Collection comprises a letter from Abigail Buttens, Wilmington, to her mother, Desire Clark, Chester, dated 1781 April 28. She announces the death of her oldest daughter from a fever and asks for "... prayers for me that God would inable me to behave my self in Christian manner in whatsoever he calls me to meet with." She requests a visit from her mother and her brother, John.
Collection includes general administrative, financial, programmatic, and educational records; correspondence; founding documents; records of the board of directors; and files from Peg Johnston, co-founder of the Abortion Conversation Project. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
Collection consists of a set of seven mounted photographs, apparently intended for exhibition, and a set of five pro-choice pamphlets created by the Abortion Rights Association of New York (later known as Abortion Rights Association, Inc.). The photographs include coroner's office photographs of deceased women following self-inflicted abortions; morgue photographs of infanticides; equipment and tools used in self-inflicted abortions; and fetuses in utero, one with deformed brain. Author of the included captions is unknown. The pamphlets, written to assist New York physicians and practioners implementing the Supreme Court Roe v. Wade ruling, address women's rights to clinical abortions, abortion laws, counseling and guidance on policies, and references to New York abortion clinics and practitioners.
Consists of a single hand-written letter to [Fortunato] Prandi, dated Thursday 5th August. Date could be 1841 or 1847. One page, folded, written on front and back.
The letter is apparently in reply to a request for ten guineas owed by Lovelace to Prandi. She discusses putting off sending him the sum because of travel and also "disagreeable business." She goes on to say she is well in spite of being a "disconsolate widow" and will soon "leave town", "probably to Brighton". The letter closes with an apology for the lateness of repayment and includes a postscript noting her amusement at the "modesty" of his request. It is signed A. A. Lovelace.
Collection incorporates primarily Adelaide Johnson's working materials related to her sculpture of Lucretia Mott, Susan B. Anthony, and Elizabeth Cady Stanton that is located at the United States Capitol building, with focus on Susan B. Anthony. There are cabinet cards of Johnson's plaster casts, cabinet cards of Anthony and Anthony and Stanton, several signed, along with albumen, gelatin deveoping-out paper, and matte collodion printing-out paper prints of Anthony; two silhouettes of Mott; a few letters to Johnson; biographical information about her; and related published materials. There are also exhibit labels for the first exhibition to be held at Elizabeth Cady Stanton's House after it was acquired by the Women's Rights National Park at Seneca Falls, curated by Lisa Unger Baskin in 1986 or 1987, and featuring the Johnson materials. The exhibit was also displayed at the Sophia Smith Collection for a Berkshire Conference in on History of Women.
The Advertising Ephemera Collection is composed of single advertisements, product and trade catalogs, advertising pamphlets, and broadsides. The advertisements are primarily American and from the late 19th and early to mid 20th century. The collection is divided into broad subject categories, based on the primary type of product or service being advertised, which are arranged in alphabetical order. Within each subject category material is divided based upon the form of the material; leaflets, letters, and sheets printed on both sides; trade cards (mechanical, metamorphic, see-thru, shape, fabric inserts, unusual feature, postcards and insert cards); booklets; special categories; and miscellaneous. A subseries of foreign advertising material consists predominately of travel related literature and is arrange alphabetically by country. The arrangement of oversize materials parallels the original arrangement.
The researcher should note that trade catalogs that are pamphlets may be found in several places in the Perkins Library: this collections; individually in the stacks as fully cataloged items; or as part of groups of old pamphlets for which the cataloging was by main entry only. Advertising broadsides may also be found in the Broadsides Collection and many collections of manuscripts also contain advertising materials.
Some useful reference sources for gathering further information on this type of material include:
Romaine, Lawrence B., "A Guide to American Trade Catalogs," 1944-1900 (New York, 1960).
Hammond, Dorothy, "Advertising Collectibles of Times Past," (Des Moines, Iowa, 1974).
Kaduck, John M., "Advertising Trade Cards," (Des Moines, Iowa, 1976).
McQuarry, Jim, "Collectors Guide to Advertising Cards," (Gas City, Indiana, 1975).
Additions to the collection have not been processed and therefore to do reflect the arrangement of the rest of the collection. Please refer to the detailed description below for more information about their content.
The collection consists of three letters written by Agnes Smedley; the first to a Miss Gates, and the second two addressed to Corporal James A. Frankel. The single-page autograph manuscript letter to Miss Gates is written on letterhead stationery with Smedley's Shanghai address identifying her as the "Correspondent of the Frankfurter Zeitung in China." She asks Miss Gates to have "tiffin or tea" with her and wonders "Do you ever have extra time to see strange people?" The second manuscript letter, two leaves with text on all four sides, is dated December 27th, 1944. It primarily concerns Emily Hahn's book "China To Me." Smedley writes, “Miss Hahn spent 9 years sleeping around in Shanghai ... When the Japs took Hong Kong she wrote that she would just have died had she gone to a concentration camp like other Americans. So she went to the Japs and said, 'I’m a bad girl.' So the Japs left her free and she fooled around with them in Hong Kong, drinking and carousing, while the bastards were killing our men... But we Americans find this 'hot stuff' and put it up as a best seller... Miss Hahn is a propagandist for the Chinese reaction. She’s never seen a Chinese Communist, yet she’s agitating against them in N.Y... She led a purely personal life in two Chinese port cities but now poses as an authority on political and military matters of China." The third letter, autograph typescript dated March 23d 1947, was originally enclosed in Frankel’s copy of Smedley's book Battle Hymn of China, and addresses Frankel's questions about the Xi'an Incident of 1936 and the capture of Chiang Kai-shek. Smedley directs Frankel to her article on the topic published in The Nation magazine, as well as "her book."
The collection consists of 552 zines, collected by the donor between 1994 and 2001. The collection focuses on personal zines by women, politics, the punk music scene, social justice activism, and riot grrrl. Many of the zines are accompanied by correspondence with the donor. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
Collection comprises two letters written by Earle, along with an unrelated cover addressed to her. One letter (1896) was written in response to a request for an autograph; the other letter (1899) was written to C.[?] M. Perry regarding her search for photographs to illustrate a book on New England.
Green writes to an unidentified male editor or publisher ("Dear Sir"), to decline his invitation to write an article for a forthcoming book. She writes that she is "overwhelmed by work this winter," and that "the subject of the American Irish is almost unknown to me and it would need a considerable time and reading to write anything worthy of your insertion." In conclusion, she writes that she is "keeping in view the idea of getting some work done which may draw attention to your publications." Written on letterhead: 36 Grosvenor Road, Westminster.
The materials in the Alix Kates Shulman Papers span the dates 1892 to 2000, with the bulk of materials dating from 1968 to 2000. These materials include: manuscripts, notes, clippings, published books, correspondence, photographs, audio and videotapes, microfilm, address and date books, family and business records. The primary focus of the collection is Shulman's writing and literary career. The secondary focus is the women's liberation and feminist movements, in which Shulman was and continues to be very active (from 1968 to the present). However, feminism and feminist activism are inextricably intertwined with Shulman's writing career, and her 1972 novel Memoirs of an Ex-Prom Queen is regarded by many as the first novel to "come out of" the women's liberation movement of the late 1960s and early 1970s.
Other topics covered by the collection include: her teaching and other academic work; her public speaking and conference activities; and her involvement in political activities besides feminism. This collection sheds valuable light on the concerns and tensions within the women's liberation and second-wave feminist movements. In particular, the materials document debates and disagreements among those active in the movement with regard to sexuality, marriage and domestic relations, women's financial situation and careers, health care, civil rights and cultural expression. Many of these issues are raised in Shulman's own work, including her novels, essays, short fiction, personal letters and her teaching materials.
The collection is divided into seven series. The Personal Papers Series contains Shulman's family history papers, photographs, biographical papers, and her personal correspondence (with writers, academics, political activists and family members). Notable correspondents include Ros Baxandall, Jay Bolotin, Kay Boyle, Rita Mae Brown, Phyllis Chesler, Judy Chicago, Andrea Dworkin, Candace Falk, Marilyn French, Lori Ginzberg, Hannah Green, Erica Jong, Kate Millett, Honor Moore, Robin Morgan, Tillie Olson, Lillian Rubin, Sue Standing, and Meredith Tax. The Political Work Series contains material relating to Shulman's involvement with feminist and other liberal political groups, including Redstockings, New York Radical Women, the PEN Women's Committee, No More Nice Girls, the Women's Action Coalition, and Women Against Government Surveillance
The Literary Work Series contains a variety of materials relating to Shulman's literary career, including financial and other dealings with publishing houses, notes and research, photocopies of publications, reviews of her work, articles and notes she collected regarding the literary scene, and original manuscripts. This series contains information about her early children's books; several books she edited of Emma Goldman's writings; her essays and short fiction; her novels Memoirs of an Ex-Prom Queen (1972), Burning Questions (1975), On the Stroll (1977), In Every Woman's Life . . . (1980); and her memoirs Drinking the Rain (1995) and A Good Enough Daughter (1999). A small amount of correspondence regarding book reviews of other authors' work is also included.
The Academic Work Series contains materials relating to Shulman's graduate work at NYU; her teaching at Yale, the University of Colorado at Boulder, NYU, and the University of Hawaii at Manoa; as well as her relationships with her students. The Public Speaking Series contains materials relating to Shulman's participation in literary and political conferences and gatherings, personal interviews, lectures and book talks.
Portions of the Restricted Materials Series either may not be photocopied without prior permission of Ms. Shulman or the relevant author, or may not be accessed until a future date. The same organizational categories have been applied to the restricted materials as were used in the unrestricted materials to help researchers easily access overlapping and related materials that have been boxed separately due to the restrictions. The Oversize Materials Series contains miscellaneous oversize materials of a biographical and literary nature.
Acquired as part of the Sallie Bingham Center for Women's History and Culture.
The collection contains five scrapbooks. Four scrapbooks (1-3, and 5) feature literary figures of the nineteenth and twentieth centuries, including authors and poets, as well as twentieth-century playwrights, essayists, and biographers. Scrapbook 4 features celebrities, political figures, and professors. All the scrapbooks primarily contain clippings from newspapers and journals, including articles, poetry, book reviews, obituaries, and editorials. There are often letters and notes bearing autographs of the authors, some of them purchased by Taylor, or obtained with the assistance of Taylor's mother or her friend, Dorothy Kraus. Unfortunately, many of the autographed items have been removed. Pages often include handwritten or typed lists of works. There are several black-and-white photographs, along with photo postcards, and regular postcards. In addition, there are loose scrapbook pages and loose material for creating pages. Scrapbooks have been disbound for conservation purposes.
Collection includes materials from Smith's literary career as an author of mystery novels, files from her work as a gender equity consultant, her newspaper columns on gender in the workplace, and materials from her work with youth at St. Philip's Episcopal Church in Durham. Also includes a small amount of correspondence from Smith's college years and family photographs from the early 20th century. The files relating to her fiction writing also include a set of audiocassettes related to one of her books. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
Collection comprises 14 letters, 5 engraved portraits of Opie, a copy made by her father of two of her songs as well as four lines of poetry she wrote in French, and a draft for twenty guineas. Several of the letters are written to unidentified recipients, but other addressees include two friends, Susan Reeve and Anne Pryse, along with Charles Stokes Dudley; L.T. Ventouillac; Thomas Richardson, Jr.; Joseph Watson; Lord Cholmondeley; and a "Mrs. Lee." Topics include invitations to visit or dine, requesting the loan of lectures or return of her manuscripts, editorial alterations for her poetry, her travel plans or those of others, her support of applicants for the London Orphan Asylum, her appreciation for a contribution to a bazzar, and the biography of Lord Eldon. Following her conversion to Quakerism in 1825, she followed their dating convention rejecting the names of the months. All dates in the collection guide have been converted to Gregorian style. Each of the engravings is unique; one of them was published following Opie's death.
Amelia Stinson-Wesley is an ordained Methodist minister and advocate for pastoral care of women and abuse survivors. Her papers consist of correspondence, academic writing, periodical excerpts, pamphlets, flyers, and handouts.
Collection consists of about 150 zines, mostly self-published by women and girls in the United States. Subjects include feminism, riot grrrl, body image and consciousness, music, mental health, depression and mental illness, film, poetry, rock and punk music, comics, violence against women, sexual identity, homosexuality and bisexuality, transgender issues, and race. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
Letter from writer Anaïs Nin to the American collector, Thomas DiGenti, who wants a copy of her literary magazine Two Cities. She does not have a copy, but directs him to the NYC bookshop The Phoenix, on Cornelia St. Nin has turned over distribution of Two Cities to The Phoenix at a financial loss due to constraints on her time. She writes of her desire to publish the work of new writers. She goes on to describe a recent trip to Europe where she visited London, Brussels, and Paris, where she was well-received due to her European popularity. Nin asks DiGenti if he has an extra copy of her book D.H. Lawrence: An unprofessional study. She wants to send it to her London publisher, who is interested in putting out a new edition. Nin states that she's currently busy writing Seduction of the Minotaur, the last part of her Cities of the Interior sequence which she describes as a "finale to the novels."
Anaïs Nin letter to Thomas C. DiGenti, 1962 February 21, 1962 Febuary 21 0.1 Linear Feet — 1 item (2 leaves) + 1 envelope — 21 x 27 cm.
Collection consists of a single piece of paper (20 x 12.5 cm) with an autograph manuscript poem by Anna Letitia Barbauld on the front and a poem called "Follow Me" by William Allen on the back. Barbauld's poem reads as follows: Born to the weighty honours of a name/Whose deeds of mercy England's shores proclaim/Yet know, you may inherit lands or pelf/But must, for praise - for love, be good yourself. It's signed A.L. Barbauld and dated August 23rd 1823. The verso contains a two-stanza autograph manuscript devotional poem by William Allen titled "Follow Me." It is signed Stoke Newington 30 of 8th month 1823. Barbauld and Allen were both educators and abolitionists who lived in Stoke Newington at the time of this writing. These poems are evidence that they had at least an epistolary friendship.
Collection contains two account books, dated 1896-1904 and 1905-1910 respectively, kept by Anna Lora Weiss of Boston, Mass. The account books meticulously document Weiss's income, including significant income she received from her rental properties and other investments, as well as her expenditures on travel, household goods, gifts, and charitable contributions. In addition, the account books indicate that Weiss loaned money at interest to her brother Carl for his often unsuccessful business endeavors. In addition to her finances, the account books also document Weiss's daily activities and social and political interests. Together, the account books reveal that Weiss was an active, independent, and astute businesswoman.
Collection comprises a letter (14 pages) written by Anna Mitchell to Sarah, dated September 10, probably written later than 1920. Anna describes the illness and death of her six-year-old son, Preston, giving a day-by-day, sometimes an hour-by-hour, account of his symptoms, as well as treatments and diagnoses by a female doctor, Dr. Gregory. At first the diagnosis is rheumatism, then typhoid, then meningitis. Anna describes his "suffering so with the heat," with "pain down the right side in the region of the liver," "sunken cheeks," and crying with headache, fever, and vomiting. Paralysis comes later. Anna goes on to describe his death, the preparation of his body, the home viewing, and his cremation in Pasadena. She also describes her regrets and her grief; "... whose life was so much dearer to me than my own life, that since he is gone, nothing but darkness & sorrow is left us. Even for those that are left me--I cannot feel that I have courage or strength to make the effort to live." Acquired as part of the History of Medicine Collection and the Sallie Bingham Center for Women's History and Culture.
Anna Mitchell letter regarding the illness and death of her son, Preston, after 1920. 0.1 Linear Feet — 1 item
Collection comprises master copies (4 audiocassettes and a Digibeta videotape) for Jeff Storer's oral interviews with Atwater, an African-American civil rights activist based in Durham, North Carolina, regarding her friendship with Ku Klux Klan leader C.P. Ellis. Interviews have been reformatted to compact discs and a gold DVR. Note that one segment of the video copy is silent; the audiocassettes provide the full interview.
The Anne Baker papers contains documentation of Baker's personal life and of her professional role as the Director of Counseling at the Hope Clinic of Granite City, Illinois. They include materials from workshops and trainings she gave, secondary literature about abortion counseling, correspondence, materials from different protests that she and other Hope Clinic staff attended, personal notes, histories of the Hope Clinic, and newspaper clippings from the kidnapping of Dr. Hector Zevallos and his wife Jean Rosalie Zevallos.
The collection contains writings of Anne Firor Scott and materials relating to her academic work in Southern and women's history. The materials primarily refer to her scholarly activities, and include her dissertation, occasional papers, articles, speeches and lectures, book reviews, contracts, conference proceedings and schedules, course materials, newspaper clippings, and other activities related to academia. There is also a file of correspondence written by Anna Lord Strauss (then president of the League of Women Voters) in 1949 and mailed to all members the league. Notes by Scott in this file explain her connection to Strauss, and the circumstances of the correspondence. In addition, there are newspaper articles related to the first and second editions of Scott's book, The Southern Lady. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
Preliminary container lists exist for only parts of the collection.
Collection comprises two autograph, signed letters written by Annie Besant. The first, written 1882 May 20, originally accompanied a copy of a petition, and asked the editor of the Evening News to publish the petition, since he published an attack upon "Dr. E. Aveling, the Misses Bradlaugh" and herself, "as teachers of the Science School of the Hall of Science." The second, written 1883 December 4 to an unidentified addressee, indicated "the place of the meeting is the Grosvenor Gallery." Both items written on Besant's stationery, with her name and address printed in brown ink.
The collection contains materials documenting Lovett's artistic and academic career, including artists' book production materials and photographs.
This collection consists of 367 zines dated from 1973 to 1995, likely collected by the donor from 1992-1995. The collection primarily includes personal zines by women (though some are by men) that focus on the riot grrrl scene, feminism, punk music, and progressive political causes. Many of the zines include correspondence from the authors. The collection also includes personal correspondence and correspondence from zine authors between 1987 and 1995, with the bulk dating from 1993 to 1995. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
The collection is arranged into the following 2 series: Administrative/Organizational materials and former APCC President Barbara Shwom materials. The APCC administrative and organizational materials date from 1983 to 2017 and comprise membership directories, correspondence, budgetary and financial information, meeting minutes, and workshop handouts. The Barbara Shwom materials date from the 1981 to the 2000 and comprise her personal correspondence and APWC materials.
The ALFA Periodicals Collection, dated 1962-1994, contains over 800 grassroots newsletter and journal titles, many of which are now ephemeral and not in any library. The publications were collected by ALFA generally by means of exchange subscriptions with other lesbian, feminist, and activist groups from all over the U.S. and abroad. The periodicals cover a range of topics of interest and concern to socialist lesbian feminists. In addition to strictly lesbian and feminist publications, there is a wealth of publications from other leftist activist groups covering political and social causes from anti-nuclear weapons, to AIDS activism, to the beginnings of the men's movement. The collection helps document these various political movements as well as the issues facing the people whose task it was to document them.
Atlanta Lesbian Feminist Alliance (ALFA) Periodicals collection, 1962-1994 70.5 Linear Feet — About 33,750 Items
The Ayun Halliday Papers are arranged into the following nine series: Correspondence, Grants and Awards, Workshops and speaking engagements, Writings-Books, Writings-Plays, Writings-Zines, Writings-Other Publications, Mail Art Publications (by others), and Zines by Others.
The first seven of these series comprise Halliday's personal writings and works including books, plays, artwork and the zine East Village Inky. The collection also includes correspondence and ephemera related to her publications, as well as items associated with workshops and speaking engagements given by Halliday about underground press publications, female travel, autobiographical writing and other topics.
The final two series represent more than 200 zines and works Halliday collected from others artists obtained primarily through trade with other creators. These publications span a wide range of subjects intended for both adults and children including feminism, motherhood, child rearing, New York City, zines, art, music, travel, food and cooking, body image and consciousness, sexual education, and more.
This collection documents Weinbaum's personal life, education and professional life. The papers are arranged into the following thirteen series: Legal, Correspondence, Press, Activities, Research and Scholarship, Art, Writing, Teaching, Photography, Print Materials, Journals, Family Memorabilia and Audiovisual Materials.
The first series largely documents Weinbuam's lawsuit against Cleveland State University from 2004-2006. The second series contains correspondence primarily related to Weinbaim's teaching and publications, and includes letters she exchanged with influential figures in various fields such as contemporary American literature, multiculturalism, women's studies, poetry, music composition and education. The third and fourth series include press and reviews related to Weinbaum's personal writings and artwork, as well as items associated with workshops, speaking engagements and other activities given or attended by Weinbaum. Her Handmaid's Gate Camp project in Floyd, VA is documented in series four. The next four series contain substantial materials related to Weinbaum's writing and research, including: drafts of her books, poetry, academic publications, artwork, music and materials related to editing and publishing the journal FemSpec. The Teaching series also encompasses syllabi and course materials used during Weinbaum's time as a graduate student instructor and as a professional at Cleveland State University and Pacifica Graduate Institute.
The collection also includes an extensive Photography series, with photographs/negatives Weinbaum took professionally as a documentary photographer in South America and Mexico; fieldwork in China and Israel, as well as family photo albums and scrapbooks. The eleventh series contains several decades of journals, notebooks and sketchbooks. The Family Memorabilia series documents Weinbaum's relationship with her daughter, Ola Liota Weinbaum. The Audiovisual Materials series has electronic files in a variety of formats including: floppy discs, cassettes, CD-ROMs, DVD-ROMs and VHS tapes. These files encompass Weinbaum's writing and material related to Femspec. The contents of Weinbuam's hard drive are also described throughout the series where appropriate. Where possible, Weinbuam's original folder titles and descriptions have been retained.
The Becky Mock papers consist of administrative files, grant applications, programming materials, newsletters, board meetings, and outreach materials from the Women's Resource Center in Alamance County and other local nonprofit organization. There are subject files on topics such as welfare reform, women's employment, women's education, domestic violence, public transportation, healthcare, and women's political issues, as well as a number of publications focused on women's issues.
Accession (2009-0097) (1650 items; 2.7 lin. ft.; dated 1970s-2008) includes campaign materials; correspondence, 1977-2000s; and research materials from various bills and issues from Holt's career, including the ERA, marital rape, wine laws, the lottery, juvenile justice, nursing, health education, mental retardation, archaeology, domestic violence, hospice, and the Holocaust. Other files relate to Holt's legislative career, including the North Carolina Legislative Women's Caucus; the State Council for Social Legislation; tribute dinners and awards; and other miscellaneous papers and letters.
Accession (2010-0104) (750 items; 1.3 lin. ft.; dated 1970-2010) includes clippings; correspondence; subject and research files from issues such as churches, seatbelt and school bus safety, welfare, gun control, and wine; committee materials, including the Science and Technology Board; a scrapbook from 1973-1979; and other miscellaneous materials.
Accession (2010-0192) (1125 items; 1.5 lin. ft.; dated 1940-2007) includes subject and research files from issues such as healthcare, education, crime, and prisons; materials from the Equal Rights Amendment; files from various events that Holt attended, including the Center for Creative Leadership, the White House Conference on Aging (1981), and files from her membership in the Women's Forum of North Carolina. Also contains materials from her Episcopal Church activities.
Collection includes manuscripts, sound recordings, and photographs from York's music career, with materials from her participation at the 1986 International Music Festival; press kits with photographs and reviews of her music; contracts and agreements from Ladyslipper Inc.; and materials relating to her album Transformations, released in 1985.
Accession 2018-0113 consists of materials documenting York's academic career as a music therapist, including her M.A. thesis, university evaluations and a tenure portfolio, teaching materials, research materials, conference materials, presentations, correspondence, workshop materials, a performance piece called Finding Voice, grant materials, and music therapy workshop materials.
York also co-edited a number of issues of the lesbian feminist quarterly Sinister Wisdom, which are included in the collection, as are production materials, drafts, and correspondence related to those issues. Also included are issues of the women's periodicals Hotwire and Paid My Dues.
The Betsy Gamble Hansen papers are organized into two series. The Writings series includes drafts of Hansen's 2003 novel Portals, iterations of which existed under the titles A Communion of Saints, A Gathering of Saints and Sinners, The Hawk and the Myna Bird, and Tapestry Tales. Also included in this series are papers related to the publication of the book, including publishing contracts, typeface samples, prospectuses, copyright forms, and estimates. The Menzies Family correspondence and other papers series contains letters received by Hansen's grandmother, E.B. Menzies, of Hickory, North Carolina, and her immediate family, clippings, and other papers. The bulk of the correspondence in this series was written by Menzies's sons, Bruce, George, and Tom Menzies, and her daughters Mary Stuart Menzies Tarrant and Jane Menzies Gamble (Betsy Gamble Hansen's mother). Other frequent correspondents include Tom's wife, Frances Menzies, and George's wife, Betty Menzies. Also included are birthday cards, Christmas cards, and letters for E.B. Menzies from friends. Two folders labeled "Family Correspondence" consist of correspondence between E.B. Menzies's children and their spouses. Peppered throughout these folders are letters from E.B. Menzie's grandchildren, including Betsy Gamble Hansen.
Mrs. E. B. Menzies was born Reesie Tipton Warren in 1880 in Emory, Virignia and died in 1961. She lived most of her life in Hickory, NC. She married Edward Bruce Menzies in 1902, and they remained together until Edward died in 1924. Most of the pre-1930 correspondence in the collection consists of letters from E.B. Menzies's extended family and a few letters from her children while away at camp. The children wrote infrequently in the 1930s. During this time Tom, George, and Bruce traveled across the country from their hometown of Hickory, North Carolina, in search of work, while Jane and Mary Stuart remained at home. From 1932-1935, the three men each attended the Colorado School of Mines and performed construction work for the Works Progress Administration (WPA) project to build the Hoover Dam, then held temporary jobs in several different cities before settling in California. Tom and Bruce attended college while George appears to have continued working.
During World War II, each of E.B. Menzies's sons enlisted as United States Navy Seabees in the Pacific Theater, and began to write home much more frequently. Tom graduated in 1942 and was immediately subject to the draft, while Bruce and George began service several months later. None of the three men appear to have seen much conflict, and each survived the war unharmed, although Bruce did stay in a Navy Hospital for some time, apparently due to a stomach illness. Jane and Mary Stuart kept in frequent contact with their brothers throughout the war. All three men were discharged by 1945.
In the late 1940s and 1950s, each of E.B. Menzies's sons settled in California with their wives and children. George began working for a rail line, Tom took a job at a mill, and Bruce sold insurance. E.B. Menzies moved to California to teach for two years before moving back to North Carolina. Each of her children kept in regular correspondence with her throughout the 1950s, but the letters stop in 1961, when E.B. Menzies died.
In addition to the correspondence in this series, this series contains clippings and other papers compiled by E.B. Menzies, including a small amount of financial papers, prescriptions, and materials relating to her children.
The Bettye Lane photographs date from 1959 to 2007, with the bulk taken in the 1970s and 1980s. Subjects focus largely on events and individuals. Events include consciousness raising groups, planning meetings, and local women's conferences. Large events include Equal Rights Amendment demonstrations, and International Women's Year and National Organization for Women conferences and marches, in major cities such as New York City, Washington D.C., Mexico City, and Houston. Other events folders document Pro-Choice rallies and protests addressing harassment, sexism, and violence towards women. Another large series documents women involved in the movement, from feminist leaders to event attendees and coordinators. Subject folder photographs are of women at work, women athletes, men for women's rights, and events relating to daycare, feminist slogans and signs, lesbian rights, opposition, women of color, sexist images, and sexual health. Smaller sets of images document protests against war, pornography, and nuclear power. The collection also includes a folder of photographs of Bettye Lane spanning her career.
The photographs are arranged into three series, Events, People, and Subjects, with subdivisions in alphabetical order, and the prints within in date or alphabetical order. The original order as assembled by Lane is for the most part intact, with folder titles deriving from the original headings. Included in each folder are her original annotated inventory sheets, which include dates, photo identification codes, and titles.
Almost all the prints are unmounted black-and-white gelatin silver process prints, with some color photographs scattered throughout, and a few digital prints from the 2000s. The larger prints all have detailed information on the backs, many giving names of individuals present, details on the events, and contextual notes. There are also a few photocopies scattered throughout. There are some duplicate images or cropped versions. The most typical sizes are 8x10 and 6 1/4 x 9 1/4 inches, with some snapshots found in a few folders.
There is some overlap with Bettye Lane images in other U.S. institutional collections, noted below, but many of the images at Duke University are unique.
Acquired as part of the Sallie Bingham Center for Women's History and Culture.
In January 2013, Bill Brown donated his personal collection of zines, comprising 186 titles and almost 250 issues in total. Although Brown never actively collected zines, he was always eager to barter and trade with other zine makers. The resulting collection includes zines spanning from the mid-1990s to the early 2000s. The zines are arranged alphabetically by title.
This collection consists of zines, primarily authored by women and people of marginalized genders, acquired as donations from multiple collectors or purchased from book stores, zine fairs, and zine distributors. Some zines in accession 2022-0179 were written during the first year of the covid-19 pandemic.
Chiefly production records for magazine issues, including drafts and edited copy for articles, laser printer and resin-coated paper page layouts, and color proofs. Includes editorial correspondence, research files, meeting notes, promotional and subscription material, audio cassette and mini-cassette tapes, VHS tape, mini-disks, color and black-and-white photographs, negatives, color transparencies, t-shirts, and tote bags.
Collection contains primarily correspondence and printed materials. There are also three unidentified and undated black-and-white photographs, along with a few items representing the Livingston family, including a genealogy developed by Helen Thomas Blackwell. The correspondence contains mostly routine letters to from other family members to Alice Stone Blackwell, Anna M. Blackwell, Elizabeth Blackwell, Emma Blackwell, Helen Blackwell, Henry B. Blackwell, and Lucy Stone. There are also several postcards mailed to the Woman's Journal regarding subscriptions, address changes and other matters related to publication, or the editor's business acquaintances. There are several printed materials written by Blackwell authors, including "Philosophy of Re-Incarnation" by Anna Blackwell, and "Medicine & Morality," "Scientific Method in Biology," and “Erroneous Method in Medical Education" by Elizabeth Blackwell. However, the series primarily features printed items that were maintained in the Blackwell family library. Also contains a corrected typescript (1940s) of Ishbel Ross' Life of Elizabeth Blackwell along with notes from 1958 on the Elizabeth Blackwell award at Smith College.
The Bonnie Lee Black papers comprise personal correspondence, materials from her time working in Mali, teaching materials from her time as a professor at the University of New Mexico-Taos, documents from her experience in the Peace Corps in Gabon and Mali, and materials generated from four of her books: Somewhere Child, How to Make an African Quilt, How to Cook a Crocodile, and Jamie's Muse. Collection also contains her journals and planners, family photographs, and photos and documents related to Bonnie Lee Black's apartment in New York.
This collection includes gallery materials, correspondence, postcards, publicity materials, exhibit posters, clippings about Bryant Holsenbeck, documentation of Holsenbeck's work, photographs, a DVD production about Holsenbeck, and an art portfolio.
This collection includes examples of Camp Fire Girls and Blue Birds membership cards and forms, catalogs, programming materials, crafting projects, songs, educational resources, administrative records and notes, correspondence, scrapbooks, homemade yearbooks, and some ephemera including a ceremonial dress and charter. Includes some materials from Camp Fire Girls in New England, New Mexico, Indiana, and other unidentified places. Includes extensive programming and planning materials from Mrs. Marion Hunt who served as a Camp Fire Girls guardian in the Arlington and Boston, Mass. area in the 1940s.
Collection includes miscellaneous written materials; flyers, handbills, and broadsides; and copies of serials. There is a letter regarding political matters and a typescript page of general instructions for an unnamed convention, both written by Young's son, Robert E. Bush; a recommendation for Young's work on national campaigns as a Republican poltical activist and speaker, dated 1889; two advertisements for a Mrs. Dr. Tarbell's treatments of "nervous diseases and female complaints;" two pages of guidelines for a populist club; one of Young's calling cards; and an enclosure for the California Medical Journal. There is also a brochure for "photographic fern-leaf mottoes." In addition, there are 8 flyers, handbills, and broadsides, all advertising political speeches (especially for the People's Party), lectures, or medical work by Young, except for two that advertise speeches by Mrs. M. S. Singer of Chicago, and Dr. J. V. C. Smith. Collection also includes issues of the serials Life Crystals (March 1882, no. 3), edited by Young, and Pacific Journal of Health (January-September 1872, nos. 1-9), published by Young.
The Catherine Nicholson papers contain materials dating from 1897 to 2005, with the bulk of the collection dating from 1974 to 2005. Materials in the collection primarily document Nicholson's directing and theatre related activities, her work on Sinister Wisdom, and her membership in the group Old Lesbians Organizing for Change (OLOC). The collection comprises correspondence with family and friends; personal and professional writings; poetry; notes; clippings; photographic materials, including black and white and color photographs, color slides, and a cabinet card; audio cassettes; vinyl records; press kits and playbills; reviews about theatre and of plays directed by Nicholson; and ephemera. Included are play scripts written by Catherine Nicholson and other playwrights, and scripts with directorial annotations by Nicholson. The collection contains correspondence, artwork, journals, and receipts related to the publishing of Sinister Wisdom. In addition, the collection houses Nicholson's collection of audiocassettes and long-playing vinyl records, with the majority of albums related to women's music; many of these were published by Olivia Records. Printed materials have been removed and added to the Women and LGBT Rights Periodicals Collection. Use copies of audio recordings will need to be created before items can be accessed by researchers. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
Addition (2010-0068) (28 items, .1 lin. ft.; dated 1984-1985 and undated) comprises letters and cards addressed to Harriet Ellenberger, primarily from Susan Thompson.
Collection consists of materials documenting the work of the WDBS Women's Radio Collective, including meeting minutes, programming and how-to guides, and materials aimed at addressing the needs of women in radio production.
This collection (2010-094)(147375 items, dated 1970-2005) documents the day-to-day operation, programs, and mission of the Center for Women Policy Studies and was accumulated by the organization throughout its history. Materials range in date from 1970-2012.
Topics covered include equal credit opportunity, educational equity, violence against women and girls, welfare reform, work/family balancing and workplace diversity policies, reproductive rights and health, the womenâs HIV/AIDS epidemic and access to health care for low income women. The collection contains many speeches and articles by President Leslie R. Wolfe.
This addition (2012-0239)(41625 items, dated 1975-2009) continues to document the Center's activities. Materials include program files, development files, administrative documentation, and publications.
This addition (2013-0067)(20250 items, dated 1979-2012) covers more recent activities of the organization as well as some earlier materials not included in previous accessions. Materials include program files, publicity and fund raising files, publications, and project documentation.
This addition (2013-0137)(5625 items, dated 1975-2012) includes program files and publications from director Leslie R. Wolfe's office, mostly documenting the most recent activities of the Center.
The addition (2015-0192)(43.5 linear ft., dated 1953-2012) includes files documenting the programmatic and administrative activities of the Center, as well as photographs.
Collection comprises a private autograph letter, signed, that Charles Nordhoff wrote to William C. Russel, acting president of Cornell University, in 1881. The topic of the letter is Russel's stand against Henry Ward Beecher; Nordhoff writes "to send you my congratulations & hearty good wishes, as the manly stand you have taken in [regard?] to Mr. Beecher. I am sorry that you should be made to suffer for doing what I believe was your most solemn & imperative duty as the guardian of [illegible] men & women...."
Collection comprises a autographed letter (4 pgs., 19 cm x 23 cm) written by Charlotte Brontë to her lifelong friend Ellen Nussey on 1840 November 12, possibly from Yorkshire. Pages also hold sketches of her and of a horse head created by William Weightman (1814-1842), who was assistant curate to Patrick Brontë beginning in 1839. Topics include Weightman’s drawings; an invitation to her to provide entertainment; procuring students for a local school; and the abusive and dissolving relationship between Mr. Collins, who was a curate, and his wife. Includes Brontë’s negative assessment of Mr. Collins’ character. Collection includes a typescript transcription of the letter.
Charlotte Brontë needlepoint flower study, approximately 1840 0.9 Linear Feet — canvas, thread — ;frame 25 cm, 31 cm, 2 cm
Physician's account ledger with entries dating from 1884 through 1899, and miscellaneous correspondence and financial papers related to Page's family history and operations of her medical practice.
Collection comprises a dossier of seven items (approximately 75 pages) compiled by Chevalier d'Eon articulating his wish to forsake his female persona in order to fight in the American Revolutionary War. The seven items are wrapped in a blue paste-paper wrapper. The first item is a collection of 35 commissions and supporting documents from diplomats, military officers and French, Russian or English ministers, testifying to Eon's qualities and his activity in the secret services for 20 years, including the peace mission to the court of Russia (1755-1756); a mission to Vienna carrying the campaign plan of the Russian army and revelation of a secret Russian-Prussian correspondence, along with another mission to Russia (1757); commission as secretary of the French embassy at the court of Russia, after having contributed to the success of four treaties (1757-1759); commission as aide-de-camp of maréchal de Broglie in Germany (1760-1762); secretary of the French Embassy in Great Britain, for the conclusion of peace (1762); resident, then Minister Plenipotentiary in London (1763); refusal of proposals to communicate particulars and papers relative to the peace to the opponents of the court of St. James (1764-1765); followed by a Franco-British plan for the Mexican and Peruvian uprisings against Spain (1766-1768) for the Spanish ambassador in London; against the accusations of venality and corruption by the Court of France by the Princess of Wales and the English ministers (1769-1770); secret correspondence with Louis XV, the Prince de Conti, the Comte de Broglie, all ending in a promise of a life annuity from Louis XV.
The second item is a brief Memoire by d'Eon, dated 20 May 1778, for the Count of Vergennes, Minister for Foreign Affairs, in order to obtain payment of his pension, with a copy of 5 supporting documents. The third item is a memorandum describing the Chevalier's affairs in England, as of August 1778, including rents due on a house in Brewer Street/Golden Square, which is scheduled to be demolished. There are further details of d'Eon's state of affairs in France, where the Chevalier blames his feminine state and sedentariness as cause of a very painful rheumatism. D'Eon accordingly begs the King and his ministers to allow him to don men's clothes and fight.
Items four through seven are signed letters. One to M. de Miromesnil, Garde des Sceaux, Versailles 12 February 1779, with a copy of his petition to the King's special adviser, the Comte de Maurepas, of the 8th of February, asking support for the Chevalier's request to serve as a volunteer in the Comte d'Orvilliers' fleet. The other two letters are written to the Comtesse de Maurepas, Versailles 12 February 1779, with a copy of the Chevalier's petition to the comte, 8 February, requesting the comte's protection.
Also contains two nineteenth century-era portraits of Chevalier d'Eon: one is a mounted photograph of a painted portrait; the second is a published engraving that appears removed from a printed volume.
The Chris Kraus Collection of Kathy Acker papers is comprised of materials Kraus created or amassed in the process of writing her biography of Kathy Acker, After Kathy Acker: A Literary Biography (Semiotext(e), 2017). The collection includes emails between Kraus and Acker's friends and colleagues; copies of manuscript material (primarily letters) from Acker gathered by Kraus from research libraries and private collections (very few of which duplicate materials in the Kathy Acker papers held by Duke) ; audio recordings of interviews between Kraus and Acker's associates, accompanied by transcriptions; Kraus's research notes, compiled quotes, and other research materials; collected press and reviews of Acker's work; typescripts and published works by and about Acker; Acker's financial records pertaining to expenditures, earnings, inheritances, and real estate; chapter drafts of Kraus's book; and a small amount of print ephemera and original photographs.
Interviewees and correspondents include: Lynne Tillman, Dennis Cooper, Gary Pulsifer, Amy Scholder, Neil Gaiman, Janey Smith, Dodie Bellamy, Robert Gluck, Stuart Home, P. Adams Sitney, Alan Sondheim, Eleanor Antin, Martha Rosler, and many others.
Collection consists of an autograph manuscript letter signed Christina G. Rossetti, granting the unnamed recipient, presumably a publisher, permission to reprint some of her poems. The letter is written on a single folded sheet of paper with text on two pages. She lists her address as: 30 Torrington Square - London - W.C. Rossetti refers to the correspondent's "assurance that no variation whatsoever" will appear in "your Fine Art book for Xmas 1882." Rossetti names three of her books he may use as source material: "Poems," "Pageant," and "Sing Song." She writes, "I name these, because not every piece to be found elsewhere is in every instance of my own copyright."
Collection includes a diary and calling cards, a military pass, letters, newspaper clippings, a petition, a resolution, and a volume. The diary and calling cards relate to Clara Barton's travels in Europe in 1869, primarily to Geneva, Switzerland, and Corsica, and to expenses and living conditions there. Includes references to Sir Edwin Arnold, editor of the London Daily Telegraph; Thomasina M.A.E. Campbell, an author on Corsica; and Charles Horace Upton, United States Consul in Geneva.
The military pass (1861 May 18) was issued to Barton "and Friends" for a visit Camp Monmouth, Meridian Hill, Washington, D.C., and is signed by Colonel Matthew Miller. A letter (1867 February 21) from Edward Shaw, a friend of Barton, jokingly urges her to return to Washington, D.C., for the vote on the Reconstruction Act. A 4-page letter (1882 May 15) by Barton is addressed to a "Miss Phelps" concerns aid provided to victims of Mississippi floods of that spring. The assistance was symbolic of Barton's program to broaden the work of the American Association of the Red Cross from war service to supplying aid during peacetime natural disasters as well. There are two newspaper clippings regarding Barton, dated 1883.
There is a letter with a related petition and resolution, all dated from 1869. The letter is a one of introduction for Barton (undated, late March or early April) to President Grant, written by Senators Carl Schurz and James W. Grimes, and requesting that Grant give attention to her plan for the employment of Black people in Washington, D.C. The petition by Barton (March 1869) outlines her plan to Congress, requesting use of government property in the city to assist in training Black people in skilled labor for better employment opportunities; it is clipped to her copy of the Congressional resolution in support of her plan.
A copy of a letter (1916) contains charges made against Barton by Mabel Boardman to explain why Congress should not appropriate funds to create a plaque in Barton's honor for the new American National Red Cross headquarters, under construction between 1915-1917. An accompanying volume (201 leaves), dated 1916 November 27, attempts to refute these charges with detailed documents, including mimeographs and copy letter typescripts, with many corrections in pen and pencil throughout. Documents draw from Civil War letters, Barton's Civil War diaries, testimonials from Grand Army of the Republic organizers, American National Red Cross supporters, nurses, legislators, and others outlining Barton's long career and efforts. The volume is signed by its compilers, W. H. Sears and Julian Hubbell, who were secretaries to Barton, and a notary public, with a seal. The volume contains Sears' ownership mark.
The Clarissa Sligh Papers have been divided into 8 series: Binders and Catalogs, Projects, Correspondence, Journals and Notepads, Photographs, and Artists' Book Dummies and Drafts, Jake in Transition, and Accession 2013-0149.
The Binders and Catalogs series includes a selection of exhibition binders, kept and collected by Sligh as a record of her various projects, events, and exhibits. Also includes press clippings, museum catalogs, and other programming materials. Items have been removed from their original binders.
The Projects series includes files from many of Sligh's art and research projects, relating to a variety of topics such as slavery, civil rights, genealogy, gender studies, and African American history. A "project" may include materials from an installation, artist book, exhibit, or all of these formats. Sligh's work frequently evolved over time and expanded in scope and format. This series also includes files from Sligh's exhibitions and publications. Major projects documented include: NC Reunion and Slavery Project, a film related to the Artists' Call Against U.S. Intervention in Central America, Jake in Transition/Wrongly Bodied, Coast to Coast, Witness to Dissent, Sandy Ground, and Malcolm X: Man, Ideal, Icon.
The Correspondence Series contains three subseries of correspondence: the first has been sorted in loose chronological order according to Sligh's own folder arrangements; the second contains Sligh's self-designated "to do," "answered," "unanswered," and other unsorted correspondence; the third has files that are arranged alphabetically by subject or correspondent's name.
The Journals and Notepads Series includes a set of legal notepads kept by Sligh during the late 1990s. Many entries related to her work on Jake in Transition, but the journals also include Sligh's discussions and reflections on other projects and artwork.
The Photographs Series includes images of artwork and installations by Sligh, portraits of Sligh, and portraits and snapshots of family and friends.
The Artists Books Dummies and Drafts Series includes mockups and drafts from the production of Wrongly Bodied; It Wasn't Little Rock; Malcolm X; Reading Dick and Jane with Me (including "Play with Jane" print); What's Happening with Momma? and alternate version of this book called Girlchild; Hiroshima, Hopes and Dreams; and Voyage(r): Tourist Map to Japan.
The Jake in Transition series consists of photographic prints.
Accession 2012-0149 is an addition consisting of Sligh's documentation of her work and process, photographs and negatives, large screen prints, and political posters.
Collection includes, but is not limited to writings, research and subject files, project files, talks/speeches, and files documenting group work.
Collection includes a press pass, two articles on Louant, a few samples of her writing and poetry, and some genealogy for the family. The press pass is for the Grand Concours International in 1888 in Brussels. It contains Louant's image and her signature. The two articles are from undated magazines. The handwritten writings have to do with her family history and "the small happiness;" the poems are about the rain and the ruins of an abbey. There are three articles containing information about the Louant family and genealogy.
The collection consists of a single page typescript letter dated 1900 January 4 on The Sphere newspaper's letterhead. Clement Shorter writes to Mrs. F.L.E. Bellfield to thank her for giving him a book which he found helpful in his preparation for a new edition of Elizabeth Gaskell's Life of Charlotte Brontë that he was in the process of editing. The letter also mentions a forthcoming new edition published by Smith & Elder of The Life and Works of Charlotte Brontë, edited by Mrs. Ward Humphry and with an introduction by Shorter.
The Common Woman Chorus records contain material dating from 1985 to 2015 relating to the group's musical and fund-raising activities. The records primarily comprise sheet music, concert programs, publicity, correspondence, and administrative records. Although the records contain mostly print material, a few color photographs, audiocassettes, videos, electronic word documents, t-shirts, and sweathirts are also included. Use copies of original audiovisual recordings will need to be created before items can be accessed by researchers. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
The materials in the Cookie Teer papers date from 1971 to 2000, with the bulk of the collection dating between 1983 and 1997. These materials include: newspaper clippings, magazines, correspondence, photographs, meeting minutes, manuscripts, notes, published books, audio and videotapes, organizational records, and court transcripts. The collection documents Teer's activism during this period; the feminist issues with which she was concerned; feminist and anti-pornography activism in and around Chapel Hill and Durham, N.C.; and the activities of the organizations of which Teer was a member, including the National Organization for Women (N.O.W.) and Pornography Awareness.
The materials provide detailed documentation of the social, cultural, and political debates over pornography in the United States in the 1980s and 1990s, with materials from both proponents and opponents of anti-pornography legislation, as well as detailed documentation of the pornography industry, with a focus on publications such as Playboy and Hustler. Transcripts from hearings organized by the Attorney General's Commission on Pornography supplement these materials, with testimony from all sides of the pornography debate.
Teer's extensive subject files (37 boxes) contain newspaper and magazine clippings, correspondence, and printed items pertaining to women's rights, feminists, feminist organizations and events, and social issues related to women and children such as rape, pornography, incest, prostitution, domestic violence, child custody, and child abuse. Other materials relate to her ownership of the Southern Sisters bookstore (Durham, N.C.), such as promotional materials, newsletters, events fliers, several rolodex files, rubber stamps, and calendars.
The collection also contains materials related to particular feminist activists and theorists, including Nikki Craft, Catherine MacKinnon, and Andrea Dworkin.
Collection comprises a handwritten manuscript copy (70 pages; incomplete, the text ends mid-sentence) of Lady Holford's will and codicils, created around 1720, following her death. In the will, large sums of money are bequeathed to several Oxford colleges, including Christ Church, Pembroke and Worcester Colleges, and Hart Hall, along with Charterhouse School. There are also lesser legacies made to various London charity schools, along with other amounts left to individuals.
Collection consists of a mathematics manuscript workbook and five manuscript copybooks used by Cornelia Ann Ludlow as a young girl between the ages of approximately eight and fourteen years old (dating between 1796 and 1802). The math workbook (dated 1796) is hardback bound, with arithmetic lessons on numeration, addition, subtraction, multiplication, division, and measurements. The five copybooks (dated approximately 1800-1802) are bound in marbled paper, with school assignments and lessons on penmanship, geography and history about the United States and Canada, repeatedly copied sentences about manners, morals, and character, and other assorted assignments.
Acquired as part of the Lisa Unger Baskin Collection.
Accession (2005-0037) (21 boxes) documents the activities of N.C. gay and lesbian organizations. Includes correspondence, newsletters, programs, flyers, and organizational material from One Voice; organizational material, correspondence, programs, invitations, minutes, registration records, financial records (bulk 1994) from Music & Message, the Gala Choruses Leadership Conference (Sept. 2-4, 1994 in Charlotte); correspondence, newsletters, clippings, financial records (1993-1996), minutes, and administrative records for the N.C. Lesbian and Gay Pride Board; fund raising material for the AIDS fund raiser Heart Strings (June 15, 1992), and Pelag benefit Our Family Celebration (Oct. 12, 1991); and files, promotional materials, newsletters, clippings, minutes, and financial records about a N.C. Lesbian and Gay Pride event, 1994. Also included are posters, t-shirts, 14 VHS video tapes, 1 CD-Rom, 50 photographs, and 25 slides.
Accession (2007-0079) (1600 items; 3 lin. ft.; dated 1991-2002) contains organization files and correspondence for Time Out Youth, an organization for lesbian, gay, and bisexual youth; financial and organizational files for OutCharlotte (1995-1998); NC Pride files; conference materials; and clippings from local publications including the Charlotte Observer, Creative Loafing, and The Leader. Also included are 2 CD-Rs containing audio clips of interviews, 15 Hi8 video cassettes, 9 VHS tapes, 4 audio cassettes, and photographs. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
Accession (2009-0173) (2500 items; 3.6 lin. ft.; dated 1999-2004) includes materials from the planning and construction of The Lesbian and Gay Community Center in Charlotte, NC. Also includes The Center program files, administrative materials, board meeting minutes, publicity, and volunteer information.
The Dawn Langley Simmons Papers span the years 1848-2001, with the bulk of the papers being dated between 1969 and 2001. The collection consists of material collected and created by Simmons when she was using the names Gordon Langley Hall, Dawn Pepita Langley Hall, and Dawn Langley Simmons. Extensive files of correspondence dating from the 1950s to 2000 document Simmons' formative years in Kent and Sussex, Great Britain; her relationship with her mother, Marjorie Hall Copper; literary circles in Great Britain; later personal events such as her wedding and purchase of her house in Charleston, S.C.; and Simmons' development as a writer. Significant correspondents or individuals mentioned in letters and other materials include Robert Holmes, Sir Harold Nicolson, Nigel Nicolson, Edwin Peacock, Margaret Rutherford, Vita Sackville-West, and Isabel Whitney. The collection also includes writings by Simmons in the form of typescripts and diaries; printed material and clippings including articles by and about Simmons; legal and financial papers; an extensive collection of scrapbooks; photographs; audiovisual materials; and other material relating to Simmons' personal life and career as a writer. The writings in the collection are primarily typescripts but include a few proofs and printers' galleys. Many of the pieces are unpublished. The publication process of the 1995 autobiography Dawn: A Charleston Legend is extensively documented by a series of edited manuscripts and proofs as well as correspondence with the publisher. Collection materials also document to some extent sex change treatments begun in 1967 at the Gender Identity Clinic of Johns Hopkins University in Baltimore; Simmons' 1969 interracial marriage to John-Paul Simmons; and the disruption in their lives in part brought on by the negative reaction of Charleston society to their marriage.
The collection also contains an electronic file of an unpublished manuscript, WANTING MAGIC, by J. Theodore Ellis, including his unpublished notes, footnotes, and reflections based on the works of Hall-Simmons and related individuals, as well as professional studies of transsexualism and sexual identity. Includes a printout of selected pages of the manuscript. There is also Ellis' copy of Simmon's GREAT WHITE OWL OF SISSINGHURST.
The Audiovisual Materials Series includes video and audio tape recordings and photographs. The recordings include professionally-produced audio broadcasts discussing Simmons' transgender life and her interracial marriage - and an amateur audio tape of Simmons' wedding. Several hundred photographs document Isabel Whitney and her family as well as Simmons' family and friends. Original recordings are closed to research; listening copies are available for most items. Otherwise, staff must arrange for use copies to be made.
The largest series in the collection, the Correspondence Series consists chiefly of incoming correspondence, spanning five decades, from family and friends, from publishers concerning Simmons' writing, and from other individuals. There is some correspondence written by Simmons scattered throughout.
Brief but detailed entries in the eleven volumes housed in the Diaries Series describe Simmons' writing career, emotional states, and family matters during the time periods from 1975-1976 and 1987-1989, ending with the years 1990-1994.
The Legal and Financial Papers Series chiefly consist of documents concerning Simmons' father, Jack Copper, Isabel Whitney and her family and estate, Simmons and her husband, and Simmons' inheritance from Whitney.
The Printed Materials Series houses clippings, travel guides, flyers, and other items that document Simmons' interests, travels, and hobbies; includes early journalistic writings (chiefly columns), and a hardcover copy of her children's book, the Great White Owl of Sissinghurst.
The twenty-odd albums found in the Scrapbooks Series feature memorabilia, clippings, photos, and correspondence assembled by Simmons concerning her writing career, family, hobbies, and interest in celebrities and royalty.
The small Volumes Series consists of two manuscripts collected by Simmons: a nineteenth-century diary written by Sarah Combs, a transcript of this diary, and an early twentieth century travelogue written by a member of the Whitney family.
The Writings Series primarily consists of typescripts of works by Simmons. There are a few written pieces by other authors. Other writings by Simmons can be found in the Correspondence Series (in the topical correspondence folders for the 1950s and 1960s and scattered throughout in other files); in the William Carter Spann Series, which contains research Simmons conducted in preparation for a book on President Carter's nephew; in the Diaries Series; and in the Printed Materials Series, which contains early columns and later writings by Simmons.
Oversize Materials housed separately from the main collection include posters, cover proofs, newspaper and magazine clippings, and a few diplomas and awards.
Acquired as part of the Sallie Bingham Center for Women's History and Culture.
The papers of Delouis Wilson, an artist and jewelry designer based in North Carolina, consist of a set of 27 journals (1977-2008, currently closed); a few calendar notebooks; sketchbooks and notebooks from her time at Atlanta College of Art; and loose pieces of artwork. An important component of Wilson's archive consists of a collection of 30 large photographic portraits of African Americans dating from the late 1880s to about 1940, collected by Wilson chiefly in the American South.
Wilson's journals (closed to use by donor request), calendars, and notebooks document in detail the personal life of the artist, life in Durham, N.C., her travels abroad and in the U.S., including time in Tunisia in the Peace Corps, and her career as a jewelry designer. They include small illustrations contain as well as laid-in items such as letters and postcards; some have handmade covers constructed of textiles and other non-paper materials.
The artwork, sketchbooks, and art notebooks present a mix of drawings, sketches, prints, textile work, and mixed-media color paintings created by Wilson during and shortly after her art school years, all 8x11 inches or less. The notebooks also include art school class notes and handouts, creative writings, and personal notes such as recipes, lists, housing notes, and addresses. There are self-portraits scattered throughout, including a larger piece from 1990 laid into a sketchbook. Also in the collection is one large color photograph of an African American woman by Wilson. The artworks range in size from 4 1/2 x 6 to 16x20 inches.
A central component of the collection are thirty historic studio portraits of individual Black men and women (1890s-1940s), with some of couples and families, collected by Wilson in thrift shops and flea markets throughout the Southern U.S. Most belong to a process called crayon enlargements. The studios developed faint enlargements of the photographic images on convex pieces of thick card stock, then outlined and filled them with ink, crayon, or pastel pigments to resemble a painting. One portrait in the collection is a fully-developed gelatin silver photograph. A few smaller portraits are sized approximately 10x8 to 13x9 inches; the majority are larger, ranging from 19x13 to to 20x16 inches. Most of the prints are hand-tinted with a variety of tecniques, but some are black-and-white, and some are on flat rather than convex mounts.
The collection includes a variety of materials, ranging from Weddington's published articles to clippings of other articles used in her research. The coverage of the homosexual community in and around San Francisco is represented in two series; the first being Coverage of Gay Clergy in the Church. This series includes legal proceedings by the Lutheran Church against gay clergy, as well as Weddington's own reporter notebooks from her time covering the subject. A second series, Coverage of Gay, Lesbian, and Bisexual Communities, includes materials from Weddington's involvement in the National Lesbian and Gay Journalist Association and the Frameline film festival. Also included in this series are coverage of the blackballing of gay and lesbian news by the Contra Costa Times, business directories from San Francisco, local gay pride events, and mainstream coverage of gays and lesbians in America.
The series on Weddington's Research, Clippings, and Reporting from Various Projects includes materials from her religion beat at the Contra Costa Times, as well as other internal correspondence and clippings from her work at the newspaper. Subjects include general women's news, as well as articles on domestic violence and rape, child abuse, Satanism, recovered memory phenomena, and women's rights. Also included in this series are materials from Weddington's many projects, including the War Tax Resistance campaign, Diablo Valley study groups and clubs, Journalists Exchange on Aging, and gardening. Finally, this series includes materials from Weddington's coverage of the visit of Pope John Paul II to San Francisco in 1987.
Women in the Church includes materials from Weddington's own involvement in the women's ordination movement in the Episcopal Church, as well as her clippings of coverage regarding women and religion during the 1970s-1980s. Also related and included in this series are Weddington's materials from her time as a student at the Divinity School at Duke University in the 1970s.
Weddington's Published Articles and Reporter's Notes appear to date largely from 1986-1992, although many articles and most of her notes are undated. These clippings from the Contra Costa Times along with news wires reveal the breadth of Weddington's journalism, with topics ranging from the religion section to breaking news about traffic accidents. The materials are not sorted or arranged in any way. Along with clippings and reporter's notebook pages, the series also includes some correspondence from readers, internal Contra Costa Times photography requests, press releases, and other miscellaneous pages used by Weddington in her work.
Finally, the Correspondence series includes both electronic (print-outs) and postal correspondence. One part of the series consists of dot matrix printer printouts of internal communications between the staff and management of the Contra Costa Times. Weddington writes that this material documents the bias against gays and lesbians, as well as the regular workflow of the newspaper in terms of scheduling reporters, meeting deadlines, internal gossip, and so on. Another portion of the series contains letters, greeting cards, and other personal and professional correspondence. These have been arranged by year but not sorted further.
Accession (2014-0169) contains materials documenting Weddington's education and teaching careers, personal and professional correspondence, as well as materials relating to her work as a reporter, material related to her book on Alzheimer's disease, and work on the arts for the National Parks Service.
Included are materials from her grade school studies, undergraduate career at Duke University, work at Duke Divinity School, journalism coursework at the University of Missouri, and graduate studies at Berkeley in journalism and law. Teaching materials include courses taught at Contra Costa Community college on journalism and ethics. She has also taught couses on media and public policy. Also included are clippings and extensive research materials from her arts journalism in California, including work done for the Contra Costa Times.
Collection documenting feminist activism in Philadelphia in the 1980s-90s, including materials from training courses from various feminist coalitions working to end domestic and sexual violence against women, syllabi for Women Organized Against Rape trainings, materials from various Take Back the Night marches, clippings, and periodicals.
Collection comprises a manuscript journal and log book (59 pgs+ blanks) authored by Thompson while on a voyage between England and Jamaica from March 25 to April 28, 1935. However, the journal actually closes with a description of her train trip home on April 29. Includes Thompson's 33 black-and-white photographs, 2 telegrams she received from a Captain Greenhill, her certificate of discharge, and an Irish sweepstakes ticket for the Derby syndicate (dated June 5) that she purchased during the voyage. In addition, Thompson copied into the journal a 3-pg informational article on bananas, written by H.C. Bower, and kept a record of the ship's log for the trip. The S.S. Tetela was a cargo and occasional passenger ship that belonged to the banana-importing firm Elders & Fyffes, a wholly owned subsidiary of the United Fruit Company.
All the entries in the piece indicate that Thompson was an experienced sailor and had navigational training, "Started work this morning. The ship's Log Book had been filled up last trip, and they couldn't get a new one at Rotterdam, so the entries for the last few days had been made on odd sheets of paper. I re-wrote these on official paper and.... Continued making all entries during the trip (pgs. 1-2)." The Tetela sailed from Southampton and arrived at Port Antonio, Jamaica, a fortnight later. Over the next week, the ship took on a large cargo of bananas at Montego Bay, Bowden, and Kingston, where five passengers joined the ship for the homeward voyage. The ship birthed at Garston Docks, Liverpool, two weeks later. In the journal, Thompson does not record what duties she carried out as stewardess. Instead, she recorded weather, passing ships, as well as sea life, but mainly focused on describing, with an active sense of humor, staff activities, meals, gossip, recreation, and teasing aboard ship. She also detailed a day trip she took to Port Antonio, the loading of bananas as cargo, as well as her contacts with officials of the United Fruit Company and family members of the ship's staff. The photographs document much of her description, but include several images of Thompson taken by the Tetela's captain.
Doris Thompson journal and log book of voyage aboard the S.S. Tetela, 1935 Mar. 25-Jun. 5 0.2 Linear Feet — 1 v.
The Dorothy Allison Papers include drafts and manuscripts of her writings (including Bastard Out of Carolina, Trash, Cavedweller, and other works). All of Allison's unpublished works are RESTRICTED and require permission from the creator prior to use. Personal and professional correspondence, including exchanges with her publishers and other authors, are held in the chronological and work files. The collection also contains Allison's research materials and subject files, covering topics on feminism, lesbianism, sexuality, pornography, writing, and other related files. Allison's journals, dating from 1985 through the 2000s, consist of both handwritten and electronic formats, with all of the electronic journals printed for the archive. All of Allison's journals are RESTRICTED and require permission from the creator prior to use. Also included are materials from her speaking engagements, workshops, and other professional activities. There are a variety of special formats within the collection, including some photographs, electronic files, audio tapes, video cassettes, DVDs, and oversize posters.
Collection was acquired as part of the Sallie Bingham Center for Women's History and Culture.
110 zines (150 items, ca. 1984-ca. 1995) produced across the United States and Central America and collected by Dixon throughout the 1990s. The majority of the zines demonstrate young men's search for life meaning, morality, and identity, especially through hardcore and punk music/lifestyle, including interviews with bands, album reviews, and criticism of the status quo. Other groups of zines were produced by children participating in various afterschool and enrichment programs in Durham, NC; by Central American women in Mexico, Nicaragua, the Dominican Republic, and El Salvador; and by American young women raging against rape and sexism and searching for a less traditional sexual identity. Many zines include erotica, drawings, copies of photographs, and cartoons. Online searchable database includes more detailed descriptions of the first accession of this collection. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
The five leaf holograph manuscript with text on the front side of each numbered page consists of two poems both titled at the top and signed "Edith" at the bottom. Both poems, "Lullaby," and "Serenade: Any Man to Any Woman" appeared in her 1942 collection "Street Songs." In this manuscript, "Serenade" is titled "Any Man to Any Woman." Both were inspired by the early years of World War II and are ironically titled. "Lullaby," sung by a baboon, describes a chaotic, primeval world destroyed by wartime chaos and despair in which, "All is equal - blindness, sight/There is no depth, there is no height." "Serenade" spoken by a dying soldier, regards his love through the lens of death and destruction. He identifies his love with a cannon and invites her to "die with me and be my love" in a reversal of the famous Marlowe line.
Both poems are referenced in the Edith Sitwell papers at the Ransom Humanities Center. Viewed March 9, 2017
Source: Misko, Ellen, "A Study of Dame Edith Sitwell's Later Poems: 1940-1945" (1972). Dissertations. Paper 1211. Viewed March 9, 2017
Edith Wharton "La Duchessa in Preghiera" corrected manuscript, after 1900 0.1 Linear Feet — 34 leaves
These papers consist of personal materials from the Elliott and Thomas families as well as administrative files from Elliott's work in various women's rights organizations and philanthropic activities.
The collection includes some material regarding Elly's husband, Jock Elliott, former chairman of the Ogilvy and Mather advertising firm. Included in the Thomas family materials is a series on Eleanor's mother, Dorothy Q. Thomas. In the legal and financial papers series, there are materials pertaining to the divorce and child support matters of Elliott's brother, James A. Thomas Jr.
The collection contains scrapbooks and photographs, as well as reel-to-reel audiotapes that require reformatting before use.
Collection contains professional papers of Eleanor Foa Dienstag, feminist activist, author, journalist and corporate writer. Materials include Dienstag's writings and appearances in print media, a run of the Outsider's Newsletter, files related to books, Whither Thou Goest and In Good Company : 125 years at the Heinz table, 1869-1994, as well as files related to unfinished biography of transgender activist and tennis champion Renée Richards.
Commonplace book, 13 pages; 31 cm x 19 cm, dated 1781-1784, kept by Eleanor King. The book contains poems--some original, others attributed--interspersed with cooking and medicinal recipes. King typically signs her name and gives the dates with each entry. Recipes range from "Raison Wine," to "Sherif Cake," to her "Elixer of Health." One poem, possibly written by King, is devoted to the pleasures of breastfeeding and is titled: "On Seeing a Lady Nursing her own Child." The commonplace book once included several other pages which were cut away from the book at an early date.
Collection comprises an autograph letter, signed E. V. B., written by Boyle to Mr. [L?]awley on May 11, regarding payment for wine glasses and his portrait in the Pall Mall Magazine. On her Huntercombe Manor, Maidenhead, letterhead.
The collection consists of a single commonplace book with the name Eliza Beckwith or perhaps Eliza Beckwith Burton on the front cover. Twenty manuscript pages contain 30 poems and short phrases collected from college acquaintances, some with titles such as "The Enquiry," "Happiness," "Remember Me," "Prudent Simplicity," "The Old and New Year," "Friendship," and "The Rights of Woman." A few of the poems are extracts taken from Tennyson and Wordsworth, but most appear to be original pieces from fellow students including Annie Kemball, Martha Ardley, Louisa Gillingham, Annie Morris, Helen Taylor, and Lizzie Capez. A few pieces are signed and dated "College 1860," "Christmas 1860," or "Normal College." Acquired as part of the Sallie Bingham Center for Women's History and Culture.
The collection contains two photograph albums, two certificates, a woven scarf, and a small framed portrait of a nurse. The albums contain snapshots and candid photographs taken by or collected by Elizabeth Annie Dickenson, as well as some handwritten captions recording names, places, and dates of images. A larger album has about 140 photographs and appears to be based solely at the Bodlondeb Auxiliery Hospital in Bangor, Wales, where Dickenson worked as a nurse during World War I. Images include scenes of nurses and soldiers at the hospital as well as leisure outings to local sites in nearby Welsh towns. This album also contains two signatures from Princess Victoria, who appears in some of the photographs during her visit to the hospital.
A second album, "Autographs," has a range of images from different sources and periods of time, including Bodlondeb and other locations in Wales in 1916-1917; some images of Lahore, including Mayo Hospital, in 1919; and at least one 1906 photograph of Dickenson with other nurses. This album also contains a 1936 note and photograph of children dated 1924.
The certificates relate to Dickenson's nursing career - one is a midwife certification, issued 1906, and the other is a commendation issued by the Joint War Committee of the British Red Cross Society and the Order of St. John of Jerusalem in England, dated approximately 1918.
The framed portrait is presumably of Elizabeth Annie Dickenson in uniform, but is unlabeled and undated.
The collection consists of a single autograph typescript letter dated 1926 June 26 written by Elizabeth Arden to a Mrs. Hyatt, who had contacted her for advice after hearing her speak on the radio. Arden writes, "I know that where one is a busy housewife and has many duties in a country home, it is hard to get rest and relaxation. Perhaps you are of the naturally alert, quick, nervous type and use up a lot of energy everyday." Arden advises her to "get a little rest period at least once a day and relax in a quiet room or take a soothing, warm bath and a little nap," as well as to eat a healthy diet. She goes on to recommend products in her Venetian Preparations line that will soothe chapped hands, and encloses her booklet "The Quest of the Beautiful." On letterhead stationery from 673 Fifth Avenue embossed with the Venetian trademark.
Collection contains four signed letters written by Elizabeth Cady Stanton to various correspondents. The first, dated [1880s] May 9 from New York, was written in response to a letter by a Miss Ives regarding a misunderstanding between them over articles or interviews written for The World and The Recorder; includes a transcription. In the second, dated 1881 April 26 from Tenafly, N.J., Stanton wrote to William Russel Dudley regarding his position, as well as her son Theodore's amicably-ended engagement to Miss White, daughter of Cornell University President Andrew Dickson White, and his plans to marry another. In the third letter, dated 1883 Dec. 10 from Geneva, N.Y., Stanton wrote to Courtland Palmer, declining an invitation address the first meeting of the Century Club, and regretting that she was not apprised in time to change her travel plans, as she had just returned from Europe; item is mounted.
In the fourth letter, Stanton wrote to Edgar F. Gladwin on July 28 [no year provided] from Tenafly, N.J., answering his question, if she thinks "that the cause of woman suffrage would be greatly advanced if the generalty [sic] of women gave their active approval." She answers "Most assuredly" and goes on to mention how the lives of Turkish and Mormon women would change if they repudiated the social practices of their societies. Stanton then goes on to state that the reason women in the United States do not wholeheartedly support suffrage is because of theology: "They accept what is taught them by holy men at the altar. Believing... woman an afterthought in the creation; the author of sin; cursed in her maternity, marriage for her a condition of slavery, she's prepared for any form of degradation. Hence until the majority are emancipated from the old theologies they will never demand political freedom. My present endeavor is to turn my guns on the church."
Collection comprises an autograph, signed letter Elizabeth Cary Agassiz wrote to Dr. Thomas Hill on January 20  regarding his article on her husband published in the Unitarian Review in December 1885. She notes that she was unable to follow his entire argument, "for the kingdoms of geometry are closed to me. But in reading it I am nonetheless conscious of a law which binds all things together...." Also includes a printed photograph of her.
Collection contains a letter Elizabeth Gaskell wrote to Ellen Nussey on  July 27 regarding her work on her biography of Charlotte Brontë, and making arrangements to meet with Nussey to review any letters "which you may think it right to entrust me with." She refers to having already reviewed letters held by Mr. Nichols, Brontë's husband, but never mentions Brontë by name.
Collection comprises three letters, a note, poetry copied by Fry, and two portraits. The correspondence includes: a joint letter (dated 1821 Sept. 22) from Fry and her brother, Joseph, thanking James Williams, sheriff of London and Middlesex, for his interest in and support of the work of their organization for the improvement of female prisoners at Newgate. In the other letters (1839 and 1842), Fry briefly mentions separate confinement and the new colony at Australsund in West Australia. The undated note (probably around 1850) written to Blesia(?) regarding an accident on the part of Fry's daughter[-in-law] Sophia, that prevents Fry's visit. The other manuscript page contains two items of poetry, On Parent Knees a Naked New-born Child by Sir William Jones, copied at Plashet House on 1825 February 5, and 1 Timothy 4:12, copied on 1823 July 8. The collection also contains two printed portraits of Fry.
Professional papers of feminist philosopher, Elizabeth (Liz) Grosz: http://en.wikipedia.org/wiki/Elizabeth_Grosz. Materials encompass her scholarly work, including research files, manuscripts and typescripts of writings, publications, as well as student work, teaching files including syllabi, lecture notes, etc., and ephemera.
Collection consists of the original and photocopies of an 85-page handwritten manuscript in a bound notebook, begun in fall 1922 by an African American woman, Elizabeth Johnson Harris (1867-1942) from Augusta, Georgia. It starts on the front side of the pages until the end of the notebook, where it continues from back to front on the backs of the pages. It covers her life in chronological order with the exception of some earlier stories recounted in later sections.
Harris divided the memoir into two sections: her childhood years and her life during and after her courtship and marriage. The manuscript also includes tipped in photographs and news clippings. The photograph on the inside front cover above the dedication is an image of Johnson's adult daughter, Mattie Louise. The appendix (12 pages) contains the majority of the clippings, which consist of her poetry, several folk tales, news stories about the Harris family, and two obituaries about Harris.
The memoir describes Harris' childhood in Augusta, Georgia; race relations in Boston, Massachusetts (observed during a four-month stay) and in Augusta, Georgia; her ambivalence about her place in society as an African American; and the history of her church activities and schooling from childhood through adulthood. She conveys anecdotes and histories about her ancestors during Reconstruction, including her grandfather's grant of three acres of land in Summerville (Augusta) from a former enslaver, James W. Bones. She includes many details about her courtship and marriage, as well as descriptions of the adult lives of several of her children. Her son Charles Jacob Harris (1885-1988), was a classically trained pianist, composer, and teacher whose papers are also held by the Rubenstein Library.
Elizabeth Johnson Harris memoir, 1922-1923 .1 Linear Feet — 1 notebook — Includes original, preservation photocopy, and use photocopy. — 22 x 35 cm.
Collection comprises a 1-page bill detailing the costs incurred by Elizabeth Parry during childbirth, including charges for a midwife; food and board; sugar, bread, spices, oatmeal and fruit; a "watch on fixed nights" and candles; the child's linen and clothing; two cords of firewood; a fire wood cutter; and two trips to Boston during the lying-in. Also includes the cost of "time spent to go to authority to make complaint of Edward Dix the father of my above[said] child." The bill is signed by Parry, and witnessed by John Phillips, Joseph Lynde, Jonas Bond, and Edward Emerson.
Collection comprises materials related to a celebration, hosted by the college union in 1959, of Elizabeth Wilhelmina Jones' 90th birthday, along with items related to her memorial the following year. Includes two newspaper clippings regarding the birthday; a related luncheon invitation, menu, and college union pin; two items associated with her memorial service; and a notice regarding a memorial fund to be established in her name. In addition, there are three black-and-white photographs of the birthday luncheon and one color photograph of Jones. The rest of the collection items are mainly forms related to photographic orders.
Collection comprises an autograph note on Lyceum Theatre letterhead (5"x8"). The actor Ellen Terry writes to "Olga" to schedule a social engagement. She writes, "I'm much grieved to hear of you mother ..." and sends "best remembrances" to Olga's husband. There is also an undated cabinet photograph, by Window & Grove photographers, London.
Single-page handwritten manuscript testimony signed by Emily G. Wightman on the topic of her husband's physical abuse of her and his neglect of their children. Text reads: "Cruel and inhuman treatment by my husband such as frequently and greatly impair my health and endanger my life rendering it unsafe for me to cohabit with him - Refusing & neglecting to provide sufficient provisions and clothing for his family and when otherwise provided he deprives the family of their use by hiding & secreting them and locking them up in places where they cannot be found or recovered by the family when needed." Acquired as part of the Sallie Bingham Center for Women's History and Culture.
Emily G. Wightman testimony on spousal abuse and neglect, circa 1800-1850 0.1 Linear Feet — 1 leaf — 16 x 20 cm.
The Emma Goldman papers feature over 300 letters, primarily written by Emma Goldman, although other anarchists, activists, and thinkers are represented as authors, including Alexander Berkman, Eugene Debs, Harry Kelly, Alexander Shapiro, and the Socialist Party of New England. Many of the letter recipients are unnamed (as "Comrade"), but the majority of the letters were directed to Thomas H. Keell, an English compositor and editor for the anarchist periodical Freedom, in London. Letter topics most often center around requests made of Keell in support of various writing projects as well as speaking engagements and organizing work completed in Europe, the United States, and Canada, but also touch on visa constraints for Goldman and Berkman, the state of the anarchist movement in various countries, the lack of support for anarchist publications, as well as general position statements, especially in regard to Soviet Russia and the Spanish Civil War. There are also papers related to various prominent anarchists. These include typescript drafts of four articles and letters by anarchists; nine handwritten articles on anarchist themes written in Italian by Errico Malatesta; publications; press releases; ephemera, including tickets, brochures, solicitation letters, handbills and flyers; a contract and room layout for speaking engagements; Thomas H. Keell's list of works on anarchism; newspaper clippings; and six black-and-white photographs.
The collection consists of four typescript notes and two greeting cards. The first card is headed "Votes for Women, The National Women's Social and Political Union, Greetings and Good Wishes for 1908," addressed to Mr. and Mrs. Grinling from Mr. and Mrs. Pethick-Lawrence. The second card, dated 1936-1937, has a tipped-in photograph of the Pethick-Lawrences, signed "with love from Fred and Emmeline." A typescript letter, on The National Women's Social and Political Union stationery, dated July 8, 1908, is signed by Emmeline Pethick-Lawrence to Mrs. Grinling, and asks to have her husband convey a resolution passed at a Woolich suffrage meeting to Prime Minister Asquith. Included is a typescript copy of the letter from Grinling to Asquith carrying out the request. A typescript note, dated September 22, 1922, signed Mrs. Pethick-Lawrence on her letterhead, declines subscribing to something sent to her by Mr. Grinling. A typescript note from Emmeline Pethick-Lawrence to C.H. Grinling, dated October 3, 1945, mentions a copy of a birthday telegram Grinling sent to Gandhi, who she describes as "one of the great moral and religious leaders of the present age ... his reputation and his influence will continue to grow for many years to come." A typescript note signed "Fred," dated July 9, 1945 on "The Rt. Hon. Lord Pethick-Lawrence of Peaslake" letterhead thanks C.H. Grinling for a letter of welcome.
The library also holds a number of individually cataloged printed materials owned by the Pethick-Lawrences.
Collection consists of circulated pamphlets, handouts, and literature issued both opposing and supporting the Equal Rights Amendment. Materials date from the early and mid-twentieth century and discuss the different legal opinions between the adopting the ERA versus adopting or upholding additional protective legislation for women. These materials appear to have been received by Duke University Libraries as subscriptions in the 1940s, and added to the Perkins Library Pamphlet Collection. They were later transferred to Rubenstein Library.
Estate records for Margaret Bromfield Blanchard and Henry Bromfield, 1836-1890 1.1 Linear Feet — 17 items
This early 20th century collection of 34 nitrate sheet negatives features black-and-white tourist travel images mainly taken in European cities sometime between 1910-1915. Subjects chiefly focus on landmarks such as gardens, parks, bridges, buildings, and statuary. The travelers seem to include women and at least one young child. Identified cities include Paris and Bruges, but other locations are uncertain, as are the identities of the photographer and subjects. Two commercial photographic processing envelopes are from the London firm Selfridge's; one is marked "English trip, 1913." The negatives were sized 3 5/8 x 4 7/8 inches. The original negatives have been deaccessioned and only exist in digital form.
The dating is taken in part from the 1913 date on the processing envelope and from a billboard advertising a musical being staged in Paris.
Forms part of the Lisa Unger Baskin Collection, acquired as part of the Sallie Bingham Center for Women's History and Culture.