The papers of the Abbot family consist mainly of correspondence, but also include financial and legal papers, diaries, a letter-book, clippings, printed material, speeches and photographs (including cartes-de-visite, and some cyanotypes and tintypes). The materials date from 1733 to 1999, the bulk ranging from 1860-1910. A significant portion of the correspondence comprises of personal letters exchanged during the Civil War between William Richardson Abbot, headmaster of Bellevue High School, and his wife, Lucy Minor Abbot. Abbot's letters mention battles and political events of the Civil War, including his experience as an officer in the First Regiment of the Engineers Troops (Army of Virginia). Other correspondence includes exchanges between W.R. Abbot and his immediate family, both during and after the Civil War, as well as numerous letters to Abbot from parents of boys attending Bellevue High School. The collection also includes materials from the lives of the children and grandchildren of William and Lucy Abbot. Letters from the Abbot children consist of personal exchanges, accounts of travel in turn-of-the-century Europe, as well as experiences in the German university system. Also included is a brief memoir by Ann Minor, Lucy's sister, documenting childhood experiences in Virginia during the Civil War. There are also papers belonging to the Minors of Charlottesville (Va.), such as correspondence of Charles and John Minor.

While the bulk of the collection is made up of correspondence, the papers also include Abbot's addresses to schools and the Virginia Educational Society; printed bulletins detailing courses of study and formal statements of the teaching philosophy at Bellevue; and an official letter-book, receipts, financial and legal documents relating to the purchase, expansion and daily administration of the school. Other materials relating to the children of the William and Lucy Abbot include educational addresses by their son, Charles Minor Abbot, who administered Bellevue until it closed (1901-1909), as well as biographical material on Virginia Henderson's authoritative influence on professional nursing.

The Abbot Family papers provide the researcher with numerous vantage points onto public, professional and private life in nineteenth-century Virginia, most particularly through personalized accounts of men and women of the time. While the papers follow the families' colonial past from the early eighteenth century into the mid-twentieth century, the collection is noteworthy for its emphasis on military and private life in the Confederacy and in the Reconstruction South. The collection illuminates the experience of the Civil War through numerous windows onto the private lives of individuals; the professionalization of secondary education during the Reconstruction; the social and epistolary conventions of nineteenth century courtship; and the construction of an inter-generational identity, based on extended familial affections and ties to the institutions of Bellevue and the University of Virginia.

אברהם יהושע השל היה מלומד והוגה דעות בעל שם בינלאומי, תיאולוג ופעיל חברתי ופוליטי. השל נולד בוורשה, פולין, נצר למשפחת רבנים חסידיים מיוחסת ולמד פילוסופיה בברלין. הוא גורש מפרנקפורט והגיע לוורשה ומשם עקר ללונדון ערב הפלישה הגרמנית לפולין. לאחר שהות קצרה בלונדון היגר השל לארצות הברית. בתחילה לימד בבית המדרש לרבנים של התנועה הרפורמית בסינסנטי, ולאחר מכן עבר לסמינר היהודי התיאולוגי בניו יורק שם שימש כפרופסור לאתיקה ולקבלה עד מותו בשנת 1972. בנוסף להשתתפותו הפעילה בנושאים של צדק חברתי ובדיאלוג הבין-דתי, היה השל גם מלומד ומורה רוחני ותרם תרומה חשובה למדעי היהדות. כהוגה דעות של הדת היתה מטרתו של השל להגביר ולהעמיק את התובנות הרוחניות של היהדות ובמהלך חייו השפיע על דורות של יהודים ולא- יהודים. הארכיון האישי של אברהם יהושע השל מקיף את השנים 1880-1998 ומתעד את חייו האישיים, האקדמיים והציבוריים. הארכיון כולל תכתובות, כתבים של השל ועליו, כתבי יד מודפסים, קטעי עיתונות, כתבים שיצאו לאור ומעט תמונות וחפצי קודש. האוסף מספק תובנות לזהותו של השל כמנהיג רוחני ומסביר כיצד היה מעמדו זה קשור בקשר עמוק לחייו האישיים והמקצועיים. האוסף מחולק לפי הנושאים הבאים: חומר מוקלט, התכתבויות, חומר אישי ומשפחתי, פעילות ציבורית, חומר מוגבל וכתבים. Abraham Joshua Heschel was an internationally known scholar, author, activist, and theologian. He was born in Warsaw, Poland into a distinguished family of Hasidic rebbes, and studied philosophy in Berlin, Germany. In 1938 he was deported from Frankfurt to Warsaw where he escaped to London just before the Nazi invasion. After a brief time in London he immigrated to the United States, first teaching at the Hebrew Union College and then at the Jewish Theological Seminary of America where he taught as Professor of Ethics and Mysticism until his death in 1972. In addition to his active participation in social justice issues and his interfaith work, Heschel was also a scholar and religious thinker who made significant contributions to Jewish studies. As a philosopher of religion, his goal was to make the spiritual insights of Judaism understandable and over the course of his lifetime influenced generations of Jews and non-Jews. The Abraham Joshua Heschel Papers span the years 1880 to 1998 and document Abraham Joshua Heschel's personal, academic, and public life. Items in this collection include correspondence, writings by and about Heschel, typescripts, clippings, printed material, and a small amount of photographs and artifacts. The materials in the collection provide insight to Heschel's identity as a spiritual leader and how this role was inextricably connected to his personal and professional life. The collection is organized into the following series: Audio, Correspondence, Personal and Family Materials, Public Activity, Restricted, and Writings.

The Abraham Joshua Heschel Papers span the years 1880 to 1998 and document Abraham Joshua Heschel's personal, academic, and public life, including his long-term involvement and leadership in social activism and other public activities, his reputation as a compelling and sought-after public speaker, and his far-reaching influence as a scholar and religious thinker. Items in this collection include correspondence, writings by and about Heschel, typescripts, clippings, printed material, and a small amount of photographs and artifacts. The materials in the collection provide insight to Heschel's identity as a spiritual leader and how this role was inextricably connected to his personal and professional life.

The collection is organized into the following series: Audio, Correspondence, Personal and Family Materials, Public Activity, Restricted, and Writings. Heschel maintained a meaningful, yet complex filing system. To balance preserving the original order with making the collection as accessible to researchers as possible, several key elements have been added to the collection guide:

•Scope note at the folder level. In many cases folder titles in the collection were reused, abbreviated, in Hebrew, or did not exist. Short descriptions of folder contents have been included not only to provide context for the materials, but also to make distinctions between the varying titles.

•Supplied/enhanced folder titles. In the case of missing or abbreviated titles, supplied titles (in brackets) were created. For folder titles written in Hebrew, the original folder title was documented along with its transliteration and English translation.

•Language extent. There are varying degrees in the amount of language materials in each folder and oftentimes multiple languages are represented in a single folder. To assist researchers, each folder description includes a note identifying the language(s) and their extent in the folder, with the dominant language listed first. The absence of a note indicates that all materials in the folder are in English. The following language categories are used: "A few" indicates that 1-25% of the materials are in another language(s); "Some" 26-65%; "Most" 66-99%; and "All" 100%.

Additionally there was a large of amount of clippings included in the Heschel collection which were generally in fragile condition. Where possible, these clippings were photocopied for preservation purposes and the originals discarded.

The Abram Kanof Papers, 1858-1996, contain printed material, correspondence, writings, and photographs primarily reflecting Dr. Kanof's research and writing in the field of Jewish ceremonial art; his role in the development of the Tobe Pascher Workshop of the Jewish Museum, New York, N.Y.; his curatorship at the North Carolina Museum of Art, Raleigh, N.C.; and to a lesser extent, his patronage of the arts. The Abram Kanof Papers are relevant to the study of religious art in the Judaic tradition, and they also document Dr. Kanof's contributions, as a researcher, patron, and administrator, to the study of the relationship between art and Jewish liturgy and worship.

A substantial part of the collection consists of printed material, including exhibition programs, handbills, articles, journals, and clippings, which is contained in the Subject Files Series. Information pertaining to topics within this series includes art and religion; symbolism; synagogue architecture and decoration; the American Jewish Historical Society; Jewish ceremonial art; liturgical or ritual objects; and artists, including Ludwig Wolpert and Moshe Zabari, both resident artists of the Tobe Pascher Workshop. Primary materials relevant to the history, administration, and programs of the Jewish Museum as well as the development of the Tobe Pascher Workshop are contained in the Subject Files Series. The Correspondence Series primarily reflects Dr. Kanof's role in the formation of the workshop, which was developed to provide for the creation of art and liturgical objects to be used in synagogues as well as serve as an instructional center for training artists.

Pictures of items from exhibitions held at the Jewish Museum and the North Carolina Museum of Art as well as images used in Kanof's Jewish Ceremonial Art and Religious Observance are contained in the Pictures Series. Typescripts, page proofs and galley proofs for Dr. Kanof's works, and offprints and drafts of some of his other writings are contained in the Writings Series.

Selected publications from the Abram Kanof Papers have been cataloged for the rare book collection of the Duke University. David M. Rubenstein Rare Book & Manuscript Library.

This collection contains materials of the Academic Council, established at Duke University in 1962. The Academic Council is a group of faculty members who provide representation of the body of Duke University faculty to the Administration, Board of Trustees, and other decision-making groups. Types of materials include minutes and associated materials, memoranda and correspondence, council and committee membership lists, new committee charges, reports, bylaws, policy documents and related proposals, financial records, and other records of the Academic Council and its committees. Major subjects include Duke University faculty, Duke University Administration, and Duke University Board of Trustees. Materials range in date from 1954-2000. English.

This collection contains materials of the Academic Council, established at Duke University in 1962. The Academic Council is a group of faculty members who provide representation of the body of Duke University faculty to the Administration, Board of Trustees, and other decision-making groups. The collection includes minutes and associated materials, memoranda and correspondence, council and committee membership lists, new committee charges, reports, bylaws, policy documents and related proposals, financial records, and other records of the Academic Council and its committees. Materials range in date from 1954-2000. Materials are continuously added to this collection.

The Academic Rankings Reference Collection contains files of magazines and newspaper and magazine clippings concerning the academic ranking of Duke and other schools. The bulk of the collection consists of copies of the U.S. News & World Report publications on undergraduate and graduate schools. This collection was compiled from a variety of sources by the University Archives for use in reference and research. English.

The collection contains materials pertaining to academic ranking of Duke and other schools in the United States.

The Academics and Research Reference Collection contains materials documenting academic and research matters at the University. This collection was compiled from a variety of sources by the University Archives for use in reference and research.

The collection contains documents pertaining to academic and research matters at the University such as curriculum development, advising, academic and research support, interdisciplinary programs, consortia and cooperative programs, research centers, and so forth. The materials include handbooks, clippings, flyers, reports, and proposals. The bulk dates are 1964-1994.

A.C. Nielsen is a media research and information management company founded in 1923, based in New York, currently known as Nielsen. Collection consists of newsletters, serial publications, and promotional brochures produced by the A.C. Nielsen Company. Materials primarily relate to Nielsen's research into television audience research; media broadcast ratings; television ownership; broadcast stations; and retail promotional activities such as coupons and refunds/rebates. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection consists of newsletters, serial publications, and promotional brochures produced by the A.C. Nielsen Company. Materials primarily relate to Nielsen's research into television audience research; media broadcast ratings; television ownership; broadcast stations; and retail promotional activities such as coupons and refunds/rebates.

Addison "Add" Penfield was born in Meriden, Connecticut in 1918. He came to Duke University in Durham, North Carolina in 1936. During his four years as an undergraduate he became deeply involved with sports radio broadcasting on-campus, as the play-by-play announcer for Duke Football, and of-campus he worked with numerous other radio stations throughout North Carolina. The collection contains a typed manuscript, 553 pages, concerning Penfield's career as a sports broadcaster and writer, and as a member of the Duke staff.

The collection contains a typed manuscript, 553 pages, concerning Penfield's career as a sports broadcaster and writer, and as a member of the Duke staff. Topics include his years as a student at Duke, Eddie Cameron, Ted Mann, Vic Bubas, Wallace Wade and other members of the athletic staff, the 1942 Rose Bowl, the Duke Football Network (1952-1962), Duke Basketball in the 1950's and 1960's and other related subjects.

Aden Field is an author and poet from Durham, North Carolina, who co-founded the Regulator along with other Durham community organizations. This collection consists of his journals, writings, postcard collections, community projects and files, and his collection of correspondence and writings from friends and family. It documents his friendships and relationships, Durham community events and activities, and his career as a writer and teacher in North Carolina.

This collection includes Field's correspondence, writings, journals, postcard binders, and files from his management and work at The Regulator, Collaborations, Black Mountain Project, Urban Hiker, and several local arts councils and youth writing programs. Materials have been sorted into series but largely remain labeled and foldered according to Field's own arrangement scheme.

Field's Journals Series contain incredibly detailed chapters of his life, which were created and re-typed by Field as a project in the 1990s. Early journals are volumes 1-4; he began titling them in the 1980s. Entries include his daily activities, Durham news, horoscope (I Ching), financial spending, and introspective analysis of his thoughts, writings, and relationships. Binders are dated and sorted by date, YYMMDD.

Field's postcard binders project began in the 1990s to assemble a Book of Men, featuring postcards of images of men in art from art galleries around the world. Other binders he created included postcards documenting American society and culture from the nineteenth century through the 1990s. He also created a Book of Women and collected assorted postcards that remain unassembled into binders, all held in this series.

Field's writings range from poetry to plays to prose, and the Writings Series includes drafts and published versions arranged in both chronological and alphabetical files. The chron files are dated YYMMDD. The alphabetical files are arranged by title.

Field's many businesses and projects are sorted by group name, with some groups' files containing only one or two items and some groups filling an entire box (see especially Collaborations, The Regulator, and Urban Hiker). These files include correspondence, publications, board minutes, notes by Field, and account ledgers. Field served as treasurer for many Durham organizations. Personal tax and investment information has been removed when identified.

The Name and Correspondence Files document Field's personal relationships and his communications as an author and community activist. Files are not strictly correspondence; some include artwork, writings, and publications, including zines and newsletters. Materials are filed by author/creator.

Finally, Field's personal materials include childhood and adolescent scrapbooks and yearbooks; photographs and snapshots with friends and family; headshots and portraits of Field; and personal accounting and financial ledgers.

The Admissions Reference Collection contains files of printed matter, statistics, and other material concerning admission. This collection was compiled from a variety of sources by the University Archives for use in reference and research.

The Admissions Reference Collection contains files concerning admission and recruitment. Materials include class profiles and other statistics and compilations, memoranda, brochures, application forms, clippings, newsletters, reports, fact sheets and other publicly distributed material.

Copy writer and advertising executive for several agencies primarily in the Atlanta, Ga. area. The Adrienne Cohen Papers span the years 1963-2000 and include print advertisements, copy designs, direct marketing mailings and brochures, storyboards, audiotapes, 16mm and 35mm films of radio and television commercials that document Cohen's work as an advertising copy writer and creative executive. Companies represented include Marschalk, Young & Rubicam, and McCann-Erickson. Clients include Coca-Cola, Drackett, Eastern Airways, Gulf Oil, and Texize. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Adrienne Cohen Papers span the years 1963-2000 and include print advertisements, copy designs, direct marketing mailings and brochures, storyboards, audiotapes, 16mm and 35mm films of radio and television commercials that document Cohen's work as an advertising copy writer and creative executive. Companies represented include Marschalk, Young & Rubicam, and McCann-Erickson. Clients include Coca-Cola, Drackett, Eastern Airways, Gulf Oil, and Texize.

Collection consists of newsletters and other publications produced by advertising agencies and other organizations. Many of the newsletters were intended for internal communications with agency staff and affiliates, although others were aimed at outside distributions. Agencies represented include BBDO, Ben & Jerry's, Dancer Fitzgerald Sample, Doyle Dane Bernbach, Dentsu, Ernest Dichter, Grey, Isidore and Paulson, Levi Strauss, Marsteller, Ogilvy & Mather, and Young Electric Sign. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection consists of newsletters and other publications produced by advertising agencies and other organizations. Many of the newsletters were intended for internal communications with agency staff and affiliates, although others were aimed at outside distributions. Agencies represented include BBDO, Ben & Jerry's, Dancer Fitzgerald Sample, Doyle Dane Bernbach, Dentsu, Ernest Dichter, Grey, Isidore and Paulson, Levi Strauss, Marsteller, Ogilvy & Mather, and Young Electric Sign.

The Advertising Council Records span the years from 1935 to 1999, and primarily consist of public service advertising campaigns developed by the Advertising Council. The campaigns are documented through council booklets, brochures, published articles, and sample advertisements which were distributed to Ad Council members and participating advertising agencies. Particular ad campaigns that are well represented include U.S. Savings Bonds and United Service Organizations (USO) during World War II; Religion in American Life; the Red Cross; the creation of Smokey the Bear and related fire prevention campaigns circa 1941 to 1951; and a campaign to explain the American Economic System, circa 1950 to 1957 (Cold War anti-communism). Various campaigns throughout the 1960s and 1970s are also represented to a lesser extent, including the War on Poverty, Equal Opportunity, and Child Abuse.

The collection is organized into two main series: General Files and Campaigns. The General Files Series contains Ad Council materials that are not specific to particular campaigns, such as annual reports, correspondence, and Ad Council promotional materials. The Campaigns Series, which comprises about two-thirds of the collection, contains pamphlets, brochures, posters, newspaper articles, and memos concerning the strategies of over 100 public service advertising campaigns. Large-format materials from both of these series have been relocated to the Oversize Materials.

Related collections in the David M. Rubenstein Rare Book & Manuscript Library include the J. Walter Thompson Co. Archives: Domestic Advertisements Collection, the War Effort Mobilization Campaigns Poster Collection, the Edgar Hatcher Papers, the Warwick Baker O'Neill Records, and the Outdoor Advertising Association of America (OAAA) Archives. The "official" archives of the Ad Council resides at the University of Illinois--Urbana/Champaign.

The Advertising Ephemera Collection is composed of single advertisements, product and trade catalogs, advertising pamphlets, and broadsides. The advertisements are primarily American and from the late 19th and early to mid 20th century.

The Advertising Ephemera Collection is composed of single advertisements, product and trade catalogs, advertising pamphlets, and broadsides. The advertisements are primarily American and from the late 19th and early to mid 20th century. The collection is divided into broad subject categories, based on the primary type of product or service being advertised, which are arranged in alphabetical order. Within each subject category material is divided based upon the form of the material; leaflets, letters, and sheets printed on both sides; trade cards (mechanical, metamorphic, see-thru, shape, fabric inserts, unusual feature, postcards and insert cards); booklets; special categories; and miscellaneous. A subseries of foreign advertising material consists predominately of travel related literature and is arrange alphabetically by country. The arrangement of oversize materials parallels the original arrangement.

The researcher should note that trade catalogs that are pamphlets may be found in several places in the Perkins Library: this collections; individually in the stacks as fully cataloged items; or as part of groups of old pamphlets for which the cataloging was by main entry only. Advertising broadsides may also be found in the Broadsides Collection and many collections of manuscripts also contain advertising materials.

Some useful reference sources for gathering further information on this type of material include:

Romaine, Lawrence B., "A Guide to American Trade Catalogs," 1944-1900 (New York, 1960).

Hammond, Dorothy, "Advertising Collectibles of Times Past," (Des Moines, Iowa, 1974).

Kaduck, John M., "Advertising Trade Cards," (Des Moines, Iowa, 1976).

McQuarry, Jim, "Collectors Guide to Advertising Cards," (Gas City, Indiana, 1975).

Additions to the collection have not been processed and therefore to do reflect the arrangement of the rest of the collection. Please refer to the detailed description below for more information about their content.

Consists of approximately 50 posters the bulk of which consist of corporate promotions depicting notable African Americans or significant moments in African American history and culture. Posters include biographical sketches of African American writers, scientists, professional athletes, soldiers, civil rights workers and celebrity entertainers. Participating companies include Anheuser-Busch (Budweiser), Army National Guard, CIBA-GEIGY, Columbia Artists Management, Federal Home Loan Bank, Honeywell, Nabisco and Pepsi. Also included in the collection are a number of promotional posters produced by and for the NAACP that address the organization's campaigns to reduce poverty, school dropouts and voter registration, as well as calls to join the NAACP. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture and the John W. Hartman Center for Sales, Advertising & Marketing History.

The African Americans in Film collection includes ephemeral materials, especially posters and pressbooks, promoting and advertising motion pictures featuring Black actors, directors, and production companies.

The African Americans in Film collection includes ephemeral materials promoting and advertising motion pictures featuring Black actors, directors, and production companies. Materials in this collection include press books, posters, promotional booklets, campaign books, advertising manuals, programs, lobby cards, and other formats. The films documented include silent films, Blaxploitation films, blockbuster action films, musicals, documentaries, and dramas, from smaller Black owned and operated companies to major studio productions. Actors frequently featured in films documented here include Sidney Poitier, Dorothy Dandridge, Pam Grier, Jim Brown, Brock Peters, Fred Williamson, Ruby Dee, Brenda Sykes, Sammie Davis Jr., James Earl Jones, and many others.

Description often includes the format of the material and/or one or more of the Black stars featured in the film. Some description provided by George Robert Minkoff Inc., the dealer from whom part of the collection was purchased, is provided in quotes. Some of that description may have originated from the books Blacks in American films and television: an encyclopedia. and Toms, coons, mulattoes, mammies, and bucks: an interpretive history of Blacks in American films., both by Donald Bogle. The majority of the materials are from the United States, but a few items were created by or for audiences in other countries such as Japan, Denmark, France, Germany, and the United Kingdom, and are noted as such.

Agnes Cohen Bogart (1917-2013) was a labor activist, editor and public relations specialist based in New York. Collection includes articles, clippings, correspondence, memos, newsletters, and other printed material that document Bogart's career as a journal editor and public relations executive as well as her personal relationship with sociologist and spouse Leo Bogart. Institutions represented include American Management Association; Equitable Life; Industrial Relations Counselors; Labor's Non-Partisan League; National Foremen's Institute; Organization Resources Counselors; and the Textile Workers Union of America. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection includes articles, clippings, correspondence, memos, newsletters, and other printed material that document Bogart's career as a journal editor and public relations executive. Institutions represented include American Management Association; Equitable Life; Industrial Relations Counselors; Labor's Non-Partisan League; National Foremen's Institute; Organization Resources Counselors; and the Textile Workers Union of America.

A. Hollis Edens served as President of Duke University from 1949-1960. This collection includes material largely of a personal nature, including correspondence, photographs, printed material, clippings, and scrapbooks. The collection ranges in date from circa 1850s-1994.

The collection includes correspondence, speeches, Duke-related material, Emory-related material, clippings, printed material, scrapbooks, and photographs. The material relates not only to Edens' professional career, but also to his family history and to that of his wife. The majority of the collection consists of family photographs, many of which are unidentified and undated.

Retired Chief of the Gastrointestinal Clinic at Mount Sinai Hospital.

Collection consists of medical and pharmaceutical advertisements and promotional materials. Included are posters, booklets, diet guides, recipe books, artifacts (coffee mugs, paperweights, etc.) and other promotional ephemera. Acquired as part of the John W. Hartman Center for Advertising, Sales & Marketing History.

Albert Rees (1921-1992) was a former professor of economics at Princeton University and economic advisor to President Gerald Ford. This collection documents his professional life through his correspondence, writings, and teaching. It forms part of the Economists' Papers Archive.

This collection contains correspondence, lectures, writings, and course notes. There is also testimony involving a union dispute.

Collection comprises fourteen black-and-white inkjet prints of photographs taken in Ireland by Alen MacWeeney, chiefly in 1965. Locations include counties Donegal, Galway, Kerry, Limerick, and Sligo, and the city of Dublin. Portraits of individuals and families, as well as some of animals, coexist with depopulated, dramatic landscapes. The prints measure 13x18 inches. A photobook titled UNDER THE INFLUENCE (2011) which includes these images along with others, accompanied by excerpts of poetry by William B. Yeats, is also held by the Rubenstein Library. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection comprises fourteen black-and-white inkjet prints of photographs taken in Ireland by Alen MacWeeney, chiefly in 1965. Locations include counties Donegal, Galway, Kerry, Limerick, and Sligo, and the city of Dublin. Portraits of individuals, including an old man in a field, a Benedictine monk, a woman in a doorway, and a farming family, coexist with depopulated, dramatic landscapes.

The black-and-white inkjet prints are printed on uncoated textured art paper, and measure 13x18 inches. Image sizes range from 6 1/8 x 10 1/4 to 11 1/2 x 10 1/4 inches.

A photobook titled UNDER THE INFLUENCE (2011) which includes these images and others, accompanied by excerpts of poetry by William B. Yeats, is also held by the Rubenstein Library.

Acquired as part of the Archive of Documentary Arts at Duke University.

Professor emeritus of English and Creative Writing at the University of Colorado at Colorado Springs; novelist; son of Duke University faculty member William M. Blackburn. Writings and correspondence of Alexander Blackburn, including books, correspondence, drafts, and typescripts of unpublished works. Also includes Blackburn and Cheney family history materials, photographs, and a scrapbook.

Collection contains two accessions. Accession (1999-0184) (1102 items; 6.0 lin. ft.; dated 1953-1998), consists primarily of writings by Alexander Blackburn, including books, articles, clippings, and typescripts of unpublished works. Also included are correspondence with writer Frank Waters and some other letters; memorabilia; and editorial files and an almost complete run of the literary journal, Writer's Forum, which Blackburn edited.

Accession (2010-0012) (6750 items; 9 lin. ft.; dated 1880-1990s) and accession (2020-0099; 11.5 lin. ft) includes writings, drafts, books, and family history materials. Included are materials from Alexander Blackburn's mother, Elizabeth Cheney Blackburn, and the Cheney family.

The collection reflects Weinmann's extensive research in the history of Viennese music publishing and is a resource for study of publishing firms in Vienna as well as documenting Weinmann's bibliographical research. The Music Series includes title pages and parts of arrangements, focusing on Viennese publishers and composers, including Georg Druschetzky, Joseph Haydn, Johann Baptist Vanhal, Johann Josef Rösler, and Ferdinand Kauer, as well as Johann Sebastian Bach. Included in the Writings and Speeches Series are manuscript drafts of works related to Weinmann's bibliographies (published in the Beiträge zur Geschichte des Alt-Weiner Musikverlages) as well as bio-bibliographical and historical works. The series also documents Weinmann's study of 19th century Viennese publishing firms including Artaria and Company, Giovanni Cappi, Leopold Kozeluch, Franz Anton Hoffmeister, Carlo and Pietro Mechetti, Tranquillo Mollo, Ignaz Sauer, Johann Traeg, and Thaddäus Weigl. Series includes research by Weinmann's brother, Ignaz Weinmann, on Franz Schubert.

The Research Notes Series consists of bibliographic references and citations, information about works and plate numbers; Weinmann's contributions to the Répertoire international des sources musicales; and Wiener Zeitung references. The Series also concerns Weinmann's work as an editor of the sixth edition of the Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts. Anthony van Hoboken, Willi Boskovsky, Franz Giegling, Anton Fietz, and Arthur Fiedler are among primary correspondents in the collection. Weinmann also collected letters (originals and copies) from persons and publishers he studied, including J.P. Gotthard, Johann Strauss, Franz Xaver Süssmayr, and Tobias Haslinger.

Alex Harris is a documentary photographer, author, and professor emeritus at the Center for Documentary Studies in Durham, North Carolina. The over 700 black-and-white and color photographs in the collection span his career, and include projects exploring the landscapes and peoples of Alaska, the American South, New Mexico, and Cuba; portraits of older reading volunteers and students in Philadelphia; students on strike at Yale University; counter-culture people at a Rainbow Gathering in Arizona; the artist's son tethered to his game device; elderly people living on their own in North Carolina; the interior of author Reynolds Price's home; and movie production sets in the South. The gelatin silver and inkjet prints range in size from 8x10 inch reference prints to 24x36 inch exhibit prints. Harris's professional papers document his collaborations with other photographers and writers on books and exhibitions, including anthropologist Gertrude Duby Blom, naturalist E.O. Wilson, and South African photographers; they also cover his long career at Duke University, as teacher, author, and co-founder of the Center for Documentary Studies and its publication, DoubleTake. In addition to the paper records, there are many recorded oral histories and interviews. Acquired as part of the Archive of Documentary Arts at Duke University.

The over 700 black-and-white and color photographs in the collection date from Harris's earliest photographic work as a graduate student at Yale University, to his more recent work documenting movie sets in the South. The subjects range widely, and include the landscapes and peoples of Alaska, the American South, New Mexico, and Cuba; portraits of older reading volunteers and students in Philadelphia; students on strike at Yale University; counter-culture people at a Rainbow Gathering in Arizona; the artist's son going about his day, tethered to his gaming device; elderly people living on their own in central North Carolina; views of the art-filled interiors of author Reynolds Price's home; and movie production sets in the South. The gelatin silver and inkjet prints range in size from 8x10 inch reference prints to 24x36 inch exhibit prints.

The remaining series house Harris's papers, which document collaborations with other photographers and writers, including Gertrude Duby Blom and E.O. Wilson, and South Africa photographers; they also document his career at Duke University as a teacher, author, and co-founder of the Center for Documentary Studies (CDS) and its serial publication, DoubleTake. The Publicity and Audiovisual Materials Series contains recordings of lectures as well as publicity for exhibits and publications. The Correspondence Series includes not only Harris's exchanges with other photographers, friends, and professionals, but also grant applications, research notes, drafts and proofs, print materials, and some photographs. The DoubleTake files consist mainly of materials generated during the planning stages and early years of the magazine's existence. Materials on Harris's extensive collaborations on other publications, documentary projects, and related exhibitions make up the large Project Files Series, which includes many oral histories and interviews related to his projects, mostly on cassette tapes (use copies must be made for access). The Teaching Materials Series comprises syllabi, student writings and slides, and other materials from classes taught by Harris mainly through the CDS at Duke University. Finally, the Proof Prints Series contains a small number of proof prints related to various projects.

Prominent feminist, author, and political activist in the 1960s and 70s. Author of MEMOIRS OF AN EX-PROM QUEEN (1972), ON THE STROLL (1980), and DRINKING THE RAIN (1995). The materials in the Alix Kates Shulman Papers span the dates 1892 to 2000, with the bulk of materials dating from 1968 to 2000. These materials include: manuscripts, notes, clippings, published books, correspondence, photographs, audio and videotapes, microfilm, address and date books, family and business records. The primary focus of the collection is Shulman's writing and literary career. The secondary focus is the women's liberation and feminist movements, in which Shulman was and continues to be very active (from 1968 to 2000). However, feminism and feminist activism are inextricably intertwined with Shulman's writing career, and her 1972 novel MEMOIRS OF AN EX-PROM QUEEN is regarded by many as the first novel to "come out of" the women's liberation movement of the late 1960s and early 1970s.

The materials in the Alix Kates Shulman Papers span the dates 1892 to 2000, with the bulk of materials dating from 1968 to 2000. These materials include: manuscripts, notes, clippings, published books, correspondence, photographs, audio and videotapes, microfilm, address and date books, family and business records. The primary focus of the collection is Shulman's writing and literary career. The secondary focus is the women's liberation and feminist movements, in which Shulman was and continues to be very active (from 1968 to the present). However, feminism and feminist activism are inextricably intertwined with Shulman's writing career, and her 1972 novel Memoirs of an Ex-Prom Queen is regarded by many as the first novel to "come out of" the women's liberation movement of the late 1960s and early 1970s.

Other topics covered by the collection include: her teaching and other academic work; her public speaking and conference activities; and her involvement in political activities besides feminism. This collection sheds valuable light on the concerns and tensions within the women's liberation and second-wave feminist movements. In particular, the materials document debates and disagreements among those active in the movement with regard to sexuality, marriage and domestic relations, women's financial situation and careers, health care, civil rights and cultural expression. Many of these issues are raised in Shulman's own work, including her novels, essays, short fiction, personal letters and her teaching materials.

The collection is divided into seven series. The Personal Papers Series contains Shulman's family history papers, photographs, biographical papers, and her personal correspondence (with writers, academics, political activists and family members). Notable correspondents include Ros Baxandall, Jay Bolotin, Kay Boyle, Rita Mae Brown, Phyllis Chesler, Judy Chicago, Andrea Dworkin, Candace Falk, Marilyn French, Lori Ginzberg, Hannah Green, Erica Jong, Kate Millett, Honor Moore, Robin Morgan, Tillie Olson, Lillian Rubin, Sue Standing, and Meredith Tax. The Political Work Series contains material relating to Shulman's involvement with feminist and other liberal political groups, including Redstockings, New York Radical Women, the PEN Women's Committee, No More Nice Girls, the Women's Action Coalition, and Women Against Government Surveillance

The Literary Work Series contains a variety of materials relating to Shulman's literary career, including financial and other dealings with publishing houses, notes and research, photocopies of publications, reviews of her work, articles and notes she collected regarding the literary scene, and original manuscripts. This series contains information about her early children's books; several books she edited of Emma Goldman's writings; her essays and short fiction; her novels Memoirs of an Ex-Prom Queen (1972), Burning Questions (1975), On the Stroll (1977), In Every Woman's Life . . . (1980); and her memoirs Drinking the Rain (1995) and A Good Enough Daughter (1999). A small amount of correspondence regarding book reviews of other authors' work is also included.

The Academic Work Series contains materials relating to Shulman's graduate work at NYU; her teaching at Yale, the University of Colorado at Boulder, NYU, and the University of Hawaii at Manoa; as well as her relationships with her students. The Public Speaking Series contains materials relating to Shulman's participation in literary and political conferences and gatherings, personal interviews, lectures and book talks.

Portions of the Restricted Materials Series either may not be photocopied without prior permission of Ms. Shulman or the relevant author, or may not be accessed until a future date. The same organizational categories have been applied to the restricted materials as were used in the unrestricted materials to help researchers easily access overlapping and related materials that have been boxed separately due to the restrictions. The Oversize Materials Series contains miscellaneous oversize materials of a biographical and literary nature.

Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Allan Gurganus (1947- ), a gay, white, Southern writer, was born in Rocky Mount, North Carolina. Gurganus trained as a painter, served in the United States Navy during the Vietnam War, then studied at Sarah Lawrence College and the Iowa Writers' Workshop. He later taught writing at Sarah Lawrence College; the Iowa Writers' Workshop; Stanford University; and Duke University. The collection includes the following series: (1) Writings; (2) Correspondence; (3) Personal Papers; (4) Artwork; and (5) Others' Works.

The (1) Writings Series is divided into the Books, Novellas and Articles subseries, Uncollected Works subseries, and Addresses and Speeches subseries. Gurganus's writings, collected here as manuscripts, typescripts, and proofs with notes, documenting his development of well-known and critically-acclaimed works. His collected works include White People; The Practical Heart; Plays Well with Others; and, Local Souls. Gurganus's other books and individual stories, essays, and drawings or illustrations related to the titles are included in this Series.

The (2) Correspondence Series is divided into the Chronological Correspondence subseries which consists of letters to and from Gurganus, publishers, and friends, and the Correspondence, Alphabetical by Name subseries is comprised of correspondence between Gurganus and other writers, artists, literary figures, and close friends.

The (3) Personal Papers Series contains Gurganus's family correspondence, documents, many of the books, letters, art and photographs kept in his home. Financial and legal records as well as documentation of his writing career through contracts and royalty statements are also included in this series. The (4) Artwork Series is comprised of doodles, drawings, paintings, and sketches. Series (5) Others' Works, includes books, articles, and typescripts written by friends, students, and others.

Allan H. Bone (1917-1992) spent nearly forty years in the Duke University Department of Music. He served as professor of music, chair of the department, and conductor of the Duke Symphony Orchestra. The Allan H. Bone Papers include material related to conducting, music subjects, courses, research, and the administration and history of the Duke University Department of Music. It also includes concert programs from Duke University performances, personal correspondence, and daily planners. English.

The Allan H. Bone Papers include material related to conducting, music subjects, courses, research, and the administration and history of the Duke University Department of Music. It also includes concert programs from Duke University performances, personal correspondence, and daily planners.

On February 13, 1969, Duke University students in the Afro-American Society occupied the the main administration building to bring attention to the needs of Black students. These needs included an African American studies department, a Black student union, and increased enrollment and financial support for Black students. This and subsequent events became known as the Allen Building Takeover. The Allen Building Takeover Collection contains announcements; flyers; publications; correspondence; handouts; reports; transcripts; ephemera; clippings; a bibliography; photographs documenting Black Culture Week (Feb. 4-12, 1969) and the Allen Building Takeover (Feb. 13, 1969); and items related to student demands, statements by Provost Marcus Hobbs and by Duke President Douglas Knight, student convocations and demonstrations both in support of and against the Takeover, and later events on the Duke campus and in Durham, N.C. In addition, the collection contains clippings and artwork related to remembering the Takeover, including the 2002 Allen Building lock-in.

The collection features materials documenting the Allen Building Takeover at Duke University. The Subject Files series includes color photographs taken inside the building, announcements, flyers, publications, correspondence, handouts, reports, transcripts, and ephemera relating to Black Culture Week (Feb. 4-12, 1969), the Allen Building Takeover (Feb. 13, 1969), and items relating to student demands, statements by Provost Marcus Hobbs and by Duke President Douglas Knight, student convocations and demonstrations both in support of and against the Takeover, and later events on the Duke campus and in Durham, N.C. Photographs were taken by student participant Lynette Lewis and show the students inside the building during the Takeover; they are accompanied by the original color negatives. Also included are clippings of newspaper and magazine coverage of the Takeover from the campus paperThe Chronicle, as well as local, state, and national media.

In addition, the collection contains clippings and artwork related to anniversaries and remembrances of the Takeover. Students created artwork in this collection while participating in the 2002 Allen Building lock-in, an event commemorating 1960s activism at Duke and an opportunity for students and administrators to discuss the racial climate on campus.

On February 13, 1969, Duke University students in the Afro-American Society occupied the the main administration building to bring attention to the needs of black students. These needs included an African American studies department, a black student union, and increased enrollment and financial support for black students. This and subsequent events became known as the Allen Building Takeover. The Allen Building Takeover Oral History Collection includes oral histories conducted by Duke student Don Yannella in 1985 leading to his thesis Race Relations at Duke University and the Allen Building Takeover. The collection includes the original interview tapes, transcripts of the some of the interviews, and use copies of several of the original recordings.

The Allen Building Takeover Oral History Collection includes materials collected by Duke student Don Yannella while writing his senior thesis in 1985. The oral histories offer first-hand accounts of and reactions to the Takeover from Duke students, staff, administrators, and members of the Durham community.

The interviews were recorded on cassette tapes, and these original tapes are in Box 1. Access copies and transcripts for many of the interviews are included; listening copies are in Box 2 and transcripts are in Box 3.

The Alliance for Audited Media (AAM) is a research firm that provides data services to the advertising and publishing industries. It is headquartered in Arlington Heights, Ill. The collection consists of over 500 16mm microfilm reels of archived printed reports produced by the AAM for subscribing newspapers and publications distributed primarily in the United States and Canada. The reports depict circulation data in a variety of contexts, including coupon distribution, geographical penetration, interactive media, market coverage, trends, and Zip Code analyses. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Alliance for Audited Media mircofilmed reports collection consists of over 500 16mm microfilm reels of archived printed reports produced by the AAM for subscribing newspapers and publications distributed primarily in the United States and Canada. The reports depict circulation data in a variety of contexts, including coupon distribution, geographical penetration, interactive media, market coverage, trends, and Zip Code analyses.

The Alliance of Queer Undergraduates at Duke (AQUADuke) is committed to making Duke a more positive and affirming place for LGBTQ students by providing programming and events targeted at increasing awareness and creating comfortable, welcoming social space. The materials in the collection include logbooks, flyers, agendas, newsletters, and financial records of the Gay Alliance and the Duke Gay and Lesbian Alliance. Subjects present include AIDS, legal issues, civil rights, and other matters. The dates of the material range from 1973-1995.

The collection contains phone logbooks, flyers, agendas, newsletters, and financial records of the Gay Alliance, the Duke Gay and Lesbian Alliance, and the Duke Gay, Bisexual, and Lesbian Association. Subjects present include AIDS, legal issues, civil rights, local and national resources concerning gay issues, and other matters. The dates of the material range from 1973-1995.

The phone logbooks (1990-1992) are accounts of phone messages received by the organization, but they also acted as an information clearinghouse for the busy AQUADuke members serving as a central location to leave messages for other members providing insight into the organization's activities, concerns, and internal issues.

Allyson Kay Duncan is a U.S. Circuit Judge of the U.S. Court of Appeals for the Fourth Circuit. She is the Fourth Circuit's first female African American judge. This collection consists largely of personal and professional correspondence from Duncan's nomination, induction, and service on the Fourth Circuit, with letters from family, friends, and colleagues across the legal profession. The bulk of the collection dates from the 2000s, but includes some assorted materials from her work as an attorney for Kilpatrick Stockton and the NC Utilities Commission in the 1990s.

Collection consists of Duncan's correspondence, including both personal and professional communications with family, friends, and colleagues, including other judges such as Clarence Thomas, John Roberts, Diane Wood, J. Harvie Wilkinson III, William Traxler Jr., and several others; press clippings and articles about Duncan's activities as president for the NC Bar Association and her appointment to and service on the U.S. Court of Appeals (4th Circuit); copies of speeches and programs from her various professional activities for Duke Law School and NC Central Law School, among other appearances; assorted materials from her work for the NC Utilities Commission and Kilpatrick Stockton law firm; her diplomas and awards; some family history materials from her parents and other relatives, including her aunt Helen Blackburn and uncle Armour Blackburn; and assorted photographs, largely unlabelled. Also includes published opinions for the NC Court of Appeals and NC Utility Commission and writings by Duncan.

Alpha Epsilon Phi is a social sorority for undergraduate women. The Duke University chapter was established in 1934 and disbanded in the mid-1960s. The sorority was revived at Duke in 1977, with the establishment of the Alpha Epsilon chapter; it disbanded in 2004. Records include manuals, composite photographs, roll book, standards, project files, and other materials created and collected by the Alpha Epsilon Chapter of Duke University. English.

Records include manuals, composite photographs, roll book, standards, project files, and other materials created and collected by the Alpha Epsilon Chapter of Duke University.

The Alpha Phi Omega, Lambda Nu Chapter was founded in 1955 at Duke University. The student service fraternity performs variety of volunteer activities in Durham as well as greater North Carolina and South Carolina. The Alpha Phi Omega, Lambda Nu Chapter Records contain minutes, reports, correspondence, administrative information, slides, composite photographs, audio tapes, scrapbooks, and other materials. English.

The Alpha Phi Omega, Lambda Nu Chapter Records include minutes, reports, correspondence, administrative information, slides, photographs, audio tapes, scrapbooks, and other materials documenting the history of this service fraternity. The first series, Administrative, contains information about the membership, volunteer work, social activities, and alumni of Lambda Nu. The second series, Slides, contains slides of Lambda Nu activities from 1980 to 1997. The next series, Audio Recordings, has one audio cassette of the 1998 Senior Banquet. The fourth series, Composite Photographs, contains photographs of all Lambda Nu Members during most school years between 1986 and 2002. The Scrapbooks series contains photographs, documents, handwritten notes, and other materials assembled by Lambda Nu members. The final series, Oversize Materials, houses oversize scrapbooks.

The Office of Alumni Affairs at Duke University administers the Duke Alumni Association (DAA), a nonprofit organization serving over 120,000 alumni and former students of Duke University, in addition to thousands of parents and friends of the university. Records contain class files, administrative materials, fundraising materials, alumni publications records, subject files, photographs, video and sound recordings, and an index to Duke students who served in World War II. Materials include reunion information, correspondence, reports, programs, clippings, and printed matter.

Records contain class files, administrative materials, fundraising materials, alumni publications records, subject files, photographs, video and sound recordings, and an index to Duke students who served in World War II. Materials include reunion information, correspondence, reports, programs, clippings, and printed matter.

Includes printed matter, clippings, newsletters and a history of the Alumni Association.

The collection includes reports of the Duke University National Council of the Alumni Association (1947-1964), demographic statistics about alumni, newspaper clippings, brochures, offers, and newsletters. Major subjects include the Loyalty fund, local alumni associations and clubs, travel, continuing education in the Alumni College, merchandise, and programming by regional or city-based alumni clubs.

Market researcher and advertising executive who worked at several agencies; partner in a consulting practice under several names; lecturer and author of marketing textbooks. The Alvin A. Achenbaum Papers span the years 1948-2011 and document Achenbaum's career in advertising (with Grey Advertising, J. Walter Thompson and Backer Spielvogel Bates agencies) and marketing consulting (as a partner in Alvin Achenbaum Associates, Canter Achenbaum Heekin, and Achenbaum Bogda Associates). Collection includes writings and speeches, correspondence, photographs, research reports and related materials. Clients represented include 7-Eleven, American Red Cross, AT&T, Block Drug, Bristol-Myers, Campbell Soup, Chrysler, Dairy Queen, Dentsu, Franklin Mint, General Foods, GTE, Hallmark, Honda, Integrity Music, Kayser-Roth, Kia, K-Mart, Miller Brewing, MTA, Nationwide, Nestlé, Nissan/Datsun, PCA, Pfizer, Philip Morris, Quaker Oats, Revlon, Ryerson Tull, Seagram, Toyota, U.S. Dept. of Defense, and Warner-Lambert. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Alvin A. Achenbaum Papers span the years 1948-2011 and document Achenbaum's career in advertising (with Grey Advertising, J. Walter Thompson and Backer Spielvogel Bates agencies) and marketing consulting (as a partner in Alvin Achenbaum Associates, Canter Achenbaum Heekin, and Achenbaum Bogda Associates). Collection includes writings and speeches, correspondence, photographs, research reports and related materials. Clients represented include 7-Eleven, American Red Cross, AT&T, Block Drug, Bristol-Myers, Campbell Soup, Chrysler, Dairy Queen, Dentsu, Franklin Mint, General Foods, GTE, Hallmark, Honda, Integrity Music, Kayser-Roth, Kia, K-Mart, Miller Brewing, MTA, Nationwide, Nestlé, Nissan/Datsun, PCA, Pfizer, Philip Morris, Quaker Oats, Revlon, Ryerson Tull, Seagram, Toyota, U.S. Dept. of Defense, and Warner-Lambert.

Alvin Roth (born 1951) is a Nobel Prize winner and the Craig and Susan McCaw Professor of Economics at Stanford University. This collection documents his professional life through his correspondence, writings, research, and faculty activities. It was acquired as part of the Economists' Papers Archive.

This collection covers Roth's early career at the University of Pittsburgh, including his research and correspondence from that period, as well as drafts of some of his well-cited articles and writings. Approximately one-half of the material lies in the Correspondence and Working Papers series, which includes professional correspondence and many drafts of scholarly articles. This arrangement replicates Roth's original filing system, which offers insight into his communication and collaboration style. Notable correspondents include Roy Weintraub, Robert Aumann, Ido Erev, Uriel Rothblum, and many more. Also included are various subject files, including Winner's Curse, Matching, and Learning.

Another notable component of the collection is the Writings and Research series, which includes working drafts and data printouts of his work in game theory and its real-world applications.

The Writings by Others series has some overlap with the Correspondence and Working Papers series, but for the most part, the former includes only the article from Roth's fellow economists, without the collaborative or feedback aspect present in the latter series.

The Teaching and Coursework series includes Roth's lecture notes and teaching tools, such as transparencies. His own coursework from Stanford University is also present, including notes, exams, syllabi, and lectures on topics such as microeconomics, competitive strategies, game theory, and choice theory.

Finally, the Grants series includes application material, correspondence, reports, and financials for various grants.

Alvin T. Parnell was a commercial photographer based in Durham, N.C. Collection chiefly consists of 167 black-and-white photographs of the city and people of Durham, North Carolina. The majority, chiefly taken by Parnell from 1920 through the 1950s, are views of downtown streets, commercial and industrial buildings, churches, and infrastructure, especially transportation. Many sites are related to the tobacco manufacturing businesses based in Durham. A few are of African American tobacco workers posed in the field and female factory workers ending their shift. Other images range widely and include a Trinity College (later Duke University) reunion, war veterans at gatherings, a minstrel band, a cart advertising Bull Durham tobacco, and tobacco fields with posed workers, white and African American. In addition, there are portraits of prominent Durham individuals and families. Formats include 85 vintage and modern gelatin silver prints, chiefly 8x10 inches, 82 contact prints, and 12 safety negatives. Includes an information folder with 1986 obituary and collection information.

Collection comprises 167 early to mid-20th century black-and-white photographs of the city and people of Durham, North Carolina. The majority of the images were taken by Alvin T. Parnell, a commercial photographer with a studio in downtown Durham, from about 1920 to 1950; prints from 1898 to 1919 likely were from the Cole-Holladay studio, which Parnell took over around 1920. Formats include a few vintage mounted albumen and gelatin silver prints, unmounted vintage and modern gelatin silver prints, and small contact prints made from original nitrate negatives. There are also twelve safety film negatives present, from which some copy prints were made. Includes an information folder with Parnell's 1986 obituary and collection information.

The largest group of photographs, taken from the late 1910s through the early 1950s, features views of Durham's growing downtown, often commissioned by Parnell's business and City Hall clients. In the background of the many street scenes one can see the progression of small storefront businesses that made up life on Main Street in a 20th century Southern Piedmont city. Given Durham's role as a birthplace for the post-Civil War tobacco manufacturing industry, it is not surprising that there are numerous photographs of buildings and industrial sites belonging to American Tobacco, Blackwell Tobacco, and Liggett Myers. Parnell also photographed buses, trolleys, and other scenes for an early Durham power and transportation company, Durham Public Services.

Other images focus on people, and range widely in subject matter: men posed at a Trinity College (later Duke University) reunion, war veterans at gatherings, fraternities, children on a playground, and a minstrel band. A few are of African American tobacco workers posed in the field and female factory workers ending their shift. There are also portraits of prominent individuals and families: an elderly Bennehan Cameron with family members; John Ruffin Green (one of Durham's earliest tobacco entrepreneurs); Washington Duke and sons with associates at a barbeque; the Rosenstein family (optometrists from New York who came to Durham in 1904); William Umstead (U.S. Senator from northern Durham County); and various police chiefs and businessmen. There are also a few portraits of women, some with captions and some unidentified.

There are also twelve safety film negatives in the collection, sized 8x10 and 4x5 inches, from which a selection of copy prints were made after the collection was acquired. A few have no existing prints – these are noted in the collection guide.

In addition to photographs in this collection, some if not most of the earlier images of Durham in the Durham Chamber of Commerce collection in the Rubenstein Library are likely to have been taken by Parnell. His work is also likely to be found in other collections related to Durham residents containing photographs.

Author (fiction and non-fiction) and gender equity consultant from Durham, N.C. Collection includes materials from Smith's literary career as an author of mystery novels, files from her work as a gender equity consultant, her newspaper columns on gender in the workplace, and materials from her work with youth at St. Philip's Episcopal Church in Durham. Also includes a small amount of correspondence from Smith's college years and family photographs from the early 20th century. The files relating to her fiction writing also include a set of audiocassettes related to one of her books. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection includes materials from Smith's literary career as an author of mystery novels, files from her work as a gender equity consultant, her newspaper columns on gender in the workplace, and materials from her work with youth at St. Philip's Episcopal Church in Durham. Also includes a small amount of correspondence from Smith's college years and family photographs from the early 20th century. The files relating to her fiction writing also include a set of audiocassettes related to one of her books. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Amelia Stinson-Wesley is an ordained Methodist minister and advocate for pastoral care of women and abuse survivors in North Carolina. Her papers consist of correspondence, academic writing, periodical excerpts, pamphlets, flyers, and handouts.

Amelia Stinson-Wesley is an ordained Methodist minister and advocate for pastoral care of women and abuse survivors. Her papers consist of correspondence, academic writing, periodical excerpts, pamphlets, flyers, and handouts.

The American Association of Advertising Agencies, founded in 1917, is the primary advertising industry trade organization. The American Association of Advertising Agencies (AAAA) Records span the years 1918-1998 and include correspondence, annual corporate and stockholder reports for member agencies, meeting minutes and speeches, biographical summaries, a subject file, and videotapes that document selected activities and functions of the organization. The collection has been compiled from a number of accessions received over time, and so does not represent a comprehensive archive of the AAAA. Certain aspects of AAAA activities, however, are well represented, including a set of card files that document the professional careers of AAAA members over a 50-year period, and subject files that focus on Federal Trade Commission (FTC), Federal Communications Commission (FCC) and the Food and Drug Administration (FDA) investigations into complaints lodged against advertisers and advertising claims produced in a variety of media, with a particular emphasis on the ways that products were advertised during and in conjunction with children's television programming. Other topics touched on include advertising self-regulation, antitrust issues, advertising laws, and deceptive and ethical practices in marketing and advertising.

The American Association of Advertising Agencies (AAAA) Records spans the years 1918-1998 and includes correspondence, annual corporate and stockholder reports for member agencies, meeting minutes and speeches, biographical summaries, a subject file, and videotapes that document selected activities and functions of the organization. The collection has been compiled from a number of accessions received over time, and so does not represent a comprehensive archive of the AAAA. Certain aspects of AAAA activities, however, are well represented, including the card files that document the professional careers of AAAA members over a 50-year period, and subject files that focus on Federal Trade Commission (FTC), Federal Communications Commission (FCC) and the Food and Drug Administration (FDA) investigations into complaints lodged against advertisers and advertising claims produced in a variety of media, with a particular emphasis on the ways that products were advertised during and in conjunction with children's television programming. Other topics touched on include advertising self-regulation, antitrust issues, advertising laws, and deceptive and ethical practices in marketing and advertising.

The collection is arranged into four series: Administrative Files, Member Card Files, Vertical Files, and Audiovisual Materials. The Administrative Files Series includes correspondence, member corporate annual and stockholder reports, printed materials, meeting minutes and speeches, and memorabilia. The Member Card Files Series contains approximately 46,000 index cards that briefly document the employment histories of individual members roughly between the years 1920 and 1969. The Vertical Files Series consists of an alphabetical subject file primarily focused on FTC, FCC, and FDA hearings on complaints against advertisers as well as documents and testimonies relating to advertising to children. Also included is a compiled set of writings on advertising during times of recession and war. The Audiovisual Materials Series consists primarily of taped interviews with David Ogilvy and William Bernbach. Original videotapes are closed to patron use. Use copies are currently available for some items. Technical Services staff may need to produce use copies before contents can be accessed. Please contact Research Services staff before coming to use the collection.

North Carolina affiliate of the American Civil Liberties Union, founded in 1965 and based in Raleigh. The records of the American Civil Liberties Union of North Carolina (ACLU of N.C.) date from the 1960s to the mid-2000s. The collection is organized into the following series: ACLU Historical Files, Executive Director Files, Legal Program, Audiovisual Material, and Print Material. The files primarily focus on the investigation and prosecution of cases related to civil rights, public education relating to civil liberties, and lobbying for civil liberties and human rights. Materials include correspondence files from the Excecutive Director's office and other units in the ACLU of N.C., thousands of case files; administrative files on cases, operations, and attorney's activities; lobbying and subject files; and printed matter and other records relating to outreach and public education activities. There are also some a/v materials and electronic files. Topics include: the civil rights and legal status of legally under-represented groups such as juveniles and high school students, prisoners, gays, and immigrants; education and academic freedoms; religious freedom and separation of church and state; freedom of expression (including desecration of the flag); racial inequalities and injustices; reproductive rights; women's rights; police misconduct and the legality of search procedures; drug testing and the decriminalization of drugs; voting rights, including issues surrounding reapportionment; and workers' rights, including unionization. There are also files on the Ku Klux Klan, Confederate displays, and right-wing organizations. Many of these issues span decades of ACLU involvement. Researchers consulting case files and any other materials should be aware of privacy laws that govern the publication and use of these records. Acquired as part of the Human Rights Archive at Duke University.

The records of the American Civil Liberties Union of North Carolina (ACLU of NC) span forty years, from its inception in the early 1960s to its activities in the mid-2000s. The files provide documentation on nearly all aspects of the organization's operations, primarily focusing on the investigation of cases related to civil rights and many related issues, the legal prosecution of cases, public education relating to civil liberties, and lobbying for civil liberties and human rights. Materials include correspondence files from the Excecutive Director's office and other units in the ACLU of NC, beginning from the earliest years; thousands of case files dating from 1969 through the mid-2000s; the legal assistant's files on cases, operations, and attorney's activities; lobbying and subject files; and printed matter and other records relating to the ACLU-NC's outreach and public education activities. There are also some slides related to arts cases, videocassette and audiocassette recordings, and electronic files. Commonly recurring social and legal issues to which the ACLU of NC dedicated its efforts and resources include but are not limited to: the civil rights and legal status of legally under-represented groups such as juveniles and high school students, prisoners, gays, and immigrants; education and academic freedoms; religious freedom and separation of church and state; freedom of expression (including desecration of the flag); racial inequalities and injustices; reproductive rights; women's rights; police misconduct and the legality of search procedures; drug testing and the decriminalization of drugs; voting rights, including issues surrounding reapportionment; and workers' rights, including unionization. There are also many files on the Ku Klux Klan, Confederate displays, and right-wing organizations in NC

The collection is open to use. However, researchers consulting case files and any other materials in this collection should be aware of privacy laws that govern the publication and use of these records, especially in the case of third party information. Most personal names have been removed from case file titles in this web-accessible collection guide. The full version is available only to on-site researchers.

The Legal Program Series, the largest series in the collection at 260 boxes, chiefly consists of court case and other investigations files, and were created and maintained by the branch of the ACLU of NC called the North Carolina Legal Foundation. The files were marked variously as coming from the Office of the Legal Counsel or the Legal Program. These files were kept in their original order, which was generally chronological, though there are many overlapping series and fragmented sequences, some of which are alphabetical. When possible, the nature of the case or investigation is noted in a few words for each entry; keyword searching is the best means to discover names or topics (e.g., "parental consent,""prayer,""1st Amendment,""employee,""free speech," etc.).

Files in the Executive Director Office Series (90 boxes) refer to meetings, annual ACLU national conferences, litigation and political action strategizing, fundraising, and membership, and contain many individual legislative and court case files maintained by the Executive Director's Office (who at times in the ACLU of NC's history also served as the Legal Director). Extensive research and "issues" files, as they were often called, found both in the Legal Program and Executive Office Series, were most often used to support the case and investigative work, and therefore cover topics similar to the case files. Other subject files reflect the Executive Director's efforts to learn about issues relating to other affiliates of the ACLU.

Smaller but significant components of the collection include the Audiovisual Material Series, housing videocassettes and audio recordings, and the Print Material Series, which houses publications, clippings, reports, and other print material created by the ACLU of NC as well as material from other organizations. A nearly complete run of the ACLU of NC's newsletter, Liberty, can be found here, as well as multiple issues from such publications as Prison Law Monitor, Veteran's Advocate, and Youth Law News. Other publications are filed by topic. Many press releases, clippings, and files related to media relations are found in the Executive Director Office Series, and to a lesser extent in the Legal Program Series.

Researchers interested in the earliest history of the ACLU of NC should consult the small Historical Files Series which contains a 1970 history of the organization written by Daniel Pollitt and George Scheer, as well as copies of the original founding documents of incorporation, board and legal foundation meeting minutes from the 1960s to the 1980s, and other files. More complete files of early correspondence, meetings, and legal cases dating from the 1960s and 1970s can be found in other series.

Acquired as part of the Human Rights Archive at Duke University.

The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a six and a half week summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. The collection consists of materials collected by the American Dance Festival pertaining to choreographers, dance companies, and others involved in modern dance, including printed materials, newspaper and magazine clippings, press kits, programs, and correspondence.

The collection consists of materials collected by the American Dance Festival pertaining to choreographers, dance companies, and others involved in modern dance, including printed materials, newspaper and magazine clippings, press kits, programs, and correspondence.

The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a six and a half week summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. Contains correspondence, lists, administrative materials, memoranda, contracts, legal documents, financial records, class schedules, teaching materials, student records, clippings, press releases, publicity materials, brochures, tickets, posters, and other printed materials created by or related to the American Dance Festival.

Contains correspondence, lists, administrative materials, memoranda, contracts, legal documents, financial records, class schedules, teaching materials, student records, clippings, press releases, publicity materials, brochures, tickets, posters, and other printed materials created by or related to the American Dance Festival before the decision to move to Durham, North Carolina, in the fall of 1977.

The American Dance Festival (ADF) serves the needs of dance, dancers, choreographers and professionals in dance-related fields by supporting the creation of new modern dance work; preserving modern dance heritage; building wider national and international audiences for modern dance; enhancing public understanding and appreciation of the art form; providing a sound scientific/aesthetic base for professional education and training of young dancers; and providing a forum for information on dance education. The American Dance Festival Reference Collection includes clippings, announcements, programs, and other materials pertaining to ADF performances and events held on the Duke University campus. This materials was collected from a variety of sources by the University Archives for use in reference and research. English.

The American Dance Festival Reference Collection includes clippings, announcements, programs, and other materials pertaining to ADF performances and events held on the Duke University campus. This collection was collected from a variety of sources by the University Archives for use in reference and research.

Please note that the official repository for information about ADF is the American Dance Festival Archives.

This is a collection of pro-Libertarian literature, which includes a wide range of conservative viewpoints. Accession (2009-0196) (1000 items; 2.0 lin. ft.; dated 1919-1984) consists of pamphlets, newsletters, newspapers, brochures, and other publications and periodicals from a variety of pro-libertarian and right wing organizations, including the American Economic Foundation and the National Economic Council, Inc. Topics include free market capitalism, price stabilization, the elimination or reduction of taxes, anti-communism, the Federal Reserve, inflation and the gold standard, the Marshall Plan, and foreign aid.

Accession (2009-0196) (1000 items; 2.0 lin. ft.; dated 1919-1984) consists of pamphlets, newsletters, newspapers, brochures, and other publications and periodicals from a variety of pro-libertarian and right wing organizations, including the American Economic Foundation and the National Economic Council, Inc. There is a wide range of materials, but many are related to topics such as gold and silver, the value of money, conspiracy theories, the taxation of the American people, and inflation. Early materials idealize the work of Henry George, a political economist who proposed a land value tax. Post-World War II materials frequently discuss foreign aid and the Marshall Plan, tending to espouse anti-communist viewpoints. 1970s-era materials tend to discuss gold, inflation, and monetary reform.

The American Economic Association (AEA) is the primary professional association for economists in the US. This collection documents the activities of the organization, especially their journals, and including the Committee on the Status of Women in the Economics Profession. It forms part of the Economists' Papers Archive.

Primarily records of the American Economic Review (AER), and to a lesser extent, the Journal of Economic Literature (JEL) and the Journal of Economic Perspectives, including correspondence, referee reports/peer reviews, accepted and rejected manuscripts, book reviews, and proposals. There are also administrative files of the AEA and its subgroups, particularly the Committee on the Status of Women in the Economics Profession (CSWEP). There are 50 black-and-white photographs of former AEA presidents, a 39x10 inch black-and-white group photograph taken at an unidentified meeting, 48 rolls of microfilm from various journals (mostly AER), 63 microfiche of JEL correspondence ([1968]-1980), seven reel-to-reel audiotapes, 16 floppy disks (most from CSWEP), and three optical discs and one logical file folder with membership directories.

The earliest documents date from 1927, the year before the first issue was published. New material will continue to arrive as the journal's office deems files inactive. The bulk of the journal's papers consists of correspondence and editorial comments on submitted articles.

Aside from a relatively few submissions which seem to have been rejected after a single reading by the chair or other in-house editor (because they were too long or clearly unsuitable for the journal), articles were sent out to at least two members of the Editorial Board. They sent back written comments and a recommendation (reject, accept, accept pending revision). These responses make up the Editorial Comments Series (1928-1983) and a portion of the Correspondence and Editorial comments Series (1984-1989). By the late 1980s, the journal was receiving several hundred submissions each year, but the editorial comments suggest that the proportion of fine articles in the pool had not been maintained as sheer numbers increased. Members of the Editorial Board take on this responsibility in addition to their normal institutional duties.

The comments in the Editorial Comments Series are sometimes brief and dismissive, sometimes quite elaborate. Even in the absence of the rejected articles themsleves, they are a rich record of individual and institutional critical predispositions. In its early years, the journal was working to establish a solid documentary foundation for the profession of American literary study. Favored topics were unpublished manuscripts, biographical work, and influence studies. The journal was slow to accept the move to New Critical interpretations of texts, reluctant to give up its tradition of more empirical scholarship. Such moments of critical change or expansion - late 1960s psychoanalytical criticism, 1970s feminist readings, 1980s post-structuralism, etc. - are vividly documented by the Editorial Board's varied members. Not infrequently, one reader will enjoy the provocative nature of an article, while the other considers it to be careless scholarship or too polemical.

Most of the correspondence is in the Alphabetical and Correspondence Series. It deals with submitted articles or reviews, but there are more substantial letters dealing with policy, critical positions, and disputes (primarily about reviews).

All other papers are contained in the Subject Files Series. Included there are correspondence preceding and relevant to the inception of the journal; Foerster Prize records; materials relating to the selection of editors and the formulation of policy; annual reports to the American Literature Section of the MLA; materials relating to Duke Press and publicity; and information gathered in the early years about who was doing what with American literature (for the purpose of mapping the field and finding reviewers).

Additionally in the Card Files Series there are three boxes sized for 3 x 5 cards which are full of information saved by the American Literature offices between (roughly) 1928 and 1950. These constitute something like a scrapbook of American literature, containing: bibliography cards; sketches of periods and genres; course descriptions; etc. These materials are typed and handwritten. Finally, there are samples of the 5 x 7 cards used to process and keep track of submissions and book reviews. These cards do not contain information (in either their content or organization) that is unavailable elsewhere, but they do illustrate the process by which articles and book reviews were handled.

The accessions (2009-0177) and (2009-0242) include editorial comments and correspondence from American Literature, beginning in 1993 and continuing through the early 2000s. Materials are organized alphabetically by each person's last name.

(by box/period divisions, including only regular contributors)

1. William B. Cairns
2. Jay B. Hubbell
3. Kenneth Murdock
4. Fred Lewis Pattee
5. Ralph Rusk

1. William B. Cairns
2. Jay B. Hubbell (minimal)
3. Kenneth Murdock
4. Ralph Rusk
5. Robert Spiller

1. Killis Campbell
2. Kenneth Murdock
3. Ralph Rusk
4. Robert Spiller

1. Norman Foerster (some)
2. Kenneth Murdock
3. Ralph Rusk
4. Robert Spiller
5. Laurance Thompson

1. Norman Foerster
2. Kenneth Murdock
3. Ralph Rusk
4. Robert Spiller

1. Norman Foerster
2. Clarence Gohdes (some)
3. Ralph Rusk
4. Robert Spiller
5. Stanley Williams

1. Norman Foerster
2. Kenneth Murdock
3. Robert Spiller
4. Stanley Williams

1. Emory Holloway
2. Kenneth Murdock
3. Austin Warren
4. Stanley Williams

1. Harry Hayden Clark
2. James D. Hart
3. Willard Thorp
4. George Whicher

1. Walter Blair
2. Harry Hayden Clark
3. Willard Thorp
4. George Whicher

1. Harry Hayden Clark
2. James D. Hart
3. Willard Thorp
4. George Whicher

1. Harry Hayden Clark
2. James D. Hart
3. Fred B. Millett
4. Willard Thorp

1. Harry Hayden Clark
2. Ernest Leisy
3. Fred B. Millett
4. Willard Thorp

1. Harry Hayden Clark
2. Ernest Leisy
3. Henry Nash Smith
4. Willard Thorp

1. Harry Hayden Clark
2. Ernest Leisy
3. Russell Nye
4. Henry Nash Smith

1. Lewis Leary
2. Norman Pearson
3. Henry Pochmann

1. Charles R. Anderson
2. Edwin Cady
3. Theodore Hornberger
4. Lewis Leary
5. Norman Pearson
6. Henry Pochmann
7. Henry Nash Smith
8. Floyd Stovall
9. George Whicher

1. Charles R. Anderson
2. Edwin Cady
3. Theodore Hornberger
4. Lewis Leary
5. Russel Nye
6. Henry Pochmann
7. Floyd Stovall
8. George Whicher

1. Charles R. Anderson
2. Edwin Cady
3. William Charvat
4. Theodore Hornberger
5. Russel Nye
6. Henry Pochmann
7. Floyd Stovall

1. Edwin Cady
2. William Charvat
3. R.H. Fogle
4. Theodore Hornberger
5. Russel Nye
6. Sherman Paul
7. Henry Pochmann
8. Floyd Stovall

1. James Beard
2. Walter Blair
3. William Charvat
4. R.H. Fogle
5. James D. Hart
6. Theodore Hornberger
7. Russel Nye
8. Sherman Paul
9. Henry Pochmann
10. Ernest Samuels

1. William Charvat
2. Richard B. Davis
3. R.H. Fogle
4. James D. Hart
5. Theodore Hornberger
6. Russel Nye
7. Ernest Samuels

1. Gay Wilson Allen
2. George Arms
3. William Charvat
4. Richard B. Davis
5. R.H. Fogle
6. James D. Hart
7. Russel Nye
8. Ernest Samuels

1. Gay Wilson Allen
2. George Arms
3. Richard B. Davis
4. R.H. Fogle
5. James D. Hart
6. Russel Nye
7. Henry Pochmann
8. Ernest Samuels
9. Floyd Stovall

1. Gay Wilson Allen
2. George Arms
3. Richard B. Davis
4. John T. Flanagan
5. Russel Nye
6. Henry Pochmann
7. Ernest Samuels

1. Richard P. Adams
2. Gay Wilson Allen
3. George Arms
4. James M. Cox
5. John T. Flanagan
6. R.H. Fogle
7. Allen Guttmann
8. David Levin
9. Russel Nye
10. Henry Pochmann
11. Ernest Samuels
12. John D. Seelye
13. Lewis P. Simpson

1. Richard P. Adams
2. James M. Cox
3. Lawrence S. Dembo
4. Warren G. French
5. Allen Guttmann
6. Annette Kolodny
7. David Levin
8. Russel Nye
9. Donald Pizer
10. Patrick F. Quinn
11. John D. Seelye
12. Walter Sutton

1. Sacvan Bercovitch
2. Lawrence S. Dembo
3. Warren G. French
4. Annette Kolodny
5. J.A. Leo Lemay
6. Jay Martin
7. Terence Martin
8. Roy Harvey Pearce
9. H. Dan Piper
10. Donald Pizer
11. Joel M. Porte
12. Patrick F. Quinn
13. Walter B. Rideout
14. John D. Seelye
15. Walter Sutton
16. G. Thomas Tanselle
17. Darwin Turner

1. Nina Baym
2. Sacvan Bercovitch
3. Panthea Broughton
4. Lawrence Buell
5. Don Cook
6. Hamlin Hill
7. Annette Kolodny
8. J.A. Leo Lemay
9. T. Martin
10. Hershel Parker
11. Roy Harvey Pearce
12. H. Dan Piper
13. Joel M. Porte
14. Walter B. Rideout
15. Charles Scruggs
16. G. Thomas Tanselle
17. Linda Wagner

1. Elizabeth Ammons
2. Martha Banta
3. Nina Baym
4. Lawrence Buell
5. Cathy Davidson
6. Scott Donaldson
7. Norman Grabo
8. Philip Gura
9. Hamlin Hill
10. Marcus N. Klein
11. J.C. Levenson
12. Horace Porter
13. Donald A. Ringe
14. Charles Scruggs
15. Kenneth Silverman
16. Werner Sollors
17. Robert Stepto
18. Linda Wagner
19. Christof A. Wegelin