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Includes primarily research Cross conducted for his published books. Among the material are style sheets; notes, lists, and questions regarding the works; photocopies of internet and other research completed, and reference materials. Includes some correspondence with publishers. There is a review of White Guardian, and a list of Cross' recommended readings.
Includes correspondence regarding the publishing and review of Crosses work, along with contracts. Cross also comments on the work of other writers and his own unpublished work. In addition, there are files on royalty statements and the Nebula Awards. Material dated past Cross' death involves republication of his work.
Includes a wide array of Cross' creative work, including short stories and novelettes, poems, essays, song lyrics, novels, and copies of his published work. Drafts and copy edited versions of his writings are often accompanied by a variety of other material, including Cross' tracking documents, correspondence, contracts, royalty payments, reviews, photocopies of the published piece, and other items related to the publishing process.
Papers pertaining to the Order of the Masons, of which Craven was a member. Trinity College also had its own Lodge. Included within this series are bylaws of the Trinity Lodge, minutes of meetings, copies of Master Mason's Certificates, and a partial list of members.
This series documents Braxton Craven's involvement with the Methodist Episcopal Church South. Included in this series is a roll book of the North Carolina Conference of the Methodist Church, of which Craven was secretary (ca. 1870s). Inside the book are provisions for lay and clerical delegates.
Included are account books accounts of student tuition, bible, book, boarding fees, paper, and ink purchases. Several volumes include the signatures of students. Roll books contain students' names, courses, attendance, assignments, and grades.
The Unidentified series contains images that have yet to be identified or dated, primarily 8 x 10 black and white prints.
The Company and Biographical series contains images of choreographers, performing companies, ADF faculty members, ADF staff, and other individuals.
The Bennington College series contains images of the campus, faculty, staff, classes, and showings from the Bennington School of Dance from the early 1930s until 1942.
Small amount of unidentified films and use copies of original films.
Series consists of 14 photographs located in the final folder of box 3. Photographs show Civil Rights demonstrators, law enforcement response, race relations in the South, and active protest. All photographs are undated with little information regarding subjects and locations, though three photographs are identifiably of Chapel Hill demonstrations.
This series includes oral history interviews as well as transcripts and notes (1972-1978 and undated) related to the civil rights movement in Greensboro, North Carolina. Digital preservation audio files are available for all interviews where the original audiocassettes exist. Some interviews have transcripts only. This series also includes audio recordings of William Chafe's notes regarding interviews and his research, as well as transcripts on the Greensboro elections, notes on the papers of Joan Bluethenthal, and a report by the North Carolina State Advisory Committee to the United States Commission on Civil Rights on civil disturbances at Dudley High School and North Carolina A and T University in Greensboro.
Roughly one-half of this series consists of Chafe's notes for Civilities and Civil Rights: Greensboro, North Carolina, and the Black Struggle for Freedom. Notes are divided by chapter. Also included in this series are photocopies of the Federal Bureau of Investigation's Counter Intelligence Program documents pertaining to Black Panther Party members and chapters in Charlotte, N.C. and Oakland, C.A. Series includes reports and writings by others related to Chafe's book, a number of newspaper clippings, two interview transcripts of Ella Baker conducted by Sue Thrasher and Casey Hayden, and information on Civil Rights protests in Durham, Chapel Hill, Greensboro, and the campuses of North Carolina Central University and the University of North Carolina at Chapel Hill.
The Information series consists of files of histories produced by the company, along with articles, biographical sketches, and other reference materials from various sources.
The Labor Relations series focuses upon the company's relationship with its workers, the Textile Workers Union of America, and the federal government. Files largely date from the late 1930s and early 1940s. The series documents strikes and extensive negotiations with employees, as well as contracts, memoranda, correspondence, wage charts, labor agreements, and other materials. There is also material from the United Textile Workers challenging the Textile Workers Union of America in 1951 and 1952.
Records of the textile-selling agency at Philadelphia from its origin in the 1920s until its liquidation in the 1940s. Minutes, stockholder records, ledgers, journal, cashbook, and sales journal, and several files of legal and financial papers. Volumes arranged chronologically within types. Files arranged alphabetically.
Photographs, undated 0.1 Linear Feet
Contains three uncaptioned black-and-white photographs. Two are cabinet cards. Images feature two unidentified women, a baby, and a dog.
Livingston family papers, 1934-1976 and undated 0.1 Linear Feet
Contains a 1972 Livingston family genealogy created by Helen T. Blackwell along with an undated article on the disputed authorship of "'twas the Night Before Christmas," possibly written my Major Henry Livingston Also includes original poetry by Jeannie Livingston Hubbard Denig, 1934-1976.
Printed material, 1847-1958 and undated 0.4 Linear Feet
Series comprises a few printed materials written by Blackwell authors, including "Philosophy of Re-Incarnation" by Anna Blackwell, and "Medicine & Morality," "Scientific Method in Biology," and Erroneous Method in Medical Education" by Elizabeth Blackwell. However, the series primarily features printed items that were maintained in the Blackwell family library. Also contains a corrected typescript (1940s) of Ishbel Ross' Life of Elizabeth Blackwell along with notes from 1958 on the Elizabeth Blackwell award at Smith College.
Writings series, undated 17 boxes
The Writings Series contains Fritz's notebooks and diaries as well as drafts, published articles, and papers related to the publication of Fritz's prose writings, poetry, and book and article reviews. The Notebooks and Diaries subseries contains Fritz's diaries, notebooks, address books, and other volumes. Most of the volumes contain irregular diary entries, reflections, poetry drafts, and drawings. The Prose Subseries contains drafts and published versions of Fritz's essays, articles, letters to the editor, and other prose pieces. The bulk of these materials predate Fritz's emigration to England. Included in this series are drafts of Fritz's book, Dreamers and Dealers: An Intimate Appraisal of the Women's Movement. Also included are clippings, notes, and editorial comments on Fritz's work and an article submission index tracking the publications and journals to which Fritz submitted her writings. The Poetry subseries includes poetry manuscripts; drafts and proofs of Fritz's published poetry anthologies, including From Cookie to Witch is an Old Story, Going, Going..., Somewhere En Route - Poems, 1987-1992, The Way to Go, and an apparently unpublished collection of poems, Bureau de Change; materials related to the publication of Touching the Sun, an anthology dedicated to the memory of poet Adam Johnson, edited by Fritz; and other papers. The Book Reviews subseries contains drafts and published versions of Fritz's reviews of books, articles, and poetry.
The Audiotapes series contains audiocassettes of presentations and poetry readings by Fritz and other recordings. Cassettes labeled with poets' names presumably contain recordings of poetry readings, interviews, or other content related to those poets and their works.
The Pictures Series includes both photographs and illustrated pictures and advertisements. The majority of photographs are of the Alexander Sprunt and Son employees and facilities in Wilmington, N.C., and include the main office building on Front and Walnut Streets; office staff, including some photographs of the Sprunts; the Champion Compress and Warehouse facility; the S.S. Winston Salem (1920). The series also includes portraits and photographs of the Sprunt family both in Wilmington and abroad. Other images in the collection are: postcards and advertisements, as well as a set of photos by Cirkut Photos by Coovert in Memphis, Tennessee.
Includes incomplete assorted files from the operations of Sprunt and Son and its firms, such as Champion Compress and Warehouse Company.
The company's nomenclature for some of the account books was not apparent, and it was necessary to substitute titles that it is hoped are approximately accurate, if not always precise. In addition, there was some difficulty in distinguishing between those volumes that belonged to the main office at Wilmington and those that belonged to other offices and subsidiaries. The company was a complex operation, and its accounting procedures changed over the years. Many volumes did not have labels.
Music Sketchbooks and Student Works contains assorted untitled music sketches and sketchbooks by Robert Ward, some of which may be related to later published works. Also includes score and parts to Ward's withdrawn work, his 1st String Quartet (not to be confused with his First String Quartet from 1966), and libretto drafts to a work entitled The Tragic Muse. Also contains various contrapuntal exercises from Ward's time at the Eastman School of Music, as well as orchestrations of works by J.S. Bach and Claude Debussy. Arranged alphabetically by folder title.
Contains assorted media that contain no composition titles. Recording titles are taken from the media objects themselves. Some recordings are labeled and dated as specific performances. Includes audiocassettes, compact discs, digital audio tapes, reels, and VHS tapes. Listed alphabetically by recording title; physically sorted by format.
Operas contains a variety of materials related to each of Robert Ward's nine completed operatic works. All of the compositions include an assortment of newspaper clippings, programs, and reviews from their performances. Clippings, programs, and reviews related to The Crucible are by far the most extensive. Almost all the operas have music sketches, libretto drafts, published libretti, piano-vocal scores, orchestral scores, conductor's scores, some individual instrumental parts, and both audio and audiovisual recordings. Media types include audiocassettes, compact discs, digital audio tapes, DVDs, reels, and VHS tapes. The scores include published versions, edited proofs—many in Ward's own hand—master sheets, printing masters, and original manuscripts. Several of the operas also include correspondence from Ward regarding revisions and performances, as well as production photographs, academic publications with musical analyses, set drawings, and stage directions. The materials for Roman Fever include a filming script. The series also includes libretto drafts for an unfinished opera entitled Debs. Recording titles are taken from the media objects themselves. Arranged alphabetically by opera title.