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Carrie F. Young papers, 1872-1894 and undated 1.6 Linear Feet — 21 items

Carrie F. Young was one of the first advocates of women's suffrage in California, and was an activist for other political causes. Young eventually became a physician, the first woman to receive a medical diploma in California, from the Oakland College of Medicine in 1884. Collection includes miscellaneous written materials; flyers, handbills, and broadsides; and copies of serials.

Collection includes miscellaneous written materials; flyers, handbills, and broadsides; and copies of serials. There is a letter regarding political matters and a typescript page of general instructions for an unnamed convention, both written by Young's son, Robert E. Bush; a recommendation for Young's work on national campaigns as a Republican poltical activist and speaker, dated 1889; two advertisements for a Mrs. Dr. Tarbell's treatments of "nervous diseases and female complaints;" two pages of guidelines for a populist club; one of Young's calling cards; and an enclosure for the California Medical Journal. There is also a brochure for "photographic fern-leaf mottoes." In addition, there are 8 flyers, handbills, and broadsides, all advertising political speeches (especially for the People's Party), lectures, or medical work by Young, except for two that advertise speeches by Mrs. M. S. Singer of Chicago, and Dr. J. V. C. Smith. Collection also includes issues of the serials Life Crystals (March 1882, no. 3), edited by Young, and Pacific Journal of Health (January-September 1872, nos. 1-9), published by Young.

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Lesbian feminist writer and magazine publisher, resident of Durham (Durham Co.), N.C.; co-founder of SINISTER WISDOM, a multicultural lesbian literary and art journal. The Catherine Nicholson papers contain materials dating from 1897 to 2005, with the bulk of the collection dating from 1974 to 2005. Materials in the collection primarily document Nicholson's directing and theatre related activities, her work on Sinister Wisdom, and her membership in the group Old Lesbians Organizing for Change (OLOC). The collection comprises correspondence; personal and professional writings and supporting materials; photographic materials; publicity about theatre and of plays directed by Nicholson; audio recordings; and ephemera. Included are play scripts written by Catherine Nicholson and other playwrights, and scripts with directorial annotations by Nicholson.

The Catherine Nicholson papers contain materials dating from 1897 to 2005, with the bulk of the collection dating from 1974 to 2005. Materials in the collection primarily document Nicholson's directing and theatre related activities, her work on Sinister Wisdom, and her membership in the group Old Lesbians Organizing for Change (OLOC). The collection comprises correspondence with family and friends; personal and professional writings; poetry; notes; clippings; photographic materials, including black and white and color photographs, color slides, and a cabinet card; audio cassettes; vinyl records; press kits and playbills; reviews about theatre and of plays directed by Nicholson; and ephemera. Included are play scripts written by Catherine Nicholson and other playwrights, and scripts with directorial annotations by Nicholson. The collection contains correspondence, artwork, journals, and receipts related to the publishing of Sinister Wisdom. In addition, the collection houses Nicholson's collection of audiocassettes and long-playing vinyl records, with the majority of albums related to women's music; many of these were published by Olivia Records. Printed materials have been removed and added to the Women and LGBT Rights Periodicals Collection. Use copies of audio recordings will need to be created before items can be accessed by researchers. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Addition (2010-0068) (28 items, .1 lin. ft.; dated 1984-1985 and undated) comprises letters and cards addressed to Harriet Ellenberger, primarily from Susan Thompson.

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Celeste Wesson is a radio producer and Duke University graduate. These papers document her work with the Women's Radio Collective of WDBS, Duke's campus radio station.

Collection consists of materials documenting the work of the WDBS Women's Radio Collective, including meeting minutes, programming and how-to guides, and materials aimed at addressing the needs of women in radio production.

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The Center for Women Policy Studies was founded in 1972 as the nation’s first feminist policy analysis, research and advocacy institution. Collection documents the day-to-day operation, programs, and mission of the Center for Women's Policy Studies. The records include subject files, research files, publication materials, lectures, project documentation, program files, surveys, survey data and chronological files accumulated by the organization. Topics include women and AIDS, girls, teenage girls, work/life balance, women and violence, women and leadership, women and bio ethics and reproductive rights. The collection includes audio cassettes and VHS tapes, and patrons must request use copies to access the content of these materials. Acquired by the Sallie Bingham Center for Women's History and Culture.

This collection (2010-094)(147375 items, dated 1970-2005) documents the day-to-day operation, programs, and mission of the Center for Women Policy Studies and was accumulated by the organization throughout its history. Materials range in date from 1970-2012.

Topics covered include equal credit opportunity, educational equity, violence against women and girls, welfare reform, work/family balancing and workplace diversity policies, reproductive rights and health, the women’s HIV/AIDS epidemic and access to health care for low income women. The collection contains many speeches and articles by President Leslie R. Wolfe.

This addition (2012-0239)(41625 items, dated 1975-2009) continues to document the Center's activities. Materials include program files, development files, administrative documentation, and publications.

This addition (2013-0067)(20250 items, dated 1979-2012) covers more recent activities of the organization as well as some earlier materials not included in previous accessions. Materials include program files, publicity and fund raising files, publications, and project documentation.

This addition (2013-0137)(5625 items, dated 1975-2012) includes program files and publications from director Leslie R. Wolfe's office, mostly documenting the most recent activities of the Center.

The addition (2015-0192)(43.5 linear ft., dated 1953-2012) includes files documenting the programmatic and administrative activities of the Center, as well as photographs.

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Charles Nordhoff (31 August 1830 - 14 July 1901) was an American journalist, descriptive and miscellaneous writer. Collection comprises a private autograph letter, signed, that Charles Nordhoff wrote to William C. Russel, acting president of Cornell University, in 1881.

Collection comprises a private autograph letter, signed, that Charles Nordhoff wrote to William C. Russel, acting president of Cornell University, in 1881. The topic of the letter is Russel's stand against Henry Ward Beecher; Nordhoff writes "to send you my congratulations & hearty good wishes, as the manly stand you have taken in [regard?] to Mr. Beecher. I am sorry that you should be made to suffer for doing what I believe was your most solemn & imperative duty as the guardian of [illegible] men & women...."

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Collection comprises a autographed letter (4 pgs., 19 cm x 23 cm) written by Charlotte Brontë to her lifelong friend Ellen Nussey on 1840 November 12, possibly from Yorkshire. Pages also hold sketches of her and of a horse head created by William Weightman (1814-1842), who was assistant curate to Patrick Brontë beginning in 1839. Topics include Weightman’s drawings; an invitation to her to provide entertainment; procuring students for a local school; and the abusive and dissolving relationship between Mr. Collins, who was a curate, and his wife. Includes Brontë’s negative assessment of Mr. Collins’ character. Collection includes a typescript transcription of the letter.

Collection comprises a autographed letter (4 pgs., 19 cm x 23 cm) written by Charlotte Brontë to her lifelong friend Ellen Nussey on 1840 November 12, possibly from Yorkshire. Pages also hold sketches of her and of a horse head created by William Weightman (1814-1842), who was assistant curate to Patrick Brontë beginning in 1839. Topics include Weightman’s drawings; an invitation to her to provide entertainment; procuring students for a local school; and the abusive and dissolving relationship between Mr. Collins, who was a curate, and his wife. Includes Brontë’s negative assessment of Mr. Collins’ character. Collection includes a typescript transcription of the letter.

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Charlotte Brontë needlepoint flower study, approximately 1840 0.9 Linear Feet — canvas, thread — ;frame 25 cm, 31 cm, 2 cm

Decorative needlepoint flower study on a cream background, possibly worked in wool thread, of a white lily at top, with light pink accents on leaves and blue stamen, surrounded by five green and blue-green leaves. At lower left is a deep pink peony with white accents, surrounded by three green and brown leaves with veins in brown and blue. At lower right is a red carnation, with pink and brown petal edges. It is surrounded by a carnation bud, and two green leaves with veins in brown and blue. Brontë completed the piece around 1840. It was placed underneath a green velvet mat with oval center opening measuring 11 x 14 cm, then enclosed in a wooden frame 25 x 31 cm, which was painted gold, then "antiqued" on three sides. In hand-painted black lettering on gold paint at the bottom of the frame appears the statement, "Sampler by Charlotte Bronte," although the work is not a sampler.

Decorative needlepoint flower study on a cream background, possibly worked in wool thread, of a white lily at top, with light pink accents on leaves and blue stamen, surrounded by five green and blue-green leaves. At lower left is a deep pink peony with white accents, surrounded by three green and brown leaves with veins in brown and blue. At lower right is a red carnation, with pink and brown petal edges. It is surrounded by a carnation bud, and two green leaves with veins in brown and blue. Brontë completed the piece around 1840. It was placed underneath a green velvet mat with oval center opening measuring 11 x 14 cm, then enclosed in a wooden frame 25 x 31 cm, which was painted gold, then "antiqued" on three sides. In hand-painted black lettering on gold paint at the bottom of the frame appears the statement, "Sampler by Charlotte Bronte," although the work is not a sampler.

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Physician's account ledger and assorted papers from Dr. Charlotte Evans Page, a physician practicing in Lowell, Massachusetts, in the 1880s and 1890s.

Physician's account ledger with entries dating from 1884 through 1899, and miscellaneous correspondence and financial papers related to Page's family history and operations of her medical practice.

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Chevalier d'Eon papers, 1778-1779 1.0 Linear Foot — 8 items

Charles Geneviève Louis Auguste André Timothée d'Eon de Beaumont, known as Chevalier d'Eon, was a French diplomat, spy, freemason and soldier who fought in the Seven Years' War. Collection comprises a dossier of seven items (approximately 75 pages) compiled by Chevalier d'Eon articulating his wish to forsake his female persona in order to fight in the American Revolutionary War.

Collection comprises a dossier of seven items (approximately 75 pages) compiled by Chevalier d'Eon articulating his wish to forsake his female persona in order to fight in the American Revolutionary War. The seven items are wrapped in a blue paste-paper wrapper. The first item is a collection of 35 commissions and supporting documents from diplomats, military officers and French, Russian or English ministers, testifying to Eon's qualities and his activity in the secret services for 20 years, including the peace mission to the court of Russia (1755-1756); a mission to Vienna carrying the campaign plan of the Russian army and revelation of a secret Russian-Prussian correspondence, along with another mission to Russia (1757); commission as secretary of the French embassy at the court of Russia, after having contributed to the success of four treaties (1757-1759); commission as aide-de-camp of maréchal de Broglie in Germany (1760-1762); secretary of the French Embassy in Great Britain, for the conclusion of peace (1762); resident, then Minister Plenipotentiary in London (1763); refusal of proposals to communicate particulars and papers relative to the peace to the opponents of the court of St. James (1764-1765); followed by a Franco-British plan for the Mexican and Peruvian uprisings against Spain (1766-1768) for the Spanish ambassador in London; against the accusations of venality and corruption by the Court of France by the Princess of Wales and the English ministers (1769-1770); secret correspondence with Louis XV, the Prince de Conti, the Comte de Broglie, all ending in a promise of a life annuity from Louis XV.

The second item is a brief Memoire by d'Eon, dated 20 May 1778, for the Count of Vergennes, Minister for Foreign Affairs, in order to obtain payment of his pension, with a copy of 5 supporting documents. The third item is a memorandum describing the Chevalier's affairs in England, as of August 1778, including rents due on a house in Brewer Street/Golden Square, which is scheduled to be demolished. There are further details of d'Eon's state of affairs in France, where the Chevalier blames his feminine state and sedentariness as cause of a very painful rheumatism. D'Eon accordingly begs the King and his ministers to allow him to don men's clothes and fight.

Items four through seven are signed letters. One to M. de Miromesnil, Garde des Sceaux, Versailles 12 February 1779, with a copy of his petition to the King's special adviser, the Comte de Maurepas, of the 8th of February, asking support for the Chevalier's request to serve as a volunteer in the Comte d'Orvilliers' fleet. The other two letters are written to the Comtesse de Maurepas, Versailles 12 February 1779, with a copy of the Chevalier's petition to the comte, 8 February, requesting the comte's protection.

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Chris Kraus is a writer and filmmaker who is also the co-editor of the press Semiotext(e). In 2017, she published After Kathy Acker: A Literary Biography (Semiotext(e), 2017). This collection is comprised of the materials she created or amassed in the process of writing that book.

The Chris Kraus Collection of Kathy Acker papers is comprised of materials Kraus created or amassed in the process of writing her biography of Kathy Acker, After Kathy Acker: A Literary Biography (Semiotext(e), 2017). The collection includes emails between Kraus and Acker's friends and colleagues; copies of manuscript material (primarily letters) from Acker gathered by Kraus from research libraries and private collections (very few of which duplicate materials in the Kathy Acker papers held by Duke) ; audio recordings of interviews between Kraus and Acker's associates, accompanied by transcriptions; Kraus's research notes, compiled quotes, and other research materials; collected press and reviews of Acker's work; typescripts and published works by and about Acker; Acker's financial records pertaining to expenditures, earnings, inheritances, and real estate; chapter drafts of Kraus's book; and a small amount of print ephemera and original photographs.

Interviewees and correspondents include: Lynne Tillman, Dennis Cooper, Gary Pulsifer, Amy Scholder, Neil Gaiman, Janey Smith, Dodie Bellamy, Robert Gluck, Stuart Home, P. Adams Sitney, Alan Sondheim, Eleanor Antin, Martha Rosler, and many others.