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Collection consists of 60 small black-and-white photographs dating roughly from the 1930s to the 1950s, belonging to Amy Ashwood Garvey, feminist and activist who traveled extensively and lived in West Africa, where most if not all of these images originated. The majority of the images are portraits of Amy Ashwood Garvey's many male and female acquaintances in Africa, who include female friends, politicians, heads of states, lawyers, and students. Other subjects include locales and native inhabitants of Nigeria and other unidentified places; gatherings such as meetings, a funeral, and a public hanging; and street and market scenes. Although there are photographs with inscriptions, names, and descriptions of the scenes, the majority are unlabeled; the few dates that appear are from the late 1940s. The travel snapshots are likely to have been taken by Amy Ashwood Garvey, but there are images that were sent to her by individuals as mementos, and some images of her taken by another unidentified person. Acquired by the John Hope Franklin Research Center for African and African American History and Culture.

Dating roughly from the 1930s to the 1950s, this collection of 60 small black-and-white photographs belonged to Amy Ashwood Garvey, feminist, activist for African and African American human rights, and first wife of Marcus Garvey. Most of the travel snapshots were likely to have been taken by her, but there are several that were clearly sent to her by individuals, and some that feature Amy Ashwood Garvey and were taken by another person. Although there are some photographs with inscriptions, names, and descriptions of the scenes, most are unlabeled; the few dates that appear are from the late 1940s.

Almost if not all the photographs were taken in Africa, where Garvey traveled and lived after her divorce with Marcus Garvey in 1922. Other locations may include Ghana and Benin. Personal subjects include portraits, candid and formal, of the many male and female friends and acquaintances of Amy Ashwood Garvey, including politicians and heads of state; and native inhabitants, including a portrait of a tribal chief with two women, probably his wives. Most are in Western dress, but some are in traditional clothing. Amy Ashwood Garvey appears in at least three of the prints, and there is a portrait of the President of Liberia, William Tubman, with whom she had a serious long-term relationship. Other images include street and market scenes; school groups; a parade, meetings and ceremonial visits; a public hanging; a funeral gathering; and views of river landings, probably the River Niger.

Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture at Duke University.

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The Robert A. Hill Collection covers the period of 1800 to 2014 and documents Hill's research, writing, and publications about Marcus Garvey's life and work and the founding of the Universal Negro Improvement Association (UNIA), as well as Hill's many other projects. Items in the collection include research material assembled by Hill, writings by and about Garvey, manuscripts, correspondence, printed material, clippings, microfilm, photographs, video and sound recordings, and objects. Series 1-4 contain the production papers of the Marcus Garvey Papers Project: American Volumes (AM), African Volumes (AF), Caribbean Volumes (CA), and Project Administration (PA). Hill's other projects and writings are included in Series 5-6 as Other Works by Robert A. Hill (OW) and Hill Personal (HP). The remaining Series 7-10 consists of Microfilm (MF), Primary Sources (PS), Research (RE), and the unprocessed Jamaica (J). The collection was acquired by the John Hope Franklin Research Center in 2015.

The major emphasis of the Hill Collection is The Marcus Garvey and Universal Negro Improvement Association Papers, a series of publications that Hill edited for over thirty years that compile more than 30,000 documents highlighting the influence and accomplishments of Garvey and the UNIA. The process of compiling the twelve volumes is reflected in Hill's collection of research materials from manuscripts, photocopies of microfilm and original sources, newspaper clippings, annotated printed materials, photographs, scholar's correspondence, FBI records, and annotated drafts from U.S. and international archives, universities, and libraries. The bulk of the research materials are reproductions. Original materials can be found in the Primary Sources (PS) series.

The Other Works series contains Hill's personal papers, university-related materials and correspondence, general research, presentations, and other writings. These documents include Hill's historical editions such as Marcus Garvey's The Black Man: A Monthly Magazine of Negro Thought and Opinion; Cyril V. Briggs' The Crusader; George S. Schuyler's Black Empire and Ethiopian Stories; and The FBI's RACON: Racial Conditions in the United States during World War II.