Collection comprises a diary (124 pgs.) maintained by an unidentified woman who was educated, knowledgeable about sailing, and quite religious, during her voyages and travels around the northern coast of Scotland to cities in Norway, Sweden, the Netherlands, Belgium, England, France, and Spain. The diary began with a business trip, when she accompanied her husband (who was likely captain of the unnamed ship), from Workington, Eng., to Horten, Norway, in order to deliver a cargo of rails to the Norwegian government. The rest of the travel was apparently for pleasure. The author described ocean and weather conditions, with emphasis on dangers for ships; lighthouses; shipwrecks; landscapes; architecture; historic sites and ruins; castles; cathedrals and churches; palaces; paintings, sculptures, and artists; bridges and engineers; and gardens. She also commented on the inhabitants of and various practices in individual European countries, often in comparison to England, and with a particular focus on the women in each country. She made occasional literary references. More often she interwove her Evangelical beliefs into her descriptions, with references to the resurrection of the dead, comments on Protestant denominations, and strongly worded anti-Catholic sentiments. Includes visits to William Thorburn, who was then British Consul to Sweden; Antwerp's Cathedral of Our Lady; Waterloo battlefield; the Norman Cathedral at Durham; and the Castle site at Newcastle.
Mary C. Parks journals, 1827-1878 0.2 Linear Feet — 4 items.
Journals (1827-July-1832 Jan. 20) in the form of diary entries and extracts from letters, written principally while the author was travelling with family and friends in France, Switzerland, and Germany between July and October, 1827. The bulk of the entries are written from Paris and include an account of a meeting with a group of Osage Indians that were visiting there. Other entries describe the local landscape, history, folklore, and customs of the various places visited. There are numerous color and pencil drawings that illustrate the text. Also includes one letter (1878 Oct. 10) and a clipping.
Morris and Dorothy Margolin film collection, 1947-1982 and undated 10.5 Linear Feet — Approx. 4850 Items
The Morris and Dorothy Margolin Film Collection includes 32 home movies that capture the Margolins' travels between 1947 and 1976. Destinations represented in the collection include Austria, Belgium, Bulgaria, Canada, Denmark, England, Ethiopia, France, Germany, Greece, Hawaii, Hong Kong, Hungary, Israel, Italy, Japan, Jamaica, Kenya, Majorca, Monaco, Morocco, Norway, Pakistan, Portugal, Puerto Rico, Romania, Scotland, South Africa, the Soviet Union, Spain, Sweden, Switzerland, Tanzania, Thailand, Turkey, and Yugoslavia. All of the films are in color, and a few include sound.
Also included is a handful of home movies that document family trips and events such as graduations and birthdays, and one film that appears to be a professionally produced documentary about the Soviet Union acquired by the Margolins during their travels.
Particularly notable is the adventurous nature of many of the countries visited, such as the Soviet Union, Pakistan, Bulgaria, Ethiopia, and Kenya -- rare destinations for Western travelers in the 1950s, 1960s, and 1970s. The films are also noteworthy because Morris often trained his camera on his surroundings, recording everyday life as well as architectural and geographical features of the countries he visited. His wife Dorothy also makes frequent appearances in the films.
The films are complemented by over 4,000 color slides taken in most of these same countries from 1959 to 1982. Of particular interest are images from the former Soviet Union and Israel, both from the mid-1960s, images of South Africa during apartheid, as well as early images of France, Italy, and Thailand.
Acquired as part of the Archive of Documentary Arts at Duke University.
Nell Irvin Painter papers, 1793-2019 and undated, bulk 1876-2007 184.25 Linear Feet — Approx. 134,625 Items
The Nell Irvin Painter Papers span the years 1793-2019, with the bulk of the material dating between 1876 and 2007, and are primarily composed of the extensive correspondence, writing, research, teaching materials, and other professional papers that Painter has produced in her long career as a scholar, teacher, and writer in 19th- and 20th-century American and African American history. The materials document the breadth and depth of Painter's interests and her intellectual and personal influence on a generation of historians. Her varied roles as student, teacher, colleague, and mentor are recorded in a wide variety of formats: correspondence with colleagues, students, family, and friends; syllabi, department memoranda, and meeting minutes from her graduate and faculty positions at Harvard, Princeton, and the Universities of North Carolina and Pennsylvania; materials from many professional organizations in the fields of African American history, Southern history, American studies, and women's studies; and records of her speaking engagements, conferences, and meetings. Painter the historian and author are revealed in the extensive notes, photocopies, recordings, photographs, manuscripts, and proofs produced in writing many articles and five of her major books: Exodusters: Black Migration to Kansas after Reconstruction; The Narrative of Hosea Hudson: His Life as a Negro Communist in the South; Standing at Armageddon: The United States, 1877-1919; Sojourner Truth, A Life, A Symbol; and Creating Black Americans: African-American History and its Meanings, 1619 to the Present. The portrait is rounded out by the materials in other series: personal files, which include materials from her student years at Harvard and abroad in Ghana and France as well as personal journals; a few papers of Ghanaian writer Ayi Kwei Armah; photographs, including many historical photographs of African Americans as well as many personal snapshots in color and black-and-white; and other non-print media such as audiotapes, audiocassettes, videocassettes, and computer diskettes.
Painter's research files contain a wealth of information about many topics in American history: biography of African Americans; biography as a literary form; slavery; Reconstruction; the 1870s migration from the South to Kansas; a variety of social reform movements--such as abolition, communism, labor, and women's suffrage--and movers, such as Sojourner Truth and Hosea Hudson; and the history of social conditions and political change in the United States from the early-19th to the mid-20th century, particularly as expressed in race relations, in women's history, and in the South. At the same time, Painter's papers also constitute a contemporary record of many trends in American culture such as career and educational choices and opportunities for academic women and African American professionals. Her correspondence with students, colleagues, and longtime friends such as Nellie Y. McKay, her teaching material and academic files, her papers from an array of historians' organizations, and her personal journals each shed their own light on these themes.
The collection is arranged in these series: Correspondence, Writings and Research, Teaching Materials, Professional Service, Personal Files, Photographic Materials, Audiovisual Materials,Electronic Formats, and a collection of private papers collected by Painter, the Ayi Kwei Armah Papers. The first four series comprise almost eighty percent of the physical extent of the collection and are each divided into several subseries. The Correspondence Series follows Painter's personal life, education, and professional career from her graduate years at Harvard in the late 1960s through her retirement from Princeton in 2004.
The Writings and Research Series is arranged in seven subseries, the first five of which are based on five of Painter's major books; the final two subseries are Other Research Topics, which gathers many of Painter's shorter writings, and Writings by Others. With the exception of the last, all the subseries here contain correspondence with colleagues and editors; typescript drafts of works; various stages of proof; extensive photocopies of archival materials and published articles; voluminous notes about her readings and research; and some photographs and recordings, most of which have been removed to their respective series for preservation.
The Teaching Materials Series documents Painter's work with students and academic colleagues at Harvard, the University of Pennsylvania, the University of North Carolina, Hunter College, and Princeton University. It is arranged into two series: Courses Subseries, with syllabi, reading lists, and Painter's notes on the development of her courses that reflect the evolution of women's studies and African American studies in the curriculum; and the Academic Files Subseries, revealing Painter's many different roles over three decades: graduate student, job applicant, junior and tenured faculty member, dissertation advisor, mentor, and department head.
The Professional Service Series, arranged in two subseries, documents Painter's activities in the broader academic community beyond her university of employment and her personal connections through materials from well over one hundred professional organizations, conferences, foundations, committees and task forces, as well as editorial boards of journals and publishers with which Painter has worked during her career. The Engagements Subseries gathers documents relating to addresses, speeches, and awards ceremonies at some three hundred conferences, meetings, and symposia.
Five smaller series and a gathering of oversize material round out the collection. The Personal Files Series contains an assortment of records such as curriculum vitae; documents about her family; and some records of her student years, especially her travel and study in France and Africa. The series includes some three dozen personal journals covering most of the years from 1959-2005 containing entries about her life and career (NOTE: some journals are CLOSED to use; see details in the series note). The Photographic Materials Series contains several hundred photographs, negatives, and slides, predominantly personal and travel snapshots but also including professional portraits of Painter as well as a number of original photographs and reproductions of archival photographs she used in her research and writing. Much of the material in the early years of the Audiovisual Materials Series is related to her research and writing; by the 1990s, the content shifts focus to documenting Painter herself on the occasion of various interviews and addresses. The Electronic Formats Series consists of diskettes containing correspondence and drafts of writings. The Oversize Materials contains items from several series and subseries are gathered. The final series in the collection consists not of Painter's own work but that of a Ghanaian novelist and poet; see the Ayi Kwei Armah Papers (RESTRICTED) series note for further information on the provenance and usage of these materials.
Unprocessed additions to the collection are listed at the end of the collection guide.
Note about date range of materials: The primary material produced by Painter begins around 1959 with her earliest journals. Earlier dates in various series, occurring mainly in Writings and Research, reflect the intellectual content and original publication of the large volume of reproduced research material present in the collection.
Postcard collection, 1893-2010s 87 Linear Feet — 65,750 Items
Collection contains postcards acquired at various times by the Rubenstein Library at Duke. Collection is organized into three main categories--International, United States, and Miscellaneous. The International postcards are arranged by country and include cards from France, Italy, Canada, England, Germany, Japan, Spain, and Russia. The collection includes a set of early 20th century postcards from Thessaloniki (also known as Salonica and Selanik), Greece. The United States postcards cover many states, with large numbers from North Carolina and Virginia. The Miscellaneous category contains postcards with different subjects, including modes of transportation, food, tourism, agriculture, wars and battles, heads of state, flowers and plants, advertising, love and friendship, Confederate memorials, poetry, and animals. There are cards intended to be humorous, as well as cards depicting racist stereotypes and caricatures of African American and Native American people. Also included is a series of postcards with images relating to European artists.
Thomas Nelson Page papers, 1739-1927 and undated, bulk 1885-1920 12.4 Linear Feet — 9329 Items
The Thomas Nelson Page Papers span the years 1739-1927, with the majority of the materials dating from the 1880s to 1920. The papers include personal and professional correspondence, legal and business papers, writings, diplomatic dispatches, clippings and other items, all relating to Page's legal and literary career. Topics include his activities as a lyceum lecturer; his marriages and family relations; his role in and perspective on American politics and foreign relations, particularly during World War II; travels in Europe; and his interest in civic affairs, social reform and race relationsin the United States, particularly during and following Reconstruction. Collection is arranged in the following series: Correspondence, Legal and Financial Papers, Writings and Speeches, Diplomacy, Visual Materials, Personal Papers, and Clippings Two oversize newspapers are described in a series at the end of the finding aid.
In the Correspondence Series, the largest in the collection, letters prior to 1880 include personal correspondence from various members of the Page family, especially between Thomas Nelson Page, his mother, Elizabeth Burwell (Nelson) Page, and brother, Rosewell Page, who lived at the ancestral estate, "Oakland," in Hanover County, Virginia. Page describes his political activities in letters concerning the presidential campaigns of 1912 and 1916. Correspondence from this period also includes personal letters to members of the family describing new experiences in diplomatic life, and routine business correspondence. Significant correspondents in the series include C. F. Adams, Grover Cleveland, Josephus Daniels, J. C. Harris, William D. Howells, Robert Lansing, Robert T. Lincoln, Henry C. Lodge, Theodore Roosevelt, E. Root, J. M. Stoddart, and William H. Taft. For some of these individuals only one or two pieces of correspondence exist. Another set of correspondence, dated 1883-1912 and interfiled at the end of the correspondence series, comprises photocopies of letters (and a few other items, including a telegram, Christmas greeting, and obituary clipping on Henry Hobson) chiefly from Page to close friend Henry Wise Hobson (1858-1898), originally of Virginia, and to his wife Katherine. Notes: Originals for photocopies are in the donor's possession. The collection also includes two scrapbooks, found in the Personal Papers Series, containing cards and envelopes from distinguished persons. This series also houses documents related to Page's ties with the University of Virginia, personal reminiscences, various fragmentary notes, and a journal from 1863. Four folders of carbon copies of diplomatic dispatches from Page to the U.S. State Department and to President Woodrow Wilson, along with other papers related to his diplomatic activities, can be found in the Diplomacy Series. Another small group, the Legal and Financial Series, houses documents relating to Page's properties and other business affairs. The Writings and Speeches Series contains many manuscripts and drafts of political and literary speeches, memoirs, essays, and articles, but none of Page's major literary works. Several folders of materials in this series contain Page's detailed journalistic notes describing his trips in 1916 to the war fronts in Italy and France. Extensive folders of cuttings in the Clippings Series were taken from both American and Italian newspapers, and comprise a significant portion of the collection. The clippings refer to events in Page's career such as lyceum appearances, political appointments, and political speeches, both in the United States and in Italy. In addition, Page clipped articles referring to race relations in the United States, particularly in the South. The clippings also document national and global events during Page's years as an ambassador to Italy from 1913 to 1919, and provide rich background material for a study of United States foreign relations with Italy and other countries during World War I. There are also a few photographs in the Visual Materials Series, some of which depict scenes from wartime Italy.