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Collection consists of an assortment of correspondence, fragments, and notes from Thomas and Jane Welsh Carlyle. Correspondents include Carlyle's secretary, Henry Larkin; John Fergusson; Thomas Murray; Basil Montagu; Bryan Waller Procter ("Barry Cornwall"); Henrietta Maria Stanley; Ralph Waldo Emerson; Thomas Erskine; Richard Owen; Frederic Chapman; William McCall; and John Reuben Thomas.

The collection consists primarily of the Correspondence Series, 1820-1927 and undated, between Thomas Carlyle, Jane Welsh Carlyle, and various other correspondents. Correspondents include Carlyle's secretary, Henry Larkin; John Fergusson; Thomas Murray; Basil Montagu; Bryan Waller Procter ("Barry Cornwall"); Thomas Erskine; Richard Owen; Frederic Chapman; William McCall; and John Reuben Thomas. Letters present not only a narrative of their own lives, but also provocative discussion of the ideas and events of their time, including the Peterloo Massacre of 1819, the coronation of Queen Victoria, the repeal of the Corn Laws, the Great Exhibition of 1851, the deaths of Sir Robert Peel and the Duke of Wellington, the Crimean War, and the rise of modern Germany. Also present are vivid references to the works and movements of noteworthy contemporaries such as Robert Browning, Alfred Lord Tennyson, Charles Dickens, Ralph Waldo Emerson, Margaret Fuller, Ivan Turgenev, and others. Most of the letters are outgoing from the Carlyles; there is also one letter dated 1860 April 25 from Ralph Waldo Emerson to Thomas Carlyle, asking Carlyle to sit for a portrait. There is also an August 1863 letter from Carlyle likely directed to Virginia devine and abolitionist Moncure Conway, who travelled to London in 1863 armed with letters of introduction from Emerson, his mentor. There are several letters from Jane Welsh Carlyle to Henrietta Maria, Lady Stanley of Alderley, discussing day-to-day life with numerous references to her husband, Thomas Carlyle. Also included is a fragment of a letter from Thomas Carlyle to his wife containing reference to Lady Stanley's little boy.

The collection also includes miscellaneous correspondence, such as one letter to Charles Kingsley promising to help Kingsley get his book published; one letter to James Aitkin; one to Sir Richard Owen concerning inviting O. M. Mitchel (an American astronomer) to lecture on the Mississippi at Somerset House; one letter from Walter Savage Landor prior to Carlyle's only visit with Landor; one letter from Carlyle to London publisher [Frederic] Chapman referring to two manuscripts by Mr. Meccall; one letter from Carlyle to Boehm; and one letter from Carlyle to John Reuben Thompson, as well as several pieces to or from unidentified correspondents. Also includes a letter from Carlyle to D. B. Brightwick at Greenwood College regarding teaching virtue by example (includes published transcription).

The Scrapbook Series consists of a volume of clippings and annotations on Thomas Carlyle's life and works compiled by his biographer, David Alec Wilson.

The Writings Series consists of manuscript fragments of Thomas Carlyle's Shooting Niagara: And After? and his History of Frederich II of Prussia.

The Photographs Series contains a photograph showing part of the Carlyles' study and two autographed portraits of Thomas Carlyle.

Seven mounted photographs and five pamphlets from the Abortion Rights Association of New York, later known as the Abortion Rights Association, Inc., dating between 1972 and 1974. Pamphlets explain abortion procedures, clinic and physician guidelines, and women's rights to abortion, largely designed to address and implement the Supreme Court decision Roe v. Wade. Photographs (which contain captions) include black-and-white images of tools used in self-induced abortions; coroner's office photographs of deceased women following self-induced abortions; morgue photographs of infanticide victims; and images of fetuses in utero.

Collection consists of a set of seven mounted photographs, apparently intended for exhibition, and a set of five pro-choice pamphlets created by the Abortion Rights Association of New York (later known as Abortion Rights Association, Inc.). The photographs include coroner's office photographs of deceased women following self-inflicted abortions; morgue photographs of infanticides; equipment and tools used in self-inflicted abortions; and fetuses in utero, one with deformed brain. Author of the included captions is unknown. The pamphlets, written to assist New York physicians and practioners implementing the Supreme Court Roe v. Wade ruling, address women's rights to clinical abortions, abortion laws, counseling and guidance on policies, and references to New York abortion clinics and practitioners.

Ronald Anthony Cross was an American science fiction and fantasy author. Collection includes a wide array of Cross' creative work, including short stories and novelettes, poems, essays, song lyrics, novels, and copies of his published work. In addition there is research he conducted for his published books, and often material related to the publishing process, including tracking sheets, correspondence, contracts, reviews, and royalty statements. Material dated past Cross' death has to do with republishing agreements.

Includes a wide array of Cross' creative work, including short stories and novelettes, poems, essays, song lyrics, novels, and copies of his published work. In addition there is research he conducted for his published books, and often material related to the publishing process, including tracking sheets, correspondence, contracts, reviews, and royalty statements. Material dated past Cross' death has to do with republishing agreements.

Consumer Reports is a product testing and consumer advocacy nonprofit organization based in Yonkers, N.Y., founded in 1936. Colston E. Warne was an economist and consumer advocate who served as the first President of Consumers Union from its formation in 1936 until his retirement in 1980. The Consumer Reports Colston E. Warne papers include correspondence, clippings, photographs, scrapbooks, manuscripts and texts of articles and speeches, reports and other printed materials. Correspondents include Arthur Kallet, Dexter Masters, E. Scott Maynes, Edward Reich, James Mendenhall, James Morgan, Jean Whitehall, Leland Gordon, Morris Kaplan, Persia Campbell, Rhoda Karpatkin, Ruby Turner Morris, Walker Sandbach and William Pabst. Institutions represented include the American Council on Consumer Interests, Amherst College, Consumer Federation of America, Cooperative Distributors, Council of Economic Advisors, International Organization of Consumers' Unions (later Consumers International), League for Industrial Democracy, National Consumer Energy Advisory Committee, National Consumers League, National Recovery Administration and the University of Pittsburgh. Topics addressed include academic and intellectual freedom, communism and subversion, consumer and worker education, economics, labor and war-time advertising. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Consumer Reports Colston E. Warne papers include correspondence, clippings, photographs, scrapbooks, manuscripts and texts of articles and speeches, reports and other printed materials. Correspondents include Arthur Kallet, Dexter Masters, E. Scott Maynes, Edward Reich, James Mendenhall, James Morgan, Jean Whitehall, Leland Gordon, Morris Kaplan, Persia Campbell, Rhoda Karpatkin, Ruby Turner Morris, Walker Sandbach and William Pabst. Institutions represented include the American Council on Consumer Interests, Amherst College, Consumer Federation of America, Cooperative Distributors, Council of Economic Advisors, International Organization of Consumers' Unions (later Consumers International), League for Industrial Democracy, National Consumer Energy Advisory Committee, National Consumers League, National Recovery Administration and the University of Pittsburgh. Topics addressed include academic and intellectual freedom, communism and subversion, consumer and worker education, economics, labor and war-time advertising. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Account books, nearly complete, and office files, very incomplete, of the Erwin Mills textile mill, chiefly 1892-1967, and some personal papers of William Allen Erwin. The business files include letters, volumes, legal and financial papers, memoranda, printed material, reports, blueprints, and other records of the company.

The records of the Erwin Cotton Mills, a textile manufacturing company, date primarily from 1982-1967 but include items as early as 1832 and as late as 1976. There are ten series: Information; Account Books; Alphabetical; Labor Relations; William Allen Erwin; Pearl Cotton Mills; Cooleemee Cotton Mills; Erwin Yarn company; and J. N. Ledford Company. The collection relates mostly to the company's textile operations and related matters, but there is also some material concerning William A. Erwin's personal and family interests. The account books are largely intact. Most of the correspondence and topical records have not survived and are represented here only by scattered files. Records from the subsidiaries and acquired companies vary but have survived in similar fashion. the Account Books Series and Alphabetical Series comprise the bulk of the collection.

Advertising executive based in Seattle, Washington; specialist in newspaper advice columns and cartoon advertisements. Collection includes clip art, cartoon and comic designs, advertising copy, print advertisements and other largely humorous printed materials that feature advertising characters, limericks, "do it yourself" hints and advice columns, and fact- and quiz-based promotional copy. Newspaper advertising services were primarily directed at local businesses including apparel and shoe stores, appliances and home furnishings, automotive dealerships and service firms; hardware stores, hotels and restaurants, insurance and real estate companies, sporting goods and travel agencies primarily in the Pacific Northwest and Canada. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection contains primarily correspondence and printed materials. There are also three unidentified and undated black-and-white photographs, along with a few items representing the Livingston family, including a genealogy developed by Helen Thomas Blackwell. The correspondence contains mostly routine letters to Blackwell family members from other family members; including Alice Stone Blackwell, Anna M. Blackwell, Elizabeth Blackwell, Emma Blackwell, Helen Blackwell, Henry B. Blackwell, and Lucy Stone. There are also several postcards mailed to the Woman's Journal regarding subscriptions, address changes and other matters related to publication, or the editor's business acquaintances. There are several printed materials written by Blackwell authors, including "Philosophy of Re-Incarnation" by Anna Blackwell, and "Medicine & Morality," "Scientific Method in Biology," and “Erroneous Method in Medical Education" by Elizabeth Blackwell. However, the series primarily features printed items that were maintained in the Blackwell family library. Also contains a corrected typescript (1940s) of Ishbel Ross' Life of Elizabeth Blackwell along with notes from 1958 on the Elizabeth Blackwell award at Smith College.

Collection contains primarily correspondence and printed materials. There are also three unidentified and undated black-and-white photographs, along with a few items representing the Livingston family, including a genealogy developed by Helen Thomas Blackwell. The correspondence contains mostly routine letters to from other family members to Alice Stone Blackwell, Anna M. Blackwell, Elizabeth Blackwell, Emma Blackwell, Helen Blackwell, Henry B. Blackwell, and Lucy Stone. There are also several postcards mailed to the Woman's Journal regarding subscriptions, address changes and other matters related to publication, or the editor's business acquaintances. There are several printed materials written by Blackwell authors, including "Philosophy of Re-Incarnation" by Anna Blackwell, and "Medicine & Morality," "Scientific Method in Biology," and “Erroneous Method in Medical Education" by Elizabeth Blackwell. However, the series primarily features printed items that were maintained in the Blackwell family library. Also contains a corrected typescript (1940s) of Ishbel Ross' Life of Elizabeth Blackwell along with notes from 1958 on the Elizabeth Blackwell award at Smith College.

Outdoor advertising executive with Southern Outdoor Markets and Associates of the Bell Company firms, based in Atlanta, Ga. Collection includes trade publications, awards booklets, reprints and other printed materials, slides, photographs, audiocassettes and 35mm films. Companies represented include the Associates of the Bell Company; Foote Cone & Belding; Foster & Kleiser; Institute of Outdoor Advertising; Outdoor Advertising Association of America; Outdoor Advertising Incorporated; Southern Outdoor Markets. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection includes trade publications, awards booklets, reprints and other printed materials, slides, photographs, audiocassettes and 35mm films. Companies represented include the Associates of the Bell Company; Foote Cone & Belding; Foster & Kleiser; Institute of Outdoor Advertising; Outdoor Advertising Association of America; Outdoor Advertising Incorporated; Southern Outdoor Markets. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. It is headquartered in New York. Collection includes correspondence, bills, approvals and releases, lists of stockholders, estimates, wage cards, legal files (lawsuits, judgments, claims), insurance documents and other printed materials. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection includes correspondence, bills, approvals and releases, lists of stockholders, estimates, wage cards, legal files (lawsuits, judgments, claims), insurance documents and other printed materials. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. The JWT 16mm Microfilm Investigations span the years 1913-1950 and consist of research reports, market studies, account histories, office overviews, campaign studies and other investigative documents. Clients include Andrew Jergens, Ballantine, Corning, Kodak, Emerson Drug, General Cigar, J&J Colman, J.B. Williams, J.P. Stevens, Johns-Manville, Lehn & Fink, Lever Brothers (Unilever), Lorillard, Northam Warren, Penick & Ford, Pond's, R.T. French, Scott Paper, Standard Brands and the U.S. Marine Corps. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The JWT 16mm Microfilm Investigations span the years 1913-1950 and consist of research reports, market studies, account histories, office overviews, campaign studies and other investigative documents. Clients include Andrew Jergens, Ballantine, Corning, Eastman Kodak, Emerson Drug, General Cigar, J&J Colman, J.B. Williams, J.P. Stevens, Johns-Manville, Lehn & Fink, Lever Brothers (Unilever), Lorillard, Northam Warren, Penick & Ford, Pond's, R.T. French, Scott Paper, Standard Brands and the U.S. Marine Corps.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. The JWT 35mm Microfilm Proofs collection spans the years 1906-1960 and consists primarily of images of print advertisements and proofs taken from proof books and portfolios of domestic and foreign JWT offices. Clients include Ballantine's, B.F. Goodrich, Butterick, Corning, Crowell Publishing, Davey Tree Surgeons, General Cigar, General Motors, Guinness, Horlicks, J.B. Williams, Jergens, Johns-Manville, Nash, Northam Warren, Pennsylvania RR, RCA, Sharp & Dohme, Shell, Standard Brands, Sun Maid, Swift, Sylvania, United Airlines, Ward Baking, and Welch's Grape Juice. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The JWT 35mm Microfilm Proofs collection spans the years 1906-1960 and consists primarily of images of print advertisements and proofs taken from proof books and portfolios of domestic and foreign JWT offices. Clients include Ballantine's, B.F. Goodrich, Butterick, Corning, Crowell Publishing, Davey Tree Surgeons, General Cigar, General Motors, Guinness, Horlicks, J.B. Williams, Jergens, Johns-Manville, Nash, Northam Warren, Pennsylvania RR, RCA, Sharp & Dohme, Shell, Standard Brands, Sun Maid, Swift, Sylvania, United Airlines, Ward Baking, and Welch's Grape Juice.

Leah Fritz (1932-2020) was an American feminist poet and author born in New York. She wrote the books Thinking Like a Woman (1975) and Dreamers and Dealers (1980), focusing on the women's movement. The Leah Fritz papers contain correspondence and subject files; writings, including notebooks and diaries, drafts, published articles, and papers related to the publication of Fritz's prose writings, poetry, and book and article reviews; and audiocassettes of presentations and poetry readings by Fritz and other recordings. Materials range in date from circa 1950 to 2009. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The Leah Fritz papers are organized into three series. The Personal Papers series contains Leah Fritz's correspondence and subject files. The Writings Series contains Fritz's notebooks and diaries as well as drafts, published articles, and papers related to the publication of Fritz's prose writings, poetry, and book and article reviews. The Audiotapes series contains audiocassettes of presentations and poetry readings by Fritz and other recordings.

Professional organization founded in 2002 by David Hessekiel to promote business-nonprofit collaboration and corporate sponsorship of social service campaigns. Halo Awards were established in 2003 to celebrate notable cause marketing campaigns.le endeavors by businesses.

Collection spans 2002-2012 and includes correspondence, entry forms, audiovisual materials, artifacts, written reports and other materials that document businesses entering the awards competitions for social service and humanitarian projects. Companies and charities represented include the American Cancer Society, American Red Cross, Boys and Girls Clubs, Children's Miracle Network, Ford, Kohl's, Komen Breast Cancer Foundation/Komen for the Cure, Macy's, Procter & Gamble, Target and Toys for Tots. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Cotton firm from Wilmington, N.C., that for a short period was probably the largest cotton exporting house in the United States. Collection includes account books, ledgers, journals, cashbooks, purchase and sales journals, inventories, other subsidiary books, and some office files and correspondence. Goods were purchased from the Carolinas, Georgia, Texas, and other states and processed in the firm's compress facilities and sold to Great Britain, France, Germany, and elsewhere in Europe.

The collection consists of an extensive, but incomplete, set of account books, remnants of the office file and James Sprunt's correspondence (personal as well as business letters and papers), and pictures. Among the account books there are long series of ledgers, journals, cashbooks, purchase books, and stock inventories that document the company's operations between the 1870s and 1950s. The ledgers date between 1889 and 1952, and there are private ledgers for 1907 through 1931. The volume of minutes covers 1919-1930, but there are a few others among the offices files along with financial statements, 1885-1915, important legal documents of the partnership and corporation, and assorted other papers.

Correspondence and other papers of James Sprunt and the company date between 1884 and 1952, but they are numerous only for 1904, 1906, 1909-1910, and 1919-1921. The letters date mostly to 1904-1910, and 1919-1921, and are largely files of James Sprunt, reflecting his activities in business and interests in secular and theological education, the Presbyterian church in the U.S., and North Carolina history. Notable correspondents and subjects are Alexander Sprunt (1815-1884), Alexander Sprunt (1852-1937), Alexander Sprunt (b. 1898), James Sprunt (1847-1924), Kenneth Mackenzie Murchison, Francis Herman Packer, John Miller Wells, John Campbell White, Edward Jenner Wood, The Laymen's Missionary Movement, and the Presbyterian mission at Kiangyin, China. Account books, minutes, and correspondence are available also for a number of domestic and foreign subsidaries and branch offices, but these are often quite fragmentary. More than thirty pictures, mostly photographs, illustrate the firm's staff, workers, physical plant, and employees as well as other scenes.

Also included are some papers representing various domestic and foreign subsidiaries and branch offices, especially Champion Compress and Warehouse Company, the Wilmington Compress and Warehouse Company, Alexander Sprunt & Son (of Delaware, a holding company), and the company's offices in New York City and Le Havre, France.

Information about the company's history can be found in: James Sprunt's letters of Nov. 6, 1908; Apr. 9, 1909; Jun. 7 and Oct. 22, 1919; an article in Wilmington's Morning Star from Feb. 11, 1921; and Dictionary of American Biography.

Collection primarily comprises New York psychiatrist Percy E. Ryberg's personal family correspondence (in particular with his wife, Barbara), diaries, and other personal papers, some of which speak to Ryberg's youth in Argentina. Professional correspondence, articles, and other items document his career and interests in sexual and mental health, substance abuse treatments, identity, spiritual and astrological aspects of medicine, and other topics, and the publication of his book, Health, Sex, and Birth Control. Also includes biographical and genealogical information; photographs and photograph albums; and glass plate negatives. Acquired by the History of Medicine Collections at Duke University.

The collection consists primarily of psychiatrist Percy Ryberg's personal correspondence (in particular with his wife, Barbara), diaries, and other personal papers (1908-1991), some of which speak to his youth in Argentina. Ryberg's career as a physician and psychiatrist is represented through professional correspondence, writings, and medical research material. The material includes articles on the treatment of alcoholism in the mid-twentieth century, the publication of his book Health, Sex and Birth Control, and research on histamine reactions on the skin. Other topics that may be mentioned in the papers include mental health treatment, gender identity, schizophrenia, and spiritual and astrological aspects of medicine. There are also clippings and correspondence relating to the trial of William Koch (1940s), a U.S. physician who claimed to have developed a cure for cancer.

The collection also includes photographs (1906-1990s), mostly family snapshots and professional portraits of Ryberg, and photograph albums documenting Ryberg's travels and career. Glass plate negatives bear images of diplomas, and a military portrait of Ryberg from 1942.

Acquired as part of the History of Medicine Collections at Duke University.

Robert Ward was a composer primarily of operas, instrumental works, and symphonic choral works. He won the 1962 Pulitzer Prize in Music for his opera, The Crucible, which remains his best-known work. Ward served as Chancellor of the North Carolina School of the Arts and as a faculty member at Columbia and Duke Universities. His papers span from his time as a student at the Eastman School of Music in the 1930s to his final years composing in 2012. They include scores, music sketches, recordings, libretto drafts, correspondence, scrapbooks, research and information files, writings and speeches by and about Ward, as well as concert programs, newspaper clippings, photographs, awards, and other materials that document his professional life and work as a composer.

The Robert Ward Papers have been divided into eight series: Biographical Materials, Correspondence, Operas, Instrumental Works, Vocal Works, Music Sketchbooks and Student Works, Music by Others, and Untitled Recordings. Biographical Materials consists of documents pertaining to Ward's work as a composer, including newspaper clippings, profiles, the composer's published writings and interviews, documents from the organizations with which he affiliated, events held in his honor, and certificates and awards he received. The Correspondence series primarily consists of professional communications between Robert Ward and several organizations. Ward's music has been divided into three series based on genre and arranged alphabetically by title of piece within each series: Operas, Instrumental Works, and Vocal Works. Materials for each composition may include scores, recordings, and publicity materials such as newspaper clippings, programs, and reviews. Music Sketchbooks and Student Works contains assorted untitled music sketches and sketchbooks by Ward, as well as manuscripts for some of his student works. Music by Others includes a variety of scores and recordings by other composers included in Ward's papers, the majority of which are recordings. Untitled Recordings comprises assorted media that contain no composition titles, although some recordings are labeled and dated as specific performances.

On February 13, 1969, Duke University students in the Afro-American Society occupied the the main administration building to bring attention to the needs of black students. These needs included an African American studies department, a black student union, and increased enrollment and financial support for black students. This and subsequent events became known as the Allen Building Takeover. The Allen Building Takeover Oral History Collection includes oral histories conducted by Duke student Don Yannella in 1985 leading to his thesis Race Relations at Duke University and the Allen Building Takeover. The collection includes the original interview tapes, transcripts of the some of the interviews, and use copies of several of the original recordings.

The Allen Building Takeover Oral History Collection includes materials collected by Duke student Don Yannella while writing his senior thesis in 1985. The oral histories offer first-hand accounts of and reactions to the Takeover from Duke students, staff, administrators, and members of the Durham community.

The interviews were recorded on cassette tapes, and these original tapes are in Box 1. Access copies and transcripts for many of the interviews are included; listening copies are in Box 2 and transcripts are in Box 3.

In January, 2005, funds granted by the Mary Duke Biddle Foundation allowed the Duke University Archives to survey University-owned paintings within the Perkins Library system. Prior to the survey, records of University-owned art that had been collected by University Archives staff, and these records were organized and collated with the new survey information. Collection includes lists, inventories, correspondence, clippings, notes, memoranda, photographs, and other materials generated 1915-2005 and related to art and artifacts owned by Duke University, including information on the portaits of the Trustees of The Duke Endowment painted by Douglas Chandor. Other artists represented include Charles S. Wiltschek, John Da Costa, Mary Lyde Hicks Williams, Norval H. Busey, Irene Price, Cedric Egeli, Simmie Knox, John A. Furlow, and Nelson Shanks. English.

Collection includes lists, inventories, correspondence, clippings, notes, memoranda, photographs, and other materials generated 1915-2005 and related to art and artifacts owned by Duke University, including information on the portraits of the Trustees of The Duke Endowment in the Gothic Reading Room painted by Douglas Chandor. Other artists represented include Charles S. Wiltschek, John Da Costa, Mary Lyde Hicks Williams, Norval H. Busey, Irene Price, Cedric Egeli, Simmie Knox, John A. Furlow, and Nelson Shanks.

Braxton Craven (1822-1882) served as an administrator and educator during the nineteenth century evolution of Trinity College (Randolph County, N.C.). Craven was Principal of Union Institute (1842-1851), President of Normal College (1851-1859), and President of Trinity College (1859-1863, 1866-1882). In addition, Craven actively participated in the Methodist Episcopal Church, South and the Order of the Masons in North Carolina. Collection includes correspondence, sermons and addresses, diaries, legal and financial papers, teaching materials, subject files, and photographs and portraits of Braxton Craven. Correspondents include John Wesley Alspaugh, Charles Force Deems, David Lowry Swain, David Settle Reid, Henry Toole Clark, and Calvin H. Wiley. Subjects include the Methodist Episcopal Church, college financial affairs, and the activities of the Trinity Guard, a unit of student-soldiers that Craven formed during the Civil War. English.

Correspondence, student and financial records, reports, and other materials relating to the administration and academic program of Trinity College (Randolph Co., N.C.) as well as its predecessors, Union Institute and Normal College. Of particular interest are Braxton Craven's reports to the Board of Trustees, as well as minutes and resolutions of the trustees of Normal College, the constitution of Union Institute (1839), and Craven's correspondence with elected officials in North Carolina as well as Methodist clergymen. Individuals figuring prominently within the correspondence include trustee John Wesley Alspaugh; Charles Force Deems, a Methodist minister; David Lowry Swain, President of the University of North Carolina; North Carolina Governors David Settle Reid and Henry Toole Clark; and educator, Calvin H. Wiley. Subjects within the correspondence include the Methodist Episcopal Church, college financial affairs, and the activities of the Trinity Guard, a unit of student-soldiers that Craven formed during the Civil War. Some letters describe conditions and public sentiment in and around Randolph County during the Civil War. Also included are Craven's sermons and addresses, lecture notes, and diaries, as well as photographs of Craven.

Included are account books accounts of student tuition, bible, book, boarding fees, paper, and ink purchases. Several volumes include the signatures of students. Roll books contain students' names, courses, attendance, assignments, and grades. One volume contains accounting of women and children, and their amounts of bacon, meal, beef, and salt, that was possibly recorded during the Civil War.

Peter Klopfer is a Professor in the Department of Biology (previously known as Zoology). This collection contains ledger books and information relating to grants and research proposals, ranging in date from 1957-1971.

Contains materials from the many grants Professor Klopfer received to fund his animal-behavior research. Included are ledger books, correspondence, research and grant paperwork, including applications. The collection ranges in date from 1957-1971.

The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a six and a half week summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.

The William Henry Chafe Oral History Collection spans the years 1933 through 1988, with most of the materials dated between 1972 and 1978. The collection consists mainly of oral history interview tapes and transcripts, but also includes interview notes and research files related to Chafe's book Civilities and Civil Rights: Greensboro, North Carolina, and the Black Struggle for Freedom.

The interview tapes and transcripts (1972-1978, undated), which comprise the bulk of the collection, include interviews with government officials, participants in the North Carolina civil rights movement of the 1950s and 1960s, and opponents of the movement, including members of the Ku Klux Klan. The few research files in the collection include statistical data related to Greensboro elections (1930s-1950s), notes from the Joan Bluethenthal papers and a report by the North Carolina State Advisory Committee to the United States Commission on Civil Rights on civil disturbances at Dudley High School and North Carolina A&T State University in Greensboro, North Carolina in 1969.

The Audiotapes Series consists of two identical sets (one for preservation, one for use by researchers) of twenty-eight tapes containing oral history interviews. The Printed Material Series includes transcripts and/or notes on 67 oral history interviews, and three research files related to the civil rights movement and local politics in Greensboro.

Beyond the direct oral history materials, there is also a Writings and Research Series . It includes research notes for several chapters of Chafe's book in addition to newspaper clippings addressing topics such as Martin Luther King, Jr.'s assassination and the return of black veterans from the Vietnam War; an assortment of documents regarding the Black Panther Party collected by the Federal Bureau of Investigations' Counter Intelligence Program, and a number of publications produced by other authors. While the materials predominately relate to Greensboro, this series also includes information on civil rights activity in Durham, Chapel Hill, and the Research Triangle at large. The Photographs Series includes fourteen undated photographs.

William H. Chafe's book, Civilities and Civil Rights: Greensboro, North Carolina, and the Black Struggle for Freedom, chronicles the continuing conflict over desegregation in Greensboro in the 1950s and 1960s. Chafe explores the "progressive mystique" that defined the terms of culturally-sanctioned behavior, looking at how civility served to preserve the South's racial order. Within this context, he discusses the city's reaction to the Supreme Court's landmark decision in Brown v. Board of Education in 1954, the Greensboro sit-in movement begun by four college students at North Carolina A&T College in 1960, and the emergence of the Black Power Movement in the late 1960s.

Basketball was first played at Trinity College in 1906, introduced by then-Athletic Director Wilbur Wade Card. Since then, men's basketball has been played each year at Trinity College and later Duke University, appearing in the NCAA Tournaments, and winning national championships. The Men's Basketball Game Film collection contains recordings of Duke Blue Devils men's basketball games created by Duke Athletics for the use of coaches and departmental staff.

The Men's Basketball Game Film collection contains recordings of Duke Blue Devils men's basketball games created by Duke Athletics for the use of coaches and departmental staff. Recordings made before 1990 are largely on 16mm cellulose acetate film, and may be black and white or color and with or without audio; indications of color film or with included audio are noted in this guide where known. Recordings are grouped by individual game, titled by opponent, and include information on the game's outcome, score, and location, where known. Reference copies in other formats are included for a given game where they exist. Recordings made after 1989 are largely on video formats including VHS, BetaCam, and DVCam.

Also included are some compilations of games, highlights for certain players, and some recordings made from broadcast television. Not every game played by Duke Men's Basketball is included in this collection. Most games were recorded on several film reels, and some are missing. Many films have likely been edited. Documents related to the films are also included.

Additional information on location or game events may be included on the containers of individual recordings, or in the recordings themselves.

Video for Social Change was a documentary film course taught by Bruce Orenstein at the Center for Documentary Studies in the spring of 2014. The collection includes eight interviews, with North Carolina social justice activists James Andrews, Rukiya Dillahunt, Anita Earls, Angaza Laughinghouse, Dani Moore, Allison Riggs, Melinda Wiggins, and Mel Williams. The materials in the collection include camera footage in AVCHD format, edited master videos in MP4 format, transcripts, and releases for eight interviews.

Video for Social Change was a documentary film course taught by Bruce Orenstein at the Center for Documentary Studies in the spring of 2014. Focusing on the production of advocacy videos for social change, the course introduced knowledge and skill sets needed to make effective videos for grassroots organizations, exploring how video is integrated into organizing strategies to achieve better results. Student projects consisted of video oral histories with social justice advocates in North Carolina, including James Andrews, Rukiya Dillahunt, Anita Earls, Angaza Laughinghouse, Dani Moore, Allison Riggs, Melinda Wiggins, and Mel Williams. The materials in the collection Include raw footage, edited projects, transcripts, and releases.

Lloyd Brinkley Ramsey was a U.S. Army three-star general who served in South Korea from 1959-1960 as Senior Military Advisor to the Korean National War College in Seoul, South Korea. The three spiral-bound albums house over 300 black-and-white mounted photographs, chiefly in 4x5 and 8x10 sizes, all with typed captions and commentary. The images document the War College campus, Ramsey's quarters, South Korean and American officers in group portraits and in military meetings, dinners, and parties, as well as official tours and visits, including to the DMZ and a U.S. guided missile base; and visits to Seoul streets and tourist sites, rice fields and markets, and to Tokyo, Japan. Ramsey often appears in event photographs. There are a few snapshots of Ramsey's family. Also includes about 20 close-range photographs documenting the violence and bloodshed at student and civilian street protests in Seoul against President Syngman Rhee, known as the April Revolution of 1960.

The three spiral-bound photograph albums in the collection were assembled by U.S. Army Major General Lloyd Brinkley Ramsey, and feature over 300 black-and-white gelatin silver mounted photographs, chiefly in 4x5 and 8x10 sizes, with typed captions and commentary by Ramsey about people, events, and settings. The albums measure approximately 11x13 inches. The photographs, mostly taken by Ramsey but also by other unidentified individuals, chiefly focus on Ramsey's service and travels, and include images of the National War College (renamed the Defense College in 1961) and its personnel; many meetings, dinners, and parties attended by South Korean and U.S. military officers and attaches; official military visits to the DMZ and to U.S. installations, including the newly developed guided missile system base. One set of images documents Military Armistice Commission (MAC) meetings held in August and October 1959 between North and South Koreans and American military officers. Ramsey often appears in snapshots of social events and meetings. Other images document Seoul streets, parks, palaces, markets, a women's school, and rice fields; and scenes from trips to Inchon, South Korea, rural areas, and Tokyo, Japan.

The album includes about 20 close-range photographs of violent student riots and civilian street demonstrations in Seoul against President Syngman Rhee, known as the April Revolution of 1960. The photographer is unidentified. Note: these photographs include potentially disturbing images of bloodied and dying demonstrators, and street violence.

Collection consists of historical medical instruments and artifacts, art objects, realia, and other three-dimensional objects related to the history of medicine, primarily originating from Europe and the United States, but including some artifacts from China and Japan. Ranging in age from the late 16th to the late 20th centuries, objects include medical kits and pharmaceutical items (often in the original cases and bags); equipment used in amputation, obstetrics, opthalmology, surgery, urology, neurology, early electrical therapies, and in research and diagnostic settings; instructional objects such as anatomical models and figurines; and other objects such as apothecary jars, cupping glasses, infant feeders, a bas-relief memento mori, and fetish figures. There are many models of microscopes and stethoscopes, dating from the 17th to the 20th century. Accquired as part of the History of Medicine Collections at Duke University.

Collection consist of historical medical instruments and artifacts, art objects, realia, and other three-dimensional objects, primarily originating from Europe and the United States, but including some artifacts from China and Japan. Ranging in age from the late 16th to the late 20th centuries, objects include physician's medical kits and pharmaceutical items (often in the original cases and bags); clinical equipment used in amputation, obstetrics, opthalmology, surgery, neurology, early electrical therapies, and in research and diagnostic settings; instructional objects such as anatomical models; and art objects such as apothecary jars, a bas-relief memento mori, a marble skull, and fetish figures.

There are many models of microscopes, from a small monocular "flea glass" to mid-20th century models. Other early medical instruments and supplies include amputation saws, bleeding bowls, cupping glasses, hypodermic needles, infant and invalid feeders, lancets, opthalmoscopes, pill rollers, stethoscopes, syringes, and other items. A more unusual item - and one of the larger pieces - is an adult walker made of wood, dating perhaps to the 19th century or earlier.

Of interest is a large collection of early anatomical and diagnostic human models from China and continental Europe, in the shape of small, intricately detailed manikins, most crafted from ivory. Some feature removable anatomical parts, and female figures often include a removable fetus. There is also a model illustrating acupuncture points. Other instructional artifacts include glass slides used in medical school lectures.

Most of these objects were photographed by Medical Library staff; at a later time, digital images of almost all of the objects in the collection were added to the online Duke University Historical Images in Medicine database, linked in this collection guide and now available through the Duke Digital Repository. Many of the original black-and-white photographic prints are filed in the History of Medicine Picture File collection. See the Related Materials section in this collection guide for links to these resources.

Acquired as part of the History of Medicine Collections at Duke University.

Correspondence, diaries and notebooks, financial papers, legal papers, genealogical documents, printed materials, and other materials pertain to the John Knight family of Natchez, Mississippi and Frederick, Maryland. Materials in the collection date from 1784 to 1960, and the bulk date from the 1840s to the 1890s. The majority of the papers concern the personal, legal, and financial activities of John Knight (1806-1864), merchant, plantation owner, lawyer, and investor; Frances Z.S. (Beall) Knight (1813-1900), his wife; and their daughter Frances (Fanny) Beall Knight McDannold; as well as their children, relatives, friends, and business partners, especially banker Enoch Pratt and William Murdock Beall. Significant topics include: life in Natchez, Mississippi and Frederick, Maryland; their management of plantations and enslaved people; slavery in Mississippi and other Southern states; 19th century economic conditions, especially concerning cotton, banking and bank failures; U.S. politics in the 1850s-1860s; the Civil War, especially in Maryland; cholera and yellow fever outbreaks; 19th century family life; and the Knights' travels to Europe, Russia, and other places from 1850 to 1864. Genealogies chiefly relate to the descendants of Elisha Beall of Maryland, and the McCleery, Pettit, and McLanahan families of Indiana and Maryland. Papers of John Knight's wife, Frances (Beall) Knight, include her diaries, correspondence, and legal papers. There are also diaries kept by Fanny, their daughter, documenting her travels in the 1860s, as well as her school notebooks and correspondence.

Collection contains correspondence, diaries and notebooks, financial papers, legal papers, genealogical documents, printed materials, and other items pertaining to the Knight family of Natchez, Mississippi and Frederick, Maryland. Materials in the collection date from 1784 to 1960, with the bulk of the papers dating from the 1840s to the 1890s. The majority concern the personal, legal, and financial activities of John Knight (1806-1864), merchant, plantation owner, lawyer, and investor; Frances Z. S. (Beall) Knight (1813-1900), his wife; and their daughter Frances (Fanny) Beall Knight; as well as relatives, friends, and business partners, especially banker Enoch Pratt and William Beall.

Significant topics include: life in Natchez, Mississippi and Frederick, Maryland; plantations, slaves, and slavery in Mississippi and other Southern states; 19th century economic conditions, especially concerning the cotton market; banking and bank failures; U.S. politics in the 1850s and 1860s; the Civil War, especially in Maryland; reports of cholera and yellow fever outbreaks; 19th century family life; and the Knights' travels to Europe, Egypt, Turkey, and Russia from 1850 to 1864.

Genealogies chiefly relate to the descendants of Elisha Beall of Maryland. There are also two late 19th century albumen photographs of homes in West Virginia (James and Lizzie Brown's "Kingswood") and Maryland ("Beallview," the house of Elisha Beall). A few other images of the Knights are found in the Rubenstein Library's Picture File Collection.

The papers of John Knight concern his business relations with the Beall family of Maryland; his plantations in Mississippi, Hyde Park and Beverly Place, and their management; the purchases, expenses, and medical care of the enslaved people who lived and worked on those plantations; investments in cotton land in Mississippi, Louisiana, and Arkansas; economic conditions in the United States, especially concerning the cotton market; the effects of the Civil War, especially in Maryland; and the family's trips to Europe. His notebooks keep careful track of expenses and income, as well as travel. The many land deeds, indentures, slave lists, bills of purchase, and other financial and legal documents in the collection, some dating to the 1700s, chiefly relate to his activities as an attorney and landholder. Many also relate to the legal and financial activities of the Beall family, particularly to William M. Beall. John Knight was also interested in medicine, so the collection holds memoranda books and other papers with prescriptions, receipts, and instructions for medicines treating ailments of the time.

Papers of his wife, Frances (Beall) Knight, include 21 diaries and some correspondence, as well as financial and legal papers. Her diaries describe in detail life in Natchez, Mississippi, religious life, family members, visits, the weather, and health. Of particular interest are her travel diaries, which document the family's travels to Europe, with side trips to Egypt, Turkey, Russia, and other places. Her later papers deal with her financial activities as a relatively young widow, and her role as guardian of her two grandchildren, Knight and Alexandra McDannold, who lived with her after the early deaths of their parents, Fanny Knight McDannold and Thomas McDannold.

The ten diaries of Frances (Fanny) Beall Knight, the daughter of John and Frances Knight, document in some detail their trips to Europe, and details of her father's death abroad in 1864; the collection also contains some of her school and family notebooks and correspondence. Later papers refer to her husband, Thomas Alexander McDannold, who may have been the author of at least one of the anonymous notebooks in the collection, and their two children, Alexandra and John.

20th century dates in the collection refer to a typed draft of a paper on 19th century packet ships, and an article from a Maryland history magazine.

Wolfgang Stolper (1912-2002) was a professor emeritus of economics at the University of Michigan. This collection documents his professional life through his correspondence, writings, research, and professional and faculty activities (especially his missions to Africa as an economic advisor). It forms part of the Economists' Papers Archive.

Most of this collection is comprised of Stolper's files and notes from his work in Nigeria, Tunisia, and other missions to Africa. These work files document his career as a practitioner--literally working "in the field"--of development economics.

The Nigeria Series, the first and largest, contains his work files from his job as head of the Economic Planning Unit (EPU) in the Federal Ministry of Economic Development in Lagos, Nigeria from 1961-62 (sent there under the auspices of the Ford Foundation). As head of the EPU, Stolper co-authored the first ever National Development Plan, (1962-68) for the Federation of Nigeria. As such, his papers present an extensive and thorough picture of the Nigerian economy at that time. Once top secret files, they include detailed statistical data on each industry, industrialization plans, reports on marketing board policies, maps, and demographics data. Of great interest to researchers on the Nigerian economy might be Stolper's personal diary, a 393-page typewritten account of his two years in Nigeria.

The next two series pertain to his work in Tunisia (1972) and other economic missions to Africa, including Dahomey (now Benin) and Togo (1967), Benin (1983), and Malawi (1981). He was sent to these countries under the auspices of USAID, the UN, and the International Bank for Reconstruction and Development (IBRD, also known as the World Bank). The files from these three series alone make up eight of the fourteen storage boxes that house the entire collection. Also in the collection are some notes, papers and drafts of Professor Stolper's work pertaining to Joseph Schumpeter.

Stolper's name is perhaps most recognizable for the theoretical piece written with Paul Samuelson on what has come to be known as the Stolper-Samuelson Theorem (see "Protection and Real Wages," Review of Economic Studies, November 1941). This theorem, one of the core results of the Hecksher-Ohlin model of international trade, essentially states that an increase in the relative domestic price of a good (for example, via the imposition of a tariff) unambiguously raises the real return to the factor of production used intensively in producing that good (and lowers the real return to the other factor). This paper analyzed precisely for the first time the effect of trade or protection on real wages. At present, there is nothing (aside from reprints of the article) in this collection of papers dealing with the Stolper-Samuelson Theorem.

The fourth series, Writings, contains notes, drafts, manuscripts and reprints of any articles found in the collection but excluding those related to Joseph Schumpeter. Some highlights include drafts of "Investments in Africa South of the Sahara," notes and drafts of his book Planning Without Facts: Lessons in Resource Allocation from Nigeria's Development, and articles on smuggling in Africa.

The fifth series, Speeches, Lectures and Conferences, contains material (excluding those pertaining to Schumpeter) from public speaking engagements and conferences attended by Professor Stolper. One item that might be of interest is a speech recorded on magnetic tape titled "Problems of our Foreign Aid Program" that dates from around the 1950s.

Another of Professor Stolper's research interests is the history of economic thought, and this collection's Schumpeter series contains some notes, papers and drafts of Professor Stolper's work pertaining to Joseph Alois Schumpeter. Stolper was afforded a unique and personal relationship with Schumpeter, studying under him first at the University of Bonn and then at Harvard, and also through Schumpeter's position as a close friend of Gustav and Toni Stolper (Wolfgang's father and stepmother, respectively). Included in this series is a book (in German) that Professor Stolper co-wrote with Horst Claus Recktenwald and Frederic M. Scherer titled Uber Schumpeters »Theorie der wirtschaftlichen Entwicklung« (1988).

Digital videos, photographs, and transcripts documenting critical oral history conferences in 2016 and 2018, with Student Non-violent Coordinating Committee veterans, hosted by the Center for Documentary Studies at Duke University. The 2016 Critical Oral Histories Conference focused on "The Emergence of Black Power, 1964-1967," while the 2018 Critical Oral Histories Conference focused on the efforts directly leading to the Voting Rights Act of 1965.

Digital videos, photographs, and transcripts documenting critical oral history conferences in 2016 and 2018, with Student Non-violent Coordinating Committee veterans, hosted by the Center for Documentary Studies at Duke University. The Critical Oral Histories Conference in 2016 and 2018 were an extension of the SNCC Legacy Project that placed SNCC veterans in conversation with scholars using primary source materials. The events were produced by the Center for Documentary Studies at Duke University and the SNCC Legacy Project. Series One contains the 2016 Conference interviews, in which narrators focused on the years 1964-1967, to discuss the emergence of "Black Power" as an ideological concept as well as political and economic framework. Participants included Charlie Cobb, Courtland Cox, Gloria House, Phil Hutchings, Jen Lawson, Charles McLaurin, Cleve Sellers, Shirley Sherrod, Karen Spellman, Judy Richardson, Maria Varela, Geri Augusto, Emilye Crosby, Worth Long, Hasan Jeffries, Betty Mae Fikes, Bertha O'Neal, John O'Neal, Michael Simmons, and Zoharah Simmons. Series Two contains the 2018 Conference interviews, in which narrators focused on the efforts directly leading to the Voting Rights Act of 1965, with participants including Phillip Agnew, Geri Augusto, Rebecah Barber, Kenneth A. Campbell, Charles Cobb, Courtland Cox, Emilye Crosby, Amber Delgado, David (Dave) Dennis, Sr., Ajamu Dillahunt, Hasan Kwame Jeffries, Timothy (Tim) L. Jenkins, Edwin King, Dorie Ann Ladner, Jennifer Lawson, Danita Mason-Hogans, Miles McKeller-Smith, Charles McLaurin, Ambria McNeill, Aja Monet Bacquie, Janet Moses, Robert Moses, Edna Watkins Muhammad, Quinn Osment, Timothy B. Tyson, Hollis Watkins, and Curtis Wilkie.

Calla Raynor began her career at Duke in the Physical Education department in 1962 and served as the women’s varsity tennis coach from 1967 to 1973. Raynor was instrumental in co-founding Duke University's women's basketball program. This collection contains correspondence, teaching materials, materials related to Ms. Raynor’s education at the Woman’s College of the University of North Carolina (now UNC-Greensboro), UNC-Chapel Hill, and Duke University. The collection also includes sporting event materials, student athlete records, tournament materials, newspaper clippings, audiovisual materials, collegiate sports institutions and organizations for women, and other records from Raynor’s career at Duke.

This collection contains correspondence, teaching materials, materials related to Ms. Raynor’s undergraduate coursework at the Woman’s College of the University of North Carolina (now UNC-Greensboro) and graduate coursework at UNC-Chapel Hill, sporting event materials, student athlete records, tournament materials, newspaper clippings, photographs, and other records. Materials are related to Duke University’s sports program, as well as materials from other universities and colleges. The collection includes articles and publications related to physical education instruction, primarily from outside sources. Although Raynor's teaching files are included, such as quizzes and exams, most of the published articles were authored by individuals outside of Duke University.

Sports association materials include materials from the early 1970s to the early 1980s -- these materials include records from the Division of Girls’ and Women’s Sports (DGWS), which became the Association for Intercollegiate Athletics for Women in 1971.

Collection comprises 18 black-and-white photographs taken in the 1960s, assembled by a private collector and organized into two distinct groups: nine journalistic photographs documenting civil rights movement events, some credited to Student Nonviolent Coordinating Committee (SNCC) photographers Cliff Vaughs, Danny Lyon, and Rufus Hinton, with others unattributed; and nine prints of an unidentified multi-racial dramatic performance, circa mid-1960s, found in the archives of the Wayside Theatre in Middletown, Virginia. The Civil Rights prints typically include detailed press captions on the backs, and include images of injured and jailed demonstrators, police, bombed-out churches, and portraits of activists Fannie Lou Hamer and Atlanta's Markham Street rent protest leader Willie Williams. All the prints except one measure roughly 8x10 inches. Acquired as part of the John Hope Research Center for African and African American History and Culture at Duke University.

Collection comprises 18 black-and-white photographs taken in the 1960s, assembled by a private collector and organized into two distinct groups: nine journalistic photographs documenting civil rights movement events, some credited to Student Nonviolent Coordinating Committee (SNCC) photographers Cliff Vaughs, Danny Lyon, and Rufus Hinton, with others unattributed; and nine prints of an unidentified multi-racial staged production.

The Civil Rights prints typically feature detailed press captions on the backs, and include images of bombed-out churches, injured and jailed demonstrators, police, and portraits of activist Fannie Lou Hamer and Atlanta's Markham Street housing protest leader Willie Williams. Some prints also bear a SNCC photo credit stamp with the organization's Atlanta address.

The second group consists of two contact sheets and seven prints showing an unidentified multi-racial dramatic or musical performance perhaps staged by the Wayside Theatre in Middletown, Virginia, or may possibly be related to the Garrick Players in Washington, D.C. or to the Free Southern Theater founded by SNCC. The time period appears to be the early 1960s.

All the prints except one are roughly 8x10 inches.

Acquired as part of the John Hope Research Center for African and African American History and Culture at Duke University.

This collection consists of correspondence, financial and legal papers, subject files, writings, scrapbooks, photographs, audio and video recordings, and other material that documents the philanthropic, political, and social activities of the James H. and Mary Duke Biddle Trent Semans family and their relationships with other members of the Biddle, Duke, Semans, and Trent families. In particular, it documents the roles that they played in the development and support of arts and education throughout North Carolina in the 20th century.

This collection consists of four large sub-collections: the Mary Duke Biddle family papers, the James H. Semans family papers, the Mary Duke Biddle Trent Semans family papers, and the Elizabeth L. Gotham family papers.

This collection documents the philanthropic, political, and social activities of the James H. and Mary Duke Biddle Trent Semans family and their relationships with other members of the Biddle, Duke, Semans, and Trent families, plus other wealthy families from North Carolina, New York, and elsewhere. In particular, it documents the roles that they played in the development and support of arts and education throughout North Carolina in the 20th century. Types of material includes correspondence, financial and legal papers, subject files, writings, scrapbooks, photographs, audio and video recordings, and other material such as awards and certificates, calendars, and academic material.

Individuals include family members Anthony J. Drexel Biddle, Jr.; Nicholas B. Duke Biddle; Angier Biddle Duke; Angier Buchanan Duke; Benjamin N. Duke; Sarah P. Angier Duke; and Josiah C. Trent, as well as baby nurse and close family friend Elizabeth L. Gotham. Leaders in the arts, education, and government are also represented, including Duke University Presidents and North Carolina Governors.

Subjects include families in the late 19th and 20th centuries, the arts, charities, women in childcare and nursing, The Duke Endowment, Duke University and the North Carolina School of the Arts, education, genealogy of the four families, personal finances and estates, philanthropy, the history of Durham, NC, vocational rehabilitation, and the Methodist Church. Many of these focus on North Carolina or white, financially wealthy families.

Feminist and author. The Sallie Bingham Papers provide rich documentation of the personal life, literary development, and philanthropic activities of Sallie Bingham, feminist and writer. The papers, dated 1900-2011, with the bulk of the materials dating from the 1940s to 2011, are comprised of correspondence, speeches, writings, subject files, personal papers, diaries and notebooks, legal and financial papers, audiovisual recordings, and photographic media. Included also are some records of The Kentucky Foundation for Women, a philanthropic organization founded by Bingham; The American Voice, a literary journal founded by Bingham and published under the auspices of The Kentucky Foundation for Women; and Santa Fe Stages, a regional theater founded by Bingham. Arranged into the following series: Audiovisual Materials, Correspondence, Diaries and Notebooks, Kentucky Foundation for Women, Legal and Financial, Miscellaneous, Photographs, Poetry, Santa Fe Stages, Speeches, Subject Files, Writings, and Oversize Material, with the Writings, Diaries and Notebooks, and Correspondence Series composing the bulk of the collection. Multiple additions have been added since the collection was processed; these are represented at the end of this finding aid.

The Sallie Bingham Papers provide rich documentation of the personal life, literary development, and philanthropic activities of Sallie Bingham, feminist and writer. The papers, dated 1900-2022, with the bulk of the materials dating from the 1940s to 2022, are comprised of correspondence, speeches, writings, subject files, personal papers, diaries and notebooks, legal and financial papers, audiovisual recordings, and photographic media. Included also are some records of The Kentucky Foundation for Women, a philanthropic organization founded by Bingham; The American Voice, a literary journal founded by Bingham and published under the auspices of The Kentucky Foundation for Women; and Santa Fe Stages, a regional theater founded by Bingham. Arranged into the following series: Audiovisual Materials, Correspondence, Diaries and Notebooks, Kentucky Foundation for Women, Legal and Financial, Miscellaneous, Photographs, Poetry, Santa Fe Stages, Speeches, Subject Files, Writings, and Oversize Material, with the Writings, Diaries and Notebooks, and Correspondence Series composing the bulk of the collection.

The Writings Series is central to the collection, and is correspondingly substantial, comprising over half of the papers. It includes drafts, research, correspondence and publicity related to such novels as Small Victories, Upstate, Matron of Honor, and Straight Man, her memoir Passion and Prejudice, the writing and production of the plays The Awakening and The Death of Henry Flagler as well as poetry and many short, personal essays. The Poetry Series consists of individual poems, while compendiums of poetry are in the Writings Series. Many of Bingham's writings (including poems, novels, short stories, plays and essays) exist as electronic files and are available to researchers. These files are listed in the Poetry and the Writings Series. The Diaries and Notebooks Series contains material spanning her entire life -- from her adolescence in Louisville, Kentucky in the 1940s to her experiences living in Santa Fe, New Mexico, and contain many ideas for writings and references to the process of writing. The Correspondence Series also spans the same period of time, and contains family correspondence spanning many decades, as well as literary and personal correspondence between Bingham and such well-known authors, activists and artists as Judy Chicago and Gloria Steinem. The smaller Speeches Series houses writings by Bingham for public engagements, and in addition to contributing to a portrait of Bingham as a writer, documents her explication of feminist issues relating to women in the corporate world, in publishing, and women in history.

Bingham, born into a prominent Louisville, KY, family that owned The Louisville Courier-Journal, worked for the newspaper as book page editor, 1982-1985. She also took an active seat on the board of the Bingham Enterprises, which was responsible for The Courier-Journal and other media corporations in the Louisville area. Bingham's desire to sell her shares in the stock in the newspaper resulted in the sale of The Courier-Journal in 1986. The Bingham family and the break-up of the Bingham Enterprises were the subject of at least four books (The Binghams of Louisville, House of Dreams, The Patriarch, and Bingham's Passion and Prejudice) and much media attention. Materials concerning this aspect of Bingham's life can be found in the Legal and Financial Papers Series and Subject Files Series. Audiovisual materials in the Audiotapes and Videotapes Series document aspects of Bingham's career and life through interviews and other events.

NOTE: This collection also contains numerous additions that have not been processed. For descriptions of later additions, please see below or consult the library's online catalog.

Ralph Gibson is an American photographer based in New York, N.Y. Collection consists of 208 photographs taken by Gibson in 2019, and publication materials for the corresponding photobook, Sacred Land: Israel before and after time (2020). In addition to the 188 small single-image printer's proof prints, there are 20 large diptych prints, in which juxtaposed color and black-and-white images explore the nature of Israel and surrounding regions of Galilee, Jordan, and Palestine, through contemporary and ancient landscapes, architecture, city and country scenes, and portraits of a wide variety of people. A book mock-up rounds out the collection. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection consists of 188 individually printed 8 1/2 x 11 inch printer's proofs and 20 17 x 22 inch print diptychs by photographer Ralph Gibson, and a book mock-up for the corresponding photobook, Sacred Land: Israel before and after time, published in 2020 by Lustrum Press.

As a project, "Sacred Land" offers a portrait of Israel and the surrounding regions, including Palestine, Jordan, and Galilee, which juxtaposes past and contemporary experience through the narrative device of the diptych. Subjects include landscapes, rural and city life, found objects, architecture, antiquities, and portraits of a wide variety of people.

The untitled archival pigment inkjet prints are signed and dated by the photographer, and the printer's proofs are marked on the versos with the page numbers where the images appear in the photobook. The signed book mock-up includes the completed cover design, photo illustrations, and foreword by Martin Cohen.

Collection consists of 421 black-and-white prints in darkroom and inkjet formats, 726 associated digital image and project files, and two digital videos by photographer Petra Barth. Arranged by project, Barth's images document cultures, politics, environments, and crises in countries all over the world, through landscape and portraiture. Series include images from Central and South American countries to the Caribbean countries of Haiti and the Bahamas; portraits of migrants and images of migrant services at Arizona/Mexico border stations; images from the Chernobyl Exclusion Zone and residents in nearby areas in the Ukraine; scenes in Jerusalem and the West Bank; images of Syrian refugees and others in Jordan camps; and portraits of military veterans of the Bosnia-Herzegovina War. Acquired as part of the Human Rights Archive at Duke University.

Collection consists of 421 black-and-white prints, darkroom and digital, 726 associated digital image and project files, and two digital videos by photographer Petra Barth. Arranged by project, the photographs document the cultures, politics, environments, and crises in countries all over the world, and Barth's interest in portraiture. Series include The Americas, whose images range from Central and South American countries to Caribbean countries of Haiti, shortly after the 2010 earthquake, and the Bahamas; migrants and migrant services at the Arizona/Mexico border; the Chernobyl Exclusion Zone and residents in nearby areas in the Ukraine; scenes in Jerusalem and the West Bank; refugees in camps established in Jordan; and portraits of military veterans of the Bosnia-Herzegovina War, in the city of Sarajevo. In addition to many portraits of individuals and families, there are also landscapes, street scenes, and details of the built environment.

Areas represented in The Americas series, the largest grouping in the collection, include Bolivia; Patagonia, Argentina; the Bahamas; Foz do Iguaçu and Rio de Janeiro, Brazil; El Salvador; Guatemala; Martissant, Cité Soleil, and Port-au-Prince, Haiti; Nicaragua; Ciudad del Este, Paraguay; and Cusco, Peru. In each country, Barth focused her camera on people working, cooking, minding children, participating in local festivals, traveling, and at play. Some portraits feature people in traditional dress. The largest group of images in the Americase series was taken in Haiti, where Barth returned following the 2010 earthquake. These photographs include scenes of people among the rubble in Martissant and Port-au-Prince, as well as some portraits of hospital patients. The Americas series images are arranged alphabetically by country.

The two short digital videos were taken by Barth in South America and in the Chernobyl Exclusion Zone.

Acquired as part of the Human Rights Archive at Duke University.

Claire Keyes was the executive director of the Allegheny Reproductive Health Center in Pittsburgh, Pennsylvania. The collection includes Allegheny Reproductive Health Center clinic files; National Coalition of Abortion Providers materials; National Abortion Federation meeting materials; NARAL guidelines and publications; newspaper articles; clinic insurance information; anti-abortion lawsuits, correspondence, threats, and arrests; spirituality counseling and other initiatives; one DVD and one VHS on abortion; and miscellaneous administrative information about the clinic. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The collection includes: Allegheny Reproductive Health Center clinic files; National Coalition of Abortion Providers materials; National Abortion Federation meeting materials; NARAL guidelines and publications; newspaper articles; clinic insurance information; anti-abortion lawsuits, correspondence, threats, and arrests; spirituality counseling and other initiatives; and miscellaneous administrative information about the clinic. ALso included are a DVD on abortion and religion, and a VHS cassette "Abortion in Translation" listing several languages.

Collection is in original order in folders labeled by the donor.

The Vice President of Student Affairs oversees the Division of Student Affairs, involved in all aspects of student life at Duke University. William J. Griffith was Dean of Student Affairs and then Vice President of Student Affairs from 1963-1991. The Vice President for Student Affairs Records include correspondence, reports, memorandums, and other materials related to the operations of the Division of Student Affairs and cover such topics as student organizations, student housing, student government, student activities, administrative planning around student facilities and resources, and many other subjects.

The collection includes a wide variety of materials related to the operations of the Student Affairs office. Much of the collection is correspondence, with many reports, printed materials, and memorandums, as well as other materials.

Topics include student organizations and activities, including student government, fraternities, student living groups, interest groups, and publications; administrative activities and policies focused on student life and well-being, including student housing, student health and insurance, resources for supporting student life, and facilities for students; administrative and campus activities including arts and cultural activities such as the Duke Players, Chapel activities and services, and the Publications Board; and events of significance to the Duke community, including materials related to the Allen Building Takeover, protests and demonstrations, and many other topics.

An addition (Accession UA2018-0084) contains correspondence and subject files from Larry Moneta, VP of Student Affairs. An addition (Accession UA2020-0050) consists of email correspondence transferred from Moneta's email account. Email originals are in Outlook PST format, with a copy migrated to MBOX. Accession UA2022-0030 contains materials related to Duke Student Health.

Some materials were removed April 2007 and now make up the Office of Student Affairs Reference Collection.

Hoof 'n' Horn Student Musical Theater Company was first formed in 1936 at Duke University. The organization's purpose is to provide the highest possible standard of amateur theater to the Duke University and Triangle Area communities, to serve as an educational vehicle to provide practical experience in all aspects of musical theater, and to be responsible for all necessary assets for the production of shows which it sponsors. The collection features musical scores, orchestrations, sheet music, scripts, programs, posters, a scrapbook, video and audio recordings, and administrative materials. Major subjects include Duke University students and musical productions. English.

The collection features musical scores, orchestrations, sheet music, scripts, programs, posters, a scrapbook, video and audio recordings, and administrative materials. Materials range in date from 1941 to 2019.

The Duke Student Government (DSG) replaced the existing student government, Associated Students of Duke University (ASDU), in 1993. DSG is the governing body of Duke undergraduate students and acts as the principal liaison between them and the University administration. It presents students' views on the affairs of the University community, appoints students to University and Board of Trustees committees, and oversees and allocates funds to student clubs and organizations. The Duke Student Government Records, 1960-2007, contain materials of both the DSG its organizational predecessor, Associated Students of Duke University (ASDU). Records consist of correspondence, legislation, minutes, reports, printed matter, judicial decisions, charters, memoranda, speeches, receipts, vouchers, and other materials, and document student governance and political activity, organizations, events planning, housing, and interaction with Duke University administration and the Board of Trustees.

The Duke Student Government Records, 1960-2019, contain materials of both the Duke Student Government (DSG, formed in 1993), and its organizational predecessor, the Associated Students of Duke University (ASDU, formed in 1967). Records consist of correspondence, legislation, minutes, reports, printed matter, judicial decisions, charters, memoranda, speeches, receipts, vouchers, and other materials. The collection documents a broad spectrum of student social life, including student governance and political activity, organizations, events planning, housing, and interaction with Duke University administrative officers, offices, and the Board of Trustees.

Arranged in order by accession number, except that in all cases Board of Trustees materials have been transferred to the Board of Trustees Series, housed at the end of the collection.

The Office of the University Secretary at Duke University was established by by-law in 1903. The Office evolved with the University and the roles and responsibilities likely shifted from person to person. Today's Office most likely began in 1941 with Charles Jordan. The Secretary is an officer of the University and reports directly to the President. A major role of the Secretary's Office is to coordinate affairs of the Board of Trustees. Records include correspondence with Trustees and Presidents, Honorary Degrees and Search Committees for high-level administrators, reports, volunteer directories, faculty data and photographs, questionnaires and University by-laws. Some materials have been transferred to the Board of Trustees collection.

The Office of the University Secretary's records includes correspondence, reports, volunteer directories, faculty data and photographs, questionnaires, and University by-laws.

Donna Lisker was the head of the Women's Center and Associate Dean for Undergraduate Education at Duke University in the 2000s and 2010s. The Donna Lisker Papers include materials on the development of the Baldwin Scholars Program, Lisker's service on the Women's Initiative and the President's Council on the Status of Women, retreats for women alumni of Duke, student housing, and other topics.

The Donna Lisker Papers include materials from Lisker's work with the Baldwin Scholars Program, on the Steering Committee of the Women's Initiative, and as Associate Vice-Provost for Undergraduate Education. Topics covered include planning and development of the Baldwin Scholars Program, particularly in correspondence with Jean O'Barr, research and reports from the Women's Initiative and follow-up committees, Lisker's work with Alumni Affairs, planning of Central Campus/New Campus, retreats for and outreach to women alumni, curriculum and budget planning for the Baldwin Scholars Program, and other subjects. Included are correspondence, reports, research, budget documents, and other materials.

The Duke Chapel is the central focus of Duke University's West Campus, a Gothic-style church completed in 1935. The book Duke Chapel Illuminated, consisting of numerous photographs of the Chapel including the stained glass windows, carvings and statues, and other details, was published in 2001. The collection includes photographs taken for the creation of the book, especially of the stained glass windows, statues, and carvings in, and views of, the chapel, as well as some material about the production of the book.

The collection includes photographs taken for the creation of the book Duke Chapel Illuminated as well as some materials related to the production of the book. The majority of the photographs are of the stained glass windows, statues, and carvings in, and views of the chapel; also included are photographs of events in and around the chapel, as well as images from the Duke University Archives of people, events, and scenes from the history of the Chapel. A small amount of material related to the layout and production of the book Duke Chapel Illuminated is also included.

The book The Architecture of Duke University by William Blackburn, 1939, was used to number and identify the stained glass windows, as well as provide information on the location of statues and carvings. A digital copy of this book is available via HathiTrust.

Duke Union Community Television (Cable 13), Duke's student-run television station, grew out of Freewater Films' video programming group, following the purchase of a television camera. Cable 13 was the first student-owned and student-run television station in the country. Cable 13 became an official committee of the Duke University Union in 1976. It broadcasts on the Duke campus cable system. The collection consists of videocassettes and videotapes of events recorded at and around Duke between 1976 and 2009. It includes such figures as William S. Burroughs, Allen Ginsberg, Nikki Giovanni, Juanita Kreps, Terry Sanford, Ralph Nader, and Elie Wiesel, as well as performances from Dance Black, the Duke Symphony Orchestra, the Duke Wind Symphony, the Firesign Theatre, Jerry Garcia, and Hoof'n'Horn. Other events include men's and women's basketball, women's crew, football, soccer, men's and women's volleyball, and Joe College Weekend, as well as news and talk shows.

The collection consists of videocassettes and half-inch open reel videotapes of events recorded at and around Duke, as well as student-produced content, between 1976 and 2009. Interviewees and notable figures include William S. Burroughs, Allen Ginsberg, Nikki Giovanni, Juanita Kreps, Joseph Kruzel, Henry Kyemba, Peter Orlovsky, Terry Sanford, Daniel Schorr, Ralph Nader, Elie Wiesel, and Dave Thomas. Performances include Dance Black, the Duke Symphony Orchestra, the Duke Wind Symphony, Hoof'n'Horn, the Firesign Theatre, Jerry Garcia, Lotte Goslar's Pantomime Circus, and Roger McGuinn and Thunderbyrd. Events include men's and women's basketball, women's crew, football, soccer, men's and women's volleyball, and Joe College Weekend. Also included are news, talk shows, panel discussions, and many other shows.

The collection also includes a binder of materials related to the Cable 13 Show Labeling project as well as a sheet for the Cable 13 Programming Director.

The Athletic Director plans, administers, and directs intercollegiate athletic activities at Duke University including staff, publicity, promotion, ticket sales, and assures the University's adherence to appropriate rules, regulations, and guidelines. Collection contains records relating to the operations and activities of the Duke University Athletic Director, 1939-2007, bulk 1968-2007. A majority of the material was accumulated during Tom Butters' tenure as Athletic Director. Materials present include general correspondence, seven subject files arranged by accession, and contracts and schedules. Major subjects include National Collegiate Athletic Association, Atlantic Coast Conference, Duke University team sports, scholarships, fundraising, Iron Dukes, Athletic Council, and facilities and grounds.

Contains material pertaining to the daily activities of the Duke University Athletic Director. The collection is divided into nine series: general correspondence, contracts and schedules, and subject series arranged in accession order. A majority of the material was accumulated by Tom Butters as Assistant Director of Athletics (1972-1975), Associate Athletic Director (1976), and Athletic Director (1977-1998). However, a small amount of material was created by Butters' predecessors, Carl James (1972-1976) and Eddie Cameron (1942-1972).

General correspondence is divided into two subseries: alphabetical and chronological. Alphabetical correspondence documents communication with other university offices, faculty, staff, alumni, and students; colleagues at other educational institutions and professional organizations; and various fundraising and promotional campaigns and events. Chronological correspondence contains primarily outgoing correspondence concerning similar topics.

Subject files contain material relating to Butters' work with the University and various regional and national athletics organizations. Prominent subjects throughout include the National Collegiate Athletic Association (NCAA) and the Atlantic Coast Conference (ACC). NCAA material includes correspondence, memoranda, and minutes concerning rules and regulations; annual conventions and special meetings; various committees including Division I Basketball Committee and Television Committee; and printed material. ACC material includes correspondence, memoranda, and minutes concerning annual meetings, workshops, and clinics; news and press releases; tournaments and bowl games; legislative proposals; and several committees including Television Committee and Restructuring Committee. Also present are materials relating to Butters' fundraising activities; work with the Iron Dukes and Alumni Association; Duke University Sports Hall of Fame nominees, inductees, and speeches; Athletics Council minutes and memoranda; and athletic facilities maintenance and upgrade projects including several made to Wallace Wade Stadium and Cameron Indoor Stadium.

Other material relating directly to Duke University athletics are sports files and scholarship athletes. Sports files contain rosters, stats, and contest reports for numerous men's and women's revenue and non-revenue sports. Scholarship material contains letters of intent, and correspondence concerning scholarship renewal and terms and conditions of acceptance. Additional noteworthy subjects include Title IX, College Football Association (CFA), Raycom, North Carolina Amateur Sports, National Association of College Athletic Directors (NACAD), and National Association for Intercollegiate Athletics for Women (NAIAW).

The Contracts and Schedules series contains contracts and agreements between Duke University and other colleges, universities, and academies, travel itineraries for road contests, game schedules, and lists of lettering athletes for several revenue and nonrevenue sports.

An addition (Accession UA2019-0087) contains correspondence and subject files, mostly dated 1996 to 2007.

Carolina Wren Press is a literary press publishing poetry, children's literature, and other books, and was founded by Judy Hogan in 1976. The Carolina Wren Press records include the records of the literary press as well as Judy Hogan's papers.

The Carolina Wren Press Records span the years 1940 through 2019, with most of the material dated between 1970 and 1990. The papers are divided into two large groups, the Carolina Wren Press Records and the Carolina Wren Press Records: Judy Hogan Papers, followed by accessions of additional materials.

The Carolina Wren Press Records group contains material relating to the founding and publishing activities of the press and to organizations with which the press was affiliated. The papers are divided into the following series: Correspondence, Writings, Publications, Printed Material, Lollipop Power Press (a feminist press publishing non-sexist children's books), Homegrown Books (a publication for reviews of small press work), Hyperion (a poetry journal), Grant Material, Organizations, Office Files, Financial Papers, COSMEP (Committee of Small Magazine Editors and Publishers), and Photographs and Audiovisual Material. Each of these series documents not only the growth and activities of Carolina Wren Press and associated organizations, but also the origins and development of the small press movement in the United States and particularly in the South.

The Carolina Wren Press Records: Judy Hogan Papers group documents the life and activities of the author Judy Hogan, the founder of Carolina Wren Press. The material is divided into the following series: Correspondence, Diaries, Writings, Teaching Materials, Financial Papers, Biographical Material. While some of the correspondence and diary entries may mention the Carolina Wren Press, the papers in this group focus primarily on Hogan's personal life, her education, her writing and projects, and her teaching activities.

The Tom Triman Films are comprised of 132 super 8mm reels and one VHS videocassette, containing the productions of horror movie fan/historian/critic Tom Triman (1952-2010).

The Tom Triman Films are comprised of 132 super 8mm reels and one VHS videocassette, containing the productions of horror movie fan/animator/writer Tom Triman (1952-2010). The bulk of the reels are elements for larger works, which here include Butterfly Man, Gunfire and Holy Water, and Pentagram. The collection also contains several commercial films released on super 8mm film, including 2001 A Space Odyssey, Dr. Jekyll and Mr. Hyde, and Frankenstein.

The records of the Durham, N.C. organization Student Action with Farmworkers comprise: administrative and event files; correspondence; reports, articles, and other publications; student project files; outreach and teaching materials; photographs, artwork, and scrapbooks; audio and video recordings; and materials related to labor organizing and protests across the U.S. Hundreds of student-led projects document through interviews, essays, photographs, videos, and other materials the lives of migrant farmworkers and their working conditions, mostly in NC but also in SC. Major themes in the collection include: history, working conditions, and abuses of migrant farmworkers in the U.S.; education and outreach efforts; housing, health, and pesticide safety; leadership development for migrant youth; grassroots theater; labor organizing and boycotts; and service learning. Materials are in English and Spanish. Acquired as part of the Human Rights Archive at Duke University.

Founded in 1992 in Durham, North Carolina, Student Action with Farmworkers (SAF) is a non-profit organization whose mission is to bring students and farmworkers together to learn about each other's lives, share resources and skills, improve conditions for farmworkers, and build diverse coalitions working for social change. The SAF records comprise: correspondence; meeting agendas; student projects; reports, articles, and other publications; event files; teaching materials; photos; scrapbooks; ephemera; and other documentation of SAF's programs. Materials relate more widely to immigrant and migrant worker issues, service learning, labor organizing, and protests and boycotts across the U.S.

The largest series (63 boxes, approximately 200 gigabytes) contains hundreds of individual SAF student projects directed by college-age students and interns as well as farmworker and migrant youths. Materials also include administrative files, many of which house intern applications. Project files typically contain recorded interviews, often with transcripts; essays; notebooks; artwork; poetry; audio and video recordings; theater materials; and photographs in analaog and digital formats. Some photograph albums and collages are also found here. Most of the projects took place in North Carolina but also in South Carolina. Umbrella programs include Into the Fields (ITF), Levante, and From the Ground Up (FTGU). Major themes involve worker education, housing, health, and pesticide safety; leadership development; and grassroots theater as a tool for teaching and activism. Materials are in English and Spanish. Many other materials on SAF projects are found in the Administrative Series.

The large Administrative Files Series contains organizational records created or compiled by SAF staff and are organized in subseries for SAF projects, fundraising, general administrative files, organizations, resource files (articles, fliers, and other publications), and photographs and scrapbooks.

The Printed Material Series contains Student Action with Farmworkers publications, SAF press coverage, student papers and theses, some children's books, and farmworker-related reports, articles, newsletters, data sheets, resource directories, and alerts from around the world.

The Joan Preiss Papers Series contains records related to an activist and long-time collaborator of SAF. Comprises a variety of printed materials, primarily articles and newsletters, as well as correspondence, protest ephemera, promotional material for unions and activist organizations, meeting notes, student papers, and photographs. The materials relate to migrants and farmworkers both in North Carolina and throughout the United States.

Finally, the Ephemera and Artifacts Series contains items such as posters, t-shirts, stickers, and buttons related to Burger King, Subway, Gallo, and Mt. Olive boycotts and protests. Some materials relate to protests and boycotts in other regions such as Florida and Western states. Also contains SAF publicity ephemera, and props and other materials from the Levante activist theater group.

The oral history video recordings, audio recordings, and transcripts in this collection were produced or collected by the Jewish Heritage Foundation of North Carolina (JHFNC) and historian Leonard Rogoff as source material for various projects related to the history of Jews in North Carolina. The collection consists of individual and group interviews of Jewish residents of urban and rural North Carolina, including rabbis. Topics discussed by interviewees include family and community history, religious education, participation in Jewish congregations, anti-Semitism and race relations the civil rights movement in North Carolina, World War II military service and the Holocaust, family businesses, and philanthropy. Interviewers include Rogoff, Robin Gruber, and Steven Channing.

The oral history video recordings, audio recordings, and transcripts in this collection were created or collected by the Jewish Heritage Foundation of North Carolina (JHFNC) and historian Leonard Rogoff as source material for various projects related to the history of Jews in North Carolina. The collection consists of individual and group interviews of Jewish residents of urban and rural North Carolina, including rabbis and elected public officials. Families represented include the Brenner, Cone, Evans, Kittner, and Samet families. Topics discussed by interviewees include family and community history, religious education, participation in Jewish congregations, anti-Semitism and race relations in North Carolina, World War II military service and the Holocaust, family businesses, and philanthropy.

The JHFNC projects for which the oral histories were created include the museum exhibit "Migrations: Jewish settlers of eastern North Carolina" (2000-2002), the book "A history of Temple Emanu-El: an extended family, Weldon, North Carolina" (2007), and the museum exhibit, documentary film, and book "Down Home: Jewish life in North Carolina" (2007-2012). Unaffiliated projects from which the JHFNC collected oral histories include the Duke University undergraduate honors thesis "From Pine Street to Watts Street: an oral history of the Jews of Durham, North Carolina" by Robin Gruber (1986), the oral history project of the 1986 Beth El Synagogue (Durham) Confirmation class, Rogoff's book "Homelands: southern Jewish identity in Durham and Chapel Hill, North Carolina" (2001), and the Steven Channing documentary film "Durham: a self-portrait," which shares video interview footage with "Down Home." Some of the media on which the oral histories were recorded contain additional video footage used for "Down Home" or "Durham: a self-portrait."

The majority of the interviews were performed by Leonard Rogoff and volunteers from the profiled Jewish communities. Other interviewers include Robin Gruber, Steven Sager, Steven Channing, Sharon Fahrer, and Jan Schochet.

Mariette Pathy Allen is a documentary photographer based in New York City. Collection contains six portfolios of photographer Mariette Pathy Allen's work dating from the 1960s to 2016, totaling 208 color and black-and-white prints. There is also a papers series dating from 1981-2022. The photographs document aspects of human sexuality, gender identity, and gender expression in the U.S.; spirituality, rituals, and gender identity in Burma and Thailand; the connections between people and art; and the social life of people in the suburbs and beaches of Philadelphia and New Jersey. Two CD-Rs of digital images are also included in the papers series, along with printed materials such as exhibit and gallery publicity, book proofs, and articles. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection contains six portfolios of Mariette Pathy Allen's work, dating from the 1960s to 2016, totaling 208 color and black-and-white large-format photographs. There is also a papers series dating from 1981 to 2022.

The photographs document aspects of human sexuality and gender identity in the U.S.; the connections between people and art; spirituality, ritual, and gender identity in Burma and Thailand; and the social life of people in the suburbs and on the beaches of Philadelphia and New Jersey. Many of these works have been published in photobook format.

The first portfolio, Transformations: Crossdressers and Those Who Love Them, contains eleven 15 1/2 x 23 inch color prints that document the everyday lives of crossdressers in the U.S.

The second portfolio, The Woman Who Lives Inside: Portraits of Men as Women, houses 16 gelatin silver and 15 color portraits of men in the U.S. who identify as female.

The third project contains Allen's earliest work and is titled NJ/PA 1968. The 28 16x20 inch gelatin silver photographs feature people at beaches and in the suburbs of New Jersey and Philadelphia.

A fourth portfolio consists of 30 black-and-white, 16x20 inch gelatin silver photographs titled People and Art, taken between 1968 and 2000. Images show artists at work, people looking at art, scenes from the 1999 Venice Bienniale festival, and settings in Paris, London, and Budapest.

The fifth portfolio consists of 31 color and black-and-white prints from Allen's 2004 book, The Gender Frontier, documenting transgender and transsexual people with their partners, participating in conferences and political rallies, and undergoing corrective surgeries.

The final project is titled Transcendents: Spirit Mediums in Burma and Thailand. The 27 color inkjet prints feature portraits of mediums, chiefly men with gender-variant identities, who perform a 21st century version of ancient spiritual service originally practiced by women.

The collection is completed by a Papers series, which comprises print materials dating up to 2022 in the form of exhibit and gallery publicity, photobook proofs, a book dummy of "The Woman Within," and articles about Mariette Pathy Allen's career and work. Two CD-Roms of Allen's photographs in digital form are also included in this series.

The Duke University Marine Laboratory, founded in 1938, educates undergraduate and graduate students in the marine sciences. Part of the Nicholas School of the Environment, the Beaufort, North Carolina laboratory is also a renowned center of scientific research. The Marine Laboratory Records include photographs, correspondence, memoranda, minutes, recommendations, and reports documenting the Laboratory's work and administration. Major subjects include marine biology, oceanography, and zoology; research and study of the marine sciences; the Marine Biomedical Center; oceanic research vessels including the Monitor; and John D. Costlow, the director of the Laboratory for many years.

The Marine Laboratory Records include correspondence, memoranda, minutes, recommendations, and reports documenting the Laboratory's work and administration. Much of the material focuses on student and faculty research in Beaufort, North Carolina. There are also extensive correspondence and subject files belonging to John Costlow, Director of the Marine Laboratory. The collection also includes personal information on students, faculty, and staff, and these files are restricted under FERPA.

Accessions from 2018 include extensive photographs, including prints and slides, as well as administrative materials, reports, curriculur materials, and others.

Tom Rankin is a documentary photographer, filmmaker, folklorist, professor of art and documentary studies, and former director of the Center for Documentary Studies at Duke University. Collection consists of 147 black-and-white and color photographs documenting the American South and China. Photographs from the South focus on religious sites, rituals, and communities in the Mississippi Delta region, as well as portraits of individuals, including portraits of Mississippi writer Larry Brown, and Southern landscapes. An additional documentary project from 2016 took Rankin to China, where he photographed semi-rural landscapes, often taken with high-rise buildings in the far distance or adjacent to industrial structures, as well as bridges and rivers, markets and live fish vendors, and a few street scenes. Finished prints range from 8x11 inch contact prints to 11x14, 16x20, and 20x24 large-format prints. Supporting materials include manuscripts, publications files, and two films, all deriving from Rankin's career and art practice. Includes a digital audio recording of a talk by Rankin at the exhibit opening of his work, "Near the Cross: Photographs from the Mississippi Delta." Acquired as part of the Archive of Documentary Arts at Duke University.

The photographic work of Tom Rankin in this collection consists of 147 black-and-white and color photographs documenting the American South and China. Southern photographs were taken from 1980 to 2007, and focus on religious sites, rituals, and communities in the Mississippi Delta region; these prints form the largest series, "Sacred Space." Another body of work features portraits of Mississippi writer Larry Brown. A third body of work, "Portraits from the American South," offers views of Southern people, cultures, and landscapes in both color and black-and-white.

An additional documentary project from 2016 took Rankin to China, where he photographed semi-rural landscapes, often taken with high-rise buildings in the far distance or adjacent to industrial structures, as well as bridges and rivers, markets and live fish vendors, and a few street scenes.

Print sizes range from 11x14, 13x19, 16x20, and 20x24 inches, with many housed in window mats. Along with these prints, there are also 8x11 inch black-and-white matted contact prints. All titles were created by the photographer.

Selected photographs from this collection have been exhibited at the Center for Documentary Studies at Duke and other locations. A selection of Rankin's photographs was published in a book, Sacred Space: Photographs from the Mississippi Delta (1993).

Supporting materials in this collection include a digital audio recording of a talk by Rankin at the exhibit opening of work from the Sacred Space series, "Near the Cross: Photographs from the Mississippi Delta," as well as paper records related to his career and art practice, including book publications and book layouts. Also in the collection are two motion films, Dance Like a River (1985), directed by Barry Dorfeld and Tom Rankin, and Four Women Artists (1977), directed by Bill Ferris.

Acquired as part of the Archive of Documentary Arts at Duke University.

Ric Hendee is an advertising executive who served as consumer marketing Vice President for the trade organization Cotton Incorporated. Collection includes advertisements (print, radio, television) and promotional materials; annual reports; audio recordings (audiocassette, CD); biography; business correspondence (emails, letters); client proposals and recommendations; conference materials; consumer and trade (advertising, fashion) periodicals; financial records and investment reports; market research; meeting agendas and minutes; memoranda; newsclippings; newsletters; online news; photographs; press releases; public service television programs; résumés; speeches; and video recordings (VHS, DVD). Topics addressed include advertising, advertising agencies, and advertisers in the United States. Individuals and organizations represented include the Association of National Advertisers, Cotton Incorporated, Dean Witter, Eastman Kodak, Frontline, Genesco, J. Walter Thompson, Manufacturers Hanover, Merrill Lynch, R.T. French, Samsonite, Sears, Simmons, Warner-Lambert, and the James Webb Young Seminar. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection includes advertisements (print, radio, television) and promotional materials; annual reports; audio recordings (audiocassette, CD); biography; business correspondence (emails, letters); client proposals and recommendations; conference materials; consumer and trade (advertising, fashion) periodicals; financial records and investment reports; market research; meeting agendas and minutes; memoranda; newsclippings; newsletters; online news; photographs; press releases; public service television programs; résumés; speeches; and video recordings (VHS, DVD). Topics addressed include advertising, advertising agencies, and advertisers in the United States. Individuals and organizations represented include the Association of National Advertisers, Cotton Incorporated, Dean Witter, Eastman Kodak, Frontline, Genesco, J. Walter Thompson, Manufacturers Hanover, Merrill Lynch, R.T. French, Samsonite, Sears, Simmons, Warner-Lambert, and the James Webb Young Seminar.

Delouis Wilson is an African American artist, and jewelry designer, and art collector, based in Durham, North Carolina. The papers comprise her journals (1977-2008); calendars; sketchbooks, art school notebooks, and loose pieces of mixed media artwork. The journals, currently closed to use, document in detail her personal life, travels in the U.S. and abroad, including time spent in Tunisia in the Peace Corps, life in Durham, N.C., and employment as a jewelry designer. The collection also includes 30 large photographic studio portraits of African Americans, almost all hand-tinted crayon enlargements, dating from about 1890 to 1945 and collected by Wilson chiefly in the Southern U.S. Acquired as part of the Archive of Documentary Arts, the Bingham Center for Women's History and Culture, and the John Hope Franklin Research Center for African and African American History and Culture at Duke University.

The papers of Delouis Wilson, an artist and jewelry designer based in North Carolina, consist of a set of 27 journals (1977-2008, currently closed); a few calendar notebooks; sketchbooks and notebooks from her time at Atlanta College of Art; and loose pieces of artwork. An important component of Wilson's archive consists of a collection of 30 large photographic portraits of African Americans dating from the late 1880s to about 1940, collected by Wilson chiefly in the American South.

Wilson's journals (closed to use by donor request), calendars, and notebooks document in detail the personal life of the artist, life in Durham, N.C., her travels abroad and in the U.S., including time in Tunisia in the Peace Corps, and her career as a jewelry designer. They include small illustrations contain as well as laid-in items such as letters and postcards; some have handmade covers constructed of textiles and other non-paper materials.

The artwork, sketchbooks, and art notebooks present a mix of drawings, sketches, prints, textile work, and mixed-media color paintings created by Wilson during and shortly after her art school years, all 8x11 inches or less. The notebooks also include art school class notes and handouts, creative writings, and personal notes such as recipes, lists, housing notes, and addresses. There are self-portraits scattered throughout, including a larger piece from 1990 laid into a sketchbook. Also in the collection is one large color photograph of an African American woman by Wilson. The artworks range in size from 4 1/2 x 6 to 16x20 inches.

A central component of the collection are thirty historic studio portraits of individual Black men and women (1890s-1940s), with some of couples and families, collected by Wilson in thrift shops and flea markets throughout the Southern U.S. Most belong to a process called crayon enlargements. The studios developed faint enlargements of the photographic images on convex pieces of thick card stock, then outlined and filled them with ink, crayon, or pastel pigments to resemble a painting. One portrait in the collection is a fully-developed gelatin silver photograph. A few smaller portraits are sized approximately 10x8 to 13x9 inches; the majority are larger, ranging from 19x13 to to 20x16 inches. Most of the prints are hand-tinted with a variety of tecniques, but some are black-and-white, and some are on flat rather than convex mounts.

Joe Ashby Porter (1942-2019) was a writer who also taught in the English and Theater Studies departments and also participated in the university's creative writing program. The collection includes a range of materials related to his career as a writer and a professor of English literature.

The Joseph Ashby Porter Papers include a range of materials related to his career as a writer and a professor of English literature. The collection contains notes, draft typescripts, and 70 notebooks with Porter's creative writing, including the manuscript draft of his first published novel Eelgrass.. Also included are research materials and notes for his scholarly monographs on Shakespeare and publications on Renaissance literature. The collection his friends and colleagues as well as Porter's preparation notes for Duke University Writers' Conference in 1980s. Also included a number of periodicals containing Porter's short fiction.