theater productions. The Department of Theater Studies Records also contains correspondence, planning documents, clippings, promotional materials, slides, photographs, audiovisual materials and electronic records from professional productions brought to campus through the Theater Previews series.

Jim Dow (1942- ) is an American photographer and educator based in Massachusetts. The core of the collection consists of over 1900 single-image photographs, 232 multi-image panoramic prints, and approximately 2300 film negatives, representing black-and-white and color images taken by Dow from 1966 to 2023. Subjects include: U.S. vernacular culture and landscapes, including roadside architecture, courthouses and jails, and small business interiors; food vendors, stadiums, and athletic fields around the world; and interiors and exteriors of private clubs, libraries, and churches and museums in cities around the world. Photographs often include cultural expressions such as advertising, murals, bar decor, and graffiti. Dow's U.S. work focuses mainly on New England, the South, and the West, with a single-state project on North Dakota. Other images were taken by Dow in Argentina, Canada, England, Mexico, Portugal, Scotland, and Uruguay, with a few images from Wales. Also included is a series of commissioned work. Dow's professional papers comprise teaching slides, course readers, syllabi, and digital files, as well as art gallery ephemera. Acquired as part of the Archive of Documentary Arts at Duke University.

The core of the collection consists of 1916 single-image photographs and 232 panoramic prints, totaling 2148 prints, and approximately 2300 film negatives of black-and-white and color images taken by Jim Dow over the course of his career from about 1966 to 2023. They document his travels across much of the U.S., and his trips to Argentina, Canada, England, Mexico, Portugal, Scotland, and Uruguay. The prints in this collection offer a body of images selected by the photographer; some additional images are found in negative format.

Dow is best known for his studies of 20th century American vernacular culture, roadside architecture, and landscapes, and food culture in the Americas; for his multi-panel panoramas of sports stadiums and athletic fields, chiefly in the U.S., Canada, Mexico, and England; and for his images of the architecture and interiors of courthouses, jails, private clubs, libraries, and large public buildings such as churches, museums, and civic buildings in cities around the world.

The earliest photographs in the collection were taken in almost every region of the lower 48 states, beginning around 1966. Starting out in black-and-white then transitioning to mostly color work in the mid-1970s, Dow has documented small towns and roadside attractions, highways and back roads, well-worn business façades, and gathering places such as barbecue joints, coffee shops, bars, diners, and event halls. Images from the Northern Plains appear frequently, as do images from California, Louisiana, Massachusetts, North Carolina, Pennsylvania, Texas, Virginia, and Wyoming. In the 1980s, Dow was also commissioned to photograph the cultural and environmental landscapes of the state of North Dakota. Keeping to the theme of road trips, the collection also includes a series on barbecue, taco, and other food trucks in the U.S., Mexico, and South America. Regardless of location, many of Dow's photographs include cultural expressions such as outdoor advertising, murals, neon signs, handpainted signs, sculptures, bar decor, and graffiti; people are rarely present.

The three stadiums series feature sports venues from across the U.S., Canada, England, Mexico, Scotland, and Portugal, and comprise single-image color prints as well as multi-image compositions printed in large panoramic format ranging in size from 16x26 inches to 17x59 inches. Spectators are present in some of these images, particularly in the single-print series.

A series of Dow's commissioned work (1985-2008) rounds out the photographic prints portfolios. Many of these are images taken of facilities at New England universities and private schools such as MIT, Yale, Tufts, Vassar, and Phillips Academy.

The professional papers document two of Dow's spheres of activity integral to his own photography career: teaching and art gallery work. These are represented by a large vertical file of paper ephemera from New York City commercial art galleries (1990s-2019); and a large series of teaching materials, which include course readers, syllabi, a set of approximately 130,000 teaching slides, and digital files, visual as well as textual, all related to Dow's photography and art courses (1980s-2019). Among the slide sets are two groups documenting holdings in the Canadian Center for Architecture and exhibit installations at the Photography Resource Center in Boston.

Robert F. Durden is a professor emeritus of history at Duke University. He has written numerous articles and several books about the history of Duke University, the Duke Family and The Duke Endowment. The collection includes reprints of articles and a speech written by Durden about Duke University, the Duke Family, and The Duke Endowment as well as a bibliography of selected works by Durden and clippings. The material ranges in date from circa 1965-2001.

This collection was compiled from a variety of sources by the University Archives for use in reference and research. It includes reprints of articles and a speech written by Durden about Duke University, the Duke Family, and The Duke Endowment as well as a bibliography of selected works by Durden and clippings. The material ranges in date from circa 1965-2001.

The Duplex Advertising Company. Billboard Images and Records spans the period 1964-1993 and documents the outdoor advertising work of this company in the central Texas area, primarily through photographs, negatives and slides of billboards. Many of the images are in color. A large number of the images are of national campaigns advertised in central Texas, as well as billboards, signs and posters of local Texas business services. In addition, a handful of articles written by R. V. Miller, Jr. for a number of publications, as well as other printed material and miscellaneous items from the Duplex Advertising Company, are present. Some of these articles, along with the images themselves, provide examples of commercial art and design in the outdoor advertising arena. The collection includes outdoor advertising images from national clients such as Kentucky Fried Chicken, Chevrolet, Coca Cola, Coors, Wendy's, Hardee's, and Taco Bell, and Texas clients such as Lone Star and Pearl beers.

Related materials may be found in other outdoor advertising collections, including the Outdoor Advertising Association of America Archives, the Garrett Orr Papers, the Howard Scott Papers, the John Paver Papers, the John E. Browning Papers, the R.C. Maxwell Co. Records, and the Strobridge Collection.

William Clair Turner, Jr. earned his B.S. in Electrical Engineering from Duke University in 1971, his M.Div. from Duke Divinity School in 1974, and his Ph.D. in religion in 1984. He has held several administrative positions at Duke, including Assistant Provost and Dean of Black Affairs and Acting Director of the Afro-American Studies program. In 1982 he became a full-time faculty member in the Divinity School, directing the Office of Black Church Affairs before being appointed Professor of the Practice of Homiletics. He has pastored several churches, including his current position at Mt. Level Baptist Church and was previously ordained in the United Holy Church of America, Inc. denomination. The collection documents Turner's academic and personal activities. Materials include personal and administrative correspondence regarding Turner's roles as pastor and administrator, manuscripts of lectures and sermons, syllabi and notes for courses taught, notes from classes taken while a student, subject files, and records of the United Holy Church of America. The collection also includes VHS, CD, and DVD recordings of some of his sermons.

The collection documents the academic and personal activities of William C. Turner, Jr., Duke alumni and faculty member at Duke Divinity School. Materials include personal and administrative correspondence regarding Turner's roles as pastor and administrator, manuscripts of lectures and sermons, syllabi and notes for courses taught, notes from classes taken while a student, subject files, and records of the United Holy Church of America, Inc. denomination in which Turner was deeply involved and on which he wrote his Ph.D. dissertation. The collection also includes VHS, CD, and DVD recordings of some of his sermons. Major topics covered include black student life at Duke; Turner's involvement in the Department of Afro-American Studies, Office of Black Affairs, and Office of Black Church Studies; Turner's academic work on the Holy Spirit and black spirituality; pastoral work in African American churches in Durham; and the history of the United Holy Church of America, Inc.

The majority of images in the collection are faculty and staff portraits taken by Duke Photography staff; a few pictures of students or of other individuals not affiliated with Duke are included. The collection contains photographic prints, negatives, slides, and CDs of digital files. Most of the items are undated but appear to be from the 1980s through around 2000. Most items include a job number assigned by Duke Photography. Duke Photography is a department of the Office of Public Affairs and Government Relations. Chris Hildreth is the current director; the department also includes assistant director Les Todd and six other staff photographers.

The majority of images in the collection are faculty and staff portraits taken by Duke Photography staff; a few pictures of students or of other individuals not affiliated with Duke are included. The collection contains photographic prints of various sizes, both black-and-white and color; contact sheets; negatives, including black-and-white 35mm negatives, positive 35mm color slides, and other sizes; and seven CDs of digital files. Most of the items are undated but appear to be from the 1980s through around 2000. Most items include a job number assigned by Duke Photography, either on the back of photographs or on the plastic sheets housing the negatives.

In 1938, the School of Forestry at Duke was founded as the first graduate school of forestry in the South. In the 1970s, the school expanded its program to include a broad range of resource and environmental studies. In 1974/75, it became the School of Forestry and Environmental Studies. Collection contains memoranda, brochures, newspaper clippings, conference materials, annual reports, photographs and slides relating to the Duke School of Forestry and Environmental Studies from roughly 1960 through 1979.

Collection contains alumni newsletters, publications, technical papers, department brochures, conference programs, memoranda, annual reports, as well as documents relating to the proposed phasing out of the Forestry School in 1975 and resultant student protests. Also includes papers from the 1965 Tropical Forestry Symposium sponsored by the School of Forestry, black and white photographs of the arboretum, and color photos and slides of School's field days in 1977 and 1979. Removed photographs from albums and interleaved in folders for preservation.

Leah Fritz (1932-2020) was an American feminist poet and author born in New York. She wrote the books Thinking Like a Woman (1975) and Dreamers and Dealers (1980), focusing on the women's movement. The Leah Fritz papers contain correspondence and subject files; writings, including notebooks and diaries, drafts, published articles, and papers related to the publication of Fritz's prose writings, poetry, and book and article reviews; and audiocassettes of presentations and poetry readings by Fritz and other recordings. Materials range in date from circa 1950 to 2009. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The Leah Fritz papers are organized into three series. The Personal Papers series contains Leah Fritz's correspondence and subject files. The Writings Series contains Fritz's notebooks and diaries as well as drafts, published articles, and papers related to the publication of Fritz's prose writings, poetry, and book and article reviews. The Audiotapes series contains audiocassettes of presentations and poetry readings by Fritz and other recordings.

Ernestine Friedl served as chair of the Dept. of Anthropology and as Dean of Arts and Sciences and Trinity College at Duke University. She studied gender roles, rural life in modern Greece, and the Chippewa. The Ernestine Friedl papers include personal and professional correspondence, subject files, course materials, articles, reprints, field notes, and sound recordings related to her anthropological research and her roles as professor and administrator at Queens College and Duke University. English.

The Ernestine Friedl papers include personal and professional correspondence, subject files, course materials, articles, reprints, field notes, and sound recordings related to her anthropological research and her roles as professor and administrator at Queens College and Duke University.

Eugenia Seville joined the faculty of the Duke University Music Department in 1947 as an instructor, and was eventually promoted to Assistant and Associate Professor in 1950 and 1960, respectively. She specialized in Italian sacred music, and directed the Duke Madrigal Singers from 1947 to 1972. She died in 2006. Contains course materials, music facsimiles, performance scores, materials related to the Duke Madrigal Singers, personal correspondence, and ephemera accumulated during Saville's research trips in the U.S. and Europe.

Contains materials from Saville's various courses taught at Duke. Also includes facsimiles of musical manuscripts, and vocal parts for music used as class examples and as part of the Madrigal Singers' performance repertoire. Collection also contains a wooden box of lantern slides and negatives, primarily of scenes from historical opera performances and opera houses. Removed rubber-bands, 1 folder of receipts and photocopy requests, 1 folder of student employment records, 1 folder of salary information and peripheral "to do" lists.

Nathan Ockman was born on December 29, 1926 in New York City. As a child in the 1930s, he was brought by his parents to an event that featured pioneering choreographers in modern dance, among them Anna Sokolow and Sophie Maslow. Though he received no formal dance training himself, this childhood exposure to modern dance sparked a lifelong passion for dance spectatorship. The collection contains the dance-related memorabilia (circa 1949-2006) saved by Nathan Ockman. Materials include performance programs and newspaper clippings, which are arranged chronologically. Many of the materials are annotated by Mr. Ockman.

The collection contains the dance-related memorabilia (circa 1949-2006) saved by Nathan Ockman. Materials include performance programs and newspaper clippings, which are arranged chronologically. Many of the materials are annotated by Mr. Ockman.

Mr. Ockman collected the accompanying programs for each dance performance he was in attendance for throughout six decades. The earliest programs, dated from the late 1940s and early 1950s, are from performances at the University of Michigan during Mr. Ockman's time as a graduate student at the university. Following Mr. Ockman's subsequent move to New York City, the vast majority of the collection is comprised of performances at notable New York venues and performing arts festivals. Though there are several programs from performances by ballet companies, the collection largely reflects Mr. Ockman's personal penchant for modern dance.

Newspaper clippings of performance reviews and promotions of upcoming premieres are included within the collection. More often than not, they correspond to a performance that Mr. Ockman was in attendance for, and so they are organized alongside accordingly.

Of the programs dating from 1958 onwards, nearly all are decorated with Mr. Ockman's personal annotations, which make note of extraordinary pieces, performers, and his general perception of the performances. Though the notes were made for Mr. Ockman's own enjoyment, he was aware that they may someday hold some historical significance. It was always his hope that he might, as a dutiful and attentive audience member, discover an emerging dance talent.

Formerly known as the Material Support Department, Procurement Services manages Duke University purchasing systems. This collection contains memoranda, newsletters, catalogs and other records. Topics include Duke University administration.

This collection contains memoranda, newsletters, catalogs and other records. Topics include Duke University administration.

Abortion rights activist and the publisher of the feminist magazine ON THE ISSUES. The bulk of the collection consists of the records of Choices Women's Medical Center, a New York City women's health clinic and abortion clinic co-founded by Hoffman in 1971, and the organizational records for ON THE ISSUES, a feminist magazine owned by Choices and overseen by Hoffman. The remainder of the collection consists of Hoffman's personal papers, mostly related to her pro-choice activism. The collection also includes writings by or interviews with many activists, such as Aung San Suu Kyi, Charlotte Bunch, Phyllis Chesler, Andrea Dworkin, Kate Millett, Marge Piercy, and Elie Wiesel. The correspondence, administrative files, minutes, manuals, reports, surveys, research files, electronic records, clippings, flyers, brochures, newsletters, photographs, and audiovisual materials in the collection provide rich material for the study of the history of abortion, the pro-choice movement, women's health care, and the anti-abortion movement in the United States. The records of Choices Women's Medical Center are especially valuable for understanding the medical practice of abortion, as well as the political context of that practice. Other topics that can be explored through the materials include contraception, women's rights and feminism, and rape. The addition (04-041 and 04-062) (18,750 items, 30 linear feet; dated 1971-2003) consists primarily of administrative and financial files from Choices Women's Medical Center and predecessor clinics, including correspondence, financial reports, public relations and media files, board meeting files, policy and procedure manuals, subject files, insurance files, program files, grants files, legal files, and files related to ON THE ISSUES magazine. Also included are a small number of Hoffman's personal writings. This accession is unprocessed and closed to researchers. Addition (05-023) (5150 items, 12 lin. ft; dated 1978-2003) consists primarily of administrative and financial records from Choices Women's Medical Center, including correspondence, financial reports, public relations and media files. Also includes board meeting, subject, insurance, program, legal and grant files, as well as policy and procedure manuals; 33 videotapes, 84 slides, 54 photographs and contact sheets; 1 CD-ROM; printed materials; and promotional calendars. Accession is unprocessed and closed to researchers.

The papers of Merle Hoffman span the years from about 1944 to 2001, with most of the papers dating between 1961 and 2001. The collection is arranged in the following series: Choices, On the Issues, Personal Files, Photographic Materials, and Audiovisual Materials. The bulk of the materials consist of the records of Choices Women's Medical Center, a New York City women's health clinic and abortion clinic co-founded by Hoffman in 1971, and the organizational records for On the Issues, a feminist magazine owned by Choices and overseen by Hoffman. The remainder of the collection consists of Hoffman's personal papers, mostly related to her pro-choice activism. The collection also includes writings by or interviews with many activists such as Aung San Suu Kyi, Charlotte Bunch, Phyllis Chesler, Andrea Dworkin, Kate Millett, Marge Piercy, and Elie Wiesel. The correspondence, administrative files, minutes, manuals, reports, surveys, research files, electronic records, clippings, flyers, brochures, newsletters, photographs, and audiovisual materials in the collection provide rich material for the study of the history of abortion, the pro-choice movement, women's health care, and the anti-abortion movement in the United States. The records of Choices Women's Medical Center are especially valuable for understanding the medical practice of abortion, as well as the political context of that practice. Other topics that can be explored through the materials include contraception, women's rights and feminism, and rape.

The political context of abortion is further documented throughout the rest of the collection. Hoffman's writings, speeches, and interviews on abortion illuminate the abortion debate in the media. At the same time, the internal dynamics of the pro-choice movement are documented in files on various New York and national pro-choice organizations. The collection includes some materials on the National Association of Abortion Facilities (NAAF), the National Abortion Federation (NAF), the National Coalition of Abortion Providers (NCAP), the National Abortion Rights Action League (NARAL), and the National Organization for Women (NOW). Especially noteworthy are the detailed meeting minutes and other records for the New York Pro-Choice Coalition, an umbrella organization for New York City pro-choice organizations founded by Hoffman in the mid 1980s.

In addition to her pro-choice activities, Merle Hoffman has been a vocal proponent of patient self-empowerment; an active supporter of various political candidates in New York City; and a feminist activist. The collection reflects these interests to varying degrees. The records of On the Issues magazine are especially useful as a source of writings on a broad range of feminist and other issues.

The Choices Series documents the day-to-day operations of Choices Women's Medical Center, including the clinic's medical policies and procedures, its internal administration, and its relationship with patients and community organizations. The series is divided into the following subseries: Correspondence, Subject Files, Legal Papers, Personnel, Security, Staff Files, Marketing, Operations, and Electronic Format. Much of the series consists of files on administrative issues, dating primarily from the late 1980s to the late 1990s. A few records date from the clinic's early years in the 1970s. The files also document the clinic staff's rising concern about Operation Rescue, militant anti-abortion protests, and anti-abortion violence during the late 1980s and 1990s. At the same time, the Choices records suggest how the ideals of feminist health care and patient empowerment have translated into medical practice. The records primarily provide the perspective of health providers rather than patients; the collection does not include patient medical records. However, patient surveys and a limited amount of patient correspondence provide some evidence of patient experience at the clinic. There is substantial material on the Choices East Project, Hoffman's unsuccessful attempt to establish a women's health clinic in Moscow. Choices' treatment philosophy of patient self-empowerment and its identity as a woman-friendly health care provider are documented in the Outreach Subseries and the Marketing Subseries. Information on patient experiences and reactions to the clinic can be found primarily through patient surveys, patient satisfaction questionnaires, and statistical summaries of patient demographics, all found in the Subject Files, Marketing, and Electronic Format Subseries. Choices organizational charts and staff rosters are available for reference in the Research Room's inventory drawers; please contact Research Services.

On the Issues (1983-1999), a feminist magazine, was founded by Merle Hoffman and produced by Choices staff. The magazine covered a broad range of feminist issues and topics, including but not limited to abortion and other women's health issues. During the 1990s the magazine became increasingly professionalized, moved from annual to quarterly publication, and operated more independently of Choices. The documents in the On The Issues Series provide an extensive record of the magazine's production and distribution. They primarily date from the 1990s and are organized into the following subseries: Issues, Correspondence, Article Files, Editorial Files, Production and Distribution, Marketing, Staff Files, Administration, and Electronic Format. The series includes a nearly complete run of issues. Files include reader surveys; mailing lists; drafts and correspondence from contributors; editorials by Hoffman and other writers; and working files maintained by individual editors and production staff. Electronic files contain similar materials, and include graphics.

The Personal Files Series is arranged into the following subseries: Correspondence, Writings and Speeches, Subject Files, Politics and Activism, New York Pro-Choice Coalition, Calendars, Phone Messages, Clippings, General Personal Files, and Electronic Format. The materials extensively document Hoffman's work as a writer, public speaker, organizer, and activist for abortion rights and other feminist causes. Hoffman's personal publicity materials, including curriculum vitae and biographical sketches, can also be found in this series. There are also some records of Hoffman's childhood and personal life. The correspondence, found in both the Correspondence and Electronic Format Subseries, contains significant personal exchanges with feminists, friends, and colleagues that span many decades. Pro-choice organizations represented in the series include the New York Pro-Choice Coalition (NYPCC), the National Organization for Women (NOW), the American Civil Liberties Union (ACLU), and the National Association of Abortion Facilities (NAAF). The series also contains Hoffman's phone message books, calendars, and scrapbooks, including those related to her work at Choices and On the Issues. Electronic files contain a variety of correspondence, mailing lists, graphics, Choice and On the Issues documents mixed on the same disks, and a few writings. Overall, the series amply illustrates the porous nature of the boundary between Hoffman's personal activities and her work at Choices and On the Issues.

The Photographic Materials Series contains a variety of material related to Choices Women's Medical Center, On the Issues magazine, and Hoffman's personal activities. Especially notable are the numerous images of the Choices clinic facilities and procedures, and the detailed visual record of pro-choice rallies and other events involving Hoffman during the 1980s. Political figures pictured in this series include Bella Abzug, Hilary Clinton, Andrea Dworkin, Geraldine Ferraro, Flo (Florynce) Kennedy, Congressman John Lewis, and Gloria Steinem. Other photographs in the Personal Subseries include portraits of Hoffman and snapshots from a vacation at the feminist Camp Sister Spirit.

The bulk of the Audiovisual Materials Series consists of audio recordings on cassette tape of New York City radio talk shows featuring Merle Hoffman as an interview subject. Most interviews date from the 1970s or early 1980s. In some cases, these recordings feature Hoffman responding to listeners in call-in discussions of abortion, or conducting debates with anti-abortion representatives. Other audio recordings include interviews conducted for On the Issues stories and radio advertisements for Choices. Videotape recordings include several episodes of "On the Issues," Merle Hoffman's cable access television show, and some documentary material on Choices and its patients. Materials are not immediately accessible until use copies can be made upon request. Please consult with reference staff before coming to use the collection.

Finally, the Ephemera Series contains various memorabilia, including a box of Choices condoms, buttons, and banners with feminist and political slogans.

Later accessions (2004-0041, 2004-0062, 2005-0023, and 2012-0049) have been added to the end of the finding aid. Boxlists are included when known.

Established in 1954 as part of the Office of Information Services (now the Office of News and Communications,) Radio TV Services supervises the production of materials for radio and television, assists in the preparation of audio-visual materials needed by the university, and promotes the University's exposure to local, state, and national audiences. It makes documentary films, covers events and functions on campus, sets up news conferences in cooperation with local and national media, interviews university personnel, and provides features on students for their home-town media. Collection includes correspondence, subject files, sound recordings (audiocassettes and reel-to-reel tapes), film (16mm), and video tape (U-Matic and 2-inch quadruplex). Notable people documented on film and tape include Keith Brodie, Terry Sanford, Douglas M. Knight, Orin Pilkey, Robert Menzies, Jerry Falwell, Billy Graham, Queen Noor al Hussein, Jesse Jackson, Waylon Jennings, Juanita Kreps, Robert McNamara, Ronald Reagan, William Westmoreland, Desmond Tutu, Elie Wiesel, Reynolds Price, Martin Luther King, Jr., Hubert Humphrey, Richard Nixon, Stokely Carmichael, Kenneth Clark, Sidney Cohen, Adam Clayton Powell, Betty Friedan, B. F. Skinner, Sam Ervin, Alex Haley, Tom Wolfe, Buckminster Fuller, and Cesar Chavez. Subjects include Duke University basketball, football, commencement, convocation, homecoming, the Epoch Campaign announcement, student unrest in the 60s, the Silent Vigil held after the death of Dr. King, the Duke Marine Laboratory, the discovery of the U.S.S. Monitor, oceanographic research, the 1954 Orange Bowl, Joe College Weekend, various campus scenes, Duke Gardens, and the Richard Nixon Library controversy. Completed films include Response to Our Challenge and This is Duke. English.

Collection includes correspondence, subject files, images, sound recordings (audiocassettes, reel-to-reel tapes, and digital audio), film (16mm), video tape (U-Matic, 2-inch quadruplex, and digital video), and multimedia of events related to Duke occurring both on and off campus. There is a detailed subject file on index cards for most of the film and some of the sound recordings, as well as other indexes and notes.

Notable people documented on film and tape include Keith Brodie, Terry Sanford, Douglas M. Knight, Orin Pilkey, Robert Menzies, Jerry Falwell, Billy Graham, Queen Noor al Hussein, Jesse Jackson, Waylon Jennings, Juanita Kreps, Robert McNamara, Ronald Reagan, William Westmoreland, Desmond Tutu, Elie Wiesel, Reynolds Price, Martin Luther King, Jr., Hubert Humphrey, Richard Nixon, Stokely Carmichael, Kenneth Clark, Sidney Cohen, Adam Clayton Powell, Betty Friedan, B. F. Skinner, Sam Ervin, Alex Haley, Tom Wolfe, Buckminster Fuller, and Cesar Chavez. There are also film and recordings documenting Duke University basketball, football, commencement, convocation, homecoming, the Epoch Campaign announcement, student unrest in the 60s, the Silent Vigil held after the death of Dr. King, the Duke Marine Laboratory, the discovery of the U.S.S. Monitor, oceanographic research, the 1954 Orange Bowl, Joe College Weekend, various campus scenes, Duke Gardens, and the Richard Nixon Library controversy. Completed films include "Response to Our Challenge" and "This is Duke".

Author, and physiologist and pharmacologist at the University of Virginia Medical School. Collection comprises material relating to and examples of Herbert Silvette's writings, which include short stories, novels, and his work on the English translator Philemon Holland (1552-1637). There is also a large body of correspondence from Archibald MacLeish, which Silvette compiled in The Stiletto Letters. Acquired as part of the History of Medicine Collections at Duke University.

Collection comprises material relating to and examples of Herbert Silvette's writings, which include short stories, novels, and his work on the English translator Philemon Holland (1552-1637). There is also a large body of correspondence from Archibald MacLeish, which Silvette compiled in "The Stiletto Letters."

Acquired as part of the History of Medicine Collections at Duke University.

Radio Haïti-Inter was Haiti's first and most prominent independent radio station from the early 1970s until 2003. Under the direction of Jean Léopold Dominique and Michèle Montas, Radio Haiti was a voice of social change and democracy, speaking out against oppression and impunity while advocating for human rights and celebrating Haitian culture and heritage. The Radio Haiti papers contain mainly the station's on-air scripts and research materials covering a wide variety of subjects. The Radio Haiti audio recordings are described in a separate collection guide.

Radio Haiti was based in downtown Port-au-Prince on Rue du Quai until 28 November 1980, when Jean-Claude Duvalier's government cracked down on the independent press and human rights activists. Radio Haiti was ransacked, and the station's journalists were arrested then exiled. Many, though not all, of the paper record from the 1970s were destroyed in the 1980 crackdown. Radio Haiti reopened after Duvalier fell in 1986, in a new building on Route Delmas. The station closed again after the 30 September 1991 coup d'état that overthrew President Jean-Bertrand Aristide, and reopened in 1995 after the democratic government was restored. As a result of the repression the station and its journalists endured, most of the materials in Radio Haiti's paper archive span 1986 to 1991, and 1995 to 2003, though it also contains extensive external print materials (mainly newspapers and magazines) that Jean Dominique collected while in exile from 1980 to 1986 and from 1991 to 1994.

"Radio Haiti materials" refers to documents created by Radio Haiti's staff. These are mainly on-air scripts, but also include notes and correspondence. "External materials" refers to materials created by outside sources, which were used for research purposes by Radio Haiti's staff. These include, but are not limited to, press (Haitian, Haitian diaspora, and international news outlets), press releases, petitions and open letters from grassroots groups and civil society organizations, reports and other publications, and government communiqués and decrees.

Harry L. Levy (1906-1981) served as a professor and dean of students at Hunter College, dean and vice-chancellor of the City University of New York, professor of the humanities at Fordham University, and visiting professor of classical studies at Duke University. Levy wrote several books and numerous articles; he specialized in the Roman poet Claudian, and authored major works on Ovid and Lucian. Papers include correspondence, subject files, articles, and reprints written and collected by Harry L. Levy, relating to his research in classical studies, and his roles as a professor and administrator. English.

Papers include correspondence, subject files, articles, and reprints written and collected by Harry L. Levy, relating to his research in classical studies, and his roles as a professor and administrator.